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Michel Foucault and morality of art
IbegantheresearchwhichledtothisbookinAustralia,andcompletedthe
manuscriptinHongKongin2001.Duringthattimemanypeoplehave
givenmesupport,encouragementandadvice.ImustfirstthankIrmline
Veit-BrauseandRussellGriggfortheirhelpfulcommentsandadviceinthe
crucialearlystagesofmywork.IoweaspecialdebtofgratitudetoBarry
Hindess,whogavefreelyofhistimeandexpertisetoreadandcomment
uponthefirstcompletedraft.ChrisFalzonansweredlatenighttelephone
queriesonfreedom,powerandsubjectivity;butmoreimportantlyhe
providedfriendship,laughterandunlimitedaccesstohisFoucaultlibrary.
JohnBallardreaddraftsofseveralchaptersandprovidedmewithbibliographicalassistance.RobertBarnesgenerouslyadvisedonallmatters
relatingtoClassicalandHellenisticantiquity.PaulPattonrespondedwith
probingquestionstoanearlierdraft;andIamstillnotsurethatthose
questionshavebeenanswered.InHongKong,DanRobinswasthereader
everyauthorhopesfor-appreciative,criticalanddemanding.HissuggestionsandmanyquestionsforcedmetoclarifymypresentationofFoucault's
project

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Michel Foucault and morality of art