Drum Corps International 2017 Yearbook

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Drum Corps International’s World Class includes corps of up WORLD CLASS to 150 members. Open Class groups, which may follow a more abbreviated touring schedule compared to their World Class The Academy........................52 counterparts, consist of anywhere between 30 and 150 performers. Blue Devils ...........................54 Both classes will compete against one another beginning with Blue Knights.........................56 the World Championship Prelims in Indianapolis. Blue Stars.............................58 Bluecoats .............................. 60 Boston Crusaders ................62 The Cadets ...........................64 Carolina Crown ....................66 The Cavaliers........................68 Colts ...................................... 70 Crossmen .............................72 Genesis ................................. 74 Jersey Surf ...........................76 Madison Scouts...................78 Mandarins............................. 80 Oregon Crusaders................82 Pacific Crest..........................84 Phantom Regiment .............86 Pioneer.................................. 88 Santa Clara Vanguard..........90 Seattle Cascades .................92 Spirit Of Atlanta...................94 Troopers ................................ 96 OPEN CLASS 7th Regiment .......................99 Blue Devils B ...................... 101 Gold .................................... 103 Guardians ........................... 105 Legends .............................. 107 Louisiana Stars .................. 109 Music City .......................... 111 Raiders................................ 113 River City Rhythm ............. 115 Spartans ............................. 117 Vanguard Cadets ............... 119 The Battalion......................121 Blue Devils C ......................121 Colt Cadets.........................121 Columbians ........................121 Golden Empire ...................123 Heat Wave ..........................123 Impulse ..............................123 Incognito ...........................123 Les Stentors .......................125 Shadow ..............................125 Southwind.......................... 125 Watchmen ..........................125 INTERNATIONAL CLASS THE COMPANY ..................127 ALL-AGE Alliance ...............................127 Atlanta CV..........................127 Cadets2................................ 127 Carolina Gold .....................127 Cincinnati Tradition............127 Crusaders Senior ...............127 Erie Thunderbirds ..............127 Govenaires .........................127 Minnesota Brass ................127 The Muchachos..................127 North Star ..........................127 Southern Knights ..............127 DCI 45th Anniversary 51

THE ACADEMY IB Y A H A R E Inspired by the infa- mous relationship between a well-known hunter and rabbit, By a Hare tells a come- dic tale in the general style of the 18th-century Italian opera buffa (comic opera). The music that moves the story along, however, comes from a variety of classic sources, including Edvard Grieg, Georges Bizet, Richard Wagner, Giuseppe Verdi, Franz Liszt, and modern-day com- poser Gordon Goodwin. The action takes place in a forest, where tree stumps serve as obstacles behind which characters can conceal themselves and safely taunt oth- ers before reappearing elsewhere. The story begins on the morning of a hunt, as the sunrise reveals our main protagonists. It’s the opening day of rabbit season, and the hunt is soon underway. A capture takes place, but is it real? Or has the hunt- er been the hunted all along? REPERTOIRE 1. Hare We Go Morning Mood (from Peer Gynt Suite No. 1) by Edvard Grieg 2. Hunting Wabbits Hunting Wabbits by Gordon Goodwin Barber of Seville by Gioachino Rossini Danse Boheme (from Carmen) by Georges Bizet 3. By a Hare Ride of the Valkyries (from Die Walkürie) by Richard Wagner 4. The Tail Has Turned Habanera (from Carmen) by Georges Bizet 5. Wabbit’s Wevenge Hungarian Rhapsody by Franz Liszt Anvil Chorus (from Il Trovatore) by Giuseppe Verdi 52 2017 Souvenir Yearbook

STAFF arizonaacademy.org Tempe, AZ Executive Director Mark Richardson Business Manager Carol Balk Business Assistant Hapie Denfeld Tour Coordinator Dennis Smith Drum Majors Sierra Rogers, Austin Cahoon, Zach Freeman Design Michael Townsend (Artistic Director), Michael Klesch (Music Designer), Jaime Holly (Drill Designer), Mark Eichenberger (Percussion Arranger), Cisco Hance (Percussion Arranger), Tim Berg (Digital Sound Designer), Chris Velez (Production Designer, Choreographer), Gabe Escobedo (Color Guard Caption Head), Shant Keuroghelian (Visual Caption Head), Michael Larkin (Brass Caption Head) Brass Michael Larkin (Caption Head), Patrick Sheridan (Consultant), Austin Cilone, Greg Davis, Ben Hylton, Rob Johnson, Chad Pence (Consultant), Evan Rogovin (Consultant), Keith Tye, Matthew Urbanek, Chad Henderson Percussion Lee Beddis (Supervisor), Cisco Hance (Caption Head), Mark Eichenberger (Caption Coordinator), Rudy Flores (Battery Coordinator), Chris Baños, Tim Berg, Cameron Brown, Frank Connelly, Will Edmonds, Raul Garza, James Herman, Marcus LeBlanc, Luke Vogt, Zach Wood, Beno Morris (Sound Coordinator) Color Guard Gabe Escobedo (Caption Head), Kris Galbreath, Chadd Hartman, Alyssa Lambert, Jose Peña, Cory Robinson, Robert Rodriguez, Whitney Semmens, Kaitlin Tubaugh, Chris Velez, Estephanie Vitela, Robert Morales Visual Shant Keuroghelian (Caption Head), Tim Darbonne (Consultant), Anthony Clark, Abraham Garcia, Andres Hernandez, Chace LeBlanc, Ryan Loveland, Jacqueline Meyler, Omar Negron, Neechelle Takinen, Mason Tanquary, Victor Tran, Jeremy Turner DCI 45th Anniversary 53

BLUE DEVILS IM E TA M O R P H In ancient epics and modern fantasy alike, metamorphosis (or shape shifting) is a common trope. Both the shaman and the showman have pondered its mystery and magic, which extends beyond its real-world nature as a biological process to become a broader metaphor for growth, evolution, and inspi- ration. To celebrate their diamond anniver- sary, the Blue Devils honor 60 years of individual and group transformations with a multi-layered musical and visual tribute to the past, present, and future. Metamorph resonates with music by com- posers such as Peter Graham and Simon Dobson and, at the program’s heart, the prophetic “Everything Must Change” by Bernard Ighner. Emerging from a cocoon of history, the corps moves in an upward trajectory, reflecting the legacy of past performers and the ascension of this California community of rhythmic dream- ers to the title of DCI’s most honored ensemble. REPERTOIRE Birth of Eternity, Dreamscape, Facing Future by David Glyde The Triumph of Time by Peter Graham Flight of the Bumble Bee by Nikolai Rimsky-Korsakov Everything Must Change by Bernard Ighner Crystal by Simon Dobson 54 2017 Souvenir Yearbook

STAFF bluedevils.org Concord, CA CEO of BDPA Justin Heimbecker Sr. Executive Advisor David Gibbs Corps Director Pat Seidling Corps Manager Sheryl Miles Assistant Managers Becky Terry, Kristen Lichtenthal, Brodie Lewis, Brian Howard Drum Majors Christopher Waggoner, Tyra Thompson, Brandon Wood Brass John M. Meehan (Caption Head, Arranger), Wayne Downey (Arranger), James Rocillo, Kevin Ronan, Bill Watson, Steve Vento, Sean Snyder, Keith Dunton, Anthony Lanzino, Eric Weingartner, Scott Palmer, Suzanne Dell, Joe Falvey Percussion Scott Johnson (Caption Head, Arranger), David Glyde (Music Director, Arranger), Jim Wunderlich (Arranger), Ben Maughmer, Rudy Garcia, Jared Andrews, Nicholas Arce, Nicholas Parsons, Brian Dinkel (Front Ensemble Caption Head), Jack Mizutani, Sean Gordon, Daniel Lai, Michael Dunwoody Color Guard Scott Chandler (Program Coordinator, Designer), T.J. Doucette, Tracey Higgins, Robbie Jacobson, David Ziehm Visual Jay Murphy (Designer), Todd Ryan (Caption Head), Jaime Holly (Assistant Visual Designer), Ken Karlin, John Bradford, Brian Peter, Jarrod Huntley, Tim Darbonne, Peter Beckhart, James Gow, Brandon Wickham, Zachary Stillwell, Karl Lowe (Consultant), Anthony Smith (Consultant), Jon Burroughs (Prop Set Fabricator) Health & Wellness Team Debbie Seeley (Director), Jeff Chaplin (Director), Jennifer Clarke Bentley, Diobel Castner, Victoria Shannon, Tom Wellbrook, Kristy Seeley, Darrek Mullins DCI 45th Anniversary 55

BLUE KNIGHTS Ii The human eye has a unique ability to shed light on both the world around us and our understanding of ourselves and oth- ers. In i, the Blue Knights take as their sub- ject the splendors of all there is to see and all the ways we are seen. The show’s first segment evokes the blurry mix of wonder and apprehension that a person feels when waking up to the unknown. Part two is more intellectual, delving into the mechanics of the eye—those tiny inner workings that we take for granted every time we look around and focus our gaze. The emotional and introspective aspect of perception is the subject of part three, which explores the ways in which we interpret what we see and how we per- ceive ourselves in relation to others. In the final section, the corps moves into a medi- tation on the very human desire to be seen, and to make a mark on the world. Music of Beck, Joseph Schwantner, Björk, and Imogen Heap helps set the tone. REPERTOIRE Wave by Beck Concerto for Percussion and Orchestra by Joseph Schwantner 107 Steps by Björk Hide and Seek by Imogen Heap 56 2017 Souvenir Yearbook

STAFF ascendperformingarts.org Denver, CO Executive Director Mark Arnold Assistant Director Jordan Helwerda Tour Director Ricky Grasso Tour Operations Director Ethan Goddard Drum Major & Ensemble Manager CJ Garcia Director of Recruiting Ken Adams Drum Majors Daniel Belcher, Diane Huseman, Sarah Jones Design Jed Weeks (Program Coordinator), Kevin Shah (Front Ensemble Composer & Arranger, Music Coordinator), JC Caceres (Visual Designer & Producer), Jay Bocook (Brass Composer & Arranger), Mike Jackson (Battery Composer & Arranger, Percussion Caption Supervisor), Tommy Keenum (Visual Design Consultant) Brass Brad Toth (Caption Head), Ronnie Pruitt (Assistant Caption Head), Tom Lukowicz, Bo Sodders, Scott Norman, Daniel Cook, Danny Brock, Ben Carroll, Greg Horner, Shayne O’Brien, Chris Williams, Jonathan Zimny, Ethan Munger, Josh Munoz Percussion Veronica Wicks (Caption Head), Chris Murphree (Front Ensemble Manager), Phil Idell (Front Ensemble Manager), Chris Cyr (Battery Manager), Amy Matias, Angelo Outlaw, Brittan Baptista, Taha Ahmed, Brandon Hussey, Thomas Claesen, Matt Gonzalez, Steven Herman Color Guard Brandy DuBose (Co-Caption Head), Robert Jett (Co-Caption Head), Juan Artavia (Choreographer), Randi Miles (Choreographer), David Arvin (Choreographer), John “JJ” Joseph (Choreographer), Melanie Risch, Liza Noriega, Nicholas Vizza, Lauryn Heller, Monica Chamberlain, Victor Rosas Visual Neil Adkison (Caption Head), Andrew Desmond (Assistant Caption Head), Ken Karlin (Consultant), John “JJ” Joseph (Movement & Choreography), Brittany Graham, Jon Popham, Katherine “KK” Sullivan, Kyle Marx, Spencer Smith, Matthew Osborn, Ashley Bushwood, Jonathan Halvorson DCI 45th Anniversary 57

BLUE STARS S TA R C R O S S E D I The Australian director Baz Luhrmann has made three films that draw on venerable literary sources to tell tales of star-crossed lovers. Romeo + Juliet (1996) is based on William Shakespeare’s tragic play, Moulin Rouge! (2001) takes its storyline from Alexandre Dumas’ play The Lady of the Camellias via the Verdi opera La Traviata, and The Great Gatsby (2013) is an adapta- tion of the F. Scott Fitzgerald novel. These three movies, which arguably reach the status of modern classics themselves, have inspired the Blue Stars’ 2017 pro- gram. Seeing through the eyes of a writer, we witness the dramatization of themes that motivate many famous stories across time: triumph turning to tragedy, promis- ing chances going cosmically awry, love destined not to succeed. The music of Star Crossed comes mainly from songs associ- ated with Luhrmann’s films, the one major exception being a selection from Prokofiev’s 1938 ballet Romeo and Juliet. REPERTOIRE Romeo and Juliet by Sergei Prokofiev Kissing You by Des’ree Weeks, Tim Atack #1 Crush by Butch Vig, Shirley Manson, Doug Erikson, Steve Marker Young and Beautiful by Rick Nowels, Elizabeth Grant Nature Boy by Eden Ahbez Lady Marmalade by Bob Crewe, Kenny Nolan Diamonds Are a Girl’s Best Friend by Jule Styne, Leo Robin 58 2017 Souvenir Yearbook

STAFF bluestars.org La Crosse, WI Executive Director Brad Furlano Corps Director Russ Gavin Assistant Corps Director Lizzie Miller Drum Majors Nessa Guerra, Taylor Smith, Truett Ide Design Michael Shapiro (Artistic Director, Color Guard), Kevin Ford (Drill/ Staging), Frank Sullivan (Brass), Eric Shriver (Battery Percussion), Matthew Hernandez (Front Ensemble Percussion) Brass Ward Miller (Caption Head), Christopher Allen (Ensemble Consultant), Scott Palmer (Ensemble Consultant), Jacob Ball, John Blickwedehl, Jacob Carpenter, Michael Dickinson, Tiffany Galus, Kristopher Hammond, Michael Hoffman, Adam Mothersole, Emily Phillips, Michael Post, Nicholas Puchek, Brent Schooley, Jay Sconyers, Frank Sullivan (Consultant) Percussion Eric Shriver (Battery Caption Head), Matthew Hernandez (Front Ensemble Caption Head), Adam Norris (Assistant Battery Caption Head), Michael Bingham, Moose Davis, Onye Eme-Akwari, Caleb Gasteiger, Tyler James, Jacob Pope, Greg Power, Drew Tucker, Geoffrey Watkins, Adam Wiencken, Connor Yasuda Color Guard Michael Shapiro (Caption Head), Anthony Garcia, Kassandra Gonzales, Krystal Greene, Miles Kellett, Ian Pilley, Matthew Rummel, Angela Stoltz, Justin Turner, Kristen Zotti Visual Roger Marquis (Co-Caption Head), Aaron Barnes (Co-Caption Head), Mike Cavanaugh, Brad Donoris, Doug Hall, Chris Hardesty, Daniel Malacon, Aaron Meyer, Johnny Miller, Tommy Williams, Matt Wong, Luke Zamprelli Additional Staff Brad Harris (Operations Director), Christina Knudsen (Development Director), Heather Tollers (Events and Merchandise Director), Steve Stueck (Business Manager), Kyle Winn (Tour Director), Erik Lindquist (Media), Kathleen Griffin, Bang Co, Caleb Doer, Antonia Lobocki, Hayden McClure, Candice Murray, Abby Rutledge, Fred Feeney (Advisor) DCI 45th Anniversary 59

BLUECOATS IJ A G G E D L I N E In the words of Jon Lupin, a.k.a. the Poetry Bandit, “We strayed from those plotted lines, and it was in jagged and crooked ways where we found truth and purpose.” The defend- ing DCI World Champion Bluecoats also stray from the plotted in their latest show, twisting and turning, meandering and deviating. Jagged Line contemplates the nature of contrast and variation through the lenses of four genre-bending musical artists: the progressive rock band Thank You Scientist; Jónsi, lead singer of the Icelandic alternative band Sigur Rós; the New Zealand composer John Psathas; and the late great American maverick Frank Zappa. REPERTOIRE Prelude by Thank You Scientist Psychopomp by Thank You Scientist Grow Till Tall by Jonsi One Study One Summary by John Psathas Zomby Woof by Frank Zappa 60 2017 Souvenir Yearbook

STAFF bluecoats.com Canton, OH Executive Director David Glasgow Corps Manager Bill Hamilton Administrative Staff Genevieve Geisler (Director of Operations & Finance), Mike Scott (Business Development Manager), Courtney Thomas (Tour Administrator, Stylist), Christopher Drake (Tour Administrator), Jonathan Milsap (Tour Administrator), Scott Hackett (Tour Assistant) Drum Majors Samuel Crawford, Graham Hopkins Design Jonathan Vanderkolff (Artistic Director, Visual), Dean Westman (Program Coordinator), Vince Oliver (Music Coordinator, Composer, Electronics), Doug Thrower (Composer, Brass), Tom Rarick (Composer, Percussion), Aaron Beck (Audio Systems), Jim Moore (Color Guard Caption Supervisor, Choreographer), Greg Lagola (Costumes) Brass Dave Mackinnon (Caption Supervisor), Derek Gipson (Caption Head), Dr. Matt Stratton (Assistant Caption Head), Donnie VanDoren (Advisor), Ryan Spencer, Ricardo Brown, Austin Clements, Kristen Eck, Scott Dupre, Errick Prince, Yesenia DeJesus, Jared Sessink, Ben Gunnarson, Joshua Gall, Bob Higgins, Bryen Warfield, Travis Pruitt, Patrick Geren, Aaron Dugger Percussion Roger Carter (Caption Head), Ryan Kilgore (Music Ensemble Coordinator, Staff Coordinator), Matt Jordan (Assistant Music Coordinator), Brad Palmer (Front Ensemble Coordinator), Tom Gasparrini (Battery Coordinator), Ryan Anderson (Battery Coordinator), Joe Woodie, Tommy Roam, Chase Dickinson, Ryan Lamb, Daniel Recoder, Suvin Varghese, Craig Loeffler, Allen Justus, Electronics Erik Kosman (Caption Head), Nick Usadel, Matt Skowronski Color Guard Shavon Garcia (Caption Head), Jaycee Wilson (Assistant Caption Head), Samia Mooney (Movement Instructor), Carol Abohatab (Choreographer), Kathy Pearson, Pete Johnson, Cara Unger, Austin Katona Visual Mike Fanning (Caption Head), Jason Bentley, Kevin Stahl, Bob Medworth, Samuel Ambrose, Joe Roche, Patrick Crowley, Justin Johnson, Steve Hopkins, Daniel Benton, Leigh Hadjis, Willie Veenstra, Jason Nunes, Phillip Showalter, Kyle Nealy, Matt Skowronski DCI 45th Anniversary 61

BOSTON CRUSADERS IW I C K E D G A M E S In June 1692, the special Court of Oyer and Terminer (“to hear and to decide”) con- vened in Salem, Massachusetts, under Chief Justice William Stoughton. The first person to be tried was Bridget Bishop, who was accused of witchcraft by more individuals than any other defendant. Known around town for her dubious moral character, Bishop frequented taverns, dressed flamboyantly (by Puritan stan- dards), and was married three times. She professed her innocence but was found guilty and ultimately executed. The Boston Crusaders’ 2017 production is based on the horrific trials of Bishop and her fellow Salem “witches.” The show opens in the woods, where the young and innocent gather to celebrate a full moon and sun- rise.They are discovered, accused, tor- tured, hunted, tried, convicted, and sen- tenced. As history teaches us, ignorance and fear breed hate while those in power play their wicked games. REPERTOIRE Moonlight Sonata by Ludwig van Beethoven The Adoration of Veles and Ala (from Scythian Suite) by Sergei Prokofiev Whispers by Colin McNutt, Iain Moyer, Michael Zellers Cortege Macabre (from Grohg) by Aaron Copland Wicked Game by Chris Isaak Toccata (from Piano Concerto No. 1) by Alberto Ginastera The Verdict by Ryan George, Colin McNutt, Iain Moyer 62 2017 Souvenir Yearbook

STAFF bostoncrusaders.org Boston, MA Executive Director Chris Holland Assistant Corps Director Ron Lambert Drum Majors Mark Hambleton, Kaitlin Oresky, Nick Winckel Design Keith Potter (Artistic Director), Leon May (Drill Designer), Michael Townsend (Color Guard Director), Brady Sanders (Designer, Choreographer), Ryan George (Composer, Arranger), Colin McNutt (Director of Percussion), Iain Moyer (Front Ensemble Arranger), Michael Zellers (Electronics Designer) Brass Gino Cipriani (Caption Head), Steve Bentley, Eric Fiero, James Crowley, Jarrett Lipman, Evan Berry, Ryan Williams, Travis Larson, Kendall Stevenson, Jamie McDonald Percussion Colin McNutt (Director), Iain Moyer (Front Ensemble Arranger), Zach Schlicher (Percussion Production Designer), Alex Beltran, Andrew Ricketts, Moises Urena Jr., Brian Perez, Derek Fields, Chris Lanzarone, Tim Miller, Adam Swan, Chris Vale, Efren Gutierrez, Andy MacLeay, Neal Flum, Taylor Yozwiak, Andy Filipiak, Iain Hale, Alex King, Marisa Spevak, Cameron Moulton, Bobby Scott Color Guard Michael Townsend (Director), Herbert Washington (Caption Head, Co-Designer, Choreographer), Kylee Hubbard (Caption Manager, Administrator), Aaron Gantt, Heather Graham, Jacob Kalemba, Phillip Ho, Rico Santiago, Sally Ware, Stephanie Chavez Visual Aaron Bailey (Caption Head), Eddy Falcon, Brett Lindsey, Chris Martin, Will Young, Tyler Lindemier, Mike Wells, Kevin Morrison, Patrick Duncan, Matt Rusnak, Scott McAnally Additional Staff Darren Delaney (Operations Manager), Mary Mason McWhorter (Tour Director), Stephanie Aarons (Assistant Tour Director), Mario Mistretta (Membership Coordinator), Jackie Gaffney (Operations Assistant), Vivien Tucker, MD (Corps Doctor), Michael Stevens, PA-C (Corps Physician Assistant), Jenna Chinburg (Lead ACT), Justin Waas (ACT), Chip Vokey (RN), Chris Ericson (RN) DCI 45th Anniversary 63

THE CADETS THE FAITHFUL, THE FALLEN, THE FORGIVEN I When the Cadets first brought Leonard Bernstein’s Mass to the field in 1983, they were crowned DCI World Champions. That summer kicked off a long love affair between the Cadets and Bernstein that has since seen the corps perform selec- tions from West Side Story, Symphony No. 1, the score to On the Waterfront, the Overture to Candide, the ballet Fancy Free, and more. Now, in cooperation with the Bernstein Office of New York City, the Cadets present The Faithful, The Fallen, The Forgiven, staged to—once again—the music of Mass. The Cadets are honored to be designated an “Ambassador of Leonard Bernstein,” and for the next two years they will assist in celebrating his 2018 centenni- al with performances nationwide, includ- ing a concert with the New York Philharmonic in Central Park. REPERTOIRE Simple Song Agnus Dei De Profundus Things Get Broken Pax: Communion Offertory Selections from Mass by Leonard Bernstein Additional incidental music by Drew Shanefield, Tom Aungst, Omar Carmenates 64 2017 Souvenir Yearbook

STAFF yea.org Allentown, PA Corps Director George Hopkins Assistant Director Mike Pfeil Drum Majors Claire Albrecht, Dalton Gyorda, Stephen McMullan Design Drew Shanefield, Tom Aungst, Omar Carmenates, Joe Heininger, Bobby Jones, Sylvester Salas, Marc Sylvester, Kristy Templin, George Hopkins Brass Drew Shanefield (Brass Caption Supervisor), Michael Terry (Brass Caption Manager), Scott Atchison, Daniel Berard, Branden Hill, Nathan Holland, Selena Maytum, Kristen Richard, Aaron Vogel, Aaron Witek, Scott Whitford, Marc Whitlock Percussion Tom Aungst (Battery Caption Supervisor), Joseph Ciancimino, Jacob Gall, Andrew MacLeay, Robert Marino, Patrick McHale, Paul Nalesnik, Henry Williams III, Omar Carmenates (Front Ensemble Caption Supervisor), Evan Brown, Matt Filosa, Chad Heiny, Claire Kenney, Kevin Kenney, Reed Kimmel, Diana Loomer, Andrew Monteiro, Luis Rivera, Mary Lindsey (Audio Intern), Xander Pippin (Audio Intern) Color Guard Kristy Templin (Caption Supervisor), Eric Babula, Christine Ghinder, Joe Heininger Christy Hobby, Katie Hopkins, Shelby Klamert, John Lemire, Abigail Malloy, Kirstin Shatzer, Garrett Smith, Philip Traini, Samuel Watson, Michael Zablocki Visual Craig Sellers (Caption Head), Brendan George, Jon Bilby, Joshua Brenneis, Alexander Cardona, Andrew Gaskill, Casey Hallahan, Peter Inglett, Christopher Isenhour, Julian Johnson, Christopher Johnston, Patrick McGehee, Jeffrey Young Additional Staff Dee Walker (Vocal Coach), Ryan Zettlemoyer (Vocal Coach) DCI 45th Anniversary 65

CAROLINA CROWN II T I S Deconstructivism is the art of breaking an object down to its base ele- ments; reshaping, relocating, and rear- ranging those elements; and presenting them in a new way. It Is takes a decon- structivist approach to the traditional drum corps model. Carolina Crown’s performers will attempt to meticulously disassemble the field, carefully laying out the separate components of a standard corps perfor- mance to provide a fresh perspective. In the deconstructivist spirit, this “art instal- lation” of sorts is unpredictable, with wild- ly dynamic changes in look, sound, and atmosphere over the course of the pro- gram. It also may evolve over time, as the members continue to explore a range of moods, from sophistication to mischief to reflectiveness to unabashed freedom. As DCI celebrates 45 years of performances that have left their mark on the drum corps stage, Crown is inspired by what was, what is, and what could be. REPERTOIRE Part I Everything in its Right Place by Radiohead Little Fugue in G Minor by Johann Sebastian Bach Part II Crown Imperial by William Walton Symphony No.3 by Vittorio Giannini Old Home Days by Charles Ives, Jonathan Elkus Raveling, Unravelling by Philip Sparke Part III For Good by Stephen Schwartz Part IV No one To kNOW one by Andy Akiho 66 2017 Souvenir Yearbook

STAFF carolinacrown.org Fort Mill, SC Executive Director Jim Coates Drum Majors Ross Werner, Elayna Youngson Design David Starnes (Design Coordinator), Michael Klesch (Music Director), Thom Hannum (Percussion Director), Rick Subel (Visual Coordinator), Jeff Sacktig (Visual Designer), Jim Ancona (Front Ensemble Design), Frank Sullivan (Sound Design) Brass Matt Harloff (Caption Supervisor), Michael Klesch (Arranger), Dylan Toombs, Kevin LeBoeuf, Katie VanDoren, Taylor Smith, Gilbert Villagrana, Corey Futrell, Chad Brinkman, Evan VanDoren, Larry Shane, Andy Smart, Ray Linkous, Ben Harloff, Paula Monique, Frank Sullivan, Barry Hudson Percussion Travis Peterman (Caption Supervisor, Arranger), Thom Hannum (Arranger), Jim Ancona (Front Ensemble Arranger), Sean McElroy, Andrew Rubano, Dan Schack, Frank Cummings, Zach Openaker, Michael Tant, Alex Kluttz, Marcus Neudigate, Annie Chernow, Amanda Loeffler, Brenden Walter, Steve Ballard, Geoff Martin, Josh Gutleg Color Guard Joey Powell (Caption Supervisor), Mykail Costner (Choreographer), Brian Robinson, Erin England, Josh Waite, Omar Aguilla, Andria Foerch, Kelsey Bishop, Stephanie Bosjolie, Tavis Cooper, Michael Floyd Visual Ron Hardin (Caption Supervisor), Jeff Sacktig (Designer), Rick Subel (Visual Coordinator), Vincent Thomas (Choreographer), Brian Soules, Brian Kraft, Mike Huebner, Chris Considine, Tim Hadley, Gino Hernandez, Patrick Forrester, John Zollo, Brad Klemmensen, Lindsey Vento, Josh Wendt Additional Staff Nancy Coates (Tour Manager), Ryan Brannan, Rod Owens, Taylor Womack, Shelly Painter (Administration), Rebecca Cole (Food Manager), Brittany Keller, Lorna Hayes (Merchandise), Roxanne Peykanmian, Natalie Wiesnet (Videographer), Cara DeCosa, Guila Disanto (Trainers), Moe Smith (Office Manager), Cody Crawford (Development, Fundraising), Travis Goodwin (CrownSTORE) DCI 45th Anniversary 67

THE CAVALIERS MEN ARE FROM MARS I Don’t worry:The Cavaliers aren’t really sug- gesting that men are Martians (although the use of Steve Vai’s “Little Green Men” does toy with that implication).The real theme of this program is the innate martial nature of men—their need to dominate, achieve, and conquer, which drives them to band together in tribes and secure power over territory and other people. As human society has evolved, men have struggled to shed such tendencies.The cerebral battles with the instinctual, and the warrior of Mars grapples to be what he is not. Men Are From Mars is a multifacet- ed audio and visual representation of that struggle, tracking how far man’s ego will take him and questioning whether it will ultimately destroy him. An eclectic assort- ment of music, from Copland’s “Fanfare for the Common Man” and Holst’s “Mars” to Laurie Anderson’s “O Superman” and Frank Sinatra’s “My Way,” provides a vari- ety of perspectives on the subject. REPERTOIRE Also Sprach Zarathustra by Richard Strauss Fanfare for the Common Man by Aaron Copland Wine-Dark Sea by John Mackey Little Green Men by Steve Vai On the Nature of Daylight by Max Richter O Superman by Laurie Anderson Sun’s Gone Dim by Johann Johansson Mars by Gustav Holst My Way by Frank Sinatra 68 2017 Souvenir Yearbook

STAFF cavaliers.org Rosemont, IL Executive Director Chris Lugo Director of Programs Joe Roach Drum Majors Hunter Dugie, Ryan Little, Luke Stoner Design David McGrath (Program Coordinator), Daniel Wiles (Artistic Director), Michael Martin, Michael McIntosh, Alan Miller, Tommy Allen, Richard Hinshaw, Blake Dutton, Matt Owen (Consultant) Brass Michael Martin (Arranger, Caption Head), Dr. Travis Cross (Caption Head), Freddy Martin (Brass Coordinator), Brad Hughes (Assistant Caption Head), Daniel Treuman (Assistant Caption Head), Alan Armstrong (Ensemble Consultant), Brandon Cave, Tyler Elvidge, Tate Herrmann, Clark Hunt, Justin Rowan, Jeremy Stevens, Chris Barnum, Jeremy Figlewicz, Dr. Jonathan Gill, Patrick Hinton, Joey Chen Percussion Michael McIntosh (Caption Supervisor), Alan Miller, Joe Hobbs (Caption Head), Rick Rodriguez, Jesse Backes, Eric Ridenour, Kevin Welborn, Jack Holway, Nick Beaudet, Russell Wharton, Julian White, Jami’ Fennell, Rob Pastor, Erick Eckstrom, Jason Palmer, Andrew Lynge, Tom McGillen, Christian Good, Reuben Rodriguez Color Guard Tommy Allen (Caption Supervisor), Blake Dutton, Dr. Travis Speice (Caption Head), Robin Wells, Tyler Richards, Geoff Longo, Ethan Marcus, CJ McCrory, Lauren Drislane Visual Michael Tarr (Caption Head), Alan Chrzanowski (Assistant Caption Head), Michael Neubert (Assistant Caption Head), Andy Waldukat, Graham Delafield, Barry Janicula, Daphne Adkison, Max Atkinson, Nick Hansberry, Randil Jeffreys, Nick Gasemy, George Torres, Robert Fayard, Bill Wiggins, Patrick Ruddy Additional Staff Mark Ackerson, Dr. Michael Vaughn (Tour Director), Rasheed Moore, Robert Fayard, Matt Ownby, Diane King, Rosanne Duewerth, Rebecca Casiple, Lamar Branson, Paul Milano DCI 45th Anniversary 69

COLTS REPERTOIRE IB O T H S I D E S N O W Some say Prologue We Are Marshall (Theme) “LOGIC makes you think … EMOTION makes you act.” The duality of the human by Christophe Beck brain is such that it allows us to experi- ence both logic and emotion deeply and Logic simultaneously. The left side of our brain Serenada Schizophrana is linear, analytical, strategic, always in control, operating in black and white with by Danny Elfman no allowance for gray areas. The right side is creative, passionate, imaginative, A Kaleidoscope of Mathematics free-spirited, giving us the feeling of wind (from A Beautiful Mind) beneath our wings. In reality, the mind does not divide itself in two quite so per- by James Horner fectly. There is no doubt that it takes both sides to make us who we are. The Joni Emotion Mitchell song that gives this show its Both Sides Now name is prominently featured, along with compositions by Danny Elfman, James by Joni Mitchell Horner, James Barnes Chance, and John Debney. Conflict Symphony No. 2 for Winds 70 2017 Souvenir Yearbook and Percussion by James Barnes Chance Resolution Last Race (from Dreamer) by John Debney

STAFF colts.org Dubuque, IA Corps Director Vicki MacFarlane Drum Majors Noah Perkins, Jack Riehl Design Howard Weinstein (Program Coordinator), Gordon Henderson (Brass Arranger), Ben Pyles (Battery Percussion Arranger), Bryan Harmsen (Front Ensemble Percussion, Electronics Arranger), David Nelson (Front Ensemble Percussion Arranger), Ralph Stewart (Visual Designer), Brandon Smith (Color Guard Designer), Dean Broadbent (Visual Consultant) Brass Chad Miller (Caption Head), Tom Santino, Tom Lizotte, David Torres, Justin Diaz, Steve Lyons, Keith Hallas, David Abrams Percussion Ben Pyles (Caption Head), Drew Brown (Audio Engineer), Kent Lineberry, Oliver DeLotto, Kali Ridal, Andrew Barlow, Eric Westerhold, Benjamin Braude, Aundray Edwards, Chelsea Levine, Ryan Carberry, Greg Tsalikis, Jake Lyons, Jeremy Gurganious Color Guard Brandon Smith (Caption Head), Elana Siegel, Andy Mroczek (Choreographer), Jed Garvey (Choreographer), Danielle Marquardt, Steven MacAlpine, Hillary Hannan, Joshua Lear, Julie Rohrabaugh, Nicole Younger, Caleb Brown, Tim Coady Visual Bob Barfield (Caption Head), Matt Winans (Movement, Choreography), Zack Crissman, Chris Turner, Mark Donahue, Ian Jeffrey, Christina Duffy, Jack Fry, Preston Ridgell, James Lazaro, Jeff Duffy Additional Staff Jeff MacFarlane (Executive Director), Jason Schubert, Mike Lang (Tour Directors), David Alford (Cadets Director), Katie Broghammer (Athletic Trainer), Megan Hobbs, Jon White, Jay Verbecken (Tour Assistants), Wesley White (Souvenirs), Collin Schneweis (Ticket Manager), Dean Goninen (Electronic Consultant), Bob Broghammer, Jim Hauser (Construction), Cathi Roberts (Uniforms), Teresa Smith (Food), Bill Symoniak (Volunteers), Peter Hansen (Board President), Jeff Barnwell (Booster President) DCI 45th Anniversary 71

CROSSMEN IE N I G M A This corps’ mysterious 2017 program begins with a question that becomes the gateway to discovery. A maze forms, representing the paths we follow in our minds to arrive at a new way of thinking. Thoughts run into walls, but walls can be broken through. Enigma’s five movements include original music by ensemble arranger Andrew Markworth, along with James Horner’s “A Kaleidoscope of Mathematics” from the score to the 2001 movie A Beautiful Mind and “Exit Music (For a Film)” from Radiohead’s OK Computer, an album whose 20th anniversary is this year. REPERTOIRE The Question Original music by Andrew Markworth Endless Possibilities Kaleidoscope of Mathematics by James Horner The Maze Original music by Andrew Markworth The Struggle Exit Music (For a Film) by Radiohead The Light Bulb Original music by Andrew Markworth 72 2017 Souvenir Yearbook

STAFF crossmen.org San Antonio, TX Executive Director Fred Morrison Assistant Director Joel Moody Drum Majors Kristin Hodges, Randall Himes, Hunter Smith Design Ed Devlin (Program Coordinator), Andrew Markworth (Music Ensemble Arranger), Andrew Ebert (Visual Designer), Tyler Edrington (Color Guard), Molly Favret (Costuming), Jaime Alvarez-Calderon (Consultant), Bosco Brown (Consultant), Al Chez (Consultant), Rich Kim (Consultant), James Smith (Consultant) Brass Stephen Mason (Caption Head), Andrew Young (Assistant Caption Head), Hunter Bown, Ian Caldwell, Ryan Flint, Kyle Harrington, Sarah Jones, Abigail Lyon, Holly Maldonado, Bill Redd, Dylan Rolfe, Ted Tinker, Connor Vaughn, Austin Hallam Percussion Josh Brickey (Caption Head), Jared Thomas (Assistant Caption Head), Lee Allman, Drew Anderson, Mike Bishop, Zack Blessing, Kevin Devlin, Dean Hickman, Jared Kortz, Stephanie Lynge, Ben Rusler, Dan Schmitt, Lane Summerlin, Lucas Vangeison, Andre’ Wilson Color Guard Tyler Edrington (Caption Head), Molly Favret, Michael James (Choreographer), Sheldon Apo (Choreographer), Patrick Barthelmess, Lin Daffron, Robert Gallegos, Hannah Griffore, Jeleesa Levy, Allison Mayer, Whitney Stone, Rich Kim (Consultant), James Smith (Consultant) Visual Blake Daughtrey (Caption Head), Dustin Del Moro (Assistant Caption Head), Daniel Del Moro, Paul Doyle, Jacob Gross, Brandon Klein, Karl Koemmpel, Martin Montoya, Brandt Murphy, Taylor Rock, Kyle Swartz, Tim Sexton Tour Administration Maureen Morrison (Director of Corps Operations), Rico Gomez (Tour Director), Chelsea Stemet (Volunteer Coordinator), Erik Morrison (Operations), Zachary Chamberlin, Nancy Killoran, Crystal Jesko, Eddie Lozano, Mario Luna (Tour Assistants), Brianna Pentuk, Lupita Lerma, Thomas Wade, Shawn Tyler (Interns), Jason Jamieson (Food Services), Kathleen Ballard (Nutrition), Claire Botting (Athletic Trainer), Erin Beane, Haruka Wakamori (Athletic Training Interns), Emily Treasure (Media), Katie Martinez, Clint Edwards (Media Interns), Willow Waters, Anna Martinez, Jill Derby (Merchandise) DCI 45th Anniversary 73

GENESIS REPERTOIRE THE OTHER SIDE OF NOW Hide and Seek I What do you see when you daydream, by Imogen Heap staring out of the window for hours? In its Blue Shades first year as a World Class corps, Genesis aims to present the visions that are in our by Frank Ticheli minds but have been stripped from our everyday lives. All across the country we Master of Puppets are losing sight of the arts, the building blocks of imagination. Through the use of by Metallica three Muses—Music, Art, and Literature— and guided by Imagination herself, the Land of Confusion corps will attempt to bring color and emo- tion in through the window of a gray room by Phil Collins that represents conformity and confusion. On the other side of the window is a new Habanera (from Carmen) world, where imagination runs free and, in the words of the British poet Arthur by Georges Bizet O’Shaughnessy (later spoken by Gene Wilder in Willy Wonka & the Chocolate Both Sides Now Factory), “we are the music makers, and we are the dreamers of dreams.” The by Joni Mitchell music made here includes compositions by Imogen Heap, Frank Ticheli, Metallica, Pure Imagination and Genesis (the rock band). by Leslie Bricusse/Anthony Newley 74 2017 Souvenir Yearbook

STAFF genesisdbc.org Austin, TX Corps Director Chris Magonigal Drum Majors Cameron Wilson, Ben Allgood, Francesca Ramirez, Chris Martinez Design Chris Magonigal (Creative Coordinator), Dallas Bayless (Brass Arranger, Program Coordinator), Brannon Baker (Percussion Design), Matt Filosa (Percussion, Sound Design), Chris Josey (Color Guard, Visual Design), Greg Dalton (Visual Design) Brass Jason Buckingham (Director), Art Cano (Caption Head), Aaron Sanderson (Asst. Caption Head), Ryan Lovell, Kris Vargas, Bianna Moehnke, Diana Gonzalez, Bill Hawkes, Spencer Merryfield, Will Jurgens, Juan Rodriguez, Alex Cavazos Percussion Brannon Baker (Director), Eric Thompson (Caption Head), Sam Mata, Michael Coleman, Cesar Gonzalez, Micheal Clifton, Danny Sanchez, Dan Burow, Josh Fran, Frank Gonzalez, Bailey Faria, Jason Dye, Andrea Espinosa Color Guard Kat Williams (Director), OJ Reyes (Caption Head), Chris McCarthy, Chris Josey, Michelle Anderson, Andrea Hallard, Cameron Oefinger, Louie Flores, Sarah Zamarripas, Chelsea Toner Visual Muriel Hague (Director), Frank Solis (Caption Head), Morgan Jenson, Eugenio Castellanos, Zach McCullough, Jared Kaufman, Mauricio Gonzalez, George Salinas, Miles Hartman, Kevin Torres, Kahlil Willis, Corey Sullivan Additional Staff Analisa Zuniga (Financial Director), Orien Landis (Tour Director), Ray Holland (Tour Manager), Jamie Bayless (Volunteer Director), John Harkins (Souvie Chair), Mallory Frenza (PR Intern/Souvie Manager) DCI 45th Anniversary 75

JERSEY SURF M A K E I T O U R O W N I An urban landscape that has fallen into despair provides the initial backdrop for the Jersey Surf’s 2017 production. The inhabitants of this particular city are mired in the mundane and the everyday at first. But soon they begin to undergo a transfor- mation, and as it progresses, they grow to understand that they have the ability to reimagine what has become dull and life- less. An inspired, joyous, artful existence is possible, and they can create it on their own terms. The city-dwellers reach an awareness that the future is theirs to define, and they must take ownership. Joining together their varied talents and energies, they succeed in bringing life, happiness, and vivid color to their world. This inspirational turnaround is accompa- nied by the music of the American jazz ensemble Snarky Puppy, Australian pop singer/songwriter Sia, and Polish jazz-pop singer/songwriter Basia. REPERTOIRE Shofukan by Snarky Puppy Chandelier by Sia An Olive Tree by Basia 76 2017 Souvenir Yearbook

STAFF jerseysurf.org Camden County, NJ Executive Director Bob Jacobs Assistant Corps Director Stephanie Dutcher Drum Major Katie Liming Design Jason Bentley (Visual), Dr. Andrew Yozviak (Brass), Robert Thatcher (Field Percussion), Colin Bell (Front Ensemble Percussion), Christopher Farley (Color Guard), Erin Leifer Kosman (Color Guard), Joe Costable (Digital Audio Design) Brass Mark Figueroa (Director), Allison Figueroa, Jason Moore, Dan Stauffer, Jon Virtue, Elizabeth Ando, Brandon Mast, Chris DeVona Percussion Christopher Lawlor (Director), Rich Klimowicz (Front Ensemble Director), Alex Santa, Joseph McSweeney, Matthew Grina, Luke Helker, Matthew Johnson, Bryan Kendrick, Lindsey Hartfelder Color Guard Erin Leifer Kosman (Directress), Matt Hurley (Consultant), Kimmy Kinden, Daniel Matos, Marcus Onezime, Chris Farley, Kristy Boehmer, Laura Saad, Shannon Merrill, Justin Sullivan Visual Jared Seymour, Tyler Propfe, Evan Tropp, Andrew Gregory, Kylon Smith, John Johnson, Michael Surkin, Travis Burlingame Additional Staff Mike Mercadante (Member Experience Director), Brian Prato (Operations Director), Terri Ives (Volunteer Coordinator), Bill Ives (Merchandise Manager), Kammy Johnson (Food Service Manager), Chris Myers, Tina Myers, Tim Crooks, Mike Perez-Crooks, Steve Galan, John Devlin, John Gilliland (Operations & Logistics), Tom Piatek, Julie Hill, Becca Andrews, Sarah Shamblin, Steve Marcus (Administration), Joshua Cruse (Media Production), Brant Johnson, Mike Heller, Jeff Guthrie, Vikki Guthrie (Food Service), Chris Benedict, Jenn Lichtman, Francesca Prestia (Athletic Trainers) DCI 45th Anniversary 77

MADISON SCOUTS THE LAST MAN IS TA N D I N G For this season’s program, the Madison Scouts ask the same question that ends George Miller’s 2015 film Mad Max: Fury Road: “Where must we go, we who wander this waste- land, in search of our better selves?” In a post-apocalyptic world, man’s struggle to survive reveals his core instinct to domi- nate and lead his tribe.The four parts of the production—“Territorial Claim,” “Depletion & 02,” “Hope & Despair,” and “The Battle Within”—feature music by Hungarian composer Béla Bartók, Czech composer Karel Husa, and Madison Scouts staff members Scott Boerma, Nick Pourcho, and James Sparling. REPERTOIRE Territorial Claim Pilentze Pee Traditional Miraculous Mandarin by Béla Bartók Depletion & O2 by Scott Boerma, Nick Pourcho, James Sparling Hope & Despair by Scott Boerma, Nick Pourcho, James Sparling The Battle Within Music for Prague 1968 by Karel Husa Pilentze Pee Traditional 78 2017 Souvenir Yearbook

STAFF madisonscouts.org Madison, WI CEO Chris Komnick Corps Director Dann Petersen Assistant Director David Lofy Drum Majors Zach Sheller, Nathan Czech, Sean Hogan Design KC Michel (Program Coordinator), Robbie Billings, Scott Boerma, Chad Duggan, Van Mathews, Jack Pursifull, Nick Pourcho, Mac Smith, James Sparling Brass Scott Oliver (Caption Head), Andy Putnam (Consultant), Alex Brough, Andrew Brough, Scott Carr, Sean Conway, Nick Dejarlais, Sean Phelan, Nathan Pratt, Eric Vanderlaan, Scott Whitford, Dan Blevins (Intern), Matt Collins (Intern) Percussion James Sparling (Director), Mark Hunter (Battery Caption Head), Ben Heidrich, Matthew Howell, James Catherall, TJ Goss, Aaron Farris, Josh Nelson, Jack Borland, Matt Poulos, Sean Womack (Front Ensemble Caption Head), Justin Lee, Meagan Nelson, Shelby Shelton, Grace Welter, Josh Ford, Erik Cao (Intern) Color Guard Ian Lewis (Caption Head), William Martin (Caption Head), Brian Winn (Caption Head), KC Perkins (Consultant), Liz Bannon, Rebekah Chadderdon, Travis Chiles, Tavius Cooper, Jared Cronk, EJ Deleon, CJ Forland, Kelsey Gleason, Louis Hellinger, Amy Metzler, Stephanie Renell, Carrie Short, Trent Williams Visual Jay Fuentes (Caption Head), Chris Harmon (Consultant), Ken Karlin (Consultant), Zak Stillwell (Consultant), Bill Zeier (Consultant), Nathan Banegas, Ted Chang, Bryant Collins, Lindsey Davis, Noe Gomez, Jacky Huang, Chris Law, Cody Lee, Casey McClary, Brian Schutta Additional Staff Nick Monzi (Staff Coordinator), Matthew Sanchez (Operations Coordinator), Eric Perry (Program Assistant), Michael Barriero (Athletic Trainer), Brian Gregg (Social Media Director), Cece Hester (Athletic Trainer), Terry Hurley (Costumes Manager), Andrew Irving (Merchandise Manager), Tina Jameson (Food Operations Manager), Richard Mitchell (Fitness Intern), Greg Mizak (Photographer), Natalie Nation (Nutrition Intern), Gabby Pedroza (Videographer), Robert Poulin (Tour Manager), Jonathon Shaw (Alumni Coordinator), AJ Smith (Travel Coordinator), Vi TranLe (Facilities Manager), Gutavo Perea (Volunteer Coordinator), Kimberly Pullen (Assistant to the Director), Josh Rauguth (Administrative Intern) DCI 45th Anniversary 79

MANDARINS REPERTOIRE II N S I D E T H I S I N K In 1921, Flow the Swiss psychologist Hermann by Key Poulan, Darren Van Rorschach created a diagnostic test that is Derpoel, Bryan Nungaray still used today: a set of 10 inkblots. This show revolves around the Rorschach test Drip and what people see when they look at it, with the corps playing the role of the ink. by Key Poulan, Darren Van Movement one depicts the ink’s general Derpoel, Bryan Nungaray flow. In movement two, the ink drips onto paper, which is then folded; the shapes Allure thus created are extremely chaotic and The Sound of Silence change quickly. We are drawn into the ink in movement three, as the haunting music by Paul Simon, Art Garfunkel of Simon & Garfunkel establishes a quiet- er, more calming (or, depending on your Ink perspective, more chilling) mood. A per- Crazy cussion feature pulls us out of the ink in movement four, allowing us to see what by Patsy Cline the blots have become and leading us to wonder whether they are somehow alive. Inside the Ink Finally, movement five places us once again inside the ink, becoming one with it by Key Poulan, Darren Van and asking, “What do you see?” Derpoel, Bryan Nungaray 80 2017 Souvenir Yearbook

STAFF mandarins.org Sacramento, CA Executive Director Jim Tabuchi Corps Director JW Koester Drum Majors Kelley Ho, JesusAlberto Muñiz, Logan Weekly-Wilson, Marcus Holifield-Helm Design Ike Jackson (Program Coordinator), Key Poulan (Brass), Mario Ramirez (Show Designer, Color Guard), Peter Beckhart (Visual), Darren Van Derpoel (Battery Arranger), Bryan Nungaray (Front Ensemble Arranger) Brass Chris Tomsa (Co-Caption Head), Mark Trulson (Co-Caption Head), Mary Cowperthwait, Milt Gee, Chris Langton, Bryan Stroh, George Miles, Shawn McElhaney, Doug Harris, Alex Darouie, Jon Holloway, Victor Perez, Marvin Reed Percussion Darren Van Derpoel (Caption Head), Rudy Arzaga, Jonathan Wicks, Zakk Hollander, Richard Ramos, William Ryder, Otto Peralta, Vanessa Gomez, Colin Slavin, Ernie McLaurin, Abby Zarate, Jazper Saldana, Elijah Turner Color Guard Mario Ramirez (Caption Head), Brandi Ramirez, Chris Ceo, Manny Ruiz, Lauren Michael, Courtney Cheyne, Keila Crook, Andrew Padilla Visual Michael Samson (Caption Head), Haley Whelan, Joseph Hayes, Jacky Huang, Chris Huebschle, Lani McLean, Justin Mons, Miguel Rodriguez, Marcus Stone, Matt Ball Additional Staff Keith Sanpei (Tour Director), Kevin Bowlson (Tour Manager), Rebecca Miles (Tour Manager), Jon Calhoun (Tour Manager), Cathy Sackett (Food Services Director), Jerry Sackett (Transportation Manager), Kathleen Bakergumprecht-Davies (Souvenir & Fundraising Manager), Cris Flores (Personnel Manager), Jim Brennan (IT Manager), Susan Miyasato (Uniform Manager), Sy Miyasato (Instrument Equipment Manager) DCI 45th Anniversary 81

OREGON CRUSADERS IE N c o m p a s s To encompass means to have or hold within. We encom- pass our experiences over time. When we hear music, it seems to encompass a mul- titude of feelings that are based on those experiences. The Oregon Crusaders’ 2017 production examines this theme in two principal ways. First, through the use of uniforms, flags, colors, and music, various corps performers will be “encompassed.” Second, through the use of props and drill, the corps will develop variations on the word “compass.” Fast-paced drill filled with tension and release alternates with more playful choreography featuring solo- ists and weapons. Passionate music becomes aggressive before “encompass- ing” all themes. Edward Elgar’s Enigma Variations are the main source material, with Enya’s “Only Time” as secondary source material and U2’s “Where the Streets Have No Name” providing an ethe- real effect of directionless motion. REPERTOIRE Enigma Variations by Edward Elgar Where the Streets Have No Name by U2 Only Time by Enya 82 2017 Souvenir Yearbook

STAFF oregoncrusaders.org Portland, OR Executive Director Michael Quillen Assistant Director Ray Severns Drum Majors Anna Quenemoen, Samantha Ono, Joanna Stubbins Design Jodie Rhodes (Program Coordinator), Adam Sage (Visual Coordinator, Choreographer), Dr. Christopher Whyte (Music Coordinator, Front Ensemble Arranger), Brad Green (Brass), Mike Stevens (Percussion), Ian Flint (Drill), Addison Kaeterle, Evan Zubkov, Cindy Stapleton, Alex Bolender, Anthony Williams (Choreographers), Evan Brown (Sound Designer), Trevor Calabro (Graphic Designer) Brass Brad Green (Supervisor), Tim Snyder (Caption Head), Sara Myers, Kevin Leonard, Andrew Sharf, David Landoll, Thomas Turpin, Lisa Tatum, Gabe Gounaris, Turner Hawkins, Shane Montoya, Christian de Jongh, Cameron Coday, Sarah Wagner, Ben Taylor, James Nufer, Andrew Desmond, Max Johnson, Andy Grindle Percussion Mike Stevens (Supervisor), Dr. Christopher Whyte (Front Ensemble Caption Supervisor), Luke DeDominces (Front Ensemble Manager), Henry Gillard, Josiah Nelson, Mike Tant, Chris Drummer, Tarrin Neal, Aaron McCann, Charles Carty, Jack Pronske, Shealley Lee, Austin Avery Color Guard Addison Kaeterle (Supervisor), Katy Burns (Caption Head), Alex Bolendar (Assistant Caption Head), Kelsey King (Assistant Caption Head), Anthony Williams, Austin Horton. Bridget Bott. Cindy Stapleton, Evan Zubkovs, Guillaume Oak, Karissa Naone, Nikki Szymanski, Rachel Montanez, Tracy Bolduc, Yvette Gonzalez-Loya Visual Joshua Dawes (Co-Caption Head), Ryan Springler (Co-Caption Head), Daniel Hoffman, Carlos Martinez, Robert Peterson, Kyle Castro, Aylin Vural, Ruth Williams, Frances Smith, David Loughin, Isaiah Montoya, Gene Monterastelli (Consultant) Additional Staff Dr. Philip Marshall (Board President), Troy Hall (Tour Director), Allison Hand (Volunteer Coordinator), Drew Strep (Tour Assistant), Jaici Sullivan (Tour Assistant), Hailee Reeder (Tour Assistant), Ian Nau (Administration Assistant), Emily Feck (Athletic Trainer), Devon Nash (Athletic Trainer), Bill Schueler (Health & Wellness) DCI 45th Anniversary 83

PACIFIC CREST GOLDEN STATE OF MIND I From the coast of California, Pacific Crest navigates audiences through a world of curiosity, optimism, and discov- ery. It’s a voyage filled with emotional tur- moil, episodic adventure, and a belief that fulfillment and purpose are found by never giving up on the search. At the start and the finish, the program is anchored by the familiar strains of the Mamas and the Papas’ “California Dreamin’.” In between, lauded film composers James Horner and Michael Giacchino, electronic musician and Cinematic Orchestra leader Jason Swinscoe, and Norwegian DJ Todd Terje contribute melodies and moods. The underlying message: Your time is now. Your place is out there, beyond the expect- ed. Stop waiting for what’s next. Keep moving, not with your body but with your soul. Where you start never dictates where you end. And no matter who you are or where you’re headed, you can find the Golden State of Mind. REPERTOIRE California Dreamin’ by John Phillips, Michelle Phllips Kaleidoscope of Mathematics (from A Beautiful Mind) by James Horner Arrival of the Birds by Jason Swinscoe Alfonso Muskedunder by Todd Terje Moving On (from Lost) by Michael Giacchino 84 2017 Souvenir Yearbook

STAFF pacific-crest.org Diamond Bar, CA Executive Director Stuart Pompel Drum Majors Sabrina Thomas, Victoria McFarland, Jacqueline Hernandez, Andrew Fresquez Design Seth Murphy (Program/Staff Coordinator), Steven Estudillo (Creative Director, Visual Designer), Douglas Thrower (Brass), Pete Lucero (Battery Percussion), Jonathan Zuniga (Front Ensemble Percussion, Electronics), David Crook (Choreographer), Scott Koter (Program Advisor) Brass Luis Cardenas Casillas (Caption Head), Aidan Ritchie, Reggie Humphrey, Armando Luis Duenas, Erick Jovel, Josiah Morales, Andrew Pickett, Jonathan Probst, Seth Shaffer, Walter Simonsen, Chris Stanley Percussion Pete Lucero (Caption Head), Dalia Berman (Front Ensemble Manager), Matt Ponce (Battery Manager), Melannie Stakely (Battery Manager), Matt Allen, Mario Profita, Chris Luther, Brandon Zackey, Alex Barreras, Elliott Duran, Pablo Rodriguez, Chyann Figueroa, Kevin Sanchez, Brianne Kikuchi, Kevin Cisneros, Richard Diaz (Electronics) Color Guard Jennifer Barton (Caption Head), Samantha Dobson (Assistant Caption Head), David Crook, Jed Garvey, Norah Holloway, Joey Kidd, Danielle Leininger, Lynsey Mikels, Brianne Tomas, Drew Zellmer Visual Pablo Coppola (Caption Head), Rudy Ruiz (Assistant Caption Head), Dan Adams, Bobby Frey, Jerin Harrison, Phillip Inzerillo, Dolfo Picanco, Jonathan Probst, Adrian Rivas, Adam Steltenpohl, Jonathan Yoo, Mike Zerbini (Consultant) Additional Staff Chris Henderson (Corps Manager), Edward Martin (Operations Manager), Mark Kveton (Student Leadership), Jim Olea (Health Team Coordinator), Cami McCallum (Physical Trainer) DCI 45th Anniversary 85

PHANTOM REGIMENT IP H A N TA S M Set amid a musical landscape of sweeping symphonic scores and dark textures, Phantasm explores the stark contrasts between the real and the unreal. A twisted musical and visual chal- lenger emerges as an intruder from within the tradition of the Phantom Regiment. This seductive, powerful character begins life solely as a figment of the imagination but quickly becomes something more, blurring the lines between beauty, mad- ness, and desire. Forced to confront the enemy within, the corps uses newfound strength that leads to an awakening, and phantasy gives way to reality. Staying true to its classical-music identity, the Phantom Regiment has chosen selections from Sibelius, Shostakovich, Jarre, Rachmaninoff, and Khachaturian for this program. REPERTOIRE Finlandia by Jean Sibelius Symphony No. 12 by Dmitri Shostakovich Entering the Nightmare (from Dreamscapes) by Maurice Jarre Piano Concerto No. 2 by Sergei Rachmaninoff Symphony No. 3 by Aram Khachaturian 86 2017 Souvenir Yearbook

STAFF regiment.org Rockford, IL Executive Director Rick Valenzuela Program Director Dan Farrell Drum Major Josiah Marinos Design Wes Cartwright (Artistic Director), Evan Brown (Sound), Rob Ferguson (Percussion), Kelly Mitchell (Choreographer), Mark Moreno (Visual), Will Pitts (Brass), Michael Richman (Choreographer) Brass Christian Carichner (Caption Head), Zack Anderson, Kathleen Blank, Dr. Andrea Brown, Dr. Justin Cook, Dave Cooksey, Mason Daffinee, Dwight Emmert, Dr. Joe Gray, Jason Hausback, Nick Hinman, Stephen Kunzer, Chris Neverve, Josh Roach, Billy VanDelinder, Steve Vaughn, Clay Wachholz Percussion Derrick Shannon (Caption Head), Dylan Bram, Cory Doran, Jerrod Douglas, Alex Hinds, Mo Longo, Joey Martinez, Phil Martinez, Megan Pressley, Ryan Pride, Lloyd Puckitt, Dan Sailer, Mikey Spooner, Andrew Strauss, Robert Wassum, Britton Wood Color Guard Lindsay Kusmierczak (Coordinator), Jessica Francis (Caption Head), Annie Pelka (Caption Head), Robbie Arnold, Noren Davison, Zach Dye, Midori Eng, Sam Ingram, Jacob Javier, Sarah Rillo, Kim Rogowski, Derek Smith Visual Drew Solomonson (Caption Head), Marie Grana Czapinski (Visual Advisor), Reggie Adams, Brian Allmond, Rocco Duranti, Amy Fallon, Todd Harris, Tyler Jerrell, Chris Kaflik, Jordan Lalama, Jeremy Lumpkin, Teresa Mazzini, Jesse Minor, Scott Schumann, Dominic Zanaboni Additional Staff Dean Patterson (Tour Manager), Kaleb Schumann (Assistant Tour Manager), Wes Brabeck, Sam Johnson, Christian Perez, Ryan Reyna (Tour Assistants), Dr. Dan Richardson (Medical Advisor), Robert Cawthorne (Videographer), Brian McCormack (Summer Merchandise Manager), Lori Valenzuela (Office Manager) DCI 45th Anniversary 87

PIONEER IR ISH ON BROADWAY I Although the glittering shamrocks on Pioneer’s traditional U.S. Marine Corps- styled white caps clearly reflect that they are “the Irish corps,” there’s little else in their 2017 program that summons up images of the Emerald Isle. Instead, Irish on Broadway transports us to the City of Light via the Great White Way, telling the story of Jean Valjean from the Tony Award- winning musical Les Misérables, based on the classic Victor Hugo novel of the same name. Pioneer offers five snapshots from that celebrated show. Act one depicts the mood of the poor in post-Revolution France, while act two samples the after- hours gaiety in a neighborhood bar. Act three features DCI’s 2015 and 2016 Vocal Champion, Jackie Hirn. In the fourth act, the powerful dynamics of Pioneer’s per- cussion demonstrates the turmoil at the barricades, and the fifth and final act pro- vides a joyful ending—with a return appearance by Hirn. REPERTOIRE At the End of the Day Master of the House On My Own The Battle One Day More (from Les Misérables) by Claude-Michel Schönberg, Alain Boubil 88 2017 Souvenir Yearbook

STAFF pioneer-corps.org Milwaukee, WI Corps Director Roman Blenski Executive Associate Murray Davis Tour Director Scott Bennett Staff Coordinator Tyler Wiernusz Drum Majors Joey Tackett, Jackie Hirn Design David Campbell (Program Coordinator), Ben Chaffee (Brass), David Campbell (Percussion, Visual), Jamalh Wallace (Color Guard) Brass Randall Bennett (Caption Head), Pat Koppenhaver, Bill Mcclendon, Tyler Wiernusz, Collin Shackelford Percussion Tyrell Carver (Caption Head), David Edwards, Darrell Mckee, Austin Melcher, Mike Mosgo, Josh Logan Color Guard Jamalh Wallace (Caption Head), Scott Bennett, Kelsey Arnony, Jonathan Gillman Visual Josh Pier (Caption Head), Jimmy Mutchie, Amanda Morrison, Kim Gorey, Terry Burton DCI 45th Anniversary 89

SANTA CLARA VANGUARD IO U R O B O R O S Featuring music by David Gillingham, Peter Graham, Zhou Long, Amin Bhatia, and Stephen Melillo, Ouroboros takes its name from an image of a serpent eating its own tail. Seen earli- est in the iconography of ancient Egypt, it symbolizes introspection and the cyclical nature of something that constantly recreates itself. This is a perfect metaphor to acknowledge Santa Clara Vanguard’s 50th anniversary—a milestone that the group is celebrating with a year of special events in 2017—while simultaneously launching a reimagined corps into the next half-century. REPERTOIRE Interplay for Piano 4-Hands & Orchestra by David Gillingham The Triumph of Time by Peter Graham Song of Eight Unruly Tipsy Poets by Zhou Long Into a Virtual World by Amin Bhatia Wait of the World, Pt. 3: Remembering the Future by Stephen Melillo 90 2017 Souvenir Yearbook

STAFF scvanguard.org Santa Clara, CA Executive Director Charles Frost Director of Programs, Corps Director Shaun Gallant Drum Majors Christopher Harper, Carl Huang Design Michael Gaines (Creative Director), Scott Koter (Program Coordinator), Denise Bonfiglio (Staff Coordinator), Andy Toth (Visual Coordinator), Pete Weber (Visual Designer, Drill Writer), Paul Rennick (Percussion Arranger, Caption Manager), J.D. Shaw (Brass Arranger, Composer), Sandi Rennick (Percussion Arranger), Adam Sage (Visual Consultant), Lloyd Puckitt (Sound Designer) Brass Chip Crotts (Caption Manager), Mark Nichols (Assistant Caption Manager), Ryan Adamsons, Donny Allen, Amy Frost, Felix Cruz III, Daniel Galloway, Amanda Hernandez Hunt, Ed Roush, Rusty Smith, Travis Barzee, Courtney Lawrence, Josh Scott, Ben Vasko, Roger Wu Fu Percussion Paul Rennick (Caption Manager), K.J. Stafford, Tim Biles, Rafael Bretado, Mike Hodges, Peter Cannon, Aaron Fisher, Armeen Ghafourpour, Scott Gleason, Ezekiel Skowron-Lanser, Jonathan Leal, Reid Paxton, Matt Penland, Akira Robles, Richie Rodrigues, Tyler Sammons, Jon Maynard, Scott Simon, Jake Harpster, Mike Talerico, Chris Livernois, Mark Monaghan, Glen Kaia Lo Color Guard Daniel Riley (Caption Manager), Adam Sage (Consultant), Laura Gasper, Marlieta Matthews, Alex Perez, Dani Reales, Angela Brickhouse (Choreographer), Michael James (Choreographer), Stevenson Lumapas (Choreographer), Carol Abohatab, Greg Lagola, April Gilligan Martinez Visual Matt Hartwell (Caption Manager), Christopher Alexander (Caption Supervisor), Chris Carrasco, Travis Barzee, Roberts Beavers, Matt Costales, Chris Cowling, Ivan De La Cruz, Ryan Demkovich, Ashley Donaldson, Donnie Hull, Brandn Lindsey, Andrew Rhebergen, Katherine Sullivan, Taylor Trevino Additional Staff Michele Teevan (Program Operations Manager/ SCV Tour Manager), Annette Navarro (Merchandise Manager), Wayne Harris (Performance Coach), Chris Martin (SCV Corps Manager), Michael Still (Marketing/ Communications Manager), Julia Irwin (Assistant Tour Manager), Mike Ryan (Assistant Tour Manager), Daniel Fish, Sebastien Pierre, Jenna Santacaterina, Ben Nadler, Daniel Algazy, Dustin Roa (Tour Assistants) DCI 45th Anniversary 91

SEATTLE CASCADES IS E T F R E E Inspired by the late American poet Dr. Maya Angelou’s “Caged Bird” and by the music of Philip Glass, Eric Whitacre, and Sia, the 2017 Seattle Cascades present a timeless story of struggle and triumph with a unique stage and soundscape. That story, com- bined with the musical arrangements of Lewis Norfleet and visual designs of Nick Benson, connects audiences to the idea that cages of all kinds inspire the spirit to overcome, to become, and to be set free. REPERTOIRE Caged Bird by Dr. Maya Angelou Freebird by Lynyrd Skynyrd 1000 Airplanes on the Roof by Philip Glass Fly to Paradise by Eric Whitacre Bird Set Free by Sia Symphony No. 10 Mvt. 2 by Dmitri Shostakovich 92 2017 Souvenir Yearbook

STAFF seattlecascades.org Seattle, WA Corps Director Michael Tran Educational Director Kyle Thompson Artistic Director Lewis Norfleet Tour Director Jeremy Bennett Drum Majors Nick Novy (Head), Maya Botkin, Collin Lehmann Brass Kyle Thompson (Caption Supervisor), Robbie Rutherford (Assistant Caption Supervisor), Steve Menefee, Breland Hughes, Joey Riordan, James Dawson, Miguel Martinez, Paul Nesper, Jeremy Freisz Percussion Micah Brusse (Caption Supervisor), Eric Yahrmarkt (Assistant Caption Supervisor), Dustin Doelling, Tony Sodano, Zohein Sharma, Love Bennett, Cody Renouf, Kaela Shoe, Robin Rodriguez Color Guard Brett Harbur (Caption Supervisor), Elaine Fite, Jennifer Clay, Heather Delatorre, Darin Williams (Choreography, Consultant) Visual Nick Benson (Director, Designer), Calvin Fackrell (Caption Supervisor), Tyler Jones (Assistant Caption Supervisor), Jen Swartz (Fitness Coordinator), Dylan Thompson (Design Consultant), Ryan Whitehead, Katie Dillman, Bradley Sampson, Alex Dohoda, Andrew Lauletta, Brian Condit, Phillip Franklin, Max Logan, Tessa Zagone DCI 45th Anniversary 93

SPIRIT OF ATLANTA CROSSROADS: WE ARE IH E R E ! This year, we find Spirit of Atlanta at a Crossroads, a point where a crucial decision must be made that will have far-reaching consequences—a choice of both physical and philosophical direc- tion. The center of a crossroads is a place of absolute potential suspended upon a vortex of power. How will that power be used? According to Spirit of Atlanta, the key to answering this question is accep- tance. The corps will apply its brass-heavy sound to a variety of material: Canadian singer/songwriter Gino Vannelli’s “Where Am I Going,” the first movement of American composer John Mackey’s Wine- Dark Sea, “Eric’s Song” by Taiwanese- American pop-folk artist Vienna Teng, “Liquid Dance” from Indian composer A.R. Rahman’s Oscar-winning soundtrack to the 2008 film Slumdog Millionaire, and jazz bassist/composer Michael League’s “Shofukan.” REPERTOIRE Where Am I Going by Gino Vannelli Wine-Dark Sea (Mvt. I - Hubris) by John Mackey Eric’s Song by Vienna Teng Liquid Dance by A.R. Rahman Shofukan by Michael League 94 2017 Souvenir Yearbook

STAFF spiritdrumcorps.org Atlanta, GA Corps Director Chris Moore Assistant Corps Director David Coheley Drum Majors Phillip Martinez, Wimberly Hall, Aidan Lerner Design Sal Salas (Program Coordinator), Chris Moore (Brass, Music Supervisor), John Cypert (Percussion), Jason Palmer (Visual), Jen Karp (Color Guard), Geoff Schoeffel (Sound) Brass Andy Poor (Caption Coordinator), Freddy Martin (Caption Coordinator), Patrick Hinton, Clark Hunt, Daniel Roebuck, Richard Selby, Steven Watson, Chris Benedetti, Alan Armstrong, Mike Sessoms, Bryan Sintos, Adam Swan, Alex Swindle, Jimmy Steele, Daniel Scott, Kayla Poor (Intern), Nick Walker (Intern) Percussion John Cypert (Caption Supervisor), Eric Brown (Caption Head), Tonya Mashburn (Caption Head), Lance Kindl, Phillip Morgan, Eddie Capps, Matt Groves, Andrew Matteson, Alex Vaughn, Conner McBee, Tyler Norman, Joshua Montgomery, Jimmy Nguyen, Daniel Allen, Lindsey Haynes, Taylor Ransom, Kellen Matthews, Ian Bracy, Jerry Charvat, Brandon Dodge, Austin Rideout, Jami Fennell (Consultant) Color Guard Jen Karp (Caption Head), Travis Gerke, Jarret Thompson, Luke Babb, Josh Swain, Trevor Duke, Paula Alfonso, Rene Robles, Jen Steinhoff, Tyler Newton, David Hanseter, Hannah Banbury (Intern), Ariel Golladay (Intern) Visual Jason Palmer (Caption Supervisor), Gilles Oullette (Caption Supervisor), Mikey Cowan (Caption Head), Aaron Morgan, Noah Truck, John Howe, Dan Adams, Garrett Thompson, Jason Robb, Jeremy Hunt, Vince Osan, Jacqueline Meyler, Destiny Holt, Chelsey Curran, Jacqie Rotch, Eric Fry, Josh Goodman, Nick Hunt (Intern), Cayla Infield (Intern) Additional Staff Jeff Pearson (Operations Director), Jordan Roquemore (Operations Manager), Jenna Chinburg (Medical Team Manager), CJ Rolison (Corps Physician), Zoe Russell (Housing Coordinator), Nathan Gregory (Equipment Manager), Rick Holcombe (Transportation Manager), Jenetta McGee (Membership Coordinator), Jennifer McBrayer (Membership Coordinator), Ellen Abney (Tour Assistant), John McBrayer (Security Director) DCI 45th Anniversary 95

TROOPERS D U E L S A N D D U E T S I All of us at one time or another have experi- enced the push and pull of close relation- ships, the duality that comes from being connected to someone you can’t escape. To love or to fight? To create harmony or wrestle with the consequences? It’s a classic choice, and it’s the theme of Duels and Duets. From the duel sequence in Prokofiev’s Romeo and Juliet and the tango hidden in Puccini’s “Nessun Dorma” to the work of world-renowned composer Robert W. Smith and Emmy- winning sound designer John Davidson, Troopers let old and new battle it out musi- cally. A modern take on fencing creates a visual backdrop for oneupmanship, mak- ing sure every strike is on target. And there’s room for the unpredictable; just when you expect a duel, you may get a duet instead. This challenging show push- es corps members’ talents to new heights and is sure to keep audiences on the edge of their seats. REPERTOIRE Death of Tybalt, Parts 1 and 2 (from Romeo and Juliet) by Sergei Prokofiev Black Heart Tango by Robert W. Smith Nessun Dorma, Part 3 (from Turandot) by Giacomo Puccini Foil by Robert W. Smith 96 2017 Souvenir Yearbook

STAFF troopersdrumcorps.org Casper, WY Executive Director Michael Ottoes Corps Director Fred Morris Drum Major Gabe Gallegos Design Donnie VanDoren (Program/Staff Coordinator), Robert W. Smith (Music Director), Paul Rennick (Percussion), Sandi Rennick (Percussion), John Davidson (Sound), MIchael Raiford (Visual), Noah Bellamy (Visual), Adam Dalton (Visual) Brass Anthony Cruddas (Caption Head), Tim Leonelli (Assistant Caption Head), Dennis Laorenza, Tim Nemzin, Juan Nunez, Laura Lewis, Mike Loffredo, Brandon Day, Pat Keeley, Amanda Stevenson, Bill Hawkes, Jeremy Brasso, Steve Stevenson, Dan Herrick, Bill Muter, Shaka Hawkins, Frank Williams (Consultant), Marc Whitlock (Consultant) Percussion Lauren Teel (Caption Head), Lauren Teel (Front Ensemble Caption Head), Paul Rennick (Coordinator), Dan Allen (Battery Coordinator), Jon Anderson, Jesus Sanchez, Jordan Brooks, Jason Hammond Wood, Jonny Green, Michael Swain, Joel Castro, Steven Symank, Brennan Davis, Josh Stark (Sound Board), Steven Strom (Sound Intern), Chris McWilliams (Consultant) Color Guard Susan Hanggi (Caption Head), Jenn Hinshaw (Choreographer), Chris Cook (Choreographer), Brandt Wright (Choreographer), Malan Messemore, Cody Newill, Alyson Downs, Jimi Burciaga, Heather Lamantia, James Gabonay Visual Todd Clevenger (Co-Caption Head), Pat Miller (Co-Caption Head), Emily Schlueter, Alex Liddell, Derek Kaapana, Robby Chapa, Jeremy Thompson, Shawn Humphries, Justin Presley, Miles Giller, Jeffrey Stracke, Morgan Marchand, Matt Rivera, Tiffany Agee, Flint Weed, Dalan Ford, Jose Rodriguez, Justin Duvall, Matt Mathews, Evan McAleer, Shane Denu Additional Staff Kristy Jackson (Development Director/ Office Manager), Heather Brown (Operations Manager), Mathew Krum (Bingo Manager), Michael Gough (Marketing Director), Sterling Bock (Food Services Manager), Debra Bock (Uniform Manager), Ray Poulain (Souvenir Manager) DCI 45th Anniversary 97

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