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Home Explore Dog Man - Brawl of the Wild by Dav Pilkey

Dog Man - Brawl of the Wild by Dav Pilkey

Published by alumax4u, 2022-06-28 03:07:55

Description: Dog Man - Brawl of the Wild by Dav Pilkey

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TH E COMPANION T O TH E #1 NEW YORK TIMES BESTSELLERS



oF T h e .’ U O W WRXrrZNrt/VDZLLUQ7RhT£t>ÔVq m f t u c e i » AS ÇEORÇf B£AM> AND M R oLP fluTCfl£/VS WlHH COLO* ßY JO S E Çrt*I$ALZ>X

FOR LIZETTE SERRANO THANK YOU FOR YOUR STRENGTH, COMPASSION, AND DEVOTION T O LIBRARIES AND KIDS Copyright © ¿019 i>y b a v piLkey vJW W .piLkey.com Published hy Gr a p h i x , a n impriht- o f £choLas+i c I he., Publ i sher s si nce H20- S ct/o LA S riC , GfiWHiJCj a n d a s s o c i a t e d Logos a r e t r a d e m a r k s &ttd/or re ^ is le re d +ra,dema;rf<s o f S c h o l a s t i c in c . DO^ AOrW a n d r e L a t e d designs, TRE£ ffOUSf COMIX a nd r e L a t e ol designs, a n d cAPT^ i/v U N b t f i P M r s a n d r e L a t e d designs a ,re t r a d e m a r k s a n d / o r r e g i s t e r e d t - r a d e m a r k s oF D av Pakey- The publisher <4oes: no+ Jn&ve ¿otty cont-roL over a n d does ho+ assu m e responsibiLi+y fo r au-thor or t h i r d - p a r t y w e tsi+ e s or H e i r content- AiL rights re se rv e d under x n t -er nat i on aL a n d P a n - A m e r i c a n copyright C o nven tio ns- A/o p&r+ o f +(n!s pul>i.icaj+io)i m&y be rep ro d uced , +ra;Mim/++ed doivttto&ded, deco/npiied, r ev er se engineered, or s t o r e d in or introd uced into any ' i n f o r m a t i o n s t o r a g e a n d r e t r i e v a l s y s t e m ¡n a tty fo rm or by a,hy /■neot'fts, wKe-fker e l e c t r o n i c or m e c h a n i ca L , now known or h e r e a f t e r i nv ent ed, w i t h o u t the express w r i t t e n permi ssi on o f -the publisher- f o r i n f o r m a t i o n r e g a r d i n g p e rm is s io n w ri+ e +o SchoLasti c inc., 557A t t e n t i o n : permissi ons D e p a r t m e n t , Broadway, New York,, NY lOOlz. This boofi is a w o r k o f F ic tio n - Nar^es, c h a r a c - t e r s , pLaces, a n d i nc i d e n t s a r e e i t h e r the product- o f the au-tUor's i m a g i n a t i o n or fore used f i ct i t i ousLy, a n d a n y r e s e m b L a n c e t-o act-uaL persons, Living o r d e a d business e s t a b l i s h m e n t s , events, or Locales ¡s entireLy c o i n c i d e n t a l . L i b r a r y o f Congr es s Con-troL Number 2 0 18*1 81 e-ISBN tf7<9-J-33<9-23fo5<3-3 f i r s t edition, J a n u a r y 2 0 i<? e d i t e d by Ken <5eis+ Boo£ desi^tt l y £>av pi l key a n d PhiL f a l c o CoLor by Jo se G a r i b a l d i Col or f l a t t i n g hy KacheL PoLk C r e a t i v e ¿>irec+or: David sayLor

Fore-Foreword: Do<*Man: Behihd -the Profundity -S - Foreword; George and Harold's Recap of Our StoryThus \"Far - 8- 1. Two Mess<k$es -13- 2 . The Sad GvyS -2 9 - 3 . Things <5eT W o rs t! -5*2- 4. A Buncha. StuFf T W Happened Next -6 7 - D 05 Ja il BIwes - 82- (,, Even More STufF Happens! “ 99“ 7. G»rl Powerf -113 - 6 - Help J s On The W ay • 122- 9. D 03 Man: The M ajor Motion Pi'cfure -147“ fo. The Great Cat} Bee -171- [I. March of \"Me fflis-fits - 201- 5araK Ha+oFF New* £¿09 - 210- H o w to Droivv - 212-



____________________ ___________ ________ a______________ ■_______________— -— I9 0 5 Bv e^ htTiir1\\1d0■tihieizmPj ir>oi jf>ui in[ *d/iitryx H b H h iK . _________________ ~Z7&?2i j p ^ ° v e r s ? m we'ft 5 n 9 r ^ders I t '5 your old Pals f ] no* , So u>e're yo . r Totally mature- Qeorge an a .-------- - • ^r~T~. /Ind deeply Harold- People o fte n ask ufy \" S i r s , do you ei/er OliSS thoS€ chUJhood^ dayS o Laughter anc/ m e r r im e n t ? \" I • MAP know ALa5, wA?le w'e U/e ca,/i rtey€r Look back fondly upon our c p U ow return. , Voutks...



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w a C e--o--r-g--e---A-n--d---H--A-r-o--l-d---P-r-o--d-u--c-t-!-O-n---o--f\" Y 1 G e o rq e h ar q L oI s ,T h U S (M R ? i * .a s v'W6‘r€ Gjeorgea**/Haro'ld‘ ,---a--^-4' —w-e- *■«'P\"«P'^‘-onvae-+t-KL.:iyj re_c_a_pm.j»\"_ ©2011 ir 0<»rye <\"'<>Herald- One Vm t there was a, • IA//10 90+ hurt Cop and p0l¡ce doj-. in an explosion I They were rushed 1 •’• Where the doctor t o t h e h o s p i t a l . ... had very Sad rteu/S: yjgg-OOo-^/gC'OOO \" T'no Sorry, copy (jZummer, d u d * ! } ! b u t your head is dlyi'nj .



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ï Got a very SPedAL Letter Ahd P0<k MA lu DeSTRoYteD iT|



But where are tAe Tfiey iMvSt Kave beer\\ tickets- ? if) m£ botto/)9 o f t h « erw/eLope H> ts\\ P O O M A N H fff. i —i —i 22

Me.Aru A /M ^ \"- 1 I H iy*, Pe+e/J \\A/Kat‘ct\\o. doin'P EL HI------- m. E W H j^ /dbd mm S) ED L Le a ve w « a/on«/ ... Te/I m e l j j ) Big Jim [li Well; I'/K) 1~r-yinj To \\iow Lo n j h a v e you been qoorf ^ be 3 0 0 ^ So J Mode Let *5 S€«... thirteen, this chafT to Tr*ck fourTfem , fifteen.-. p ro g i-e s ^ ^ J /L ^ IGood 23

Aw, X'm So proud o f you, P e t e Y !! > / p e rS o N A t SRflCi» S o r r y , Petef M A IN )/ H A N D S © F F th e M erchANDiSif Hey, do yet wanna. W, Corte oh hear abouf the l\\/e/>d dream X had la s t n i g h i ?

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G E T (H IT O F H ER E, BIG J i m i G E T O U T ! G E T AND DON'T COME out; g et out? BACK, VA WEiBDOF vw ^yv/^w vw yvw y^ a o 0« ^C I Thou^Kt you were Trymj to be bfi€Qf <yvv \\ y V xzv^ r^ :i^ /v Ntp vC 26

ï SAoE> I WAS There's A Î R y ïm to Be O sFFereN ce!!! dfOOD# NoT MiCËl 27

I’m a bad cat. I can't even B good 4 seven­ teen minutes on my own. -X 2<9



...WeVe Ijksî/V up crime rin your r)çt’qh^>olrkooc^!|.., Rudldíes,.. Septos ßi\\ doIf ..\\a/>c cl!r i i too perfect •> bmt \\/je're aiA/FWly go odi u SoPa> Buddies, £v/Ldoer.S Here w e com« ! Bet+^r Ruh!!L IV 9 30

W& -fig ht -For .•• So e v e r y b o d y freedoms —That's Shakf your booiy! ovr d u t y ... Oooooooooohy Baby t a b / bkioy ikaK* your big, bi*3 boot y -• 31

X /nade Some Now l+s o, adjys+frentj to mv k i + t y Scooter. Cat « O í r I «, f• Wka+ have You Did'jo- -fin a lly been working on ? finish building that Su per computer? I Aw, COOL ! !! Y°ü did H U I 32

H e y , VP u t e r / YOU HflUE ONE Wh a t s u p ? NEW MESSAGE. He Y ! It!y fro/yj m y Pfrf>a.l 33

C'mott, 80-H 0 Í Pupa, need? our help!!( Moy he's n o t hurt. He s oi¡scoura.c¡e d f 1+5 worseU 3H

MeanwjiWe.-- (jee., thanks, YoLay! \\A le U I cops □ □ aa ,r^ V. Well, 0o<j Man, O' YoLay i “«!«/ TheTl I all w o r k e d o u t!I! re n d us +iA/enfy W F W Tickets/ She said t h e movie VA/h^t? You’ve never Will be Animated heard oF claymation ? VA/i+h C L A Y i f f 39

C'mon. l ' U Teach firsT, you. 3 e\"1\" some y a* all abou+ <+• TKcn you mooSJi ... Tii| you ma/ce |t a,round- a Li+fle -figore. Then you S e t ]t ... and -fake clown... / photo of ‘ t- \"tSk .iS fc r — ìl l .

L e t turn my camero^ on and... Where dîd if 30?^ Y X 91/es.S I'/l have t o w a k e a. n e w 0 n « í Îí J \"~ 37

^OKj Then you just ...o f +/\\€ picture... HEVi Take Let's t r y this Olyaih! 33

37

j-U v ! Y o u 're r»ot a- g i w t Robotic bvmhLe- b e e , for*- y o u f m—

oh 3 °°d 1 Wel\\, Come w ì H * ryie. You'v-e ^ o t - a, r e l i e f ! ! ! 41

1 Look; Kid, x X Tr/ed. j u s f ca n 't do it. X r e a d y Tried.^ X c a n -!\" be jood.^ 0t •A i B u t iVft tael. Ptf'Pa,, you I ' m ch bad g i v e up J o e c iS / / LooK/ y o u 'r* jus-f Some folKi are ^oodl — Iike You! oo Kid. Vou dorti un cAers+and. LI 42

- a n d fonoe -folks I t s Do/ntless ~to are. b a d — like me. t r y to c.hanqe I t '5 pointless to <3oodbye, k id 43

Ta-Ke him 80-HD iS is fo r th e best, kid. TARE HIM Hom e, s o -HD/

45

1 (V\\ea,ñwh>Le . . . ...Vom put the c l o y B u y here... co p S a O M f- lA cv w * W**1\" _ figQ C » (ite/ /AUl rrii; g h t - ' f ° r t h * ELevenTH Time ...Then you talee ao Picture of it !!!l WHAT DO Ÿ O U I HAVE TO SAV For w r n u r ? 46

BEADy?

¿liPEBAM*


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