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Drum Corps International 1992 Yearbook

Published by Drum Corps International, 2019-06-10 10:30:15

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s tar of Indiana explores the many facets of America in \"American Variations,\" a collection of inspira- tional music written in honor of the nation by esteemed symphonic composers. The production serves as a travelogue through the values that contribute to a sense of pride in America. The individual selections stir up patriotic images of flag waving, the country's historical foundation, praise of the land and hope for the future. ith melodic lines intertwined, Morton Gould's \"Star Spangled Overture\" is a set of modern variations on the national anthem, filling the field with a visual pageant of red, white and blue. William Schuman's \"Chester\" presents an exploration of historic ♦ America, with maces and colonial drums adding to the visual authenticity. Like a patchwork quilt, a homemade antique look is achieved on the flags with separate panels of stars and stripes, a motif repeated throughout the visual presentation. ould used variations on \"America the Beautiful\" to create • ~ are bits and pieces of Americana, offering a h,1unting • I G \"Amber Waves.\" Viewed in brief dream-like d,mce tableaus • tribute not only to the American spirit, but also to the sanctity of the • land upon which the country grew. Inserted into Gordon J,acobs' \"Flag of Stars\" are a number of patriotic melodies, exuding confidence and • • .-. the America of today and a full-blown push of the \"Star Spangled • optimism in the America of tomorrow. The show ends with a return to • =- • Banner.\" • • • corps information: = • mailing address: = phone: (812) 876-4903 P.O. Box 264 Bloomington, IN 4 7 402 , =· drum major: Bob Hullett sponsor: Cook Group Companies 1992 repertoire: American Variations • I, \"Star Spangled Overture\" - Morton Gould, • \"Chester\" - William Schuman, \"Amber ♦ Waves\" - Morton Gould, \"Flag of Stars\" - Gordon Jacob director's assistants: Dave Crouch, Becky Hudson program director: Jim Mason music director: Jim Prime, Jr. visual • ♦ director: Dr. Len Kruszecki brass arranger: Jim Prime, Jr. brass staff: Don Van Doren, Jim Prime, Jeanne Coonan, Barry Hudson, Matt Jenkins, Steve Scully percussion arrangers: Bob Dubinski, Thom Hannum perc:ussion staff: Bob Dubinski, Thom Hannum, Brent Mont- i/I gomery, Chris Lee, Mario Ramsey visual designer: Todd Ryan, George Zingali, Dr. Len Kruszecki visual staff: Bob Medworth, Todd Ryan, Pat Butler, Ken Karlin, l\\evin Schussler, Tom Strachan auxiliary designers: Jeff Wroblewski, • Tom Vindiola, Wesley Johnson auxiliary s aff: Jeff Wroblewski, Tom Vindiola, Kristi Avilla, Daniel Wiles James Mason . .. director ' I ♦• •s • DCI Board Member .. 50 • • ....

DCI Division Ill Prelims Monday August 10th, 1992 Your Official Camp Randall Stadium Score Score Placement 9:00 a.m. Welcome 9:10 1. Knights - Milan, IL 9:26 2. Nite Express - Cedar Rapids, IA 9:42 3. 12th Command - Taylor, Ml 9:58 4. Racine Explorer Scouts, Racine, WI 10:14 5. Emerald Knights - Mississauga, Ont.,Canada 10:30 6. Ridge Raiders - Hamilton, Ont., Canada 10:46 7. Blue Stars - Lacrosse, WI 11 :02 8. Buccaneers, Lynn, MA 11:18 Break 11 :34 9. Phantom Regiment Cadets - Rockford, IL 11 :50 10. Acade'mie Musicale - Sherbrooke, Que., Canada 12:06 p.m.11 . Colt Cadets - Dubuque, IA 12:22 12. Blue Saints - Sudbury, Ont., Canada 12:38 13. Cadets of Dutch Boy - Kitchener, Ont., Canada 12:54 14. Mandarins - Sacramentor, CA 1 :10 15. Conqueror II - Hamilton, Ont., Canada 1:26 16. Edmonton Strutters - Edmonton, Alb., Canada 2:11 Break 2:27 17. Bandettes - Sault St. Marie, Ont., Canada 2:43 18. Raiders of Hudson County - Bayonne, NJ 2:59 19. Americanos - Appleton, WI 3:15 20. Pioneer - Milwaukee, WI 3:31 21. Guardsmen Cadets - Schaumburg, IL 3:47 22. Spectrum - Corning, NY 4:03 23. Madison Jr. Scouts - Madison, WI 4:19 Break 4:35 24. CapitolAires - Madison, WI 4:51 25. St. John's - Brantford, Ont., Canada 5:07 26. Royal Columbians - Enfield, CT 5:23 27. Suncoast Sound- Largo, FL 5:39 28. Delta Brigade - Little Rock, AR 5:55 29. Spectra - Piscataway, NJ 6:11 30. Rapid City Express - Grand Rapids, Ml 51

DCI Divilsion II Prelims Your Official Score Score Placement Car9inals - Scarborough, Ont., Canada Limited Edition - Columbus, OH Kiwanis Kavaliers - Kitchener, Ont., Canada Ventures - Kitchener, Ont., Canada 12.~~\" Golden Lancers - Pittsburgh, PA ~~,f· Carolina Crown - Charlotte, NC Patriots - Rochester, NY Spartans - Nashua, NH Allegiance Elite - Calgary, Alb., Canada Arizona Sun - Phoenix, AZ NYC Lancers - Bronx, NY 52

DCI Division II & Ill Warhawk Stadium - Whitewater, WI Championship Finals Tuesday, August 11th, 1992 The 12 highest scoring corps from Division II & Ill Prelims will compete in Division II & Ill Championships Finals. Your Official Corps Score Score Placement 6:00 p.m. Official Openlng Ceremonies 6:30 1. ------------- 6:46 2. ------------- 7:02 3. ------------ 7:18 4. -------------- 7:34 5. ------ ------- 7 :50 6. ---:...;..._ __ _.;;._.;.;.._ __ --'--_-=;;...__-- 8:06 7. ------------- 8:22 8 . ....,_-------------- 8:38 9. ------------------- 8:54 10. ___ - ------------ 9:10 11 . ------------- 9:26 12. ------------- 9:47 Finale The five (5) highest scoring corps from this Finals contest will advance to Thursday's Open Class Quarterfinals competition. DC I Pan Appreciation Day Wednesday, August 12th, 1992 8:00 a.m. - 5:00 p.m. Individual and Ensemble Contest - Madison Area Tech. College - Truax Campus 8:00 a.m. - 5:00 p.m. Pit Crew Contest - Camp Randall 10:00 a.m. - 5:00 p.m. Open Class corps rehearsal - Camp Randall 11 :00 a.m. - 2:00 p.m. Corps Chili Cook-Off - Camp Randall 7:00 p.m. Parade - Capitol Square 8:30 p.m. Showcase of Talent - Capitol Square 53

DC I Open Clas~ fluarterjinals Camp Randall Stadium, Madison, WI Thursday, August 13th, 1992 The five advancing Division II & Ill corps w ill appear in reverse order of score from Division II & Ill Finals. Other Open Class corps which have ranked higher than an Open Class DCI Member corps in a DCI Regional competition during the 1992 season will appear next. They will draw for order of appearance. The DCI member corps have been seeded for order of appearance in the DCI World Championships Quarterfinals based upon the results of the Preview of Champions Preliminary Competition in Nashville, Tennessee on July 24, 1992. The lowest scoring corps will appear first, and will be followed in order of placement by the remaining DCI Member Corps. The 1991 Defending Champion will appear last. The 17 highest scoring corps from Quarterfinals will advance to Semifinals on Friday. Caption Scores for corps in Quarterfinals will be announced after a one-corps delay. GENERAL GENERAL GE N ERAL E N S EMBLE FIELD E N S EMBLE FIE L D E N S EMBL E TOTAL EFFEC T EFFEC T EFFEC T FIE L D BRASS BRASS PERC U SS IO PERC U SSIO V IS U AL V I S UAL S C O RE BRASS P ERC U SSION V IS U AL POSSIB LE PLAC E P OSSIBLE POSSIBLE 1 0 POSSIBLE 10 PTS POSSIB L E N P OSSIB L E N POSSIBLE POSSIBLE PO SSIBLE P O SSIBLE SCORE 1 0 P T S 100 PTS 1 0 P TS 1 0 PTS 1 0 PT S 1 0 PTS 1 5 PTS PTS 1 5 PTS 12 :36 PM WELCOME Five Advancing Division II & Ill Corps 12 : 4 6 1 . 1 :03 2 . 1 :20 3 . 1 :37 4 . 1 :S4 s . 2 : 11 BREAK 2 :28 6 . Se eded Open Class DCI Member Corps 2 : 4 5 7. 3 :02 S . 3 : 19 9 . 3 :36 10. 3 :53 1 1 . 4 : 10 BREAK 4 :55 1 2 . 5 : 12 1 3 . 5 :29 1 4 . 5 : 4 6 1 s . 6 :03 1 6 . 6 :20 1 7 . 6 :37 1 s . 6 : 5 4 1 9 . 7 : 11 BREAK 7 : 28 2 0 . 7 :4 5 2 1. 8 :02 22 . 8 : 19 23 . 8 :36 24 . 8 :53 25 . 9 : 10 26 . 9 :27 2 7 . * *Denotes defending Champion 54

DCI Open Class Semifinals Camp Randall Stadium, Madison, WI Friday, August 14th, 1992 ENSEMBLE TOTAL FIELD BR.ASS BRASS PEA~f:,~ON ~~~ SCC>tlE POSSIBLE POSS IEflE POSSIBLE. POSSIBLE POSSIBl£ 1 0 P'TS 10 P TS 10PTS 10PTS 100 PT'S 6 : 00 PM WIELCC>\"-\"£ 6 : 10 1 . 6 : 27 2 . 6 :-4-4- 3 . 7 :01 -4 . 7 :52 5 . 7 :35 BREAK 7 :52 6. 8 :09 7 . 8 : 26 8 . 8:-43 9 . 9 :00 10. 9 : 17 11 . 9 :3-4 BRIE.A.K 9 :51 12. 10:08 13. 10: 25 1-4. 10:-4-2 1 5 . 10:59 16. 11 : 16 17. A.WA.RDS CEREMONY The top 25 corps from Open Class competition will be the DCI Member corps for the 1993 season. In recognition of their achievements, each will be presented with a flag. Corps placing 18 through 25 will receive Bronze Championships flags. Corps placing 13 through 17 will receive Silver Championships flags and the Top 12 Finalists will receive Gold Championships flags. The DCI World Champion flag will be presented at the Finale on Saturday night. Individiial ,t Erisenible Arva,•ds Representatives of Remo, Inc. and Sponsors of Musical Enrichment (S.O.M. E.) are proud sponsors of the I & E Competition. Representatives of their companies will present awards to the winners of the I & E Competition which took place on Wednesday. Name Corps Score Name Corps Score Snare ___________________ _ Brass Ensembl~----------------- Multi-Tenor _________________ _ Soprano __________________ _ Multiple Percussion ______________ _ Mellophone _________________ _ Keyboard _________________ _ French Horn _________________ _ Timpani __________________ _ Baritone __________________ _ Bass Drum Ensemble ______________ _ Contra Bass _________________ _ Cymbal Ensemble ______________ _ Auxiliary __________________ _ Electronic _________________ _ Flag ____________________ _ Percussion Ensemble ______________ _ Mixed Ensemble _______________ _ 55

DC I World Championships Finals World Championship Finals Saturday - August 15 The top 12 corps from Semifinals compete in reverse order of finish. 6:00 pm Welcome Dallas Brass & Future Corps Perforn1ances Exhibition by Division II & Ill Champions Welcome -Ted Swaldo, Chairman of the DCI Board of Directors Welcome Paul Soglin, Mayor of Madison Friends of DCI Volunteer of the Year Awards Championships City Flag Exchange Introduction of Judges Anthems presented by massed Diviision II & Ill corps Your Official Corps Score Score Placement ,. ive television broadcast 56

• ong before it became fashionable to publicly declare oneself as patriotic, Troopers were openly proud to be --4 known as \"America's Corps.\" Throughout the history of DCI, the corps' image and unswerving commitment to performing patriotic and Western music have made it a perennial favorite. Though , there are some fresh, new approaches to staging this year, the show • gives fans exactly what they want and expect. ordon Jacob wrote \"Flag of Stars\" in honor of American sacrifice for the cause of freedom. Except for rifles, the guard is hidden in the horn line during the introductory • fanfare, contributing to the startling visual impact of 92 bugles. Suddenly, red, white and blue flags burst forth as the corps digs into ~' Jacob's symphonic treatment of the \"Star Spangled Banner.\" .. • he remainder of the show highlights the corps' noble T si Sing along to Bob Nolan's \"Cool Water,\" a refreshing, ;.; • Western heritage. Don't be embarrassed if you feel like classic cowboy ode featuring the first guard costume changes in the • • corps' 37-year history. Dave Brubeck's \"Unsquare Dance\" allows the • guard to interact with the drum line as the drums play on the guard's ~ milk stools. The closer is a medley of Ennio Morricone's somber and • I • pensive \"The Ecstasy of Gold,\" followed by the greatest of Troopers' • • • • • • trademark hits, Stan Jones' \"[Ghost] Riders in the Sky.\" any of the • • famous drill and guard maneuvers from the past return for good • measure-classics never 90 out of style. • ♦ • • •• • • • • . • . f corps in ormat10 mailing address: ••• • P.O. Box 375 ■ phone: (307) 472-2141 ■ drum major: Mathew Krum • guard commanders: Kari Gilbert, Charity Carstens 1992 repertoi e: A Western Odyssey, \"Flag of Stars\" • Gordon Jacob, \"Cool Water\" · Rob Nelson, \"Unsquare Dance\" • Dave Brubeck, \"The Ecstasy of Gold\" • Ennio Morricone,\"Riders in the Sky\" - Stan Jones tour • • coordinator: Derek Spitzer program coordina- tor: Mark Coulter brass arranger: Knute Holian ass staff: Bill Long, Becky Bolinger percussion arrangers: Mark Coulter, Terri Gailey percussion staff: Pat Amann, Mike Bailey, Shawn Alsup, Terri Gailey, Pete Simpson visual designers: Mike Romero, Mark Coulter visual staff: Mike Romero, Ric Basil, Kurt Gilbert, Ed Medford, Gayle Garner auxiliary designer: Mike Romero auxi ·ary staff: Mike Romero, Ric Basil, Kurt Gilbert, Ed Medford, Gayle Garner ■ .. • • • • Gabe Luchetta Jt • • • • • • ) • • director • DCI Board Member • • .... • • .. •• • • •

I • et your-passport tlamped and boy your tra& lers' checks; Velvet Knigh s'·is taking another \"Magical Myst,,. Towr\" around the world. Back by popular demand one of the most e_opular show_..concepts of recent vintage returns t6 sweep us across four countries-destinations that will never be -tile same. So finish off your complimentary packet of honey roasted peanuts, place your tray in the upright position, and lean back with the h•eadphones • ~.t tuned to the VK music channel. • • he corps first touches down in \"Brazil\" just ·in time to ♦ ♦ catch the big parades of Carnivale. First, VK walks down • the main street of Rio, soaking up the atmosRhere ~f the gaiety ... in the streets, on the sidewalks and sp illing over into the\" •• ... alleys. Then everyone drops into a bar::to hear a swinging Big Band ♦ ~//I entertain-the tourists. Next stop is the Kabuki Theater across the • Pacific Ocean in Japan. A drummer's fantasy, it visu'a]ly explores the ■ II • Carol for the Russian Children\" is a poignant view of the drudgery of life behind t~e former Iron Curtain-'v'atypical of what e expect · om tne corps-reinforced by the • presence of a giant hammer and sic~le flag. The people riste up and e • ♦ throy.., off the shackles of Communis to \"The Party's Over,\" celebrat- • • • ing their \"people power\" victory with Tchaikovsky's \"Trf pek\" from \"The • • • Nutcracker.\" A short liop across the border brings ws to \"Hungarian II • • • Dan0e No. 2,\" a slapstick cartoon-like feature Fhat epitomizes the very - • • essen of the coq:;is . ♦ ♦ • ,, • • • • • • • 1235 S. Knott Ave . • • •-') Anaheim, CA 92804 phone: (714) 761-2679 drum majors: Jeff Shimamoto, Ty Dowding c,. Magical Mystery Tour ~ assista t director: Archie Mendoza show coordinat.oiri J. Gre ory Clarke spir\"tual advfsor: Bobby Hoffman brass arranger: Dave Carico brass staff: Mike Mosgrove, Greg Flores, Bill Perk, Moistl Sandov, percussion arranger: i,lil,' Tom Float percussion staff: Katherine Float, Pete • Sapadin, Kevin Albert, Paul Smieton, Tom Hixon • visual staff: Eric Kitchenman, Mike Mercanaante, Chadz Groh, John DeNovi, Bill Price, Derek Phillips •• ~ Alexander (choreographers), Erica Stoycheff, Sandi auxiliary staff: Roxanne Narachi and Diane • • ack Bevins • • Mercandante, Becky Gary •

Future Corps If you've ever been to EPCOT, you may have heard some music that sounded like drum corps music. Upon closer inspection you would find that you identified the sounds correctly but that the corps was a bit unusual. Future Corps is a professional group of 14 musi- cians that has been bringing the excitement of drum and bugle corps music to audiences at EPCOT Center in Florida since 1982. They are ©The Walt Disney Company known as Encorps within the park grounds but, 20th Anniversary of DCI. The group will be when performing outside the theme park, they performing as part of the Championships week's become Future Corps. open ceremonies on Tuesday evening at Divi- The members are from all across the United sion II & Ill Finals and will also provide pre-show States, and are proud alumni of several drum entertainment for Semifinals and will play \"The corps, including: Anaheim Kingsmen, Blue Stars, Star Spangled Banner.\" Look for them in the Kilties, Madison Scouts, Marauders, Phantom Regi- festivities on Saturday night, as well. ment, Star of Indiana, and Suncoast Sound. Future Corps invites you to come by and say Future corps is thrilled to be taking part in the \"Hi\" when visiting the EPCOT Center in Orlando. The Dalla 11 What has been described by the press as being as elegant and exciting as a formal concert, but a lot more fun?\" No, it's not drum corps. It's Dallas Brass, one of the country's hottest new brass ensembles. Dallas brass will be kicking off the DCI World Champi- onship Finals Competition on Saturday. The quintet of brass musicians and a percussionist will open the evening with a number of selections and will also be one of the featured groups in the finale ceremony. This Dallas-based ensemble strives to make its music entertaining, both in content and context. Combining a surprising variety of musical styles with a delightful and lections from \"A Chorus Line. 11 informative narration and soloistic virtuosity, they have The group has been broadcast extensively on created a program that will delight the educated music National Public Radio, has opened for Spyro Gyra, buffs as well as novices. performed with the United States Air Force Orchestra, The six-member ensemble, founded in 1982, has and has appeared on the Bob Hope Show. developed a national following and a glowing reputa- They sound great, they look good and they'll be tion for innovation, style and sterling musical artistry. a lot of fun. So, sit back, relax and enjoy The Dallas Dallas Brass has produced numerous recordings in- Brass. II cluding A Merry Christmas With Brass II\" a sequel to their Dallas Brass is a Yamaha performing ensemble. Debut\" album, features some of the group's most Their performance at the Championships is spon- 11 popular concert repertoire, including music by Bach, sored by Yamaha Corporation of America. Copeland, Debussy, a sampling of early jazz, and se- 59

Lights, Camera, Action Tl•e S11,mmer H11sic Ganies Live! The brassy blare of bugles and the thundering of percus- are 10 camc:!ras in use. At Camp Randall Stadium, the crew also sion bursts forth amid a flourish of swirling colors. The action imports hu~Je banks of lights in order to boost stadium light for is broadcast live to television sets across the country, catching broadcasting the nighttime event. the eyes and ears of millions of potential and current drum Talented television professionals provide the skill and corps fans. knowledge to create a high-quality, exciting program. The 18th Drum Corps International broadcast will show- Drum corps veteran Steve Rondinaro will host the broadcast case the 1992 Summer Music Games World Championships to in 1992. He began his drum corps career as a member and more than 14 million viewers. The live broadcast of the event director of the Squires of Watkins Glen, N.Y., then became the begins at 9:00 p.m. CDT on August 15. The two-hour program founder and director of Florida Wave in Miami. He has been an is aired live by many public television stations, while others on-air host of the broadcast since 1979. Outside of drum choose to show it at a later date. corps, he is a newscaster for the NewsCenter 2 team of WESH- Videotape rolls and cameras zoom in. Veteran drum corps TV (NBC) in Orlando, Fla. announcer Steve Rondinaro enthusi- Tom Blair is the executive pro- astically describes each corps as the ducer and director of the broadcast. dramatic spectacle of music and mo- He brings a broad range of experi- tion appears to unfold effortlessly on ence which includes several the field. Few in the audience will Olympics, the Oprah Winfrey show, even be aware of the history, plan- ESPN and the Wimbledon Tennis ning, capital or effort that go into the Tournament on HBO. He has won production of the broadcast. two Emmys for his coverage as edi- The first broadcast was produced tor of the 1988 Summer Olympics. in 197 4 from the University of His experience from years of march- Wisconsin's Warhawk Stadium in ing as a snare drummer with the Whitewater. It featured an edited Cavaliers is an invaluable asset as he version of the 12 Finalists and was plans the broadcast. called \"Best of the Midwest.\" Under Keith Klein, program manager of the direction of Art Luebke, WHA-TV Curt Gowdy & Sh?V~ Rodinaro WTIU-TV in Bloomington, Ind., is en- in Whitewater produced the show using only four or five tering his sixth year as producer of the broadcast. His camera angles and mastered it in an RV truck. . Another background includes working as a news correspondent with production shot the same year in Ithaca, N. Y., featured the top NBC in~chici:tgo for 1 O years. \" three corps at the DCI World Championships. Both of these The budget for the broadcast has grown with its size and programswere edited then shown on regional PBS networks. quality and now stands at $225,000. DCI underwrites the Drum corps fans had to wait until the 197 5 World Champi- entire amount. Despite its cost, DCI views it as an investment onships for the first live national broadcast. By 1978, 83 PBS in drum corps' future. The Summer Music Games Broadcast stations across the country were carrying the program. provides the single largest exposure to new audiences that the In 1981, the DCI World Championships were in Montreal, drum corps activity has. Of the 332 public television stations, Quebec, and it was too expenstye to send a camera crew so 94 % of them carry the live or highlights broadcast one or more far. Instead, theyshotthe 10thar:iniversaryofDCIMidwestand times throui3ho\"ut the year. Experts in the field have reported featured all 12 Finalist corps in a marathon four-hour broad- that 10-14 million viewers watch the program every year. cast. The budget for the programwas $45,000. DCI produced The effect of the prograrri'is clear. Phones at the DCI it, National Association of Music Merchants (NAMM) under- Headquarters ring off the hook with merchandise and ticket wrote the bulk of the expense and WHA-TV picked up the orders from the areas where it is being shown. Last year, the balance. broadcast also generated more than 12,000 requests for The program continued to grow. By 1983, in Miami, it was information. a \"big time\" production with seven cameras, and equipment DCI does not receive any funding from public tele:vision or and production trucks rented from CBS. DCI produced a live the stations which broadcast the show. DCI and DCI Founda- two-hour broadcast of the top five corps, as well as a tion generate all funds for the program. If you would like to highlights version featuring the top 12 corps. The program contribute to the Summer Music Games Broadcast, send your added a sixth corps to the live broadcast in the 1990 season. donation to DCI Summer Music Games Broadcast, P.O. Box 548, A tie for sixth place in 1992 pushed the crew to squeeze in a Lombard, IL 60148 or call 1-800-344-2772 and have a donation seventh corps. charged to your MasterCard er-VISA - Over the years the quality of the program has steadily For more information on when the Summer Music Games improved. The size of the TV crew has increased to 60, two will be shown in your area, please contact your local PBS huge NBC semi-trailers are used for the equipment and there affiliate. 60

354 Westgate Mall Corner of Whitney & Odana Road 802 Atlas Avenue Corner of Stoughton & Cottage Grove Road Restaurants 11 11 Good Food at Affordable Prices Featuring: Steaks • Seafood • Daily Specials Homemade Desserts • Cocktails Continuous Service at Both Locations 11 a.m.-10 p .m. C By now you've probably heard oft drum corps, so look for your own \"fTust how good we are! cruising the Souvenir Booths and Expo to subscribe, or send $15 for six bimo Starting Line• 1830 Toombs Dr. • Ak (You can also call 216-733-4933) If you want to attend the college where careers in contemporary music begin; if you want to study where some of the finest musicians you know have developed their talent; if you're ready to take music as seriously as we do, apply to Berklee. Office of Admissions, Dept. 2202, 1140 Boylston Street, Boston, MA 02215. 1-800-421-0084, ext. 2202. Berklee COLLEGE OF MUSIC It's where you go. © Berklee College of Music, 1992.

Your Way .... Berklee College Right Away at of Music Burger King $20,000 ~ Scholarship BURGER A wards Program .-.® KING In cooperation with Berklee College of Music in Boston, Drum Corps International is pleased to announce a $20,000 scholarship awards program. Berklee is making these Good Luck to all the participants of the awards possible in order to acknowledge and 1992 Druni Corp encourage the development of the talented International World musicians who participate in the drum corps activity. Chani pionshi p Througih individual auditions to be held in conjunction with the 1992 Individual and Ensemble Competition, members of the Berklee Scholarship Committee will select r-·cHicKEN __ T ___ ooueLE---1 outstanding brass players to receive tuition I SANDWICH & I CHEESEBURGER I assistance: scholarships to Berklee College of Music. Scholarships will total up to $20,000 ¢ • SMALL FRY • 2 9 1 and may include one-year full tuition awards. i $2 29 I I The presentation of awards will take place during th~~ 1992 Showcase of Talent at Capitol I ■ I When You Buy One At Regular Price I Square on Wednesday evening, August 12. I .._ _________ ..,. _________ _ Berklee~ College of Music is recognized as I GER LimitC11eoouponpercustanerper I BURGER Limitoneoouponpercustanerper I visit Please present coupcr, bebe I BUR visil Please present ooupon bebe adering. Not to be used with any I Kl NG ordering. Not to be used with any I locaiC11sC11ly. Expim8/31 /92 -I KING other offer.I. Good at all MadisCll 1 '1111111111-~ locatiC11sCllly. Expres8/31 /92 I 'Ill _ ... ofler oilers. Good at all Ma<iSCll one of the world's leaders in educating musi- cians in preparation for careers in I TWO I WHOPPER 1 I BREAKFAST I SANDWICH I contemporary music. Outstanding Berklee alumni include: Grammy Award-winning I BUDDIES 1 29 ¢ 1 producer and composer Quincy Jones; fore- i 99 ¢ i 1 most jazz vibraphonist and Grammy • • .,..-~ I When You Buy One At Regular Price I Award-winner Gary Burton; renowned saxo- phonist and Tonight Show band leader I BURGER LimitClleoouponpercustanerper I BURGER Limitoneoouponpercustanerper I I visil Please present ooupon before I visil Please pre91111t coupon belae I KING ~~~~~7:!~-:; LKING :t::1wN,_o1c::::=~ JI Branford Marsalis; and internationally acclaimed L locaiC11s Cllly. Expres 8/31 /92 locaiClls only. Expires 8/31 /92 brass players Tiger Okoshi and Claudio Roditi. ------------ ----------- Berklee: representatives will be on hand throughout the week at the DCI Expo in the Camp Randall Field House and at the Individual AVAILABLE AT ALL MADISON LOCATIONS and Ense ble Competition to speak with 3515 University Ave., Madison 2655 E. Washington Ave., Madison interested! students about the unique opportu- 5696 Monona Dr., Monona 2302 West Beltline Hwy., Madison 632 University Ave., Madison 6909 Odana Rd., Madison nities avai able at Berklee College of Music. 74 East Towne Mall, Madison ... I 62

-- Other than being long-time drum corps fans, what do Maureen.\" Gene Emmer, Maureen Fallon Reppert, Verna Bagby and Two other volunteers who have had drum corps in their Conrad and Dorothy Maryanski all have in common? blood for a number of years, are Conrad and Dorothy They've all dedicated years of assistance, without asking Maryanski. Both have been instrumental in the Cavaliers' day- anything in return, to numerous drum corps. In recognition to-day functions for more than 12 years. of their outstanding contribution their corps directors During that time, both Conrad and Dorothy have worn nominated them for the annual Friends of DCI, Volunteer of multiple hats as volunteers. Dorothy has assisted in the the Year Award. From a field of more than 18 nominees, the design, construction and maintenance of the uniforms and selection panel chose to recognize these five people as the flags since she first began helping the corps. Conrad has 1992 Volunteers of the Year. Gene Emmer started out assumed the gigantic responsibility of keeping all of the volunteering in souvenir sales 20 years ago, when he sold Cavaliers vehicles safe and running, as well as coordinating the first DCI World Championships program book at the driving crews. Whitewater, Wis. He then expanded his role into the corps' \"They are two people we couldn't do without, \" Donald booster area and dedicated thousands of hours during a 12- Warren, Cavaliers' president said. 'They dedicate an average year period as Bingo Chairman for the Pioneer. \"Gene has of 28 - 30 hours a week to the Cavaliers.\" contributed thousands of hours to so many different corps. He is a true drum corps lover who likes to see the activity Their initial involvement began with the Cavaliers' winter continue to grow,\" Roman Blenski, DCI Division II&. Ill and guard program and grew into a year-round commitment to Drum Corps Midwest director said. the open class corps. They never had a son who marched with the Cavaliers, but Dorothy's three brothers are all alumni. Even when Emmer moved out to California several years ago, drum corps remained a focus, as he joined the Velvet \"You can always rely on them to forego any personal Knights' booster staff and used its reputation for fun as the accolades to produced the finest uniform or the safest key focus of its outlandish souvenirs. Presently, Emmer is vehicles, \" Warren said. \"If you ever visit the corps hall you with the Freelancers, where he keeps busy working with the can always find at least one of them there, either sewing or corps' souvenirs. \"He lives quite a ways away from the fixing something on one of the vehicles. \" actual corps, but he's always there for us on tour and works Another volunteer who keeps the corps \"running\" is at the souvenir booth whenever he can. He's a true drum Verna Bagby with the Marauders. Bagby has been a cook, corps volunteer: No matter how far away he is, he still tries banker, seamstress, medical aide, chaperone and above all to help,\" Parker Silva, Freelancers' executive director, said. else, \"Mom\" to more than 120 kids each summer. Maureen Fallon Reppert has been with the Crossmen since Bagby has been with the Marauders for more than five its birth 17 years ago. That first year, Reppert marched in the years and helped ease the transition when Randy Baierl took brass line of the Keystone Regiment as it merged with the over the corps director position. \"Verna was a great help with 507 Hornets to form the Crossmen. Reppert moved up to organizing camps and tours when I was hired on with the drum major then, after aging out, she became the volunteer Marauders,\" Baierl said. \"She never missed a rehearsal camp every corps wishes it had. She has been everything from or any of the all-day summer rehearsals. She has even brass instructor for the feeder corps, to the tour and housing worked on all the tours since 1988.\" planner for the Crossmen. She has sold souvenirs and Even though her daughter aged out in 1991 , Bagby has helped cook for the corps and staff. All of her years of continued to donate her time and efforts to the Marauders experience recently paid off as she joined Crossmen 's Board and is planning on touring with them again this summer. Last of Directors and became the full time camp and tour year, Bagby toured with the corps even after a severe car volunteer. accident, putting off surgery until after the tour ended. In addition to touring with the Crossmen and studying \"Since I don't have an assistant to help manage the corps, music full-time at Kutztown University, Reppert is also Verna has stepped in and helped out in all different areas,\" \"mom\" to her three children, ages 5, 8, and 10; taking them Baierl said. \"Volunteers like her are the unsung heroes, on the road with the corps throughout the summer. \"You molding the lives of the young people in today's drum and wouldn't have to spend much time around her to know that bugle corps. \" drum corps, and especially the Crossmen, have been and So to all of our unsung heroes, those who have been will continue to be a way of life for her,\" Carl Ruocco, recognized and those who are still waiting, thank you for Crossmen director, said. \"It is often said that drum corps gets making this activity one we can all enjoy. into your blood. There's no better example of this than 63

•• • 1991 DRUM CORPS INTERNATI01'IAL DIVISION II ~ III • F I N A L I s T s • • AMERICANOS ACADEMIE MUSICALE 16·15 Drum Corps Drive 3086 Galt West Street Menasha, WI 54952 Sherbrooke, Quebec J1 K 1 M2 ( 414) 722-5543 (819) 563-5555 Dir,ector: Jerome Kolosso Director: Robert Nolet Drum Major: Chris Tilley •• Drum Major: Marie-Claude Breton Repertoire: Repertoire: Presentacion Latino Ruslan and Ludmila Amor de un Dia ' Michael J. Glinka Margarita Hungarian Dances #3, 4, 5, 6 Carnival Medley Johannes Brahms Founded: 1936 Prelude - Coppelia - Leo Delibes Ho1nors: DCI Class A Finalist Final - Pulcinella - Igor Stravinsky 1990 • DCI Class A-60 Finalist Founded:1982 1988, '89, '91 • DCI Midwest Class A Champion 1990 • Drum Honors: DCI Class A-60 Champion 1990 • DCI Class A-60 Finalists Corps Midwest Division Ill Champion 1989 1988, '89, '91 • Provincial Class A Champion 1987 '89 '90 '91 • Provincial Class A Finalist 1988 • Provincial Class C Cha~pi;n 1984 • Canadian Class A-60 Champion 1990 • D.C.E. Corps of the Year 1990 • • • • • • BLUE STARS P.O. Box 2523 Lacrosse, WI 56602-2523 II (608) 782-3219 Director: Brian Whitty Drum Majors: Brad Furlano Repertoire: Celebration of Music by John Rutter & GLAD A Mighty Fortress Amen, • • The Great Storm is Over Praise Ye the Lord Founded: 1964 Honors: Class A-60 Champion 1989 Class A-60 Finalist 1987, '88, '90, '91 • • • BLUE DEVIL \"B\" • P.O. Box 21516 • MANDARINS Concord, CA 94521 P.O. Box 22297 • (510) 689-2918 Sacramento, CA 95822 Director: Jim Rosco (916) 395-8310 Drum Majors: James Gulke, Director: Raymond Mar • Repertoire: Brandon Wilson Drum Major: Janene Chin Repertoire: Payload The Music of Aaron Copeland Night of the Capricorn Moon Jubilee Variations, Bossa Corona Appalachian Springs, Founded:1974 The Red Pony, Honors: Class A-60 Finalist 1991 Joy • Founded: 1963 Honors: Class A-60 Champion 1987, '88 • •• Class A-60 Finalists 1986, '89, '90, '91 ♦ ♦ •• 64 ' ◄ ·- • • 4 •

• • • • NORTHERN AURORA 6 730 Bay Road • Saginaw, Ml 48604 • (517) 791-4431 • Director: Ric Roberts, Corps Manager • Bob Waskoviak, Executive Director Drum Major: Brian Ellis Repertoire: Emerson's Piano Concerto - PIONEER Emerson, Lake & Palmer 4601 W. Holt Avenue Concerto No.1 Milwaukee, WI 53219 Excerpts from \"Trilogy\" ♦ (414) 327-2847 Founded: 1965 Director: Roman Blenski Ill Honors: Division Ill Finalist 1986, '89 • Division II Finalist Drum Major: Nicole Leiven 1987, '88, '90, '91 • Drum Corps Midwest Division Ill Repertoire: Champion 1986 • Drum Corps Midwest Division II Cham- Celtic Dances pion 1987 • Drum Corps North Division II Champion '1987, • Jig '88, '89, '90, '91 • Participant in every DCI Championships • Frieda since 1972 Minstrel Boy ' Four Scottish Dances Rakes of Mallow Founded: 1961 RAILMEN Honors: Class A-60 Finalist 1990, '91, Drum Corps Midwest •· P.O. Box 27105 • Division Ill Champion 1990, '91 Ralston, NE 68127 ■ U.S. Open A-60 Champion 1991 • (402) 498-3667 Director: Shane Macklin • Drum Majors: Steve Lovci ♦ •• • Repertoire: • On the Other Hand • Suite Sandrine • He Ain't Heavy, He's My Brother Founded: 1939 • Honors: Class A Finalist 1985, '86, '87, '89, '90, 91, 1 Drum Corps Midwest Division II Champion 1990 • • • • TOKYO PHOENIX REGIMENT • 8-18-1 Nishi Kamata OTA-KU Tokyo, Japan 144 3-3732-4481 Director: Mikio Arita • • Tokyo Phoenix Regiment, the first Japanese corps to ever compete at a DCI • show, placed 5th at the 1991 DCI Finals in Dallas, Texas. The show consisted of two pieces taken from the Nintendo game cartridge \"Dragon Quest/ and closed with \"Danny Boy.\" Phoenix Regiment was unable to return to the United States to compete in 1992, but plans to return in future years . • • • • • VENTURES • 135 Ottawa St. South Kitchener, Ontario N2G 3T1 SANTA CLARA VANGUARD CADETS (519) 896-0055 1 7 65 Space Park Drive Director: David Phillips • Santa Clara, CA 95054 ,I • Drum Majors: Nicky Key (408) 727-5534 Repertoire: Director: J.W. Koester • The Gospel Drum Majors: Bryan Kreft, Dave Leon Selections from \"My Fair Lady\" Repertoire: Being Alive - Barbra Streisand • Selections from \"Robin Hood: Prince of Founded: 1972 Thieves\" Honors: Founded: 1971 DCI Class A Champion 1980, 85, 87, 89, 90 1 1 1 1 Honors: Class A Finalist 1991 DCI Member Corps 1986, '87, '88, '89, '90 • U.S. Open Class A Champion 1986, '87, 88, '89, '90 • • 1 --~· \"' . •·~• .. . - • • ♦ • ♦ •• • .. 65 .. , • ••

Looking Back Drum Corps International began as an idea in the minds of 5 corps directors. They knew there had to be a way for corps to have a voice in their competition rules, tour schedules, and the di[ection of the activity. They so _ght the support of other cO·(E?S and; with the help of many volunteers who dedicated countless Rours to thiskiea, an organization began to take shape and flourish. Now, 20 years later, we look back at the people, the corps, and events which brought DCI to where it is today. Enjoy!

·-· I!. T)• :1 11:;I.I I 'I • One of the most memorable highlights of the first DCI Championship was the emergence of the relatively unknown Bayonne, NJ, St. Andrew's Bridgeman and their triple- tonguing sopranos .:, • A literal cloudburst occurred during the last few scores at finals after the announcer had just commented about what a ' perfect spot for drum corps this site in Wisconsin was and that \"It never rains in Whitewater.\" As a new event, it wasn't clear which corps would win, so an exceptional performance by the Anaheim Kingsmen caught the judges' attention and was awarded the first DCI title. • The Madison Scouts presented a history of the American Flag for its \"total concept\" show, but failed to make the final cut. Remember the smorgasbord of lighted rehearsal fields on the Whitewater campus with as many as eight corps rehearsing at the same time each evening? Believe it or not, the champion Anaheim Kingsmen was actually defeated at prelims in the Content/Analysis caption by the twenty-eighth place Cedarburg, WI, Thunderbolts. Plaines Vanguard me ers were \"attacked\" by a s m of mosquitoes _.. during the finals as· \"fallen\" guar- , retended to be dead during the Mars, the Bringer of War opening production. The guard came to life and had to start swatting the pesky insects.

nal appearance of the Concord Blue ~ition came at Whitewater prelims. anguard arrived late for finals and literally had to run do the end zone stairs to the starting line at Warhawk Stadiu to avoid getting a penalty ... and the corps won! ers' topped the eventual I d in horns at prelims, bu only for eighteenth.

• The prelims in Ithaca suffered two 60-minute rain del~ and a fog that was so thick that it was hard t ' see some of the corps on the field. • For the only ,me in DCI history, five corps August 15-17 that weren't among the final 12 the previous Ithaca, ew York season became finalists. They were: Cornell University DeLaSalle Oakla ds, Blue Devils, Phantom Schoellkopf Field Regiment, Purple Lancers and the Cavaliers. Open class finals en introduced its \"mace Vanguard, Santa Clara, CA ............ 89 .50 ony Fantast' ue. Madison Scouts, Madison, WI ....... 88.85 Kingsmen, Anaheim, CA ................ 88.55 • Finals in Schoellk Field had housands of Muchachos, Hawthorne, NJ ......... 86.95 g \"East, ast, East\" Troopers, Casper, WY ................... 85.65 ne uchachos had a Kilts, Racine, WI ..... ...................... 85.25 ·rig the field of DeLaSalle Oa lands, Toronto, ONT ........................ 79.95 • Remember the Cavaliers, Park Ridge, IL ... : ............. 79.55 \\ the top East contender, the Muchachos, --i \\ Blue Devils, Concord, CA .............. 78.15 took the · d? Purple Lancers, Auburn, NY .......... 77 .15 Phantom Regiment, Rockford, IL .:. 76.25 • The I ca championship turned out to be t~ inal competitive performance of Blue lue Stars, Lacrosse, WI ................ 75.70 Rock from Wilmington, DE. 69

• This was the season during which drum corps fans saw the Schaumburg Guardsmen on nationwide television for Kentucky Fried Chicken. • Who can forget the 27th Lancers' innovative rifle line twirling rifles while lying on their backs? • The 27th Lancers appeared on the nationally-televised Mike Douglas Show with comedian Victor Borge wearing one of the corps' drum major uniforms. • During the Madison Scouts' show, one of the highlights was the swaying wedge . in the middle of Rhapsody In Blue. General Effect scores given at the finals in 1975: Vanguard and two each for the Madison Scouts and chos was disqualified for marching an over-ase member. \" bugle call from high in Franklin Field on Final§_.night was a e corps' absence at the night show. ~t DCI Finals was nationally teleca§_L0f'l PBS. Former Major Tim Moxley co-hostedwith a Boston radio

I __ . • Five finalists at the 1976 championships sported brand-new uniforms: the Concord Blue Devils, Seneca Optimists, Bridgemen, Cavaliers and the 27th Lancers. • The Blue Devils ere the first corps to win all captions at finals, but in prelims they were second i brass and tied for third in marching. • Drum Major Jo I Alleyne, of the Oakland Crusaders, turned out to be one of the highlights of the Philadelphia DCI event especially while conducting the corps' concert number, Malaga. • The Blue Devils used the experimental North tenor drums during the 1976 season. • Ask almost anyone who was in Philadelphia on Saturday, August 21, what one thing stands out most from finals and you're likely to hear about the entire Bridgemen corps \"fainting\" at the conclusion of its performance. • This was the year that the Madison Scouts scrapped its entire visual and musical show at mid-season and came out for second tour with an even stronger corps and took second at finals. The first show included an opener of Shaft and an original Ray Baumgardt concert number. • The Cavaliers changed from its traditional green satin blouses to capes and featured hats in place of shakos to more authentically represent the sw 9 shbuckling image. • The Philadelphia Bicentennial DCI Championship was the only time in the two decade history of DCI that two Canadian corps made finals in the same year: the eighth place Oakland Crusaders and the tenth place Seneca Optimists. • In recognition of the United States Bicentennial, the Phantom Regiment formed a Liberty Bell in its drill. . • Remember those wonderful Blue Devils arrangements by Jim Ott with his sister Bonnie playing mellophone solos? • The local Crossmen, in only its second season, was disqualified for marching an overage member. • Helen and Gene Rayburn (popular television game show host) took over the duties on the Championships broadcast for the first of three appearances.

• This was the season that corps n to convert their horn lines to th newly-available two-valve bugles. • The North Star rifle line displ#d huge red lips during its Sir Duk duction, followed by ,1 contra player being hit in the face nightly with a white cream pie. .· , · • Freelancer Drum Major Paul Zimny aged out of drum--eo s on August 19 after a very long career. He was the last drum major of the famous Chicago Royal Airs in 19.68 and previously had marched-with the Norwood Park Imperials and the McHenry Vicounts. He has been th arranger and brass caption head for the Freelancers since 19~8. its disqualification on the age rule, it obtained a court order giving the corps the right to n ... the disqualification stood. rican ftag ·to be posted and left unguarded for the first time in the history of the activity . . · NFL venue to be used by DCI for the finals. Denver remains the furthest west site for the DCI Championship to date. The · .· due mainly to the success of the Drums Along The Rockies series of shows that began in 1971. d new \"iso drums' featuring a snare with a tom on either side. used by the Phantom Regiment color guard during the Ninth Symphony closing production? ,congas and opened a huge parachute for a spectacular visual effect. Jltidgemen's final performance, but they turned to £Ontroversial appearance. time in DCI history (the other Friday night event -~en booked by the American Legion fclr their \" -::.>

Fol Is) Open Class Final rd, Santa Cla a, CA ....... 91 55 Crossmen, Delaware County, PA ........... 82.45 North Star, North Shore, MA ... . 5 I / Guardsmen, Schaumburg, IL ... Kilts, Racine, WI .................... .. I ss A champion- Black Watch, Auburn, WA II-Girl champion- Les Chatelaine, Laval, QUE • The Blue Devils ate a roast beef dinner prior to its DCI title wins in 197 6, 1977, 1979 and 1980. The corps ate ham prior to the 1978 finals and wound up in third place. • Long red capes were introduced by the Crossmen and the e Hre corps painted Maltese crosses on their faces for finals. • Santa Clara Vanguard's color guard caught everyone' ~ ntion, first with hula hoops, then with the Bottle Dance. • During the Star Wars portion of its show, the Madison Scouts used flash cubes for a surprising effect. • The Phantom Regiment lost to the Santa Clara Vanguard by a mere 0.1 at finals for the second of three runner-up finishes. • In just its second year of competition, Spirit of Atlanta burst into finals, finishing in a record-breaking sixth place. That record still stands. 73

• • • , . , • . , . . '/dren of Sanchez. . • . • . , , . . . , • . plete with the Unknown • . • , •• d a judge dqring One • • • • Maynard Ferguson co-hosted the Chc1mpionships t'eve Rondinaro. • At the end of its show, the Bridgemen played a mock footbal~,tame and held up placards that said \"Bye, bye y'all. • One of the most unusual uniforms of that time was the red and white jumpsuit which Shirley Whitcomb designed for the Freelancers' production of The Wiz. • Baskin Robbins introduced a special ice cream flavor called Phantom Regiment Ripple. • The mayor of Birmingham helped get military aircraft flights near Legion Field suspended for finals after noise nearly obliterated performances of numerous corps during prelims. • The 27th Lancers' drum line changed from kilts to long pants for the season. • Superman appeared during th~ Crossmen's closer while the corps played the popular television series thenfe : ong. • A sign reading \"No verbal Amen ue to one point penalty\" was presented end of the Garfiel dets\" sho

• \"Hot\" and \"muggy\" were the words most often expressed about the weather at finals due to a quick rain storm between prelims a d finals. • The 27th Lancers performed on worldwide television at the 1980 Winter Olympic: Games in Lake Placid, NY. • Circling homing pigeons and hundreds of colored balloons caught everyone's attenti0n as the Sky Ryders burst onto the scene in prelims to start its competi- tive rise. • The Blue Devils and Santa Clara Vanguard were featured on a new DCI record- ing called State of the Art, recorded at the famous Concord Pavilion. This was one of the first \"studio-type\" recordings made by two top corps jointly. • Fans loved the \"Bridgemen shuffle\" during the corps' In the Stone production. • Jim Ott's name was spelled out using seats on the back side of Legion Field in memory of the talented and well-known arranger who passed away after a traffic accident earlier in the summer. He had arranged for the Commodores, Blue Devils and Spirit of Atlanta, among others, after starting his drum corps career in the Stockton Commodores. • Rita Moreno, the only entertainer to ever win a Tony (Broadway), an Oscar (movies) and an Emmy (television), hosted the DCI telecast on PBS with Steve ,,- Rondinaro. • Remember that little soprano soloist from the Garfield Cadets who played the \"fake\" solo in Elk's Parade standing on a box? • This was the season that the Santa Clara Vanguard changed a major portion its musical show at mid-season, including replacing Caravan with selections from Evita. This show marked the introduction of the asymmetrical drill design and caused major changes in how marching was judged in future years. The corps missed making the top three for the first time, placing an incredible seventh. • The Blue Stars missed DCI finals for the first time. • After many years of narrowly missing Finals by a few places, the Garfield Cadets finally make it in.

• Following his corps' win, Sa Clara Vanguard Direc r (3ail Royer conducted a final performance of Send In The Clowns during retre . • Were you among the throng trying to reach the sub'lv~ay after the nouncer gave the record-siz~ word that the last train was aving Olympic Stadium in 15 minutes. Madison Scouts featured its entire 62-member hor line on flags, the entire 34-member guard was spinning rifles in a triple 50- file. cus production staged by the Phantom Regiment was ied by a handout (libretto) explaining the show. g the Bridgemen's West Side Story performance at Whitewater, e timing judge's gun went off at the exact moment Tony was shot. sual designer Bobby Hoffman was heard to exclaim in the stands, ow that's GE!\" ing fingersn were featured in a section of the Crossmen's on opener when each lead soprano did the fing,~rings for horn next to him/her. was th_e only Championship since 1 97 4 wh was not televised. Instead DCI pro- duce a four-hour marathon broadcast of DCI Midw t which featured all 12 finalist corps.

l August 17-21 Montreal Quebec, canada McGill University Molson Field (prelims and Class A and All-Girl Champio hips) Olympic Stadium (finals) f)pen Class Finals Blue evils, Concord, CA .............. 95.25 Vanguard, Santa Clara, CA ............ 93.55 Garfield Cade , Garfield, NJ ........ 92.j5 Phantom Regim .t, Rockford, IL .. 9 15 Madison Scouts, Madison WI ........ 9 .75 27th Lancers, Revere, MA ............ 8 .65 Crossmen, Philadelphia, PA .......... 88. 5 Bridgemen, Bayonne, NJ .............. 86.15 Freelancers, Sacramento, CA ....... 85.80 Sky Ryders, Hutchinson, KS .......... 83.10 Cavaliers, Rosemont, IL ................. 81 .95 Spirit of Atlanta, Atlanta, GA ........ 81 .65 Class A champion Dutch Boy, Kitchener-Waterloo, ONT All-Girl champion- Les Chatelaine, Laval, QUE • This year s event marked the ,irst time in DCI history that all 1 twelve finalists scored above the 80-point mark. • The Blue Devils achieved distin tion this year as the only corps ~o go undefeated for the entire summer. • It was freezing in Montreal on fi Is night! • Garfield Cadets• lead soprano, a ap nicknam d GooberU, 11 played the octave part during t pening se ment of Rocky Point Holiday. • Who could forget the Bridgemen' Black Market Juggler? • Then there was the unforgettab rn and drum line step over the prone color guard du g the Cavaliers emotional closer, Softly As I Leave You ~I~ ~ IX'fw' • The 1982 Championship ad the largest audiences in DCI ' history. More than 5 0 attended Class A and All-Girl Champi- onships in McGill 5 dium. More than 39,000 fans filled the concert side of,11'.he beautiful Olympic Stadium. . . 77

• The Bridgemen had another eye-catching drum solo in which the snares played blindfolded! • To celebrate its 35th anniversary, the Cavaliers commissioned an original composition to use as an opener. It was written by alumni Michael Boo and was called Jade. • Sound effects were featured in the Madison Scouts' closer from Cats, including breaking glass in a tub. • Creative use of a double Dutch jump rope was utilized by the 27th Lancers' guard in its Camelot show. • Hug red flags in its closer of The Pines of Rome were a stunning visual addition to the Cavaliers' final production. • The Miami DCI hampionships was the first time an Eastern corp the Garfield Cadets, won. • Chuck Mangione and Patricia Birch, a Broadway choreographer,jot ed Steve Rondinaroforthe DCI Championships telecast. • Suncoast Sound became a, DCI finalist for the first time and is the only corps from Florida to have been a finalist. • A Britisb,.,corps, the agenham Crusaders, was the first foreign corps to compete in the World Champi~nships. Channel 4 ifl England was the first overseas television station to cover the event. August 15-tO Miami, Florida Orange Bowl Open Class Finals Garfield Cadets, Garfield, NJ ........ 94.40 Blue Devils, Concord, CA .............. 93.80 Vanguard, Santa Clara, CA ............ 92.75 Phantom Regiment, Rockford, IL . 91 .45 Madison Scouts, Madison, WI ....... 86.45 Suncoast Sound, Pinellas Park, FL . 86.05 Spirit of Atlanta, Atlanta, GA ........ 83.60 Freelancers, Sacramento, CA ....... 81 .65 Cavaliers, Rosemont, IL ................ 80.55 27th Lancers, Revere,MA ............. 79.65 · Bridgemen, Bayonne, NJ .............. 77.70 Sky Ryders, Hutchinson, KS ........ . 13.15

~-· . ' • The Garfield Cadets repeated as DCI Chcimpion. The corps' 50th anniversary production was ba~;ed on West Side Story and included the first use of the famous \"Z\" pull designed by George Zingali. • From Saratoga Springs, NY, the sixteen :h place finisher at prelims topped the Champion Garfield Cadets in field percussion. • Who will ever forget the Velvet Knighti;' first using th theme from Jaws as a warm-up or the break dancer; during A// Night Long that even included a \"skip in the record.\" • To open its show, the Freelancers yelled \"Live from Sacramento, California ... the Freelancers\". • This was the year that Sun coast Sound \"built\" a Vietnam Veterans Wall in its show. • The trick with the Spirit of Atlanta's Fl1- 7 percussion solo involved the Iii'• snare players using three sticks. Butterfly wings were creatively used during the Blue Devils' drum solo by its color guard. Open Class Garfied Cadets, eld, NJ .... .. Blue Devils, oncoro,~ ....... 97.90 Vanguard, Santa Clara, CA ......... 97.40 Phantom Regiment, Rockford, IL ......................... 95.60 Madison Scouts, Madison, WI .... 94.60 Spirit of Atlanta, Atlanta, GA ..... 93.10 Suncoast Sound, Pinellas Park, FL .................... 92.00 Cavaliers, Rosemont, IL .............. 89. 70 Freelancers, Sacramento, CA ..... 88.80 Crossmen, Philadelphia, PA ....... 86.30 27th Lancers, Revere, MA ....... : .. 85.60 Velvet Knights, Anaheim, CA ...... 83.20 _.,Gass A champion- (' ~ Florida Wave, Miami, FL

• This was Star of Indiana's first year of competition and it placed tenth at DCI. • Remember the Trooper members playing drunk during their square dance drum solo? • The Santa Clara Vanguard went in one end of a tunnel wearing green pants and came out the other end wearing white during the Festive Overture opener. • The Garfield Cadets won an unprecedented third conser utive DCI title. • Unusual pit equipment included a Blue Devils memti5er wearing a gas mask during its drum solo and garden weasels being used to create a spinning metallic sound during the Santa Clara Vanguard's Grover's Corner production. • Red c;}mbals and red exercise balls became a part of the Cavaliers' Planets show. • The Fre~ lancers again presented unusual uniforms that ha~ eversible sections on the front use~ to change c°\\.°~s from yellow to red. The cotps also used larg~,,.~ ite stairstep platforms to i§hlight b>rass players. • The drum corps parade down State Street fea- tured almost 30 corps, including half a dozen top-25 units and a drum corps museum with old uniforms, equipment and nostalgia items. • The DCI in Madison Committee made sure every- one in Madison knew that the Worlct- - Championships were in town. The welcome by th city for the fans and participants was unpr edented. • The total attendance for the entire week of events was the highest in DCI history.

Mlglllt 11-16 Madison Wisconsin University ~f Wisconsin (amp Randall Stadium Open Class Finals :\" Blue Devils, Concord, CA .............. 98.40 Vanguard,· Santa Clara, CA ............ 97 .00 Cavaliers, Rosemont, IL ................. 95. 70 Garfield Cadets, Garfield, NJ ........ 95.60 Suncoast Sound, Pinellas Park, FL . 94.80 Spirit of Atlanta, Atlanta, GA ........ 94.1 0 Madison Scouts, Madiso 1, WI ....... 91.30 Star of Indiana, Blooming on, IN ... 90.50 Sky Ryders, Hutchinson, l(S ........... 87.00 Phantom Regiment, Rockford, IL ... 85.00 Troopers, Casper, WY .................. 83.50 Velvet Knights, Anaheim, CA ......... 82.60 Class A champion- Canadian Knights, Peterborough, ONT Cl A-60 champion- St. Francis Sancians, South Weymouth, MA • The Blue Devils returned to top form with the kind of jazz show that made the corps famous and won another DCI title exactly ten years c3fter its first. 11 11 • Bond ... James Bond was the signature on the Velvet Knights' unique drum major podium. • Do you remember the Sky Ryders \"Munchkin 11 horn line marching on its knees during the Wizard of Oz show? • Star of Indiana started out the sE:aso with giant \"gerbil cages which didn't last Ion , 11 but did sit on the back sidelines until mid- summer. The corps also featured a magicc3lly-appearing star\" formation and , 11 11 those \"Tina Turner wigs on the ~iuard during the Close Encounters of the Third Kind. • It was unlike the Garfield Cadets, but its guard wore yellow raincoats for the closing production of Wonderful Town as it mim- icked three competitors: the Madison Scouts, Spirit of Atlanta and the Troopers. 81

August 1J)Z15 Madison, Wisconsin Un ity of Wisconsin p Randall Stadium Open Class Finals Garfield Cadets, Garfield, NJ ... 97. 90 Vanguard, Santa Clara, CA ....... 97 .80 Cavaliers, Rosemont, IL ............ 94. 70 Blue Devils, Concord, CA ......... 94.40 Phantom Regiment, Rockford, IL ......................... 94.30 Madison Scouts, Madison, WI .. 90.40 Velvet nights, Anaheim, CA ... 90.00 · Star of I diana, Bloom gton, IN ................... 90.00 Suncoa .Sound, Plnella Park, FL ................... 88.80 Spirit of ·. tlanta, Atlanta, GA ... 87 .60 Bluecoa , Canton, OH ............ 85.70 Sky Ryd~rs, Hutchinson, KS ..... 81 .90 Class Ai ampion- Ventur , Kitchener- Waterloo, ONT ass A-, 0 champion- Mand ns~ cramento, CA / . / / • P pe Not~ conducted the massed Class A and A-60 corps members playing the national anthems for the st time. He was a i~. one of a kind! • One of the most stunning visual effects was Garfield Cadets' appearing and disappearing company front as well as the talented dancer from the Alvin Ailey Dance Troupe. • The Santa Clara Vanguard levitated the Snow Maiden at the end of its show, the brass ap1d percussion performers wore Russian fur hats instead of the corps' traditional Aussie ~ats. • A moving dragon formation was first..!:!_sed by the Cavaliers. • The Phantom Regiment debuted its ne;-alr-white uniforms designed by Michael Cesario. --~--- - ----------- ~ I • An American In Paris included a motor car and Eiffel Tower formation for the ~ Madison Scouts production. • The black and white uniforms of the Sky Ryders helped portray a unique and emotional West Side Story show and a very touetf ng ending to Somewhere complete with multi-colored fl Indiana's circus extravaganza included jugglers, 11 11 s, huge stuffed animals and a circus train full of props and color guard equipment.

T~ Madison Scouts celebrated its 50th anniversary season by taking a t¾,o and a half week trip to Europe · __ performing ,it drum corps competitions in West Germany, the Netherlands ancl the United Kingdom -- and then taking its second DCI title. • For its Petrushka show, Spirit of Atlanta costumed its color guard in tye-dyed puppet suits. • Remembers the Velvet nights Greek dance and the bull fight routine that had the victorious bull \"paying his respects\" to the defeated matador? .~, • The Blue Devils appearE!d in black·and grey uniforms and the guard 1 roots released balloons during the opening number to represent the .. ._-change. • Fifteen snare players in red wigs were featured by the Velvet Knights iring its drum solo, while a Pee Wee Herman look-,:ilike rode ~ound the field on his bike. \" • Arrowhead Stadium offered plentiful parking, an extra-wide concourse, a great location for the souve:nir sales area and Kansas City was a wonder- ful city to visit, but very hot. • Then there was the disappearing \"Phantom\" to conclude tHe Santa Clara Vanguarcl S'Show. 1 • The 1988 DCI show was the only time in history that the exact same 12 corps appe:ared in finals from the previ0us year. It was also the second year in a row that an unbeaten corps coming into DCI week failed to win-u=ie title. This ye:ar it was the Blue Devils. In 1987 it was the Santa Clara Van- guard. The Vanguard also finished in the runner-up position for the fourth consecutive year. • Beatrix became the first corps from the Netherlands to compete at the DCI World Championships. • Scores for Quarterfinals and Semifinals were averaged to determine the finalists. Scores for Quarterfinals were not announced. The corps drew for position at finals. 83

Regiment performed Elsa's Processionalwith the Kansas estra during DCI week. . / • Se ull props were used by Suncoast unds' guard during its Florida Suite. • A unique slow motion drill feature was included in the middle of the Cadets of Bergen County's Les Miserables production. • One of Phantom Regiment's drum majors was selected to lead the McDonald's All-American Band at the Macy's Thanksgiving Day Parade in New York City. • Remember those white painted bells on the entire horn line of the Crossmen. • Unbeknownst to Santa rn Vanguard, two members from the United Kingdom had forged identification and passports to meet the age requirement for corps membership. The members were expelled prior to Championships and the corps' participation was unaffected. • The DCI World Championships were broadcast on the Armed Forces Network for the first time: • Famous sportscaster Curt Gowdy co-hosted the DCI World Championships broadcast for the first time. • DCI held the first Showcase of Talent to feature the winners of the lndiviaual and Ensemble Competition. August14-19 ICIIISls City, Missouri Arrowhead Stadium Ope . Finals Vanguard, Santa Jara, C~. 98.80 Phantom Regiment, Rockford, IL .. 98.40 Cavaliers, Rosemont, IL ................. 97.20 Blue Devils, Concord, CA .............. 95.90 Cadets of Bergen County Hackensack, NJ ....................... 95.60 Star of Indiana, Bloomington, IN ...................... 95.30 Madison Scouts, Madison, WI ....... 93.60 Bluecoats Canton, OH .................. 90.30 Suncoast Sound, Pinellas Park, FL ....................... 88.00 Freelancers, Sacramento, CA ....... 87 .30 Velvet Knights, Anaheim, CA ........ 87 .00 Crossmen, West Chester, PA ......... 84.00 Class A champion- Ventures, Kitchener-Waterloo, ONT ClassA-60 Blue Stars, LaCrosse, WI

• The Cadets of Bergen County used a reverse Z pull in its closing drill. __.JI __ _ 11 11 • Fifty huge gold lame' flags formed a half circle around the field as part of the Boston Crusaders' ?0th anniversary show. = al • The Blue Devils turned the entire football field stage into a pinball machine for its Tommy show, 11 11 complete with huge white triangu- lar tarps representfng flippers. • A spoof of the S nta Clara Vanguard's famous bottle dance was included in the Velvet Knights 11 11 Salute to Universal, Studios. • Six corps placed tightly at the top in finals, scoring 94 or higher. • Phantom Regiment produced an organ sound effect during its opener of Saint-Saens' Symphony 11 No. 3. 11 r I • The World Championships Finals drew its' third lar est audience. More than 35,000 attended on Saturday. August 13-18' Buffalo, Hew Y i Rich Stadium Open Class Finals Cadets of Bergen County Hackensack, NJ ..................... 97. 70 Cavaliers, Rosemont, IL ..... , ........... 96.90 Star of Indiana, .ct Bloomington, N .................... 96.50 Blue Devils, Concord, CA .............. 95.30 Phantom Regiment, Rockford, IL ... 95.30 V ard, Santa Clara, CA ............ 94.00 ossmen, West Chester, PA ......... 89.60 Bluecoats, Canton, H ................. 89.20 Madison Scouts, Madison, WI ....... 88. 70 Velvet Knights, Anaheim, CA ......... 87 .30 Spirit of Atlanta, Atlanta, GA ........ 83.40 Dutch Boy Kitchener-Waterloo, ONT ...... 82.20 Class A champion- Ventures, Kitchener-Waterloo, ONT Class A-60 champion- Academie Musicale, Sherbrook, QUE

• DCI produced a patriotic salute for the opening and closing ceremonies on Saturday night, including the first DCI World Championships appearance of the U.S. Marine Drum & Bugle Corps under the direction of Col. Truman Crawford, and a spectacular fireworks display. • An emotional presentation by members of various corps brought the crowd to its feet when 11 Troopers' drum major, Tony Monterastelli, concluded it with, 1 am an American, I am a Trooper.\" • he age-outs of all corps gathered at the front of the field at the Finale on Saturday night. The 11 1 12 Finalist corps played a massed rendition of You II Never Walk Alone\" in tribute to those who were aging out. • The top three positions went to midwestern corps for the first time in DCI history: Star of Indiana, Cavaliers and Phantom Regiment. • Steve Brubaker produced a true state-of-the-art drill for the Cavaliers. • Remember the Spirit of Atlanta's use of the Civil War snares during their \"Glory\" closer? • How about the disappearing and reappearing cross, combined with the huge flags with heavenly scenes, to conclude Star of lndiana s winning 1 performance. I ndiana, Bloomington, IN ................... 97 .00 Cavaliers, Rosemont, IL ....... ~ .. r96.30 Phantom Regiment, Rockford, IL ......................... 95.40 Vanguard, Sanat Clara, CA ....... 94.40 Blue Devils, Concord, CA ......... 93.80 Cadets of Bergen County, Hackensack, NJ ................... 93.70 Madison Scouts, Madison, WI .. 92.00 Crossmen, West Chester, PA .... 89.70 Blue Knights, Denver, CO ......... 87. 70 Freelancers, Sacramento, CA .. 86.40 Bluecoats, Canton, OH ............ 84.40 Sky Ryders, DeSoto, TX ............ 82. 90 \\ \\ Class A champion- Southwind, Montgomery, AL Class A-60 champion- 86 Pioneer, Milwaukee, WI





Welcome Drum Corps Fans! PLAYING MADISON'S BEST VARIETY OF MUSIC Official Station of the D.C.I. Championships 89

HALL OE FAME 1 The DCI Hall of Fame was created seven grams in the early 80 s. In 1983, he began years ago to recognize persons in the drum designing drill full time for bands and corps. corps activity who have devoted their time His concept of designing for clarity of intent, and talents in an effort to help the drum corps understanding and entertainment made an activity as a whole achieve an unequaled impact that remains with the entire activity. standard of excellence. Individuals inducted One of his contributions that is most visible to into the Hall of Fame have not only devoted spectators is his concept of integrating the years of work to a drum corps or DCI, but also guard and percussion sections into the over- went beyond that to ensure the success and all design. Once considered unusual, that growth of the entire activity. concept has now become the norm for the On Saturday, August 15, the DCI Hall of activity. Fame will welcome its newest inductees in a Brubaker has always been keenly aware of ceremony during the Championships Finals. what appeals to the audience and has devel- The 1992 inductees are Steve Brubaker, oped his programs to capture the crowd's George Oliviero and Don Whiteley. emotions and provide the highest quality of Steve Brubaker is best known for his talent entertainment. in drill design. Brubaker's designs and staging Despite a battle with cancer in the past concepts have propelled a number of corps year, Brubaker's devotion to the activity into the elite of the activity. Through the continues and can be seen in the Cavaliers' years, he has worked with the Cavaliers, Star and Sky Ryders' shows this season. of Indiana, Bluecoats, Sky Ryders, Dutch Boy People rarely know much about the and Florida Wave to expand visual musicality. people who judge DCI competitions. Be- He has also worked extensively in the high cause of the nature of competition, it is school band arena and has designed the drill impossible to make everyone happy, so 1 for the 1990 and 91 Bands of America cham- judges are not the most favored among the pion, Plymouth (Ml) Centennial High School. fans. Despite this, there are a number of Brubaker began his drum corps career in dedicated judges who give their time so that 1977 in his hometown of Reading, PA, as a the corps members are judged fairly and learn member of the Reading Buccaneers rifle line. something from their experience. A leader in A job transfer in 1978 brought him to Chicago this area for many, many years has been where he began working with the Cavalier George Oliviero. Oliviero came through the Cadets. His work caught the attention of the ranks as a member of several corps including 11 Cavaliers staff and later in the year he became his hometown group The Statesmen (Everett, a color guard instructor for the Cavaliers and MA), The Cambridge (MA) Caballeros, and St. took on both winter and summer guard pro- Kevin s Emerald Knights (Dorchester, MA). He 1 90

went on to instruct the Boston Crusaders, 27th constant care and support, which included Lancers and a host of bands and ~iuards. He traveling to the shows and even selling tickets at became a visual judge for DCI in 197 4 and the events, eased some of their fears and a cross judged his first DCI World Championships in 1975. country-tour developed. In 1992 he will judge his 17th DCI World Champi- Whiteley used his media experience to de- onships. velop the promotional material which DCI He has worked within the judging community needed in order to generate media interest and to develop the best training possible for the credibility. He was the driving force in the cre- visual captions. Oliviero has gone beyond the ation of feature video presentations such as \"On call of duty in advancing judging t,~chniques and the Starting Line,'' which were widely used to training. He served as the DCI Visu:1I Caption promote the activity on a local and national Chairman for eight years and was i:1 member of level. Whiteley actively sought media sponsor- the DCI Task Forces on Competition, Education ships for the drum corps activity and was and Judging. Always interested in teaching responsible, in part, for the formation of Spirit of others, he helped develop judging and teaching Atlanta. manuals and has been a leader in the design, Though Whiteley left the drum corps activity experimentation and implementation of judging after a few years, his foresight and the founda- systems. Oliviero presently holds the position of tion he laid still help the activity grow today. Director of Education for DCI. His duties include Hall of Fame Member Ralph Pace described maintaining the manuals on visuals philosophy the motivation behind the incredible dedication and helping train new judges in the coming of time, talent and energy which is evident in season. each of the Hall of Fame members. \"One of the Recently, Oliviero worked with Phil Burton to greatest acknowledgments of any success in create a videotape for DCI entitled \"Expressive drum corps is not the winning of contests, for Movement\" which will serve as a key element in that is but a moment in time. The true joy is in enhancing the understanding of movement for observing the total awareness of the kids when judges, members and instructors. they finally realize, with a gleam in their face and In the early days of DCI, there was no such tears in their eyes, that they succeeded in satisfy- thing as a DCI tour of 60 shows, media coverage ing and even exceeding their own beliefs.\" And was virtually non-existent and the activity was now we thank every Hall of Fame member for just beginning to explore how to publicize its using their particular talents to provide the events. Don Whiteley came to DC.I from KBTV-TV leadership, support and undying dedication to in Denver and, from 1974 through 1981, laid the the kids and the drum corps activity which they foundation of the promotion department. have all so selflessly given. Countless hours, including weekends and The DCI Hall of Fame proudly welcomes these evenings, were spent developing the tour and a outstanding individuals who have contributed so promotion program that has brought DCI to much to the activity. They join other members where it is today. Whiteley played a large part in who include Donald Angelica, Bernard Baggs, DCl's success but did much of his work behind Roman Blenski, George Bonfiglio, Robert Briske, the scenes, using his expertise in media and Joe Colla, Truman Crawford, Robert Currie, Den- promotions to make it happen. nis Delucia, Wayne Downey, Peter Emmons, When Whiteley started, DCI had only 12 Rodney Goodhart, James Jones, Earl Joyce, Aram shows. He had a vision of a summer-long tour Kazazian, David Kampschroer, Ken Kobold, and set about creating it. _He cajoled show Richard Maass, Hugh Mahon, Pepe Notaro, Jack promoters across the country to work with DCI Meehan, Ralph Pace, Donald Pesceone, Mary and a group of drum corps to stage events in Pesceone, Gail Royer, Fred Sanford,. Jim Unrath, their communities. Skepticism abounded, but Don Warren, and George Zingali. 91

The DCI Expo is the place to be during breaks in The Expo is located in the Camp Randall Field the drum corps action. In Camp Randall Field House, House and the adjacent parking lot# 19 just around browse through colorful displays of drum corps the corner from the main entrance to the stadium. merchandise and see the latest in drum corps and These areas are accessible with a ticket directly marching music accessories. Stop by the corps' from Monroe or Regent Street, from the upper booths located in the parking lot adjacent to the deck of the stadium by using the walkway along field house (along Breese Terrace) to buy a T-shirt or Breese Terrace, orfrom the lower deck byfollowing two from your favorite corps. The corps have sou- the aisle between sections A and B to the bottom venir items to suit any taste from wild 'n crazy to high and proceeding up section Z into the field house. fashion. You'll be able to get caps, patches, key chains, pins, flags, and even locker bags. If you want to take a corps home with you, we've Expo '92 Hours got the next best thing. Stop by the DCI, 800 Video Express or Jolesch Photography booths where you Monday can purchase audio recordings, videotapes or 9:00 a.m. - 6:30 p.m. photographs. While you're at the DCI Booth, don't forget to see the specially commissioned 20th anni- Tuesday versary commemorative posters, prints and 8:00 a.m. - 2:00 p.m. postcards. Artist John LaMacchia will be on hand throughout the championships to autograph these Wednesday works. 1 1 :00 a.m. - 5:00 p.m. While you're wandering through the field house, Thursday check out the latest in marching music technology. Pearl, Yamaha and Remo are just a couple of the 1 1 :00 a.m. - 1 1 :00 p.m. representatives from the music industry that will Friday have displays. 3:00 p.m. - 12:00 a.m. Hungry and weary fans can find relief in the field house as well. The field house offers a variety of Saturday refreshments that will energize you for watching a 3:00 p.m. - 12:00 a.m. few more performances. Grab your soda and hot dog, and relax before taking a stroll through the \"drum corps mall. 11 92

E X H I B I T 0 R s 800 Video Express ................. 49/50/51/52 Pearl Corporation ............................ 01 /02 Berklee College of Music ....................... 03 Premier Percussion ........................... 17 /18 Charles Colin Publications ..................... 29 Remo Inc ........................................... 31/32 DEG Dynasty Bugle Corp .............. 04/05/06 Starting Line ........................................... 13 Drum Corps World ................................. 46 The Band Mans Company ...................... 16 Humes & Berg Mfg. Co., Inc ................... 12 There's Only Music Stuff ........................ 11 Jolesch Photography ............. 21 /22/27 /28 Warburton Music Products .................... 19 Kanstul Musical Instruments ............. 33/48 Winter Guard International ................... 35 Ludwig Industries ........................ 36/37/38 Yamaha Corporation of America ........... 4 7 Metro Jackson Convention and FIELD HOUSE FRC)M Visitors Bureau ................................. 14/15 • • REGE~T STREEjT • • • -....__ I 52 I 51 I so I 49 I .. ...- • • OVERY W 41 42 43 44 45 46 47 48 40 39 38 37 36 35 34 33 25 26 27 28 29 30 31 32 24 23 22 21 20 19 18 17 09 10 11 12 13 14 15 16 08 07 06 05 04 03 02 01 ------- To Refresh- To Corps • • ments & Souvenir • • • • • • • • • • : Lower Deck Area 8: Upper : Seating Deck Seating • 93 • • •

YW 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 lowellMA lowell MA low~l MA ~lentown, ~A ~lentown ~A ~lentown ~A ~lentown, ~A ~lentown ~A 1 1 1 1 1 1 DCI ~150 ~rn ~5~ ~JO ~JO ~m ~m ~JO WT Van~~rd Mucracno) rnlancer) ~ri~enln ~I~ De~!) ~I~ De~!) rnlancm rnlancm ~an@ (lara (A ~w~orn ~ ~e~re,MA ~arome1 ~ (aicord (A (aicord (A ~e~re MA ~e~re,MA 1 1 1 1 1 1 1 1 1 1 1 DCI Wnitewarer WI Wnitewarer WI W~tewarer WI Wnitewarer, WI Wnitewarer WI Wnitewarer WI Wnitewarer, WI Wnitewarer WI M.00 ~.~~ ~.40 ~.1~ ~B) ~.90 ~~.9) ~.90 i MIDWEST ~C0U5 ~COU5 ~I~ De~!) ~nantom ~e~. ~nantom ~e~. ~nantom ~e~. ~1tnlancm ~C0U5 Madi)On WI Madi)on, WI (aicord, (A ~ocKlord ll ~oc~ord, ll ~ocKlord ll ~e~re MA Madi)On, WI 1 1 1 1 ~ 1 1 DCI ~milon Ont ~milon, Ont ~milon Ont ~.oO ~1.00 91,0~ CANADA ~nantom ~e~. ~I~ De~I~ Van~~rd ~ocKlord, ll (aicord,(A ~an@ Oara(A 1 1 ; DCI ~irmi~nam Al 11.90 SOUTH rnlancm ~e~re,MA 1 1 ., DRUMS Denver(0 Denver, (0 Denver (0 ~.40 ~.~~ 1m AlONGTH( ~pi~t ol Atlanta ~I~ De~I) ~nantom ~e~. l ROC~~ Atlanta GA (aicord (A ~0CKlord, ll 1 1 , i YEAR 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 DCI Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA Allentown, PA 80.50 76.30 88.00 95.50 93.70 94.20 93.70 93.80 93.00 90.9 EAST Garfield Cadets Garfield Cadets Garfield Cadets Vanguard Blue De~ls Vanguard Blue De~ls Vanguard Cadets of ~~en(zy. Cavaliers Garfield, NJ Garfield, NJ Garfield, NJ Santa Clara, CA Caicord, CA Santa Clara, CA Caicord, CA Santa, Clara, CA Hackensack, NJ Rosemont, L DCI Whitewater, WI Whitewater, WI Whitewater, WI Whitewater, WI Whitewater, WI St. Louis, MO Whitewater, WI Whitewater, WI Whitewater, WI 91.15 86.10 95.20 89.20 94.40 94.80 91.90 93.00 89.40 MIDWEST Blue De~ls Garfield Cadets Vanguard Scou1s Blue De~ls Vanguard Blue De~ls Vanguard Cavaliers I Caicord, CA Garfield, NJ Santa Clara, CA Madison, WI Caicord, CA Santa Clara, CA Caicord,CA Santa Clara, CA Rosemont, L DCI Hamilton, Ont Hamiton, Ont Hamiton, Ont Hamilton, Ont Hamiton, Ont Hamilton, Ont Hamiton, Ont Hamiton, Ont Hamiton, Ont Hamilton, Ont 94.65 81.20 86.30 94.80 88.50 90.70 88.30 91.60 90.60 91.50 ,.,_ CANADA Vanguard Garfield Cadets Phantom Reg. Blue De~ls Spint of Atlanta Garfield Cadets Star of lndana Vanguard Blue De~ls Star of Ind an a Santa Clara, CA Garfield, NJ Rockford, IL Caicord,CA Atlanta, GA & Prantom Reg. Bloomireton, IN Santa Clara, CA Caicord,CA Bloomi~ton, IN ', DCI Atlanta, GA Atlanta, GA Birmi~ham, AL Birmi~ham, AL Birmi~ham, AL Birmi~ham, AL Birmi~ham, AL Birmi~ham, AL 87.40 87.90 92.30 92.30 92.20 93.70 91.40 93.9 SOUTH Blue De~ls Garfield Cadets Vanguard Blue De~ls Vanguard Phantom Reg. Vanguard Cavaliers Caicord, CA Garfield, NJ Santa Clara, CA Caicord,CA Santa Clara, CA ~oc~or&loie1 M, l Santa Clara, CA Rosemont, L DCI Bloomi~ton, IN Bloomi~ton, IN Bloomi~ton, IN j MID· 89.50 92.50 93.5 Star of Ind an a Star of lndana Star of lndana AMERICA Bloomi~ton, IN Bloomi~ton, IN Bloomi~ton, IN --= DRUMS Denver, CO Denver, CO Denver,CO Denver, CO Denver, CO Bou~er, CO Denver, CO Denver, CO Denver, CO Denver,CO 84.00 72.10 91 .90 91.20 94.40 91 .00 89.00 90.20 85.70 84.10 ALONG THE Blue De~ls Blue De~ls Vanguard Vanguard Blue De~ls Vanguard Blue De~ls Vanguard Blue De~ls Vanguard Caicord, CA Caicord, CA Santa Clara, CA Santa Clara, CA Caicord, CA Santa Clara, CA Caicord, CA Santa Clara, CA Caicord,CA Santa Clara, CA ROCKIES PREVIEW Madison, WI 89.8 OF Star of lndana CHAMPIONS Bloomi~ton, IN 94 \"\"....J \\

More Tha:n A Judgement Call Sounds simple enough. Evaluate the per- Six judges - three for ensemble and three on You won't see Sparkey Anderson discussing formances and rank the corps accordingly. The general effect - are sequestered in the press box balls and strikes with umpires after a ballgame, and best team always wins, right? where they view each corps and assign a score heaven forbid Mike Ditka huddle with the refs to It depends on who you ask. based on specific subcaptions. ponder illegal motion. There's probably as much debate over the The general effect brass judge, for example, Yet, as corps assemble at the end of a perfor- best corps as there are corps. examines the effects of design, repertoire, show- mance to hear their scores, judges and instructors And it's up to a panel of nine judges to not manship and coordination. His counterpart congregate in the back bleachers - explaining, only choose a winner, but put each of the units judging ensemble brass evaluates tone quality arguing and advising. Improving a corps' perfor- in their proper place and be certain there are the and intonation, musicianship, balance and tim- mance is the goal, which directly benefits spectators right amount of points separating them. ing of the horn line as a unit. Meanwhile, on the through more polished products as the season Even the Drum Corps International judges field , a brass judge is progresses. manual notes that a judge's task takes the examining individual Before the cri- subjective case. performers on their tique begins , ''The matter of judges and judging has long level of excellence in instructors review been the most controversial and contentious tone quality, intona- cassette tapes aspect of the competitive drum and bugle corps tion , musicianship made by each activity. By its very nature, any system that and playing tech- judge while a corps requires judgment calls from one or more people, nique. performs. They be it in a competitive arena such as ours, a legal To guide a judge review the ruling by a court or magistrate, a newspaper to make an accurate scoresheets that criticism of a stage performance or any other assessment of a per- include written such opinion, disagreement with the outcome formance , the comments and a is inevitable.\" subcaptions have breakdown of each What the audience hears announced is the subcaptions, very of the subcaptions. final score, the cumulative assimilation of points similar to viewing Then they talk. from the judges who passed stringent admis- individual cells under judges expand sion standards and survived rigorous training a microscope. on their taped and programs before being issued credentials. It's The field brass written comments, their penance for the best seats in the house. judge, for example, instructors explain Do you know what simultaneity is? How reviews phrasing, their shows. Those about timbre? It's OK if you don't, but any judge expression, style, idiomatic interpretation, com- discussions guide corps through their competitive worth his clipboard had better know. More munication and involvement in determining his season. about that later. musicianship score. All that for 10 points. \"judging in the DCI arena is unique. DCI judges judges use a criteria-referenced system that, When he reviews the technique of individual are extremely close to the units they adjudicate. in theory, means the score a corps receives is performers, he's checking uniformity of enuncia- They share in the units' growth and take on the based on its performance in that caption on that tion, rhythmic interpretation and technical responsibility of giving them ideas for improve- night, preventing an individual judge from de- accuracy. ment. Sometimes they talk directly to the ciding the outcome of a contest. The visual and percussion judges do the performers and try to help them understand what Enter the human element. It's that part same for their categories. is being asked of them. Unlike athletic referees or about \"if correctly assigned ... \" that brings about Translated, the corps with the most polished umpires, unlike judges at the Olympics, DCI judges the debate , and makes the ultimate and coordinated product can be found at or near are not isolated from the competitors they grade. decision ... well , pardon the pun ... a judgment the top of the heap. This aspect requires all DCI judges to examine, in a call. ''The scoring system is designed so that the most careful manner, the reasons for their partici- The three captions - brass, percussion and total of the numbers of all the subcaptions of all pation in this activity. \" visual - are evaluated from three levels - field , the sheets will, if correctly assigned in each So, there you have it. Grab a pencil and judge ensemble and general effect. subcaption, accurately determine the ranking a corps. You've got 100 points to play with. The system is designed to ensure that corps' and rating of each unit.\" Oh, wait, almost skipped over that bit about performances dictate placements at shows. Still, to plagiarize Yogi Berra: It ain't over 'til simultaneity and timbre. Timbre is the quality of a But, a look at the scoresheets reveals the it's over. sound from a musical instrument that distinguishes importance of each minute element of a perfor- In drum corps it's over after judges meet with it from other sounds of the same pitch and volume. mance, and the difficult chore judges face each instructors to discuss performa ces. Simultaneity is various coordinated actions hap- night. Drum corps is the only system in modern pening at the same time. But don't worry about Three judges are stationed near the field to sports that melds performers through their in- that, there are nine judges well versed to handle examine individual performers in brass, percus- structional staffs, with their adjudicators. The the job or they wouldn't be judging. sion and visual presentation. goal is a better understanding of each's role o Enjoy the show. the field. 95

Visit our booth at the DC/ Expo in the UW Fieldhouse Wednesday through Saturday Special price subscriptions $7.00 off regular rate: $35.00 (U.S. second class); $43.00 (Canada second class); $41.00 (overseas second class); $53.00 (U.S. and Canada first class); $73.00 (Europe air mail); $111.00 (all other countries air mail). Prices good until 1011192. DRUM CORPS WORLD• P.O. Box 8052 • MADISON, WI 53708-8052 • PHONE 608-241-2292 • FAX 608-241-4974

THE BEST ,/ ,../ ···'./ ;:est Soups :' ,I :est Breads Jump on the : ' Best Crepes Best Lunch Best Quiche Metro Bandwagon Best Coffee Best Bakery Best Dessert Best Croissant to this year's DCI Best Breakfast Best Omelettes Best Cheesecakes in Madison. . , , . :- . ,,. , ,, , . •: ::, . , . , ', .. , .. . . . : . DOWNTOWN SHOREWOOD 257-7000 233-7701 MONROE STREET CAMELOT SQUARE 251-2119 241-7779 G,--- G Rfftl f OOD. Which would you rather listen to: a car horn msTORIC ftlt\\OSDtifRt or a corps horn? Undoubtedly the latter, but if you're searching for parking near Madison's Camp Randall Stadium, you may hear quite a few car JOln US ftl (Rft n Dft ll'S. beeps and blares. That's because parking around Camp Randall JaiMiiiiiiii ships, is scarce and expensive. Just trying to find a Stadium, site of the 1992 DCI World Champion- parking spot in the residential neighborhood near ~------ .. ,.,,.. Camp Randall Stadium can get you lost in a hurry. A longtime favorite of Madisonians, Crandall's Restaurant and Hiawatha Jump on the Metro Bandwagon to this year's Club is known for consistently fine food with a menu of wonderful chef- DCI World Championships, and avoid all the traffic prepared entrees, homemade soups, fresh fish and its legendary fish fry. and parking hassles. The Metro Bandwagon will be making special shuttle runs from East Towne and Located in the newly renovated historic Madison Depot, Crandall's is West Towne parking lots to Camp Randall Stadium. the closest full service restaurant in the area, just 5 blocks from UW-Camp Many of Metro's regular bus routes will all.so take Randall Stadium. you to the Camp Randall Stadium. The 1940 vintage decor makes Crandall's a truly unique dining experi- ence. It's a great family spot with children's and early dinner light menus. For route and schedule information, get on the horn and call Metro's Transit Information Center Reservations are accepted at (608) 255-6070. Free parking. at 608-2(,6-4466. Madison Metro That's the Hay to Go! R E S TA L ' HA F' T 640 West Washington Ave. At The Madison Depot Next to the Big Yellow Train 97

A TYPICAL DAY FOR A CORPS MEMBER 8:00 a.m. Shower, Breakfast 9:00 Sectional Rehearsal (brass, percussion and guard rehearse separately) Listen to judges' critique tapes from the previous night 12:00 p.m. Lunch 1 :00 Rehearse with the full corps 4:30 Full show run-throughs 5:00 Dinner, shower, pack up gear, load buses, shine shoes and instruments, dress for show. Home is where you make it. And for corps members, 7:00 Warm-up for show this means a sleeping bag amid piles of luggage and 8:00 Bus to show other assorted equipment on a gymnasium floor. 8:30 Perform, relax, eat snack, finale 11 :00 Show ends, load buses and travel to next city 4:00 a.m. Arrive at school, unload buses, sleep PERFORMANCE AND REHEARSAL A corps' 128 marching members will each spend 600 hours in rehearsal for an incredible 76,800 total cumulative hours for the 10.5 minute (average) performance. The entire corps spends slightly more than 55 hours rehearsing each minute of the show. The average corps performs approximately 40 times during the season for a total of seven hours of actual performance time. DCI member corps per.form for a total live audience in excess of 350,000 and a television audience estimated A few moments of rehearsal can be squeezed at more than 5.5 million. in almost anywhere and anytime. FINE DINING Most corps travel with a cooking staff of six and a semi-trailer converted into a self-contained kitchen, complete with stove, oven, refrigerator and walk-in freezer. One corps' records showed that 48,500 meals were served to its members and staff in 1991 . Most corps provided three meals and two snacks per day. The average cost per day to feed each person was $5.73. A corps travels on its stomach. Statistics provided by one corps show it consumed the following items during one year: Cereal 990 boxes Hamburgers 4,500 Hot dogs/corn dogs 6,800 The common bear gets Bologna Sandwiches 8, 160 Pizza 4,2.60 pieces transformed when he hits the Bread 2.5 loaves per day road with a corps. Milk 92.0 gallons Kool-Aid 7,760 gallons Soda pop 13,800 cans Coffee 5,600 cups Paper products make up a substantial portion of the food budget. On average, each corps uses the following: Paper cups 42.,000 Paper plates 2.0,2.89 Bowls 13,589 Plastic dinnerware 43,438 Performers must look their best and that Napkins 44,333 includes polishing instruments and shoes in 98 the few spare minutes over dinner hour.


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