《寸草灵煦》The Greatest Good (2018)

艺树需要您来灌溉！ THE TREE OF ARTS NEEDS YOUR SUPPORT! 新加坡华族舞蹈剧场作为公益机构，以继承 您可通过以下方式捐款 华族舞蹈为己任，致力于保留传统特色，同时也 You may make a donation via these 推陈出新，努力取得突破性的发展。除了积极培 methods: 育舞蹈人才，舞蹈剧场也不断将华族舞蹈带进社 区及校园贴近大众生活。 1. 支票捐款 CHEQUE DONATION 我们希望能得到各界仁人志士的认同支持及 支票受益人请填上 慷慨解囊。您捐给我们的每一块钱都意义重大！ Cheque made payable to： 所有捐款（附上个人身份证号码或公司注册号码） 均可获得2.5倍所得税之豁免。 SINGAPORE CHINESE DANCE THEATRE Singapore Chinese Dance Theatre (SCDT) is registered as Charity as well as Institute of a Public 请在支票后面写下您的姓名、身份证号 Character. With the aim of keeping heritage, strengthening traditions, and at the same time 码或公司注册号码和联络号码。 infusing new elements into Chinese dance, the Write your name, NRIC/FIN/UEN company envisions itself to be able to bring this number and contact number at the back art form to greater heights in terms of artistic of your cheque. creativity and excellence. 把支票邮寄至 and mail it to: As part of its unwavering promotional and 新加坡华族舞蹈剧场 preservation efforts, SCDT is also committed to Singapore Chinese Dance Theatre, grooming dance talents as well as developing 5 Sennett Road，Singapore 466781 Chinese dance as an accessible art form by bringing it to schools and into the community. 2. 网上捐款 ONLINE DONATION SCDT genuinely hopes to receive support for its 登上Giving.sg在线捐款平台，按照页面 mission and endeavour. Your generous contribution will be deeply appreciated, as every 指示捐款。 dollar will have a significant impact towards the Visit Giving.sg, and follow the growth of our company. All qualifying donations instructions provided on the page to are entitled to 250% tax deduction (donor’s name make a donation. and tax reference number to be provided).

新加坡华族 新加坡华族舞蹈剧场，成立于1989年，曾命名为新加坡福建会馆舞蹈剧场， 舞蹈剧场 原先是福建会馆文化艺术团属下的舞蹈团。 2013年，舞蹈剧场荣获国家艺术理事会颁发的种子基金，并在福建会馆的鼎 力支持下，于2014年成为专业舞蹈团体。转型后的舞蹈剧场不断鞭策自己继续 保持专业水准，努力攀登辉煌的艺术高峰。2016年舞蹈剧场再次荣获国家艺术 理事会的主要辅助计划的赞助，而在2017年2月15日，正式改名为“新加坡华族 舞蹈剧场”。 舞蹈剧场以舞蹈作为文化交流媒介，为新加坡华族文化本土化的积极发展克 尽绵力。在继承和发扬华族传统文化的同时，也随着时代的变迁注入新元素，以 发挥传统艺术的倍数效应。本着这个理念，舞蹈剧场共呈献了五场大型演出如舞 剧《游园惊梦》（2014）、《“ 薪艺意”》（2015）、《“滋兰树蕙 创意 无限”》（2015）、舞剧《戏子情》（2016）及《抒心舞意》（2017）。 除了积极参与本地各种艺术盛会之外，舞蹈剧场多次受邀参加海外艺术团体 所主办的舞蹈节及文艺交流活动。2014年参加第三届中国（潜江）曹禺文化周 的惠民演出活动，出演舞剧《原野》。2015年舞蹈剧场受邀参加在印尼日惹的 亚太表演艺术联盟邀会议及交流表演，呈献舞蹈《气韵生动》。2016年也受邀 参加在韩国首尔举办的“2016世界舞蹈联盟亚太地区交流活动”，呈献舞蹈 《气韵生动》广受好评与称赞。2017年，在越南举办的“国际舞蹈节2017”上， 以舞剧《原野》摘得金奖，同年也受邀参加在福建举办的 “海丝圆梦——首届 海上丝绸之路国际舞蹈艺术交流周”系列活动，呈献舞蹈《秉拂无尘》。 如今，在创办人兼现任艺术总监林美琴女士的督导下，舞蹈剧场已稳步发展， 渐入佳境，并茁壮成长。舞蹈剧场今后将竭尽全力，不断地创建平台以培育和熏 陶年轻一代，提高他们对华族传统舞蹈艺术的认识，希望带给观众更多惊喜，把 华族舞蹈事业推向另一高峰！

SINGAPORE Founded in 1989 by Artistic Director Madam Lim Moi Kim, the Singapore Chinese CHINESE Dance Theatre (SCDT) started out as an avocational troupe under the Singapore DANCE Hokkien Huay Kuan Arts and Cultural Troupe. THEATRE In recognition of its enduring efforts to the local arts scene, in 2013, the troupe was one of the recipients of the Seed Grant from the National Art Council (NAC). In 2014, under the support of the Singapore Hokkien Huay Kuan, it was officially incorporated as a professional dance company and named \"Singapore Hokkien Huay Kuan Dance Theatre\". In its four years of establishment, the company has continually seeked to ensure and maintain high quality of performance, as well as strived towards achieving greater artistic creativity and excellence. In 2016, the company was honoured to be one of the recipients of the Major Grant from NAC, and the company was officially renamed \"Singapore Chinese Dance Theatre\" in March 2017. With this affirmation, the company has stepped up its efforts in bringing its performances to a higher level, and nurturing more promising dancers. To date, the company has put up five core productions, including dance drama \"A Startling Dream\" in 2014, \"ROOTED | A Triple Bill\" and \"Journey: Purpose in Motion\" in 2015, dance drama \"Life's A Stage\" in 2016 and “HEARTiculation” in 2017. Apart from actively participating in local performing arts events, the company also tours annually to showcase its works and sought opportunities for exchange. In 2014, the company participated in the \"Third China Cao Yu Culture Week\" held in Qianjiang, China. In 2015, the company was invited to perform at the Asia Pacific Performing Arts Network International Symposium \"The Wisdom of Age in Performance: The Intangible Heritage of the Asia Pacific\" held in Yogyakarta, Indonesia. In 2016, the company was invited to perform at the 2016 World Dance Alliance Asia Pacific International Dance Festival held in Seoul, South Korea. In 2017, the company was invited to attend the International Dance Festival held in Ninh Binh, Vietnam. In the same year, the company also participated in the First Maritime Silk Road International Art of Dance Week held in Fujian, China. The company has received acclamation for its high standard performances overseas. With this heightened affirmation and increased responsibility, SCDT is motivated to strive for even greater excellence in its artistic capacity. SCDT will also boost its efforts in nurturing more promising dance talents, in addition to presenting more engaging performances to its audiences, and making Chinese dance more accessible to the wider community. At the same time, as we endeavour towards creating a more vibrant performing arts scene in Singapore, we would also like to humbly and sincerely seek the support from the wider community in supporting us in our mission.

艺术顾问兼编剧献词 MESSAGE FROM ARTISTIC ADVISOR & PLAYWRIGHT 庄耿精 先生 喜见新加坡华族舞蹈剧场继《游园惊梦》和《戏子情》之后，再推出另一出不 Mr Chong King Ching 同风格的舞剧《寸草灵煦》。 舞剧作为一种表演形式，对表演单位来说，是具有一定的难度和挑战性。最大 的难度是如何有效地将故事传达给观众，让观众能清楚了解其内容而达到欣赏的目 的。舞剧一般上没有语言对白，而是靠表演者肢体动作与面部表情的变化、 在舞 台上移动的方向与缓急，演员之间的互动，加上音乐与灯光的适当配合，以期让观 众心理有所反应而跟进剧情的进展，这些对编舞者及演员都有较高的要求，编舞者 须尽可能令观众了解其编排段落的情节内容，引导观众进入正确的思维方向和应有 心理反应；而演员除了要把舞蹈跳好之外，更重要的是要同时投入所扮演的角色中 ，将角色的心理状态与情绪变化深刻生动地展现出来，令观众受到牵引而有所感动 和感触。可能由于舞剧的这些要求，造成极少数的舞蹈团体愿意排演舞剧。对于新 加坡华族舞蹈剧场勇于接受挑战而再次推出舞剧，我个人表示高度赞赏。 这次舞蹈剧场呈献的《寸草灵煦》带有些许神话色彩，它通过一位深具爱心的 修行老人，因为怜悯一对慈祥老夫妇孤苦伶仃的困境而投胎转世当他们的儿子，以 便陪伴与侍奉他们，舞剧名称中的“寸草”指的就是这个儿子，他要用挚诚的“寸 草心”来孝敬双亲。但后来却发生了令人震惊的变故，触动上天赐于恩典排忧解难 ，这就是所谓的“灵煦”。 这出舞剧表扬人性的“真、善、美”，是当今社会所欠缺的美德，希望演出能 令观众产生一定的启发与反思。

艺术顾问献词 MESSAGE FROM ARTISTIC ADVISOR 蔡曙鹏 博士 华族舞蹈是新加坡色彩瑰丽的非物质文化遗产。在漫长的发展道路上，一代 Dr Chua Soo Pong 一代的舞蹈工作者，不断以新编创作，探索舞剧艺术的奥妙。五十年代以来，《 甘榜的故事》、《胖嫂回娘家》、《梁山伯与祝英台》、《巴督山的传说》、《 红楼梦》、《美丽的家园》、《桂香与狼》、《姑嫂鸟》、《海龟的故事》、《 东郭先生》、《白蛇传》、《原野》、《戏子情》、《婚礼》等等，以传统中华 文化为资源，融合地域文化特色，创编探索自身风格，使作品蕴含着丰富的思想 内涵，提供多种审美情趣。 今晚，新加坡华族舞蹈剧场，为大家呈献一个新编原创舞剧《寸草灵煦》。 这是林美琴艺术总监领导的团队舞剧创作系列的最新努力。定位为神话舞剧，观 众对象是青少年，因而选择了一个孝顺的孩子的神话故事。神话故事的哲学价值 、教育价值和文艺价值，在这部专业舞蹈演员和青少年合力表演中得到体现。《 寸草灵煦》以浪漫主义的色彩，写出孝感动天的动人情节。有推动情节进展的精 彩舞蹈编排，也有连贯故事的哑剧表演，此外还有主演角色表演性强的舞段，阐 述舞剧主题思想、展现戏剧冲突、塑造人物性格，而又充满童趣童真。 《寸草灵煦》是舞剧剧目建设的一个新尝试，希望大家喜欢，也敬请多提意 见，一起推动新加坡华族舞剧的发展。让华族舞蹈继续发扬光大，作为我国非物 质文化遗产之一，既维系社会的凝聚力，也突出自身的民族与地域特色，焕发更 加旺盛的生命力，为多元文化的社会添彩。

艺术总监兼总导演感言 MESSAGE FROM ARTISTIC DIRECTOR & CHIEF DIRECTOR 林美琴 女士 作为新加坡华族舞蹈剧场的艺术总监，我希望通过 Mdm. Lim Moi Kim 全体成员的努力，将更多更好的作品搬上舞台，与海内 外舞蹈团体交流切磋，没有最好，只有更好...... 从1989年的福建会馆舞蹈团到成立专业舞团——新 加坡华族舞蹈剧场，30年来的风风雨雨历历在目……正 说说舞剧《寸草灵煦》。舞剧是由舞蹈来结构故事， 是从舞台这里开始，“这个地方我培养了一拨又一拨的 即需要舞蹈来叙事和抒情，而用什么样的舞蹈手段来叙 演员，我在这里收获了人生的全部，荣誉、鲜花与掌声 事和抒情，是检验编导编舞技法和演员表演水平的试金 。我也将在这里奉献我的所有。陪伴年轻一代收获他们 石。对于一部舞剧来说，鲜明的人物性格，跌宕起伏的 的荣誉、鲜花与掌声。” 故事情节都是不可或缺的。但“舞”和“剧”的节奏把 控又显得收放自如、张弛有度，不同形式的舞蹈可找到 陪伴剧场悄然成长的是梁杰旎。我女儿是外公外婆 不同的支点，而支点本身故事性又很强。和谐均衡的双 带大的，我基本没怎么空陪伴她，这成长中间确实有很 人舞、极具矛盾冲突的三人舞、合力发散的群舞，综合 多弥补不来的遗憾。但我欣慰的是，这种热爱华族舞蹈 音乐、舞台美术及舞蹈演员共同创造出舞蹈。其编导则 的基因传给了女儿。我们并没有刻意规划她的人生，但 是一出舞剧的组织者、整体艺术形象的创造者。整部剧 她从小看到妈妈的努力和在舞台上绽放的光彩，自己选 的段落设计与故事推进，水到渠成，巧妙地做到无缝连 择了以华族舞蹈为志业，现在从事舞蹈教育工作。 接，让观众目不暇接地观看了一部赏心悦目拍手叫好不 负今宵的好剧，是很不容易的。 转专业以后，很多学生学了十几年的舞蹈，最后没 有再上舞台当演员，这是非常可惜的，好像一朵奇葩， 再来说说舞剧《寸草灵煦》编创过程。剧本是我们 正含苞待放，却迟迟见不到那光芒四射的绽放时刻，多 的艺术顾问庄耿精先生的倾情创作，庄先生在该剧中编 少有些遗憾。 创了一个没有“坏角色”的理想社会，我想这也是我们 新加坡走向优雅社会的理想世界。感谢庄耿精老师！在 作为舞蹈剧场的艺术总监不能坐视不管，一定要培 我的记忆里“创作的快乐”是最难忘的，而最快乐的时 养自己舞团的演员，不能都是外聘救火。只要在这个位置 候，就是与艺术顾问、编导、舞美、演员们就“剧本” 上一天，我就必须尽心尽力，为舞蹈剧场的舞蹈事业留下 做沟通的时候。灵感总是在我们的对流中火光四溅，而 一点精彩的东西，那是舞蹈剧场的无形的精神传承。 审美的高度一致，对我来说是有幸福感的，这种知己知 彼的“快乐”和“幸福”是令我难忘的，也是令我珍惜 与华族舞蹈结缘的40多年，华族舞蹈等于我，我等 的。对于一个创作者来说，是动力的来源。工作着欢乐 于华族舞蹈，“为自己喜欢的事业，我尽了最大的努力 着，即使工作很紧张，但笑声依然令人难忘。每一次大 ；有人曾经问，如果再有一次的人生会怎么选择，我毫 型舞剧的演出都是舞蹈历程的又一次“攀登”！离不开 不犹豫地说‘还是舞蹈’。” 幕后团队严丝合缝的“层层搭建”，因此，在这里，谨 　　 让我向新加坡舞蹈剧场的整个团队以及所有为此付出努 力的每一位老师们致敬！没有大家就没有如此精美绝伦 的视觉盛宴！ 演出总会有结束的时候，但我们生命中的舞蹈依然 舞动在心头，永不谢幕！我们热爱舞蹈，就如同热爱我 们那个生命中活泼泼的粲然绽放的自己！ 预祝今晚的演出圆满成功！

舞剧《寸草灵煦》 舞剧《寸草灵煦》，是专为孩子们编创的神话故事。寸草心，能报三春晖。该舞剧以神话故事的呈现方式，让孩子 们明白：天大地大不如父母之恩大，孝顺至诚的心，能感动天神上苍！ 舞剧《寸草灵煦》讲述这样一个神话故事： 子是个十足的孝子，一心一意照顾失明和行动不便的双亲，没有半点 怨言。因国王打猎时不小心射死 子，他的双亲悲痛不已的断肠哭声惊动天神， 子因此得以复活，并且失明的父亲眼 睛一亮也恢复光明。国王为 子的纯孝行为而深受感动, 认 子为兄弟, 也视 子的双亲为父母，一同奉养高堂椿萱。 序幕 深山里的茅草屋住着一位修道人，他以慈悲之心关怀、呵护山野林泉中的虫鱼鸟兽，也关心人间疾苦。 第一场、投胎侍亲 修道人下山注意到村民中一对善良盲眼老夫妇膝下犹虚，于是修道人非常同情老夫妇的处境，决定投胎为 子来做他们 的儿子。 第二场、入山修行 子即是老修 子一家父慈子孝，享受天伦，其乐融融。有一天 子顿感父母年老体衰，建议一起入山修行。鸟兽认出 道人转世，自觉相亲，于是群兽起舞，一片祥和景象。 第三场、迦夷王国 迦夷国皇宫中，国王在阅兵，国家富强，社稷安定，黎民安居乐业，国王无限满足，乘兴出宫狩猎。 第四场、山高水低 子泉边汲水，被群鹿簇拥着。国王引弓搭箭，瞄准鹿群。 子以身护鹿，自己中箭倒地，奄奄一息。国王十分懊悔， 承诺将侍奉 子父母如亲生至百年， 子含笑而逝。 第五场、感动天地 子父母得知噩耗，如晴天霹雳，扶尸痛哭，撕人心肺。鸟兽们围绕 子四周哀嚎。老夫妇的丧子之痛，震惊天神。 天降甘霖， 子复活，老父母亦盲眼复明，喜极而泣。国王牵着 子一家的手，诚邀进宫。 第六场、欢庆团圆 迦夷国皇宫，国王下旨，不准任何人滥杀弱小的生命。迦夷国内萦绕着慈悲吉祥的气氛。国王与 子一家共同观赏歌舞 庆团圆，异姓亲如一家，从此过上幸福美满的生活。

DANCE DRAMA “THE GREATEST GOOD” Dance drama “The Greatest Good” tells a story of SCENE TWO filial piety, an important value in traditional Chinese culture. Zhen Zi, the reincarnation of a hermit, was a Retreating into the Mountains filial son to a kind old couple in the village. He loved The young Zhen Zi lived happily with his parents and and took great care of his ageing parents, and even took great care of them. However, he soon noticed that brought them to the mountains for retirement. One his parents were ageing quickly and becoming weaker. day, Zhen Zi was accidentally shot by the King who Zhen Zi thus suggested moving his family into the was out hunting. Filled with remorse, the King mountains for retirement. Upon entering the mountains, brought Zhen Zi’s body back to the couple to seek the mountain creatures quickly recognised the their forgiveness, and promised to fulfil their son’s reincarnated hermit and were overjoyed to be reunited duty to take care of them. The old couple were with him. devastated when they found out about their son’s death. Upon hearing the couple’s loud cries, the SCENE THREE Heavens was moved, and decided to revive Zhen Zi, along with healing the father’s vision. They were The Kingdom overjoyed and the King became sworn brothers with In the palace, a military parade was ongoing in Zhen Zi, while he continued to rule the country with celebration of the country's peace and prosperity. The love and compassion. King was in high spirits and decided to go out hunting. Interweaving the magic of Chinese folktale and SCENE FOUR refreshing dance choreography, the dance drama aims to reinforce positive values in the younger An Unexpected Misfortune generation, such as showing gratitude to and Zhen Zi was out by the stream drawing water, and a herd respecting our elders, and having love and of deer nearby cuddled and played with him. Unknown compassion for the people and things around us. to them, the King and his troops were close by hunting. When Zhen Zi noticed an arrow coming for the deer, he PROLOGUE quickly fended the deer with his body and was shot. Filled with remorse, the King promised Zhen Zi to fulfill Deep in the mountains lived a benevolent hermit. He his duty of taking care of his parents. loved and cared for the living creatures in the mountains, and also looked out for the pains and SCENE FIVE sufferings in the mortal world. Moving the Heavens SCENE ONE Upon learning about their son's misfortune, Zhen Zi's parents were shocked and devastated. The mountain Reincarnation and Birth creatures huddled around Zhen Zi's body in mourning. One day, the hermit noticed an impaired couple in the Hearing the loud cries of the couple, the Heavens was village. The couple was kind-hearted and well-liked by moved and decided to revive Zhen Zi and heal his the villagers, but they had no child by their side to care father's vision. The family was once again reunited and for them. The hermit felt sorry for their plight, and the King invited the family to return to the palace with decided to reincarnate as the couple's child to fulfill this him. duty. SCENE SIX A Happy Reunion Back in the palace, the King ordered for the care and protection of the living creatures. A celebration was thrown to welcome the family into the palace, where they all lived happily together.

演职员表 CAST & CREW 主创人员 CREATIVE 艺术顾问兼编剧 ：庄耿精 Artistic Advisor : Chong King Ching 艺术总监兼总导演 ：林美琴 Artistic Director : Lim Moi Kim 总导演 ：林美琴 Chief Director : Lim Moi Kim 舞蹈编创 ：林美琴、梁杰旎、范必周、 Choreographers : Lim Moi Kim, Neo Jenny, 苏健龙（客卿） Fan Bizhou, Benedict Soh Kian Leng (Guest) 主题词曲 ：梦凡心 Theme Song : Dreams 演唱 ：罗翊绮 Singer : Sherraine Law 灯光设计 ：郑惠明 Lighting Designer : Tay Huey Meng 舞美服装设计 ：陈慧敏、柯子翔、 Set & : Tan Hwee Bin, Kwa Chze 李充明（助理） Costume Designer Siang, Ainsley Le (Assistant) 桌游设计 ：蔡玉环 Board Game : Cai Yuhuan Designer 表演者 PERFORMERS 沈思 饰演 Zhen Zi : Sim See 范必周 饰演 郭诗莹 饰演 父亲 Father : Fan Bizhou 李多维（特邀） 饰演 母亲 陈铃 饰演 国王 Mother : Guo Shiying 曾祥 饰演 小鹿 曾祥 饰演 修行人 King : Li Duowei (Guest Dancer) 侍卫长 Deer : Tan Ling, Lynn Hermit : Zeng Xiang Captain : Zeng Xiang 群舞演员 ： 新加坡华族舞蹈剧场种子班、 Supporting : SCDT Scholars, 新加坡华族舞蹈剧场表演班、 Dancers SCDT Youth Wing, 击鼓乐手 辅华中学舞蹈组、 Fuhua Secondary School 南侨中学舞蹈组、 Drummers Chinese Dance, Nan 制作人员 立化中学舞蹈组 Chiau High School Chinese Dance, River 制作经理兼 ： 巫崇玮、张家 、谢金山 Valley High School Dance 舞台监督 (回响吹打团成员) 化妆 : Boo Chong Wei Benjamin, ：黄敏洁 Cheong Kah Yiong, 宣传统筹 Seah Kim San Marvin 海报设计 ：洪茹望、陈碧君、张 莉、 (members of Reverberance) 海报题字 黄松兴 剧照摄影 PRODUCTION 录影 ：钟戍己 ：PD Design Studio Pte Ltd Production & : Clarisse Ng ：王运开 ：许作林 Stage Manager ：李耀强 Make-up Artists : Hong Ruwang, Tan Pek Kuang, Zhang Li, Ng Song Heng Publicity : Chong Shu Chi Poster : PD Design Studio Pte Ltd Calligraphy : Wong Joon Tai Photography : David Koh Videography : Edwin Lee

林美琴 总导演、编导 现任新加坡华族舞蹈剧场艺术总监。 曾担任过拉萨尔艺术学院和南洋艺术学院讲师。 1992年第13届马来西亚华人舞蹈节大会 -《登峰》担任评判之一。 1999年受邀参加中国广东省汕头市举办的“九九汕头潮剧节”，编创舞剧《盗仙草》参演。 2002年远赴加拿大“利物浦国际戏剧节”演出，所编导的舞剧《白娘子》得到观众投选的“最佳团体”、“最佳视 觉效果”、“最佳女配角”三大奖项。 2005年、2006年、2007年连续三年担任南洋艺术学院舞蹈系古典舞与民间民族舞考官。 2006年受邀为世界舞蹈联盟（新加坡）之“新加坡制造”编导节目。 2006年、2008年、2009年为多所学校华族舞的负责老师上华族舞蹈教育课。 2007年受邀参加教育部课外活动中心与世界舞蹈联盟（新加坡）合作举办的第二届舞蹈教育论坛2007讲座。 2009年、2010年、2011年受新加坡二十一世纪文化艺术促进会之邀，担任“二十一世纪国际艺术节舞蹈比赛” 艺术总监并编导开幕节目。 2012年经“世界著名武术家评审委员会”资格鉴定，授于“世界著名武术家”荣誉称号。 2015年编创的作品《气韵生动》参加在印尼日惹举办的“2015亚太表演艺术联盟邀会议及交流表演”。 2015年编创的作品有：《秉拂无尘》、《满庭芳》、《情至浓时情转薄》、《临风而舞》、《属于你和我编织 的梦》及《风华正茂》。 2016年编创的作品《气韵生动》参加在韩国首尔的“2016世界舞蹈联盟亚太地区交流活动”并受邀担任大师班 课程的讲师。 2016年担任大型原创舞剧《戏子情》总导演兼编导。 2017年编创《抒心舞意》舞蹈专场舞蹈《宫》之“蝉鸣如泣”。 2017年编创的作品《秉拂无尘》参加“海丝圆梦——首届海上丝绸之路国际舞蹈艺术交流周”

《寸草灵煦》桌游� “THE GREATEST GOOD \" BOARD GAME 此游戏有助于亲子沟通。Suitable for parent-child bonding 1.�桌游配件 出发 出发 1 山林修 START START PROLOG 准备一个骰子、人物令牌（在特刊封底）。 2.�游戏玩法 a. 竞技比赛。参与游戏的朋友，分别选择令牌。轮流掷骰子，令 牌按照点数开始行进。当行进至桌游格上有箭头时（红），请 根据 * 号数量倒退。最先到达桃源理想谷是赢家。 3.�额外玩法� b. 舞剧情节漫游。当行进至情节格（白）时，可跳向下一个 情节格。最先到达终点为赢家。 c. 反思游戏。 当行进至品质格时，要“反思”自身的行为 4TH迦E夷K王IN国GDO4MTH迦E夷K王IN国DGIDSRO目EMS无P尊EC长TFDU ，与对方说一句自己和该词语有关的生活体验。 HAGIL半VFE途WU而APY废 1. GAME EQUIPMENT HAGIL半VFE途WU而APY废 Prepare a dice, and a token (found at the back of this programme booklet). 英CO勇BURARAGAEVONMEU5无,UISS畏山NFEO高XRP水TEU低CNTAEENDM5UIS山NFEO高XRP水TESU舍低CENTL生 英CO勇BURARA   GEVOEU无, S畏 2. RULES OF THE GAME a. Competitive Play – At the start of the game, each child chooses a token, and a dice is used to determine the order of play. If a token lands on a red box with the arrow, the player has to retreat the number of * indicated beside the box. The first player who arrives at “Utopia” is the winner of the game. 3. ADDITIONAL RULES OF PLAY b. Story-based Play: When a token lands on any of the Event box (white box), the player may jump to the next Event box. The first player who arrives at “Utopia” is the winner of the game. c. Self-reflection Play: When a token lands on a red/green 桃源理想谷 “桃U源T理OP想IAI谷N同”STT室ERR操INF戈EAL box, the player is required to reflect on his past “UTOPIA” behavior/actions based on the given word/phrase in the box, and share a relevant past experience he/she had with the other players. 桌游设计 ： 蔡玉环 Board Game Designer : Cai Yuhuan

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LIM MOI KIM CHIEF DIRECTOR AND CHOREOGRAPHER Madam Lim Moi Kim is the Founder and Artistic Director of the Singapore Chinese Dance Theatre (SCDT). She was also formerly a lecturer at the LaSalle-SIA College of the Arts, Dance Faculty and Nanyang Academy of Fine Arts Dance Department. Throughout her career, Madam Lim has produced many commendable works that have left indelible impressions on critics and audiences alike. From 1989 to 2012, Madam Lim had actively choreographed for her troupe’s biennial dance production “Wu Zhi Si Cun”, and as the troupe later officially established as a professional dance company, she continues to produce more refreshing and outstanding works for the company. Her works have frequently been showcased on both local and overseas platforms, many of which have received recognition from local and overseas audiences. At the 2002 Liverpool International Theatre Festival, her work “Madam White Snake” bagged the “People’s Choice”, “Best Visual Presentation” and “Outstanding Supporting Actress” awards. Her other well-received work “Stillness in Motion” has also been showcased at the “APPAN Festival and Symposium 2015” held in Yogyakarta City, Indonesia, and “World Dance Alliance Asia-Pacific 2016” held in Seoul, Korea. Other outstanding works by Madam Lim include “Essence of Existence”, “Elegance”, “Unkindled”, “Zephyr”, “Of Promises and Possibilities”, “Vivified” and “Silk of Destiny\". With years of hard work and perseverance, Madam Lim has earned a fine reputation for herself in the dance industry. She has many times invited to choreograph for prestigious national events, invited as an external examiner or adjudicator for dance examinations and competitions, as well as invited to work with important bodies such as the Ministry of Education. Apart from dance, Madam Lim is also a veteran Chinese opera performer and instructor. She has played the lead role in many performances and performed locally as well as overseas, in China, Malaysia, Indonesia, Turkey, Thailand, Canada and Spain. She is highly regarded for her outstanding performance and is a respectable figure in the Chinese opera community. Madam Lim is also a dedicated and knowledgeable martial arts practitioner who has come under the tutelage of many renowned professionals. She obtained the “International Wushu San Shou Dao 7th Degree Black Belt Title of Honor” in 2012, and in recognition of her determination and perseverance in promoting this branch of Chinese cultural arts, she also received the “World Famous Martial Arts Master Title of Honours” in the same year.

梁杰旎, 编导 NEO JENNY, CHOREOGRAPHER 现任新加坡华族舞蹈剧场首席编导。 Neo Jenny is presently Principal Choreographer of 现任拉萨尔艺术学院和新加坡艺术学院讲师。 the Singapore Chinese Dance Theatre, as well as 获拉萨尔艺术学院舞蹈学士（荣誉）学位。 guest lecturer at the LaSalle-SIA College of the Arts and School of the Arts, Singapore. 2004年赴北京舞蹈学院进修中国舞编导。 Under the influence of her mother Madam Lim Moi 2004年、2006年、2010年和2012年为妆艺大游行编 Kim, Jenny developed an interest for the arts since a 排节目。 young age and today works alongside her mother in building her dance company. Apart from Chinese 2005年为国庆日庆典编排节目。 Classical and Ethnic Folk Dance, Jenny is also well-versed in Ballet, Jazz and Hip-Hop. She had also 2011年参加“SPROUTS New Works Platform for studied Dance Choreography at the Beijing Dance Budding Choreographers”舞蹈比赛所编创的作品《哽咽 Academy in 2004 under the support of the National 》，获得“最受欢迎作品”与“最佳舞者”两大奖项。 Arts Council and Singapore Hokkien Huay Kuan, as well as graduated from LaSalle-SIA College of the 2014年编创的舞剧《原野》，参加第三届中国（潜江） Arts with a BA (Honours) in Dance in 2009. 曹禺文化周的惠民演出活动。 Jenny actively choreographs for her dance company, 2015年为新加坡国际艺术节《回归》编排节目。 schools, external events and competitions, and major 2016年担任大型原创舞剧《戏子情》编导。 national events like the Chingay Parade and National 2017年担任福建文化节委约舞剧《下南洋》总导演。 Day Parade. She has produced many outstanding 2017年编创《抒心舞意》舞蹈专场舞蹈《宫》之“空”。 works, earning herself high recognition in the dance 2017年舞剧《原野》，参加越南“国际舞蹈节2017”， 获得金奖。 industry. In 2011, her work “The Invisible Entity” won the “Most Popular Work” and “Best Dancer” awards at the “SPROUTS – New Works Platform for Budding Choreographers” event. In 2014, Jenny choreographed a full-length dance drama “The Wilderness” which won overwhelming positive response at the “Third China Cao Yu Culture Week” held in Qianjiang, China. The item also clinched the Gold Award at the International Dance Festival 2017 held in Ninh Binh, Vietnam. In 2015, Jenny was one of the main choreographers for the production “Returning” performed at the Singapore International Festival of Arts 2015. Jenny has also contributed significantly to her company’s productions, including “Life’s A Stage” in 2016, “The Voyage Down South” performed at the Singapore Hokkien Festival as well as “HEARTiculation” in 2017.

范必周, 编导兼演员 FAN BIZHOU, CHOREOGRAPHER CUM DANCER 现任新加坡华族舞蹈剧场演员。 获云南艺术学院舞蹈本科学位。 2006年全国舞蹈比赛“桃李杯”三等奖。 2010年云南艺术学院教学比赛全能一等奖。 2012年云南省第九届青年演员比赛舞蹈类一等奖。 2012年云南省首届电视舞蹈大赛金奖。 2014年12月赴泰国参加中泰一家亲春节联欢晚会。 2015年9月赴非洲尼日利亚参加反法西斯胜利70周年。 2016年3月赴香港参加云南同乡会演出。 2017年参与福建文化节委约舞剧《下南洋》演出。 Fan Bizhou graduated from the Yunnan Arts University with a degree in Dance, and is currently a full-time dancer at the Singapore Chinese Dance Theatre. An outstanding student during his school years, Bizhou was often selected to participate in national and school performances and competitions, and he had won for himself a number of distinctive awards. He has also had many opportunities to perform at prestigious events overseas including Thailand, Nigeria, Hong Kong, Australia, etc. 苏健龙, 客卿编导 BENEDICT SOH KIAN LENG, GUEST CHOREOGRAPHER 舞蹈教育工作者、编导、学院讲师以及高校舞蹈老师。 获墨尔本大学（维多利亚艺术学院）舞蹈编导一等荣誉硕士学位。 自1987年，在新加坡著名资深舞蹈家及启蒙恩师－黄捷宽老师的培育教导与熏陶下 ，健龙开始学习跟接触了华族舞蹈和现代舞。从此舞蹈艺术就如同他生命中仰赖的 呼吸空气。近年来，在唐阿斯科博士和澳大利亚舞蹈艺术家海伦赫伯森的指导下， 让他更进一步的开拓及探索当代舞和舞蹈创作的视野领域。 Benedict’s career as a performer, educator and choreographer spans more than twenty years. He holds a MFA with first class honours majoring in choreography from the University of Melbourne (Victorian college of the Arts). Benedict has had extensive training in both Chinese classical and contemporary dance since 1987 under the professional guidance of a renowned Singapore dance choreographer and educator-- Mr. Ng Chay Kuang. In recent years, under the tutelage and mentoring of highly experienced dance and arts practitioner - Helen Herbertson and Dr Don Asker (Australia), has allowed him to further develop and explore his choreographic skills.

李多维, 客卿演员 LI DUOWEI, GUEST DANCER 舞蹈硕士。 1996年至2002年在中央民族大学学习民族民间舞和其他少数民族舞蹈。 2003年至2008年在乌克兰国家学习的古典芭蕾、现代芭蕾、现代舞、 街舞等专业。 1997年至2002年期间多次参加中央电视台和北京电视台春节晚会港澳回归国庆。 等各种大型歌舞晚会，并多次被借调到中央民族歌舞团和中国煤矿文工团参加舞蹈排练以及演出。 2003年在中央民族歌舞团工作。 2009年来新工作。 2010年，担任“英华自主学校戏剧节”的舞蹈编导和艺术指导。 2010年在“桃李芳华”——新中建交大型文艺晚会中出任舞蹈编导和舞台总监。 2012年担任“维多利亚中学戏剧节”的舞蹈编导。 2013年担任原创戏剧《问天》的舞蹈编导。 2010年至2018年SYF比赛均全部获得金奖，硕果累累。 Li Duowei graduated from the Minzu University of China with a Degree in Chinese Ethnic Folk Dance, and subsequently obtained his Dance Master’s Degree in Ukraine. Upon graduation, Li had frequently been invited to perform at prestigious national event celebrations both in China and Ukraine. After moving to Singapore, he has shifted his career focus to dance education. He is currently a dance instructor in several Primary and Secondary schools under the Ministry of Education, and under his guidance, his schools have many times achieved the Distinction award at the Singapore Youth Festival Arts Presentation. 回响吹打团 REVERBERANCE 回响吹打团是由一群年轻的音乐家组成，他们大部分是新加坡国家艺术理事会奖学金 赞助下的音乐硕士课程毕业生。这群年轻的音乐家一路以来已摘下多个奖项。身为新 加坡南洋艺术学院的校友，他们拥有共同目标—就是致力于推广不同类别的音乐，带 领乐团探索无限的可能。对于传统艺术，他们怀着一颗炽热的心，这份热忱是他们感染听众和观众的源动力。 Reverberance is a Wind Percussion ensemble consisting of top awards winning musicians. Many of us are Masters Graduates with support from National Arts scholarships. As schoolmates of Nanyang Academy of Fine Arts (NAFA), we came together with a similar goal of promoting different genres of music and also to explore the possibilities of the ensemble. We strive to excite and energize our audiences with our burning passion and love for the traditional art.

演员 DANCERS 沈思 饰演 子 范必周 饰演 父亲 郭诗莹 饰演 母亲 Sim See as Zhen Zi Fan Bizhou as Father Guo Shiying as Mother 曾祥 饰演 修行人 陈铃 饰演 小鹿 李多维 饰演 国王 Zeng Xiang as Hermit Tan Ling, Lynn as Deer Li Duowei as King

新加坡华族舞蹈剧场种子班 SINGAPORE CHINESE DANCE THEATRE SCHOLARS 洪卉颐 邓恩淇 王洁仪 赖纬璇 Ang Hui Yi Genieve Thien Joe Ong Jie Yi Lai Wei Xuan Vivien 林俐 曾钦 雯 Ling Li Yi Adoncia Sugianto Alexxys Qin Yin Yip Jin Wen 新加坡华族舞蹈剧场表演班 SINGAPORE CHINESE DANCE THEATRE YOUTH WING 卓曦 吴珍仪 高恺 顾瑞琦 Chloe Zhuo Goh Chen Yee Karis Koh Kai Ning Koo Rui Qi 刘心宁 林恩如 陈靖怡 梁依琳 Lew Xinning Lim En Ru Nadya Diandra Chandra Neo Eileen

王湘缘 商彤 谭芷殷 张彤薇 Rita Ong Siang Yuan Siang Laura Tam Chi Yan Teo Tong Wei 陈修齐 Zina Tan Xiu Qi 南侨中学 NAN CHIAU HIGH SCHOOL 曾佳宁 Chan Jia Yin 钟嘉恩 杜丽 吴若萱 Chan Jia Ning Cheong Jia En Claudia Du Li Goh Ruo Xuan, Melissa 丁慧琴 李依璇 刘芯如 林慧琪 林雁琪 Kerene Teng Hwee Kheng Lee Yi Xuan Liew Xinru Lim Hwee Jhee Lim Yan Qi 刘慧贞 刘慧贞 宋采尉 陈慧婵 王馨翊 Low Hui Zhen, Lisa Ren Yun Ting Song Chye Huey Tan Hui Chan Wong Xin Yi

辅华中学 FUHUA SECONDARY SCHOOL 蔡翔 冯浩信 李汶隆 黄俊祥 Chua Kai Xiang Foong Hao Xin Lee Wen Long Marcus Ng Juin Siang 陈仁杰 汪健勇 罗靖杰 沈业峻 Matthias Tan Jin Kiat Ong Jian Yong Samuel Lo Jing Jie Samuel Sim 黄温强 吴铭峰 Wong Voon Keong Woo Ming Feng

立化中学 RIVER VALLEY HIGH SCHOOL 陈隽恩 蔡乐安 谢伟杰 王锦华 Bryan Tan Jun En Chua Lok Ann Ainsley Evan Siah Wee Keat Gerald Ong Gim Hua 林凯恩 李经纬 林锦扬 林健平 Jonathan Lim Kai En Li Jingwei Lim Jinyang Victor Lin Jian Ping 林涛 冯培原 冯凯骏 杨弘胜 Lin Tao Pang Pei Yuan Frederick Phang Kai Jun Gerald Yong Fong Sin 客串演出 SPECIAL APPEARANCE 胡欣恬 Priscilla Hu Xin Tian

鸣谢 ACKNOWLEDGEMENT 《寸草灵煦》演出能顺利成功举行，我们衷心感谢下列机构及社会人士给予我们的大力支持： We would like to thank the following organisations and individuals for their generous support in making “The Greatest Good” a success: 协助 Supported by 新加坡国家艺术理事会 National Arts Council 新加坡文化捐献配对基金 Cultural Matching Fund 新加坡博彩公司 Singapore Pools 新加坡赛马公会 Singapore Turf Club 新加坡赛马博彩管理局艺术基金 Tote Board Arts Fund 新加坡福建会馆 Singapore Hokkien Huay Kuan 云南园实业私营有限公司 Yunnan Realty Pte Ltd 李关水 Lee Kuan Swee 陈慧敏 Tan Hwee Bin 郑惠明 Tay Huey Meng 宣传媒体 Media Support UFM 1003 频道 早报副刊《现在》Zaobao NOW 苏建龙 Benedict Soh Kian Leng 特别鸣谢 Special Thanks To 蔡玉环 Cai Yuhuan 张家 Cheong Kah Yiong 李耀强伉俪 Mr & Mrs Edwin Lee 洪茹望 Hong Ruwang 巫崇玮 Boo Chong Wei Benjamin 黄松兴 Ng Song Heng 许作林 David Koh 林振钦 Lim Chin Kim 陈碧君 Tan Pek Kuang 李多维 Li Duowei 谢金山 Seah Kim San Marvin 百盛卡 PAssion Card 张 莉 Zhang Li 王运开 Wang Joon Tai 更少不了关怀与支持舞蹈剧场的董事、执行委员、舞蹈晚会全体工作委员、 协助台前幕后的工作人员、义工、全体演员及观众。 Not forgetting, we would also like to thank SCDT’s Board of Directors, Executive Committee, Working Committee, crews, volunteers, dancers, and audiences for your hard work and support.