face2face SB Upper-Intermediate

Recording Scripts M Hm, that's veryJjLinteresting. But 4 doJwLall codes use letters of MICHAEHLello.JwLandwelcometo the LUCY Yes? programme.With us today.JjLin the theJjLalphabet? studio.JwLisJoe.JwLAllen,who's a 5 No. Some use symbols, which just TINA Hello, Lucy. Are you busy? professor.JrLofmathematics,and L I'm afraid I am a bit, Tina. SallY.JjLEvansw, ho.JwLactuallyworked means that you, urn, you look for the T Just a quick question. When would be a for the British SecretServicefor.JrLover most frequent symbol instead of the twenty years.They're both here with me most frequent letter. In fact good time to install some new software to discussthe.JjLimportance of secret theJjLauthor SirJrLArthur Conan codesthroughout history. Doyle, who wrote the Sherlock Holmes on your computer? books, used stick men as a code in his L Er, tomorrow? JOEGood afternoon. book TheJjL,Adventure of the Dancing T Fine by me. I'll do it first thing SALLHYello. Men. In that story, Sherlock Holmes M Sally,now.JwU understand that a code manages to break the code when he tomorrow morning. realises that the dancing men represent L Thanks. invented during the reign of Roman letters of theJjLalphabet. EmperorJulius Caesarwasused for M So, er, it seems that Conan Doyle 5 hundreds of yearsafterhis death. knewJwLabout al-Kindi's wayJjLof LUCYYes? S Yes,amazinglY.JjLitwas. It was quite deciphering codes. JULIANLucy, can I have a word? a simple code,really.All the letters of 5 Definitely. L I'm really rather busy at the moment, the.JjLalphabetsimply moved three M And is al-Kindi's wayJjLof breaking places.So,urn, A becameD, B becameE, codes still being used today? Julian, but what's the problem? etc. J Er, I don't suppose I could use your M How.JwLisit possiblethat the code remainedunbroken for.JrLall that time? office any time today. It's just that I get sWell, we.JjLoftenforgetthat backin those so many interruptions out there I can't daysnot manY.JjLordinarypeopleknew get any work done. (laughter) What howto read,so that'sprobablyone of the have I said? What's so funny? main reasonswhy.JjLit lastedsolong. M When did people startworking out how mID 1m to break codes? s Well, one of the.JjLearliestpeople Well, one of theJjLearliest people 1 SorT)' to bother you, but have you got to.JwLeverbreakcodedmessageswas toJwLever break coded messageswas an Arab mathematiciancalled al-Kindi, an Arab mathematician called al-Kindi. I Yes, , ..a minute? a) who lived in the 9thcentury.He was forJrLexample, let's take theJjLEnglish an extremely.JjLintelligent manand language. I So you look for the most 2 Is thIS a good time? b) he wrote 290 books, on medicine, common letterJrLand youJwussume that 3 Sorry to disturb you. b) linguistics, astronomy.JjLand letter represents the letterJrLE. mathematics.He.JjLevenwrote one , 4 I was wondering if I could see you for or two.JwLonmusic. At the time he 1m was known asthe philosopher.JrLof a moment. a) the.JjLArabsand,urn, in facthis book on l' 5 Are you busy? a) decipheringcodeswas only rediscovered LUCYCome in. Hello, Angus. 6 Can I have a word? b) relativelyrecentlyin Istanbulin 1987. ANGUSSorry to bother you, but have you J Yes,and actually.JjLit was,urn, it 1m wasbecausehe knew.JwLalot about got a minute? A SorT)'to bother you, but have you got mathsand languagesthat he wasable L Sorry, this isn't a good time. I'm really up to.JwLunderstandhow.JwLacode could .,.a minute? .. be broken. He did it by working out against it at the moment. Is it urgent? B Sorry, thiS isn't a good time. how frequentlyeachletter wasused in A No, not really. I just wanted to go over B I'm r.e.allyup ar;:inst ~t at the moment. a language. these figures. Er, don't worry, some other M Canyou.JwLexplain that in a little more A I'll catch you later, then. time. , ..A detail? L Yes,give me an hour or so. .. ' ..B s Yes,for.JrLexamplel,et'stake A OK. See you later. Thanks. IIs,mthaiSfraal dgIoo'md taimbeIt?tied up Just now. the.JjLEnglishlanguage.If you take ..A I Just wanted to ask you about house anygeneraltext in English,you'll find msurance. that theletter.JrLE.JjLiSthe most frequent.And whenyou'veworked out 2 A Sorry to distUrb you. how.JwLofteneachletter.JrLappearst,hen LUCYHello. Lucy Baker speaking. A I was wondering if I could see you for youhaveaway.JjLofbreakingthe code. MARTINHi, it's me. Is this a good time? M Ah, I see.So you look for the most L Oh, not really. I'm afraid I'm a bit tied up ,.. . \".B aI mmormatehnetr. pushed for time fight now. commonletter.JrLandyou.JwLassume that letter representsthe letter.JrLE. just now. Is it important? A...., .A When would be a good time? J That'sright. And letters in the code that M No, don't worry. I just wanted to ask you B C1,manreI. ahlal1)v' eraathweor rdb?usy n~ht now. have a very low frequencywill probably representQJwLand Z because about house insurance, but I'll catch you A Don't worry, it's not important. they.JjLonly.JjLoccur very rarely.JjLin later. mJ English. L Thanks. Oh, oh, and Martin, can you Li$~eningTest (see Teacher's Book) pick something up for dinner? M Sure. See you later. Bye. mil L Bye. DAN A new survey out today has revealed 3 that we're spending more time than ever LUCYCome in. Hello, Clare. waiting in airport departure lounges. So CLARESorry to disturb you, Ms Baker. I was we sent our reporter Nicole WaiSon to Heathrow to find out how people are wondering if I could see you for a passing the time there. moment. L Er, I'm rather pushed for time at the I NICOLEThanks, Dan. Excuse me, madam, moment. Can it wait? I. where are you flying to today? C Urn, yes, it's not urgent. It's just about I WOMAN1 Er, I'm going to Madrid.' the report you asked me to type up. When would be convenient? L Try me again in a couple of hours. C Right.~

N And can I ask how you normally spend 1.m Recording Scripts your time while you're waiting for your J(cLcccIVE Ah, here's Ian. 0 Well, the thing I love most about the flight? IAN Hi, everyone. Sorry I'm late. Internet is our webcam.W1 I usually buy a paperback and just go MOllY No problem. Clive and I have only M Really? Do you, urn, do you use it and sit somewhere quiet. just got here ourselves. much?N So you just read until your flight is OLIVIA.5Q,.!;.rs,o how was your first day 0 Yeah, I do, actually. Most of ...a lot of called? back at work? my family live in the States,and we kindW1 Yes,that's right. Once I got so involved I ~, !!ill, it was a bit of a nightmare, of, er, use the webcam to keep in touch - in the book I was reading that I missed actually. you know, for birthdays and, er, that 0 Oh, why's that? kind of thing. my plane. M Urn, that sounds fun.N Really? I ~, I've onl~ ...I'd only been away 0 Yes,it's wonderful.W1 Yes, it was quite embarrassing, actually. c Right, let's order. Is there, er, anythingN And what about you, sir? How long from the office for:!ikJ;;.a week, but there you'd recommend? were over 300 emails in my inbox this have you been here today? IiIJMAN1 I've been sitting here for nearly five morning! ( Yeah, that always happens to me too. 1 hours. M ~, I love getting emails. ffi ...it'sN Wow, that's a long time! TONYHello.M1 Yes,there's a problem with the plane or about the only thing I use the Internet GREGHi, is that Tony? T Yes... something. for these days. G Hi, it's Greg. Greg Robertson.N Oh and how have you been spending ( Apart from shopping, of course. T Greg! Hey, I haven't heard from you for M Yeah, that's true, I do do a bit of your time? months! How are you?M1 Well, I really love people-watching and shopping online. G I'm good, thanks. Listen, I'm calling airports are just brilliant for that. So ( A bit? Molly, please ... from Sydney on my mobile, so I can't be that's all I've been doing, really. Oh, I've long -it's probably costing me a fortune! also called my parents to say goodbye. M ~,~, it's so easy,isn't it -you T So what's going on in ...N Right. And the gentleman sitting next to G Anyway, the reason I'm ...Sorry. There's you. How do you feel about waiting at just killi;lQf :!ikJ;;c.lick on a few icons and a bit of a delay on the line. that's that. You don't ...it doesn't feel like T Shall I call you back on your landline? airports? you're spending money at all! G No, don't worry. This is just a quick callM2 I absolutely detest it, to be honest. ( It does when the credit card bill arrives ... to ...I'm flying ...Tuesday... I ...you'd 0 Yeah, I generall~ , !!ill, I buy a lot of like to meet... evening. Luckily, I only live ten minutes away,so things online too, especially, .!;.rb, ooks T Sorry, you're breaking up a bit. I didn't I usually check in as late as I can. and CDs and ~ou know things like that. catch all of that.N And how are you spending your time ( Oh, I don't buy CDs any more, I just G Is that any better? here today? T Yes, I can hear you now.M2 I'm doing a part-time business download music straight onto my MP3 G I said I'm flying to London next Tuesday. management course at the moment, T Really? Wow, that's brilliant news! so I'm trying to catch up on my player. G Yeah, and I was wondering if you'd, you coursework. 0 Do you have to pay for it? know, like to meet up in the evening.N And why are you travelling today? ( If it's new stuff, yeah, you:!ikJ;;.have to pay T Yes, course, that'd be great. Actually, whyM2 I'm flying to Hamburg for some don't I, urn, come and pick you up from meetings. I'm supposed to be seeing for each song you download, but ill, .!;.r, the airport? some clients as soon as I arrive, but I it's very cheap. And I go to ...there are G Well, it'd be great if you could, thanks a see the flight's been delayed. Just my some other websites where you can :!ikJ;;. lot. I get into Heathrow at, er, let me see luck, eh? ...3.20 in the afternoon, your time.N And how about you, madam? download songs by new bands for free. T What's your flight number?WOMAN2 Well I've been looking round all G Let me see. Er, I'm just about to run out the shops. I have three kids and I never 0 :!l!:!l, we should start doing that, Ian. of credit. I'll, urn, I'll email you the flight get time to shop for myself, so I'm details. having a great time today. I ~, ill ...it's just that I've never T Great. See you on Tuesday,then. Bye.N Have you bought anything? G See you later.W2 Yes, a handbag and some perfume. I'm ~ found the time to work out how also thinking of buying a camera, but to do it. 2 I think they might be cheaper online. TONYHello, Harry.N And where are your kids now? 0 That's because you're usually too busy, HARRYHello, Tony. How are things?W2 They're with my husband in that urn, playing that role-play game of T Dh, not bad, thanks. I was, urn, I'm just restaurant over there having lunch. My yours. Honestly, every time I ...I often youngest is usually very good, but he's come home and find that he's been about to go and see those new clients, being very difficult today. So we've sitting in the study for hours, you know, you know, the software company. decided to take it in turns to look after fighting some evil monster or something. H Good, hope it goes well. Anyway, the them. reason I'm calling is that we're having aN Thanks very much. So that's how people I That's only when your mother comes planning meeting next ... are passing the time at Heathrow today, to stay T Sorry, it's a bad line. You'll have to speak Dan. Back to you in the studio. up a bit.D Thanks, Nicole. Now, these days many 0 Ha ha, very funny. H Would you like me to phone you back? people seem to ... ( They're, er, they're very addictive though, those role-play games, aren't they? I Yeah,and incredibly popular too. Any number of people can play. Some of them have like about half a million people playing at the same time. M Really? Wow! WAITERExcuse me, are you ready to order? M Oh, er, no, sorry, we've been chatting. Can we have, urn, can you give us a few more minutes? W Of course.

Recording ScriptsT No, it's OK, I can hear you now. What B I keep losing you. Shalll call you Ij;}1 M Oh, I wish you'd take more care of your back on your Ij;}1landline? things. How many is that you've lost? were you saying?H We're A Yes, if you Ij;}1 don't mind. I think my E Only two! And the first one was stolen. having a big planning meeting bartery's about to It;}1 run out. M Yes,so you said. Anywa)\ what's the ad for? next, afternoon, and E Norland Bank. I'd be a customer who's er, er, Tuesday I'd like you to be there. I asking for a loan. M Well, if you get it, you won't have any TRShoo-er-orymm, IeFd-.'e1dtinn'gt 'csaatt/c;h)t/athll r0efe/~thvi/rtthyatin. You're problem learning your lines then, willT Next Tuesday? plans for this . .. .= you? Oh, but I won't keep going onH Yes. We'll be discussing about it. Anyway, it's time to go. I have B to be at work by six. Oh I wish I knew year's sales conference and we want your where your father was. He needs the car later tonight so he was going to give me ideas. Why, is there a problem? breaking tIp a /~/bit. a lift to work. Can you drive me and A I s;id, the /3~/ meeting's at /~t/ three then bring the car back for Dad?T No, it's fine. I'll be there. E It's time you got your own car, Mum. ., ...,... .B tOhKIrty...0inhRdoeoamr,FI.m Just about to /t~/ run M Yeah, well, when you pay me back all theH Good. It's in, let me see, er, Meeting money you owe me, I'll be able to afford Room B and we'll be starting at 2.30. See one, won't I? you then. ~ut of /~v/ credit.T Right. . ..A Would you /j~/ like me to /t~/ phoneH Oh, and, er, good luck with the new B Tyohuat'/dj~/bebagcreka?t, thanks. clients. ~T Thanks. ANSWER2Stime 3 sentence 4 crime3JENNY Hello? 5 mistakes 6 few 7 face 8 friend 9 fighting ~ 10 end 11 time 12 losers 13 world ~TONY Hello, Jenny? 14 taken 15 fame 16 thank 17 roses 1 I wish she lived a bit nearer. 18 cruise 19wholeJ Oh hi, Tony. How's your day going? 2 I wish he'd bought chocolate instead.T Fine, what about you? Busy, as usual. 3 I wish she'd visit more often.J Oh not too bad, thanks.T I can't hear you very well. Where are you? GD 4 I wish he worked for us. 5 I wish I'd had enough time to finish.J I'm on the train. EDDYHi, Mum. MOTHEROh, hello, Eddy. 6 I wish I earned a bit more money.T Oh, OK, that's why.J Yeah, the reception isn't very good here. E Brought the car back. Thanks. m1 M Did you put any petrol in it? Do you want me to give you a ring later? E Sorry, I couldn't. I'm a bit short of GRAHAMGood meal, Ruth? RUTHYes, it was excellent, I thought.T No, it's OK. I just wanted to ask you if money. In fact, I'm £50 overdrawn and Another glass of wine? you're, urn, free on Tuesday afternoon. the rent's due on Friday. You couldn't, er, G No, thanks. Just some more water, please. lend me a couple of hundred, could you? Greg's flying in from Aus ... M It's about time you found yourself a R Do you want coffee? G No, I'm fine, thanks.J Sorry, I didn't get any of that. We just properjob. R Could we have the check, please, Jack? JACKCertainly, ma'am. went through a tunnel. E Acting is a proper job. G Look, this is on me.T I said Greg's M So you keep telling me. R But Graham, you bought dinner yesterday. flying in from Australia on E Please,Mum. I'll pay you back, I promise. G Don't worry, it's on expenses. By the way, Tuesday. Wow, great! M Oh, alright. £200 you say? do waiters here always introduceJ Greg Robertson? is, I have to, urn, I've got E Yeah, that'd be great. Thanks.T Yeah. The thing MEr, I'll have to see how much I've got in themselves? R Well, Cornell University did a study on to go to a meeting that afternoon. Can my savings account first. But this is the tipping and found that restaurant staff you pick Greg up from Heathrow? last time, Eddy. got much bigger tips if they introduced E Yeah, yeah, you always say that, Mum.J Yes, sure, no problem. I'm not working M No, I'm serious. It's about time you grew themselves. G Really? that day. that evening we ...people up. If you had a job, you wouldn't have J Here's your check, ma'am.T Great. Maybe to borrow money from me all the time. G I'll take it, thanks. Right, er, oh, how round ...you want. E I wish I could spare the time, Mum, but, much tip should I leave? you know, it's all these auditions I have R Twenty per cent is about right -maybeJ Oh, I keep losing you. Say that again? to go to. more if they introduce themselves.T I said that maybe that evening we could, M Yes,well, I hope you get something G Wow! It's half that in the UK. R Half! No, 15% would be the absolute er ... soon. But still, I wish you weren't chasing these impossible dreams. minimum here.T Sorry, we got cut off. E What impossible dreams? G Er, right. While we're on the subject, M Oh, you know, dreams about becomingJ Yeah, another tunnel, sorry. What were I was in the hotel bar last night and the a film star. guy next to me ordered a drink, got $2 you saying? that maybe we could have E Yeah, well, actually, I'm hoping to hear change, which he left on the counter. DidT I was saying he, um, did he just forget to pick it up? from my agent about an audition I R No, we tip bartenders here, a couple of some people round that evening, you did for a TV advert. She, er, she hasn't dollars a drink or, er, if you pay at the phoned, has she? I gave her this number. end of the evening for everything, then know, for din~er or something. M No, sorry, she hasn't. 15 or 20% of the total.J Fine, good idea. Let's talk about it later. E Oh, I hope she calls. G Mm. We British never tip bar staff. Some M What's wrong with your mobile, anyway? I think my battery's about to run out. E I, um, I lost it, that's why I gave her this people, you know, offer them a'drink,T OK, have a good journey. Speak soon. number. ) See you tonight.).'.))'.'~.'))~.')}.'.'.'.'.'... 'dcmemadon't we meet outside the /~~/ A Why ..B Sorry, I 1d n'tat /~t/.. .seven? get any 0 f /~v/ that. It's .a /~/ bad line. outside , A I said let's meet the /~~/ cmema at /~t/ seven. but not money.

R Wow, that's really strange. You'd never do 2 Recording Scripts that here! EDDYHi. How was work? MOTHEROh, er, quite busy for a Monday 2 G Yeah, 1 know. A I'm really sorry,jjLabout last night. J Thank you very much, sir. evening. Not a great night for tips, G Thanks. Er, yeah, and, urn, tipping New though. What are you doing with those I shouldn'tlJave phoned so late. flowers? B No need to,jwLapologise. I went straight York taxi drivers -there's another thing E Oh I'm really sorry I'm afraid I broke I'm never sure about. your vase. I'll get you another one. back to sleepynywar R Er, same rule as restaurants, 15 to 20%. M It doesn't matter. I never really liked it A I had no Iwl idea Irl it was that late. But they wouldn't ...you'd never give less than a couple of dollars, even if it's anyway. So, did you hear from your I thoughtJtwas ~~~arlier for some for a short journey across town. Sayit's reason. a $6 fare, you'd give them a $10 bill and agent? say \"give me back two dollars and we're E Yes, I, urn, I didn't get the Norland Bank 3 A Sorry for losing my temper with you good\". ad, but I did get a voiceover job nextG Taxi drivers in London generally expect week for some cat food ads. the-ljLother day. M Well at least that's something. Look, I'm B Don't worry-ljLabout-lt. to get a tip too. sorry about this afternoon. I shouldn't A I'd only had~about two-lwLhours' sleep. R So, how much do you give? have said those things to you. B ReallY-ljLit doesn't matter. I could tellG Oh, it varies. Some people just, urn, just E Like telling me to grow up? M Sorry, I can't believe I said that. I didn't you werLirLabsolutely -ljLexhausted. tell them to keep the change. Others give mean to upset you. 10%. E Oh, forget about it, Mum. It's OK. And ~ R What about hotels in the UK? Do you I'm sorry for borrowing money off you tip the bellhops? all the time. But who knows, these cat ANSWER2Sare watched 3 include 4 lastG Er, we call them porters. Yes,if they carry food ads might lead onto other work. 5 to be produced 6 were being made your bags to your room, we usually give M Let's hope so, eh? 7 produce 8 be seen 9 spends 10 is being them like a pound or two. And here? forced 11 being transported 12 goR Yeah,you'd tip the bellhop here too, 3 a dollar a bag and two dollars for every JESSNew improved Purr. The cat food no mD journey he makes to your room. G And what if you want room service? cat can resist. Mmm. New... improved ... GILLIEHi, Nick! Fancy seeing you here!R Yes,we'd always give a tip for room Purr. The cat food no cat can resist ... NICKHi. Yes,just been out for a meal with service. A couple of dollars. EDDYMorning, I'm Eddy Daniels. I'm, urn,G We'd probably give them a couple of I'm here to do the voiceover for the cat some friends from work. And you? pounds or something. food ad. RICHARDOh, we've just been to seeAnotherR Yeah, knowing who and how much to PAULANice to meet you, Eddy. I'm Paula tip is always a problem when you're in Evans, the producer. We're, er, running Monday. Do you know it? a different country. 1 remember when I a bit late, so shall we make a start? N I've read about it. What was it like? was in Argentina last Year ... E Sure. R It was rubbish. It really was. J Hi, I'm Jess, by the way. I'm working on G But it got such great reviews. Criticsc~ the ad too. P Oh, I'm sorry, I didn't introduce you. such asAmis Jones loved it, but I really UjA:II\" I thought you knew each other for some don't know why.., Just a glass of water, please. (UK) reason. I always assume everyone knows R Well, Jones was wrong, like he usually is.2 Do you want coffee? (US) everyone in this business. N Well, you can never tell with reviews3 You bought dinner yesterday. (UK) E Oh, that's alright. Nice to meet you. really, can you? And I must admit, I4 Twenty per cent is about right. (US) J You too. don't like Amis Jones as a critic. So, notS You'd never give less than a couple of P OK. Shall we do a run through? a good production then. E Er, I haven't seen the script so could I G Oh, Nick, don't get us started.\" dollars. (US) just have a moment to, urn, to read N Even though it has actors like Sy Harris through it? and May Firth? That's surprising. They're~c~ P Oh, sorry, I had no idea you'd need a usually very good.1\" c script. G It wasn't the actors' fault. Sy Harris was E No need to apologise. I only need to goEDDYHello? great, like he always is.CYNTHIAEddy It's Cynthia. Look, I'm sorry over the lines a couple of times. R The whole thing was like a bad dream - P Ah, well they're, urn, they're not lines that I didn't get back to you sooner. I didn't even the set. Well, I say set, but on the realise the time. It's been mad here today exactly. Didn't your agent tell you? stage there were just some black boxesE Oh hi, Cynthia. Don't worry about it. I E Tell me what? which were used as tables and chairs. haven't been waiting that long. Well? pEr, you're playing the part of the cat. That was it! Talk about minimalist!C Er, bad news about the Norland Bank E The cat?! G You can say that again. advert, I'm afraid. You didn't get the part. R It had such a good cast, but I thought However, they do want you to do a 1mB it was really difficult to follow. voiceover for a series of cat food ads. G Impossible to follow, actually. The plot Could be quite good moner 1 was so far-fetched and the ending wasE Oh, I wish I'd got the bank advert. But completely unrealistic. OK, what are they offering? A I'm sorry thatJ called you,jwLan idiot. R And honestly, the play was so slow thatC Sorry, forgot to ask. I can't belie~ said that. I, er, I actually fell asleep at one point.E Never mind. I'll take anything at the I've no idea why so many critics liked it moment. e Forget~aboutJt. You'~rLunder,jrLa -it's really overrated.C They'll have a contract for you to sign at G Yeah, It was. It was dreadful. Probably the recording studio. You need to go to lot~of pressure. the worst thing I've seen this year. I can't the studio in ... A I didn't mean to,jwLupset you. understand why it's getting so much attention. N Well, I can tell you didn't like it. G Whatever makes you think that, Nick? R Yeah, what gives you that impression?

Recording Scripts The computer didn't intend, or try to G It's my mum's birthday. .- produce art. But Tracey Emin and Rachel R OK. Well, what are you up to onGARYAnd how's work! Whiteread did. Sunday?RITAYeah, (it's) fine. G Yeah,maybe they tried to, but they G I haven't got anything planned.G And your mum? (Is) She any better?R (She's) Much better, thanks. didn't succeed. R Well, my youngest brother's got a newG Did you go and see her last week?R No, I meant to. (I'm) Going (on) R OK, let me ask you this. Did you like the band. Do you fancy going to hear them Wednesday though. (I) Just couldn't get Degas paintings -were they art? play at The Junction on Sunday evening? any time off work last week. I tried to, but we were too bus)' G Yes, (of) course. (I) Loved the one G Great. We could eat first. What do youG Right.R So what have you been up to this week? called, er, what was it ..., er, Racehorses fancy? Thai, Indian, Japanese or ...G Oh, er, (I) went to see the Degas exhibition at Tate Modem. (Have) You in Front of the Grandstand. R Well, you've got three whole days to seen it?R No, (I) haven't had a chance to (see it) R Well, in his time, he was laughed at. decide! yet. But did you see the Rachel Whiteread sculpture there, you know, in Now his paintings are considered 1m the main entrance hall?G Yes. 14,000 white plastic boxes all piled masterpieces. JENNIFEHRello? on top of one another. (It's) Such a load G What's your point? You can't seriously GARYHi, Jennifer. Have you Ij:!1 got, of rubbish and they call it art!R Oh, I think her sculptures, such as the compare Degas with Tracey Emin? anvthing on this Sunday? staircase or the bath, they're just so R No, I'm not trying to. (I'm) Just trying exciting. (Have you) Seen those? ...i J No, I haven't. Why do Id:!1you ask?G No, and I don't want to. I don't need to to point out that attitudes change ... go to a Rachel Whiteread exhibition to I G Do you Id:!j:!1 fancy coming to It:!1 see see things I can see at home. 1mR Well, she says she's, er, caught the 'ghost Rita's brother's band? of the lost object' ...so you look at it GARYHello? differently, like you're, urn, you're RITAHi, Gary, it's me. .J Er, I'd rather give that a I:!I miss, if you looking at something for the first time. IJ:!I d o.,n t mm~ d. Like Tracey Emin's bed.G That wasn't even a sculpture, (it was) G Oh, hi Rita. How are you doing? G No, don't worry, that's OK. So, what just her bed, with a load of dirty clothes and rubbish around it. R Fine, thanks. Listen, are you doing are I:!I you Ij:!1 up to today?R Did you see it?G (I) Wouldn't want to. Why (would I) anything this evening? J Nothing much. Do you Id:!j:!1 want to It:!1 give up a Saturday to look at her bed? R She wasn't just showing her bed really,she G Nothing much. Why? do something? was expressing her pain. Apparendy she R Well, I thought we could give that new G Well, I wo.uldn't mind going to It:!1 se.e was so upset after her boyfriend left her that she stayed in that bed for weeks. It's the club a try. Do you want to go? It's . ...J GThreealat.:!W1 Gho.a~dtftaImthees,r...~IHt oown! about you? artist showing her feelings, her depression. supposed to be good.G Well, it depresses me, that's for sure. Just G I'm sorry, but I don't feel up to going to G It's on at I:!tl five o'clock and ;ight like those people that burnt a million a club. Got to get up early tomorrow. Some other time, perhaps. But they're ...twenty. pounds. R The K Foundation. J Which do Id:!1you prefer? G Whatever. They filmed themselves showing The Godfather at the Arts G I don't mind which one we go to. It's up burning all that money and called it art. (That was) So disgusting. Think of all Cinema. I wouldn't mind going to that. to.It:!1 ~o.u. .. the people they could have helped with that money. How about you? J Let's ~ to It:!1 the la:!1 later one. R Yes, (I) agree with you there. Interestingly, the K Foundation also gave R Er, I'd rather give that a miss, if you G OK. Eight twenty's fine. Do you Id:!j:!1 £40,000 to Rachel Whiteread. G Sayno more! But seriously Rita, what is don't mind. Seen it so many times. fe.ellike having something to eat first? art, for you? (Is it) Paintings produced by computers like the AARON G Well, we could just go out for a meal J Sure, what kind of I:!vl fo.od do you Id:!j:!1 programme? (They) Got rave reviews from the public, but some of the critics then. fancy? said they weren't art. R Yes, that sounds good. G I'm easy.Whatever you Ij:!1 like. R (I) Haven't seen them, but no, they're not art because there was no intention. G Do you feel like having an Indian? Or mil we could go for Thai -or maybe JAN I do most things round the house Japanese? myself and I even service my own R I'm easy.Whatever you like. scooter. Well, I, urn, just got fed up with G Shall we give that new Indian a try? being ripped off all the time -like when R I really don't mind. It's up to you. I had my washing machine serviced. G Mmm, decisions, decisions. Actually, I'd never had any kitchen appliances serviced before. The guy charged me come to think of it, I've had Indian twice a £50 callout charge just for walking already this week. So Thai or Japanese? through the door. The service was on R I'm not bothered either way. But if you top of that. Crazy! So, er, I got my dad to don't make your mind up soon, they'll be teach me how to do things. I still get my closed! car serviced at the local garage, but I'm, G I'd prefer Thai, I think. That OK with er, I'm going to start car maintenance classes soon, so then I'll be able to do you? that myself too. R It's all the same to me, I don't mind. Just DONNAAsk me to change a plug and I make a decision. wouldn't know where to start. No, if I G Of course. It's, er, it's so hard to find can't get my brother to do things for me, I pay to get them fixed. I've had lots of anywhere to park near the Thai place. things done recently. Er, I had to get the boiler serviced because it wasn't working R Gary! properly. Then the roof was leaking so I G No, I was just thinking, we'd be better got that fixed. Then the leak left a stain on the bathroom wall so now I'm having off walking. the bathroom redecorated. I wish I were R It's pouring with rain out there. more practical. I'd have saved a fortune. G Oh, so it is. R Look, on second thoughts, let's give tonight a miss and arrange something for the weekend. G Oh, alright. R Have you got anything on this Saturday?

Recording Scripts SHEENAMy husband works away quite a lot 1 M Well, I did. Basically it says that when 3 so I've had to learn how to do a lot of we ...if men and women want to live P You haven't read it, have you? things myself. In fact I'm getting better M I have read it, actually. at doing DIY. I actually put some shelves together successfully, they need to up myself last weekend, but before I put understand each other better. Not rocket 4 any books on them I'm going to get my science, is it? I M Doh, ~hat'sa bit sexist, Naomi. brother to check they're safe first. But N Understand what? I NAOMIIt isn't sexist, it's a fact. there are still things I can't do. For P Oh, you know, urn, things like how men example I've lost my back door key so drive women crazy. 5 I'll get the door lock replaced as soon as N How? N But men exaggerate too. I can. I can't do that myself. P Well, er, problem-solving for one. M No, we don't. PENNYI can do a few things myself, like Apparently men like to, urn, sort out mD I can change plugs, but I can't do very their own problems. They only talk much else. So, urn, I get my husband about problems when they want POllY Matt, where are you? to do most things round the house. He's solutions. You know what women are MATTIn here. really good at fixing things. He's, you like, we talk about our problems over P There you are. Can you tidy up the know, he's very practical like that, but and over again. We just want sympathy, he does hate painting so, er, we usually but men think they have to give us living room please, Matt? have the decorating done professionally. solutions, and when we don't respond M Uh huh. But, urn, he does pretty much everything to their solutions they stop listening. P Thanks. You know, the thing I don't like else himself, and he's really good and Men do that all the time. M No, we don't. about this flat is the kitchen. I can't c'410t cheaper than a professional. P Of course you do, it's classic. move in there. M Yes, it says in the book that women use, M Hmm.~~ er, use three times more words in a day P By the way, that was your Mum on the than men. When a man gets home he's phone. She said they got a bit lost, butANSWER2Sno 3 none of 4 anything 5 every used up all his words for the day and they'll be here soon. You're not listening,6 neither of 7 both of 8 either of 9 everyone just wants to sit in front of the TV are you?.10no one 11 all of P With the remote ... M I am listening, Polly. M Yeah, but his wife still has, oh, er, about P So what did I say?Gmm four or five thousand words left to say. M Oh no! My memory's gone! I can't And most of what she says is remember a thing. Who are you? WhatNAOMIDid you read that article in today's are you doing in my flat? exaggerated. P Oh Matt, you are an idiot. Independent,saying women should give N Meaning? M I'm not an idiot. I married you, didn't I? up work to become housewives? M Women say things like, \"I've told you P Ah.POllY Yes,but that's such a middle-class M One thing I love about you is you always idea. Most couples these days can't live a million times.\" \"I'll never speak to you laugh at my jokes. on one salary again.\" \"You never listen to me\" ...that P Don't count on it. Hey, I thought youMATTThey can. They just choose not to. kind of thing, and because men deal in were tidying up. Come on, Matt, it'sP No, they don't. We couldn't live on your facts they say, \"Well, I'm listening to you nearly one o'clock and this room is a now\" ...that kind of thing. Then the complete mess. Oh, and where did you salary, Matt. arguments start. put the stuff for the salad?M Yes,we could. N Ooh, that would certainly start an M You didn't ask me to get any.N Well, that's not the point. If women give argument in our family. But men P Oh, Matt, I did ask you. I asked you this exaggerate too. up their careers to stay at home and look M No, we don't. morning. after the family, what do they do if N They do. They, oh, they go on about how M Oh, sorry: I'll phone Mum's mobile and things go wrong and they end up getting good their car is, how gorgeous their divorced? They're too old to start latest girlfriend is, that sort of thing. ask her to pick some up on her way training for ajob. That's exaggerating. P You can't do that.M Well, urn, they usually get half the M But that's about facts, not emotions. M Yes,I can. She's my mother, she'll do husband's money so they don't have to Women say, er, you always do this, you work. never do that and. .. anything for her son.P They do. P But Matt, I never say... , oh, things like P Yeah,right. Go get the salad.N No, women staying at home isn't the that. M Too late. answer, Matt. Men should help round N So, you two newlyweds, how is married VAL Hello, darling. Sorry, we're late. the house more. ALL Hello, hello ...P Speaking of which, have you read this? --Jifeanyway? TOMThe thing that amazesme about your Why Men Lie and WomenCry.N No. Any good? ~ mother is she still can't read a map.M It's not bad. V I can actually, Tom. One thing thatP You haven't read it, have you? .if'M I have read it, actually. annoys me about you is you never giveP I bet you didn't agree with any of it. POllYWe couldn't live on your salary, Matt. me time to look at a map. Which way?M You're wrong, I did agree with it. Well, MATTYes,we could. Which way? Right or left? I just get urn, some of it anyway. flustered.N I am surprised. Didn't think men read 2 P Well, you're here now. Let me take your things like that. M Well, urn, they usually get half the coats. Matt -salad.M Ooh, that's a bit sexist, Naomi. M You don't want salad, do you, Mum?N It isn't sexist, it's a fact. You know, men husband's money so they don't have to P Matt! You do want salad, don't you, Val? don't usually read that stuff. work. v Urn... P They do. M OK, back in a moment.

Recording Scripts T Is this apple pie homemade, Polly? M Oh, er, fine, I guess. I've got a lot of 1 She'll have /;}v/ moved out by the end of p It certainly is homemade. work on at the moment, but between me the week. v Oh, it's delicious, dear. and you, I've been finding it hard to get P Thank you. down to things recently. 2 I bet he'll be watching TV when we get v And your flat is so, urn ... there. M Small? R Maybe it's time for a change. v Mmm, no, I wasn't going to say that. I M Yeah,maybe. So, is this just a social call, 3 At eight o'clock he'll be driving to work. was going to say -what I like about the or, er, ...? . ...4 We won't have /;}v/ seen everything by flat is it's so light. R Well, not exactly. I'd like to, um, talk to then. p Mmm. But the kitchen is a bit small. 5 They'll have /;}v/ got home by the time M Yes,what worries me about the size of you about a new project I'm working on. 6 wTheI\"sartrIimvee. next week I'll be lymg on the kitchen is I can't help Polly with the M Really? What kind of project? cooking -there's no room. R I'd prefer to tell you face to face, if that's a beach. T Oh, how on earth do you put up with OK. me him, Polly? M Sure. When? p Well, it's early days -we've only been R The sooner, the better, if possible. What MIKEOh, that was a hard day. It's good to be home. married for a month! about tomorrow? Are you free for lunch? M Let me check ...Sorry, I'm having lunch DAISYSO,how did the conference go? Did mJ they like your talk? with my boss tomorrow. I can't really get is the kitchen -+ The thing I don't lIke out of that. MEr, yes, I think so. Nobody walked out, R No, course not. Er, OK, how about some about this flat is the kitchen. I you always time in the morning? I could get to your anyway. office by ten thirty. D Well, that's good. So, urn, you said that laugh at my jokes -+ One thing I love about M Sorry, I'll be interviewing people for our graduate trainee programme then. you had something interesting to tell me. yiu is.you ~lways laugh at my jokes. I she Actually, that'll probably take up the MEr, yeah. I had dinner with Rob last night. whole morning. D Yes,you said. How's he doing? stIll can't read a map -+ The thIng that R OK, what about the afternoon? Say,four M Well, he's working freelance now - o'clock? amazes me about your mother is she still , M No, sorry, I'll be in the middle of a magazine articles, that sort of thing. But Rob told me that he was planning to set can't read a map. I you never gIve me time I meeting at four. Then I've got two more up his own business. I meetings I have to go to. Maybe I could D Really? What kind of business? to look at a map -+ One thin} that annoys M He wants to open a coffee shop. You meet you in the evening? know, with sofas, newspapers, good me about you is you never give me time to R Sorry, I can't do the evening, I've got to music, healthy food, Wi-Fi -somewhere you can really relax. lo.ok at a map. I it's so light -+ What I like stay at home and look after the kids. D Whereabouts? M Oh, OK. M In Brighton. about the flat is it's so light. I I can't help R Well, how about Wednesday morning, DOh, right. Polly with the cooking -+ What worries me say, eleven? M Yeah,he said he'd been looking for a M No, I'll be on my way to Southampton at about the size of the ki.tchen is I can't help good location since August, and now, eleven. I'm giving a talk at a conference urn, now he reckons he's found the PQlly with the co.oking. there. R Well, Southampton's not far from me, perfect place. am ' maybe I can meet you there. D And where's that? I M OK, that might work. M Between the seafront and the Lanes - VAL What I lIke about Sundays ISI've got I R What time would suit you? I M Well, I'll have arrived by lunchtime ... you know, that nice old shopping area. time to read the paper. Where IS It? ah, but then I have to have lunch with D That's a good spot. Lots of tourists and some clients. TOM I haven't seen it. R You are on the go all the time, aren't students. you? So what time's your talk? M Yeah, that's what I thought. And here's v yCs, you have. You were reading it an M It starts at two, so I'll have finished giving the talk by three thirty -but then the thing. Rob asked me if I wanted to hour ago. I'll have to chat to lots of people -you go into business with him. know what conferences are like. D But you've got ajob. T I wasn't. I was reading the TV guIde. R Well, er, how about I buy you dinner? M Yeah, but he'd like, er, do all the work, M Yeah,fine. I'm staying in a hotel that run the coffee shop and all that. . ...v OK. No need to get angry. night anyway and going straight to work D So why does he need you? TOne thIng that upsets me about you is the next morning. M He's looking for someone to invest in the R Great! Shall we say 7.30? business. He said he could raise half of the you aI ldwoany'st. contradict me! M Yes,fine. money and he wanted to know whether No, R Let me know where you're staying and I could come up with the other half. v I'll pick you up. D How much exactly? M Will do. Er, Rob ... M Twenty-five thousand. T You do! You're doing it now! R Yeah? D What?! Where on earth are we going to M What's this all about? get that kind of money? v No, I'm not! And the thing that annoys R Tell you on Wednesday. See you then. M Well, we've got ten thousand saved up, and we could, urn, take out a bank loan ..me about you is you always have to be Bye! for the rest. D I'm not sure, darling. It's a huge risk. right. T That's because I am! mID ANSWER2Sall 3 really 4 exactly 5 Although 6 right 7 heard 8 burning 9 quite 10 have 11 just 12 that 13 today 14bright 15 important 16 now 17 only 18 this 19 maybe 20 again 21 probably 22 supposed 23 here 24 Actually 25 long 26 home 27 so 28 just am MIKEMike Richards. ROBHello, Mike? It's Rob. M Hi, Rob! Long time no hear. How are you doing? R Er, not bad, thanks. How's life in the world of advertising?~

Recording ScriptsM Well, I asked how long it would take for M I told him that he had to name the coffee M And what if Rob doesn't agree?the business to make a profit. He shop after you! DOh, he will -@he's o!l!}: in it for the thought about six months, maybe less. mIlA ~ now, you said @So yourself.D Does Rob know anything about setting M Well, @it could work ... DAISYYour email was a bit of a shock - D Definitely. up a business? M Well, I really do need a change, and, er,M I think so. Look, he's given me a copy of G)Rob tr,ying to sell the coffee ~op to Cafe Pronto. I couldn't believe 0t! the coffee shop is making money As his business plan. We can go through it MIKENo, me neither. they say,you only live once. together this evening, if you like. D I bet ~ou were furious. D Absolutely!D Mmm, OK.M Anyway, he asked me to meet him in M You could say 0that, yes. I've, urn, M OK, let's do @it. And who knows,Brighton on Saturday. I've calmed down a bit now, though. maybe in a few years we'll be runningD Mike, I'm really not sure about this. D So what do you think we should do? our own chain of coffee shops.M I'm just going to talk to him, that's all. M Well, let's look at the options. Option D Yes,and then Daisy's can start buyingD Have you discussed this with anyone one -we go along with Rob's plan and branches of Cafe Pronto! at work? sell the shop. 'mI]M No. Rob told me not to talk to anyone D We'd, urn, make some money, so itelse about it -except you, of course. would have been worth it financially. JUDYHello everyone, thanks for coming.D OK, but promise that you'll discuss this Twenty-five thousand profit in a year Firstly I'd like to welcome Roger Barnes,with me before you do anything. isn't bad, is it? the product manager for Go!. Roger, thisM Course I will. So, how was your day? M No, not at all. It's)}!st that ...you know, is Amanda, who's just taken over from11m I just don't want ~our coffee shop to Mike as the account executive for this become another 0branch of Cafe Pronto. product, and she'll be handling theMIKEHello, Daisy. It's me. 0Ihe~'re all the same. aren't ~~? launch. You've already spoken to eachDAISYHi, where are you? D @That's true. I'm not keen on the idea other on the phone, I think.M I'm still in Brighton. Rob's just left. He either. You're very fond of 0the place, aren't you? I ROGERYes,we have. Hello, Amanda. Nice to told me to say hello to you. M Of course. I know we don't go 0there meet you finally.D Thanks. So, how did the meeting go? very often, but think of (Vall that work AMANDAYou too.M Very well, actually. First Rob asked me we -did getting fut .!:ead~. J And this is Colin, our creative director. D How could I forget @it? 0~ R Nice to meet you too, Colin. what I thought of his business plan. cleaning and painting and §luff we did COLINAnd you.D You thought it was good, didn't you? with Rob. I quite enjoyed 0that, actually. J Right, let's see what ideas we've got forM Yes, I was very impressed, actuall)' He M Yes,me too. the Go! campaign. Amanda? D So, what's option two? A Well, one thing we could do is use told me that the plan had already been mobile phone ads. You know, send short approved by the bank -the one he wants to borrow £25,000 from.DOh, right. M We, er, could just @refuse to sell- Rob video ads straight to people's mobiles.M And he said that he'd been talking to an wouldn't be able to sell without our J That sounds like a good idea. Colin? C Well, it's worth a try. And it doesn't cost interior designer. You know, to redo the agreement. inside of the shop. It's, urn, it's a D But he said he'd ~hut down the coffee very much. restaurant at the moment. J OK, so that's one idea. Amanda, whatD Yes,you told me. ~ if we did @that.M Also, he wanted to know if I'd help with M Yes,but I don't think he 0will. He still about the press campaign? the advertising, which, er, of course I'd A Well, we suggest full-page colour ads be happy to do. needs the money, doesn't he? What elseD Right. So, what do you think? is he going to do? in all magazines with a healthy livingM Well, it looks an excellent investment. D I don't know, but he did sound pretty fed section -women's magazines, Sunday But of course I told him I couldn't say up with working 0there. supplements, sports magazines, that yes or no until I talked to you. M OK, so @that's probably not a good idea. kind of thing. It's a healthy product, soD Sounds like you want to go ahead with it. D Well, there is another option ... this should be our target market.M Well, to be honest, I think we'd be crazy M What's that? J Mmm, yes, that makes sense. not to. Oh, and I said I'd be talking to D We could buy Rob's share of @the coffee R I wonder if it'd be a good idea to have the bank on Tuesday. You know, about ~ and take over the business. a celebrity advertising the product. the loan. M But who'll run @the place while we're A Well, it depends. If you like the celebrity,D That shouldn't be a problem, though, at work? should it? D We will. I could quit my job, and you're I you might buy the product. But if you can'tM No, er, I don't think so. I asked Rob I stand the person, you probably won't. when he needed a decision by, and he ...well, you're always saying how much said by, urn, by next weekend. you hate ~orking for that advertising R So, what you're saying is that the wrongD Really? That soon? celebrity could actually damage theM Yes,apparently he's not the only person ~. trying to buy the place. I asked him if he campaign? was talking to any other investors, and M I don't hate @it exactly. A Urn, yes, I think so. he said no. So it's up to us, really. I D Yes,you do. You're always going on J Colin, what do you think?D Well, if you're sure, then let's just do it. C Personally, I'd rather we didn't use a It's only money, after all. about how bored you are there and howM I don't think we'll regret it. I did make you can't wait to leave. celebrity For one thing, you never know one condition, though. M Yeah, well, OK ...But where will we get what the media might find out aboutD What was that? the money from? their private lives in the future. Then D Well, we can, urn, sell @the house and where would we be? move to Brighton. @It's probably worth R OK, maybe we should avoid using twice what we paid for it anyway, and celebrities. we'll easily be able to au~ Rob's share J pAlmannIinrigghta iTnVthaindkaintgthisthpaot iwnte?'re no.t. of the business with the profit.

Recording Scripts ..4 She can't have I~vl been /bml working all nIght.A Er, probably not, no. The main problem L Oh, I've looked everywhere. It's not here. S I mar have I~vl sent it to the wrong Maybe I lost it last night.with TV ads is that they're incredibly address. A Or someone could have taken it fromexpensive and our budget isn't very big. .....6 Your father must have I~vl been /bml your bag. trYing to ca11 you.R Are you saying that we won't be L Oh no, I hope not. A Hey, don't panic, it's, urn, oh, it's boundadvertising Go! on TV at all? to be around here somewhere.A Not initially, no. L But someone might be using it to phoneJ I'm not sure that's such a good idea. Australia! mD A Oh, chill out, Louise. Let's just try andWe need to have some kind of TV ad, ANSWERS 2 must be having 3 must have work out where you left it. Then you canI think. call and cancel it if you need to. delivered 4 could be s can't be 6 must L Yeah,good idea.R I'll see what I can do about increasing A OK, urn, let's see ...I met you after work, have been lying 7 must have found then we popped into that trendy newthe budget. cafe for a coffee. 8 might have written L And I definitely had my mobile thenC I know! Why don't we give away free because I called my mate Jackie just aftersamples of Go! to commuters in the we left. LOUSIE Dh, yes. Dh, there is a note. It says, A OK, so you didn't leave it in the cafe. morning? \"Louise, you left this in the back of my Where did we go next?J Yes, that could work. Everyone likes free L Govinda's. cab last night. Give me a call sometime. A Yeah, that's right. Oh, and someonesamples, and in the summer everyone's Here's my mobile number. Patrick.\" called you in the middle of the meal,thirsty, especially if they're travelling. didn't they? ANGIE Dh, wow, how interesting! Patrick L Yeah, my sister.R Absolutely! A Do you remember what you did with must be that taxi driver you fancied. your phone after that?C We could offer a choice of flavours too, L Not really, no. So, are you going to call him? A So you may have left it on the table oryou know, strawberry, pineapple ... L Maybe -if I don't lose my phone again something.A I've got an idea. How about giving away L Possibly, yeah. Maybe I should call the f.Ir,st.a free glass with the Go! logo on? Then restaurant. ~ A It won't be open yet.the Go! logo will be on their desk at L Oh, yeah, you're right. A Hang on a sec. You can't have left it atwork all day. ...They needn't have I~vl w~rried. I They the restaurant, because someone textedC Yes, I like that idea. Nice one. you while we were queuing outside should have I~vl re.alised they were listening the club. to a play. I They could have I~vl lIstenedJ Right, can we just go over this again? L That's right, yeah. Hey, do you remember that guy who, urn, kept staring at us allIdeas we have on the table are -a mobile the time? He might have been waiting to other radio stations. I I would have I~vl for a chance to steal my phone.phone campaign ... A Maybe. He was a bit weird, wasn't he? reacted differently. I They shouldn't L Definitely. But did we phone for a taxim) when we left? ...' .have I~vl fled their homes. I We couldn't A No, we just stopped one in the street. And you really fancied the driver, if I have I~vl done anythmg else. I I wouldn'tAMANDA I know! Why don't we use cartoon remember rightly. have I~vl said that. L Well, he was quite good-looking, wasn'tcharacters? .d .d ID he?, ..-~ ~COLIN I'm not sure that's such a I!OO 1 ea. A Yeah, not bad, I suppose. Anyway, I ....TIP! .WordsI thmk we need some real people. think that guy in the club must have in pink are weak forms. stolen it. Call the phone company nowA ~s, maybe you're right. and get the number stopped. L Oh, what a hassle. This is really going, ~.~C One thin g we could do /w/ is show t9 mess up my day. LAURA HI, Chns. A Here, use my phone. I'll go and see ifsomeone dnnkinl! the product. CHRIS Dh hi, Laura. there's any post.A Yes, that makes sense. HowjwLabout L Thanks a lot. Now, what number do I call? L Go.o.d~.~d.ay Ijl at work? ... mD3m!!1, I th'III k I m.ust have /~v/ I.e ft .I.t at home. C Yeah, not bad, thanks. Is Mark here yet?Using some attractive models? ...~ .L Yes, he's just gettinl! us some drinks. ..2 He CQuldhave /~v/ been /bIn! talking toC Personally]iLl'd rather we didn't use someone else. .MARK Hi, Chns. 3 We might have /~v/ locked the keys inmodels. Theyjj/ always lo.ok so false. L Dh, thanks. (Hi) Here you go. the car.A So what you're slyingjs that you.~... .. ..C Yes,-,--,exactly. M Cheers!want ordinary-looking people. The kind~of dbpeople who LAND C Cheers!mighvctually gojv:Lout.,an uy Go!. :T ~M So, Laura, h~w, urn, how fl Iwfare you settlIn.&-.m to your new at?A wel!Jt's wortQjl try. .~L Er, not very welL actually. I think it's haunted.C I wonder ~./r~/ ~if. it'd be '£/j~/ .~a g o.od ide.a to show how much fruit is in it?.. h' '. .-~~ .A ~s, that could work. OK, can we just M Haunted? You're pulling my leg! L No, Iwl I'm serious.gojwLover t Is~agam? '.-~. .- .. ..MImJ Bfluatt you lIve .in a two-bedroomed m soutANGIE Morning, ~ .~- hL '5on d on, not a cast 1e m Louise. Want some TEransyhlv.a, nia! '. .. hbreakfast? c r, tats vampIres, not g osts,LOUISE No, thanks. yo.u'-8IwLidiot. And ~a.n.yJw'av, .there'sA What's up? You seem a bit stressed out. no reason why her flat can't be haunted. M Dh, so yo.u believe in ghosts too, do you?L Yeah, I can't find my mobile. . ..c Er, we 11, maybe. You can't say f or certamA It might be in the bathroom. That's .. ..~. ..they do1n't exist.where you usually leave it.L No, it's not there, I've looked. Oh, it M So, teLus~ab°u.t your gh°.st, La~ra.really bugs me when I lose things. .~. ~ ~ ~Does it, urn, wear Irl a white sheet andA Did you, um, have you tried calling the go wooooh?number? L NO.JwLit's, er, it's nothing like that.L Yeah, of course, but it must be switched But I knew something was ~on..&~-.as~soo~-:as I ~oved~~n. No.off. It just puts me straight through to voicemail. ..~wonder the preVIous oWIlers were soA Right. keen to sell.

3 33% 4 70% THE FALLING COW STORY Possiblytrue. This storywasreported by the ReutersNews12-15 points You'rean extremelyhonest Agencyin April 1997and appearedinand trustworthy person.Youprobablysleep newspapersallover the world. However,very well at night! many urbanlegendwebsitesnow saythat8-11 points You'rereasonablyhonest,but this storyis false,as a very similar storyoccasionallyyou think of yourself instead of had appearedin the MoscowNewssevendoing the right thing. yearsearlier.5-7 points Where did you leaveyourmorals?Perhapsyou should try to be a bit THE EXPLODING HOUSESTORY True.more honestin the future! This storyhappenedin December2003 at the home of a womannamedAurelia OliverasinThejudges in thesereal-life court cases SanDiego,California. Luckily nobodywashanded downthesesentences. hurt in the explosionbecauseMrs Oliveras,Student A The postmanwassentto prison herhusbandand her two-year-olddaughterfor six and a half years. were in the backgardenat the time.StudentB The secretarywho stole£4.3million wassentto prison for 16 years. Poseasa live model The usualrateStudentC The manwho illegally copied is £7-£10 an hour.and sold DVDs was given a three-yearprison Invigilate exams Between£8 and £18sentence. an hour.Student D The farmerwas sentto prison Join a focus group Between£30 and £100for life. However,his sentencewas laterreducedto five years,and he wasreleased a session.from prison afterthreeyears. Take part in psychological researchTHE DEAD KANGAROOSTORY Not true. Between£10 and £60 asession.Therehavebeennumerousversionsof this Be a mystery shopper £8-£10 a visit, buturbanlegendoverthe years,the firstappearing could be ashigh as£100 a day.in 1902(in this storythekangaroowashit by Let companiesadvertise on your cara train). Therearealsodifferentversionsof Between£70 and £220 a month.this storytold in othercountries.In the USA,for example,the animalis usuallyadeer. 1 Art Convergence,Jackson Pollock (i952) 2 Art Black Bean, from Soup Can Series I, Andy Warhol (1968) 3 Art Untitled, Mark Rothko (1960-1961) 4 Art In Advanceof the Broken Arm, Marc Duchamp (1915) 5 Not art victim of the volcanic eruption, Pompeii, AD 79 6 Art A Glimpse of Hope, Rebecca Warren (2003) 7 Not art weathercock from a church, France 8 Not art model in a shop window, Goa, India 9 Art Equivalent VIII, Carl Andre (1966) 10 Not art section of the Millau bridge, France 11 Not art 'Split Apple Rock', natural rock formation, New Zealand 12 Not art picture painted by an elephantPhonemicSymbolsVowelsoundsConsonanst ounds

CD-ROMAI udio CDInstructions Practice activities My A~tivitiesStart the CD-ROM.Insert theface2face CD-ROM into your CD-ROM drive..If Autorun is enabled,the CD-ROM will start automatically..If Autorun is not enabled, open My Computer and then D: (where D is the letter of your CD-ROM drive). Then double-click on the face2faceicon.Install the CD-ROM to your hard disk( recommended).Go to My Computer and then D: (where D is the letter of your CD-ROM drive)..Right-click on Explore..Double-click on Install face2faceto harddisk..Follow the installation instructions on your screen.Listen and practise on your CD playerYou can listen to and practise language from these conversations inthe Student'sBook RealWorld lessonson your CD player at home orin the car:Rlo7 R2.6 R3.7 R4.5 R5.7 R6o6R7.3 R8.8 R9.4 RI0.8 Rll.8 My PortfolioWhat's on the CD-ROM? Support.Interactive practice activities If you experience difficulties with this CD-ROM, pleasevisit:Extra practice of Grammar, Vocabulary,RealWorld situations and www.ca~bridge. org/elt/cdromEnglish pronunciation. Click on one of the unit numbers (1-12) atthe top of the screen. Then choose an activity and click on it to start..My ActivitiesCreate your own lesson. Click on My Activities at the top of the screen.Drag activities from the unit menus into the My Activities panel on theright of the screen. Then click on Start..My PortfolioThis is a unique and customisable reference tool. Click on Grammal;Word List, RealWorld or Phonemesat any time for extra help andinformation. You can also add your own notes, check your progressand create your own English tests!Acknowledgements The authors and publishers would like to thank the following teachers for the invaluable feedback which they provided:The authors would again like to thank everyoneat Cambridge University CesarElizi, Brazil; Iris Grallert, Gennany; Alison Greenwood,Italy;Pressfor their support, enthusiasmand hard work, in particular: Dilys Madeline Hall, UK; Nancy Hulek, Gennany; Malyina Kazue Ono Leal,Silva (Senior DevelopmentEditor); Andrew Reid, Verity Cole and Keith Brazil; Ana Mercado,Spain;Alejandro Naveas,Chile; David Rea,UK;Sands (Editorial team); Ruth Atkinson (Freelanceeditor); Laurie Harrison Gloria Isabel Torres,Spain;Jolanta Urbanik, Poland.(Electronic OperationsManager); Nicholas Tims, Alison GreenwoodandNicholas Murgatroyd (CD-ROM team) and all the team at Pentacor(Book The authors and publishers are grateful to the following contributors:design). We would especiallylike to thank Sue Ullstein (Senlor pentacorbig: coverand text design and page make-upCommissioning Editor) for her enormous contribution to theface2face Hilary Luckcock: picture research,commissionedphotographyproject over the last few years. We simply couldn't have done it without Trevor Clifford: photographyyou, Sue. Anne Rosenfeld:audio recordingsChris Redstonwould like to thank the following people for all their The authors and publishers are grateful to the following for pennistionsupport and encouragement:Mark and Laura Skipper,Will Ord, Dylan to reproduce copyright material. All efforts have beenmade to contactEvans,Kari Matchett, Heidi Sowter,KarenThomas,NatashaMufioz, Steve the copyright holders of material reproduced in this book which belongsMoore, SusanneBrunsch, Katy Wimhurst, Mat and SarahHunt, Polly Kirby, to third parties, and citations are given for the sources. We welcomeMargie Fisher,JossWhedon, the Hilder family, his sisters,Anne and Carol, approachesfrom any copyright holders whom we have not beenable tohis dear father,Bill Redston,and of course his dearco-author,Gillie trace but find that their material has been reproduced herein.Cunningham. Hewould also like to offer very specialand heartfelt thanksto Adela Pickles for all her patience,understandingand love,and for For the text in IA: adapted from 'Who owns English?', Newsweek7, thputting up with bookwriting guy for anotheryear. It'll be funloving guy's March 2005 @ NewsweekInc; for the text in 5A: basedon 'The worldturn soon, I promise! according to carp' by Sally Weale, Guardian,24th July 2002 @ Guardian NewspapersLimited 2002; for the text in 5D: adaptedfrom EcologicalGillie Cunningham would like to offer specialthanks to the usualsuspects: Footprint Quiz www.myfootprint.org @ 2002 Redefining Progress;for theRichard Gibb, Amybeth, SueMohamed and her dearcoChris Redston,for text in 10C: adapted from 'The last taboo' by Lucy Cavendish,being their wonderful selvesasalwaysand for offering help and support Independent7, th November 2005 @ Independent News and Mediawheneverit was needed.Many thanksalsogo to Jan Bell for joining the Limited.face2facewriting team-great to be working with you again,Jan.

(b), /@Michael Prince for p7 (bl), /@Rob Lewine/Zefa for p10, /@Schultheiss Productions/Zefa for p16 (b), /@Reuters for p32 (cr), /@Bettmann for p42 (1),/@Bettmann for p42 (tr), /@Bettmann for p42 (br), /@Louie Psihoyos for p42 (tc), /@Historical Picture Archive for p43 (t), /@Peter M Fisher for p60 (B), /@LWA-Sharie Kennedy for p68 (br), /@Mark L Stephenson for p71 (tl), /@Elder Neville/Sygma for p74 (B), /@Bettmann for p97 (C), /@ARS, NY &: DACS, London 2006 for pl12 (1), /@Kate Rothko Prizel &: Christopher Rothko, NY &: DACS, London 2006 for pl12 (3), /@SuccessionMarcel DuchampiADAGp, Paris and DACS, London 2006 for pl12 (4); Empics/@AP/David Berting/Polfoto for p32 (br), /@PAlMichael Stephens for p75; Getty Images for pp6-7 (background), 8 (Mia &: Tim), 17 (1)inset, 44 (tl), 60 (c), 67,81; Cover of The Alchemist by Paulo Coelho, Reprinted by permission of HarperCollins Publishers Ltd/@Paulo Coelho (1993) for p33 (tl); Cover of Watching theEnglish: TheHidden Rulesof English Behaviour by Kate Fox @Hodder Headline for p46; Islamonline.com for pSI (C); Cover of One Hundred Yearsof Solitude by Gabriel Garcia Marquez, Penguin General, 1998 @Reproduced by permission of Penguin Books Ltd for p32 (tl); Punchstock/@Bananastock for p14(bl), /@Image Source for pIS, /@Bananastock for p19 (r), /@Blend Images for p55(r), /@Image Source for p60 (A), /@Designpics.com for p44 (tr), /@Bananastock for p79; Cover of The Houseof theSpirits by Isabel Allende reprinted by permission of the Random House Group Ltd for p32 (cl); Rex Features for pp16 (t), 17 (1), 17 (r), 33 (br), 60 (main), 71 (tr), 74 (C), 97 (B), 106, 109, pl12 (2), pl12 (12); Ronald Grant Archive/@Eros International for p71 (b), /@Paramount Pictures for p76 (1); Cover of Why Men Lie and WomenCry by Allan &: Barbara Peasereprinted by permission of The Orion Publishing Group for p83; @TateLondon 2006/Courtesy Maureen Paley for pl12 (6), /@Carl AndreNAGA, New York &: DACS, London 2002 for pl12 (9); @University of Birmingham 2006 for p8. The publishers regret that they have been unable to trace the copyright of the photographs on pp51 (A), 97 and would welcome any information enabling them to do so. The following photographs were taken on commission by Trevor Clifford for CUP: pp14 (br), 19 (1), 20, 27, 28 (both), 36, 48/49, 52/53, 62/63, 68 (t), 68 (c), 68 (bl), 72/73, 78 (all), 84, 86, 87,88,89,90,92,94 (all). We are grateful to the following for their help with the commissioned photography: BBC Radio Cambridgeshire; Clare Butler; Flaunt, Bishops Stortford; Gluttons, Saffron Walden; Sylvie Gummery;Paul Hammett; Host, Bishops Stortford; Louie's Sandwich Bar, Nazeing; Lindy &: Chris Roberts; Tandoori Cottage, Bishops Stortford; Stanley TeesSolicitors, Bishops Stortford. The publishers would like to thank the following illustrators: Lee Broadley, Fred Blunt (do Joking Apart), Kate Charlesworth, Chris Coady, D~ty Vectors, Mark Duffin, Andy Hammond (do Illustration), Graham Kennedy;Joanne Kerr (do New Division), Lee Montgomery, Naf (do Joking Apart).\"