Drum Corps International 2008 Yearbook

R 0 s E M 0 N T I L L N 0 s The fearless, disciplined and dedicated Samurai the intense loneliness of the \"Masterless Samurai\" are known by many as the \"Knights of Medieval who proceeded to live in isolation after the loss of his Japan.\" For the corps' 60th anniversary, the master. Ken-jutsu was a military art form known as Cavaliers celebrate the warriors' culture with \"The Art of the Sword;\" its impressive movements and with Samurai, a production of strategies designed to overwhelm original music. + Bushido, \"The one's opponents. Fumeiyo yori shi Way of the Warrior,\" was a code wo, \"Death Before Dishonor,\" was of conduct governing a life the duty of all Samurai. The power wracked with intense violence, but of the belief gave them a steely tempered by a deep well of wisdom resolve to move into the unknown and serenity. Ronin demonstrates with determination. Bushido- The Way of the Warrior Ron in- Masterless Samurai 2008 REPERTOIRE Ken-jutsu -The Art of the Sword Samurai Fumeiyo yori shi wo -Death Before Dishonor by Richard Saucedo, Jim Casella, Erik Johnson

D u B u Q u E I 0 w A Night and Day chronicles the ebb and flow of from three Leonard Bernstein Broadway hits. hours in a New York cityscape. \"Sunset in the City\" \"Moonlight in Central Park\" casts its romantic spell opens with sounds of rush hour traffic, the to Andrew Lloyd Weber's Unexpected Song, hammering on the nerves calmed by Cole Porter's expressing tender loneliness and inner reflection. immortal and bittersweet romantic The stillness of \"Dangerous classic, Night and Day. The Streets/Sunset\" is shaken by young night witnesses a deluge of the haunting, hypnotic tension taxis weaving through the bustling of Miklos Rozsa's Spellbound momentum of the segment\"Times Concerto, revealing the menacing Square/Curtain Time,\" based on danger lurking under the cover jagged melodies and fiery dances of darkness. Sunset in the City Night and Day by Cole Porter Times Square/Curtain Time Fancy Free 2008 REPERTOIRE On the Town West Side Story Night and Day by Leonard Bernstein Moonlight in Central Park Unexpected Song by Andrew Lloyd Weber Dangerous Streets/Sunset Spellbound Concerto by Miklos Rozsa

Executive Director Greg Orwoll Kaihatsu, Tom Lizotte, Mike Madonia, Visual Jared Brockmeyer (co-caption coordinator), Lori Connolly (food Drum Majors Keenan Cox, Doug Bogatz Sarah Whitlock, Matthew Willis head), Mikey Cowan (co-caption program coordinator), Julie Chase Design Jude Boughton (program coor- Percussion Max Mullinix (caption head), head), Bob Smith (visual coordina- (uniforms), Mary Keller (uniforms), dinator), Michael Cesario (program Jeremy Chapman, Ben Gervais, Mark tor), Chris Brown, Russ Callahan, Lauren Ripley (uniforms), Sue consultant), Carla Burgess-Tomsa Hunter, Jason Kitchner, Ryan Lamb, Colin Farley, Matt Gibson, Noel Panovich (uniforms), Jeanne and (staff coordinator), Jeff Queen Craig Loeffer, lan Murphy, Jason Navejas, Travis Williams, Beth Wilson John Scott (flag production), Randy (percussion arranger), Drew Pena, Matt Powers, Lauren Sakowski Administrative Mike Grimes (Colts Eichhorn (board president), Peggy Schnieders (front ensemble ar- Color Guard Carla Burgess-Tom sa operations manager), Ray Morgan Francomb (booster club president), ranger), Chris Tom sa (brass arranger), (co-caption head), Sam Brooks (co- (tour director), Vicki Schaffer (youth Dave King (fleet manager), Frank Peter LePage (color guard design), caption head), Nanette DeRemer, programs director), Jeff MacFarlane Pierce (off-season transportation), Jeremy Hunt (visual design), James Chrissy Drouin, Taneya Jeffries, Ryan (controller, designer), Tom Hannan Ray McGiveron (lead bus driver), Hudson (consultant) Klawitter, Bobby Sheretz, Erin Leifer, (office assistant), Mary DeSchepper Jenny Acheson (intern), David Alford Brass Andrew Tucker (caption head), Michael Zablocki (souvenirs), Bill Symoniak (volunteer (intern), Aaron Hudson (intern), Kevin Chad Huel, Anthony Kading, Don coordinator), Jim Hauser (volunteer Kahl (intern), Brandon Rogers (intern) A 1101 Central Avenue, Dubuque, lA 52001 P 563.582.4872 w www.colts.org

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Executive Director Fred Morrison Merchandise Managers Allison Andrew Markworth (front Color Guard Mike Sloan (caption Director Mark Chambers Jenkins, Taylor Jenkins ensemble arranger) head, designer), Lionel! Moore Corps Operations Volunteer Coordinator Rick Reedy Brass Aaron Goldberg (caption (designer), Jamie Oakley Maureen Morrison Consultant Gary Cuzzocrea head), Gary Barnard, Beth Bronk, (caption supervisor), Randi Miles, Assistant Corps Director, Drum Majors Kyle Bourdon, AI Chez, Adam Farley, Charles Brittany McMillen, Laura Gasper, Tour Director Jarrett Lipman Meghan Huber Frost, Patrick McGee, Gabe John Edders Assistant Tour Director Evan Woods Design Mark Chambers (program Musella, Jon Virtue Visual Darryl Pemberton (caption Tour Assistants Joe Banegas, coordinator), Aaron Guidry Percussion Roland Chavez (caption head, designer), Aaron Barnes Phillip Flynn, Jamie Tucker (music), Darryl Pemberton head), Kyle Arwine, Jack Borland, (caption supervisor), Tony Carino, Consultant Mark Koehl (visual), Mike Sloan (visual), Jaime Alvarez-Calderon, Kris Mike Clifton, Mike Gustafson, Food and Dining Manager Carol Chambers (brass arranger), Hartman, Jordan Stern, Emily Cheryl Lee, Jameson Scheel, Donna Reedy Andy Yozviak (brass arranger), Tannert, Mike Hoffman Brian Smith Roland Chavez (battery arranger), A P.O. Box 591940, San Antonio, TX 78259-0146 P 210.860.8228 w www.crossmen.org

s A N A N T 0 N 0 I T E X A s Planet X is a distant realm where the magic, with fresh ears in this highly personalized treatment mysticism and beauty of Gustav Holst's The Planets that takes the vestige of the known melodies into is sideswiped by the Crossmen groove satellite. The the dominion of the unknown. Strains of Twinkle, clash of these musical worlds is first heard prior to the Twinkle Little Star shoot across the heavens and show when Beethoven's ethereal impact broadside into What a Moonlight Sonata is backed up Wonderful World of Bob Thiele by a throbbing drumbeat to Mars and George David Weiss, forging from the Holst masterwork. + a new spin-off planetary form of The entire show is essentially Strauss' Also Sprach Zarathustra a deconstructed/reconstructed and lighting up the sky with rendition of The Planets, heard visions of intergalactic fireworks. The Planets by Gustav Holst What a Wonderful World 2008 REPERTOIRE by Bob Thiele, George David Weiss Planet X Also Sprach Zarathustra by Richard Strauss Moonlight Sonata by Ludwig van Beethoven

Executive Director Brian Hickman Brass Keith Hallas, Frank Williams, Color Guard Tim Newburn, Roman Visual Staff Shane Denu, Justin Office Manager Janet Ankenbrandt Branden Hill, Karl Stein, Montoya, Lindsay Kusmierczak, Presley, Todd Clevenger, Steve Tour Director Rod Owens Adrian Martinez, Rob Cintron, Pam Davis, Tara Haworth, Aylward, LC Yarnelle, Faril Bunner, Assistant Tour Manager Tim Zajac Laura Lewis, Chris Schletter Matt Weathersby, Alyson Poe, Brandon Genaw, Ryan Weber, Drum Majors Michael McGreevy, Percussion Jon Merritt, Rob Kristie Wright, Tom Harrington, Matt Matthews, Pat Miller, Cory Edgar Ferguson, Dave Clark, Julian George Staib, Krystle Breden, Steve Collins Design Sal Salas, Joe Heininger, Don Goldthwaite, Cyrus Yareff, Eric Dominique Sanchez Hill, Chris Hestin, Rob Ferguson, Carroway, Mo Longo, Carl Tim Newburn, Gilles Ouellette Souchek, Walt Riesenberg, Jason Heaton A P.O. Box 352080, Toledo, OH 43635 P 419.698.9775 w www.glassmen.org

T 0 L E D 0 1 0 H 0 Everyone loves a festival, a showy spectacle of existence experienced by the troupe's performers on street processions, costumes, music, sideshows a daily basis.\"Act 2: Love;' surveys the aura of romance and amusement rides that swoops into town and that can never be far away when people live and transports one into a world of fantasy and diversions. work so close to each other year long. \"Act 3: Passion\" Act 1: Life Carnival is Over by Lisa Gerrard, Brendan Perry The Breakfast Machine by Danny Elfman Overture by Danny Elfman 2008 REPERTOIRE Act 2: Love Kar-ne-vel Watermark by Enya Act 3: Passion Beirut Taxi by Alexandre Desplat Carnival is Over (reprise) by Lisa Gerrard, Brendan Perry

Executive Director Jeff Spanos Design Ramiro Barrera (program Percussion Roger Carter (caption Madeleine Dardeau, Angie Director Dann Petersen coordinator), JC Caceres, Roger head), Andy Bliss (FL caption Haugejorden, Luke Heiliger Drum Majors Alex Houston, Carter, Ken Karlin, Vince Oliver head), Ryan Anderson, Casey Visual John Scruggs (caption Matthew Cortland Brass Nick Williams (caption head), Brohard, Dave Flores, Vince head), Chad Armbruster, Mike Staff Coordinator Steve Powers Matt Gregg, Jason Hausback, Gardner, Jeff Gleason, Kendall \"Ivan\" Burke, Fourbears George, Tour Manager Galen Cook Aaron Kalish, Matt Parker, Edward Karch, Brad Meyer, Ben Runkel, John Grant, David Koelz, Steve Office Manager Debbie Krebs Perry, Dan Ritacco, Jason Robb, Chris Theo, Bryan Winningham, Morrissette, Brandt Murphy, Comptroller Bill Howard Jon Schipper, Clay Wachholz Pepper Wooters, Jim Yakas Jon Newcomb, Mark Palise, Mike Color Guard Anthony Erevia Ross, Jeremy Tate, Ken Karlin (caption head), Tracy Wooton (consultant) (supervisor), JC Caceres, A 4606 Pflaum Road, Madison WI, 53718 P 608.237.8775 w www.madisonscouts.org

M A D s 0 N I w s c 0 N s N \"Fiery\" and \"Latin\" are two words often used to describe de los Duendes by Nancy Galbraith and Estancia Suite Madison Scouts productions of the past, and as a and Harp Concerto by Ginastera are combined into a celebration of the corps' 70th anniversary, those words hearty Latin stew recalling days gone by. The darkly will form the cornerstone of the program La Noche intense Danzon No. 2 by Arturo Marquez reflects the de Ia Iguana. The uncontrollable burning passion of the Latin people passion of rhythmic Latin-American and cultures over the centuries, compositions explores the cultural while the dynamic Concierto evolution of the complex Mayan Candela for Solo Percussion and society, from pre-Columbian Latin Orchestra by Gabriela Ortiz captures America to today. La Noche de los the frenetic pace of the vibrant Mayas by Silvestre Revueltas, Danza Latin society of the present. lnteligencia La Noche de los Mayas by Silvestre Revueltas Danza de los Duendes by Nancy Galbraith Estancia Suite & Harp Concerto 2008 REPERTOIRE by Alberto Ginastera La Noche de Ia Iguana Pasion Danzon No. 2 by Arturo Marquez Progreso Concierto Candela for Solo Percussion & Orchestra by Gabriela Ortiz

• 1'/f: Director Ray Mar Percussion Brian Aguilar Color Guard Tiffany Braniff (caption Visual Brian Mar (caption head, Drum Majors Santiago Saba do, (caption head, arranger), Les head, designer), Jennifer Chin, designer), Chris Baudino, David Mori Wong (arranger), Tanya Acojedo, Chad Cornwell, Jojo Dangerfield, Joel Ducore, Ben Duncan, Program Coordinator Jorge Munoz Daniel Almanza, Ard Leopando, George Fernandez, Jacquelyn Ron Munekawa, Blake Staff Coordinator Ron Munekawa Josh Luedtke, Sean Mar, Steve Wong, Jhay Delos Reyes Underwood, GawVang, Brass Dan Fong (caption head, Martinez, Blair Williams, David Kenneth Yee arranger), Milt Gee, Efrain Sankus (consultant), John Zarco Hinojosa, Christopher McCoy, (consultant) Dave Snyder, Jim Tabuchi, Vince Underwood A P.O. Box 22297, Sacramento, CA 95822 P 916.395.8310 w www.mandarins.org

s A c R A M E N T 0 c A L F 0 R N A I From before the beginning of recorded human the musical current, starting with the babbling history, the world's great civilizations have built mountain brook imagery of Wind River (I Am) by up and flourished at the banks of rivers. The Joseph Curiale. Cajun Folk Song by Frank Ticheli waterways were crucial to trade and transportation drifts into a serene and peaceful tributary. Sunrise of early cultures. In The River, Grafe illuminates the shimmering Mandarins explore the many water as it passes by placidly, characteristics of the world's with Inferno by Robert W. Smith waterways, appropriate for a corps vigorously churning the water as from California's \"River City:' it tumbles over rapids and falls The audience will be swept along before converging with the sea. Wind River (I Am) by Joseph Curiale Cajun Folk Songs 2008 REPERTOIRE by Frank Ticheli The River Sunrise (from Grand Canyon Suite) by Ferde Grofe Inferno by Robert W. Smith

Director Stuart Pompei Design Jeff Sterret (program and Percussion Matt Altmire Visual Adrian Rivas (caption head), Drum Majors Zach Headen, visual coordinator), Jack (caption head, arranger), Lucas Pablo Coppola, Chris Cowling, Mark Kveton, Joel Agalsoff Chambers (drill designer), Crutchfield, Kelly Flickinger, James Hollis, Kurt Kilgus, Stephanie Colby (visual designer). Brandon Kovacic, Daniel Wahl, Matt Lackey, Jesse Minor Dale Leaman (music Susan Willmering, Stuart Pompei coordinator), Matt Altmire (arranger) (percussion coordinator) Color Guard Stephanie Colby Brass Mark Gunderson (caption (caption head). Danielle head), Jonathan Chang, Brad Boyenger, Jenn Johnson, Davis, Sean Enright, Brandon Austin Roy, Joey Valenzuela Johnson, Dale Leaman (arranger) A 21231 Fountain Springs Road, Diamond Bar, CA 91765 P 909.598.5961 w www.pacific-crest.org

D A M 0 N D B A R I c A L F 0 R N A In Primality:The Rituals of Passion, Pacific Crest Jerry Goldsmith's epic score to \"The Wind and explores the music of two movies about discord and The Lion\" replicated the tension of 1904 Morocco; danger rampant through Africa. James Newton when the bandit Raisuli kidnapped two expatriate Howard wrote the percussively tribal score to \"Blood Americans and risked war with the United States. Diamond,\" a film shedding light on The grandeur of I Remember and diamonds that were mined and the wickedly complex Raisu/i sold to finance the brutal Sierra Attacks put an exclamation mark Leone Civil War. Selections include on the passion of people who the sweet Crossing the Bridge, refuse to abandon vestiges of the brutal Village Attack and happiness and celebration, while the destructive Fall of Freetown. others attempt to subdue them. Crossing the Bridge Village Attack Fall of Freetown 2008 REPERTOIRE (from Blood Diamond) by James Newton Howard Primality: The Rituals of Passion I Remember Raisuli Attacks (from The Wind and The Lion) by Jerry Goldsmith

Executive Director Rick Valenzuela Brass J.D. Shaw (arranger, caption Percussion Paul Rennick (arranger, Hilton, Jay Jernigan, Greg Lagola, Conductor Will Pitts head), Chip Crotts (co-caption caption head), Sandi Rennick Mark Laydon Program Director Dan Farrell head), Andrea Brown, Dave (arranger), Ellis Hampton, Danny Visual Nick Scotella (designer), Corps Manager JW Koester Cooksey, Taylor Criswell, Mason Hawkins, Mike Hodges, Josh Love, Dwight Emmert (capt ion head), Tour Manager Al lan Dekko Daffinee, Freddy Martin, Darian Brian Lowe, Jeremy Noyes, Jay Emmert, Ben Firkus, Mallory Assistant Tour Managers Sanders Mark Teal Klaunig, Josh Scott, Drew Joe Hamlin, Brandon Stansbury, Color Guard Adam Sage (designer, Solomonson, Rob Beckett Michael Y oho caption head), Michael James Program Advisors (choreographer), Alex Cruz, Adam Dr. Dan Richardson, Tony Hall Dalton, Michael Floyd, Kelsey Gleason, Susan Hanggi, Garrison A 5050 East State Street, Rockford, IL 61108 P 815.226.2835 w www.regiment.org

R 0 c K F 0 R D I L L N 0 s The story of Spartacus is one of humanity's hostile strains of Alberto Ginastera's Toccata. greatest tales of living for ideals more important The slaves dance to Loris Tjeknavorian's Dance of than any individual. Phantom Regiment relives Ecstasy and further revel in Bacchanale. Spartacus this story in Spartacus, featuring movements and the princess slave Phrygia join in their mutual from Aram Khachaturian's epic attraction during Adagio and ballet suite of the same name. Spartacus exhorts the slaves to Herald trumpets from Strauss' revolt to Battlefield from Cirque Ein Heiden/eben call the Roman du Soleil's \"KA.\" The Romans kill Legions to lead captured slaves him in retribution, but a beacon into Rome, where gladiator of everlasting inspiration is left battles are accompanied by the shining in the end. Ein Heldenleben by Richard Strauss Selections from Spartacus by Aram Khachaturian 2008 REPERTOIRE Toccata from Piano Concerto No. 1 Spartacus by Alberto Ginastera Dance of Ecstasy (from Danses Fantastiques) by Loris Tjeknavorian Battlefield from \"KA\" (Cirque Du Solei I) by Rene Dupere

Director Roman Blenski Brass Donny Allen (caption head), Percussion Tyler Dempsey Color Guard Seth Pearson (caption Personnel Director Murray Davis Larry Kerchner (arranger), (arranger), Tyler Orbison head, designer), Liz Mitton, Drum Majors Jackie Bilder, Rustin Honeycutt, Oscar Escobar, (caption head), Cody White, Tandy Gourd, David Crook, Brian Wilson Rick Benzing Andrew Strauss, Darren Hicks, Chelsea Lett Program Coordinator Eddie Griffin Hope Grover, Brandon Reimers, Visual James Wroblewski (designer), Drew Russell Chad Quamme (caption head), Kim Wallace, Stephen West, Amanda Burton, Wes Henderson, Dan Zaja, Terry Burton A 4601 West Holt Avenue, Milwaukee, Wl 532 19 P 414.327.2847 w www.pioneer-corps.org --~~-----------

M L W A u K E E I w s c 0 N s N Pioneer has made itself a name for exploring the Grange from Percy Grainger's Lincolnshire Posy is a music of the Emerald Isle. However, in Celtic lushly poignant melody based on a heartrending Reflections, the corps also takes a short flight English folk song Brian Warfield, a member of a across the Irish Sea to England, delving into some contemporary Irish folk music group, wrote the lively the neighboring island. Gustav the 1 OOth anniversary of a soccer Holst's First Suite in E-flat for club. The production ends with Military Band rouses the senses the Crown Imperial March of Sir with its martial bravado, one of William Walton, a regal and soaring the all-time great works of the work written for the coronation of wind band repertoire. Horkstow British royalty. First Suite in E-flat for Military Band by Gustav Holst Horkstow Grange (from Lincolnshire Posy) 2008 REPERTOIRE by Percy Grainger Celtic Reflections Celtic Symphony by Brian Warfield Crown Imperial March by Sir William Walton

•• .. I Director Jeff Pearson Jon Vanderkolff (consultant), Percussion Brian Mason (arranger, (choreographer), Kathy Pearson, Tour Manager Stephanie Beebe Tommy Keenum (consultant) coordinator). Murray Gusseck Daniel Holland, Megan Hare, Assistant Tour Managers Brass Bob Chreste (caption head), (battery caption manager), Lonny Stacey Johnson, Jenny Spohr Megan Yankee, Veronica Flores Andre Feagin (ensemble Benoit (front ensemble caption Visual Sylvester Sybilski Drum Majors Travis Roach, specialist), Derek Gipson (upper manager), Mark Eichenberger, (caption head), Michael Tarr, Stephanie Lee brass coordinator), Tom Lukowicz Matt Ramey, Walter Powell, Micah Andy Waldukat, Carlos Gonzalez, Guard Captain Samia Mooney (lower brass coordinator), Hardwick, Chris Cyr, Jonathan Chad Jacobs, Matt Lamm, Ashley Staff Coordinator Denise Bonfiglio Frankie Franqui, Chris Vee, Zol Steele, Kent Cater, Leo Sanchez, Donaldson Design Mike McCool (program Waterhouse, Stuart Shulman, Robert Chavira Performance Consultant coordinator), Peter Weber (visual Donnie Van Doren (consultant), Color Guard Dave Meikle (caption Myron Rosander designer), Key Poulan (music Ron Morrison (consultant), Steve head), Carol Abohatab Administration Jeff Fiedler, arranger/coordinator), Lorenzo Gulledge (consultant) (choreographer), Andy Mroczek Kathy Serksnis, Sandra Adams, Medrano (visual coordinator), (choreographer), Jim Moore Jo Blatcher A 1795 Space Park Drive, Santa Clara, CA 95054 P 408.727.5534 w www.scvanguard.o rg

s A N T A c L A R A I c A L F 0 R N A The awakening of the mind, the embodiment piece of music influenced by the work of British of the physical, and the emotional maturation DJ and tabla player, Talvin Singh. In the final of the soul are the impetus for Santa Clara production, \"Soul,\" a powerful thunderstorm Vanguard's uniquely titled program 3HREE. + washes away impurities and cleanses the spirit is represented by Eclipse, a become one. The Chairman Dances by John Adams 2008 REPERTOIRE The Man in the Bath by Philip Glass 3HREE Eclipse Mind - Body- Soul by Talvin Singh Cloudburst by Eric Whitacre

Director Joel Vincent Design Randy Nelson (creative Joseph Musick, Patrick Hinton Color Guard Robby DuFresne Drum Majors Josh Walker, design, visual coordinator), Percussion Shane Gwaltney (caption head), Jill Brennan Lauren Lingerfelt Scott Boerma (brass arranger), (caption head, arranger), Eric (caption head), Lori Blessing, Director of Education Ken Bodiford Chad Hannah (drill designer), Willie (front ensemble arranger}, Lisa Girard, Matt Rummel Assistant Director for Logistical Shane Gwaltney (percussion), Joe Hobbs, Kenneth Carrico, Will Visual Jeremy Thompson Operations and Public Affairs Jill Brennan (color guard}, Robby Campbell, Jami Fennell, Mario (caption head), Tom Acheson, Mark Riel DuFresne (color guard), Daniel Taylor, Graham Lewis, Eddie Brendan Vincent, Pete Correia, Assistant Director for University Montoya (music consultant) Capps, Brant Wills, Sean Womack, Kevin Kauzlarich, Adam Affairs Jeremy Stovall Brass Dr. Ray Vasquez (caption Matt Jordan, Dan Mihalko, Brumberg, Alex Mowery, Administrative Assistant for head), Freddy Martin, Stephen Josh King Catherine Rakowski, Esteban Operations Matthew Burns Slabaugh, Jeremy Figlewicz, Aguirre, Russell Carroll A P.O. Box 1295, Jacksonville, AL 36265 P 256.343.9710 w www.spiritdrumcorps.org

J A C K S 0 N v L L E I A L A B A M A The numeral4 is thefocus-frontand center as well as Piano Concerto (based on his score for the film \"The on the edges- of Spirit's show, pe-ri-4-ry. Audience Piano\"), serving as the unifying thread through the members will have a field day unraveling all the show. The unrestrained rhythmic vigor of Eric visual references to the number as the corps sets out Whitacre's Equus presents a spiritual counterpoint to to explore everything within the the eerily haunting resonance of square of 2 and the square root of Hans Zimmer and James Newton 16. References to 4 often appear Howard's score to \"Batman Begins,\" within the number of textures, including the lovely Corynorhinus shades, shapes and layers being and the haunting Myotis, each simultaneously produced, with named in Latin for a species selections from Michael Nyman's of bat. Piano Concerto I - The Beach (from The Piano) by Michael Nyman 2008 REPERTOIRE Equus by Eric Whitacre Corynorhinus (from Batman Begins) pe-ri-4-ry by Hans Zimmer, James Newton Howard Myotis (from Batman Begins) by Hans Zimmer, James Newton Howard

Executive Director Design Scott Koter (program Brass Scott Atchison (caption head), Color Guard Jeff Cash (caption Mike Ottoes consultant), Gordon Henderson Ashley Waller, Mike Lundquist, head), Adrienne Fink, Director (program/ staff coordinator), Fuller Lyon, Jamie Taylor, Taylor Emily Styron Fred Morris Dean Westman (brass arranger), Wright, Trevor Bailey Visual Nick Benson (caption head), Drum Major Tom Rarick (percussion arranger), Percussion Brian Stevens (caption Matt Haines, Chris Gow, Grant Kyle Trader Mitch Rogers (drill designer), head), Ralph Hardimon McWilliams, Kyle Thompson, Daniel Wiles (color guard (consultant), Kevin Welborn, Dylan Thompson designer) Mike Dow, KJ Stafford, Eric Kraft, Mandy Quinn A P.O. Box 375, Casper, WY 82602 P 307.472.2141 w www.troopersdrumcorps.org

c A s p E R I w y 0 M N G Troopers are celebrating the corps' 50th an niversary places along the way and the people who studious- this year with The Iron Horse Express, a show ly built the lines. + In addition to the personalities that is based on the arrival of the steam locomotive of the locals and the locales, the programmatic to the western frontier. Native Americans, some- music conveys characteristics of the trains and times in awe and sometimes in images ofthe tales they could tell. scorn, referred to the massive Selections are evocative of the locomotives as \"Iron Horses.\" + romance of the early days of While traveling the rail lines that the railroads, conveying the West crossed the plains, connecting the being opened up by \"metal crea- two oceans of the country, the tures\" from a civilization that has corps stops off to explore the just gotten a whole lot closer. Canyon of Heroes by Sean O'Loughlin Sasparilla 2008 REPERTOIRE by John Mackey The Iron Horse Express Song of the Gandy Dancers by Richard Saucedo The Great Arrival by William Gordon

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BOA Regionals, Super Regionals, Previews SEPT. 20, 2008 OCT.11,2008 OCT. 25, 2008 Tulsa, OK Houston, TX New York/New Jersey Fall Preview Experience Pearland Stadium (The RIG) Location TBA Union High School St. Petersburg, FL Las Vegas, NV Fort Mill, SC Tropicana Field University of Nevada, Fall Preview Experience Ypsilanti, Ml Las Vegas Fort Mill High School Eastern Michigan OCT. 31-Nov. 1, 2008 Oxford,OH University SUPER REGIONAL OCT.17 ·18, 2008 Atlanta,GA SEPT. 27,2008 Georgia Dome SUPER REGIONAL Indianapolis, IN St. Louis, MO SUPER REGIONAL Sound Check at Lucas Oil Edward Jones Dome San Antonio, TX Stadium Ala madame OCT.18, 2008 Massillon, OH El Paso, TX NOV.8,2008 Paul Brown Tiger Stadium University ofTexas at El Paso Indianapolis, IN Lucas Oil Stadium Towson, MD Towson University Los Angeles, CA Murray, KY East Los Angeles College Murray State University Arlington, TX University ofTexas at Arlington a~ ~ ~ ~ lliettgeJt: ~~ GYAMAHA Nl\\J!~:uslc ... ......... fJ~ Music for All ERICA': National Preseming Sponsor Leade~hip Grde Corpolale \\pOfll()( Official Uniform Sponsor Offidal Corporale Sponsor smartmuslc ~ Corporale Sponsor Official Corporate Sponsor Programs of Music for All



c 0 N c 0 R D I c A L F 0 R N A Blue Devils B slips the surly bonds of Earth with Flight, entertainment. \"Turbulence\"rattlesdrowsypassengers celebrating the miracle of flying with music of John into an adrenaline-filled state of attentiveness; the craft Mackey and John Meehan. The segment \"Taxi and shaking to the pounding of drums riding the bumpy air. Take Off\" begins with Mackey's Turbine driving the The final glide path is set in\"Final Approach and Landing\" plane down the runway. The forward thrust relaxes as the ground seems to rush up to greet those on board. as the wheels leave the pavement and the plane (and Concluding the journey, the tires once again contact show) is off the ground. Sailing \"Through the Night;' pavement and the crew brings the plane to the terminal the passengers settle back and relax to the in-flight after triumphantly parading down the runway. A 4065 Nelson Avenue, Concord, CA 94520 P 925.689.2918 w www.bluedevils.org Director Rick Odello Color Guard Kristin Freeman 2008 REPERTOIRE Drum Majors Andrew Wood, (caption head, designer), John Lee Tammy Fallon (designer), Flight Managers Sarah Kehrt, Willie Amber Young, Kristen Taxi & Take Off Meagher, Debbie Odello, Barrington Through the Night Andrew Hoover Visual Ken Karlin (designer), Brass John Meehan (arranger), Daphne Owens Adkison Turbulence!Turbine Final Approach & Landing Joe Haworth (staff coordinator, (caption head), Robert Murray, caption head), Brad Eugenio, Neil Adkison, Vinnie Giarrusso, by John Meehan, John Mackey Justin Hancock, Matt Smith Brandyn Bettencourt, Kendall Percussion John Mapes (arranger), DeJong Ryan Odello (caption head), James Saltorre, Jason Freitas, Joaquin Gomez, Vince Pitzulo (front field percussion)



K T c H E N E R I 0 N T A R 0 Life is full of physical and mental boxes - things, music artistry of Aphex Twin with original music by events and circumstances that restrain us, preventing Nick Klawitter. Multi-Dimensional demonstrates the us from experiencing the outside world. Such boxes human desire to live beyond a flat existence. Pat can be as mundane as working inside a cubicle or as Metheny's ballad, Another Life, allows one to color repressive as living under oppression. With Boxed, outside the lines, while Klawitter's Synthesis resolves Dutch Boy looks at the boundaries that keep the status conflict by forcing us outside of restrictive limitations. quo alive. Personal borders are defined in Nannou/ In the end, the corps triumphantly refuses, once and Forward Though which combines the electronic for all, to ever be boxed in again. A 200 Borden Avenue South, Kitchener, Ontario, Canada N2G 3R8 P 519.742.8031 w www.dutchboydrumcorps.com Director Steve Meikle Percussion Joe Shuker (caption 2008 REPERTOIRE Assistant Director Emile Mclean, head), David Wicken, Elliott Barry Woods Bowman, Kyle Barnett, Boxed Drum Majors Douglas Olmstead, Andrea Bilinsky Nannou/ Forward Though Alex Kane Color Guard Leigh Hadjis by Aphex Twin/Nick Klawitter Design Will Lee (visual), Nick (caption head), Angela Klawitter, Multi-Dimensional Klawitter (brass arranger), Joe Josh Co it, Laura Turlock, by Nick Klawitter, Joe Shuker Shuker (percussion arranger), Lianne Stumpf Another Life David Wicken (percussion Visual Will Lee (caption head), by Pat Metheny arranger), Leigh Hadjis Brad Beck, Trischa Greschner, Synthesis (color guard) Dan Biemann, Kyle Nealy by Nick Klawitter Brass Nick Klawitter (caption head), Keith Bilinsky, Jason Logue, Sheldon Walters, Kyle Nealy, Joe Busuito



B u E N A p A R K I c A L F 0 R N A Impulse has long made a point of having fun on The program is a metaphor for the growth of the the field and has never been afraid of providing organization over its 10 years of existence; the very amusement along with entertainment. The Game being of the group based on enjoying the drum allows the corps to once again explore its offbeat corps experience as if it is a game. Throughout the sensibilities, encouraging the audience to join in show, the corps demonstrates that life is a pastime the fun and celebrate the drum corps activity. we all must play, and the key to success isn't the John Meehan's Three Worlds is the basis of the show money one makes or the prestige one attains, but which explores the innocence of childhood games. the enjoyment one gets out of living every day. P.O. Box 5369, Buena Park, CA 90622 P 714.239.4408 www.impulseyoutharts.org Director Kendrick White Percussion Niko Jasniewicz 2008 REPERTOIRE Assistant Director Ernie Mclaurin (arranger, caption head), Drum Major Mandy Glimpse Alex Mendoza (front ensemble The Game Design Niko Jasniewicz arranger), Corwin Hendricks, Three Worlds (percussion arranger), Matt Noren, Lissette Velasquez by John Meehan Alex Mendoza (front ensemble Color Guard Heather Fallon arranger), John Meehan (music (designer, caption head), Jesse arranger), Eric Salas (visual Rivera, Angelica Skullr design), Heather Fallon (color Visual Eric Salas (caption head, guard design) designer), Amy Kaw, Andy Brass John Meehan (music Jullian, Allan Makishima, arranger), Jeff Mcginnis Brandon Bryant, Jon Claar (caption head), Victor Serrano



CAMDEN COUNTY, N E W J E R S E Y The Jersey Surf celebrates its 18th anniversary this rhythmic tapestry with Peter Gabriel's introspective season, selecting the repertoire for the program So In Your Eyes, melding into the lush ballad One Day Far ... to convey its personal coming-of-age tale. I'll Fly Away from the \"Moulin Rouge\" motion picture With a nod to the journey the corps has already soundtrack. The program concludes with Thnks fr th taken, the program also acknowledges the many Mmrs, an irreverent romp from alt rockers Fall Out adventures which still lie ahead. Matchbox 20's Boy. While not a literal exploration of \"turning 18,\" How Far We've Come provides a driving and explosive the Jersey Surf's program is designed to celebrate start, as the spotlight is handed-off between sections youthful exuberance and the newfound freedoms of the ensemble. Next, the performers weave a crisp that are a part of reaching maturity. A 34 Mill Street, Mount Holly, NJ 08060 P 609.914.0488 w www.jerseysurf.org Executive Director Robert Jacobs (arranger, percussion education 2008 REPERTOIRE Director, Corps Operations director), Chad Wyman Brian Prato (manager), Mike Zellers (front The Jersey Surf: Assistant Director ensemble arranger), Frank Telly Ousouljoglou McGuigan, Erin O'Dore, Devon So Far Business Manager Marty Fricke Bergman, Bob Grassie, Patrick How Far We've Come Drum Majors Christopher Garten, Zearfoss, Matt McGuire by David Cook, Paul Doucette, Alison Baier Color Guard Matt Hurley (direc- Rob Thomas, Brian Yale Education Director tor), Cheryl Gillick (manager), In Your Eyes Tim Bartholomew Lennie Machado (designer), by Peter Gabriel Program Coordinator Frederick Ford Toni Tunstall, Katie Gallagher, One Day I'll Fly Away Brass Jeff Bolduc (arranger), Ray Okuda, Ashley Risden, Louis by Will Jennings, Joseph Sample Harrison Horowitz (manager), Hellinger, Lindsay Brooks Gabe Gulino, PeterTwiraga, Rob Visual Ed Devlin (designer), Thnks fr th Mmrs Stein, Kevin Ronan, MollyTittler Jason Bentley (director), Eileen by Andrew Hurley, Patrick Stumph, Percussion Rich Hammond Althouse, Donna Gulino, Rob Joseph Trohman, Peter Wentz Nelson, Steve White, Keith Bush

SUCCESS IS ALL IN YOUR HEAD. Blue Devils The Cadets Cavaliers Phantom Regiment Carolina Crown Blue Knights Blue Stars Santa Clara Vanguard Boston Crusaders Cadets Capital Sound Carolina Crown Incognito Crossmen Jersey Surf Dutch Boy Legends Revolution Glassmen Madison Scouts Spartans Mandarins Spokane Thunder Memphis Sound Teal Sound Oregon Crusaders Vanguard Pacific Crest Cadets .... And Many More Raiders Yamato The Best Drumlines + Remo Drumheads = Success The Best Drumlines + Remo Drumheads = Success The Best Drumlines + Remo Drumheads = Success remo.com SpaSmodic - production data for publication confirmation Server path client: remo drStudio location: client folder: remo_success_yrbk media: magazine, 4/c month: agency Job #: revision number: 1 digital resources #: ad caption or title: Success document filename: remo_success_yrbk.indd ad code: document version/page #: publications: Yearbook publication/address: executive creative director: agencY creditS due date: 05/30/08 art director: gerry gomez copywriter: print producer: mechanical information Studio information drartist entries: mechanical dimensions: bleed: 8.5” x 11.125” font families: (details upon request) trim: 8.25” x 10.875” art & image identification: (listing upon request) live: 7” x 10” color: cyan image usage: magenta end date: Yellow black

M E M p H s I T E N N E s s E E Memphis Sound rejoices in the ecstasy of to express pure delight. Joseph Curiale's triumphing over life's many adversities with Awakening provides material for the remainder of Awakenings, focusing on the joy that comes the production. The multi-movement work was the from persevering when things get tough and composer's way of communicating his gratitude tribulations seem insurmountable. + Greg for recovering from a near-death experience. Jasperse's Voice Dance originated as a wordless, Compassion is peaceful and soothing, while Joy is effervescent vocal piece celebrating human a highly rhythmic movement that explodes with expression and the elation of banding together uninhibited liveliness. A 1779 Kirby Parkway #1-93 Memphis, TN 38138 P 901.405.9476 w www.memphisdrumcorps.org Executive Director Pam Opie Brass Kenneth Thompson, 2008 REPERTOIRE Drum Majors Stanley Webster, Steven Moore, Michael Whytt, Casey Inlow Austin Green Awakenings Design Ron Ryles (program Percussion Ryan Pride, Voice Dance coordinator), Jerry Kelsey (brass Matt Howell by Greg Jasperse arranger), Mark Smith (battery Color Guard James Thomas, Joy (from Awakening) percussion arranger), Jared Ronald Wilson, Stephanie by Joseph Curiale Johnson (front ensemble Longcrier, Curtis Green Compassion (from Awakening) arranger), James Thomas Visual Ron Ryles (visual designer), by Joseph Curiale (color guard designer) Justin Johnson Consultants Alan Smith, Michael McCray, Sharon Ryles, Philip Morgan, Barry Trobaugh, Greg Schull, Justin Crowe



p 0 R T L A N D I 0 R E G 0 N Oregon Crusaders' production Inner Connections is outside world. Her Danza de los Duendes refers to the inspired by the links that are forged when successfully malevolent goblins of South American mythology. + bringing every level of the mind, body and spirit into Rather than experiencing one dramatic occurrence one. Music by Nancy Galbraith and original material when every facet of one's being is connected, the by Todd Zimbelman is utilized to bring all the factors show explores gradual shifts in harmonic and visual together. + Galbraith's Concerto for Piano and Wind language, and color palette development that steadily Ensemble is painted with the jazzy blues of an energetic coalesces into an understanding that unfolds like the resolve that pushes toward a connection with the petals of a flower. A 22700 NW Gillihan Road, Portland, Oregon 97231 P 503.621.3499 w www.oregoncrusaders.org Executive Director Dr. Phil Marshall Brass Travis Moddison (caption 2008 REPERTOIRE Corps Operations and head), Bryan Thomas, Kelsey Tour Director Danny Orrantia Mitchie, Danny Orrantia, Mike Inner Connections Design Todd Zimbelman (program/ Quillen, Kevin Soon, Josh Head Concerto for Piano and staff coordinator, brass Percussion Jeff Bush (caption Wind Ensemble arranger), Eric Kitchenman head), Audra McClean, by Nancy Galbraith (visual), JC Caceres (visual Josh Madrid, Nate Moddison, Danza de los Duendes consultant), Jeff Bush (battery Micah Brusse by Nancy Galbraith percussion arranger), Travis Color Guard Becca Sullens Moddison (front ensemble (caption head), Missy Goodling, Original Arrangements by Todd Zimbelman percussion arranger), Becca Angie Haugejorden Sullens (color guard) Visual Nick Benson (co-caption head), Adam Oswald (co-caption head), Bryan Thomas, JJ Sutton, Jen Quillen, Mitchell Clark



w A y N E I N E w J E R s E y The oceans on planet Earth remain a less explored frontier splendor of the deep. + Morten Lauridsen's 0 Magnum than even the far reaches of our galaxy, and the Raiders Mysterium depicts the \"Tranquility\" of seas that gently rise look to pioneer that aqua exploration with a voyage to and fall with rippling waves. In \"Storm;' extreme violent the Deep Blue.+ During\"Majesty;'themagnificenceof shifts depict the darkened sea's unpredictability through the ocean is revealed when the audience is sent out to the an original composition by Michael Hamilton and Colin open sea with the nautical strains of James Horner's To the Bell. And just as the storm breaks and calm seas return, Flemish Caps. An arrival to the middle of a far-away oceanic audience members will find themselves back in the safety location is sensed in Debussy's La Mer, which captures the of a secure harbor. A P.O. Box 67, Wayne, NJ 07474 P 201 .788.1935 w www.raidersdbc.org Director Tom Maiello Color Guard PJ Tankard (caption 2008 REPERTOIRE Drum Major Jarrett Porter head), Carol Martin, Michelle Design Tom Maiello, Michael Adcock, Vanessa Borelly Deep Blue Hamilton (program coordinator, Visual Anthony Spano, Alina To the Flemish Caps brass arranger), Colin Bell Chappotin, Charlie Freudenvoll, by James Horner (percussion arranger), PJ Tankard Briana Dinitz-Sklar, Shari Kuzel, 0 Magnum Mysterium (color guard), Mike Russ (visual), Jeff Sowa, Rich Donovan, by Morten Lauridsen Joe Palumbo (visual) Jen Serzan, Victor Corea Storm Brass Don Pfleger (caption head), by Micheal Hamilton, Colin Bell Delano Bonner, David Caravella, Steve Behnke Percussion Chris Marousek (caption head), Colin Bell, Lara Parizman, Rui Arrojado, Derick Jerinsky, Dalip Zeki, Robert Villanova, Jeff Silva, Yvonne Brandt



s A N A N T 0 N 0 I T E X Revolution's e.le.va.tion is all about inspiring by John Adams' not-so-gentle Wild Nights. and uplifting the members of the corps both The quest to elevate every facet of one's life musically and visually. The concept of the show continues with Jerry Goldsmith's courageous First is one of a continuous upward progression, from Contact, from one of the many \"Star Trek\" films simple origins to complex finalities. James he scored. Philip Glass' Concerto Fantasy for Two Newton Howard's The Gravel Road is a gently Timpanist and Orchestra concludes the quest to hypnotic rumination from the mystical soundtrack reach ever upward, culminating with an explosive to M. Night Shyamalan's \"The Village,\" followed demonstration of percussive fireworks. A P.O. Box 15950, San Antonio, TX 78212 P 210.255.8392 w www.revolutionypa .org Executive Director John Rodriguez Brass Julian Howard (caption 2008 REPERTOIR E Director Wes Roberts head), Robert Flores, Carlos Solis, Assistant Director Chris Magonigal James Fry, Santiago Colon Jr. e.le.va.tion Drum Majors Percussion Carlos Botello (caption The Gravel Road Amanda Montalvo, Angelica Juarez head), Armando Garcia (battery by James Newton Howard Tour Manager Abel Rodriguez coordinator), Danny Garcia, Wild Nights (from Harmonium) Transportation Manager Kenji Okubo, Akira Robles, by John Adams Dan Dickenson Rachael Sitka (front ensemble First Contact Membership Coordinators coordinator), Stuart Spoon by Jerry Goldsmith Moses Ramos, Amanda Reynolds (consultant), Patrick Sinclair Business Manager Mike Quigley (consultant) Concerto Fantasy for Two Timpanist & Orchestra Design Eric Senzig (brass). Carlos Color Guard Albert Riojas (caption by Philip Glass Botello (battery percussion), head), James Johnston, Scott Ward (front ensemble Adam Duron, Ruben Alejandre percussion), Ajay Riojas (visual), Visual Amanda Brandt (caption Martin Montoya (drill) head), Zachary Chamberlin, Mark Hartman, Shane Wiggley

Meet the new RMP-12 - the world's first electronic marching-percussion instrument drum feel and its unique mesh pad also gives drummers the ability to play longer without ~s· to incorporate Roland's great-feeling mesh head technology with explosive new sounds and unique Rhythm Coach® functions. Unlike other practice pads, the RMP-12 offers amazing acoustic· fatigue. It's perfect for indoor and outdoor performance, as well as for quiet practice via V Roland' its headphone output. With the RMP-12, drummers will tap into a whole new world of electronic marching percussion! • Wide, 12-inch pad with rim triggering and great acoustic feel • Connect to battery-powered amps for mobile practice and performance • Easily attaches to standard marching carriers and concert snare stands • Mode selection for marching live and practice • Mesh pad allows for longer practice sessions without fatigue • Lightweight and portable with battery power • Newly-designed module with a variety of expressive sounds • Built-in Rhythm Coach® for improved practice • Headphone output for quiet practice dCii • Mix input and audio output • Simple, friendly operation ••••c••rsl Ready to take your marching percussion performance to a new level? Log on to www.RolandUS.com to learn more about the RMP-12 and to check out performance videos - you'll be amazed!

N A s H u A N E w H A M p s H R E I Spartans' Metallic Soundscapes features many grinds as airplane engines build up thrust to go different qualities of metal sounds, and as such, racing down the runway. Once airborne, flying the focus of the show is on the percussion line. becomes a beautiful experience, but it's still up to With the brass section embellishing the sharpness the engines to keep the plane from falling to the of the percussion, the show conveys the glittering, ground. + One final bang of metal is thrown down iridescent nature of music by John Mackey. + during the momentum of Turning, and only upon Kingfishers Catch Fire serves to exploit the reflective its conclusion can our ears start to recover from the shimmering qualities of metal objects. Turbine thrilling, primal force of the beats. A 73 East Hollis Street, Nashua, NH 03060 P 603.889.2760 w www.spartansdbc.org Executive Director Percussion Eric Putnam (battery 2008 REPERTOIRE Peter A. LaFlamme arranger), Bryan Harmsen (front Assistant Director ensemble arranger), Jay Davis Metallic Soundscapes Richard Peabody (caption head), Dustin Patrick, Kingfishers Catch Fire Staff Coordinator Derek Sao Hoo, Jason Meideros, Turbine Lance Piantaggini Bill Holden, Joel Biedrzycki Marketing Director/ Color Guard Jessica Adame Turning by John Mackey Office Manager Cindy Caras (caption head), Jeff Choice Drum Major Jessica Popik (choreographer) Show Designer Bryan Harmsen Visual George Hester (designer), Brass Joe Taylor (arranger, caption Lance Piantagginni (caption head), Aaron Gagnon, Jonathan head), Michael Staffiari, Derek Yoo, Joe Raymond Sao Hoo, Joe McSweeney



J A c K s 0 N v L L E I F L 0 R D A Teal Sound calls upon the works of Finnish a cappella coming of deep snow. But the fun of winter doesn't sextet Rajaton for its show, Voices of the Seasons- last long. The dissonance of Joulun neiet casts a chill The Music of Rajaton . The transition of summer over the proceedings and darkness settles in. The through to the winter sees many changes take place lightness of the Nouse lauluni percussion feature during the fall. Crispness permeates the air, and the announces that spring is just around the corner. This colors change as leaves go out in a blaze of glory. season of new flowers and revitalized color is felt in As winter takes hold during the musical selection Butterfly, and once again we can look forward to the Pakkanen, the sounds of cracking ice announce the joy of the coming summer. A 401 Habersham Road, Thomasville, GA 31792 P 850.591.2621 w www.tealsound.org Director Randy W. Blackburn Percussion Terrell Smith (battery 2008 REPERTOIRE Assistant Director Brian Fisher arranger, caption head), Kirk Gay Drum Majors Bobby Duncan, (front ensemble arranger), John Voices of the Seasons - Kayla Swift, Justin Held Campese (consultant), Jason The Music of Rajaton Operations/Tour Director Schirripa, Mark Perrett, Charlie Pakkanen Brandon Clemons Dolar, Aaron Byrd, Zach Owens, Assistant Operations/Tour Mike Brodowski, Kat Duke Tasangot Director Erin Vick Color Guard April Gilligan (de- Joulun neiet Staff Coordinators Dr. Cliff signer), Budd Williams (arranger, Nouse lauluni Lipscomb, Ralph Venezia caption head), Amy Metzlar, Butterfly Brass Ron Ellis (program Shane Cheatle, Sampson Tuliao by Rajaton coordinator, arranger, Visual Jeremy Hunt (designer). caption head), Frank Williams Marcos Martinez (caption (consultant), Mike Steiner, Ryan head), Carlos Prieto, Lainey Whalen, John Wayne Wilkerson Drummond, Ashley Wright, James Lazzaro

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s A N T A c L A R A c A L F 0 R N A I Perspectives is based on music commissioned by the texturally, tempo-wise and dynamically - to Vanguard Cadets from Robby Elfman and Hollywood provide three unique-but-related \"perspectives.\" + film and television composer James Peterson who is Perspective 7: Audacious is fearless and bold, willing a Vanguard alum. The show explores conflicting to take surprising and unexpected risks. Perspective individual and group perspectives. Each of the 2: Whimsical is playfully quaint, given to fanciful program's three sections investigates the thematic and capricious notions. Perspective 3: Inspirited is material in its own way- harmonically, rhythmically, encouraging and full of life. A 1795 Space Park Drive, Santa Clara, CA 95054 P 408.727.5532 w www.scvanguard.org Director Robert Ripley Brass Steve Barnhill (caption 2008 REPERTOIRE Drum Majors Edgar Guzman, manager), Dan Adams, Rick Pin a, Brandon Beck Bryan Williams Perspectives Tour Manager Jordan Roquemore Percussion Kohei Mizushima Perspectives Conditioning/Health Specialist (caption manager), Brynn Felix, by James Peterson, Robby Elfman Matt Guthrie Traci Tsukida, Alexis Masingil, Program Consultant/Ensemble David Medina, Ty Lim, Greg Specialist Clark Gardner I Messa, Steve Urata, Dale Pauly, Design Nate Bourg (music coordina- Josh Peterson tor, front ensemble composer), Color Guard Alexis Velez (caption Michael Zerbini (visual coor- manager), Leanne Hlavka, dinator, drill designer), James Samantha Buckman, Shannon Peterson (brass composer), Robby Bauer, Katrina Velez Elfman (brass composer), Kohei Visual Dennis Ortega (caption Mizushima (battery composer), manager), Chris Williams Alexis Velez (color guard designer) 1 (ensemble specialist), Jason Kneebone, Matt Guthrie, Kenny Williams

7th Regiment Blue Saints* Mexican Landscapes Director Mark Ripley Director A Box 1302 Jeff Dozier Sudbury, Ontario, Canada A P.O. Box64 p 705.692.5646 New London, CT 06320 w www.bluesaints.com p 860.442.3786 w www.7thregiment.org Capital Sound* woz Director Marc Gofstein Director A P.O. Box 7773 RickOdello Madison, WI 53707 A 4065 Nelson Avenue p 608.212.7535 Concord, CA 94520 w www.capsound.org p 925.689.2918 w www.bluedevils.org *Denotes corps that will not participate in the 2008 DCI Summer Tour.