Festival Catalogue 2016

UDAYER PATHE BIMAL ROY'S BANDINI (TOWARDS THE LIGHT) DO BIGHA ZAMIN (IMPRISONED)  BENGALI Þ INDIA h 122’ G 1944 (TWO ACRES OF LAND)  HINDI Þ INDIA h 157’ G 1963  HINDI Þ INDIA h 142’ G 1953 Roy’s directorial debut narrates the story of an Do Bigha Zameen is the story of a farmer, The gentle inmate Kalyani, imprisoned for Shambu Maheto, and his family. Their village murder, appears determined to serve her full Anup, a novelist who works as a speechwriter for is rid by famine and after a drought of three sentence, resisting the kind overtures of the THEŸ MILLIONAIREŸ 2AJENDRANATHŸ BUTŸ LEAVESŸ WHENŸ YEARSŸ ITŸ ڟNALLYŸ RAINSŸ INŸ THEŸ REGIONŸ 4HEŸ LOCALŸ PRISONŸDOCTORŸ(ERŸPASTŸISŸNARRATEDŸINŸÛŸASHBACKŸ his sister Sumitra is falsely accused of theft. zameendar seizes the opportunity to ask In a 30s’ Bengal riddled with revolutionary Shambu to acquire his land on the pretext that terrorists, she had become involved with the Increasingly committed to the working class, the latter had taken a loan from him. Shambhu anarchist Bikash Ghosh. To avoid her father’s !NUPŸWRITESŸAŸNOVELŸBUTŸ2AJENDRANATHSŸCORRUPTŸ and his son Kanhaiya have to go and work in dishonour she leaves the village and becomes a and evil son plagiarizes the book. Although Calcutta to repay their debt to the merciless servant in a nursing home. Here, she encounters 2AJENDRANATHSŸ DAUGHTERŸ FALLSŸ INŸ LOVEŸ WITHŸ zamindar in order to retain their ancestral land. a patient who turns out to be Bikas's wife. Anup, his commitment to worker’s union starts threatening the family’s business interests. DIRECTOR SOUND DESIGN DIRECTOR STORY/SCREENPLAY DIRECTOR STORY/SCREENPLAY BIMAL ROY ATUL CHATTOPADHYA BIMAL ROY SALIL CHOUDHURY BIMAL ROY NABENDU GHOSH PRODUCER STORY/SCREENPLAY PRODUCER CAST PRODUCER CAST NEW THEATRES PVT. LTD. BIMAL ROY, NIRMAL BIMAL ROY BALRAJ SAHNI, NIRUPA BIMAL ROY NUTAN, ASHOK CINEMATOGRAPHER DEY CINEMATOGRAPHER ROY, RATTAN KUMAR, CINEMATOGRAPHER KUMAR, DHARMENDRA BIMOL ROY CAST KAMAL BOSE MURAD, JAGDEEP, KAMAL BOSE EDITOR RADHAMOHON EDITOR NANA PALSIKAR, EDITOR HARIDAS MAHALANABISH BHATTACHARYA, HRISHIKESH MUKHERJEE NASIR HUSSAIN, MADHU PRABHAVALKAR MUSIC BINATA BOSE, TULSI MUSIC MISHRA, DILIP JR., MUSIC RAI CHAND BORAL CHAKRABORTY SALIL CHOUDHARY NANDKISHORE, SD BURMAN RAJLAKSHMI, TIWARI, NOOR, KUSUM, HIRALAL, SAPRU Bimal RoyŸŸ Ÿ ŸWASŸBORNŸINŸ$HAKAŸNOWŸ\"ANGLADESH ŸINŸŸANDŸCOMPLETEDŸHISŸSTUDIESŸINŸ#ALCUTTAŸ(EŸSTARTEDŸWORKINGŸASŸANŸASSISTANTŸ CAMERAMANŸANDŸCAMERAMANŸONŸDOCUMENTARIESŸINŸTHEŸSŸBUTŸHISŸFORAYŸINTOŸCINEMAŸEFFECTIVELYŸCOMMENCEDŸWHENŸHEŸWASŸHIREDŸBYŸ0#Ÿ\"ARUAŸ(EŸ SHOTŸMANYŸÚŸLMSŸSUCHŸASŸ0#Ÿ\"ARUASŸDevdasŸ ŸGrihadah, MayaŸBOTHŸ ŸANDŸMuktiŸ ŸANDŸ!MARŸ-ULLICKSŸBardidiŸ ŸANDŸAbhinetri  Ÿ(EŸWENTŸONŸTOŸREMAKEŸ\"ARUASŸDevdasŸANDŸ-ULLICKSŸBiraj Bou (as Biraj Bahu Ÿ!TŸ#ALCUTTASŸ.EWŸ4HEATRESŸ2OYŸWASŸENGAGEDŸASŸANŸASSISTANTŸ TOŸCAMERAMANŸ.ITINŸ\"OSEŸ(EŸLEFTŸ.EWŸ4HEATRESŸINŸŸWORKEDŸBRIE۟YŸATŸ\"OMBAYŸ4ALKIESŸANDŸSETŸUPŸ\"IMALŸ2OYŸ0RODUCTIONSŸINŸ\"OMBAYŸINŸŸ 2OYŸMADEŸHISŸÚŸRSTŸÚŸCTIONŸFEATUREŸUdayer PatheyŸINŸŸANDŸWENTŸONŸTOŸMAKEŸNUMEROUSŸFEATUREŸÚŸLMSŸTHROUGHŸTHEŸSŸANDŸSŸ\"IMALŸ2OYŸISŸ CONSIDEREDŸTOŸBEŸONEŸOFŸTHEŸMOSTŸACCOMPLISHEDŸÚŸLMMAKERSŸINŸTHEŸHISTORYŸOFŸ)NDIANŸCINEMAŸ(EŸWASŸALSOŸAŸPROLIڟCŸPRODUCERŸWRITERŸCINEMATOGRAPHERŸ ANDŸEDITORŸ-ANYŸOFŸTHEŸARTISTSŸANDŸTECHNICIANSŸWHOŸWORKEDŸWITHŸHIMŸINCLUDINGŸ(RISHIKESHŸ-UKHERJEEŸANDŸ'ULZARŸWENTŸONŸTOŸBECOMEŸÚŸLMMAKERSŸINŸ their own right. FILMOGRAPHY Bengal Famine (Documentary, 1943), Udayer Pathey (Bengali, 1944), Hamrahi (Hindi, 1944), Anjangarh %HQJDOL DOVR LQ +LQGL  Mantramugdha (Bengali, 1950), Pahela Admi (Hindi, 1952), Maa (Hindi, 1953), Do Bigha Zameen (Hindi, 1953), Parineeta (Hindi, 1953), Naukari (Hindi, 1954), Biraj Bahu (Hindi, 1954), Baap Beti (Hindi, 1954), Devdas (Hindi, 1955), Madhumati (Hindi, 1958), Yahudi (Hindi, 1959), Sujata (Hindi, 1960), Parakh (Hindi, 1961), Immortal Stupa (Documentary, 1961), Prempatra (Hindi, 1963), Bandini (Hindi, 1964), Life and Message of Swami Vivekananda (Documentary, 1964), Gautama the Buddha (Documentary, 1967) 101 Images Courtesy: Joy Bimal Roy, New Theatres





SHIVENDRA SINGH DUNGARPUR ON P.K. NAIR $EAR
.AIRSAHEB )
MISSED
SEEING
YOU
YESTERDAY
4HEY
WERE
SCREENING
ONE
OF
YOUR
FAVOURITE
ÞLMS
+ALIYA
-ARDAN (1919). While MANY
WERE
SEEING
IT
FOR
THE
ÞRST
TIME
ON
MM
)
KNEW
THAT
YOU
HAD
PROBABLY
WATCHED
IT
MANY
TIMES
)
REMEMBER
HOW
YOU
FOUND
THE
0HALKE
DIARY
AND
PUT
THE
FRAGMENTS
OF
THIS
ÞLM
TOGETHER
FRAME
BY
FRAME
)
wanted to shout out and tell them this. Perhaps they knew, after all you had saved many in your Noah’s Ark. %ACH
OF
THESE
ÞLMS
HAD
BEEN
DISCOVERED
BY
YOU
PICKED
BY
YOU
AND
NO
ONE
KNEW
THEIR
SCRATCHES
THE
SCENE
CHANGES
THE
MARKS
AND
THE
ßICKERS
BETTER
THAN
YOU
9OU
BREATHED
THEM
IN
LIKE
OXYGEN
AND
PERHAPS
MORE
THAN
me, they are missing you. I saw the projectionist peep out of the window looking for you. I turned towards the door, hoping you would ENTER
IN
SILHOUETTE
LIKE
YOUR
FAVOURITE
CHARACTER
$ON
#HANEY
IN
0HANTOM
OF
THE
/PERA. ØS
THE
ÞLM
ROLLED
IN
THE
DARKENED
THEATRE
LIT
ONLY
BY
THE
ßICKERING
LIGHT
OF
THE
PROJECTOR
)
REMEMBER
THE
glimmer of your small torch as you sat in your chair making copious notes. I often felt the urge to steal a look INTO
THOSE
NOTEBOOKS
TO
STARE
AT
THOSE
PAGES

ÞLLED
WITH
THE
METICULOUS
NOTES
OF
A
CAREFUL
ARTIST
7HEN
WE
WATCHED
ÞLMS
YOU
STAYED
MOTIONLESS
UNLIKE
SO
MANY
OF
US
WHO
WOULD
ÞDGET
IN
OUR
CHAIRS
OR
EVEN
WANDER
OUT
OF
THE
THEATRE
UNCARING
AND
RESTLESS
\"UT
YOU
WATCHED
EVERY
FRAME
OF
THE
ÞLM
EVEN
IF
YOU
HAD
WATCHED
IT
MANY
TIMES
BEFORE
TILL
THE
LIGHTS
CAME
UP
)
OFTEN
WONDERED
WHAT
WENT
THROUGH
YOUR
MIND
WHEN
YOU
WATCHED
A
ÞLM
for the umpteenth time. As a few scratches appeared, they disturbed me as you were not there. I pulled out my diary, but alas I didn’t have a torch. )
CALLED
THE
NEXT
DAY
AND
THE
PHONE
KEPT
RINGING

)
CALLED
TO
DISCUSS
THE
ÞLM
LIKE
WE
DID
BEFORE
WHEN
YOU
WOULD
TALK
ENDLESSLY
ABOUT
THE
ÞLM
AFTER
THE
SCREENING
9OU
TAUGHT
US
HOW
TO
WATCH
ÞLMS
AND
DISCOVER
CINEMA
FOR
OURSELVES
OFTEN
GIVING
US
PRINTS
TO
WATCH
ON
THE
3TEENBECK
)
STILL
REMEMBER
HOW
YOU
LIFTED
THE
ÞLM
OUT
OF
the can and held it like a child and gave it to me. I could not believe that I was holding a reel of Kurosawa’s 4HRONE
OF
\"LOOD in my hands. I watched it as you sat behind me guarding the print. I haven’t told anyone the secret of how you got Hitchcock’s \"LACKMAIL or the \"ATTLE
OF
ØLGIERS or so many other ÞLMS
THAT
MYSTERIOUSLY
APPEARED
ON
THE
ØRCHIVE
SHELVES
AND
WOULD
BE
SCREENED
FOR
US
THE
NEXT
DAY
7HEN
)
questioned you about these “acquisitions”, you just smiled. I enjoyed the game we played the other day when WE
WERE
AT
THE
VAULTS
TOGETHER
)
ASKED
YOU
RANDOMLY
ABOUT
SCENES
FROM
DIFFERENT
ÞLMS
AND
YOU
KNEW
EACH
ONE
and even the cans in which can they exist. I kept throwing different scenes at you and as you would rattle off the can numbers, I was amazed. That day we sat together thinking, not talking, just sitting. )
CLIMBED
UP
THE
WOODEN
STAIRCASE
TO
YOUR
OFÞCE
IN
*AYKAR
\"UNGALOW
LOOKING
FOR
YOU
)
WAITED
AND
WAITED
GAZING
OUT
OF
THE
WINDOW
THE
BIRDS
CHIRPED
OUTSIDE



ÞNALLY
)
LEFT
0ERHAPS
YOU
WERE
AT
THE
VAULTS
BUT
)
COULDNmT
ÞND
YOU
4ODAY
IS
ANOTHER
SCREENING
)
KNOW
YOU
WILL
NOT
BE
THERE
BUT
THE
ÞLMS
WILL
LIVE
ON
AND
)
AM
SURE
YOU
ARE
watching with me wherever you are. I sit back and watch one of your most loved scenes as the chauffeur tells HIS
DAUGHTER
IN
3ABRINA
n9OU
ARE
REACHING
FOR
THE
MOONo
ØND
ØUDREY
(EPBURN
REPLIES
n.O
$AD
4HE
MOON
is reaching for me.” Yours always, Shivendra.

SHIVENDRA SINGH DUNGARPUR GIRISH KASARAVALLI CELLULOID MAN GHATTASHRADHA (CELLULOID MAN) (THE RITUAL)  INDIA  ENGLISH h 150’ G 2012  INDIA  KANNADA h 144’ G 1977 4HE
ÞLM
IS
A
CELEBRATION
OF
THE
LIFE
AND
WORK
OF
0+
Set in the ’20s, in a rural orthodox Brahmin Karnataka Nair, one of the greatest cinema-archivists in the history VILLAGE
+ASARAVALLImS
ÞRST
FEATURE
TELLS
THE
STORY
OF
A
CHILD
of the medium. Conversations with various individuals widow through the eyes of a young boy. The widowed 
COLLEAGUES
STUDENTS
ÞLMMAKERS

IMBUE
.AIRmS
LIFE
Yamuna lives with her father Udupa, who runs a traditional with a near mythical aura. Such portraiture coexists with scripture school for young Brahmins. The student Nani, interviews with members of his family, which reveal a bullied by his colleagues, is protected by Yamuna. When ßAWED
MAN
WHOSE
OBSESSION
WITH
CINEMA
LED
HIM
OFTEN
TO
she becomes pregnant after an affair with a teacher, Nani neglect his responsibilities as a father. Nair’s recollections BECOMES
A
HORRIÞED
WITNESS
TO
HER
ATTEMPTS
TO
INDUCE
AN
of his own life serve to chronicle the rich, forgotten ABORTION
AND
TO
COMMIT
SUICIDE
5DUPA
ON
ÞNDING
OUT
HISTORY
OF
)NDIAN
CINEMA
4HE
ÞLM
BECOMES
THEREFORE
what has happened, performs the last rites of his living an incredibly rich depiction of an imperfect man and the daughter. Amidst all this, Naani is the only person in the object of his perfect love. village determined to support her but not for long for his father comes back to take him away. DIRECTOR CINEMATOGRAPHER MAHESH ANEY, DIRECTOR EDITOR SCREENPLAY SHIVENDRA SINGH SANTOSH THUNDIYIL, KIRAN DEOHANS, GIRISH KASARAVALLI UMESH KULKARNI UR ANANTHAMURTHY, DUNGARPUR K.U. MOHANAN, AVIK RANJAN PALIT, PRODUCER MUSIC GIRISH KASARAVALLI PRODUCER MUKHOPADHYAY, P.S. V.GOPINATH SADANANDA SUVARNA B. V. KARANTH CAST DUNGARPUR FILMS VINOD, H.M. EDITOR CINEMATOGRAPHER AJIT KUMAR, MEENA RAMACHANDRA, IRENE DHAR MALIK S. RAMACHANDRA KUTTAPPA, SHANTA, R.V. RAMANI, VIKAS JAGANNATH SIVARAMAN, Shivendra Singh DungarpurŸ ISŸ AŸ ÚLMMAKERŸ Girish Kasaravalli GRADUATEDŸ FROMŸ &4))Ÿ 0UNEŸ PRODUCERŸ ÚLMŸ ARCHIVISTŸ ANDŸ RESTORERŸ (EŸ STUDIEDŸ INŸ Ÿ WITHŸ AŸ SPECIALIZATIONŸ INŸ &ILMŸ $IRECTIONŸ &ILMŸ $IRECTIONŸ ANDŸ 3CRIPTWRITINGŸ ATŸ THEŸ &ILMŸ ANDŸ 7HILEŸ INŸ HISŸ ÚNALŸ YEARŸ HEŸ ASSISTEDŸ DIRECTORŸ \"Ÿ 6Ÿ 4ELEVISIONŸ )NSTITUTEŸ OFŸ )NDIAŸ &4)) Ÿ INŸ 0UNEŸ (EŸ ISŸ +ARANTHŸFORŸTHEŸÚLMŸChomana DudiŸ(ISŸÚRSTŸÚLMŸ THEŸ&OUNDERŸ$IRECTORŸ&ILMŸ(ERITAGEŸ&OUNDATIONŸ as an independent director was Ghatashraddha AŸNOT FOR PROÚTŸORGANIZATIONŸBASEDŸINŸ-UMBAIŸTOŸ INŸ Ÿ (ISŸ LATESTŸ ÚLMŸ ISŸ AŸ DOCUMENTARYŸ ONŸ WORKŸ TOWARDSŸ PRESERVINGŸ ANDŸ RESTORINGŸ )NDIASŸ !DOORŸ'OPALAKRISHNANŸTITLEDŸ)MAGES2EÛECTIONS cinematic heritage.  Ÿ(ISŸÚLMSŸHAVEŸWONŸNUMEROUSŸNATIONALŸANDŸ international awards. FILMOGRAPHY: The Immortals (2015) FILMOGRAPHY: Kanasemba Kudureyaneri (2010) | Gulabi Talkies (2008) | Hasina (2004) | Dweepa (2002) | Thaayi Saheba (1997) | Ek Ghar (1991) 105



SPOTLIGHT

BRAHMANAND S SIINGH PAPERBOAT (KAAGAZ KI KASHTI)  ENGLISH  INDIA h 127’ G 2016 ASIA PREMIERE DIRECTOR EDITOR In an era when Bollywood music ruled Indian households and ghazals as BRAHMANAND S JABEEN MERCHANT a genre was limited only to connoisseurs, Jagjit Singh gave it mainstream SIINGH STORY/SCREENPLAY recognition and made it an indispensable part of every Indian music PRODUCER(S) JABEEN MERCHANT, lover’s life. Kaagaz Ki Kashti traces Jagjit Singh’s journey from a small- BRAHMANAND S BRAHMANAND S town boy to a singer, who revolutionised ghazal music with his evocative SIINGH SIINGH, TANVI JAIN YRLFH DQG OLOWLQJ FRPSRVLWLRQV 7KH ÀOP FKURQLFOHV WKH VWUXJJOH DQG PRODUCTION CAST stardom of his musical career, the battles, tragedies he braved in his COMPANY CHITRA SINGH, personal life and decodes the music industry of those times. Through in- MOBIUS BIOPICS PVT GULZAR, MAHESH depth conversations with friends, family, colleagues and archival footage, LTD BHATT, SUBHASH WKHÀOPWULHVWRFUHDWHDQLQWLPDWHSRUWUDLWRIWKHOHJHQGDU\\JKD]DOVLQJHU CINEMATOGRAPHER GHAI, USTAAD ZAKIR BIMAL BISWAS HUSSAIN, PANKAJ UDHAS, GHULAM ALI, ROOP KUMAR RATHOD FESTIVALS AND AWARDS 2016 NEW YORK INTERNATIONAL FILM FESTIVAL | 2016 WASHINGTON DC SOUTH ASIAN FILM FESTIVAL | 2016 SILK SCREEN FILM FESTIVAL FILMOGRAPHY Brahmanand S SiinghLVDZULWHUÀOPPDNHUEDVHGRXWRI0XPEDL+HLVEHVWNQRZQ Through Our Eyes (2012) for directing Pancham Unmixed: Mujhe Chalte Jaana Hai (2008), a National-Award Pancham Unmixed: Mujhe ZLQQLQJ IHDWXUHOHQJWK GRFXPHQWDU\\ RQ WKH ODWH PXVLF FRPSRVHU 5' %XUPDQ +LV Chalte Jaana Hai (2008) RWKHUÀOPVLQFOXGHAshgari Bai: Echoes of Silence - a documentary on the octogenarian dhrupad singer Ashgari Bai and Through Our Eyes (2012) - a documentary on the 1990 EDWFKRI,,7.DQSXU6LQJKKDVDOVRZULWWHQH[WHQVLYHO\\RQPXVLFFLQHPDDQGOLWHUDWXUH IRU OHDGLQJ ,QGLDQ DQG LQWHUQDWLRQDO SXEOLFDWLRQV &XUUHQWO\\ KH KDV WZR ÀOPV XQGHU production: Jhalki … Ek Aur Bachpan and Surmayee Shaam that deal with the issue of FKLOGODERXUDQG$O]KHLPHU·VUHVSHFWLYHO\\

ADOOR GOPALAKRISHNAN ONCE AGAIN (PINNEYUM) SPOTLIGHT  MALAYALAM  INDIA h 121’ G 2016 ASIA PREMIERE DIRECTOR EDITOR 7KLV ÀOP LV FHQWUHG URXQG D IDPLO\\  RI PLGGOH FODVV PHDQV DQG YDOXHV ADOOR B.AJITHKUMAR Purushan, the jobless son-in-law who is slowly turning into an object of GOPALAKRISHNAN STORY/SCREENPLAY QHJOHFWDQGPLOGVFRUQÀQDOO\\PDQDJHVWRJHWDMREDEURDGDQGVHHVKLV PRODUCER(S) ADOOR status and fortunes changing with it. Once he has tasted wealth, which BABY MATHEW, ADOOR GOPALAKRISHNAN has evaded him for long, he now thirsts for more, going to the extent GOPALAKRISHNAN CAST of hatching a plot to fake his death to claim insurance cover. Slowly, PRODUCTION DILEEP, KAVYA his whole family gets entangled in the web of his crime: Devi, in no way COMPANY MADHAVAN, involved, cannot but lie when the police questions her. His father, an ADOOR –SOMA NEDUMUDI VENU, upright model of a teacher cannot but fabricate a story. The tragedy lies COMBINE VIJAYARAGHAVAN, in the moral crisis and helplessness they face collectively. CINEMATOGRAPHER INDRANS, BABY M.J.RADHAKRISHNAN ASKSHARA, MEERA 2016 TORONTO INTERNATIONAL FILM FESTIVAL NALLOOR FESTIVALS AND AWARDS FILMOGRAPHY Adoor Gopalakrishnan VWXGLHG FLQHPD DW WKH )LOP DQG WKH 7HOHYLVLRQ ,QVWLWXWH RI Kathapurushan (1995) ,QGLD)7,,VSHFLDOL]LQJLQ6FUHHQSOD\\:ULWLQJDQG$GYDQFHG)LOP'LUHFWLRQ+LVGHEXW Mathilukal (1990) feature, Swayamvaram (1972), won National Awards for Best Film, Best Director, Best Mukhamukham(1984) &DPHUDPDQ DQG %HVW $FWUHVV 6LQFH WKHQ KH KDV PDGH HOHYHQ PRUH IHDWXUH ÀOPV Elippathayam(1981) and several documentaries and shorts, all of which have won multiple national and Kodiyettam(1977) LQWHUQDWLRQDODZDUGVDWLPSRUWDQWIHVWLYDOVDURXQGWKHZRUOG5HWURVSHFWLYHVRIKLVZRUN Swayamvaram(1972) KDYHEHHQKHOGLQ3HVDUR3DULV+HOVLQNL/D5RFKHOOH/MXEOMDQD0XQLFK1HZ<RUNDQG :DVKLQJWRQ 5HFLSLHQW RI WKH KRQRXU RI  3DGPDYLEKXVKDQ $GRRU *RSDODNULVKQDQ ZDV KRQRXUHGZLWKWKH3KDONH$ZDUGLQ 109

P R I YA DA R S H A N SOMETIMES (SILA SAMAYANGALIL)  TAMIL  INDIA h 102’ G 2015 INDIA PREMIERE DIRECTOR CINEMATOGRAPHER Deepa, works as a receptionist in a pathology lab. Every single day, PRIYADARSHAN SAMEER THAHIR clients deposit their samples and return before the end of the day to PRODUCER(S) EDITOR collect their test results. On one such day, seven people, who had given MR PRABHUDEVA, BINA PAUL their blood samples for HIV-testing, choose to stay back at the lab till DR K. GANESH, AL. STORY/SCREENPLAY WKH\\JHWWKHLUUHVXOWV%XWWKHLUSDWLHQFHVRRQEHJLQVWRZHDURՔ2QHRI ALAGAPPAN PRIYADARSHAN, them recommends bribing the receptionist to get the test results early. PRODUCTION ABILASH NAIR Tensions arise, when they realise that a sample taken from one of them COMPANY CAST has tested positive for HIV. M/S PRABHUDEVA PRAKASH RAJ, ASHOK STUDIOS SELVAN, SHRIYA REDDY M/S THINK BIG STUDIOS FILMOGRAPHY Priyadarshan is an award-winning director, producer and screenwriter. In a career Hera Pheri (2000) VSDQQLQJDOPRVWWKUHHGHFDGHVKHKDVGLUHFWHGPRUHWKDQHLJKW\\ÀOPVLQVHYHUDO,QGLDQ Virasat (1997) ODQJXDJHVLQFOXGLQJLQ0DOD\\DODP+LQGL7DPLODQG7HOXJX6RPHRIKLVIDPRXVÀOPV Kala Pani (1996) are Poochakkoru Mookkuthi (1984), Chithram (1988), No. 20 Madras Mail (1990), Akkare Akkare Akkare Kilukkam (1991), Gopura Vasalile (1991), Gardish (1993), Kala Pani (1996), Virasat (1990) (1997), Hera Pheri (2000) and Kanchivaram (2009), which won the National Film Award Aryan (1988) IRU %HVW )HDWXUH )LOP ,Q  KH ZDV DZDUGHG WKH¶3DGPD 6KUL· IRU KLV FRQWULEXWLRQ Thalavattam (1986) towards cinema.

ANTHOLOGY FILM NOISE (SHOR SE SHURUAAT) SPOTLIGHT DIRECTOR PRODUCER(S) CAST  SUPRIYA SHARMA, VINAY MISHRA, SANJAY MISHRA, VIJAY ARUNIMA SHARMA, PREETY ALI, PALLAVI MAURYA, ASIMAH HINDI RAHUL V.CHITTELA, ROHATGI, RAGHAVAN MIRZA, SHIKHAR PRATIK KOTHARI, AMIRA BHARADWAJ MISRA, ATUL KULKARNI,  BHARGAVA, ANNIE CINEMATOGRAPHER SAKSHI TANWAR, ZAIDI, SATISH RAJ ANIL SINGH, SAYAK ABHISHEK PANDEY, INDIA KASIREDDI BHATTACHARYA, PAWAN MANDA KALE, PRODUCTION EESHIT NARAIN, SMITA RASIKA DUGALBOOBY h COMPANY NIRMAL, SACHIN S. PARVEZ, BAIA HUMARA MEDIALABS PILLAI, BINEESH, MARBANIANG 130’ PRIVATE LIMITED. ANIRUDH GARBYAL G 2016 WORLD PREMIERE 7KH ÀOP LV DQ DQWKRORJ\\ RI PHQWRUHG shorts around the theme of ‘Shor’ 1RLVH 7KH VKRUW ÀOPV KDYH EHHQ mentored by stalwarts like Mira Nair, Shyam Benegal Imtiaz Ali, Zoya Akhtar, Nagesh Kukunoor, Sriram Raghavan and Homi Adajania. The varied stories are weaved around the themes of raising your voice and freedom of speech in India. SUPRIYA SHARMA SATISH RAJ RAHUL CHITTELA PRATIK KOTHARI ARUNIMA SHARMA ANNIE ZADIE AMIRA BHARGAVA 111

BUDDHADEB DASGUPTA THE BAIT (TOPE)  BENGALI  INDIA h 88’ G 2016 INDIA PREMIERE DIRECTOR CINEMATOGRAPHER 7KHÀOPLVZRYHQDURXQGWKUHHFKDUDFWHUVDKDSOHVVQRPDGLFJLUOZKR BUDDHADEB DASGUPTA ASIM BOSE is a street circus performer, a seemingly cranky postman who decides PRODUCER(S) EDITOR to live his life on a tree and of a ‘king’, a royal descendant who thrives PAWAN KANODIA AMITAVA DASGUPTA on his long lost glories. The worn out ‘king’ has inherited the hobby of PRODUCTION STORY/SCREENPLAY hunting from his forefathers. In a frenzy to prove himself in front of his COMPANY LT. NARAYAN GANGULY, mistress and to the world, he desperately tries to kill a wild tiger but fails AVA FILM BUDDHADEB SDWKHWLFDOO\\+HÀQDOO\\GHFLGHVWREDLWWKHDQLPDOLQWRDWUDS PRODUCTIONS PVT. DASGUPTA LTD. CAST 2016 TORONTO INTERNATIONAL FILM FESTIVAL (WORLD PREMIERE) | 2016 BUSAN SALES COMPANY SUDIPTO CHATTERJEE, INTERNATIONAL FILM FESTIVAL, 2016 BFI LONDON INTL FILM FESTIVAL AVA FILM ANANYA CHATTERJEE, PRODUCTIONS PVT. PAOLI DAM, CHANDAN Buddhadeb DasguptaLVFRQVLGHUHGWREHRQHRI,QGLD·VIRUHPRVWGLUHFWRUVWRGD\\+LV LTD. ROY SANYAL UHSXWDWLRQDVDÀOPPDNHUUHVWVDVPXFKRQWKHO\\ULFDOSRHWU\\RIWKHÀOPVDVRQWKHVRFLDOO\\ UHOHYDQW WKHPHV KH KLJKOLJKWV +H KDV EHHQ WKH VXEMHFW RI YDULRXV GRFXPHQWDU\\ ÀOPV FESTIVALS AND AWARDS and has won several National Film Awards. He has also won the Best Director Award at WKH 9HQLFH ,QWHUQDWLRQDO )LOP )HVWLYDO DQ 2XWVWDQGLQJ )LOP &HUWLÀFDWLRQ DW WKH &DQQHV FILMOGRAPHY ,QWHUQDWLRQDO )LOP )HVWLYDO DQG WKH *ROGHQ $WKHQD /LIHWLPH DFKLHYHPHQW DZDUG IURP Memories In The Mist Athens International Film Festival. (2005) The Wrestlers (2000) The Red Door (1996) The Shelter Of The Wings (1993) The Tiger Man(1989) Distance (1978)

VIKRAMADITYA MOTWANE TRAPPED (TRAPPED) SPOTLIGHT  HINDI  INDIA h 105’ G 2016 WORLD PREMIERE DIRECTOR EDITOR A man gets stuck in an empty high rise without food, water or VIKRAMADITYA NITIN BAID HOHFWULFLW\\7KHÀOPFKURQLFOHVKLVVWUXJJOHWRVXUYLYHDQGRYHUFRPHWKLV MOTWANE STORY/SCREENPLAY extraordinary situation he is dealing with. PRODUCER(S) AMIT JOSHI, HARDIK VIKAS BAHL, ANURAG MEHTA KASHYAP CAST PRODUCTION RAJKUMMAR RAO, COMPANY GEETANJALI THAPA PHANTOM FILMS CINEMATOGRAPHER SIDDHARTH DIWAN FILMOGRAPHY Vikramaditya Motwane EHJDQ KLV FDUHHU LQ ÀOPPDNLQJ E\\ DVVLVWLQJ 6DQMD\\ /HHOD Lootera (2013) Bhansali on Hum Dil De Chuke Sanam (1999) and Devdas (2002). He also served as an Udaan (2010) DVVLVWDQW WR GLUHFWRUV 'HHSD 0HKWD DQG $QXUDJ .DVK\\DS +LV GLUHFWRULDO GHEXW Udaan ZDVVFUHHQHGDVSDUWRIWKH8Q&HUWDLQ5HJDUGVHFWLRQDWWKH&DQQHV)LOP )HVWLYDO+HODWHUGLUHFWHGWKH5DQYHHU6LQJKDQG6RQDNVKL6LQKDVWDUUHULootera (2013). +HLVFXUUHQWO\\DSDUWQHULQ3KDQWRP)LOPVZLWK0DGKX0DQWHQD$QXUDJ.DVK\\DSDQG 9LNDV%DKO 113







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Born in Seoul, Korea in 1968, Jongsuk Thomas Nam immigrated to USA in 1980 and graduated from the niversity of Maryland (UMCP). He returned to Korea and worked as an assistant director before joining Busan Fest (BIFF) as Kim Ki-young Retrospective curator in 1997.He served as the festival coordinator and the senior manager of PPP at BIFF as well as general secretariat at NETPAC before joining Bucheon Int’l Fantastic Film Festival (BIFAN) in 2007. He is currently the managing director of Network of Asian Fantastic Films (NAFF). He KDVVHUYHGDVDMXU\\VSHDNHULQQXPHURXVÀOPIHVWLYDOV conferences, including Sitges, Berlin, Hawaii, Warsaw, Vesoul, TIFFCOM, Yubari, Fantastic Fest/Market, IFX- Philippines, Haugesund, EARS in Helsinki, Industry@ Tallinn, Screen Singapore, et al and is known as an avid Karaoke fan.

AFTER DARK JIM HOSKING THE GREASY STRANGLER (THE GREASY STRANGLER)  ENGLISH  USA h 100’ G 2016 DIRECTOR DCINRECMTAOTROGRAPHER RCohnanuidehuarnyd, haisgseoongrBaprahyydetenacrhuenr,BligvesRothnenieq’us ieDti,screotirWedalkeixnigsteTnocuer SJICMOHTOT SCKUIMNGMINGS SMCÅORTTTECNUTMEDMIINNGS oinf aLopsatArinargcehlewsh. oDwuraitncgheosnoevesruchhis ftaomuri,lybiontrhurmaleAnsstamke. Aas faanycoyuntgo PCRINOEDMUACTEORG(SR)APHER SCTINOERMY/ASTOCRGEREANPPHLEARY Jmaanne,t,hea hcaurrbvoy ucruerdlydredamhesadof wtrhaoveltlainkgesthae swhoinreld,tobuat ndoiswbeslpieevnindgs SELCIOJATTHCWUOMOMDI,NTGIMS SJICMOHTTOSCKUIMNMG,INTOGBSY Bhirsatyidmeen.cyTchlinegtlwoongbdeigstianncaeswthoirblwuiynndewcospuratpsheirps fomrutchhe ytoutRhoonfntieh’es LEAGUE, ANT TIMPSON HARVARD dviilslamgaey..HInis tmhoencoityonoofuLsolisfte Atunrgnes lusp, sthideeGdorewansywShternanhgislimngussiecisacnalsaoten., PRODUCER PRODUCER who has come to visit him, gifts him a pair of binoculars! Freedom, SPCROTDTUCCUTMIOMNINGS CSCAOSTT CUMMINGS REMonOnTiIeONloAvLŸeAsNDgŸrPeHasYySICgAraLpŸEeLUfrDuEitDfŸoHrIMbrŸeAaLLkŸHfaISsŸtL.IFIEsŸtWhIiLsLŸaHEcŸlBueEŸtAoBLaEŸtTeOrŸrÚiŸbNlDeŸ COMPANY MICHAEL ST. MICHAELS, siteicnretth?eIsphreesethnet?GIhreilaitsyil Sintrvaenngdleitrv-etnhte. Finufgama.oOums cmhoarsanctoenrewnhoonstnaulkms CSPAESCTTREVISION CSKAYSTELOBAR, ELIZABETH tDhOeLUsPtrTeAeŸPtsOaRInBdUSsŸtDraIŸUnTgŸOlinMgNaIŸnOyFÚoŸCnŸeTEwŸVhOoLOcREroMss es his path? SCOTT CUMMINGS SDCEORTATZCZUOM, GMILINGGESX SALES COMPANY SOUND DESIGN 2016 SUNDANCE | SXSW | FANTASTIC FEST SPROOUTNADGODNESISITGN SCOTT CUMMINGS SPCICOTTUTRCEUSMMINGS FESTIVALS AND AWARDS FILMOGRAPHY JAilmka“DRoang’htuCraalml M LVe DJiÀmOPmPy”DHNHoUs DkQinGg DEHPJXDOQWLGKLLVVFFLDSUOLHQHDUUD\\V DDUW\\LRVWXQ+JHFUR ÀSF\\WZLRUQLWHSUUDRWMH0FRWW7KKHHU Pratha (2009, Short) L&QR/QRTQXGHRUQRU+ZHDOVDWLHQUYPLWHRGYHWGRW%RH1UOHLQZ7<DROUHNQ&WL3W\\URZMHKFHWUH0KDHUNEHHWJDLQQKLVGLUHDFQWLGQJDFOVDRUH7HUULEDHWF0D7$9OO 6$LFQFFHHVVWKZHQKH-ULPH$KONDDVZZDRVUNDHZGDRUQGHDGYWDKUHLH/W·\\2RUHIDFOR:PRPPHHUQFLRDOIV:JRDULQWKLQ9JLVQLRRQWR)ULLHOPW\\PLQDNWKHHU$8Z.DIURGU K$LOVNDD·ZVDUVGKRZULWQQÀLOQPJV779LUVHSGRWRVI'+DRQVNFLLQQJJK 3DDVQDFOKVRDOVLKDRQWGV7HYKHHUD$OQVWK RDQUWGÀ7OPKHV0WKRHQÀNUHV\\WRI<Z(K$LF5K6 L)2itt5le7C+lu(m6(ps),O/0f H6a\"irK, DpYrHemVFieUHreHdQHoGnDthWeYDBUBLRCXVinI2HV0W0LY3D.O'VALQTaWlKkHA8bo6uDtQAGdDveErUtRiDsiGng3ADwQFaKrdDsOL BUHyFHMLYaHxGimWKilHlia-nRKVQill*ivXaWnPkkD'QZDDZVDVUKGRIZRUQLQDQWR$Y:D$WL5RQ'LLQQF$LQXHVPWUDDOLDDQLGQZDVDUDHQDGJLWRKQHDQOVÀFQUDHOHLVQWHDGW DthWeWKSHtu)dDeQnWDt VAWcLFad)HeVmWyLQA$wXaVrWdLQsiZnK2H0UH04LW.ZDVKDLOHGDV¶TXLWHSRVVLEO\\WKHJUHDWHVW3XEOLF 6HUYLFH$QQRXQFHPHQWHYHUPDGH·

$ * 1 , ( 6 = . $  6 0 2 & = < Ĵ 6 . $ THE LURE (CÓRKI DANCINGU)  POLISH  POLAND h 92’ G 2016 DIRECTOR EDITOR Two mermaid sisters swim out of the sea into a Warsaw nightclub in AGNIESZKA -$526IJ$:.$0,Ĵ6 ., what could be the eighties. They are wild, sexy and hungry for life. 602&=<Ĵ6.$ SOUND DESIGNER They become stars overnight and one of them falls in love with a PRODUCER MARIA CHILARECKA, handsome young bass player. This will push their sisterly bond to the :IJ2'=,0,(5= MARCIN LENARCZYK limit and will make them take cruel and bloody decisions. NIDERHAUS MUSIC PRODUCTION BALLADY I ROMANSE SPECIAL JURY AWARD (WORLD DRAMATIC), 2016 SUNDANCE FILM FESTIVAL COMPANY CAST WFDIF DOCUMENTARY KINGA PREIS, MICHALINA AND FEATURE FILM 2/6=$Ĵ6.$0$57$ STUDIOS MAZUREK, JAKUB CINEMATOGRAPHER *,(56=$IJ ANDRZEJ KUBA KIJOWSKI P.S.C KONOPKA FFEESSTTIIVVAALLSS AANNDD AAWWAARRDDSS FILMOGRAPHY Agnieszka Smoczynska, born in 1978, is a graduate of the Silesia University’s Department Viva Maria! (2010, OFŸ&ILMŸ$IRECTINGŸATŸTHEŸ+RZYSZTOFŸ+IES LOWSKIŸ&ILMŸ3CHOOLŸINŸ+ATOWICEŸ!SŸAŸSTUDENTŸSHEŸ Documentary Short) shot The Hat and 3 LoveŸÚŸLMSŸWHICHŸWONŸHERŸMANYŸSTUDENTŸAWARDSŸATŸINTERNATIONALŸÚŸLMŸ Aria Diva (2007, Short) festivals. In 2007, she directed Aria Diva, written by Robert Bolesto - the screenplay writer of The LuraŸ4HEŸÚŸLMŸWONŸAWARDSŸATŸÚŸLMŸFESTIVALSŸINŸ#RACOWŸANDŸ.EWŸ9ORKŸThe Lure is HERŸÚŸRSTŸFEATURE 121

AFTER DARK ISAAC EZBAN THE SIMILARS (LOS PARECIDOS)  SPANISH  MEXICO h 89’ G 2015 DIRECTOR SPDECIRIAECL TEOFFRECTS /NŸAŸCRAhINauYŸdNhIGuHryTŸI,NŸa/gCeTOoBgEraRŸphyteŸEaIcGhHeTrŸ,CHliAveRAsCTtEhReSŸqWuAiIeTItN, GrŸeAtTiŸrAeŸdREeMxOisTtEeŸnBcUeSŸ SISCAOATCTECZUBMAMNINGS SERSGCIOOTJTACRUAMMINGS statioonfian pthaetrimaricdhdlwehoof wnoawtchheerseowvaeirt haisbfuasmhielyaidninrugratol AMsesaxmico. ACsitay.ySoouonng, CPIRNOEDMUACTEORG(SR)APHER SECLSOATTRCEYUEMSM, INGS VISCUIANLEMEFAFTEOCGTRSAPHER they smtaarnt ,ehxpeehriaernbcoiunrgeda sdtraenagmes pohfetnraovmelelinnognt.he world, but now spends MIRIAM MERCADO MICSHCAOETLT HCOUMFFMMINANGS, PRODUCER FRANZ ALVAREZ NOVOTNY his time cycling long distances to buy newspapers for the youth of the SCCINOETMT ACTUOMGMRINAGPHSER PRODUCER ISI SARFATI CASCTOTT CUMMINGS village. His monotonous life turns upside down when his musician son, CAST SECDOITTOTRCUMMINGS GUSTAVO SÁNCHEZ PARRA, who has come to visit him, gifts him a pair of binoculars! Freedom, OSCAR FIGUEROA CACSSAASNTDRA CIANGHEROTTI, EMOTIONALŸANDŸPHYSICALŸELUDEDŸHIMŸALLŸHISŸLIFEŸWILLŸHEŸBEŸABLEŸTOŸÚŸNDŸ SOUND DESIGN FERSNCAONTTDCOUBMEMCEINRGRSIL, SCOTT CUMMINGS HUMBERTO BUSTO SOUND DESIGN it in the present? Ihilit il invendit vent. Fuga. Ommos none non num SCOTT CUMMINGS DOLUPTAŸPORIBUSŸDIŸUTŸOMNIŸOFڟCŸTEŸVOLOREM FESTIVALS AND AWARDS FILMOGRAPHY AIslakacREagzbhaunra mLV LDV DZUÀLWOPHUP DDQNGHUG DLUQHGFWDRUP IXUROWPLGLV0FLHS[OLLQFDRU\\F DRUWILRVXWQ +GHU ÀRFIWLWRKQHSSUURRMHGFXWF7WLKRHQ PTrhaethInac(i2d0en0t9,(S20ho14rt)) &FRRPQTSXDHQU\\RU5 ZHDGV (LQOHYSLWKHDGQ WRD %QGHU OWLQKH7D$OHXQWRWF3LQURHMPHFDW 0&RD\\URNHWHWLQWK H RQO\\ D QGGULYDHOVLRQ 7WUKLEHDHWFHDU$LQOO 1DVW\\6WXՖ(2010, Short) $0FHF[HLFVVRZ+KHHVUSHH$FOLNDDOL]ZHDVVLQDJZHDQUUGHHVGOLWNKHHV/F·L2HUQHFDHOÀ:FRWLPRQHQDQRGI:KRRUUUWRKU9+LVLLVRÀQU)VWLOPIHDPWXDUNHHUÀ$OPZDTUhGe Hunger (2009, Short) $InONcDid·Ven Vt KRUWÀOPDVS7V\\LUFHKGR RORIJ 'LFDDQOFVLFQLJÀ3WKDUQLOFOHKUDDOLE DRQXGWF7KKDHUD$FQWHWUDVQWGUD7SKSHG0LQRVQLNGHH\\D Q<LQ(À$Q5LW6H Aicnetsixe (2007, Short) )V2WD5LUF7D+V(H6D(QG),R/Q0D6Q\"LQKÀDQYHLWHVFURUHDHGQHSGUHDPWLYHDUUHLGRXDVW)IHDVQWWLYDDVOWVLFLQ)HWVKWH$8X6VDWLQQG7DHE[UDRVDGDQ3GD6QFLWKJDHOVL Subway To Hell U(HCFaHtLaYlHuGnyWKaH, S-pRaKiQn)*,XthWPe tDwQoDmZDoUsGtIeRsUsLeQnQtRiaYlDgWLeRnQreLQ-bFaLQsHePd DfeDsQtiGvaZlsDiVnDthUHeDwJLoRrQldD.OÀQDOLVWDW (2007, Short) the Student Academy Awards in 2004. The Sleeping Beauty (2007, Short)

NA HONG JIN THE WAILING (GOKSUNG)  KOREAN  SOUTH KOREA h 156’ G 2016 DIRECTOR EDITOR An old stranger appears in a peaceful rural village, but no one knows NA HONG JIN KIM SUN MIN about his origin or existence. As rumors begin to spread about this PRODUCER SOUND DESIGN man, some villagers start dropping dead one by one, while the rest SUH DONG HYUN, PARK YONG KI (STUDIO K) kill each other for inexplicable reasons. Soon, the village is swept by KIM HO SUNG CAST TURMOILŸWITHŸTHEŸSTRANGERŸBEINGŸTHEŸOBJECTŸOFŸSUSPICIO SALES COMPANY KWAK DO WON, HWANG FINECUT JUNG MIN, KUNIMURA CINEMATOGRAPHER JUN, CHUN WOO HEE HONG KYUNG PYO FFEESSTTIIVVAALLSS AANNDD AAWWAARRDDSS 2016 CANNES FILM FESTIVAL (OUT OF COMPETITION) | 2016 MUNICH INTERNATIONAL FILM FESTIVAL (SPOTLIGHT) | 2016 BUCHEON INTERNATIONAL FANTASTIC FILM FESTIVAL FILMOGRAPHY Na Hong JinGLUHFWHGDVKRUWÀOP The Perfect Fishplate which received the Best Horror The Yellow Sea (2010) 6FLÀ6KRUW)LOPDZDUGDWWKH0LVHHQ6FHQH)LOP)HVWLYDO+HPDGHKLVIHDWXUH The Chaser (2008) ÀOPGHEXWZLWKThe Chaser (2008) and followed it up with The Yellow Sea (2010), that gave him international recognition and played a prominent role in establishing the ¶.RUHDQQRLU·JHQUH 123

AFTER DARK BABAK ANVARI UNDER THE SHADOW (UNDER THE SHADOW)  PERSIAN  JORDAN, QATAR, UK h 83’ G 2015 DIRECTOR CINDEIRMEACTTOOGRRAPHER 4EHRACNhŸ audhuŸ TrHyE,Ÿ )aRAgN e)RoAgQrŸaWpAhRyŸ RUteMaBchLEeSrŸ,INliTvOeŸsITSthŸ EeIGqHuTHieŸtY,ErAeRtŸir4eHdEŸeBxOisMteBnINcGe Ÿ SBCAOBTATKCAUNMVMARINI GS KITSFCROATSTECRUMMINGS campoafiganps afotrciaurscehdwohnothweacticthy,ecsoouvpelerdhiwsiftahmthileycinournutrrayl’sAbslsoaomd.yAresvaoyluotuionng, CPIRNOEDMUACTEORG(SR)APHER EDCITIONREMATOGRAPHER slowlymtaena,r haemhoatrhbeoruarned ddareuagmhtseroaf ptraarvt.eAllisngthethyestwruogrlgdl,ebtoutstnaoywtosgpeetnhdesr SECMOILTYTLCEUOM, MINGS CHSRCISOBTTARCWUMELMLINGS OLIVER ROSKILL, STOPROY/DSUCCREERENPLAY in thehmis itdimsteocfytchliensge lmonogdderisntatenrcreosrst,oabmuyysnteewriospuaspeevrisl sfotarlkthsethyroouutghhotfhtheeir PLURCOADNUCTOERH BASBCAOKTATNCVUAMRIMINGS SCOTT CUMMINGS CACSTAST apartmvilelangt,et.hHreisamteonninogtotnhoeuirsglirfieptounrnrseualpitsyi.de down when his musician son, PRODUCTION NASRCGOETSTRCAUSMHMIDIIN, GS CAOSMTPANY BOBBY NADERI who has come to visit him, gifts him a pair of binoculars! Freedom, SWCIGOTWTACMUFMILMMINSGS EMOTIONALŸANDŸPHYSICALŸELUDEDŸHIMŸALLŸHISŸLIFEŸWILLŸHEŸBEŸABLEŸTOŸÚŸNDŸ SOALUENSDCDOEMSIPGANNY SOUND DESIGN it in the present? Ihilit il invendit vent. Fuga. Ommos none non num SXCYZOTFTILCMUSMMINGS SCOTT CUMMINGS DOLUPTAŸPORIBUSŸDIŸUTŸOMNIŸOFڟCŸTEŸVOLOREM FESTIVALS AND AWARDS FILMOGRAPHY ABlakbaakRaAgnhvuarraimLVLDV %D$ À)OP7$PQDRNPHULQDDQWGHGD DPZXDOWULGGLZVFLQLSQOLQJDUÀ\\OPDUPWLVDWNH+UHEUD ÀVFHWGLR LQ S/RURQMGHRFWQ7 +KH Pratha (2009, Short) &KDRVQTZXRHUUNRHUG ZIRDUV0LQ7Y9LWH8G. WDRQ %GH,UHOLQODQ7GDOHDQVWR 3QUHRRMHIFWWK H0GDLUUNHHFWWRLQUV IRU07 D9Q/GLYDHOV6RH 7VUVLLERHQFVDD $QGOO $KDFFVHDVOVRZGKLUHHUFHWH$GONODLYHZDSVHUDIRZUDPUGDHQGFHWKVHIR/U·2UHUQHDROZ:QRHPGDHUQWLRVWIV:VRXUFWKD9VLV/LRDQG\\)L*OPDJPDD)NHORUU$HQZFDHUG  $WKONHD0·VD FVKKLRQUHW3ÀOLP[LHV/7RLUWHWGDQRGI7'LQDLQHF7LQHJPS3DDKQFKDOL DQG7KH$QW DQG7KH 0RQNH\\ <($56 )257+(6(),/06\"KDYHVFUHHQHGDWYDULRXVIHVWLYDOVLQWKH86DQGDEURDG3DQFKDOL UHFHLYHGWKH-RKQ*XWPDQDZDUGIRULQQRYDWLRQLQFLQHPDDQGZDVDUHDJLRQDOÀQDOLVWDW the Student Academy Awards in 2004.

The After Dark showcases the year’s best fantastic genre features from all over the world, chosen from the leading JOREDOJHQUHÀOPIHVWLYDOVKRZFDVHVRI)RFXVLQJRQ WKHÀOPVPDGHRXWVLGHRI+ROO\\ZRRGV\\VWHPWKHVHJHQUH VSHFLÀFMHZHOVZLOOGHOLJKWWKHDXGLHQFHVDQGFKDOOHQJH their imagination with unique and daring subject matters WKHVHÀOPVZLOOSURYLGH7KLV\\HDU·VSURJUDPIHDWXUHV ÀYHXQLTXHWLWOHVIURP86$0H[LFR3RODQG.RUHDDQGD co-production between UK, Jordan and Qatar. Selected titles include Elijah Wood (of 7KH/RUGRIWKH5LQJV fame) produced 7KH*UHDV\\6WUDQJOHU that truly represents the HVVHQFHRI$PHULFDQ%PRYLHZLWKLWVDEVXUGLW\\D8. Jordan-Qatar coproduction Under the Shadow, which wonderfully demonstrates the director’s imagination of suppressed feminism through a haunting faceless female ghost. Meanwhile, 7KH/XUH from Poland shows the \\RXWKIXOHQHUJ\\RI3ROLVKJHQUHÀOPLQWKHIRUPRIFRPHG\\ musical/romance and horror, whereas 7KH6LPLODUV (Los 3DUHFLGRV) from Mexico uses metaphors to correlate the oppression of the main character (as well as the Mexican people of 1968) with the terminal space and the process RIKDYLQJVDPHLGHQWLÀFDWLRQ)LQDOO\\7KH:DLOLQJbrings well-crafted narrative to indirectly attack the numerous DIWHUHՔ HFWVRILVVXHVDQGDFFLGHQWVWKDWDUHEOXGJHRQLQJ the modern-day Korea. Through them all, these multi award-winning genre titles are bound to provide the deep cinematic yet discreet guilty-pleasures for those seeking the joys of fantastic cinema. 125

DEALS AND DISCOUNTS FOR DELEGATES! ME SO HAPPY ( Bandra + BKC) THE TABLE 15 % off on total bill for food + alcohol 10% discount on food only for the entire week on a table of 4 pax. Only one person required to PAPACREAM 10% discount on the total bill, have the delegate pass + ID proof on showing the delegate pass BOMBAY VINTAGE 15% discount on food + non alcoholic beverages for delegates. FRANCESCO'S PIZZERIA CHAI PE CHARCHA 15% off on total bill for delegates 20% discount on all orders above Rs 200 for Jio MAMI delegates JAMIE’S PIZZERIA LIGHTHOUSE CAFE delegate pass 10% discount extended to Jio MAMI delegates at both outlets, Worli and Khar THE SPARE KITCHEN THE BAR TERMINAL of 4 people minimum + complimentary glass of wine Special offers for delegates - 15% discount on the bill

Le 15 THE SASSY SPOON 5 course curated menu @Rs.1100 + taxes Complimentary glass of wine / complimentary dessert per person. This will include the following: on showing the delegate pass. Either one of the two Amuse Bouche, Soup, Salad, Tartine, Dessert can be availed WOODSIDE INN THE PANTRY Flat 15% discount on Food + Beverage THE WHITE OWL THE BOSTON BUTT 2 popular brews Alfie & Bumble Order one drink and the second drink is half off, will be offered at a special price of INR 175 + taxes each for 330 ml Order one dessert and get one free dessert for each delegate with a pass GUSTUSO SWEETISH HOUSE MAFIA 10% off on the total bill amount 10% discount on minimum billing of Rs 300 for delegates Special offer for Jio MAMI delegates LA FOLIE 15% discount at Bandra and Kalaghoda 15% off with a special promo code 'MAMI' for all first time Zomato users ordering online. All the partnering restaurants can be easily found at www.zomato.com/mami2016



WORLD CINEMA



ANU RANGACHAR GLOBE ON A PLATTER 7HENŸ WEŸ BEGANŸ PORINGŸ OVERŸ THEŸ SELECTIONŸ OFŸ ÚLMSŸ FORŸ THISŸ humans - a fascinating insight to our socio-cultural behaviour year’s festival, it was impossible to not notice how global TOWARDSŸTHESEŸSTARKLYŸDIFFERENTŸSUBJECTSŸ7EŸAREŸALSOŸPLEASEDŸ TOŸOBSERVEŸTHATŸWEŸHAVEŸÚLMSŸFROMŸCOUNTRIESŸSUCHŸASŸ\"HUTANŸ tragedies of the past and the present have seeped into the (Hema Hema: Sing Me A Song While I Wait), Nepal (White PSYCHESŸ OFŸ ÚLMMAKERSŸ FROMŸ AROUNDŸ THEŸ WORLDŸ 4HEŸ VARIOUSŸ Sun), Ghana (Nakom) and Ecuador (Alba Ÿ ŸCOUNTRIESŸWITHŸÚLMŸ wars that have been waged around the world during the last industries still in their nascent stage. CENTURYŸCONTINUEŸTOŸEXERTŸINÛUENCEŸONŸOURŸDAY TO ŸDAYŸLIVESŸ!SŸ THEYŸSAYŸ@ARTŸIMITATESŸLIFEŸANDŸFORŸVARIOUSŸÚLMMAKERSŸCINEMAŸ became an instrument to articulate their diRsenAchSanHtmIeDnt. I RThAe eNruIditeOaNudience at MAMI does not need an introduction The Russian helmer and a frequent collaborator of Tarkovsky, TOŸ THEŸ VARIOUSŸ MASTERSŸ ANDŸ RENOWNEDŸ AUTEURSŸ WHOSEŸ ÚLMSŸ Andrei Konchalovsky’s aptly titled Paradise is a grim drama proliferate through the section. We are proud however, to JIA ZHANGKEset against the backdrop of holocaust explores the theme of be able to track the works of the rising helmers from around the utopian dream of Hitler’s Nazi Germany. the world: Brazilian director Anna Muylaert’s Don’t call me Son, Burmese-Taiwanese Midi-Z’s The Road to Mandalay, Ivo M. Ferreira’s deeply evocative Letters from War, on the Egyptian Mohamed Diab’s ClashŸ &RENCHŸ ÚLMMAKERŸ !LAINŸ other hand, is set against the Portuguese colonial wars. The Guiraudie’s provocative Rester Vertical, and another Brazilian, ÚLMŸ ISŸ BASEDŸ ONŸ AŸ BOOKŸ ABOUTŸ THEŸ LETTERSŸ AŸ YOUNGŸ SOLDIERŸ Kleber Mendonça Filho’s Aquarius. w)TŸrWiteAsSŸtAoŸChAiTsCpHr egnŸSaInTUt AwTiIfOeNfrŸo)ŸmWAtNheTEbDaŸTtOtleŸSgErEoŸuBnOdT.HŸTHEŸÚLMSŸ pAoslpiteiccaialllynaostteutoencthwrooninictleerrnaotfiomnaol dOemrnn-idbauys Cprhoindau.ctLioiknes #plUaTyŸTiOnŸgTHtEhŸaPtREeSvEeNnTiŸnTHgEiŸnDE2B0U0T3AaNtTEtŸh3eYRfIeAsNtŸiÚvLMalMinATKrEiRvŸa/nBdArIuDmAH,Ÿ BtwMhEeaeTdaWllrayEetEepisNrAeŸ cDbsoeOblnlCaetUsicnMtKgioEiatnNhrTiosoAsRfytYeaŸ6amArN:si,MhDZoŸahÚrdtaCslTnyIgOaanNkndeŸdTHhIonRapOstehUbneGslHuSOrawrmUeitTdehŸ HGtIAhSaenŸrTudWlrienaOnge . :KYeTrOaOlaN.ŸABŸuFOt RdMuEeRŸRtAoDItOh eJOCvKaEgYaŸrPieREsSEoNf TsSŸcThheedWulainrgSh(tohwe frtowmo dKaeschaydaeps’s-lo‘CnlegacnarSehearv.en’ for which Radhika Apte won the tgirtoleusndwezerero s-laateradwaatntdheansianmtimeattiemaec)coI uhnatdoftothechSoyoriasen BESTŸACTRESSŸAWARDŸATŸTHEŸ4RIBECAŸÚLMŸFESTIVALŸINŸ!PRILŸTHISŸYEARŸ bCOeNtwÛIeCTeŸnTHJAaTŸfaHrASPŸaBnEaChOiM’sECŸ rOiNmEsŸoOnFŸ GTHoEŸldLAaRGnEdSTJŸ iHaUZMhAaNnITgAkRIeA’NsŸ &ThROeMoŸtHheISrŸ ÚTuRSrTkŸiTsWhOOŸ NmAnRiRbAuTIsVpEŸroFEdAuTcUtRioEnSŸIn0ItChKePSOaCmKEeTGŸ arde nŸ UCRnISkEnSoŸOwFŸOnUPRŸlTeIMasEuSrŸe0sR.OIVOcuCArsTEeUdRŸm\"EyRTlRuAcNkDaŸ\"nOdNEeLvLOenSŸLiAnTdESuTlŸgÚLeMdŸ 0isLAaTlFsOoRMa cŸollec tŸiToHnROoUfGsHhŸoTOrtŸsONfrEoŸmOFŸHdIiSreŸDcOtoCrUs ÚfrCoTmIONAŸHuYstBraRIlDiaS,Ÿ iNnotchtueracmhiald, haosoadlrehaadbyitgoafrnsecraendneinngoutghhe cpoonstrtoevresrtsoy ihnehlips TurkŸ#eyIT,YIŸndia, RŸAoNmDaŸUnPiaT,OSŸHpISaŸiMn,OIStaTŸlRyE, CUESNATŸ,ÚLaMndSŸ!opŸ4eOnUsCwHŸiOthFŸ 3'IUNRVŸ INDERŸ3Ÿ -INGOHUSNŸTSAHIONRSTŸ)-NÚALTYRŸA$TOERPARTŸ  Ÿ :HANGKEŸ HASŸ mnaetivdeeFcriadnec.eE–vietnfotulloalwlys, aI gserotutlpedoffPoarritshiaenPyaonuathhip. laI nhnainvge atelwrroarysatrteagckrestaterodutnhdaPt adreisc.ision, especially since Unknown Pleasures was never screened in India again. Until now. offered a unique perspective on a transitional generation 7HILEŸEACHŸÚLMŸHASŸAŸDISTINCTŸVOICEŸTHEYŸALSOŸCARRYŸUNIVERSALŸ wÚ/LhMUoRSŸs@Ÿ2eOEFcŸSWoTOHmRICEmHDoŸŸT#nHpLEAlŸSaScICeSlŸŸiCvSLeEAsCSTSeIIOCvNŸoFŸRkOTeOMOuŸŸ0nFAEivKAeITSUrTsARaENSlŸŸrTeÚhVseEoŸnDEaaSnSyEcSeNhT.aIAllLŸ Trehsiosnyaenacre.JiIat Zishaconmgkpee’sllinthgirdtofenaottuerethiastinthceludmeodstamtelolinngg ZCtoi2hw:Sr!yriAUHDnceahCeLEHuhAfn*aahoIusRraPtSŸAJmaEarwtiehnnŸTrrl+oMSNnvEHl’+iencnisessAracNGgEŸheAeAdRilCaE:TlGeyKkDsdPvaI1MnDCEeHaaneAdtbOl9tdŸeŸndo:AaRhrOSIrlOF5Ÿne.naNtOŸiANttrW1sÚRcsneghohGRŸŸfehLLŸyAAoseAlMeGKTqmeMeaeSŸerHSSyECŸ.au6suSsŸHdEioOŸWrtŸle0wlAyOŸseaHRNvbsoeڟtEeEscAaiEfeyYyRnefsCarASrSVlŸeaOioteC.TOdTcEbOmtdeRaŸUmshIeLrŸTFeSsNr,rLi.NBŸeIE,esthtMiGTetGrS,ntJECFHohieŸroiEcfacSETB“EteieewrSaoThŸelANUŸsnlEIsŸkncnneNMtADŸtwynSRaAacŸsiCŸEaGimovAW)rŸnas’oINssHnEaENJowedaOe-DaUgTlrIlŸdfdrni-rNeRlItoeHGeaŸig.ŸAeoTcgGbDaucIHEoIraSMcuŸnt’yHtInEsTŸŸneuiSlSDoHaŸudtChhoOrmÚoMhRnraOlOseiioLtAMsnneM.cWiVeuMWpnSegtDsEnlEwoŸpltt”ahŸIEReaaitSŸWroItrepo,atTEŸygeOeAhtOMfrItlrSsTreeuveFŸySewŸWsHiCtŸiannF-hhonOTŸMiONpcngetOHaeppauMhoRŸioelaUEamŸraslAlaPifrnorUlcRŸrnaNrDteeŸsiSLtÚodgarVbaEtDiŸdaaLecDInumucwToMAEŸwiiEursdecttTiEriWvvŸ,lnŸialSrtlRoVawiirtTiŸtItEneJoiHhEObrhobnlOaiRewllIeNnTaeeayrysSsSF,,ŸŸŸŸŸ Io2fNeEuaŸZrCtAutOŸrrNie$bTEuoOMtfRMesPosISOcHmrRIeAAaeRNnYnSyŸiŸCnoIMgNf sEUthLMfToeILAsrAeYoŸE4ntRieHtElEDeosŸŸfO)itRsNhAGetNoIOmAdINNooŸGsڟtwL*MeiItxOhŸcŸLfi-toainrn!gtgo-ivutea)rŸnil,eensfTsotH.sr.Ÿ company Xstream Pictures in 2003, Zhangke has also MdtaiInrhdaesuendtsamerbCenrbuscvhsteaeien,iidndeiFsIsIiannleamdtbbeimauorF,runanePtasisantottkiegionivrsenast-aofalsoncliwdriEaaiehtlnx-dhiidcsselsSBouoltlvaeeauennrttgshocwlteaanaitdlnltieinhdsaseilhnnCsosgotiunotreocbofaom.nocnldeyafyerbAeroulweatfvaiwartridncoathlrstkiloony. bÚTItILTeMhLEeaSSnsŸŸBIbNiYneŸŸsGTeHtnIrEFuTaŸEm2DsEetŸrNNnoDEtnaEWglZŸVDyiOneIRUaEbSrCŸrfTSioOnErRgCSFTiŸInrLOeIgKNnEŸctRŸh*oEIÛEcEfiŸrn(CueTAiSmtŸNioTaŸHn7AaTnaAŸdL4KntIHuhNEemGŸ ŸSvbOEaNeCriŸrToTIHOuoENsfŸŸ aWpOCABcwJOoaFrcaEiUMŸonnucrER-#esdllNtaakKtopHEuisihtmŸrYtIhcua!nNeŸeiemtElŸreOePrdAc-SdFsRHwlfEŸaErawŸiirAFs clEilÚsEctisauMleLrMl.swMAirmtaAT-rIhfŸdLlNarhEisiinMliEcceoŸiraaaheNsAIlngMnecTKowŸetÚEMLfwoitftGaRlehrlIoSdtGUnehdbmiŸRRsaeeAEuee:etsNrŸrHonAecuiTTnASMponrŸwgoNtpndOiTuGhldtoHiNporhtKAuerhGeEetTccehuŸŸtStTccyanoWeHŸhodeirdEPErtusoyŸRRncr3EbRInstMaoIŸioyoeXpcTAsTlietRoepdHRAhdsYfeŸaUHe'ŸtarttMhotFhoEiOiltereAclNhAiCuTniEfpahIUusZ’esRtetaSEsAsrtaŸtDritTreoTalHiaIŸivOnphuAliaIignNeeNaSslŸŸŸ WfeailtdurSeisdcea,n2n0ib0a6l)isamn,dsHexa,nsylai pZshtaicnkgan(LdifeplAayfftuelrneLisfse,in2e0q16u)a.l bsheoewn oan raarceinegmracaeticarlelopwreinsgentthaetimosneolvfehsistcooufonrtgriyv’es ptohseti-r Mtoramoeanntodrsp.ost-globalization cultural history. 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HIROKAZU KORE-EDA BOO JUNFENG AFTER THE STORM APPRENTICE (UMI YORIMO MADA FUKAKU) (APPRENTICE)  JAPANESE  JAPAN h 116’ G 2016  MALAY, ENGLISH  SINGAPORE h 96’ G 2016 INDIA PREMIERE INDIA PREMIERE $WELLING
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FILMOGRAPHY: Our Little Sister (2015) | /LNH)DWKHU/LNH6RQ(2013) | Nobody FILMOGRAPHY: 7 Letters (2015, Omnibus) | Sandcastle (2010) |7KH&DVXDULQD Knows (2004) |0DERURVL(1995) | However (1991) Cove (2009, Short) | Homecoming (2008, Short) EERHT-YTNEWT

KLEBER MENDONÇA FILHO SERGEI LOZNITSA AQUARIUS AUSTERLITZ (AQUARIUS) (AUSTERLITZ)  PORTUGUESE  BRAZIL h 145’ G 2016  GERMAN  GERMANY h 94’ G 2016 WORLD CINEMA WORLD PREMIERE INDIA PREMIERE INDIA PREMIERE Born to a wealthy and traditional family in Recife, Brazil, Based on W.G. Sebald’s 2001 novel of the same name, Clara is a 65-year-old widow and retired music critic. She THE
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  FILMOGRAPHY: Neighbouring Sounds (2012) FILMOGRAPHY: In the Fog (2012) | 0\\-R\\(2010) |7KH7UDLQ6WRS(2008) | Life, Autumn (1998) 133 TWENTY-THREE

MAHMOUD SABBAGH KELLY REICHARDT BARAKAH MEETS BARAKAH CERTAIN WOMEN (CERTAIN WOMEN) (BARAKAH YOQABIL BARAKAH)  ENGLISH  USA h 107’ G 2016  ARABIC  SAUDI ARABIA h 88’ G 2016 INDIA PREMIERE INDIA PREMIERE In a time when tradition walks side by side with #ERTAIN
7OMEN drops us in the middle of an intersection smartphones and social media, Barakah, a funny and of a handful of lives in Montana. A lawyer tries to diffuse unlikely municipal agent, responsible for enforcing order a hostage situation and calm her disgruntled client, as he in the town, will meet a beautiful erratic ultra-famous feels slighted by a workers’ compensation settlement. Instagram video blogger. The unthinkable happens: they A married couple breaks ground on a new home but fall in love and will try to have a proper date against all EXPOSES
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odds. elderly man to sell his stockpile of sandstone. A ranch hand begins getting attached to a young lawyer, who INADVERTENTLY
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TWICEWEEKLY
ADULT
education class, four hours from her home. DIRECTOR SALES COMPANY STORY/SCREENPLAY DIRECTOR EDITOR JARED HARRIS, LILY MAHMOUD SABBAGH MPM FILM MAHMOUD SABBAGH KELLY REICHARDT KELLY REICHARDT GLADSTONE, RENE PRODUCER(S) CINEMATOGRAPHER CAST PRODUCER(S) STORY/SCREENPLAY AUBERJONOIS MAHMOUD SABBAGH VICTOR CREDI HISHAM FAGEEH, ANISH SAVJANI, KELLY REICHARDT INDIA DISTRIBUTOR PRODUCTION EDITOR FATIMA ALBANAWI NEIL KOPP, VINCENT CAST SONY PICTURES COMPANY SOFIA SUBERCASEAUX SAVINO LAURA DERN, ENTERTAINMENT EL HOUSH SOUND DESIGN CINEMATOGRAPHER KRISTEN STEWART, INDIA PRODUCTIONS ELI COHN CHRISTOPHER MICHELLE WILLIAMS, BLAUVELT JAMES LE GROS, FESTIVALS AND AWARDS BERLIN FILM FESTIVAL | HONG KONG FESTIVALS AND AWARDS 2016 SUNDANCE FILM FESTIVAL | 2016 INTERNATIONAL FILM FESTIVAL TORONTO INTERNATIONAL FILM FESTIVAL \"ORN
IN

IN
*EDDAH
3AUDI
ØRABIA
-AHMOUD
ØMERICAN
LANDSCAPES
AND
NARRATIVES
OF
THE
ROAD
3ABBAGH
IS
AN
INDEPENDENT
ÞLM
DIRECTOR
ARE
THEMES
THAT
RUN
THROUGHOUT
Kelly ReichardtmS
AND
PRODUCER
(E
HOLDS
A
-ASTERmS
DEGREE
IN
FEATURES
River of Grass

Old Joy

DOCUMENTARY
ÞLMMAKING
FROM
THE
#OLUMBIA
Wendy and Lucy 
Meek’s Cutoff

3CHOOL
OF
*OURNALISM
IN
.EW
9ORK
Barakah Meets AND
Night Moves
 
3HE
HAS
RECEIVED
VARIOUS
Barakah
IS
HIS
ÞRST
FULLLENGTH
FEATURE
ÞLM PRESTIGIOUS
GRANTS
SUCH
AS
THE
5NITED
3TATES
ØRTISTS
AND
'UGGENHEIM
&ELLOWSHIPS
FILMOGRAPHY: 7KH -HZHOHU RI 0RGHUQ -HGGDK 6WRU\\ RI 0RKDPPHG 6DL G )DUVL FILMOGRAPHY: 1LJKW 0RYHV (2013) | 0HHN V &XWRՔ (2010) | Wendy and Lucy (2015, Short) | Cash(2014, Short) | 6WRU\\RI+DP]D6KDKDWD(2013, Short) (2008) | 7KHQD<HDU(2001, Short) EERHT-YTNEWT

MOHAMED DIAB DANIS TANOVIÇ CLASH DEATH IN SARAJEVO (SMRT U SARAJEVU) (ESHTEBAK)  FRANCE, BOSNIA AND HERZEGOVINA  BOSNIAN h 85’ G 2016  ARABIC  EGYPT h 96’ G 2016 WORLD CINEMA WORLD PREMIERE INDIA PREMIERE INDIA PREMIERE Cairo, summer of 2013 - two years after the Egyptian Sarajevo‘s Hotel Europe is bustling in preparation for revolution. In the wake of the ouster of Islamist president the gala organised by the European Union to mark the Morsi, a police truck full of detained demonstrators of centennial of Archduke Franz Ferdinand‘s assassination. divergent political and religious backgrounds roams The disgruntled staff, however, plans to go on a strike through the violence-ridden streets of the city. Can the to protest two months’ worth of non-payment. If the detainees overcome their differences to stand a chance prestigious political dinner fails, the already mortgaged of survival? hotel will be shut down by the bank. With no time to lose to stop the strike, hotel manager Omer must turn to tough guy Enzo, who runs the cellar strip club. Soon, the staff union rep goes missing. Meanwhile, chief receptionist Lamija does her absolute best to keep everything running smoothly toward the big event. DIRECTOR PRODUCTION EDITOR DIRECTOR CINEMATOGRAPHER CAST MOHAMED DIAB COMPANY AHMED HAFEZ DANIS TANOVIÇ (52/=8%þ(9,ø JACQUES WEBER, PRODUCER(S) FILM CLINIC SOUND DESIGN PRODUCER(S) EDITOR 61(ū$1$9,'29,ø MOEZ MASOUD, (EGYPT), SAMPEK AHMED ADNAN FRANCOIS 5('ū,1$/'ŏ,0(. IZUDIN BAJROVIC, MOHAMED HEFZY , PRODUCTIONS STORY/SCREENPLAY MARGOLIN, AMRA SOUND DESIGN VEDRANA SEKSAN, ERIC LAGESSE (FRANCE) KHALED DIAB, %$.ŏ,øþ$02 6$0,5)2þ2 MUHAMED CINEMATOGRAPHER SALES COMPANY MOHAMED DIAB SALES COMPANY STORY/SCREENPLAY +$'ū29,ø)$.(7$ AHMED GABR PYRAMIDE THE MATCH FACTORY DANIS TANOVIÇ 6$/,+%(*29,ø INTERNATIONAL $9'$*,ø(',1 AVDAGIC FFEESSTTIIVVAALLSS AANNDD AAWWAARRDDSS CANNES FILM FESTIVAL (UN CERTAIN REGARD) FFEESSTTIIVVAALLSS AANNDD AAWWAARRDDSS VENICE FILM FESTIVAL | TORONTO INTERNATIONAL FILM FESTIVAL Mohamed Diab
IS
AN
AWARDWINNING
WRITER
Danis Tanovic’s Ÿ DEBUTŸ FEATUREŸ No Man’s AND
DIRECTOR
WHOSE
WORK
IS
CENTRED
ON
ISSUES
CONCERNING
%GYPTIAN
SOCIETY
(E
IS
KNOWN
FOR
HIS
Land, won the Oscar and Golden Globe for Best DIRECTORIAL
DEBUT
Cairo 678 (Les Femmes du bus &OREIGNŸ ,ANGUAGEŸ &ILMŸ 3ETŸ INŸ THEŸ MIDSTŸ OFŸ THEŸ 678)
A
STORY
ABOUT
THREE
WOMEN
WHO
ÞGHT
MALE
\"OSNIANŸWARŸINŸŸNo Man’s Land also won the CHAUVINISM
IN
#AIRO
(IS
LATER
ÞLMS
INCLUDE
THE
\"ESTŸ3CRIPTŸPRIZESŸATŸTHEŸ#ANNESŸ&ILMŸ&ESTIVALŸANDŸ El Gezira
ÞLMS
CONSIDERED
AMONG
THE
HIGHEST
%UROPEANŸ&ILMŸ!WARDS GROSSING
%GYPTIAN
AND
ØRABIC
ÞLMS
OF
ALL
TIMES
FILMOGRAPHY: Cairo 678 (2010) FILMOGRAPHY: 7LJHUV(2014) | $Q(SLVRGH,Q7KH/LIH2I$Q,URQ3LFNHU(2013) L' Infer (2005) | 1R0DQ V/DQG(2001) 135 TWENTY-THREE

ANNA MUYLAERT KRIS AVEDISIAN DON'T CALL ME SON DONALD CRIED (MÃE SO HA UMA) (DONALD CRIED)  PORTUGUESE  BRAZIL h 82’ G 2016  ENGLISH  USA h 85’ G 2016 INDIA PREMIERE INDIA PREMIERE A bike, high school, joints, girls, a rock band. Pierre is a Peter Latang leaves working class Warwick, Rhode Island TEENAGER
LIKE
ANY
OTHER
ØFTER
A
$.Ø
TEST
HE
DISCOVERS
to reinvent himself as a slick, Wall Street mover and that the woman he calls Mom is not his biological mother, shaker. Fifteen years later, when he is forced to return and he now has to move in with his real family. In a new to bury his grandmother, he loses his wallet on his way home and with a new name, he starts to wonder about his home. Stranded, the only person he thinks can salvage real identity. HIS
SITUATION
IS
HIS
NEIGHBOUR
AND
FORMER
FRIEND
$ONALD
4REEBECK
\"UT
$ONALD
HASNT
CHANGED
A
BIT
AND
WHAT
WAS
to be a simple favour turns into a long van-ride into their past. DIRECTOR CINEMATOGRAPHER CAST DIRECTOR PRODUCTION SOUND DESIGN ANNA MUYLAERT BARBARA ALVAREZ PATRICIA FARIA KRIS AVEDISIAN COMPANY FALL ON YOUR PRODUCER(S) EDITOR PRODUCER(S) ELECTRIC SWORD SARA SILVEIRA HELIO VILELA NUNES KYLE MARTIN, CHINOLAND STORY/SCREENPLAY PRODUCTION SOUND DESIGN SAM FLEISCHNER, CINEMATOGRAPHER KRIS AVEDISIAN, COMPANY RICARDO REIS ALLISON CARTER SAM FLEISCHNER, KYLE ESPELETA, DEZENOVE SOM E STORY/SCREENPLAY SALES COMPANY TREVOR HOLDEN JESSE WAKEMAN IMAGENS ANNA MUYLAERT JASON ISHIKAWA, EDITOR CAST CINETIC MEDIA, USA FRANK HEATH JESSE WAKEMAN FESTIVALS AND AWARDS BERLIN FILM FESTIVAL I LONDON FESTIVALS AND AWARDS NEW FILMS, SOUTH BY SOUTH WEST FILM INTERNATIONAL FILM FESTIVAL FESTIVAL I LOCARNO FILM FESTIVAL Anna Muylaert
WAS
BORN
IN
3»O
0AULO
IN

Kris Avedisian
WAS
BORN
IN
#RANSTON
2HODE
3HE
STUDIED
CINEMA
AT
THE
5NIVERSITY
OF
3»O
0AULO
)SLAND
WHERE
HE
STILL
RESIDES
)N
THE
EARLY
S
3CHOOL
OF
#OMMUNICATIONS
AND
ØRTS
%#Ø 
3HE
HE
STUDIED
Þ
LM
IN
3AN
&RANCISCO
WHERE
HE
MET
HIS
HAS
ALSO
WORKED
AS
A
REVIEWER
AT
%STAD»O
AND
FUTURE
COLLABORATORS
*ESSE
7AKEMAN
AND
+YLE
)34/¡
3HE
HAS
COLLABORATED
ON
THE
SCRIPTS
OF
%SPELETA
)N

THEIR
SHORT
$ONALD
#RIED
WON
FEATURE
Þ
LMS
SUCH
AS
O Ano em que Meus Pais \"EST
.ARRATIVE
3HORT
AT
4HE
)NDEPENDENT
&ILM
SAÅRAM
DE
&ÁRIAS

Xingu

BY
#AO
&ESTIVAL
\"OSTON
AND
LATER
WENT
ON
TO
RECEIVE
(AMBURGER
3PECIAL
-ENTION
AT
THE
3LAMDANCE
&ILM
&ESTIVAL FILMOGRAPHY: 7KH6HFRQG0RWKHU(2015) | Chamada a Cobrar (2012) |6PRNH FILMOGRAPHY: Donald Cried (2013, Short) *HWV,Q<RXU(\\HV(2009) EERHT-YTNEWT

ALEJANDRO JODOROWSKY FRANCESCO CARROZZINI ENDLESS POETRY FRANCA: CHAOS (POESIA SIN FIN) AND CREATION  SPANISH  FRANCE, CHILE h 128’ G 2016  ENGLISH, ITALIAN  USA, ITALY h 80’ G 2016 WORLD CINEMA INDIA PREMIERE ASIA PREMIERE 4HE
ÞLM
BEGINS
IN
3ANTIAGO
#HILE
DURING
THE
THRILLING
&RANCA is a loving portrait of a woman and mother who YEARS
OF
THE
lS
AND
THE
lS
ØLEJANDRITO
*ODOROWSKY
eschewed traditional roles for women and fearlessly used aged twenty, decides to become a poet against the will issues of 6OGUE
)TALIA to address issues of eating disorders, of his family. He is introduced in the inner circle of the abuse, race, environmental pollution, plastic surgery and artistic and intellectual avant-garde of the time and meets body image. With interviews from Karl Lagerfeld, Bruce %NRIQUE
,IHN
3TELLA
$IAZ
.ICANOR
0ARRA
AND
MANY
OTHER
Weber, Baz Luhrmann, Courtney Love and many others, promising but anonymous young writers who will become Carrozzini gives us a behind-the-scenes glimpse into the masters of Latin America’s modern literature. Totally his mother’s creative process as well as a peek into her immersed in this world of poetic experimentation, they VULNERABILITIES
BOTH
PAST
AND
PRESENT
$EEPLY
INSIGHTFUL
live together as few have dared to live before: sensually, AND
OFTEN
EMOTIONAL
THIS
ÞLM
IS
LIKE
A
LOVE
LETTER
FROM
A
authentically, freely, madly. son to his mother. DIRECTOR CINEMATOGRAPHER CAST DIRECTOR PRODUCTION CAST ALEJANDRO CHRISTOPHER DOYLE ADAN JODOROWSKY, FRANCESCO COMPANY FRANCA SOZZANI, JODOROWSKY EDITOR PAMELA FLORES, CARROZZINI DISARMING FILMS KARL LAGERFELD, PRODUCER(S) MARYLINE BRONTIS PRODUCER(S) SALES COMPANY BRUCE WEBER, ALEJANDRO MONTHIEUX JODOROWSKY STEPHANIE SCIRÉ, CINETIC MEDIA DONATELLA JODOROWSKY, STORY/SCREENPLAY DAVID CODICOW, VERSACE, MOISES COSIO, ALEJANDRO FRANCESCO VALENTINO ABBAS NOKHASTEH JODOROWSKY CARROZZINI GARAVANI, BAZ LUHRMANN FESTIVALS AND AWARDS CANNES FILM FESTIVAL FESTIVALS AND AWARDS VENICE FILM FESTIVAL Alejandro JodorowskymS
LIFE
SHOWS
HIM
TO
BE
AN
Francesco Carrozzini
IS
AN
%MMY
ØWARD
ACCOMPLISHED
AND
VERSATILE
ARTIST
IN
A
VARIETY
OF
NOMINATED
DIRECTOR
WELLKNOWN
INTERNATIONALLY
DISCIPLINES
ÞLM
DIRECTOR
ACTOR
DRAMATURGE
POET FOR
HIS
CINEMATIC
STYLE
IN
PORTRAIT
PHOTOGRAPHY
ESSAYIST
AUTHOR
OF
COMIC
STRIPS
AND
MIME (IS
CAREER
STARTED
IN

AT
AGE

WHILE
STILL
IN
&ASCINATED
WITH
ESOTERICISM
HE
PRACTICES
COLLEGE
AS
A
0HILOSOPHY
MAJOR
WHEN
HE
DIRECTED
PSYCHOMAGIC
AND
READS
THE
TAROT
AND
USES
THESE
A
PROMO
FOR
)TALIAN
-46
(E
HAS
SINCE
DIRECTED
SKILLS
IN
HIS
ART SHORT
ÞLMS
DOCUMENTARIES
COMMERCIALS
AND
MUSIC
VIDEOS FILMOGRAPHY: /DGDQ]DGHODUHDOLGDG(2013) | 7KH5DLQERZ7KLHI(1990) |7XVN (1980) |7KH+RO\\0RXQWDLQ(1973) | 7KH6HYHUHG+HDGV(1957, Short) 137 TWENTY-THREE

DORIS DÖRRIE FATIH AKIN FUKUSHIMA MON AMOUR GOODBYE BERLIN (TSCHICK) (GRÜBE AUS FUKUSHIMA)  GERMAN  GERMANY h 93’ G 2016  GERMAN, JAPANESE h 104’ G 2016 INDIA PREMIERE ASIA PREMIERE Young German woman Marie escapes to Fukushima to While his mother is in rehab and his father is on a change her life. She begins working with the organisation lBUSINESS
TRIPm
WITH
HIS
ASSISTANT
YEAROLD
OUTSIDER
-AIK
#LOWNS(ELP
TO
HELP
BRING
JOY
TO
THE

NUCLEAR
is spending the summer holidays bored and alone at his disaster survivors, some of who still live in the emergency parents’ villa, when rebellious teenager Tschick appears. shelters. Marie soon realises she‘s absolutely unsuited to Tschick, a Russian immigrant and an outcast, steals a the task of easing their pain. But instead of running away, car and decides to set off on a journey away from Berlin Marie decides to stay. with Maik tagging along for the ride. So begins a wild adventure where the two experience a trip of a lifetime and share a summer that they will never forget. DIRECTOR CINEMATOGRAPHER CAST DIRECTOR SALES COMPANY STORY/SCREENPLAY DORIS DÖRRIE HANNO LENTZ ROSALIE THOMASS, FATIH AKIN STUDIOCANAL HARK BOHM, PRODUCER(S) EDITOR KAORI MOMOI, NAMI PRODUCER(S) CINEMATOGRAPHER WOLFGANG HARRY KÜGLER, FRANK MÜLLER KAMATA, MOSHE MARCO MEHLITZ RAINER KLAUSMANN HERRNDORF MOLLY VON STORY/SCREENPLAY COHEN, HONSHO PRODUCTION EDITOR (NOVEL), LARS FÜRSTENBERG DORIS DÖRRIE HAYASAKA, NANOKO, COMPANY ANDREW BIRD HUBRICH SALES COMPANY AYA IRIZUKI LAGO FILM SOUND DESIGN CAST THE MATCH FACTORY KAI TEBBEL NICOLE MERCEDES MÜLLER, TRISTAN GÖBEL FESTIVALS AND AWARDS BERLIN FILM FESTIVAL FESTIVALS AND AWARDS NEW FILMS, LOCARNO FILM FESTIVAL Dorris Dorrie
STUDIED
THEATER
ARTS
AND
ACTING
Fatih Akin
WAS
BORN
IN

IN
(AMBURG
OF
BETWEEN

AND

IN
#ALIFORNIA
AND
LATER
4URKISH
PARENTAGE
(E
BEGAN
STUDYING
6ISUAL
SHE
STUDIED
AT
THE
#OLLEGE
OF
&ILM
AND
4ELEVISION
#OMMUNICATIONS
AT
(AMBURGS
#OLLEGE
OF
&INE
IN
-UNICH
3HE
THEN
MADE
CHILDRENmS
ÞLMS
SUCH
ØRTS
IN

)N

HE
WROTE
AND
DIRECTED
HIS
AS
0AULA
AUS
0ORTUGAL0AULA
FROM
0ORTUGAL
AND
ÞRST
SHORT
FEATURE
Sensin... You’re the One!
WHICH
DOCUMENTARIES
WHICH
INCLUDE
4HE
0ORTRAIT
OF
A
RECEIVED
THE
ØUDIENCE
ØWARD
AT
THE
(AMBURG
9OUNG
3HEPHERDESS
6ON
2OMANTIK
KEINE
3PUR.OT
)NTERNATIONAL
3HORT
&ILM
&ESTIVAL
A
4RACE
OF
2OMANTICISM FILMOGRAPHY: Heidi (2015) | Lila Lila (2009) | 5RVH(2005) | Head - On (2004)| FILMOGRAPHY: Bliss (2012) | Cherry Blossom (2008) z+RZWR&RRN<RXU/LIH ;IU8(2000) (2007) | 1DNHG(2002) | (QOLJKWHQPHQW*XDUDQWHHG(2000) EERHT-YTNEWT

CRISTIAN MUNGIU KHYENTSE NORBU GRADUATION HEMA HEMA: SING ME A SONG (BACALAUREAT) WHILE I WAIT  ROMANIAN  ROMANIA h 128’ G 2016  DZONGKHA  BHUTAN h 97’ G 2016 WORLD CINEMA INDIA PREMIERE INDIA PREMIERE 2OMEO
ØLDEA
IS
A
YEAROLD
PHYSICIAN
LIVING
IN
A
SMALL
Somewhere deep in a forest, a group gathers every twelve mountain town in Transylvania. He has raised his daughter years secretly to celebrate anonymity. Masked, the men Eliza with the idea that once she turns 18, she will leave and women participate in ancient rituals and dances. They to study and live abroad. His plan is close to succeeding – have been chosen by the old leader Agay, but the reasons Eliza has received a scholarship to study psychology in the for this selection remain mysterious. Having given up their 5+
3HE
MERELY
HAS
TO
PASS
HER
ÞNAL
EXAMS
q
A
FORMALITY
FOR
identities, the chosen are playful and lascivious in the lush SUCH
A
GOOD
STUDENT
/N
THE
DAY
PRIOR
TO
HER
ÞRST
WRITTEN
mountain nature. However, not all is fun and games. There exam, an incident jeopardises Eliza’s departure and the is harsh punishment for those who break the rules, those very principles Romeo has taught his daughter, throw her who succumb to the temptation of letting others know into crisis. who they are or those who are overtly curious. DIRECTOR SALES COMPANY SOUND DESIGN DIRECTOR DEWATHANG TALKIE SOUND DESIGN CRISTIAN MUNGIU WILD BUNCH MIRCEA OLTEANU KHYENTSE NORBU LTD., HANWAY FILMS TU DUU-CHIH PRODUCER(S) PRODUCTION CAST PRODUCER(S) CINEMATOGRAPHER STORY/SCREENPLAY CRISTIAN MUNGIU COMPANIES ADRIAN TITIENI PAWO CHOYNING JIGME TSEWANG KHYENTSE NORBU CINEMATOGRAPHER MOBRA FILMS, WHY MARIA-VICTORIA DORJI, SARAH CHEN TENZING CAST TUDOR VLADIMIR NOT PRODUCTIONS DRAGUS PRODUCTION EDITOR TSHERING DORJI, PANDURU EDITOR LIA BUGNAR COMPANY TIAN ZHUANG SADON LHAMO, MIRCEA OLTEANU VLAD IVANOV TSONG TSONG MA ZHUANG THINLEY DORJI PRODUCTIONS, FESTIVALS AND AWARDS 2016 CANNES FILM FESTIVAL| 2016 FESTIVALS AND AWARDS LOCARNO FILM FESTIVAL | 2016 TORONTO TORONTO INTERNATIONAL FILM FESTIVAL INTERNATIONAL FILM FESTIVAL Cristian Mungiu
IS
A
2OMANIAN
WRITERDIRECTOR
Khyentse Norbu
KNOWN
AS
$ZONGSAR
*AMYANG
BORN
IN
)AS I
2OMANIA
IN

\"EFORE
STUDYING
+HYENTSE
2INPOCHE
IS
A
\"HUTANESE
\"UDDHIST
ÞLM
HE
WORKED
AS
A
TEACHER
AND
JOURNALIST
FOR
THE
TEACHER
AND
ÞLMMAKER
AND
WAS
BORN
IN

IN
PRESS
RADIO
AND
TELEVISION
)N

HIS
SECOND
+HENPAJONG
%AST
\"HUTAN
(IS
FORAY
INTO
ÞLMS
FEATURE

-ONTHS

7EEKS
AND

$AYS
WAS
STARTED
WHEN
HE
WAS
A
CONSULTANT
ON
\"ERNARDO
AWARDED
THE
0ALME
Dm/R
IN
#ANNES
)T
ALSO
WON
\"ERTOLUCCImS
Little Buddha
 
(E
GAINED
THE
\"EST
&ILM
AND
\"EST
$IRECTOR
PRIZES
AT
THE
WORLDWIDE
FAME
IN

WITH
HIS

ÞRST

ÞLM
The %UROPEAN
&ILM
ØCADEMY
ØWARDS
Cup
FILMOGRAPHY: Beyond the Hills (2012) |7DOHVIURPWKH*ROGHQ$JH(2009) | 4 FILMOGRAPHY: 9DUD$%OHVVLQJ(2013) |7UDYHOHUV 0DJLFLDQV(2003) |7KH&XS 0RQWKV:HHNVDQG'D\\V(2007) | Occident (2002) (1999) 139 TWENTY-THREE

KASPER COLLIN KEN LOACH I CALLED HIM MORGAN I, DANIEL BLAKE (I CALLED HIM MORGAN) (I, DANIEL BLAKE)  ENGLISH  SWEDEN, USA h 92’ G 2016  ENGLISH  UK h 100’ G 2016 ASIA PREMIERE INDIA PREMIERE On a snowy night in February 1972, celebrated jazz $ANIEL
\"LAKE

HAS
WORKED
AS
A
JOINER
MOST
OF
HIS
LIFE
musician Lee Morgan was shot dead by his wife Helen in Newcastle. Now, after a heart attack and nearly falling during a gig at a club in New York City. The murder sent FROM
A
SCAFFOLD
HE
NEEDS
HELP
FROM
THE
3TATE
FOR
THE
ÞRST
shockwaves through the jazz community, and the memory time in his life. He crosses paths with a single mother of the event still haunts those who knew the Morgans. This +ATIE
AND
HER
TWO
YOUNG
CHILDREN
$AISY
AND
$YLAN
+ATIEmS
FEATURE
DOCUMENTARY
BY
3WEDISH
ÞLMMAKER
+ASPER
#OLLIN
only chance to escape a one-roomed homeless hostel in is a love letter to two unique personalities and the music ,ONDON
HAS
BEEN
TO
ACCEPT
A
ßAT
IN
A
CITY
SHE
DOESNmT
that brought them together. KNOW
SOME
THREE
HUNDED
MILES
AWAZY
$ANIEL
AND
+ATIE
ÞND
THEMSELVES
IN
NOMANmS
LAND
CAUGHT
ON
THE
BARBED
wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern day Britain. DIRECTOR PRODUCTION EDITOR DIRECTOR CINEMATOGRAPHER CAST KASPER COLLIN COMPANY HANNA LEJONQVIST, KEN LOACH ROBBIE RYAN DAVE JOHNS, PRODUCER(S) KASPER COLLIN EVA HILLSTRÖM, PRODUCER(S) EDITOR HAYLEY SQUIRES KASPER COLLIN PRODUKTION AB DINO JONSÄTER, REBECCA O'BRIEN JONATHAN MORRIS INDIAN (EXECUTIVE SALES COMPANY KASPER COLLIN SOUND DESIGN STORY/SCREENPLAY DISTRIBUTOR PRODUCERS: RON SUBMARINE CINEMATOGRAPHER RAY BECKETT PAUL LAVERTY IN2 INFOTAINMENT MANN, NICOLE ENTERTAINMENT BRADFORD YOUNG, INDIA STOTT, DAN BRAUN) STORY/SCREENPLAY ERIK VALLSTEN KASPER COLLIN FESTIVALS AND AWARDS VENICE FILM FESTIVAL | TELLURIDE FILM FESTIVALS AND AWARDS PALME D'OR, 2016 CANNES FILM FESTIVAL FESTIVAL | BFI LONDON FILM FESTIVAL Ken Loach
WAS
BORN
IN
.UNEATON
IN
%NGLANDS
Kasper Collin
BORN
IN
'OTHENBURG
IN

7EST
-IDLANDS
AND
STUDIED
LAW
AT
/XFORD
(E
HAS
A
DEGREE
IN
#ULTURE
AND
&ILM
3TUDIES
FROM
MADE
HIS
DEBUT
FEATURE
Poor Cow
IN

AND
'OTHENBURGH
5NIVERSITY
(E
HAS
BEEN
WORKING
LATER
WON
GREAT
ACCLAIM
WITH
SUCH
ÞLMS
AS
Kes
WITH
ÞLM
AND
TELEVISION
SINCE
THE
MID
S
(E

Hidden Agenda

Raining Stones HAS
PREVIOUSLY
MADE
ÞLMS
SUCH
AS
THE
FEATURE

AND
0ALME
$
/R
WINNER
The Wind That DOCUMENTARY
-Y
.AME
IS
ØLBERT
ØYLER Shakes the Barley   FILMOGRAPHY: 0\\1DPH,V$OEHUW$\\OHU(2005) FILMOGRAPHY: -LPP\\ V+DOO(2014) | Land and Freedom (1995) | 5LՔ5DՔ(1991) | Hidden Agenda (1990) | Kes (1969) EERHT-YTNEWT

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feeble opportunities for humanity that thrive within it. begins with the confessions of individual gang members. It also weaves the testimonials of sociologists, human rights DIRECTOR PRODUCER(S) CAST activists and political hardliners which provides a disturbing ALI ASGARI, ADRIAN g0(5*h1'2Đ'8 PAUL ELIA, DENIZ portrayal of a society in which the frustration of young SITARU, ALEXANDRE ABDÜLHAMIT ERBAY, AKDENIZ, MARINE PEOPLE
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141 TWENTY-THREE

IVO M. FERREIRA WERNER HERZOG LETTERS FROM WAR LO AND BEHOLD (CARTAS DA GUERRA) REVERIES OF THE CONNECTED WORLD  PORTUGUESE  PORTUGAL h 105’ G 2016  ENGLISH  USA h 98’ G 2016 INDIA PREMIERE INDIA PREMIERE The year is 1971. António Lobo Antune’s life is brutally In ,O
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7ORLD, interrupted when he is drafted into the Portuguese army legendary director Werner Herzog chronicles the virtual to serve as a doctor in one of the worst zones of the world from its origins to its outermost reaches, exploring Colonial War: East of Angola. Removed from everything the digital landscape with the same curiosity and that is dear to him and immersed in an increasingly violent imagination he previously trained on earthly destinations setting, he begins to write letters to his wife. As he moves as disparate as the Amazon, the Sahara, the South Pole between several military posts, he begins to fall in love and the Australian outback. Herzog leads viewers on a with Africa and consequently, matures politically. An journey through a series of provocative conversations ENTIRE
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that reveal how our existence online has transformed despairs for the return home. and altered the course of our ‘real’ life - from business to education, space travel to healthcare and how we conduct our personal relationships. DIRECTOR SALES COMPANY STORY/SCREENPLAY DIRECTOR EDITOR CAST IVO M. FERREIRA THE MATCH FACTORY IVO M. FERREIRA , WERNER HERZOG MARCO CAPALBO ELON MUSK, PRODUCER(S) CINEMATOGRAPHER EDGAR MEDINA PRODUCER(S) SOUND DESIGN LAWRENCE LUÍS URBANO , JOÃO RIBEIRO CAST RUPERT MACONICK JIM LAKIN KRAUSS, LUCIANNE SANDRO AGUILAR EDITOR MIGUEL NUNES, SALES COMPANY STORY/SCREENPLAY WALKOWICZ PRODUCTION SANDRO AGUILAR MARGARIDA MAGNOLIA PICTURES WERNER HERZOG COMPANY SOUND DESIGN VILA-NOVA, RICARDO CINEMATOGRAPHER O SOM E A FÚRIA RICARDO LEAL PEREIRA, JOAO PETER ZEITLINGER PEDRO VAZ, SIMAO CAYATTE FESTIVALS AND AWARDS 2016 BERLIN FILM FESTIVAL FESTIVALS AND AWARDS SUNDANCE FILM FESTIVAL I BFI LONDON FILM FESTIVAL Ivo M. Ferreira WASŸ BORNŸ INŸ ,ISBONŸ INŸ Ÿ (EŸ \"ORN
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PROSE FILMOGRAPHY: Na Escama do Dragão (2013, Short) | O Estrangeiro (2010, Short) FILMOGRAPHY: Queen of the Desert (2015) | Cave of Forgotten Dreams (2010) | |ÉJ XDV0LO(2009) | Fios de Fiar (2006, Short) | Salto em Barreira (2004, Short) *UL]]O\\0DQ(2005) |7KH(QLJPDRI.DVSHU+DXVHU(1974) EERHT-YTNEWT

ANTHOLOGY FILM DILIP MEHTA MADLY MOSTLY SUNNY (MADLY) (MOSTLY SUNNY)  VARIOUS  USA h 105’ G 2016  ENGLISH  CANADA h86’ G 2016 WORLD CINEMA INDIA PREMIERE INDIA PREMIERE -ADLY explores six stories of modern love in all of its 4HE
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Sarnia, Ontario, Canada. Rejecting the orthodox code of passionate trip around the world with Gael García Bernal, her culture, she stumbled into the world of pornography Sion Sono, Sebastián Silva, Mia Wasikowska, Anurag where she adopted the name Sunny Leone, was crowned Kashyap and Natasha Khan behind the camera for each “Penthouse Pet of the Year”, and became a mega-star 15-minute vignette. IN
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143 \"OLLYWOOD
Natasha Khan
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KELLY DANIELA NORRIS & TW PITTMAN PABLO LARRAÍN NAKOM NERUDA (NAKOM) (NERUDA) KUSAL, ENGLISH  GHANA, USA h 90’ G 2016  SPANISH  CHILE h 108’ G 2016 INDIA PREMIERE INDIA PREMIERE After his father’s sudden death, Iddrisu, a talented )T
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medical student, returns to his village in northern Ghana. congress, Senator Pablo Neruda accuses the government Faced with a debt that holds the potential to destroy his of betraying the Communist Party and is swiftly impeached family, he has no choice but to take control of the farm by President Gonzalez Videla. Police Prefect Oscar and attempt to turn their fortunes around. As Iddrisu Peluchonneau is assigned to arrest the poet. Neruda confronts both the beauty and the tragedy of rural life TRIES
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del Carril - but they are forced into hiding. Inspired by two very different, possible futures. the dramatic events of his new life as a fugitive, Neruda writes his epic collection of poems, “Canto General”. Meanwhile, in Europe, the legend of the poet hounded by the policeman grows, and artists led by Pablo Picasso clamor for Neruda’s freedom. DIRECTOR SALES COMPANY STORY/SCREENPLAY DIRECTOR PRODUCTION SOUND DESIGN KELLY DANIELA WIDE ISAAC ADAKUDUGU, PABLO LARRAÍN COMPANY MIGUEL NORRIS, TW PITTMAN CINEMATOGRAPHER TW PITTMAN PRODUCER(S) FABULA, AZ FILMS, HORMAZABAL PRODUCER(S) BOB GEILE CAST JUAN DE DIOS FUNNY BALLOONS, STORY/SCREENPLAY GIOVANNI XIMÉNEZ, EDITOR JACOB AYANABA, LARRAÍN SETEMBRO CINE GUILLERMO ISAAC ADAKUDUGU TOMAS VENGRIS GRACE AYARIGA, SALES COMPANY CINEMATOGRAPHER CALDERON PRODUCTION SOUND DESIGN JUSTINA KULIDU, FUNNY BALLOONS SERGIO ARMSTRONG CAST COMPANY CHRIS KEYLAND JAMES AZUDAGO, EDITOR LUIS GNECCO, GAEL RASQUACHÉ FILMS FELICIA ATAMPURI HERVE SCHNEID GARCÍA BERNAL FESTIVALS AND AWARDS 2016 BERLIN FILM FESTIVAL (PANORAMA) FESTIVALS AND AWARDS CANNES FILM FESTIVAL | TORONTO INTERNATIONAL FILM FESTIVAL Kelly Daniela Norrism
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JOHNNY MA ANDREI KONCHALOVSKY OLD STONE PARADISE (LAO SHI) (RAI)  MANDARIN  CHINA h 80’ G 2016  RUSSIAN, GERMAN, FRENCH  RUSSIA 131’ G 2016 WORLD CINEMA INDIA PREMIERE ASIA PREMIERE After he is responsible for a car accident, Mr. Old Olga, Jules and Helmut’s paths cross amidst the Stone, a taxi driver in small-town China has to face devastation of war. Olga, a Russian aristocratic immigrant the absurdity wrought by contemporary, Kafkaesque and member of the French Resistance, is arrested and Chinese bureaucracy. With his family, friends and his work sent to jail by Nazi police for hiding Jewish children endangered - he begins to wonder if murder is a way out? during a surprise raid. In jail she meets Jules, a French- Nazi collaborator who is assigned to investigate her case. Jules grows fond of Olga and offers to go light on her punishment in exchange for sexual favours. Although Olga agrees, and will do whatever it takes to avoid harsh persecution, her hope for freedom quickly fades when things take an unexpected turn. As the fate of Nazi defeat looms, Olga's notion of 'Paradise' is irrevocably changed. DIRECTOR SALES COMPANY STORY/SCREENPLAY DIRECTOR PRODUCTION STORY/SCREENPLAY JOHNNY MA ASIAN SHADOWS JOHNNY MA ANDREI COMPANY ANDREI PRODUCER(S) CINEMATOGRAPHER CAST KONCHALOVSKY ANDREI KONCHALOVSKY, WU XIANJIAN, CHI-AN MING KAI LEUNG CHEN GANG, NAI AN, PRODUCER(S) KONCHALOVSKY ELENA KISELEVA LIN, JING WANG, EDITOR WANG HONGWEI, ANDREI STUDIOS CAST SARAH STALLARD MIKE LONG ZHANG ZEBIN, LUO KONCHALOVSKY CINEMATOGRAPHER JULIA VYSOTSKAYA, PRODUCTION SOUND DESIGN XUE'ER FLORIAN DEYLE ALEXANDER SIMONOV CHRISTIAN COMPANY SHENG YONG SALES COMPANY EDITOR CLAUSS , PHILIPPE C2M MEDIA ARRI MEDIA INTN'L EKATERINA VESHEVA DUQUESNE, VICTOR SUKHORUKOV FESTIVALS AND AWARDS 2016 BERLIN FILM FESTIVAL | JEONJU FILM SILVER LION (BEST DIRECTOR), 2016 VENICE FESTIVAL | 2016 BUSAN FILM FESTIVAL FILM FESTIVAL FESTIVALS AND AWARDS Johnny Ma
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ULRICH SEIDL DAN KWAN & DANIEL SCHEINERT SAFARI SWISS ARMY MAN (SAFARI) (SWISS ARMY MAN) AUSTRIAN, AFRIKAANS  AUSTRIA h 91’ G 2016  ENGLISH  USA h 97’ G 2016 INDIA PREMIERE INDIA PREMIERE Africa. In the wild expanses, where bushbucks, impalas, Hank is stranded on a deserted island, having given up zebras, gnus and other creatures graze by the thousands, all hopes of ever making it home again. But one day they are on holiday. German and Austrian hunting tourists everything changes when a corpse named Manny washes drive through the bush, lie in wait, stalk their prey. They up on shore; the two become fast friends, and ultimately shoot, sob with excitement and pose before the animals go on an epic adventure that will bring Hank back to the they have bagged. A vacation movie about killing, a woman of his dreams. movie about human nature. DIRECTOR SALES COMPANY SOUND DESIGN DIRECTOR(S) PRODUCTION EDITOR ULRICH SEIDL COPRODUCTION PAUL OBERLE DAN KWAN , DANIEL COMPANY MATTHEW HANNAM PRODUCER(S) OFFICE STORY/SCREENPLAY SCHEINERT IRONWORKS STORY/SCREENPLAY ULRICH SEIDL, CINEMATOGRAPHER ULRICH SEIDL, PRODUCER(S) PRODUCTIONS LLC, DAN KWAN, DANIEL JONSSON DYEKJÆR WOLFGANG THALER VERONIKA FRANZ MIRANDA BAILEY, A24 SCHEINERT PRODUCTION EDITOR CAST LAWRENCE INGLEE, SALES COMPANY CAST COMPANY CHRISTOF GERALD EICHINGER, LAUREN MANN, A24 PAUL DANO, DANIEL ULRICH SEIDL FILM SCHERTENLEIB EVA HOFMANN, AMANDA MARSHALL, CINEMATOGRAPHER RADCLIFFE, MARY PRODUKTION GMBH MANUEL EICHINGER JONATHAN WANG LARKIN SEIPLE ELIZABETH FESTIVALS AND AWARDS 2016 VENICE FILM FESTIVAL I 2016 FESTIVALS AND AWARDS BEST DIRECTOR, SUNDANCE FILM FESTIVAL TORONTO INTERNATIONAL FILM FESTIVAL Dan Kwan
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ROS HORIN CHRISTOPHER MURRAY THE BAULKHAM HILLS THE BLIND CHRIST AFRICAN LADIES TROUPE (EL CRISTO CIEGO)  ENGLISH  AUSTRALIAN h 81’ G 2016  SPANISH  CHILE, FRANCE h 85’ G 2016 WORLD CINEMA INTERNATIONAL INDIA PREMIERE PREMIERE Four African Australian women, all victims of sexual abuse Michael believes he has experienced a divine revelation AND
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OVER
A
ÞVE a childhood friend has been involved in an accident in year period from their painful beginnings in exploratory a remote village. He drops everything to embark on a workshops in 2011, through to the eventual triumph of barefoot pilgrimage through the desert in order to cure their theatre show in sold-out seasons in Sydney, and his friend with a miracle, a voyage that will traverse the then a performance at the WOW Festival (Women of the desperation of a society in need of faith. World) at the iconic Southbank Centre in London in 2015. DIRECTOR CINEMATOGRAPHER CAST DIRECTOR SALES COMPANY STORY/SCREENPLAY ROS HORIN JUSTINE KERRIGAN YORDANOS CHRISTOPHER FILM FACTORY CHRISTOPHER PRODUCER(S) EDITOR HAILEMICHAEL, MURRAY CINEMATOGRAPHER MURRAY ROS HORIN, ANDREW ARESTIDES AMINATA PRODUCER(S) INTI BRIONES CAST SOUND DESIGN CONTEH- BIGER, AUGUSTO MATTE , EDITOR MICHAEL SILVA, PRODUCTION LUKE MYNOTT ROSEMARYKARIUKI, THIERRY LENOUVEL ANDREA CHIGNOLI PEDRO GODOY, ANA COMPANY STORY/SCREENPLAY YARRIE BANGURRA PRODUCTION SOUND DESIGN MARÍA, HENRÍQUEZ REFLEX PRODUCTIONS ROS HORIN COMPANY CLAUDIO VARGAS BASTIÁN INOSTROZA JIRAFANETWORK INC. FESTIVALS AND AWARDS MELBOURNE INTERNATIONAL FILM FESTIVAL FESTIVALS AND AWARDS 2016 SAN SEBASTIAN INTERNATIONAL FILM FESTIVAL I 2016 VENICE FILM FESTIVAL Ros Horin
DIRECTOR
DRAMATURGE
AND
WRITER
HAS
\"ORN
IN

IN
3ANTIAGO
#HILE
Christopher BEEN
AN
IMPORTANT
ÞGURE
IN
ØUSTRALIAN
THEATRE
Murray
HOLDS
A
DEGREE
IN
ØUDIOVISUAL
$IRECTION
&OR
TWELVE
YEARS
SHE
WAS
THE
ØRTISTIC
$IRECTOR
OF
FROM
THE
0ONTIÞCIA
5NIVERSIDAD
#ATOLICA
OF
#HILE
3YDNEYmS
'RIFÞN
4HEATRE
#OMPANY
(ER
DIRECTING
(E
PREMIERED
THE
ÞLM
-ANUEL
DE
2IBERA
AT
THE
CAREER
SPANS
THREE
DECADES
DURING
WHICH
TIME

2OTTERDAM
&ILM
&ESTIVAL
)T
WAS
AWARDED
THE
SHE
HAS
DIRECTED
PRODUCTIONS
FOR
NEARLY
ALL
OF
THE
\"EST
$OMESTIC
&ILM
ØWARD
AT
3Ø.&)#

AND
MAJOR
ØUSTRALIAN
THEATRE
COMPANIES SELECTED
FOR
SEVERAL
INTERNATIONAL
FESTIVALS
FILMOGRAPHY: 3URSDJDQGD(2014, Documentary) | 0DQXHOGH5LEHUD(2009) | El 0RQWHGH*DEULHO(2009, Short) | Habitando Fuera (2005, Short) 147 TWENTY-THREE

THOMAS VINTERBERG ROB CANNAN & ROSS ADAM THE COMMUNE THE LOVERS AND (KOLLEKTIVET) THE DESPOT  DANISH  DENMARK h 112’ G 2016  ENGLISH  UK h 94’ G 2016 INDIA PREMIERE INDIA PREMIERE Erik and Anna are a couple of academics with a dream. 4HE
Þ
LM
TELLS
THE
STORY
OF
A
YOUNG
AMBITIOUS
3OUTH
+OREAN
With their daughter Freja, they set up a commune in Erik’s Þ
LMMAKER
3HIN
3ANGOK
AND
ACTRESS
#HOI
%UNHEE
WHO
huge villa in an upmarket district of Copenhagen. There is met and fell in love in 1950s in post-war Korea. In the ’70s, friendship, love and togetherness under one roof, until an after reaching the top of Korean society, following a string earth-shattering love affair puts the small community to its OF
SUCCESSFUL
Þ
LMS
#HOI
WAS
KIDNAPPED
IN
(ONG
+ONG
BY
GREATEST
TEST
4HE
Þ
LM
IS
HUMOROUS
AND
DELICATE
A

PAINFUL
North Korean agents and taken to meet Kim Jong-il. While and touching portrait of an entire generation, a gentle yet searching for Choi, Shin also was kidnapped, and following confrontational declaration of love for a group of idealists Þ
VE
YEARS
OF
IMPRISONMENT
THE
COUPLE
WAS
REUNITED
IN
and dreamers, who have long since awakened to reality. North Korea by the movie-obsessed Kim, who declared THEM
HIS
PERSONAL
Þ
LMMAKERS
#HOI
AND
3HIN
PLANNED
THEIR
ESCAPE
BUT
NOT
BEFORE
PRODUCING
SEVENTEEN
FEATURE
Þ
LMS
for the dictator and gaining his trust in the process. DIRECTOR PRODUCTION JANUS BILLESKOV DIRECTOR EDITOR CAST THOMAS COMPANY JANSEN ROB CANNAN, JIM HESSION PAUL COURTENAY VINTERBERG SISSE GRAUM SOUND DESIGN ROSS ADAM SOUND DESIGN HYU PRODUCER(S) JØRGENSEN, ANNE JENSEN, PRODUCER(S) AL SIRKETT MORTEN KAUFMANN, MORTEN KAUFMANN KRISTIAN SELIN NATASHA DACK STORY/SCREENPLAY SISSE GRAUM CINEMATOGRAPHER EIDNES ANDERSEN OJUMU ROBERT CANNAN, JØRGENSEN JESPER TØFFNER STORY/SCREENPLAY SALES COMPANY ROSS ADAM, JIM SALES COMPANY EDITOR THOMAS VINTERBERG, MAGNOLIA PICTURES HESSION TRUSTNORDISK ANNE ØSTERUD, TOBIAS LINDHOLM FESTIVALS AND AWARDS 2016TORONTO INTERNATIONALFILM FESTIVAL FESTIVALS AND AWARDS 2016 SUNDANCE FILM FESTIVAL Ø
GRADUATE
OF
THE
.ATIONAL
&ILM
3CHOOL
OF
Rob Cannan
HAS
WORKED
IN
VARIOUS
ROLES
$ENMARK
Vinterberg
FOUNDED
THE
$OGME

ON
FEATURES
SHORTS
AND
MUSIC
VIDEOS
(E
MOVEMENT
(E
BEGAN
HIS
CAREER
BY
DIRECTING
SHORT
DIRECTED
Three Miles North of Molkom
Þ
LMS
INCLUDING
THE
ØCADEMY
ØWARDNOMINATED
IN

Ross Adam
HAS
WORKED
AS
A
Last Round
 
6INTERBERGS
INTERNATIONAL
DIRECTOR
CAMERAMAN
AND
EDITOR
ON
SHORT
BREAKTHROUGH
Festen
The Celebration

WAS
Þ
LMS
MUSIC
VIDEOS
ART
INSTALLATIONS
THE
Þ
RST
Þ
LM
THAT
ADHERED
TO
THE
$OGME
CONCEPT
COMMERCIALS
AND
CORPORATE
VIDEOS
AND
AND
WON
THE
3PECIAL
0RIZE
OF
THE
*URY
AT
#ANNES
IS
A
PHOTOGRAPHER
TOO
FILMOGRAPHY: 7KH+XQW(2012) | Submarino (2010) |:KHQD0DQ&RPHV+RPH (2007) | Dear Wendy (2005) | All About Love (2003) EERHT-YTNEWT

NICOLAS WINDING REFN MIDI Z THE NEON DEMON THE ROAD TO MANDALAY (THE NEON DEMON) (THE ROAD TO MANDALAY)  ENGLISH FRANCE, DENMARK, SWEDEN h 110’ G 2016  THAI, BURMESE  TAIWAN, FRANCE, GERMANY, MYANMAR h 108’ G 2016 WORLD CINEMA INDIA PREMIERE INDIA PREMIERE When aspiring model Jesse moves to Los Angeles, her Lianqing is quite typical of the many small-town Burmese youth and vitality are devoured by a group of beauty- who have crossed illegally into Thailand in search of obsessed women who will use any means necessary to better earnings and opportunities. She puts herself in the get what belongs to her. HANDS
OF
THE
PEOPLETRAFÞCKERS
ONE
SUMMER
NIGHT
IN

They cross the Mekong River, ride a truck along country BACKROADS
PASS
BRIBED
POLICE
CHECKPOINTS
AND
ÞNALLY
reach Bangkok. Along the way, a fellow migrant named Guo is kind to her, and their fates become entwined. DIRECTOR PRODUCTION CINEMATOGRAPHER DIRECTOR PRODUCTION EDITOR NICOLAS WINDING REFN COMPANY NATASHA BRAIER MIDI Z COMPANY MATTHIEU LACLAU PRODUCER(S) SPACE ROCKET, EDITOR(S) PRODUCER(S) FLASH FORWARD STORY/SCREENPLAY LENE BØRGLU, GAUMONT, WILD MATTHEW NEWMAN PATRICK MAO ENTERTAINMENT, MIDI Z SIDONIE DUMAS, BUNCH CAST HUANG, MIDI Z BOMAY BERLIN FILM CAST VINCENT MARAVAL SALES COMPANY ELLE FANNING, KARL SALES COMPANY PRODUCTION KAI KO, WU KE-XI, STORY/SCREENPLAY GAUMONT, WILD GLUSMAN, JENA UDI – URBAN CINEMATOGRAPHER WANG SHIN-HONG NICOLAS WINDING REFN BUNCH MALONE DISTRIBUTION INTL TOM FAN FESTIVALS AND AWARDS 2016 CANNES FILM FESTIVAL | SITGES FESTIVALS AND AWARDS FEDEORA PRIZE, VENICE DAYS | 2016 FILM FESTIVAL TORONTO INTERNATIONAL FILM FESTIVAL Nicolas Winding Refn MADEŸHISŸDEBUTŸATŸŸWITHŸ \"ORN
IN
-YANMAR
IN

Midi Z
ARRIVED
IN
4AIWAN
THEŸ ÚRSTŸ PARTŸ OFŸ THEŸ HIGHLYŸ ACCLAIMEDŸ 'Pusher' AT
THE
AGE
OF
SIXTEEN
)N

HIS
GRADUATION
ÞLM
TRILOGYŸ OFŸ ÚLMSŸ +NOWNŸ FORŸ HISŸ HIGHLYŸ STYLISEDŸ Paloma Blanca
WAS
INVITED
TO
SEVERAL
FESTIVALS
DEPICTIONŸ OFŸ VIOLENCEŸ ANDŸ HISŸ INTERESTŸ INŸ SINGULARŸ SUCH
AS
\"USAN
AND
'OTHENBURG
)N

Return PROTAGONISTSŸ WHOŸ TRAVERSEŸ DESOLATEŸ LANDSCAPESŸ to Burma
HIS
DEBUT
FEATURE
WAS
NOMINATED
FOR
THE
\"USAN
.EW
#URRENTS
#OMPETITION
AND
he is also responsible for other acclaimed other 2OTTERDAM
4IGER
#OMPETITION titles such as Bronson  Ÿand $RIVEŸ(2011). FILMOGRAPHY: 2QO\\*RG)RUJLYHV(2013) | Drive (2011) | 9DOKDOOD5LVLQJ(2008) FILMOGRAPHY: ,FH3RLVRQ(2014) |5HWXUQWR%XUPD(2011) Bronson (2008) | Fear X (2003) | Bleeder (1999) 149 TWENTY-THREE

ASGHAR FARHADI JEAN-PIERRE & LUC DARDENNE THE SALESMAN THE UNKNOWN GIRL (FORUSHANDE) (LA FILLE INCONNUE)  FARSI  IRAN h 123’ G 2016  FRENCH  BELGIUM, FRANCE h 106’ G 2016 INDIA PREMIERE INDIA PREMIERE 7HEN
THEIR
OLD
ßAT
IS
DAMAGED
%MAD
AND
2ANA
A
YOUNG
Jenny, a young general practitioner, feels guilty for not couple living in Tehran, are forced to move into a new having opened the door of her practice to a girl who is apartment. An incident linked to the previous tenant found dead shortly after. On learning from the police that BEGINS
TO
DRAMATICALLY
INßUENCE
THE
COUPLES
LIFE
they have no way of identifying her, Jenny has only one goal: to discover the name of the young girl so that she will not be buried anonymously and will not disappear as if she had never lived. DIRECTOR PRODUCTION EDITOR DIRECTOR PRODUCTION SOUND DESIGN ASGHAR FARHADI COMPANY HAYEDEH SAFIYARI JEAN-PIERRE, LUC COMPANY JEAN-PIERRE DURET PRODUCER(S) MEMENTO FILMS STORY/SCREENPLAY DARDENNE LES FILMS DU STORY/SCREENPLAY ALEXANDRE MALLET- PRODUCTION, ASGHAR FARHADI PRODUCER(S) FLEUVE, ARCHIPEL 35 JEAN-PIERRE, LUC GUY, ASGHAR ASGHAR FARHADI CAST JEAN-PIERRE, LUC CINEMATOGRAPHER DARDENNE FARHADI PRODUCTION SHAHAB HOSSEINI, DARDENNE, DENIS ALAIN MARCOEN CAST CINEMATOGRAPHER SALES COMPANY TARANEH ALIDOOSTI FREYD EDITOR ADÈLE HAENEL, HOSSEIN JAFARIAN MEMENTO FILMS SALES COMPANY MARIE-HÉLÈNE DOZO OLIVIER BONNAUD, INTERNATIONAL WILD BUNCH JÉRÉMIE RENIER FESTIVALS AND AWARDS BEST ACTOR, BEST SCREENPLAY, 2016 FESTIVALS AND AWARDS 2016 CANNES FILM FESTIVAL | 2016 CANNES FILM FESTIVAL TORONTO INTERNATIONAL FILM FESTIVAL ØSGHAR
&ARHADI
WAS
BORN
IN

(E
MADE
HIS
Jean-Pierre Dardenne
WAS
BORN
IN
%NGIS
ÞRST
SHORT
ÞLM
AT
AGE

AND
MADE
VARIOUS
SHORT
\"ELGIUM
IN
ØPRIL

Luc Dardenne
WAS
BORN
ÞLMS
BEFORE
GOING
TO
THE
5NIVERSITY
OF
4EHRAN
IN
IN
ØWIRS
\"ELGIUM
IN
-ARCH

4HEY
HAVE

TO
STUDY
THEATRE
ØFTER
GRADUATING
HE
STARTED
DIRECTED
NUMEROUS
DOCUMENTARIES
)N

*EAN WORK
AS
A
TELEVISION
DIRECTOR
)N

HE
WROTE
0IERRE
AND
,UC
$ARDENNE
FOUNDED
THE
PRODUCTION
AND
DIRECTED
HIS

ÞRST
FEATURE

ÞLM
$ANCING
IN
THE
COMPANY
$ÁRIVES
WHICH
HAS
PRODUCED
MORE
THAN
$UST
2AGHSS
$AR
'HOBAR 
)N

HE
DIRECTED
A 
DOCUMENTARIES
TO
DATE
INCLUDING
THEIR
OWN
Separation
WHICH
BROUGHT
HIM
GLOBAL
ATTENTION FILMOGRAPHY: 7KH 3DVW (2013) | A Separation (2011) | About Elly (2009) | FILMOGRAPHY: 7KH.LG:LWK$%LNH(2011) | /RUQD·V6LOHQFH(2008) |7KH&KLOG )LUHZRUNV:HGQHVGD\\(2006) | 7KH%HDXWLIXO&LW\\ (2003) (2005) |7KH6RQ(2002) | 5RVHWWD (1999) EERHT-YTNEWT