GROUP EXHIBITION FEATURING Bella Mfon Essien Faith Omole Ibrahim Salami Maduka Onyebuchi Nebolisa Kelly Ojenike Oladapo Opara Courage Paschal Ugwu Gift Osague Abdulwaduud Afolabi
ABUJA UNDISCOVERED GROUP EXHIBITION FEATURING Bella Mfon Essien Faith Omole Ibrahim Salami Maduka Onyebuchi Nebolisa Kelly Ojenike Oladapo Opara Courage Paschal Ugwu Paulina Osagiede (Gift) Osague Abdulwaduud Afolabi Thursday 17 August, 2023 Thought Pyramid Art Centre, Abuja CONTRIBUTORS Art Director&Lead Curator: Obarisi Jeff Ajueshi Director of Programs & Co-Curator: Adetiloye Oluwatosin Jekami Interviews composed by: Oluwole Adedoyin Morakinyo Funmilayo Adetiloye Oluwatosin Jekami.
GALLERY STATEMENT “Our aim with the Undiscovered Group Art Exhibition is to guide you through uncharted artistic realms.” - Jeff Ajueshi. After the successful launch of the Undiscovered Group Art Exhibition at our Lagos branch, the Thought Pyramid Art Centre is thrilled to present the second series of the working exhibition in Thought Pyramid Art Centre Abuja. As the exhibition opens today, August 17th, and remains open for viewing until August 31st, we have gained valuable insights from the application review process. Notably, we've ascertained that there's a wealth of fine visual art talent in Abuja, similar to what we've seen in Lagos, provided we offer them a platform that nurtures their potential. This initiative holds great significance for us, as it goes beyond mere financial gains from art sales or curatorial control. At this stage of our gallery's growth, we are committed to giving back to the Nigerian Art Industry, which has played a pivotal role in our development. Undiscovered isn't just about organizing exhibitions for emerging artists; it's about conveying to them that we value their contributions as much as those of established artists. While exploring the 50 artworks showcased in the Undiscovered Group Art Exhibition, Abuja, I encourage you to approach them not solely as pieces by up- and-coming artists, but with the same appreciation you would show to acclaimed works. By doing so, you'll truly grasp the innovative voices and profound expressions of the ten artists featured in this exhibition. Our aim with the Undiscovered Group Art Exhibition is to guide you through uncharted artistic realms. We firmly believe that if you free your mind and eyes, you'll embark on a new creative journey crafted by these ten artists and connect with the soulful narratives communicated by their artworks. Lastly, this is an opportune moment to acquire pieces from these dynamic artists, as their future endeavors hold great promise. From this point forward, their impact is bound to be significant. Jeff Ajueshi Founder, Art Director, and Lead Curator Thought Pyramid Art Centre.
“Undiscovered Group Art Exhibition, a symphony of artistic expressions that transcend boundaries.” - Adetiloye Oluwatosin Jekami Welcome to the captivating world of the Undiscovered Group Art Exhibition, a remarkable showcase presented by Thought Pyramid Art Centre. This exhibition unveils a symphony of artistic expressions that transcend boundaries, featuring an eclectic ensemble of talents who have been shaping the Nigerian art landscape. Through this collective endeavor, we invite you to journey into the uncharted realms of creativity and vision. Architectural and landscape photography by Ibrahim Salami, renowned as Thejuwonlo, takes center stage, transporting you through the lens of his visual narratives. The urban and natural landscapes of Abuja, Lagos, and Nigeria at large unfold before your eyes, revealing the intricate dance between structures and environment. Thejuwonlo's lens captures the essence of time and place, weaving a poetic representation of past and present. Adding a tactile dimension, fabric paintings by Osagiede Paulina Gift Osague evoke a poignant dialogue on environmental sustainability. Her artistry breathes life into fabric, fostering a connection between artistic expression and ecological consciousness. The vivid colors and textures she employs encapsulate a harmonious blend of aesthetics and advocacy, prompting contemplation on our relationship with the world around us. Delve into the meticulous realm of ballpoint pen collectibles by Maduka Emmanuel, where every stroke and detail is a testament to dedication and precision. His intricate works transcend the ordinary, inviting viewers to appreciate the marriage of patience and artistry. These exquisite creations encapsulate moments frozen in ink, inviting you to explore the depths of intricate narratives. Nebolisa Kelly, a master of hyper-realistic art, astonishes with pieces that defy reality, transporting us to realms of astonishing detail and finesse. Each composition is a testament to technical prowess, an exploration of the boundary between art and reality. Witness the convergence of imagination and skill as Nebolisa Kelly's canvases come to life before your eyes. Faith Omole, Ojenike Oladapo, Bella Mfon, Opara Courage, and Paschal Ugwu unite in a symphony of evoking paintings, inviting introspection and emotional resonance. Their works encompass a rich weaving of emotions, entwining personal narratives and universal experiences. As you gaze upon their creations, you embark on a voyage through the spectrum of human sentiment.
One cannot overlook the monumental presence of MrWaduud, whose largest piece to date stands as an epitome of artistic achievement. This landmark work is a testament to his commitment to his craft and a celebration of artistic milestones. While this marks the first group exhibition in Nigeria for some of these featured artists, their individual contributions to the Nigerian Art Industry are nothing short of extraordinary. The culmination of their experiences, insights, and innovation is palpable throughout this exhibition, each piece a fragment of their artistic journey. As Thought Pyramid Art Centre, we take pride in providing a platform that recognizes and celebrates the consistency and dedication of these artists. The deliberate curation of diverse mediums and styles underscores our commitment to fostering a dynamic discourse within the art world. Embark on this voyage of discovery, where visual narratives intertwine, and artistic souls converge. The Undiscovered Group Art Exhibition is more than a collection of artworks; it is a celebration of creativity, a testament to the uncharted territories explored by these ten visionary artists. Adetiloye Oluwatosin Jekami Director of Programs TPAC; Co-curator Undiscovered Group Art Exhibition.
Bella Mfon Essien “My work speaks for those experiencing brokenness, loneliness, or abandonment. Through the mediums of acrylics and texture, I use colors to unveil personalities buried deep within.” -Bella Mfon Essien Bella Mfon Essien is a self-taught Visual Artist based in Abuja, Nigeria, with half a decade's experience. She works specifically with acrylics and texture. Her therapeutic art has been an outlet to process thoughts and emotions she couldn't express orally. Bella's work focuses on the interaction between light and darkness, mental well-being, and the hurdles encountered in everyday life. Her goal is to create relatable art that reminds us of the many reasons to embrace life. Drawing inspiration from fellow artists, her surroundings, and personal experiences, she consistently experiments with diverse concepts to challenge herself. She hopes those who encounter her creations are encouraged to delve inward and harness their inner radiance.
Eden 2022, Acrylic on canvas, 48 x 36 inches
LA FENETRE NOIRE 2022, Texture and acrylic on canvas, 50 x 40 inches
LE GUARDIEN (The Guardian) 2023, Acrylic on canvas, 24 x 60 inches
Deluge (Overwhelmed) 2022, Acrylic on canvas, 30 x 50 inches
Transcendence 2022, Acrylic on canvas, 20 x 65 inches
DISCOVERING THE MAGIC OF TRUE ART FOR MENTAL WELL-BEING. By oluwole Adedoyin Source: Le Guardien (The Guardian) A complex entity that protects our light from darkness, 24 by 60 inches, Acrylic on Canvas, 2023. Bella, an experimental artist, has discovered new ways of solving mental imbalances with her abstract expressionist art. Bella's view on mental health extends beyond creating awareness; it aims to cushion the impact of mental stress. INTRODUCTION True art is magical, but not all magic is fetish. Some artworks are meant to create illusions, while others stimulate our brains (Williams, 2015:25). Artworks intentionally trigger a range of affective, perceptual, and semantic responses in consumers, constitutive of their artistically salient expressive, formal-compositional, aesthetic, and cognitive content. As social creatures, our behavior is influenced by events around us, leading to changes in our thought processes shaped by the data from our social space. These inputs influence our state of being, how we interpret life, and our ability to adapt to changes in relation to the social context. Humans are genetically wired to adapt to various life situations, but not all are worth enduring. In our pursuit of facilitating change, we often get lost in life-threatening occurrences, creating overwhelming circumstances. This can lead to a series of episodes in our brain, starting with anxiety and fear, eventually leading to suicidal thoughts. These battles are fought within ourselves as life's pressures weigh us down. However, art provides a way out; throughout the ages, it has served as a medium of mediation and stress reduction. Artists find voices in their works, preaching messages of hope, revitalization, and meaning to the hopeless through their creative deposits, akin to how orators and writers convey ideas through words. The 21st century has witnessed an alarming increase in mental health issues, escalating day by day, affecting health practitioners and government officials (WHO, 2023). Every year 703,000 people take their own life, and there are many more people who attempt suicide. Immersing ourselves with color has the power to alleviate fear and adapt to changes around us. Art helps our brain realize and revitalize the beauty within, with direct and indirect effects on our well-being. The sensation of color is potent, capable of changing our thought processes. The human system has the capacity to adapt to diverse environments. However, our responses to changes and terrific events can be astonishing, and artists discover the hidden gem within their creations by expressing themselves in unique ways.
experimental artist, explores abstract expressionism to address mental imbalances and promote mental well- being. Colorful immersion in art can alleviate fear and help us adapt to changes. Artists express themselves uniquely, tapping into the human brain's capacity to adapt and respond to diverse situations. The fluidity of form and natural patterns can influence brain processes, resulting in various aesthetic responses that positively impact us. Art can unlock inner peace and ease life-threatening conditions through its narratives. Art has a captivating essence, with some artworks creating illusions and others stimulating our brains. Humans are genetically adaptable, not all situations are worth enduring. Life's burdens can lead to overwhelming circumstances, causing anxiety and fear that may culminate in suicidal thoughts. However, art provides an escape; throughout history, it has served as a means of mediation and stress relief, conveying messages of hope and renewal. Bella, an experimental artist, has discovered new Experiencing art can alleviate fear and facilitate ways of solving mental imbalances with her abstract adaptation to changes. Its revitalizes our inner beauty, expressionist art. She sees art as a path for navigating influencing our well-being, and even altering our life's hurdles that beset humanity. Bella's view on thought processes. Artists discover their hidden mental health extends beyond creating awareness; it essence through unique expressions. aims to cushion the impact of mental stress. Her painting “The Guardian” serves as a symbol of hope for Bella, an experimental artist, addresses mental those facing life challenges, reminding them that imbalances through abstract expressionist art, viewing hope is always present in every situation. Most of her art as a path to navigate life's challenges. Her painting works comprise the fluid form and mimic natural \"The Guardian\" symbolizes hope, reminding us that patterns. Staring at them has the potential to facilitate hope is present in every situation. Bella's works evoke changes in our brain processes. This can be potential changes in our brain processes, forming part interpreted in the mental framework, the part of our aesthetic response. Certain responses, like joy responsible for perceptions and actions. Every action and laughter, yield positive benefits. Art, through its and response coordinated by the brain constitutes narratives, can ease life-threatening conditions, part of our aesthetic response. Some responses, such unlocking inner peace. as joy, laughter, and hope, help us in positive ways. CITED WORKS Through art, our brain can ease life-threatening Oluwole, K.A (2021) EXPLORATION OF ARTS AS A conditions when it instills narratives that unlock inner D I V E R S I O N A RY T H E RA PY I N H E A LT H CA R E . peace within us. https://www.academia.edu/97338227/EXPLORATIO N_OF_ARTS_AS_A_DIVERSIONARY_THERAPY_IN_H SUMMARY EALTH_CARE True art possesses a magical quality, though not all magic in art is fetishistic. Artworks vary in their William, P. (2014) Art, Aesthetics, and the Brain The case intentions, some creating illusions while others for a cognitive neuroscience of art. Pp 25. Great stimulate our minds. They trigger emotional, Clarendon Street, Oxford, OX2 6DP, United Kingdom. perceptual, and semantic responses, shaping their artistic, aesthetic, and cognitive significance. As social WHO (2023) Suicide. https://www.who.int/news- beings, our behavior and thinking are influenced by room/fact-sheets/detail/suicide our surroundings, including social factors. Art serves as a medium of mediation and stress reduction, © 2023 Oluwole, Kehinde Adedoyin. conveying messages of hope and meaning. Bella, an
Faith Omole Faith Omole is a self-trained, illusionary visual artist from Kogi State, Nigeria. Illusionary because her figures are only seen when the viewer stands at a distance or scans from a camera lens, she explores the symbolism of ancient and contemporary motifs in creating juxtaposed portraits that represent the overall biography of a person in history or an event. Her curiosity led her to explore an art style called OLUISM, the evolution of OLU- the emoting god in every human personality. Her discovery of OLU was accidental and it led her to study ancient African masks with a sharp lucid emphasis on the Dan of Liberia. Omole graduated from Obafemi Awolowo University, Ile-Ife, Nigeria in 2022. Having studied Microbiology, she has an urgent sense and attention to detail, this has guided her to embed intricate but historically ancient symbols, while simultaneously introducing impressionism into her works.
What is Love Really? Acrylic on canvas, 36 x 24 inches
Everything Safe Acrylic on canvas, 16 x 16
It’s Warmer Here III Acrylic on Canvas, 48 x 36 inches
It’s Warmer Here IV Acrylic on Canvas, 36 x 48 inches
It’s Warmer Here V Acrylic on Canvas, 36 x 48 inches
Ibrahim Salami Ibrahim Salami, renowned by the moniker \"The Juwonlo\" across various social media platforms, is a talented artist specializing in landscape and architectural photography. His artistic journey has been one of dedication and a profound appreciation for the natural and built environments. With a keen eye for recording the mesmerizing beauty of landscapes and architectural wonders, Ibrahim's photography transports viewers into captivating realms. Through his lens, he skillfully preserves fleeting moments, allowing the observer to immerse themselves in the intricate details and awe-inspiring scenes he has encountered in his artistic odyssey. His collection invites the viewers to embark on a captivating journey through the landscapes of Nigeria and the architectural wonders of cities like lagos and Abuja that have inspired his artistic vision.
City Lights Photography, 2023
Al Baytu Deen Photography, 2023
Spaceship ‘61 Photography, 2022
The Line Between Us Photography, 2023
The Gurara Falls Photography, 2023
Maduka Emmanuel Onyebuchi Maduka Emmanuel Onyebuchi (b. 1997) is a visual artist living and working in Imo state. His passion as a ballpoint pen artist comes from an ideological influence of a lifelong obsession with creativity. From tender age, Maduka has always tried to manipulate objects and materials in order to bring up something creative and artistic, then finally choose ballpoint pen as his medium of art which he claims to be another means of writing stories. As a self taught artist he has been drawing since he was nine, Maduka dropped his first hyper_realism masterpiece in 2020 titled “Behind The Veil” which illustrates a political issue of human rights and freedom of women, the first series of “Behind The Veil” was sold to New York in 2020. Maduka always narrates his works as light and peace into homes. He has been fortunate enough to sell most of his artworks internationally, having seen his works seal across borders. Maduka is on an endless journey to continue producing great works, always striving for perfection and uniqueness with every piece.
Feather In My Cap 2022, Ballpoint pen on paper, 30 x 35 inches
Democide 2020, Ballpoint pen on paper, 16 x 18 inches
Behind The Veil (iii) 2020, Ballpoint pen on paper, 28x35 inches
Adam’s Apocalypse (ii) 2022, Ballpoint pen on paper, 28 x 35 inches
New Age 2022, Ballpoint pen on paper, 20 x 25 inches
“I am very much happy to be part of the show, it's a feather in my cap to be featured in an exhibition by Thought Pyramid Art Centre Gallery.” -Maduka Emmanuel MADUKA EMMANUEL ONYEBUCHI: THE REIGNING NIGERIAN PRINCE OF BALLPOINT ART!\" By Morakinyo Funmilayo Juliet. Morakinyo Funmilayo: I understand you've been painting since you were nine, what inspired you to become an artist? Maduka: Art has been my best friend that has never left my side from the very first day. I see art as an invisible person that I alone can see. It has been my companion, and it enables me to express my feelings or emotions in a visible form so that people can feel or see things from my perspective. More reason why I can't drop art is that it's like the most valuable treasure I have that nobody can take away from me. Maduka Emmanuel dropped his first ballpoint pen Morakinyo Funmilayo: How did you get your start in hyper-realism masterpiece in 2020 titled \"Behind The the art world using a ballpoint pen, and what has your Veil\" which illustrates a political issue of human rights experience been like as a hyper-realistic artist? and the freedom of women. The first series of \"Behind The Veil\" was sold in New York in 2020. A Nigerian- Maduka: To me, I love stories, either verbal or visual, I based artist, Maduka Emmanuel Onyebuchi has was a pencil artist but as a storyteller, I feel that pen is established himself as the reigning prince of ballpoint the best medium for writing. Now I prefer using it as art… my medium of art, the ballpoint pen has been very much easy for me and also an easygoing tool for Morakinyo Funmilayo: First off, congratulations on drawing. being part of the TEN-selected artists to exhibit in Thought Pyramid Art Centre Abuja for the Undiscovered Group Art Exhibition. How do you feel? Maduka: I am very much happy to be part of the show, it's a feather in my cap to be featured in an exhibition byThought Pyramid Art Centre Gallery. “Before I start to create, I must get an idea of a particular piece that I have to incubate in my brain. The incubation I mean is to beautify it in my brain with my creative mind which is art itself assembling the datum and concept that will explain the work much better till the picture is flawless.” - Maduka Emmanuel Democide: Ballpoint pen on paper
Morakinyo Funmilayo: What message were you Morakinyo Funmilayo: Could you tell me a little bit hoping to conveywith your artwork “Democide”? about the works you have on display at the \"UNDISCOVERED” group art exhibition, and what was Maduka: The word Democide reflects the order of the your creative process like for this exhibition? killing of youths by the government, this is exactly what's going on in Nigeria and America. The black Maduka: All the artworks have been specially made bag covering the face of a young man of a particular for this particular exhibition. “Feather In My Cap” region, is a foreign style of assassination or reflects how excited I am to be on this show, which is kidnapping, bringing darkness to the vision of the an idiomatic expression of achievement, but I used young folks, hereby, taking away their freedom and Igbo chieftaincy attire as the best way to illustrate the right to live. The message written on the bag (End the message. killing) is just to make it easy and explanatory to people. Adam's Apocalypse has a deep meaning to it, the work illustrates the betrayal of friends and loved “ I just don't use anyone as a model for my work. I must ones, I used the biblical story of Adam and Eve for it see the message in you before I can approach the because it fits it best. person.” New Age is another powerful piece that speaks about - Maduka Emmanuel the evolution of Al and the automation of this new generation and where it's heading. That concept is Morakinyo Funmilayo: Interestingly, your works from an ancient painting by Michael Angelo of the reflect the agony that the youths have suffered from creation of man by God. This time the hand of Adam is the government, and through your art you try to replaced by a robotic hand, which illustrates the advocate for freedom. Do your other works creation of a new man by man. presented in this exhibition also speak about freedom? “I've been surrounded by negative energy like people doing other kinds of things seeing me as a lazy person Maduka: Yes, “Behind the Veil\". Behind the Veil is and wasting my time doing nothing. But I always say to about the humiliation of women and rape, giving myself that I've sailed far on this sea and I am not going them hush money just to keep them silent and also back now because it's too late.” elucidating the way Nigeria monetizes everything. - Maduka Emmanuel Morakinyo Funmilayo: These are very interesting bodies of work, what is your creative process like? Maduka: Before I start to create, I must get an idea of a particular piece that I have to incubate in my brain. The incubation I mean is to beautify it in my brain with my creative mind which is art itself assembling the datum and concept that will explain the work much better till the picture is flawless. Then I start to source for a model that will fit that particular concept. I just don't use anyone as a model for my work. I must see the message in you before I can approach the person. Behind The Veil: Ballpoint pen on paper
Morakinyo Funmilayo: What role do you see your art Morakinyo Funmilayo: When would that be, This year playing in the larger conversation around (2023)? contemporary African art, and how do you hope your Maduka: No, Next year (2024), by God's grace. work contributes to the conversation? Maduka: I see my works as inspiring and giving hope. I Morakinyo Funmilayo: That's nice, I can't wait to see want my works to bring joy and peace to homes and what you're creating for your solo exhibition. Can you families, and show some unspoken truth that the share your journey of acceptance into the art scene as mouth can't say, but the mind knows it. a ballpoint pen artist? Morakinyo Funmilayo: Can you share some of the Maduka: Thank you, will show you when the time is challenges you faced as an artist, and how you near. As I said earlier, being an artist is one of the overcame them to achieve success in the art world? biggest things that has ever happened to me, I feelvery much special having this skill and I want to explore Maduka: I've been surrounded by negative energy more in art, although when I started I had a bit of a like people doing other kinds of things seeing me as a challenge using ballpoint as a medium in the aspect of lazy person and wasting my time doing nothing. But I sales, the art market shifted from pen to acrylic and oil always say to myself that I've sailed far on this sea and on canvas, most people would prefer to buy acrylic on I am not going back now because it's too late. canvas rather than getting a ballpoint pen drawing, I also had friends who switched to another medium Morakinyo Funmilayo: Where do you see yourself in because of this, but I am glad I maintained my stance in the next 10 years? the medium I chose. Aside from this, I would say I had quite a great acceptance in the art scene. Maduka: In the next ten years I would like to own a gallery, especially a bigger space. I would want my “I want my works to bring joy and peace to homes and works to get to the stage where they'll be auctioned families, and show some unspoken truth that the mouth to the highest bidder, I also see myself growing with can't say, but the mind knows it.” my family, as a successful artist in the world. - Maduka Emmanuel Morakinyo Funmilayo: What advice do you have for Morakinyo Funmilayo: What do you want the other emerging artists who are trying to make a name audience to take away from your participation as one of for themselves in the art world? the exhibiting artists for this exhibition? Maduka: I have a mentor whose name is ( Oscar Maduka: As an artist, what I hope people will take from Ukonu) he always tells me to \"Draw More\". So my only me or my works in this particular exhibition is a sense of word of encouragement to young artists is to \"Do wonder and inspiration. I want to evoke emotions, more in any of their crafts.\" spark imagination, and encourage others to see beauty in the ordinary. Ultimately, I aim to leave a Morakinyo Funmilayo: Can you tell me about some lasting impression that ignites creativity and reminds of the international exhibitions or galleries where your people of the power of art. work has been featured, and how that exposure impacted your career as an artist? Maduka: So far in my career as an artist, I have been to London LightHouse Art Gallery UK, where I also exhibited a few of my works, I am also currently exhibiting myworks art Malta in Europe. Morakinyo Funmilayo: Would you like to tell us any plans you have, are you preparing for a solo? Maduka: Yes, I am currently working on some works for my coming solo exhibition.
Nebolisa Kelly Nebolisa Kelly is currently based in Awka, Anambra State, Nigeria, and has participated in national and international group exhibitions; Talented Individual Art Festival, Port Harcourt Nigeria (2020), Mimesis; Nigerian hyperrealism Exhibition, Via San Tommaso, Italy; Nigerian Contemporary Art exhibition, Malta. He is a self-taught Nigerian artist, born and raised in Lagos, Nigeria. Working in a genre of art known as hyperrealism. A graduate of Chemical Engineering from the University of Nnamdi Azikiwe University Awka, Anambra State. From as early as he could remember, Nebolisa Kelly began drawing at a very young age, he started off by drawing his favorite cartoon characters and eventually matured into a full-time artist exploring the use of charcoal, graphite pencil, pastel, prints and acrylic on paper/canvas Nebolisa's work may be viewed on three different planes in terms of both physical space and content. At a distance, the work appears to have an almost palpable photographic realism. The subject appears almost to emerge from the painting and takes on form and matter; at a closer ranger, the surface is striking. The subject flattens out and the observer becomes very small and is able to enter the epidermis of the skin. From the willingness to see and represent things as they are, Nebolisa Kelly strives to visualize the increasingly frantic search for the most minute and imperceptible detail. To achieve perfection and to succeed in breaking out of the anonymity in which the artist feels caged. The hyper-realistic artist sets out to arouse relatable feelings and always passes a societal judgment on what should be. He's always keen to deliver a message through his art. He works mostly with reference images and through his imagination.
Sunflower 1 Charcoal and acrylic on paper, 60 x 42 inches
Sunflower 2 Charcoal and acrylic on paper, 60 x 42 inches
Beauty and Royalty 2 Charcoal and acrylic on paper, 30 x 20 inches
Beauty and royalty Charcoal, Acrylic, Gold leaf on paper, 24 x 20 inches
Too young to stress Charcoal and acrylic on paper, 60 x 42 inches
Ojenike Oladapo Ojenike Oladapo (b. 1993) is a Nigerian-born visual artist based in FCT Abuja, Nigeria who showcases his work in vibrant and colorful contemporary forms celebrating black culture generally through visual representation. This creates high exposure where emotional connection and creativity meet cultural identity.
Hustle 2023, Digital art on canvas
Mutual affection 2023, Digital art on canvas
Sacrifice 2023, Digital art on canvas
Subtle Meditation on Frequencies 2023, Digital art on canvas
The Vague 2023, Digital art on canvas
Opara Courage Opara Onyekachi Courage, is a contemporary Nigerian artist who lives and works in Owerri, Imo state. Where he practices as a full time studio artist. He had his secondary education in Federal Science and Technical College Jalingo, Taraba state, acquiring National Technical Certificate (NTC) in decorative painting. He holds a B.A. in Fine Arts and Design in the university of portharcourt, Rivers state. Onyekachi exhibited artistic skills at the age of 3 when he would go outside and draw from his imagination, recognizable images on the ground after a rainy day. As a growing child he was always thrilled to see story books with illustrations. His works are reflections of his immediate environment and the society in general. Works of Onyekachi capture moments that spurs emotions, those uncommon moments that cannot be captured with a camera. Many of his works are created from imagination and rendered in realistic form, though sometimes surreal. He explores different media and materials, which he has experimented in the past , currently he prefers to work with Acrylic colors.
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