TPEFW-SS22-official-manual

FOREWORD 文化部 部長 李永得 Lee Yung-te Minister of Culture 2 TAIPEI FASHION WEEK SS22

FOREWORD 序言 FOREWORD 逆境中迎向絢麗彩虹 Facing a Magnificent Rainbow in Adversity 疫情改變了全世界的生活模式，加速了各個領域虛實整合、 線上化的進程，在疫情帶來的高度不確定性當中，如何透過 The pandemic has changed the lifestyle of people around 數位科技的力量，達成虛擬與實體的整合，打造同時具有展 the world, accelerating the integration of the virtual and 演、交流，甚至貿易的平台機制，已然成為當今世界重要的 the physical in various fields. Amidst the uncertainty 課題之一。 brought about by the pandemic, the integration of virtual and physical worlds through the power of digital 在臺灣全體人民的努力之下，世界看見臺灣的防疫成效，今 technology in order to create a platform for exhibition, 年三月舉辦的 AW21 更成為全球首先舉辦實體走秀的時裝 communication, and commerce, has become one of the 週。不過這還不夠，為了讓全世界的時尚領域看見臺灣時裝 most important issues today. 產業，今年「2021 臺北時裝週 SS22」的開幕採取全新的走 Thanks to the efforts of the people of Taiwan, the world 秀方式，利用低延遲的 5G 技術，傳輸多媒體影像、科技音 witnessed the effectiveness of Taiwan's pandemic 樂與視覺特效，在双融域 AMBI SPACE ONE （台北 101 五 prevention. AW21 held in March of this year was one 樓）和松山文創園區四號倉庫兩地，進行沉浸式的「異地共 of the few fashion weeks to host physical catwalks. 演」服裝大秀，展現出臺灣跨域、科技與藝術整合的實力。 To enhance the visibility of Taiwan's fashion industry on a global scale, Taipei Fashion Week SS22 will open 本次時裝週也透過臺灣時裝史主題策展，將帶領大家穿越時 with a new form of fashion show, using low-latency 空，透過故事場景重現、時裝展示和專欄等，重溫紡織產業 5G technology to transmit multimedia images, audio 盛行的 50 年代到百花爭鳴的現代，讓大家更了解臺灣時裝產 and visual effects to host an immersive fashion show 業史，以及背後的臺灣文化性格及美學脈絡。 simultaneously at two separate locations: AMBI SPACE ONE (TAIPEI 101 5F) and Songshan Cultural and Creative 此外，在培育新秀方面，今年「時裝設計新人獎」的報名人 Park Warehouse No. 4, demonstrating Taiwan's strength 數，由去年的 354 人到今年的 445 人，共增加了 91 人。由 in the integration of technology and art. 此可見，儘管臺灣上半年的疫情升溫，但仍不影響新秀對於 As par t of Taipei Fashion Week SS22, the special 臺灣時裝週的重視，代表時裝設計新人獎及臺北時裝週對於 exhibition“Fashion of Our Time”will lead the audience 新秀而言，已經成為一個能夠證明實力的舞台，其榮耀更視 through time and space, spanning from the 1950s, which 為一種肯定。 was the golden age of the textile industry, to the modern era. Through the reproduction of historic scenes, fashion 最後，我要特別感謝所有參與其中的藝術家、設計師與從業 displays, and descriptive columns, viewers may better 人員，因為大家的堅持與努力，讓臺北時裝週能夠有足夠的 understand the history of the Taiwanese fashion industry, 能量持續往前 ; 我也要感謝所有參與其中的公私部門，因為大 as well as its cultural and aesthetic contexts. 家的共同投入，臺灣時裝產業才有足夠的資源，在疫情之中 In addition, in terms of cultivating new talents, the 勇往直前。我們一起繼續努力，也邀請您一同參與，讓臺灣 number of applicants for this year's \"Taiwan Fashion 成為亞洲時尚樞紐。 Design Award”has seen an increase of 91 people. It is evident that despite the impact of the pandemic during the first half of 2021, it did not deter new designers from participating in Taipei Fashion Week, which demonstrates that Taipei Fashion Week and Taiwan Fashion Design Award have become important stages for rising stars to prove their talent, and winning an award is seen as an affirmation. Finally, I would like to thank all the artists, designers and practitioners who participated in this event. It is their perseverance and hard work that give Taipei Fashion Week the momentum to move forward. I also want to thank all public and private sectors for participating, providing enough resources for Taiwan's fashion industry to progress courageously during the pandemic. We will continue to work together to make Taiwan the fashion hub of Asia. 3

FOREWORD 計畫主持人 劉震紳 CM LIU 與病毒共存的時尚新常態 The New Normal of Fashion that Coexists with the Virus 習慣於團隊工作的我們在今年歷經了一個最孤獨的夏天，我 We, who are accustomed to teamwork, have 們無法見到彼此、街道上空無一人，和朋友吃飯變成奢侈的 experienced the loneliest summer this year. We couldn't 願望，但臺北時裝週的籌備工作容不得片刻休息，團隊的進 see each other, the streets are empty, and dining with 度會議仍然每週進行，我們在視訊中看著彼此的素顏便服更 friends has become an unattainable wish, but the 見到彼此的家，我們一刻不敢停歇只希望臺北時裝週的發展 preparations for Taipei Fashion Week did not allow for 腳步不要因此中斷，反而要更積極努力去戰勝疫情，去與病 a moment's rest. Team meetings are still ongoing every 毒共存。 week, as we look at each other's makeup free faces at home during video conferences. However, we only 每季的時裝週，我們總是在思考能夠再突破以往甚麼，而在 hope that the preparation work for Taipei Fashion Week 這季的時裝週，我們將臺北時裝週的五大主張：「永續、機 would not be interrupted by this pandemic. Instead, 能、多元、跨界、人文」再做延伸，我們在這季的開幕大秀 we must work harder to overcome the pandemic and 「跨越：時尚與藝術匯流」以及「交匯：音樂與時尚饗宴」 coexist with the virus. 中，加入了藝術、科技、多媒體影像、音樂、跨場地的演出， Every season, we are always thinking about what 希望透過這些跨領域的合作打造一場前所未有的時裝秀，創 breakthrough we can achieve in the fashion week. 造一種全新的時裝展演語言，讓時尚不再單打獨鬥，而是跨 In this season, we further extended the five major 產業合作共榮，並且展現臺灣獨有的優勢。而臺灣時裝史主 propositions of Taipei Fashion Week: \"sustainability, 題策展更是臺灣第一次將 60 年代之後臺灣設計師發展的歷 function, diversity, crossover , and humanities\". We 史與服裝做出呈現，我們將一同走入時裝隧道，去找尋屬於 added cross-venue performance that incorporates art, 臺灣人的時尚記憶。 technology, multimedia video and music to the opening show of this season, CrossLab:Dialogue between Art 時尚是一個團隊合作，伸展台上我們總是將掌聲獻給設計 and Fashion and \"CrossHub:Intersection between Music 師，但其實一場秀的完成背後是無數人才的通力合作，布料 & Fashion\". It is intended to create an unprecedented 研發、打樣師、打版師、裁縫、燈光、音控、視訊、彩妝、 fashion show with brand new fashion statement 髮型、模特兒、後台 dresser、前台公關接待等等，這名單 through the crossover cooperation so that fashion can 寫起來可能不亞於漫威電影的片尾。 co-prosper with other industries and in the meantime demonstrate Taiwan's unique advantages. 請把掌聲給予這次參與臺北時裝週的所有設計師、團隊與執 The Exhibition of Taiwan Fashion History is the first 行工作者，這真的是一件不容易的事情！ exhibition in Taiwan that presents the development and design works of Taiwanese designers after the 1960s. Together, we will walk into the time tunnel to find the fashion memories belonging to Taiwanese people. Fashion is a teamwork. We always dedicate our applause to the designers on the runway, but in fact, behind a successful fashion show is the cooperation of countless talents, such as fabric researchers and developers, patternmakers, tailors, lighting technicians audio and video technicians, makeup artists, hair stylists, models, backstage dresser, front desk PR receptionists, etc., this list may be as long as the closing credits of Marvel movies. Please give a round of applause for all the design Thisers, teams and staff members participating in Taipei Fashion Week this season. is really not an easy task! 4 TAIPEI FASHION WEEK SS22

CURATORIAL TEAM 協同計畫主持人 溫筱鴻 STEPHANIE WEN 吳世家 CHIA WU 時尚 CEO，是專業經理人、時尚生活達人、節目 吳世家博士，現任香港中文大學新聞暨傳播學院 製作人、主持人，致力於時尚產業及文創產業推 企業傳播研究所副主任、《向時尚品牌學風格行 廣。現任國際時尚藝術文化協會理事長、永樂 T 銷》作者、「風格行銷」網站主持人與製作人。 Fashion 時尚基地執行長、財團法人當代藝術基 擅長時尚品牌及跨產業策略、新媒體使用行為與 金會董事。曾任 Carnival 嘉裕大中華區副總經理 數位傳播以及文化創意策劃與研究。曾任 2019 暨發言人、Armani 品牌總經理、上海凱納爾國 臺 北 時 裝 週「 國 際 時 尚 高 峰 論 壇 」、2016 － 際公司董事長，中時集團總裁特助、愛女生社長、 2021 香港中文大學「企業社會責任論壇」計畫 樂時尚總編輯，《VOGUE》、《ELLE》 等國際 主持人、臺北三創園區品牌中心副總經理、臺灣 時尚雜誌高階經理人及「臺灣當潮 : 時尚設計展」 香奈兒公司傳媒總經理、P&G 寶僑家品大中華 策展人。 區 SKII/MaxFactor 對外事務協理等。 杜祖業 BLUES TO 林昱光 REZ LIN 康泰納仕臺灣的編輯顧問，喜歡舞文弄墨，對美 康泰納仕臺灣 CNX Taiwan 整合總監，負責品牌 麗人事地物有無可救藥的迷戀。在《GQ》工作 客戶的整合行銷策略服務。曾任遠傳電信策略行 近 20 年，提出「用風格改變臺灣」做為核心精 銷副理、《GQ》Taiwan 品牌行銷副總監與臺灣 神。每年的 Men of the Year 已成為業界的指標 新創 FunNow 全球行銷副總監，專長為品牌全 活動，目前同時身兼臺鐵美學小組委員、中華民 媒體策略規劃，具有多年品牌、內容、社群、數 國室內設計協會評審顧問、文化部臺北時裝週諮 位與體驗行銷的整合經驗。在電信業服務期間負 詢會委員。 責數位內容平台計畫，推出臺灣第一個移動串流 影音服務，並負責 Apple iPhone 的臺灣上市行 銷。 5

CONVENER OF THE JURY 評審團召集人 李連權 Lee Lien-Chuan 文化部次長 Deputy Minister of Culture 記得 2017 年剛開始推動時尚跨界整合，初次向陳季敏老師 When I just started promoting an interdisciplinary 請益，老師見面第一句話就直接對我說：「我最怕半桶水進 approach to fashion in 2017, I went to Ms. Jamei Chen for 來攪和」。確實，我只是抱持著凡事多學習、多傾聽、多請 advice, and she told me blatantly in the meeting: \"I am 益，也多倚重專業，並受過經濟學訓練與從事文化工作多年， most concerned about amateurs who want to stick their 還有些許生活美學經驗，我希望能持續推動著臺北時裝週與 noses into our business.” That being said, I insisted on 臺灣設計品牌時尚產業前行。 learning more, listening carefully, asking for more advice, and relying more heavily on actual professionals. I have 在全球時尚產業中，時裝週的存在如此重要，各大城市不僅 been trained in economics and have been engaged in 是為了在商業目的上獲得矚目與迴響，時裝本身更是忠實反 cultural work for many years. I also have some experience 映不同年代社會趨勢和歷史脈絡的珍貴紀錄。雖然近兩年全 in creating aesthetic experiences. I therefore hope to 球時尚產業受到疫情肆虐，但疫情不會總是捆綁、挾制住時 continue promoting Taipei Fashion Week and support the 尚產業前進的腳步，有句智慧的諺語是這樣說：「資源有限， local fashion industry and our designer brands moving 創意無窮」，就像在惡劣氣候下為了生存而進化變異的花朵， forward. 在全球因為疫情而迎來更多前所未有的新挑戰，但是卻也因 Considering the global fashion industry, the existence of 為這些挑戰而越挫越勇，以嶄新的思維和方式掙脫舊束縛。 fashion week is crucial. It not only helps major cities gain commercial attention and cultural prestige, but fashion 在去年 10 月乃至今年 3 月全球疫情極度嚴重之際，臺灣因 itself is a precious record that faithfully reflects social 為舉辦了全球少數實體走秀的時裝週，讓世界看見了臺灣， trends and historical contexts of different eras. Although 我們多元豐沛的時尚能量讓國際耳目一新，我深信我們絕對 the global fashion industry has been disrupted by the 可以努力佔有一席之地。據調查，臺灣整體時尚市場零售總 pandemic in the past two years, the pandemic will not hold 額約為新臺幣 6,000 億元，臺灣設計品牌時尚產業營業額卻 back the progress of the fashion industry forever. There 不足其中 1/10，要學習、傾聽、請益也倚重的路途還很長。 is a wise proverb that goes: \"Resources may be limited, 我們得站穩國內市場，提高佔有率，國際市場才會更有開拓 but creativity is unlimited.\" Just like flowers that have 機會。 evolved and mutated in order to survive critical climates, though the world is facing unprecedented challenges due 所以我極力說服評審們，應該積極鼓勵已經成熟化、市場化 to the pandemic, we are growing stronger and breaking 的品牌能夠更加獨立有自信地面向消費者，因為服裝設計本 away from old shackles via new perspectives and creative 身即為藝術，藝術之所以崇高絕對是因為各自擁有珍貴的創 mindsets. 意與特異性，也才會受消費者喜愛。而有限的資源應該留給 From October 2020 to March of this year, when the global 那些期待被看見與被培植的更多服裝設計新銳，讓新銳設計 pandemic was extremely serious, Taiwan hosted one 師們的才華和創意能被國人看見。雖然世局正逢激烈變化時 of the few in-person fashion weeks, allowing the world 刻，但我們的目標與堅持，仍是將臺灣設計品牌獨有的創新 to see our diverse and dynamic fashion energy. I am 觀點推向世界，這些，不會改變。 convinced that Taiwan can definitely shine in the global fashion arena. According to a domestic survey, total retail sales of Taiwan's overall fashion market is estimated to be around 600 billion NTD, but less than 10% of it goes to local designer brands. We would have to establish a firm foundation in the domestic market in order to embrace all of the opportunities in the global market. Therefore, I tried my best to convince the judges that they should actively encourage mature and market-oriented brands to interact with consumers more independently and confidently, because fashion design itself is an art, and the reason why art is noble is surely because it is a manifestation of creativity and uniqueness. Limited resources should be reserved for emerging fashion designers waiting to be discovered, so that their talent and creativity can be seen by the public. Although the world is changing drastically at the moment, our goal is to persistently promote unique and innovative Taiwanese designer brands onto the international stage. This, will not change. 6 TAIPEI FASHION WEEK SS22

JURY 品牌秀 評審團 許鳳玉 楊茵絜 實踐大學設計學院院長 ELLE 雜誌總編輯 王瀅娟 陳婉若 楊詠晴 自由時報記者 伊林娛樂副董事長 初衣食午品牌總監 多田良二 彭劍平 楊雅惠 台灣伊都錦股份有限公司董事長 微風百貨精品線上副總經理 BeautiMode 總編輯 江夏碧 馮亞敏 溫筱鴻 中華民國紡織業拓展會紡織品 喜事國際時尚集團創辦人 國際時尚藝術文化協會理事長 設計處處長 何兆華 黃秀玲 盧淑芬 輔仁大學織品服裝學院院長 東東市主理人 資深時尚媒體人 排序方式：依筆畫 / 字母順序排序 7

JURY 時尚藝術跨界 評審團 王瀅娟 許鳳玉 黃子溱 廖紫岑 自由時報記者 實踐大學設計學院院長 詠潤國際設計有限公司負責人 台灣數位光訊科技 股份有限公司 多田良二 陳致遠 楊茵絜 蔡淑梨 台灣伊都錦股份有限公司 勇源教育基金會執行長 ELLE 雜誌總編輯 輔仁大學織品服裝學院 董事長 榮譽教授 林育淳 游文玫 楊詠晴 盧淑芬 臺南市美術館館長 社團法人中華民國畫廊協會 初衣食午品牌總監 資深時尚媒體人 秘書長 張榮華 黃子佼 溫慶珠 Yosifu Kacaw 優席夫 . 卡照 三立電視創辦人 跨界藝人 溫慶珠流行事業總裁 旅英當代藝術家 8 TAIPEI FASHION WEEK SS22 排序方式：依筆畫 / 字母順序排序

Tim Walker 攝影展 AD

TAIPEI FASHION WEEK SS22 2021 臺北時裝週 SS22 艱鉅環境裡總能開出更炫爛的花 「臺北時裝週」不僅是一個讓臺灣服裝設計師展演創意美學 服裝設計師與繪畫藝術家的精彩搭檔，搭配 5G 技術和互動 的舞台，它更是一個展現城市素質和人文涵養的時尚企劃。 科技的絢麗佈署，分別於双融域 AMBI SPACE ONE （台北 做為臺灣時尚產業最重要的溝通平台，臺北時裝週從 2021 101 五樓）和松菸兩地空間同步進行異地共演，相信又是另 年開始首度和國際四大時裝週同步，以一年兩季的頻率銜接 一個驚艷國內外的亮眼創舉。 全球腳步，特別是在疫情最為嚴峻的 3 月，當紐約、倫敦、 米蘭、巴黎四大城市皆在舉行線上時裝週之際，臺北時裝週 臺北時裝週 SS22 好戲不斷，另有設計師時尚策展，聚集全 卻能以永續為題，並以實體方式呈現，不僅在國際間造成話 臺超過 40 個服裝設計師品牌，引領民眾進入松菸誠品參與 題，也提升了臺灣服裝產業的能見度。 盛會，加上臺北市政府主辦的設計師時尚快閃店、國際時尚 論壇、THE SHOW 時尚大秀等，讓臺北時裝週更臻圓滿完 即將在今年 10 月隆重登場的 2022 春夏系列，主辦單位與所 整。 有臺灣設計師們一起經歷過了長達兩個半月的三級警戒，8 月時才確定疫情受到控制，臺灣時尚產業在這樣艱鉅的大環 境裡凝聚向心力，努力掙脫現況，這次的 2022 春夏系列臺 北時裝週，我們盡心讓國際看到臺灣精彩不凡的時尚潛力。 臺北時裝週一直以來從五大主張出發：機能、永續、跨界、 人文、多元，從經濟部時裝設計新人獎、亞洲新銳設計師時 尚展、服飾品國際買主採購洽談會、台北紡織展，到文化部 重點安排在 10/3~10/17 集中週期支持共 16 場臺灣設計師 品牌秀，其中 9 個成熟的品牌將在各具特色的展場獨立進行 發表，讓臺北時裝週在城市的每個角落遍地開花，最是讓人 期待。 而眾所矚目的本屆臺北時裝週「跨越：時尚與藝術匯流」與 「交匯：音樂與時尚饗宴」將以跨界合作為主軸，安排六組 10 TAIPEI FASHION WEEK SS22

TAIPEI FASHION WEEK SS22 2021 Taipei Fashion Week SS22 The most beautiful and resilient flowers blossom in the harshest conditions. \"Taipei Fashion Week\" is not only a platform for A s t h e t wo m a i n e ve n t s of Ta i p e i Fa s h i o n We e k , Taiwanese fashion designers to demonstrate their \"CrossLab:Dialogue between Art & Fashion\" and creativity, but also a fashion project that showcases \"CrossHub:Intersection between Music & Fashion\" are cultural qualities of the city. As the most important the center of attention. With this year's theme being communication platform for Taiwan's fashion industry, interdisciplinary collaboration, six groups of fashion starting from 2021, Taipei Fashion Week is to be held designers and artists have carefully arranged for a biannually, with two seasons a year. In March 2021, fascinating presentation, which will be performed during the global outbreak of the pandemic, the four simultaneously at AMBI SPACE ONE (TAIPEI 101 5F) and major fashion weeks in New York, London, Milan, and Songshan Cultural and Creative Park with the support Paris all went digital. However, Taipei Fashion Week was of 5G technology. It will certainly be another dazzling able to present via physical fashion shows, drawing the highlight of this season's Taipei Fashion Week. attention of international fashion communities, thus increasing the visibility of Taiwan's fashion industry. Furthermore, Taipei Fashion Week SS22 presents TPEFW Select Shop and leads the audience to return to Eslite Due to the pandemic, Taiwan's fashion industry is in a Spectrum Songyan Store, where a selected boutique challenging situation. As October approaches, Taiwan features more than 40 fashion designer brands from all has already experienced three-level vigilance for two over Taiwan. In addition, the Designer Fashion Pop-up and a half months due to a domestic outbreak, and it Store, International Fashion Forum, and FNO fashion show was only in August that things were finally under control. are hosted by the Taipei City Government, making Taipei Despite these difficulties, organizers and designers Fashion Week all the more complete. collaborated, striving to break free from the restrictions of the current situation. For SS22 Taipei Fashion Week, we have spared no effort in letting the world see the wonderful and extraordinary fashion potential of Taiwan. With five major propositions: function, sustainability, crossover, humanities and diversification, Taipei Fashion Week consists of a series of events including 16 fashion shows hosted by the Ministry of Culture, 9 of which are held independently by brands. The Ministry of Economic Affairs have also arranged Taiwan Fashion Design Award (TFDA), Asia Fashion Collection, Business Matchmaking, and Taipei Innovative Textile Application Show. Taipei Fashion Week aims to expand its reach to every corner of the city. 11

SCHEDULE 時 程 表 schedule 10/3 Sun 10/6 Wed 10/7 Thu 16:00 14:00 11:00 品 牌 秀 Fashion Show 臺灣時裝史 co-Fashion 主題策展開展 機能時尚展演 INF FASHION OF OUR TIME co-Fashion Function X Fashion @ 林安泰古厝 Lin An Tai Historical House @ 松 山 文 創 園 區 多 功 能 展 演 廳 Songshan @ 松山文創園區 三號倉庫 Songshan Cultural Cultural & Creative Park Multi Showcase & Creative Park Warehouse No.3 Exhibition Hall 19:00 16:00 跨越： 2021 時 裝 設 計 新 人 時尚與藝術匯流 獎決賽暨頒獎典禮 CrossLab:Dialogue between Art Taiwan Fashion Design Award and Fashion @ 松山文創園區 四號倉 Songshan Cultural & @ 双融域 AMBI SPACE ONE ( 台北 101 五 Creative Park Warehouse No.4 樓 )AMBI SPACE ONE (TAIPEI 101 5F) 交匯 : 音樂與時尚饗宴 CrossHub:Intersection between Music and Fashion @ 松山文創園區 四號倉庫 Songshan Cultural & Creative Park Warehouse No.4 10/11 Mon 10/12 Tue 10/13 Wed 14:00 17:00 14:30 品 牌 秀 Fashion Show 品 牌 秀 Fashion Show 國際時尚論壇 C JEAN CHARINYEH International Fashion Forum @ 松山文創園區 四號倉 Songshan Cultural & @ 獅子林大樓 Lions' Plaza Commercial Building @ 直 播 平 台： 臺 北 市 文 化 局 - 設 計 臺 北 Creative Park Warehouse No.4 Design For Taipei 粉絲團、VOGUE Taiwan YouTube 頻道線上直播 19:30 Department of Cultural Affairs-Design For Taipei FB, VOGUE Taiwan YouTube channel live 品 牌 秀 Fashion Show online Seivson 19:00 @ 松山文創園區 四號倉 Songshan Cultural & 品 牌 秀 Fashion Show Creative Park Warehouse No.4 Liyu Tsai @ 國家戲劇院大廳 National Theater 12 TAIPEI FASHION WEEK SS22

SCHEDULE 10/8 Fri 10/9 Sat 10/10 Sun 14:00 14:00 14:00 Young Talent 新鮮秀 品 牌 秀 Fashion Show 品 牌 秀 Fashion Show SILZENCE men Story Wear Young Talent Show @ 松山文創園區 四號倉 Songshan Cultural & @ 松山文創園區 四號倉 Songshan Cultural & @ 松山文創園區 四號倉 Songshan Cultural & Creative Park Warehouse No.4 Creative Park Warehouse No.4 Creative Park Warehouse No.4 17:00 17:30 17:30 品 牌 秀 Fashion Show 品 牌 秀 Fashion Show 品 牌 秀 Fashion Show GIOIA PAN #DAMUR Claudia Wang @ 微風南山艾妥列 Breeze Nan Shan atré @ 台北捷運 Metro Taipei @ 双融域 AMBI SPACE ONE ( 台北 101 五 樓 )AMBI SPACE ONE (TAIPEI 101 5F) 19:30 19:30 19:30 品 牌 秀 Fashion Show 品 牌 秀 Fashion Show WEAVISM 織本主義 WANGLILING 品 牌 秀 Fashion Show Dleet @ 松山文創園區 四號倉 Songshan Cultural & @ 松山文創園區 四號倉 Songshan Cultural & Creative Park Warehouse No.4 Creative Park Warehouse No.4 @ 松山文創園區 四號倉 Songshan Cultural & Creative Park Warehouse No.4 10/15 Fri 10/16 Sat 10/17 Sun 19:30 19:00 15:00 品 牌 秀 Fashion Show 時尚大秀 品 牌 秀 Fashion Show JENN LEE DOUCHANGLEE The Show @ 新 生 橋 下 滑 板 場 Xinsheng Viaduct Skate @ 松山文創園區 南向製菸工廠 @ 信義香堤廣場 Xinyi Plaza Park Songshan Cultural & Creative Park South Tobacoo Factory @ 直 播 平 台： 臺 北 市 文 化 局 - 設 計 臺 北 17:00 Design For Taipei 粉絲團、VOGUE Taiwan YouTube 頻 道 線 上 直 播、LINE Today 線 上 品 牌 秀 Fashion Show 直播 JAMIE WEI HUANG Department of Cultural Affairs-Design For Taipei FB, VOGUE Taiwan YouTube channel live @ 自來水博物館 Museum of Drinking Water online, Line Today Live Online 13

MAP 全區域地圖 MAP 時裝週活動區域 TAIPEI FASHION WEEK AW21 VENUE 2. 新聞中心、醫護室 News center, Medical room 3. 設計師時尚策展 Designer’s Joint Fashion Exhibition 4. 品牌秀場地 Fashion Show Runway、開幕秀 Opening Show 5. 服飾品國際買主採購洽談會 Business Matchmaking、 大會服務中心 Service Center 6. 臺灣時裝史主題策展 Fashion of Our Time 7. 開幕秀 Opening Show 双融域 AMBI SPACE ONE ( 台北 101 五樓 ) AMBI SPACE ONE (TAIPEI 101 5F) 14 TAIPEI FASHION WEEK SS22

MAP 松山文創園區設施 FACILITIES OF SONG SHANG CULTURAL PARK A 北向製菸工廠 Tobacco Factory North Wing B 東向製菸工廠 Tobacco Factory East Wing C 南向製菸工廠 Tobacco Factory South Wing D 生態景觀池 Ecology Pond E 誠品行旅 Eslite Hotel F 誠品生活松菸店 Eslite Spectrum Songyan Store G 臺北文創大樓 Taipei New Horizon 7 双融域 AMBI SPACE ONE ( 台北 101 五樓 ) AMBI SPACE ONE (TAIPEI 101 5F) 15

CROSSLAB 跨越：時尚與藝術匯流 CrossLab:Dialogue between Art and Fashion 交匯：音樂與時尚饗宴 CrossHub:Intersection between Music and Fashion 沉浸式體驗 X 異地共演 X 音樂派對 Immersive experience X simultaneous performance in different locations X music 臺北時裝週的開幕秀一直是各界引領期待的時尚活動，2022 party 春夏系列導入新媒體的科技與語言，詮釋一場「時空錯置」 的跨域時裝秀。秀場由臺灣知名數位體驗設計團隊叁式擔任 The opening show of Taipei Fashion Week is a highly 策展人，以核心概念「流動的時空」為題，將重點定錨在時 anticipated fashion event. Through technology and 尚、藝術、科技三方跨界完美整合，利用科技影像打造虛實 new media, Taipei Fashion Week 22SS presents a 結合的新型態服裝展演。叁式作品橫跨商業和藝術，擅於整 crossover fashion show with the concept of entangled 合運用數位科技所帶來的全新互動體驗，重新定義表演藝術 space-time, which is curated by Ultra Combos, a well- 和數位科技的關係。此次，他們將以 5G 連線同步傳遞聲音 known digital experience design team in Taiwan. With 影像的方式，串聯兩個不同的現場—双融域 AMBI SPACE the core concept being the movement of time and ONE （台北 101 五樓）與松山文創園區四號倉庫，展演一 space, the show integrates fashion, art, music, and 場「異地共演」的時尚大秀。六個臺灣服裝品牌 AUSTIN.W、 technology, using digital images on garments to create C JEAN、#DAMUR、INF、JUST IN XX、UUIN，結合六組 a phygital (physical and digital) catwalk experience. 藝術家羅德嘉、陳景林與馬毓秀、吳東龍、曾鼎元、江賢二、 Ultra Combos’ works span from commerce to art, 江凱群，期使在場觀眾感受高科技帶來的沉浸式體驗，打造 specializing in the design of new interactive experiences 人體與空間、虛擬與真實之間流動不止的幻象視覺震撼。 they redefine the relationship between performing arts and digital technology. The opening show consist of two events: “CrossLab: Dialogue between Art and Fashion” and “CrossHub: Intersection between Music and Fashion,” the former takes places at AMBI SPACE ONE (TAIPEI 101 5F) and the latter at Songshan Cultural and Creative Park No. 4 Warehouse. The two events are connected through 5G technology, transmitting audio and video between the two venues simultaneously, presenting a collaborative fashion show created by six Taiwanese fashion brands including AUSTIN.W, C JEAN, #DAMUR, INF, JUST IN XX, UUIN, and six groups of artists including including Billy Degas Lo, Chen Jinglin and Ma Yushiu, WU Tung-Lung, Tseng Dingyuan, Paul Chiang, Chiang Kaichun. The show creates an immersive experience that flows between the human body and space, the virtual world and reality. 16 TAIPEI FASHION WEEK SS22

MASTERMIND OF THE OPENING SHOW 開幕秀策展團隊－叁式 Mastermind of the Opening Show – Ultra Combos 創立於 2010 年最後一天的「叁式」，是一個結合跨領域專業工 作者的數位體驗設計團隊。「叁式」之名，靈感源自中國古代三 大祕術「三式－太乙、奇門、六壬」。千變萬化的奇幻之術，正 如同「叁式」無遠弗屆的數位科技創作。在臺灣，他們是以科技 創造體驗的代名詞，他們顛覆已知，超越想像。 熱愛實驗、相信創作的可能性大於想像的「叁式」，不斷以挑戰 認知邊界的行動力，追逐著人類還未經驗過的事物。他們藉由 數位科技，調和視覺藝術、空間裝置、聲光影音，創作出一件 件令人驚豔的作品，建構出一場場讓人沉浸的超現實場域。從 2011 年 的《 第 七 感 官 Seventh Sense》、2018 年 的《 台 中 世 界花卉博覽會－發現館 0-3886》 、2019 年的《第 30 屆金曲獎 Streaming》，到 2020 年《台灣設計展 Taiwan Design Expo - The Terminal》，「叁式」一再以碰觸感知、衝破現實界線的跨 界數位創作，創造虛擬與真實對話的互動體驗，10 年來，他們 始終將創新精神擺在大腦的運作之前，並以此為動力，不斷向內 心憧憬的作品樣態前進。 Founded on the eve of 2010, Ultra Combos is a digital interactive design team of cross-disciplinary professionals. The name Ultra Combos is inspired by three ancient Chinese mystic arts “Sanshi (Three Forms, Ultra Combos’s Chinese name) – Tai-yi, Chimen and Liu-ren”, whose kaleidoscopic skills are just like the extensive creativity of digital technology. In Taiwan, Ultra Combos is the symbol of digital creation that breaks the past and reaches beyond our imagination. As an ardent experimentalist and a believer in greater creative possibility, Ultra Combos quests for things yet to be experienced by humans with the momentum that challenges the boundary of knowledge. Ultra Combos uses digital tools to blend together visual arts, space installations, sound and light to create amazing works and produces captivating surreal fields one after another. From the Seventh Sense in 2011 to the 0-3886 of the Taichung World Flora Exposition 2018, the Streaming of the 30th Golden Melody Awards in 2019 and the Taiwan Design Expo – The Terminal in 2020, Ultra Combos has never stopped to create the interaction of conversation between virtual reality and in vivo through the cross-disciplinary digital creation that moves the senses and breaks the boundary of reality. In the past ten years, Ultra Combos has always prioritized its creative spirit and kept moving toward its inner aspiration. 17

TAIPEI FASHION WEEK SS22 開幕秀時尚設計師與藝術家的對話 吳日云 羅得嘉 AUSTIN.W 吳日云 X 羅得嘉 「不怕我和世界不一樣。」 “Dare to be different. ” 「當上帝為你關閉一扇門，一定會為你開啟另一扇窗。」對亞 “When God closes one door, he opens another.” - 斯伯格症的羅得嘉而言，藝術創作就是上天為他開啟的那扇 For Billy Degas Lo, who was diagnosed with Asperger 窗。 syndrome, being creatively and artistically gifted is the door God opened for him. 流行與過時、正常或特異獨行、美與醜，這些外在象徵都是主 觀意識附加的思考，也成為人們標籤化一切的方式。AUSTIN. Trendy or outmoded, normal or unusual, beauty and ugly, W 創辦人吳日云攜手亞斯伯格症藝術家 Billy Degas Lo 羅得 these external symbols are all subjective concepts, yet 嘉，將彼此的思路交互疊加，以人為中心思考，設計推出西裝 they have become the way people label everything. The 元素概念的膠囊系列。 founder of AUSTIN.W, Tzu Yun Wu, in collaboration with the artist Billy Degas Lo, brainstormed and launched a 在 2D 平面、3D 立面的虛實轉換中，看見有別於過去圖像的 human-centered design capsule collection using elements 傳達，以低調的雷射切割、同色線稿刺繡、透明壓克力異素材、 from the suit. 多樣貌的材質實驗與成品式印花，翻玩十幅藝術畫作，以全新 視野探索跨界時尚。 In the translation from 2D to 3D, we can see the vision of design that is different from the past. With 3D laser cutting, same-color embroideries, garment printing, the use of transparent acrylics and the experimentation with different materials, the new collection is inspired by ten art works, and explores the crossover between fashion and art. 18 TAIPEI FASHION WEEK SS22

TAIPEI FASHION WEEK SS22 簡君嫄 陳景林 / 馬毓秀 C JEAN 簡君嫄 X 陳景林與馬毓秀 C JEAN 設計師簡君嫄透過服裝探討各種環境議題，反映生命 Through the garments, C JEAN's founder and designer, 與大自然的連結。簡君嫄曾以再生羊毛纖維材質結合剪花、爛 Chun-Yuan Jean, reflected her observations and insights 花等傳統工藝在禮服上呈現冰川融退之意象，獲得義大利佛羅 on various environmental issues and fundamental 倫斯纖維藝術獎銅牌獎，為臺灣第一位獲得此殊榮的設計師。 connection of life and nature. The distinctive design of her 其作品亦於今年入圍臺灣工藝競賽，是當代具有正面影響力的 work, which makes use of recycled wool combined with 潛力設計師。 traditional techniques such as flower-shearing and burn- out process to create the effect of glacial melting, won 天染工坊由染織藝術家陳景林及馬毓秀所設立，三十多年來積 a bronze medal at the Florence Biennale Textile & Fiber 極投入天然染料與染織工藝的研發，從造形、色彩、材質、技 Art in Italy – she is also the first designer awarded this 法、應用等不同層面探討染織的各種可能性，出版《大地之華 - prize in Taiwan. In addition, her work has been shortlisted 台灣天染色事典》上下冊、《四季繽紛草木染》等多本書籍， for the Taiwan Craft Competition this year, making her 為台灣天然染色領域極重要之代表。 a promising designer with positive impact and social awareness. C JEAN SS22 臺北時裝週開幕跨界秀，主題為 Moment（瞬 Tennii Studio is a professional workshop co-founded by 間），以曇花為主要敘事體講述生命的本質。在永恆的宇宙裡， weaving artists Ching-Lin Chen and Yu- Hsiu Ma. For 生命如曇花美好，卻瞬間凋零。C JEAN 透過立體剪裁詮釋花 more than 30 years, they have been actively involved 朵的不同型態，從萌芽、盛開、枯萎、散落到分解，不斷延續 in researches on fiber materials, natural dyes, dyeing 著生與死的循環。此系列作品與天染工坊跨界合作，運用天然 techniques, and have published several books, including 纖維布料與從植物萃取之天然染料製作，並採縫、紥、綁、提 a duology – \"The Earth's Flora: A Dictionary of Dyeing in 浸等防染技術，控制染液滲透的效果，以定位染與多色分版再 Taiwan\" – and a volume named \"Seasonal Splendors of 組裝的概念，將雙方的永續精神以精緻時尚呈現。 Natural Dyeing\". Tennii Studio has become one of the most representative icons in field of natural dyeing in Taiwan. \"Moment\", the theme of SS22 Taipei Fashion Week opening show, illustrates nature of life by using Epiphyllum as its protagonist for the presentation. In eternity, life is similar to a bud of Epiphyllum, blooming and fading in a flicker. Through 3-d design, C JEAN interprets flowers’continuous transition in different status: budding, blooming, wilting, withering, scattering, and decomposing, continuing its perpetual birth-death cycle. Collaborating with Tennii Studio, this series of clothing made from natural fibers and natural dyes derived from plants focuses on anti-dyeing techniques such as sewing, bonding, tying and lifting, and dipping to control the effect of dye infiltration, developing application with concept of positioning of organic dyeing and multi-color sub-plate reassembly to polish its sophisticated and fashionable features. 19

TAIPEI FASHION WEEK SS22 黃世舜 吳東龍 #DAMUR 黃世舜 X 吳東龍 「融合」為此跨界合作系列的宗旨，融合時裝及藝術、融合簡 #DAMUR x Tung-Lung Wu crossover collection includes 約及繁複、融合虛幻與真實。#DAMUR 將藝術家吳東龍的作 6 menswear and 6 womenswear. Each design shows has 品中想表現的內在精神換一個傳達方式，進而告訴大眾儘管很 two looks, depending on how the audience view it. Artist 多事情從正面看似明朗，卻不能輕易下定論。模特兒走向觀眾 Tung-Lung Wu would like to show the relation between 時，我們將藝術家經典的油畫作品投影在純色、大面積的布料 inner spirit and the outer reception in his works, while 上，基底簡約卻在燈光投射下綻放優雅；背面則用印花、拼布 #DAMUR emphasises bold sillouettes, playful colours 等技術重造畫作上的符號，當模特兒背對觀眾退場時，在純粹 and asymmetrical details to communicate with the public. 白光的襯托下，觀眾才能一覽背面帶有俐落性格的符號。整個 Moreover, the digital art in the venue of SS22 CrossLab 系列都使用誇張的輪廓，增加可投影的面積，進而將視覺衝擊 enriches the designs by projecting dynamic symbols on 最大化，呈現出前後顯著差異相互融合的火花。 the front and intensifies the details by classic runway white lightning. This crossover collection resembles our 這是一場時裝秀，但也是一件藝術品，同時也被 #DAMUR 定 perception to the world that what you see by your own 義為時裝行為藝術。藝術家吳東龍的每一幅畫都是由純色胚布 eyes might still be just a scrap of the whole picture. You 開始，經過層層堆砌、細密佈局，才能看到畫作的完全體。而 are not always able to tell if something is an actual object 這次開幕秀， #DAMUR 用數位科技藝術與燈光效果模擬藝術 or just an illusion. Most importantly, you need to observe 家的作畫過程，當 12 位模特兒一一走上伸展台時，從最純白 the world from different angles, instead of desperately 的設計到最深色的設計，把畫作投影在純白的服裝上，就如同 sorting out the clusters in front of your eyes. 藝術家在胚布上反覆疊加的顏料，重現了整段作畫的過程，真 #DAMUR would like to thank Align Textile Co., Ltd. 正達成藝術、時裝、新科技的跨越「融合」。 for supporting #DAMUR SS22 TPEFW Opening Show “Cross-Lab:Halfway between Art and Fashion”collection. #DAMUR SS22 臺北時裝週 - 時尚藝術跨界秀系列特別感謝永 瀧興業有限公司（永續再⽣織品合作）的支持與合作。 20 TAIPEI FASHION WEEK SS22

TAIPEI FASHION WEEK SS22 郭瑋 曾鼎元 INF 郭瑋 X 曾鼎元 設計師郭瑋，畢業於實踐大學服裝設計科系研究所，於 2011 Designer Kuo Wei, graduated from the Institute of Fashion 年創立品牌 INF，從小就對組裝的概念與流行趨勢有著高度興 Design Department of Shih Chien University and founded 趣，後來漸漸了解到其實服裝的構成或搭配就是一種組裝的體 the brand INF in 2011. Since childhood, he was highly 現，遂投身進設計產業，品牌擅長解構風格，將正統版型拆解 interested in fashion and trends. Later, he gradually 重塑，勾勒出可變形且「一衣多穿」的系列作品，呈現柔美的 learned that the composition and coordination of clothing 男性與女性的強悍，形塑出獨到的中庸哲學。品牌以一貫的暗 is actually a kind of assembly. The designer is good at 黑風格，強調永續設計，擅長玩轉服裝結構，並以建築思維， deconstructing styles, dismantling and reshaping classic 打造出脫俗的服裝版型。 silhouettes, and outlines a series of shapeshifting and multi-wear function, presenting feminine masculinity and 曾鼎元現職插畫家，經營品牌「角斯角斯」，以出版、跨域合 masculine femininity, create a neutral philosophy. 作、商品等方式，耕耘臺灣在地故事。創作中帶有傳說、神話、 怪誕、奇想、妖怪、神明等元素。代表作品：《臺灣妖怪地誌》 The artist Tseng Dingyuan, runs the brand \"ChiaosChiaos\", 《臺灣妖怪卷壹 - 巨人怪說》《臺灣妖怪鬪陣》桌遊、2017 and collects and documents local stories in Taiwan 年 以 臺 灣 起 源 神 話 為 主 題 獨 立 出 版《 臺 灣 妖 怪 卷 貳 - 怪 生 through publishing, interdisciplinary collaboration, and 島》，入選美國 3x3 Illustration Annual No.15/professional merchandising. There are legends, myths, grotesques, published，2020 年出版《寶島搜神》。2021 年以神怪繪本 whims, monsters, gods and other elements in these 《牟吉》入選義大利波隆那插畫獎。 creations. His most known publications include \"Taiwan Monster\" and \"Stories of Deities from Taiwan.\" Moreover, 此次合作來自於設計師與藝術家對臺灣妖怪與鄉野奇譚的喜 his picture book “Mou-ji and the sun\" was nominated for 愛，結合在地的民間傳說與時尚，透過兩方的解構與重塑，賦 the Bologna Illustration Award in Bologna, Italy. 予這些故事嶄新的樣貌和不同的核心精神。 The SS22 collaboration comes from the designer’s and artist’s love of Taiwanese folklore and mythology. Through deconstructing and reshaping elements of local stories and transforming them into fashion, the collection gives these stories a new look and a different spirit. 21

TAIPEI FASHION WEEK SS22 周裕穎 江賢二 JUST IN XX 周裕穎 X 江賢二 臺灣第一位獲選進入紐約官方時裝週的設計師品牌，獲 VOGUE Justin Chou is the first Taiwanese designer to be selected ITALIA 選為紐約時裝週 best of Talents，也是 2021 東京奧運 to join official New York Fashion Week, from which he was 中華代表團進場服裝設計師。擅長透過設計將高級時裝與臺灣 awarded best of Talents by VOGUE ITALIA. He is also the 藝術、工藝與文化完美結合永續概念融入創作，周裕穎被譽為 uniform designer to dress up Team Chinese Taipei for the 文創跨界鬼才，為臺灣首位與國立故宮博物院、國立歷史博物 opening ceremony of 2021 Tokyo Olympics. Justin Chou 館聯名之服裝設計師，並為國際品牌首選合作之合作對象。 specializes in making a perfect combination of high-class fashion, craftsmanship, culture, and sustainability through 本季臺北時裝週開幕秀，周裕穎將展示與臺灣當代藝術大師江 the work of design. With a reputation as a CCI/crossover 賢二聯名合作的全新藝術跨界系列，以北美館回顧展中的新作 prodigy, Justin Chou became the first fashion designer to 「四季」以及長達 55 年的藝術創作歷程從「淨化之夜」、「百 partner with the National Palace Museum and National 年廟」、「銀湖」到繽紛的「比西里岸之夢」等饒富魅力的代 Museum of History, and the first choice for international 表性作品為靈感，以服裝系列詮釋江賢二老師從封窗時期到移 brands to join hands. 居臺東後的作品，激盪藝術與時尚的新視野，堆砌時尚美學新 At the opening show of Taipei Fashion Week this season, 高度。 Justin Chou is going to showcase his brand-new series of artistic crossover born from the partnership with Taiwan's contemporary art guru, Paul Chiang. Inspired by the new piece, Four Seasons, and the immensely charming collection of signature artworks, from the Night of Purification, Hundred Year Temple, Silver Lake to the colorful Pisilian, all of which marked Paul Chiang's journey of art spanning 55 years, Justin Chou uses his fashion series to bring his own interpretation to Paul Chiang's artwork from Paul's period of self-isolation to the time after his settling in Taitung. From there, Justin creates a new horizon through the clash between art and fashion and reached a new height by stacking the beauty of fashion. 22 TAIPEI FASHION WEEK SS22

TAIPEI FASHION WEEK SS22 劉子超、劉燕純、林宏諭 江凱群 UUIN X 江凱群 UUIN 是由三位設計師共同成立的服裝品牌，由知名演唱會服 UUIN is presented by three designers: Tzutsao Liu is a 裝設計師劉子超 Tzutsao Liu、擁有 30 年業界資歷高級女裝設 well-known costume designer for music concerts, Andrea 計師劉燕純 Andrea Liu、創新機能服飾設計師林宏諭 Van Lin Liu has 30-year experience in the industry as an haute 所組成。取三位設計師姓氏字母融合成品牌名稱，試圖帶給消 fashion designer, and Van Lin specializes in innovative 費者趣味細緻的服裝細節，以及洗鍊自在的身體美學。 and functional garment design. Each design member's last name forms part of UUIN as we intend to deliver sophisticated aesthetics for wear . 江凱群是臺灣新生代中，唯一採用馬賽克鑲嵌畫的藝術家。江 Amongst the new generations of Taiwanese artists, Chiang 凱群的創作主題關注「在地的生命經驗」，而他的馬賽克作品 Kaichun is the only one that specializes in mosaic art. The 以優雅、精巧，使用天然石材而著稱。他曾在約旦學習拜占庭 main theme of his work is “localized life experience,” 馬賽克的技術，而留學巴黎期間，深受羅浮宮經典馬賽克的啟 and his mosaic creations are known for their exquisiteness, 發。江凱群的作品曾於臺北市立美術館展出，曾受國立臺灣美 elegance, and creative use of natural stones. He studied 術館藝術銀行收藏，其馬賽克大型壁畫由駐約旦臺灣代表處收 Byzantine mosaic techniques in Jordan, and was greatly 藏。江凱群將於 2022 年 4 月於臺北市立美術館舉行個展。 inspired by the classical mosaic art in the Louvre during his student years in Paris. His art was showcased in the 東海岸的大理石與臺灣閃玉是本次江凱群的視覺亮點。花蓮縣 Taipei Fine Arts Museum and acquired by the Taiwan Art 的豐田地方誌，彷彿化為一匹人文地理的綢緞。本次合作將馬 Bank. His large-scale mosaic wall art is in the permanent 賽克及玉片翻轉為布花，再與 UUIN 的服裝概念結合，由解 collection of the Taipei Representative Office in Jordan. 構、拼貼的過程，再現每一創作階段的精彩，最後呈現服裝與 Chiang will hold a solo exhibition at Taipei Fine Arts 藝術跨界的完整性。UUIN 期望透過這樣的創作手法，與藝術 Museum in April 2022. 家翻玩出深入的系列感。透過品牌擅長的版型結構與高級製作 工藝，搭配出具有當代風格的時尚樣貌。 排序方式：依筆畫 / 字母順序排序 23

TAIPEI FASHION WEEK SS22 藝博 2021 秋後 Art Taipei 2021 Late Autumn 溫慶珠 ISABELLE WEN 台北國際藝術博覽會 - 時尚藝術跨界特區策展人 這個 10 月丶即是臺北時裝週與台北國際藝術博覽會的展開 This October marks the opening of Taipei Fashion 時刻，我也和大家一樣充滿了期待！ Week and Art Taipei. I am also full of expectations like everyone else! 在所有藝術作品和各畫廊競技的隆重舉行中，我將擔任藝術 總監，負責藝博時尚藝術跨界特區的策展。所以你會看到此 In this grand event featuring all the art works and 次六組優秀服裝設計師：黃世舜、林宏諭、劉子超、劉燕純、 galleries, I will serve as the art director, responsible for 吳日云、簡君嫄、周裕穎、郭瑋，他們的時尚服裝結合這次 the exhibition of Fashion Crossover Special Zone of 藝術畫作的大計劃！鼓舞、能量、生命、希望、創造力、藝 Art Taipei So you will see the six teams of outstanding 術和跨界；希望將這幾個重點展現在這個空間，出現一道新 fashion designers: Damur Huang, Van Lin, Tzutsao Liu, 風景！ Andrea Liu, Austin Wu, Chun-Yuan Jean, Justin Chou, Wei Kuo, whose match their fashion design with the 臺灣時尚產業長久以來一直無法深耕茁壯，展現在國人面前， paintings. Encouragement, energy, life, hope, creativity, 這是我長期的深憂感受。因而此次「臺北時裝週」與「台北 art and crossover; these are the elements I intend to 國際藝術博覽會」整合創意的「時尚藝術跨界特區」，更是 highlight in this exhibition space to present a new 顕得難能可貴！雖然眼前全世界籠罩在疫情困境之下，我們 horizon! 卻有著堅強不屈的意志，執行非常特別的時尚與藝術跨界發 表展演，是令人感到相當振奮的！ It has always been one of my deepest concerns that Taiwan's fashion industry has not been able to grow 我們將看到六組服裝設計師與藝術家們，共同激盪、共鳴的 deep and strong enough. Therefore, this \"Fashion & 新視窗，經由文化部與藝博會的協力，藉此特別的機會與時 Art Crossover Exhibition” cohosted by Taipei Fashion 刻，再撞出奇妙與新生命的力量。 Week and Art Taipei is even more precious! Although the whole world is shrouded in the predicament brought by the pandemic , it is exciting for us to demonstrate our strong and unyielding will and deliver this very special crossover exhibition that incorporates fashion and art! We will see a new horizon created and shaped by the six teams of fashion designers and artists. Through the cooperation of the Ministry of Culture and Art Taipei, we will take this special opportunity and moment to demonstrate the power of wonder and vitality. 24 TAIPEI FASHION WEEK SS22

TAIPEI FASHION WEEK SS22 台北國際藝術博覽會 - 「時尚藝術跨界特區」 ART TAIPEI 2021 為扶植時尚產業創新發展，強化時尚設計與藝術文化融合， In order to foster the innovation and development of the 凸顯時裝設計藝術性與多元化；臺北時裝週首度結合台北國 fashion industry, strengthen the integration of fashion 際藝術博覽會，促成臺灣時裝設計師與國內藝術家合作，於 design, art and culture, and highlight the artistry and 今年 ART TAIPEI 2021 首創以「時尚 × 藝術跨界」作為核心 diversity of fashion design; Taipei Fashion Week joins 精神的「時尚藝術跨界特區」，展示六家臺灣時尚品牌 JUST hands with Art Taipei for the first time and promotes the IN XX、#DAMUR、AUSTIN.W、C JEAN、INF、UUIN 與 cooperation between Taiwanese fashion designers and 六組藝術家江賢二、吳東龍、羅得嘉、陳景林 / 馬毓秀、曾 artists. This year, ART TAIPEI 2021 hosts the first \"Fashion 鼎元、江凱群合作創作之服裝作品及藝術品，各具獨特設計 & Art Crossover Special Exhibition \" with \"Fashion × Art \" 風格及藝術融合理念亮點；透過國際藝術展覽的殿堂，展示 as its core spirit that showcases the apparel and artworks 臺灣當代服裝設計師藉藝術粹煉出的精彩設計傑作，展示豐 collaborated by 6 Taiwanese fashion brands, including 富創意與美感，注入設計美學涵養，連結服裝工藝文化，企 JUST IN XX, #DAMUR, Austin.W, C JEAN, INF, UUIN and 圖展現臺灣時尚新能量，共同扶持優秀的時尚及藝術創作者， 6 groups of artists, including Paul Chiang, WU Tung- 增進設計藝術工作者與媒體、藝文愛好人士及藏家的交流機 Lung, Billy Degas Lo, Chen Jinglin and Ma Yushiu, Tseng 會，提供設計藝術工作者之作品展售舞台，拓展設計師品牌 Dingyuan, and Chiang Kaichun. Each of these creative 發展面向，創造跨域商機。 works features unique design styles and highlights the concept of artistic integration. Through the platform of international art exhibitions, these wonderful works created by contemporary Taiwanese fashion designers have demonstrated creativity, design aesthetics, and craftsmanship. The exhibition is intended to show the new energy of Taiwanese fashion, jointly support outstanding fashion and art creators, and promote the exchange among artists, media, art lovers and collectors. It is also intended to provide a stage for the exhibition and sale of works by design artists to expand the development of designer brands, and to create crossover business opportunities. 25

遇見臺灣設計師 Photo_Kuo Huan Kao 印花肩飾西裝外套、同款長褲，Claudia Wang Photo Assistants_Zeke Lin、Chen Kai Hsun Styling_Titi Chen Hair_ Isiahzin Hair_Hecker Huang Model_ Zoe Fang、Xuan Lee、Lily Hung Assistants_ Ao Xie、Lily Lin

立體花苞洋裝，C JEAN 27

透膚長洋裝、裝置藝術，WANGLILING 28

朱紅色印花西裝外套、同款長褲，INF 29

連帽上衣、軍綠色工作長褲，WEAVISM 織本主義 30

印花洋裝，Liyu Tsai 31

32 短版丹寧上衣、拼接丹寧長裙，JENN LEE

鏤空透膚皮革西裝外套、同款長褲，＃DAMUR 33

34 繫帶裹身洋裝，Seivson

荷葉裝飾針織上衣、百摺褲裙，GIOIA PAN 35

短版刺繡上衣、長版寬褲，CHARINYEH 36

金色皮革背心、黑色長褲，SILZENCE men 37

38 （後）螢綠色潑墨感外套上衣、（前）墨黑色洋裝，JAMIE WEI HUANG

芥黃色圓領上衣，Dleet 39

40 斜肩上衣、丹寧開衩長裙，Story Wear

萊雅

雪紡抽繩襯衫上衣、打褶長褲，DOUCHANGLEE 42

make up forever

FASHION SHOW 品牌秀 FASHION SHOW 2022 春夏臺北時裝週，共徵選出 16 個臺灣品牌參與秀程。在疫情動盪的時期，品牌秀亦以最符合各參展品牌風格打造時尚伸展台，展現 國際時裝週的野心。 16 Taiwanese brands were selected to participate in the Spring/Summer 2022 fashion show of Taipei Fashion Week. Despite the pandemic, the brands also created a fashion show in the style most in line with the brand's essence, showing the ambition of a world-class Fashion Week. 簡君嫄 C JEAN 林淑莉 葉珈伶 一切事物都有其自然規律，春暖花開、生老病死、日升日落，就連宇宙本身，也是如此。出生、成長、終結、 再生，生命循環往復。個體死亡後，轉化為新生命的元素，融合到大自然中，重新參與循環。因此死亡 44 TAIPEI FASHION WEEK SS22 既可以看成結尾，也可以當成開端。 C JEAN 以花為主要敘事體，透過立體剪裁詮釋花朵持續變化的每個狀態，萌芽、盛開，隨後散落、枯萎， 不斷延續著生與死的循環。C JEAN 22SS 與「春池玻璃 -W 春池計畫」合作，由其廢棄玻璃的重生中獲 得靈感，將其重製成工藝品，並與服裝結合，除了展現「循環經濟」與「環境共生」的價值，也經由玻 璃不同的型態與能量，傳達生滅無盡的永恆之境，穿流循環不息，或伸或斂，猶如我們的呼吸，而宇宙 間的奧秘，不過在一朵尋常的花中，瞬間即永恆。 C JEAN 與來自泰雅族的染織工藝師林淑莉合作，林淑莉為石壁染織工坊創辦人，以部落工藝設計為起點， 產品皆由部落裡的工藝師手工製作，作品富有豐富的生命故事。C JEAN 簡君嫄與林淑莉將試圖在布料開 發的設計概念上，以有限的資源裡，創造變化，透過圖紋、織紋與文化意涵的結合，串成一個有價值的 故事。C JEAN SS22 除了融合春池回收玻璃外，亦與原住民族手工工藝結合，探討生命循環，思考土地 跟人類的關係。 Everything comes with natural rhythms, such as blossoms in spring, lifecycles, sunrises and sunsets. It applies to the universe as well, from birth, growth, end, to rebirth. After individuals die, they transform into elements for new lives in natural loops. Death can be an end, or a beginning. C JEAN narrative focuses on flowers, and interprets changing flower conditions through tailoring. Sprouts, blossoms, and withering become a cycle. C JEAN 22SS works with Spring Pool Glass, and discovers inspirations from upcycling used glass. Crafts and fashion both demonstrate values in circular economy and environmental coexistence. Different forms and energy in glass also communicate eternity in life. Between expansion and contraction, glass develops like our breaths, and secrets in the universe may be well hidden in transience in flowers. C JEAN cooperates with Atayal dyeing and weaving artist Shu Li Lin. She is the founder of Raisinay Dyeing and Weaving Workshop and sees handicraft design of the community as a starting point. Rich in life stories, All of the products are hand-made by the artisans of the community. With the idea of designing cloth, C JEAN founder Chun Yuan Jean and Shu Li Lin create diversity with limited resources and combine patterns and textures with a cultural meaning to tell a valuable story. In addition to the collaboration with Spring Pool Glass, C JEAN SS22 also utilizes aboriginal's handicraft to make a deeper understanding of the cycle of life and the relationship between land and people. CHARINYEH 本季將藉由臺灣第一部科幻電影《戰神》去描述與探討：傳統與科學的衝突，自然與人造的矛盾，與懷 抱過去遙想未來的浪漫情懷。SS22 結合傳統工藝與科技碰撞出創新火花，在 CHARINYEH 葉珈伶設計師 的創意之下，以新的設計形式可使其文化價值重新被認識。在數位時代壓縮與整合之下，用時尚的設計 語言呈現新的風貌。 設計師葉珈伶本季以當流行的特攝片風潮為背景，以自然褪色的米色、卡其色加入電路板或電線的繽紛 色彩，如桔紅、螢黃、寶藍、水藍等營造出傳統與科技既衝突又融合的氛圍，在材質上的運用採用大量 的天然素材，以洗鍊的手法去營造出時代感；同時透過色塊拼接和機能布詮釋這一季的多元樣貌，強調 俐落銳利的科技風格；結合設計師的印花線條和手繪暈染來點綴出設計細節，築構出未來世界面貌。也 特別強調頭重腳輕的身形比例，反映著早期科幻電影中不夠合身、不夠精準的服裝剪裁，回溯歷史對前 衛未來的想像空間。有別於以往，葉珈伶以這些色彩跳躍、幾何形狀為主角、引入異材質的設計有如當 時前衛先鋒的象徵，大膽地為這一季作出突破。 Inspired by the first sci-fi film in Taiwan, The Big Calamity, the collection describes and explore confrontations between tradition and science, contradictions between nature and manmade, and the romance to embrace the past and envision the future. SS22 innovates with traditional craft and technology. Designer CHARINYEH uses new design forms to reintroduce cultural values. In the compressed and integrated digital world, fashion design languages can deliver new flavors. In this season, Yeh uses Tokusatsu films as the context, and chooses faded off-white and khaki, as well as colors on motherboards or wires, such as reddish orange, neon yellow, and bright blue, to express how tradition and technology collide and integrate. She uses a lot of natural materials to deliver a sense of time. Color blocks and functional textiles are used to interpret diversity and sleek tech styles. Patterns, lines and hand drawings are decorated to construct the future world. The proportion is designed to reflect unfit costumes in earlier sci-fi films. It imagines future by reviewing history. Unlike previous seasons, Yeh uses colors, geometries, and materials to describe pioneering symbols and breakthroughs in this season. 排序方式：依筆畫 / 字母順序排序

FASHION SHOW 王子欣 Claudia Wang 李倍 “Life is a Beach，and I'm swimming in it.” 「雖無法改變無常的生活制度，卻可以透過藝術時尚打破桎梏思想。」本季設計師王子欣將「經典芭蕾」、 「反骨嘻哈」象徵兩種不同光譜的階級，運用超現實漫畫和藝術塗鴉的圖紋樣，結合虛擬馬甲圖騰與數 位模擬針織紋理印花，呈現虛與實的超現實想像，卻不失服裝實用價值與其藝術趣味。不同色光代表不 同階級團體，而象徵自由與超現實概念的莊子蝴蝶，暢遊在不同光域當中，猶如打破階級的高牆，解放 不同階級色彩。傳達雖無法改變無奈無常的生活制度，卻可以透過藝術時尚打破桎梏思想的故事。 品牌本季以 Metaverse Future Fashion 為概念，「Meta」代表超越，「verse」代表宇宙，兩者結合起 來代表網路的下一個階段，藉由 AR、3D 等技術建構出有如現實的虛擬世界。使用虛實混合、即時動態 捕捉及浮空投影技術，由實體 model 及虛擬 model 共同演出的元界概念秀，創造一個全新的觀秀體驗。 “Life is a Beach，and I'm swimming in it.” “Even though we cannot change impermanent systems in life, we can break through frameworks and constraints through art and fashion. Designer Claudia Wang uses “classical ballet” and “rebellious hip-hop” to represent two extremes in the spectrum. Use surrealistic comics and artistic graffiti with digital corset and knitting patterns to present surrealistic imaginations between virtual and reality. It balances between practical values and artistic values. Different colors of light represent different social classes and groups. Butterflies, as a symbol of freedom and surreal, wander in various light fields, break down social barriers, and liberate colors in social classes. It communicates that while we cannot change impermanent systems In life, we can break through frameworks and constraints. This collection circles around Metaverse Future Fashion. Metaverse represents the next stage of internet, using AR and 3D technologies to construct a realistic virtual world. With integrated, motion capture, and hologram technologies, live and virtual models will perform a new concept show, and deliver a new viewing experience. Dleet 在這次臺北時裝週中，李倍以疫情時事為 2022 春夏系列的靈感起點，對於度假旅遊的模糊記憶及居家上 班的衝突感知，將疫情期間生活及心理狀態的抽象改變以超現實的手法具象化，並融入 Dleet 經典的解 構元素，在正裝及度假兩種極端風格中進行拆解重塑，帶領觀眾進入趣味的超現實世界。 In this Taipei Fashion Week, Baron Lee is inspired by pandemic circumstances in 22S/S, standing between blurred travel memories and working from home. The designer visualizes abstract mental statuses under the pandemic with surrealistic techniques. Along with classic deconstructive elements in Dleet to reshape formal and vacation outfit, and lead viewers into a fun and surrealistic world. 排序方式：依筆畫 / 字母順序排序 45

FASHION SHOW DOUCHANGLEE 竇騰璜與張李玉菁 疫情期間社交活動減少，寧靜與平和的生活方式，讓我們有更多的時間靜下來觀察大自然所散發的美感， 潘怡良 生命何以生存？其與自然環境相融相合密不可分，雲霧與光影之間的流動，帶有生命力與包容性，無形 之形的自然姿態成為 2022 春夏 DOUCHANGLEE 的靈感起源。 46 TAIPEI FASHION WEEK SS22 DOUCHANGLEE 2022 春夏系列以「虛實流動」為題，由光影雲霧之間氤氳生動的模糊感與流動的形體， 發展出帶有空氣感，輕盈而巨大的輪廓；運用球形剪裁，彎曲流線感的造型使面料與身體產生更大的空間； 隨著實用與功能性著裝的興起，大量使用抽繩、綁帶細節，靈活運變賦予了體態更多的自由；藉由亮面 與霧面、透視與膠感、輕盈與精實材質的交互搭配運用，呈現光影之間穿透視覺，虛實流動的概念。 將細緻的天然材質加上科技覆膜壓光處理，根植於自然同時展現人工合成的質感，讓真絲與純棉呈現未 來個性；高適應性的外搭單品以超輕材質製成，在呈現隱約視覺效果的同時也兼具了防護功能；強調機 能的針織系列，使用再生纖維、輕薄柔軟，營造出親膚的舒適，質樸好駕馭的質感，順應了人們對於可 持續性的需求。 With fewer social events during the pandemic, we find piece and serenity to observe beauty in nature. Life is closely connected to natural environment. Flows of clouds and lights are lively and inclusive. Natural forms become the inspiration for DOUCHANGLEE in 22 S/S. DOUCHANGLEE 2022 S/S is themed “flows between virtual and reality”. From ambiguity in light, shadow, mist, and clous, to moving bodies, it develops airy, lightweight, and bloating silhouettes. With balloon-shaped cuttings and bending styles, it offers more spaces to bodies. For practical and functional purposes, drawstrings and straps are used extensively for physical freedom. By combining shiny and glossy, see-through, and lightweight materials, it presents visual effects when light goes through and the flow between virtual and reality. Soft natural materials are covered with tech films to integrate natural and artificial textures. It adds futuristic qualities to silk and cotton fabrics. Outerwear is produced with lightweight materials to deliver certain visual effects and protection. Functional knitting items use soft and comfortable recycled fibers, and respond to social needs in sustainability. GIOIA PAN 2022 春夏設計理念「織竹」本季系列意旨希望大家可以慢下腳步，時尚不是遠離塵世般的存在，它遍佈 在我們身邊方方面面。作品首次跨界結合藝人小馬倪子鈞的塗鴉藝術創作及悠遊卡跨界配飾系列。展現 時尚的藝術化與生活多元化的多樣面貌！ 時尚總被時代定義，它是美的名片；潮流為設計能築起華廈，它是靚的代言。此起彼伏的更迭讓人們眼 中充斥著婀娜千姿，百花齊放的繁盛始終強調對美的追求。 疫情之後，人們有更多的省思，疫情雖然隔閡了我們之間的距離，但卻凝聚了彼此心中的惦念；正如靈 感匯聚築成藝術溝通的橋梁，驚艷的作品總能讓人們產生美的共鳴。沈澱可以讓我們靜下心品味生活， 知足會使大家容易快樂，感知幸福。 織竹亦知築，執著為知足。針線百轉千迴勾勒韻雅畫卷，碧竹含風搖古道盡萬般沈浮。靜下心來，讓我 們慢慢生活，構築潮流，品味時尚，感知快樂。 潘怡良設計師主理的「泰在地 ‧ 雅時尚」 共創品牌設計研習營，與輔仁大學織品服裝學院及輔仁大學原住 民族地區地方創生推動中心合作。參與工作坊的輔仁大學織品服裝系學員，透過深入體驗泰雅織女生活， 以泰雅烏來傳統紅白黑三色為素材，結合時下流行的街頭元素，運用烏來屈尺地區代表團結的 XOXO 圖 案織紋，以織帶、頭巾、吊飾、服裝等多元作品創作，演繹新世代原民時尚視角。 The quarterly theme of spring and summer 2022 is “bamboo weaving”, hoping to inspire people to slow down. Fashion is not isolated from the world. Instead, we are surrounded by fashion. This cross-disciplinary GIOIA collection joins for the first time the graffiti artworks by Morrison Ni and Easy Card accessories to show the various looks of fashion in art and life. Fashion is defined by the time as a representative of beauty. Design is built on top of trends to speak for aesthetics. Fashion design always highlights variety and diversity, and it’s all about beauty. Under the pandemic, self-reflection increases. Even though the pandemic increases distances between people, it also draws us closer together. Inspirations build artistic bridges for communication, and breathtaking artworks resonate with people. Contemplation helps us to reflect on life, and contentment makes people feel happier. Fabrics and bamboos build up our understanding to the world. Our commitment leads to contentment. Weavings have created elegance and paintings, and bamboos have witnessed changes over time. As we contemplate, we can live slower, build up trends, experience fashion, and perceive happiness. Organized by fashion designer Gioia Pan, the indigenous Atayal fashion workshop proudly presents the works by students from Department of Textiles and Clothing, and the indigenous placemaking promotion center of Fu Jen Catholic University. Through experiencing the weaving culture of the Atayal tribe in Ulay District, they blend the street style elements with the “XOXO” pattern in red, white and black, which means “unity” in the Atayal tradition, to make woven ribbons, scarves, charms and clothes that interpret the new aspect of a modern indigenous fashion. 排序方式：依筆畫 / 字母順序排序

郭瑋 FASHION SHOW 拿鞘 / 劉大衛 黃薇 INF INF 22SS TRANSLATE 靈感來自翻譯與轉換的概念，將 2D 翻譯（轉換）成 3D，人翻譯（轉換）成魂， 恨翻譯（轉換）成愛；透過翻譯與轉換，讓我們學習到從不同的角度去看待事物，一個事件的本質並不 是那麼絕對，而在翻譯與轉換的過程中我們也獲得了一些意外的收穫，不同於生活中的小確幸，而是用 一種更為宏觀、豁達的角度去看待世界；細節取樣自臺灣早期地方信仰與本土妖怪等元素，並與今年即 將重新登上院線，由王小隸導演製做的最知名國產動畫—《魔法阿媽》聯名、使用劇中角色做為服裝印花， 除了透過時裝展現出臺灣地方信仰文化與臺灣早期的風土民情外，也大玩 2D 與 3D 之間的視覺錯視：將 劇中對人物角色的 2D 光影表現方法，變成服裝的印花，產生出看似立體又似平面的視覺效果；INF 品牌 不斷地「以文化為底蘊，以時裝為載體」，並透過系列服飾製作重新詮釋臺灣古今的多元文化與故事。 INF 與品牌「拿鞘 Nature」合作，致力於將檳榔葉鞘再生設計，轉化成符合現代生活的用品。主理人是 新竹尖石的泰雅族劉大衛與台東鹿野的阿美族林駿逸，延續拿竅保護環境的心以及設計理念，INF 也利用 季節開發所剩的零碎布料，以包裹鞘盒的版型，將鞘盒以布片改造成後背包以及懸掛腰間的腰包，布片 外包為可拆式設計，如此除了不破壞創作者原本設計、保留鞘盒原本的面貌外也增添了 INF 品牌色彩， 將檳榔葉質感的作品增添時尚的筆觸後，做為配件融入到大秀中。 INF 22SS TRANSLATE is inspired by the transformation process, from 2D to 3D, from human to soul, and from hatred to love. Through translation, we learn to see everything from a different perspective. Incidents may not be absolute by essence. In the translation process, we also earn something unexpectedly. Rather than petite happiness in daily life, we see the world with a wider view. Details are derived from folk beliefs and mythical monsters in Taiwan. The collection works with the famous local animation feature film Grandma and Her Ghosts by Shaudi Wang. It uses characters in the film as patterns, and creates visual illusions between 2D and 3D. INF continues to deliver culture-based fashion, and reinterprets diverse cultures and stories in past and present Taiwan. Fashion brand INF joins the handicraft brand “Nature (Na-chiao)” to make articles for daily use with reclaimed betel nut leaf sheath. Turning the sheaths into useful products is the idea of the two indigenous owners of “Nature”, David Liu of the Atyal tribe from Hsinchu County and Jun-yi Lin of the Amis from Taitung County, with the ideal of environmental protection. Now INF wraps about the sheath cases with cloth waste from each quarter to make fanny packs and backpacks. While the original design of the sheath case is retained as the cloth wrap is detachable, the texture of the sheath lends a touch of nature to the brand’s accessory design in an INF fashion show. JAMIE WEI HUANG JAMIE WEI HUANG 畢業於英國中央聖馬汀藝術學院，畢業後贏得柏林國際服裝大獎 Designer For Tomorrow 明日設計師大賽，並在當時的主席 -Stella McCartney 與大賽鼓勵下創立 JAMIE WEI HUANG 同名品牌，初試啼聲即驚豔四座。2014 年拿下臺灣新銳設計師大獎 Elle New Talend Award 冠軍。隔年 再度入選義大利版《VOGUE Italy Talent Award》，其同名品牌 JAMIE WEI HUANG 作品也曾被 Lady Gaga 等名人相中，使她聞名全球。2015 進入倫敦時裝周官方日程，持續發表於倫敦時裝周，2018 年更 晉升為官方主秀日程，成為第一個品牌創立 3 年以上闖進倫敦時裝週官方大秀的臺灣設計師。 JAMIE WEI HUANG 認為服裝與藝術創作皆只是傳達在不同材料上的立體空間展演，在服裝創作上更是 不為潮流與時尚流行所左右，堅持以工藝般的對待作品，並研究創作過程之的勞動美感，將精工工藝技 術與態度創作服裝。她以獨特藝術概念角度，出眾的剪裁和中性輪廓為創作主軸的品牌精神，使用 By- product（皮革副產品），不用稀有皮草，探索材料的研究與結合，透過材料的語言與剪裁，重新詮釋， 觀者的自我意識表達與探索。 本季品牌以中性的 Sports Lux 印象，強烈的飽和色調與身體組織轉化成的布花細節，品牌擅長剛直幾何 線條與輕金屬元素貫穿，將意識的內外衝擊，附之柔軟的身段，強烈的視覺元素相互交疊，將故事與態 度表現於剪裁與細節中。 JAMIE WEI HUANG graduated from Central Saint Martins College of Art and Design, and won Designer For Tomorrow in Berlin. Encouraged by then chairperson Stella McCartney, she founded her namesake brand with amazing achievements. In 2014, she won Elle New Talent Award in 2014, and was selected into Vogue Italy Talent Award the next year. Her works have been chosen by celebrities worldwide, such as Lady Gaga. In 2015, she was officially selected into London Fashion Week. In 2018, she was promoted to the official main show. It’s the first brand from Taiwan over 3 years in history in the main show in London Fashion Week. JAMIE WEI HUANG believes fashion and artworks are both three-dimensional performances in different materials. Her works are not influenced by fads. Instead, she treats these items as craft and appreciates the beauty of labor in the process. She creates with craftsmanship, unique artistic concepts, unconventional cuttings, and unisex silhouette. She chooses by-products over rare furs. By combining materials, she reinterprets how viewers express and explore self-awareness through material languages and cuttings. With a neutral impression for this quarter, Sports Lux transfuses the satiated color schemes of the cloth with details that fit the body. The firm geometric lines characteristic of the brand join the light metal elements to mix the impact with softness. Strong visual elements interlock with one another to express the story and attitude through the cutting and details. 排序方式：依筆畫 / 字母順序排序 47

FASHION SHOW 李維錚 JENN LEE 「過去、現在與未來的你都是不同的你，因條件不同，若是我們把每個剎那都當作切片來生活，你會感 到感恩。」JENN LEE 22SS 實驗性的重製 21AW 的「宇宙恆變、活在當下」概念，在不同條件、情緒狀態、 季節、資源下，相同的命題會如何自行發展。 將抽象的「恆變」具象化，「流動感」的尖形輪廓為 JENN LEE 的設計主軸。與臺灣環保大廠 KCC 拉鍊 共同開發獨家「流動愛心」鈕釦拉鏈，大面積使用於服裝上創造流動的線條。童趣的惡趣味印花，「如 孩子般純粹」是我們的註解。 疫情之下的出產作品，也許暗示著最重要的是家人之愛？ “You in the past, present, and future are all different, due to different conditions. If we live in every moment, you will feel grateful.” In 22SS, JENN LEE experimentally reproduces “living the moment under the changing universe” concept in 21AW. In different conditions, emotions, statuses, seasons, and resources, how will the same topic develop? Working to embody abstract changes, JENN LEE designs with flowing sharp silhouette. The brand develops exclusive “flowing heart” button zip with KCC in Taiwan. It is used extensively to create flowing lines. Childish patterns are our nod to “being pure as children”. In this collection under the pandemic, family love may be what really matters. 蔡麗玉 Liyu Tsai 22SS 以烏托邦（Surreal Utopia）設計靈感，講述疫情下的脆弱與壓抑，使得人們不斷尋求愉悅感及正 能量，來應對不確定的未來，將資源重新解構融合、升級再造，來場古典與現代，東方與西方的跨界對話。 將臺灣日常的美好記憶與西方美學結合，以臺灣獨一無二的在地特色為靈感，如雕刻精緻的粿印，老屋 的窗花與色彩繽紛的花磚，臺灣蝴蝶及蘭花，融合歐洲文藝復興時代的古典主義，考究的石膏雕塑與宮 廷巴洛克元素，花卉的醉人美態與繁花盛放的壯麗場面。 融會臺灣文化與西方美學於裳，展現臺灣設計師的國際視野，融合美好的在地文化，以俐落現代感呈現 時裝線條。色彩運用流行的奶油黃、蝴蝶蘭洋紅、大西洋藍及清新綠色調，以天然親膚的細支棉、麻、絲、 viscose 素材，打造出文化與記憶的的美好烏托邦，以古典與現代元素的碰撞，傳達如詩歌般優雅浪漫的 22SS 季度。 22SS is inspired by Surreal Utopia. Due to fragility and suppression under the pandemic, people search for pleasure and positive energy. In response to the uncertain future, resources are deconstructed, integrated, upgraded, and rebuilt, for a conversation between classic and modern, Eastern and Western. Combine great life memories in Taiwan with Western aesthetics. Local features in Taiwan, such as pastry molds, window grilles, colorful tiles, butterflies and orchids, meet classicism in European Renaissance, detailed plaster sculptures, royal Baroque elements, mesmerizing flowers, and blossoms. Taiwanese culture and Western aesthetics are presented in Taiwanese designs. Sleek lines work well with butter yellow, orchid red, Atlantic blue, and refreshing green. Cotton, hemp, silk, viscose and other materials create utopia in culture and memories. Collisions between classic and modern elements communicate a poetic, elegant, and romantic 22SS.   48 TAIPEI FASHION WEEK SS22 排序方式：依筆畫 / 字母順序排序