ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٠٠ ﺁﻥ ﺭﻭﺯ ﮐــﻪ ﻣﻨــﺼﻮﺭ ﺑﺮﺁﻣــﺪ ﺑــﻪﺳــﺮِ ﺩﺍﺭ ﺩﺭﻳﺎﻓﺖ ﮐـﻪ ﺑـﺮ ﻧﺨـﻞ ﻣﺤﺒـﺖ ﺛﻤـﺮﻱ ﻫـﺴﺖ ﮔﺮ ﻳﻮﺳﻒ ﮐﻨﻌﺎﻧﻲ ﺍﺯ ﺍﻳﻦ ﻋﺮﺻـﻪ ﺑـﺮﻭﻥ ﺭﻓـﺖ ﺧﻮﺵ ﺑﺎﺵ ﮐﻪ ﭼﻮﻥ ﻳﻮﺳﻒ ﺛﺎﻧﻲ ﭘﺴﺮﻱ ﻫـﺴﺖ ﮔﻴﺮﻡ ﮐﻪ ﺗـﺮﺍ ﺑـﺎ ﻣـﻦ ﺳﺮﮔـﺸﺘﻪ ﺳـﺮﻱ ﻧﻴـﺴﺖ ﺍﳌﻨــﺔ ﷲ ﮐــﻪ ﻣــﺮﺍ ﺑــﺎ ﺗــﻮ ﺳــﺮﻱ ﻫــﺴﺖ ﻏﺎﻓــﻞ ﺯ ﺗﻐﺎﻓــﻞ ﻣــﺸﻮ ﺍﻱ ﺭﻧــﺪ ﻧﻈﺮﺑــﺎﺯ ﺩﺭﻳـﺎﺏ ﮐـﻪ ﺩﺭ ﻋـﻴﻦ ﺗﻐﺎﻓـﻞ ﻧﻈـﺮﻱ ﻫـﺴﺖ ﺩﺭ ﺯﻟـﻒ ﺑﺘـﺎﻥ ﺟـﺴﺘﻢ ﻭ ﺩﺭ ﺳـﻴﻨﺔ ﺧـﻮﺩ ﺩﻝ ﺍﻳﻦﺟﺎ ﺍﺛـﺮﻱ ﻧﻴـﺴﺖ ﺩﺭ ﺁﻧﺠـﺎ ﺧﺒـﺮﻱ ﻫـﺴﺖ ﻫﺮﭼﻨــﺪ ﮐــﻪ ﺩﺭ ﺳــﻴﻨﺔ ﻋــﺸﹼﺎﻕ ﺩﻟــﻲ ﻧﻴــﺴﺖ ﺳــﺮﻣﺎﻳﺔ ﺧﻮﻧﺎﺑــﺔ ﭼــﺸﻤﻢ ﺟﮕــﺮﻱ ﻫــﺴﺖ ﺟــﺰ ﺳــﻴﻨﺔ ﺑــﻲﮐﻴﻨــﺔ ﻋﺎﺷــﻖ ﻧﺘــﻮﺍﻥ ﻳﺎﻓــﺖ ﮔــﺮ ﻧــﺎﻭ ِﮎ ﻣﮋﮔــﺎ ِﻥ ﺑﺘــﺎﻥ ﺭﺍ ﺳــﭙﺮﻱ ﻫــﺴﺖ ﮔﻮﻳﻨـﺪ ﮐـﻪ ﺑـﺮ ﺧـﺴﺘﻪ ﺩﻻﻥ ﺳـﺨﺖ ﻧﮕﻴـﺮﻱ ﺍﻱ ﺩﻭﺳﺖ ﺑﺒﻴﻦ ﺧﺴﺘﻪﺗﺮ ﺍﺯ ﻣﻦ ﺩﮔـﺮﻱ ﻫـﺴﺖ ﮔﻔﺘﻢ ﮐﻪ ﭼـﺴﺎﻥ ﺩﺭ ﮐﻤـﺮﺕ ﺩﺳـﺖ ﺗـﻮﺍﻥ ﺯﺩ ﮔﻔﺘﺎ ﺑـﻪﻣﻴـﺎﻥ ﻫـﻴﭻ ﺟـﺰ ﺍﻳـﻨﻢ ﻣﮕـﺮﻱ ﻫـﺴﺖ ﺟﺎﻥ ﺩﺭ ﺗﻦ ﺭﺍﺯﻱ ﺑﻪﭼﻪ ﺯﺍﺭﻱﺳﺖ ﭼـﻪ ﮔـﻮﻳﻢ ﻣـﺮﻍ ﻗﻔـﺲ ﺍﻓﺘـﺎﺩﺓ ﺑـﻲﺑـﺎﻝ ﻭ ﭘـﺮﻱ ﻫـﺴﺖ
ﻏﺰﻟﻴﺎﺕ ١٠١ ) ( ۴۳ ﺍﺑﺮﻭﻱ ﻭ ﺯﻟﻒ ﻭ ﮐﺎﮐـﻞ ﺗـﻮ ﺍﻱ ﻧﮕـﺎﺭ ﮐـﺞ ﻳﮏ ﺩﻝ ﭼﻪﺳﺎﻥ ﻣﻌﺎﺵ ﮐﻨﺪ ﺑﺎ ﺳﻪ ﭼـﺎﺭ ﮐـﺞ ﺳـﻨﺒﻞ ﺑـﻪﮔﻴـﺴﻮﻱ ﺗـﻮ ﻣـﺸﺎﺑﻪ ﻧﻤـﻲﺷـﻮﺩ ﺍﻳﻦ ﺣﻠﻘﻪ ﺣﻠﻘﻪ ﮐـﺞ ﺑـﻮﺩ ﺁﻥ ﺗـﺎﺭ ﺗـﺎﺭ ﮐـﺞ ﺍﻱ ﮐﺞ ﮐﻠﻪ ﭼﻮ ﻣﺴﺖ ﺷﻮﻱ ﮐﺠﺮﻭﻱ ﭼﻨـﺎﻥ ﮐــﺰ ﺩﻳــﺪﻧﺖ ﺷــﻮﺩ ﺭﻭﺵ ﻫﻮﺷــﻴﺎﺭ ﮐــﺞ ﻫﺮﭼﻨﺪ ﺭﻓﺘﻦ ﮐﺞ ﺗﻮ ﺧﻮﺵﻧﻤـﺎ١ﺳـﺖ ﻟﻴـﮏ ﺧﻮﺵﺗـﺮ ﺑـﻮﺩ ﻧﺸـﺴﺘﻦ ﺗـﻮ ﺩﺭ ﮐﻨـﺎﺭ ﮐـﺞ ﺩﺭ ﺣﻠﻘﻪﻫﺎﻱ ﺯﻟﻒ ﺗﻮ ﺩﻝ ﺭﻓﺖ ﻭ ﺷﺪ ﺧﺮﺍﺏ ﻳﮏ ﺭﺍﺳﺖ ﺭﻭ ﭼﻪ ﭼﺎﺭﻩ ﮐﻨﺪ ﺑـﺎ ﻫـﺰﺍﺭ ﮐـﺞ ﺳﺮﻭ ﻗﺪﺕ ﭼﻮ ﺟﻠﻮﻩ ﮐﻨﺪ ﮐـﺞ ﺷـﻮﺩ ﺯ ﻧـﺎﺯ ﭼﻮﻥ ﺷﺎﺥ ﮔﻞ ﮐﻪ ﻫﺴﺖ ﺑﻪﻫﻨﮕـﺎﻡ ﺑـﺎﺭ ﮐـﺞ ﺍﺯ ﺑﺲ ﮐـﻪ ﻧـﻴﺶ ﺯﺩ ﺑـﻪﺩﻝ ﺭﻳـﺶ ﻋﻨـﺪﻟﻴﺐ ﺷﺪ ﻧﻮﮎ ﺧﺎﺭ ﭼـﻮﻥ ﺳـﺮِ ﻣﮋﮔـﺎﻥ ﻳـﺎﺭ ﮐـﺞ ﺭﺍﺯﻱ ﺗﻮ ﺭﺍﺳﺖ ﺑﺎﺯﻱ ﺧﻮﺩ ﺭﺍ ﻣﻬـﻞ ﺯ ﻃﺒـﻊ ﻫﺮﭼﻨـﺪ ﺑﺎﺧـﺖ ﻳـﺎﺭ ﮐـﺞ ﻭ ﺭﻭﺯﮔـﺎﺭ ﮐـﺞ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺣﻮﺷﻤﺎ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٠٢ ) ( ۴۴ ﻳﻮﺳﻒ ﻣـﺼﺮﻱ ﺍﺭ ﭼـﻪ ﺑـﻮﺩ ﺻـﺒﻴﺢ ﺩﻝ ﻣـــﺎ ﺑـــﺮﺩ ﺩﻟﺮﺑـــﺎﻱ ﻣﻠـــﻴﺢ ﺩﻭ ﺟﻬـﺎﻥ ﺭﺍ ﺯ ﻧـﻮﺭ ﺍﻭﺳـﺖ ﻇﻬـﻮﺭ ﻣـﻲﻧﻤﺎﻳـﺪ ﺑـﻪﻋـﻴﻦ ﻋـﺸﻖ ﺻـﺮﻳﺢ ﺁﻥ ﮐــﻪ ﺑﻌــﺪ ﺍﺯ ﻧــﺰﻭﻝ ﺩﺭ ﻋــﺎﻟﻢ ﻣﹼﻠـــﺖ ﺍﻭ ﮐﻨـــﺪ ﻗﺒـــﻮﻝ ﻣـــﺴﻴﺢ ﻗــﺎﻝ ١ﻓــﻲ ﺷــﺎﻧﻪ ﺍﻧــﺎ ﺍﻓــﺼﺢ ﮐــ ﹼﻞ ٢ﻗــﻮﻝ ﻣــﻦ ﺍﻟﻔــﺼﻴﺢ ﻓــﺼﻴﺢ ﺻﺒﺢ ﻭ ﺷﺎﻣﺶ ﺑﮕﻮ ﺻـﻠﻮﺓ ﻭ ﺳـﻼﻡ ﮐــﺎﻳﻦ ﺑــﻮﺩ ﺭﻭﺡ ﭘــﺎﮎ ﺭﺍ ﺗــﺮﻭﻳﺢ ﻳــﺎ ﻧﺒــﻲ ﺍﻟــﻪ ٣ﺍﻟــﺴﻼﻡ ﻋﻠﻴــﮏ ﺭﺍﺟــﻊ ٤ﻗــﺪ ﺍﻟﻴــﮏ ﮐــﻞ ﻣــﺪﻳﺢ ﺭﺍﺯﻳـــﺎ ﺑـــﺎﺵ ﻣـــﺎﺩ ِﺡ ﺍﺣﻤـــﺪ٥ ﮐﺎﻳﻦ ﻣﺪﻳﺢ ﺍﺳـﺖ ﻣـﺮ ٦ﺗـﺮﺍ ﺗـﺴﺒﻴﺢ .1ﻣﺮﺍﺩ ﺍﻳﻦ ﺟﻤﻠﺔ ﻋﺮﺑﻲ” :ﮔﻔﺖ ﺩﺭ ﺷﺎﻧﺶ ﮐﻪ ﻣﻦ ﻓﺼﺎﺣﺖ ﻭ ﺑﻼﻏﺖ ﺍﺩﺑﻲ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻢ“. .2ﻳﻌﻨﻲ ﻫﺮ ﺳﺨﻨﻲ ﮐﻪ ﺍﺯ ﺯﺑﺎﻥ ﻓﺼﺎﺣﺖ ﺑﻴﺮﻭﻥ ﻣﻲﺁﻳﺪ ﭘﺮ ﺍﺯ ﻓﺼﺎﺣﺖ ﻣﻲﺑﺎﺷﺪ. .3ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺍﷲ. .4ﻳﻌﻨﻲ ﻫﺮ ﺷﺎﻋﺮﻱ ﮐﻪ ﻣﺪﺣﺖ ﻭ ﻭﺻﻒ ﺭﺍ ﺩﺍﺭﺍﺳﺖ ﺑﻪﺷﻤﺎ ﺑﺎﺯ ﻣﻲﺁﻳﺪ. .5ﺍﻳﻦ ﻳﮑﻲ ﺍﺯ ﻧﺎﻡﻫﺎﻱ ﻭﺻﻔﻲ ﭘﻴﻐﻤﺒﺮﺹ ﺑﺎﺷﺪ. .6ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺗﻮﺍﻡ.
ﻏﺰﻟﻴﺎﺕ ١٠٣ ) ( ۴۵ ﺗﹸــﺮﮎ ﻣــﺎ ﺭﺍﻡ ﺷــﺪ ﻣﺒــﺎﺭﮎ ﺑــﺎﺩ ﺻـﺒﺢ ﻏـﻢ ﺷـﺎﻡ ﺷـﺪ ﻣﺒـﺎﺭﮎ ﺑـﺎﺩ ﺩﻝ ﻭ ﺟـﺎﻧﻢ ﺑـﻪﺑﻨـﺪ ﮐﺎﮐـﻞ ﻭ ﺯﻟـﻒ ﮐــﺎﻡ ﻭ ﻧﺎﮐــﺎﻡ ﺷــﺪ ﻣﺒــﺎﺭﮎ ﺑــﺎﺩ ﮔﻔﺘﻤﺶ ﺩﻝ ﺭﺑـﻮﺩ ﺯﻟـﻒ ﺗـﻮ ﮔﻔـﺖ ﺻــﻴﺪ ﺩﺭ ﺩﺍﻡ ﺷــﺪ ﻣﺒــﺎﺭﮎ ﺑــﺎﺩ ﺑــﺎﺩﺓ ﻋــﺸﻖ ﺭﺍ ﻋﻠــﻲ ﺍﻻﻃــﻼﻕ١ ﺩﻝ ﻣــﺎ ﺟــﺎﻡ ﺷــﺪ ﻣﺒــﺎﺭﮎ ﺑــﺎﺩ ﺭﺍﻩ ﻭﺻﻠﺖ ﮐﻪ ﺻﺪ ﻣﻘـﺎﻡ ﺩﺭ ﺍﻭﺳـﺖ ﻃﻲ ﺑﻪﻳـﮏ ﮔـﺎﻡ ٢ﺷـﺪ ﻣﺒـﺎﺭﮎ ﺑـﺎﺩ ﺭﺍﺯﻱ ﻋــــﺸﻘﺒﺎﺯ ﺯ ﺍﻫــــﻞِ ﻧﻴــــﺎﺯ ﺯﻭﺩ ﺑـــﺪﻧﺎﻡ ﺷـــﺪ ﻣﺒـــﺎﺭﮎ ﺑـــﺎﺩ ) ( ۴۶ ﺗﺎ ﺑـﻪﺭﺥ ﺯﻟـﻒ ﺳـﻴﻪ ﺁﻥ ﺑـﺖ ﻃﹼﻨـﺎﺯ ﻧﻬـﺎﺩ ﮐﻔﺮ ﻭ ﺍﺳـﻼﻡ ﺯ ﻳـﮏ ﺳﻠـﺴﻠﻪ ﺁﻏـﺎﺯ ﻧﻬـﺎﺩ ﭼﻪ ﺗﻮﺍﻥ ﮐﺮﺩ ﮐﻪ ﺷﺪ ﺑﺨﺖ ﺳﻴﺎﻫﻢ ﺩﺭ ﺧـﻮﺍﺏ ﺗـﺎ ﻣـﮋﻩ ﺑـﺮ ﻣـﮋﻩ ﺁﻥ ﻧـﺮﮔﺲ ﻏﻤـﺎﺯ ﻧﻬـﺎﺩ .1ﺑﻪﻣﻌﻨﻲ ﻣﻄﻠﻖ ،ﺑﻲﻗﻴﺪ ،ﺁﺯﺍﺩ. .2ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﮐﺎﻡ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٠٤ ﻳـﺎﺭ ﻣـﺎ ﻧـﺎﺯ ﭘـﻲ ﮔﺮﻣـﻲ ﻫﻨﮕﺎﻣـﻪ ﻧﮑـﺮﺩ ﺯﻳﻦ ﻋﻤﻞ ﻣﹼﻨﺖ ﺧﻮﺩ ﺑـﺮ ﺻـﻔﺖ ﻧـﺎﺯ ﻧﻬـﺎﺩ ﺍﺯ ﻋــﺪﻡ ﺩﺭ ﺑــﻪﺭﺥ ﻋــﺎﻟﻢ ﻧ ﹼﻈــﺎﺭﻩ ﮔــﺸﺎﺩ ﺗـﺎ ﺑـﺮ ﺁﻳﻴﻨـﻪ ﺩﻝ ﺁﻥ ﺷـﻮﺥ ﻧﻈﺮﺑـﺎﺯ ١ﻧﻬـﺎﺩ ﺑﺎﺭ ﺩﻧﻴﺎ ﭼﻪ ﻧﻬﻲ ﺑﺮ ﺳﺮ ﺩﻝ ﮐﺎﻳﻦ ﺑﺎﺭ ﺍﺳـﺖ ﻫﺮﮐﻪ ﺑﺮﺩﺍﺷﺖ ﺑﻪﻣﺤﻨـﺖ ﺑـﻪﺩ ِﻡ ﻧـﺎﺯ ٢ﻧﻬـﺎﺩ ﮐﻮﻩﮐﻦ ﺳﻌﻲ ﺑﺴﻲ ﮐﺮﺩ ﻭ ﺑﻪﺟـﺎﻳﻲ ﻧﺮﺳـﻴﺪ ﺩﺭ ﺭﻩِ ﻋﺸﻖ ﻗـﺪﻡ ﺗـﺎ ﺑـﻪﭼـﻪ ﺍﻧـﺪﺍﺯ ﻧﻬـﺎﺩ ﺭﺍﺯﻱ ﺍﺯ ﻧﻐﻤــﺔ ﻧــﻲ ﺭﺍﺯ ﻧﻮﺍﺳــﺎﺯ ﺑﺠــﻮﻱ ﮐﺎﻳﻦ ﭼﻪ ﺭﺍﺯ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﭘﺮﺩﺓ ﻫﺮ ﺳﺎﺯ ﻧﻬـﺎﺩ ) ( ۴۷ ﺟﺎﻧﻢ ﻫﺪﻑ ﺗﻴ ِﺮ ﺑـﻼ ﺷـﺪ ﭼـﻪ ﺑـﻪﺟـﺎ ﺷـﺪ ﺳﺮ ﭘﻲ ﺳﭙﺮ ﺭﺍﻩ ﻭﻓﺎ ﺷـﺪ ﭼـﻪ ﺑـﻪﺟـﺎ ﺷـﺪ ﻫﺮ ﺩﺭﺩ ﮐـﻪ ﺩﺭ ﻋـﺎﻟﻢ ﻋـﺸﻖ ﺍﺳـﺖ ﻣﻘـﺪﺭ ﺁﻥ ﺟﻤﻠﻪ ﻧﺼﻴﺐ ﺩ ِﻝ ﻣﺎ ﺷﺪ ﭼﻪ ﺑﻪﺟـﺎ ﺷـﺪ ﺍﺯ ﺩﺳـﺖ ﺑﺘـﺎﻥ ﭼـﺎﮎ ﺯﺩﻡ ﺟﺎﻣـﺔ ﺗﻘـﻮﻱ ﺍﻳﻦ ﺧﺮﻗﻪ ﮐﻪ ﺩﺭ ﻋﺸﻖ ﻗﺒﺎ ﺷﺪ ﭼﻪ ﺑﻪﺟﺎ ﺷﺪ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺑﺎﺭ. .2ﻫﻤﺎﻥ :ﺑﺪﻭﻥ ﻧﻘﻄﻪ.
ﻏﺰﻟﻴﺎﺕ ١٠٥ ﻫﺮﮔﺎﻩ ﮐﻪ ﻓﺎﻧﻲ ﺷـﻮﻱ ﺍﻱ ﺩﻭﺳـﺖ ﺑـﺪﺍﻧﻲ ﻫﺮﮐﺲ ﮐﻪ ﺩﺭﻳﻦ ﺭﺍﻩ ﻓﻨﺎ ﺷﺪ ﭼﻪ ﺑﻪﺟﺎ ﺷـﺪ ﻫﺮ ﻧـﺎﻭﮎ ﺩﻟـﺪﻭﺯ ﮐـﻪ ﺯﺩ ﻏﻤـﺰﺓ ﺩﻟﮑـﺶ ﺩﺭ ﺳﻴﻨﺔ ﺭﺍﺯﻱ ﻫﻤﻪ ﺟﺎ ﺷﺪ ﭼﻪ ﺑﻪﺟـﺎ ﺷـﺪ ) ( ۴۸ ﺧﺮﻗﻪ ﻭ ﺗـﺴﺒﻴﺢ ﻣـﺎ ﺩﺭ ﮔـﺮﻭ ﺑـﺎﺩﻩ ﺷـﺪ ﻧﻘﺪ ﺩﻝ ﻭ ﺩﻳﻦ ﻫﻤﻪ ﺑـﺬﻝ ﺭﺥ ﺳـﺎﺩﻩ ﺷـﺪ ﻋﺎﺷــﻘﻲ ﻭ ﻣﻔﻠــﺴﻲ ،ﺑﻨــﺪﮔﻲ ﻭ ﺑﻴﮑــﺴﻲ ﺍﻳﻦ ﻫﻤﻪ ﺍﺳﺒﺎﺏ ﻋﻴﺶ ﺑﻬﺮ ﻣﻦ ﺁﻣﺎﺩﻩ ﺷـﺪ ﺁﻩ ﮐــﻪ ﺩﺍﺩﻳــﻢ ﺩﻝ ﺑــﺎ ﺻــﻨﻢ ﺧﺮﺩﺳــﺎﻝ ﻃﻔﻞ ﺯ ﮐﻒ ﮐﻲ ﺩﻫﺪ ﺁﻧﭽﻪ ﺑﻪﺍﻭ ﺩﺍﺩﻩ ﺷﺪ ﺁﺏ ﺭﻭﺍﻥ ﺍﻳـﻦ ﻧـﺪﺍ ﻣـﻲﮐﻨـﺪ ﻭ ﻣـﻲﺭﻭﺩ ﺑﺎﺯ ﻧﮕﺮﺩﺩ ﭼﻮ ﻣﺎ ﻫﺮ ﮐﻪ ﺍﺯ ﺍﻳﻦ ﺟﺎﺩﻩ ﺷﺪ ﺍﺯ ﻫﻮﺱ ﺧﻮﺍﺟﮕﻲ ﻓـﺎﺭﻍ ﻭ ﺁﺯﺍﺩ ﮔـﺸﺖ ﻫﺮﮐﻪ ﭼﻮ ﺭﺍﺯﻱ ﻏﻼﻡ ﻗﺎﻣـﺖ ﺁﺯﺍﺩﻩ ﺷـﺪ ) ( ۴۹ ﺳﺮﺷـــﮑﻢ ﺩﺭ ﺩﻝ ﺩﺭﻳـــﺎ ﻧﮕﻨﺠـــﺪ ﻏﻤــﻢ ﺩﺭ ﺳــﻨﻴﺔ ﺻــﺤﺮﺍ ﻧﮕﻨﺠــﺪ ﻧﮕــﺎﺭﺍ ﺗــﺎ ﻏﻤــﺖ ﮔﻨﺠﻴــﺪﻩ ﺩﺭ ﺩﻝ ﻏـــﻢ ﺩﻧﻴـــﺎ ﻭ ﻣﺎﻓﻴﻬـــﺎ ﻧﮕﻨﺠـــﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٠٦ ﻏــﻢ ﺩﻧﻴــﺎ ﭼــﻪ ﮔﻨﺠــﺪ ﺩﺭ ﺩﻝ ﻣــﺎ ﮐــﻪ ﺩﻧﻴــﺎ ﺑــﻲﻏــﻢ ﺩﻧﻴــﺎ ﻧﮕﻨﺠــﺪ ﺯ ﺟـﻮﺵ ﺧـﻢ ﺑـﻪﮔـﻮﺵ ﺩﻝ ﺷـﻨﻴﺪﻡ ﮐــﻪ ﺍﻳــﻦ ﻣــﻲ ﺩﺭ ﺩﻝ ﻣﻴﻨــﺎ ﻧﮕﻨﺠــﺪ ﺩﻟﻢ ﺑﺎ ﺯﻟﻒ ﻣـﻲﭘﻴﭽﻴـﺪ ﻭ ﻣـﻲﮔﻔـﺖ ﺟـﺰ ﺍﻳـﻦ ﺑـﻮ ﺩﺭ ﻣـﺸﺎﻡ ﻣـﺎ ﻧﮕﻨﺠـﺪ ﭼﻪ ﻣﻲﭘﺮﺳـﻲ ﺣـﺪﻳﺚ ﻭﺻـﻞ ﺭﺍﺯﻱ ﺩﺭﻳــﻦ ﺧﻠﻮﺗﮑــﺪﻩ ﻏﻮﻏــﺎ ﻧﮕﻨﺠــﺪ ) ( ۵۰ ﺩﺭ ﺳـﻴﻨﺔ ﺗـﻨﮕﻢ ﺩﻝ ﺑـﺎ ﻳـﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﺩﺭ ﺧﺎﻧﻪ ﭼﻮ ﻳﺎﺭ ﺁﻣﺪ ﺍﻏﻴـﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﻋﮑﺲ ﺭﺥ ﮔﻠﮕﻮﻧﺶ ﺗﺎ ﺩﺭ ﺧﹸﻢ ﻣـﻲﺍﻓﺘـﺎﺩ ﺩﺭ ﻣﻴﮑﺪﻩ ﺍﺯ ﺷـﺎﺩﻱ ﺧ ﻤـﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﻭﺻﻒ ﺩﻫﻦ ﺗﻨﮕﺶ ﻧﺘـﻮﺍﻥ ﺑـﻪﺑﻴـﺎﻥ ﺁﻭﺭﺩ ﮐـﺰ ﺗﻨﮕـﻲ ﺍﻧﺪﻳـﺸﻪ ﮔﻔﺘـﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﺩﺭ ﮐﻮﭼــﺔ ﻣﻴﺨﺎﻧــﻪ ﺑــﺎ ﻧﻌــﺮﺓ ﻣــﺴﺘﺎﻧﻪ ﮔﻮﻳﻨﺪ ﮐﻪ ﺩﺭ ﻣﺴﺘﺎﻥ ﻫـﺸﻴﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﻣﻨﺼﻮﺭ ﺑﻮﺩ ﻣﻌﺬﻭﺭ ﮔﺮ ﺯﺩ ﺯ ﺍﻧـﺎﺍﻟﺤﻖ ﺩﻡ ﺩﺭ ﺣﻮﺻـﻠﺔ ﻣـﺴﺘﺎﻥ ﺍﺳـﺮﺍﺭ ﻧﻤـﻲﮔﻨﺠـﺪ
ﻏﺰﻟﻴﺎﺕ ١٠٧ ﺷﺎﻩ ﺍﺭ ﻋﻤﻞ ﺧﻮﺩ ﺭﺍ ﺑﺮ ﺑﻨﺪﻩ ﻧﻬﺪ ﺗﻬﻤـﺖ ﺍﻗﺒـﺎﻝ ﻫﻤـﻲ ﺯﻳﺒـﺪ ،ﺍﻧﮑـﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ﺩﺭ ﮔﻮﺵِ ﺩ ِﻝ ﺭﺍﺯﻱ ﻗﺎﻧﻮﻥِ ﻣﺤﺒـﺖ ﮔﻔـﺖ ﺩﺭﻳﺎﺏ ﮐﻪ ﺍﻳﻦ ﻧﻐﻤﻪ ﺩﺭ ﺗﺎﺭ ﻧﻤـﻲﮔﻨﺠـﺪ ) ( ۵۱ ﺩﻝ ﭘـﺮ ﺍﺯ ﻣﻬــﺮ ﺑﺘــﺎﻥ ﺍﺯ ﺩﻭﻟــﺖ ﻧ ﹼﻈــﺎﺭﻩ ﺷــﺪ ﺩﻳﺪﻩ ﺗﻴﺮ ﻏﻤـﺰﻩ ﺧـﻮﺭﺩ ﻭ ﭘـﺮﺩﺓ ﺩﻝ ﭘـﺎﺭﻩ ﺷـﺪ ﻣﻮﺳﻢ ﭘﻴﺮﻱ ﺑﻪﺗﻨﺪﻱ ﻣـﻲﺯﻧـﺪ ﺍﺷـﮑﻢ ﺯ ﭼـﺸﻢ ﺭﻓﺘـﻪ ﺭﻓﺘـﻪ ﭼـﺸﻤﺔ ﺩﻝ ﺻـﺎﺣﺐ ﻓـ ﻮﺍﺭﻩ ﺷـﺪ ﺩﺭﺩ ﻫــﺮﮐﺲ ﺭﺍ ﺩﻭﺍ ﮐﺮﺩﻧــﺪ ﺩﺭﺩ ﺩﺍﺭﺍﻟــﺸﹼﻔﺎ ﻧﻮﺑـﺖ ﻋﺎﺷـﻖ ﺭﺳـﻴﺪ ﻭ ﺑـﻮﻋﻠﻲ ﺑﻴﭽـﺎﺭﻩ ﺷـﺪ ﺧﻮﺩ ﺷﮑﺴﺘﻢ ﺩﻝ ﭼﻮ ﺑﺎ ﺁﻥ ﺳﻨﮕﺪﻝ ﻳﮑﺪﻝ ﺷـﺪﻡ ﺑﺸﮑﻨﺪ ﭼﻮﻥ ﺷﻴﺸﻪ ﺭﺍ ﻭﺻﻠﺖ ﺑﻪﺳﻨﮓ ﺧﺎﺭﻩ ﺷﺪ ﺍﺷﮏ ﭼﺸﻤﻢ ﺗﺎ ﺑﻪﺩﺍﻣـﺎﻥ ﺭﻭﻱ ﺁﺳـﺎﻳﺶ ﻧﺪﻳـﺪ ﻣﻀﻄﺮﺏ ﺷﺪ ﻃﻔﻞ ﺩﻝ ﺗﺎ ﺩﻭﺭ ﺍﺯ ﺍﻳﻦ ﮔﻬﻮﺍﺭﻩ ﺷﺪ ﺩﺭﮔـﻪ ﺑﺮﻫـﺎ ِﻥ ﺩﻳـﻦ ﺩﺍﺭﺍﻟﻘـﺮﺍﺭ ﺳـﺎﻟﮏ ﺍﺳـﺖ ﺭﺍﺯﻱ ﺍﺯ ﺩﺭﮔﺎﻩ ﺍﻭ ﻫﺮﺳـﻮ ﮐـﻪ ﺷـﺪ ﺁﻭﺍﺭﻩ ﺷـﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٠٨ ) ( ۵۲ ﺩﻟــﻢ ﭼــﻮ ﻏﻨﭽــﻪ ﺯ ﺑــﺎﺩ ﺑﻬــﺎﺭ ﻭﺍ ﻧــﺸﻮﺩ ﺑــﺪﻭﻥ ﺑــﻮﻱ ﮐــﺴﻲ ﺑــﺎﺩ ﺩﻝﮔــﺸﺎ ﻧــﺸﻮﺩ ﺑﻪﻣﻲ ﻧﮕﻪ ﻧﮑﻨﺪ ﭼﺸﻢ ﺍﻭ ﺳﻴﻪ ﻣـﺴﺖ ﺍﺳـﺖ١ ﺳﻴﻪ ﺩﻟﻲﺳـﺖ ﮐـﻪ ﺑـﺎ ﺳـﺮﻣﻪ ﺁﺷـﻨﺎ ﻧـﺸﻮﺩ ﺩﺭ ﺍﻳﻦ ﭼﻤـﻦ ﺯ ﺧﺠﺎﻟـﺖ ﺑـﻮﺩ ﺳـﺮﺍﻓﮑﻨﺪﻩ ﭼﻮ ﭼﺸﻢ ﻧﺮﮔﺲ ﭼﺸﻤﻲ ﮐـﻪ ﻣﺒـﺘﻼ ﻧـﺸﻮﺩ ﻣﺤﺒــﺖ ﺗــﻮ ﺑــﻼﻱ ﺩﻝ ﺍﺳــﺖ ﻣــﻲﺗﺮﺳــﻢ ﮐﻪ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﺩﻟـﻢ ﻭﻗـﻒ ﺍﻳـﻦ ﺑـﻼ ﻧـﺸﻮﺩ ﺩﻟﻢ ﺯ ﮐﺎﮐﻞ ﻭ ﺧ ﹼﻂ ﺗﻮ ﺧﻮﺵ ﭘﺮﻳﺸﺎﻥ ﺍﺳـﺖ ﺑﻪﺑﻨﺪ ﺯﻟﻒ ﺩﺭ ﺍﻓﮑﻦ ﮐـﻪ ﺟـﺎﺑـﻪﺟـﺎ ﻧـﺸﻮﺩ ﺷﻮﺩ ﭼﻮ ﺁﻥ ﮔﻞ ﺧﻮﺩﺭﻭﻱ ﻣﻦ ﺑـﻪﺑـﺎﻍ ﺁﻣـﺪ ﮐـﻪ ﻧﺎﻟـﺔ ﻣـﻦ ﻭ ﺑﻠﺒـﻞ ﺑـﻪﻳـﮏ ﻧـﻮﺍ ﻧـﺸﻮﺩ ﺧﺪﺍﺳـﺖ ﺟﻠـﻮﻩﮔـﺮ ﻭ ﻋـﺎﻟﻢ ﺍﺳـﺖ ﺁﻳﻴﻨـﻪ ﺯ ﺧﻮﺩﻧﻤﺎﻳﻲ ﺧـﻮﺩ ﺧﻠـﻖ ﺣـﻖﻧﻤـﺎ ﻧـﺸﻮﺩ ﺯ ﺑﻨــﺪ ﺷــﺪ ﻧــﺸﺪ ﺁﺯﺍﺩ ﻣــﻲﺷــﻮﺩ ﺭﺍﺯﻱ ﺩﻟــﻲ ﮐــﻪ ﺑﻨــﺪﺓ ﺩﻧﻴــﺎﻱ ﺑــﻲﻭﻓــﺎ ﻧــﺸﻮﺩ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﻣﺴﺘﻲ ﺍﺳﺖ.
ﻏﺰﻟﻴﺎﺕ ١٠٩ ) ( ۵۳ ﺯ ﻣﮋﮔﺎ ِﻥ ﺗﺮﻡ ﺧﻮ ِﻥ ﺩﻝِ ﺻﺪ ﭼـﺎﮎ ﻣـﻲﺭﻳـﺰﺩ ﭼﻮ ﺧﻮﻥ ﺻﻴﺪ ﺑﺴﻤﻞ ﮐﺮﺩﻩ ﮐﺰ ﻓﺘﺮﺍﮎ ﻣﻲﺭﻳﺰﺩ ﻣﻦ ﺍﻳﻦ ﺧﻮﻧﺎﺑﻪ ﺭﺍ ﺍﺯ ﭼﺸﻤﺔ ﺩﻝ ﻣﻲﮐﻨﻢ ﺣﺎﺻﻞ ﺗﻮ ﭘﻨﺪﺍﺭﻱ ﮐﻪ ﺁﺏ ﺍﺯ ﺩﻳﺪﺓ ﻏﻤﻨﺎﮎ ﻣـﻲﺭﻳـﺰﺩ ﻧﺨﺴﺘﻴﻦ ﻏﻤﺰﺓ ﭼﺸﻤﺶ ﻧﺼﻴﺐ ﺧﺎﮐﺴﺎﺭﺍﻥ ﺷﺪ ﺯ ﺟﺎﻡ ﺑﺎﺩﻩ ﺍﻭﻝ ﻗﻄﺮﻩﺍﻱ ﺑﺮ ﺧـﺎﮎ ﻣـﻲﺭﻳـﺰﺩ ﺷــﻬﻴﺪ ﻏﻤــﺰﺓ ﺧــﻮﻧﺮﻳﺰ ﺍﻭ ﻋــﻴﺶ ﺍﺑــﺪ ﺩﺍﺭﺩ ﻧﺪﺍﺭﻡ ﺑﺎﮎ ﺍﮔﺮ ﺧﻮﻥ ﻣﻦ ﺁﻥ ﺑﻲﺑﺎﮎ ﻣـﻲﺭﻳـﺰﺩ ﺩﺭﻳﻦ ﻣﻴﺨﺎﻧـﻪ ﻣﺨﻤـﻮﺭﻳﻢ ﺍﺯ ﺑﺪﻣـﺴﺘﻲ ﺳـﺎﻗﻲ ﮐﻪ ﺗﺎ ﭘﻴﻤﺎﻧﻪ ﺭﺍ ﭘﺮ ﻣﻲﮐﻨﺪ ﺑﺮ ﺧﺎﮎ ﻣـﻲﺭﻳـﺰﺩ ) ( ۵۴ ﺩﻝ ﮐــﻪ ﺩﺭﻳﺎﺳــﺖ ﻗﻄــﺮﻩ ﺁﺳــﺎ ﺷــﺪ ﻗﻄــﺮﺓ ﺍﺷــﮏ ﺭﻓﺘــﻪ ﺩﺭﻳــﺎ ﺷــﺪ ﻋﺸﻖ ﭼـﻮﻥ ﮐـﺮﺩ ﻗﻠـﺐ ﻣـﺎ ﻫﻴﻬـﺎﺕ ﺗﻠــﺦ ،ﺷــﻴﺮﻳﻦ ﻭ ﺯﺷــﺖ ،ﺯﻳﺒــﺎ ﺷــﺪ ﺷــﻮﻕ ﭼــﻮﻥ ﭘــﺮﺩﺓ ﺣــﻮﺍﺱ ﺩﺭﻳــﺪ ﺁﻧﭽــﻪ ﺩﺭ ﭘــﺮﺩﻩ ﺑــﻮﺩ ﭘﻴــﺪﺍ ﺷــﺪ ﻳــﺎﺭ ﺁﻫﻨــﮓ ﻋــﺸﻖﺑــﺎﺯﻱ ﮐــﺮﺩ ﺣـــﺴﻦ ﭘﻨﻬـــﺎﻧﺶ ﺁﺷـــﮑﺎﺭﺍ ﺷـــﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١١٠ ﻣﻄــﺮﺏ ﻋــﺸﻖ ﺧﻮﺍﻧــﺪ ﻳــﮏ ﻧﻐﻤــﻪ ﺩﺭ ﺩﻭ ﻋــﺎﻟﻢ ﺑﺒــﻴﻦ ﭼــﻪ ﻏﻮﻏــﺎ ﺷــﺪ ﻫﺮﮐﺲ ﺍﺯ ﺳﺮﻭ ﮔﻔـﺖ ﻭ ﻣـﻦ ﺯ ﻗـﺪﺕ ﺳــﺨﻨﻢ ﺭﺍﺳــﺖ ﺑــﻮﺩ ﺑــﺎﻻ ﺷــﺪ ) ( ۵۵ ﻧـﺸﺌﺔ ﻋـﺸﻖ ﺗـﻮ ﭘـﻲ ﺩﺭ ﭘـﻲ ﺭﺳـﺪ ﮔﻪ ﺯ ﭼﺸﻢ ﻣﺴﺖ ﻭ ﮔـﻪ ﺍﺯ ﻣـﻲﺭﺳـﺪ ﺩﻝ ﮐﻨـــﺪ ﻳـــﺎﺩ ﻧﻴـــﺴﺘﺎﻥ ﻋـــﺪﻡ ﭼﻮﻥ ﺑﻪﮔﻮﺷـﻢ ﻧﻐﻤـﻪﺍﻱ ﺍﺯ ﻧـﻲ ﺭﺳـﺪ ﺩﻭﺳﺖ ﺑﺎ ﻣﺎ ﻳﮏ ﺩﻣﻲ ﺧﻮﺍﻫـﺪ ﺭﺳـﻴﺪ١ ﮐﻲ ﺭﺳﺪ ﺍﻱ ﺩﻭﺳﺖ ﺁﻥ ﺩﻡ ﮐﻲ ﺭﺳـﺪ ﺩﻝ ﻣﻨِـــﻪ ﺑﻠﺒـــﻞ ﺑـــﺮ ﺍﻳـــﺎﻡ ﺑﻬـــﺎﺭ ﺍﺯ ﻏــﻢ ﺩﻱ ﻧﺎﻟــﻪ ﮐــﻦ ﺗــﺎ ﺩﻱ ﺭﺳــﺪ ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﻣﻘﻄﻊ ﺍﺯ ﺻـﺎﺣﺒﺪﻝ ﺍﺳـﺖ ﺗـﺎ ﺑـﻪﺩﻝﻫـﺎ ﮔﺮﻣـﻲﻳـﻲ ﺍﺯ ﻭﻱ ﺭﺳـﺪ ﻣـﺎ ﹶﻧﻴـﺴﺘﺎﻧﻴﻢ ﻭ ﻋـﺸﻘﺖ ﺁﺗـﺶ ﺍﺳـﺖ ﻣﻨﺘﻈـﺮ ﮐـﺎﻥ ﺁﺗـﺶ ﺍﻧـﺪﺭ ﻧـﻲ ﺭﺳـﺪ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺭﺳﺪ.
ﻏﺰﻟﻴﺎﺕ ١١١ ) ( ۵۶ ﺯ ﺳﻮﺯ ﻣـﻲﮐـﺸﻢ ﺁﻫـﻲ ﻭ ﻣـﻲﮐـﻨﻢ ﻓﺮﻳـﺎﺩ ﺑﻪﺑﺎﺩ ﻣﻲﺩﻫﻢ ﺍﻳـﻦ ﺷـﻌﻠﻪ ﻫﺮﭼـﻪ ﺑـﺎﺩﺍ ﺑـﺎﺩ ﻫـﺰﺍﺭ ﺧﺎﻧـﺔ ﺁﺑـﺎﺩ ،ﻋـﺸﻖ ﻭﻳـﺮﺍﻥ ﺳـﺎﺧﺖ ﺑﻨــﺎﻱ ﺧﺎﻧــﻪ ﺑﺮﺍﻧــﺪﺍﺯ ﻋــﺸﻖ ﺗﺎﮐــﻪ ﻧﻬــﺎﺩ ﺟﻔﺎﻱ ﻋﺸﻖ ﺿـﻌﻴﻔﺎﻥ ﮐـﺸﻨﺪ ﺷـﺪ ١ﻣﻌﻠـﻮﻡ ﺯ ﻧـــﺎﺗﻮﺍﻧﻲ ٢ﻣﺠﻨـــﻮﻥ ﻭ ﻗـــﻮﺕ ﻓﺮﻫـــﺎﺩ ﭼﻪ ﺳﺎﻟﮑﺎﻥ ﮐﻪ ﺩﺭﻳـﻦ ﺭﺍﻩ ﭘـﺎﻱ ﺑﻨـﺪ ﺷـﺪﻧﺪ ﺑﺪﻳﻦ ﺧﻴﺎﻝ ﮐﻪ ﻭﺻﻞ ﺗﻮ ﺩﺳـﺖ ﺩﺍﺩ ﻭ ﻧـﺪﺍﺩ ﺑﻨﺎﻱ ﺧﺎﻧﻪ ﭼﻪ ﻣﺤﮑـﻢ ﻧﻬـﻲ ﺩﺭ ﺍﻳـﻦ ﻣﻨـﺰﻝ ﺑﻨــﺎﻱ ﺑﻨﻴــﺔ ﺑــﺎﻧﻲ ﭼــﻮ ﻫــﺴﺖ ﺑــﻲﺑﻨﻴــﺎﺩ ﺭﻩ ﺣﺼﻮﻝ ﻣﻄﺎﻟﺐ ﮔﺬﺷﺘﻦ ﺍﺯ ﻃﻠـﺐ ﺍﺳـﺖ ﺑﻠـﻲ ﺑـﻪﺗـﺮﮎ ﺍﺭﺍﺩﺕ ﺷـﻮﺩ ﻣﺮﻳـﺪ ،ﻣـﺮﺍﺩ ﺧﻨﮏ ﮐﺴﻲ ﮐﻪ ﺩﺭ ﺍﻳﻦ ﺩﻳﺮ ﺷﺶ ﺟﻬﺖ ﺑﺎﺷﺪ ﭼﻮ ﻣﻬﺮﻩ ﺑﻨﺪ ﺑـﻪﺷـﺸﺪﺭ ﻧﻈـﺮ ﺑـﻪﺭﺍﻩ ﮔـﺸﺎﺩ ) ( ۵۷ ﺳﺎﻝﻫﺎ ﺑﻮﺩ ﮐﻪ ﺩﻝ ﻣﻌﺘﮑـﻒ ﮐـﻮﻱ ﺗـﻮ ﺑـﻮﺩ ﺭﻭﻱ ﭼﻮﻥ ﻗﺒﻠﻪ ﻧﻤﺎ ﺍﺯ ﻫﻤﻪ ﺳﻮ ﺳﻮﻱ ﺗﻮ ﺑﻮﺩ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺳﺪ. .2ﻫﻤﺎﻥ :ﺗﻮﺍﻧﻲ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١١٢ ﻣـﻦِ ﺩﻳﻮﺍﻧـﻪ ﺑـﻪﺯﻧﺠﻴـﺮ ﺟﻬـﺎﻥ ﻣـﻲﮔـﺸﺘﻢ ﻟﻴـﮏ ﭘﺎﺑﻨـﺪ ﺩﻟـﻢ ﺳﻠـﺴﻠﺔ ﻣـﻮﻱ ﺗـﻮ ﺑـﻮﺩ ﺳﺮ ﭼﻮ ﺳﻮﺩﺍﺯﺩﮔﺎﻥ ﺩﺭ ﻃﻠﺐ ﺩﺭﺩ ﺗﻮ ﮔـﺸﺖ ﺩﻳﺪﻩ ﭼـﻮﻥ ﺁﻳﻨـﻪ ﺩﺭ ﺁﺭﺯﻭﻱ ﺭﻭﻱ ﺗـﻮ ﺑـﻮﺩ ﺩﺭ ﺟﻬﺎﻥ ﻫـﻴﭻ ﺩﻝ ﺍﺯ ﻭﺳﻮﺳـﻪ ﺁﺯﺍﺩ ﻧﻤﺎﻧـﺪ ﻣﮕﺮ ﺁﻥ ﺩﻝ ﮐﻪ ﺍﺳﻴ ِﺮ ﺧﻢ ﮔﻴـﺴﻮﻱ ﺗـﻮ ﺑـﻮﺩ ﺑﺲ ﮐﻪ ﺗﻴﺮ ﻧﮕﻪ ﺍﺯ ﺣﻮﺻﻠﻪ ﺭﺩ ﮐـﺮﺩﻡ ﻟﻴـﮏ ﺩﻟﻨﺸﻴﻦ ﮔﺸﺖ ﺧﺪﻧﮕﻲ ﮐﻪ ﺯ ﺍﺑﺮﻭﻱ ﺗﻮ ﺑـﻮﺩ ﻫﺮ ﮔﻠﻲ ﺗﺎﺯﻩ ﮐﻪ ﺑﺸﮑﻔﺖ ﺳﺤﺮ ﺭﻧﮓ ﺗﻮ ﺩﺍﺷﺖ ﻧﺎﻓﺔ ﻏﻨﭽﻪ ﭼﻮ ﺑﺸﮑﺎﻓﺖ ﭘﺮ ﺍﺯ ﺑﻮﻱ ﺗـﻮ ﺑـﻮﺩ ﺳﺎﻣﺮﻱ ١ﮐﻴﺴﺖ ﮐﻪ ﺟﺎﻥ ﺩﺭ ﺗﻦ ﮔﻮﺳﺎﻟﻪ ﺩﻫﺪ٢ ﺳﺎﺣﺮﻱ ﭼﻴﺴﺖ ﻫﻤﻪ ﻓﺘﻨﺔ ﺟـﺎﺩﻭﻱ ﺗـﻮ ﺑـﻮﺩ ﮐﺸﺘﺔ ﻏﻤﺰﺓ ﺗﻮ ﻧﻴـﺴﺖ ﻫﻤـﻴﻦ ﺭﺍﺯﻱ ﻭ ﺑـﺲ ﺑﺲ ﻣﺴﻠﻤﺎﻥ ﺑﻪﺳﺘﻢ ﮐﺸﺘﺔ ﻫﻨﺪﻭﻱ ٣ﺗـﻮ ﺑـﻮﺩ .1ﻣﺮﺍﺩ ﺑﻪﻫﻤﺎﻥ ﺷﺨﺼﻲ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﻏﻴﺒﺖ ﺣﻀﺮﺕ ﻣﻮﺳﻲ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﻗﻮﻡ ﺑﻨﻲ ﺍﺳﺮﺍﺋﻴﻞ ﺭﺍ ﺑﻪﺷﺮﮎ ﻳﻌﻨﻲ ﮔﻮﺳﺎﻟﻪﭘﺮﺳﺘﻲ ﻣﺒﺘﻼ ﮔﺮﺩﺍﻧﻴﺪ ﻭ ﺑﺎﻋﺚ ﮔﻤﺮﺍﻫﻲ ﻗﻮﻡ ﺷﺪ .ﭼﻨﺎﻧﮑﻪ ﻗﺮﺁﻥ ﻣﺠﻴﺪ ﺍﻳﻦ ﻃﻮﺭ ﺗﻮﺿﻴﺢ ﻣﻲﺩﻫﺪ¼çmY¨ %s hÌ•sy ãZ9© …“‘ •Ì BÏ $¡¡ 9$# ãLià =¯ |Êr&ru 8x ω÷è/t `. ÏB y7tBöq%s $Z¨ Ft sù ‰ô s% $R¯ *Î ùs At $s% : ،$¸ÿ¡ó Sn ÉdOŠu 9ø $# ’Îû ¼çm¨Yxÿ¡Å YZu s9 ¢OèOﺳﻮﺭﺓ ﻃﻪ ،ﺁﻳﻪ .۹۷-۸۵ .2ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺩﻣﺪ. .3ﺍﻳﻦ ﺍﺻﻄﻼﺣﺎﹰ ﺍﺳﺘﻌﺎﺭﻩ ﺍﺳﺖ ﮐﻪ ﻣﻨﻈﻮﺭ ﺍﺯﺁﻥ »ﻣﻌﺸﻮﻕ« ﻣﻲﺑﺎﺷﺪ.
ﻏﺰﻟﻴﺎﺕ ١١٣ ) ( ۵۸ ﻣﻦ ﻣـﺴﺘﻢ ﻭ ﺩﻳﻮﺍﻧـﻪ ﻫـﺸﻴﺎﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﺩﺭ ﺧﻮﺍﺏ ﺗـﺮﺍ ﺩﻳـﺪﻡ ﺑﻴـﺪﺍﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﻣﻦ ﺩﻝ ﺑـﻪﮐـﺴﻲ ﺩﺍﺩﻡ ﺑﻴـﺪﺍﺩ ﻧﺨـﻮﺍﻫﻢ ﺑـﻮﺩ ﮐﺎﺭﻱ ﻋﺠﺒﻲ ﮐﺮﺩﻡ ﺑـﻲﮐـﺎﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﺩﺭ ﺳﻠــﺴﻠﺔ ﺯﻟﻔــﺶ ﺩﻳﻮﺍﻧــﻪ ﺩﻟــﻢ ﮔﻮﻳــﺪ ﺯﻧﺠﻴﺮ ﺍﮔﺮ ﺍﻳﻦ ﺍﺳﺖ ﻫـﺸﻴﺎﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﺩﻝ ﺩﺍﻧﺪ ﻭ ﻏﻢ ﺩﺍﻧـﺪ ﻏـﻢ ﺩﺍﻧـﺪ ﻭ ﺩﻝ ﺩﺍﻧـﺪ ﻣﻦ ﺍﻳﻦ ﺩﻝ ﻏﻤﮕﻴﻦ ﺭﺍ ﻏﻤﺨﻮﺍﺭ ﻧﺨﻮﺍﻫﻢ ﺷـﺪ ﻫﺮ ﺗﻴﺸﻪ ﮐﻪ ﺯﺩ ﻓﺮﻫـﺎﺩ ﺍﺯ ﮐـﻮﻩ ﺻـﺪﺍ ﺁﻣـﺪ ﻣـﻦ ﺳـﺪ ﺭﻩ ﻭﺻـﻠﻢ ﻫﻤـﻮﺍﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﺩﺭ ﭘﺮﺩﺓ ﺩﻝ ﻏﻨﭽﻪ ﺍﻳﻦ ﻧﻐﻤﻪ ﺳﺤﺮ ﻣـﻲﮔﻔـﺖ ﮔﺮ ﮔﻞ ﺷﻮﻡ ﺍﻱ ﺑﻠﺒﻞ ﺑﻲﺧـﺎﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ﭼﻮﻥ ﻃﺎﻟﺐ ﻳﺎﺭﻡ ﻣﻦ ﺩﺭ ﻫﺮ ﺩﻭ ﺳـﺮﺍ ﺭﺍﺯﻱ! ﮔﺮ ﺧﻠﺪ ﺑﺮﻳﻦ ﺑﺎﺷـﺪ ﺑـﻲﻳـﺎﺭ ﻧﺨـﻮﺍﻫﻢ ﺷـﺪ ) ( ۵۹ ﻫﺮﮐﻪ ﭼﻮﻥ ﻣﻨﺼﻮﺭ ﺭﺍﺯﺕ ﺁﺷـﮑﺎﺭﺍ ﻣـﻲﮐﻨـﺪ ﻫﺮﭼﻪ ﺑﺎ ﺍﻭ ﻣﻲﮐﻨﺪ ﺗﻴـﻎ ﺗـﻮ ﺑﺮﺟـﺎ ﻣـﻲﮐﻨـﺪ ﺭﺷﺤﺔ ﻳﮏ ﺟﻠﻮﺓ ﻧﺎﺩﻳـﺪﻩ ﻣـﻲﺍﻓﺘـﺪ ﺑـﻪﺧـﺎﮎ ﻫﺮﮐﻪ ﭼﻮﻥ ﻣﻮﺳﻲ ﺟﻤﺎﻟﺖ ﺭﺍ ﺗﻤﹼﻨـﺎ ﻣـﻲﮐﻨـﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١١٤ ﻗـ ﹼﺼﺔ ﺧـﻮﻧﺮﻳﺰﻱ ﻣﮋﮔـﺎﻥ ﺁﻥ ﺗﺮﮐـﺎﻥ ﻣـﺴﺖ ﺩﻝ ﭼﻪ ﺳﺎﻥ ﺍﺧﻔﺎ ﮐﻨﺪ ﭼﻮﻥ ﺩﻳﺪﻩ ﺍﻓﺸﺎ ﻣﻲﮐﻨﺪ ﭼﻮﻥ ﮐﻨﺪ ﺑﻴﻤﺎﺭ ﻳﺎﺭﺏ ﮐﺎﻳﻦ ﻃﺒﻴﺐ ﺍﺯ ﭼﺸﻢ ﻭ ﻟـﺐ ﮔﺎﻩ ﺯﺣﻤﺖ ﻣـﻲﻓﺰﺍﻳـﺪ ﮔـﻪ ﻣـﺪﺍﻭﺍ ﻣـﻲﮐﻨـﺪ ﺩﺭ ﻣﺸﺎﻡ ﺟﺎ ِﻥ ﺭﺍﺯﻱ ﺑـﻮﻱ ﺟﺎﻧـﺎﻥ ﻣـﻲﺭﺳـﺪ ﭼﻮﻥ ﺻﺒﺎ ﮔﻞ ﻏﻨﭽﺔ ﻧـﺸﮑﻔﺘﻪﺍﻱ ﻭﺍ ﻣـﻲﮐﻨـﺪ ) ( ۶۰ ﻫﺮ ﮐﻪ ﺩﺭ ﮐﻮﻱ ﺗﻮ ﺑـﺮ ﻋـﺰﻡ ﺗﻤﺎﺷـﺎ ﻣـﻲﺭﻭﺩ ﭼﻮﻥ ﮐﻠﻴﻢ ﺍﺯ ﺧﻮﻳﺸﺘﻦ ﺩﺭ ﻃﻮﺭ ﺳﻴﻨﺎ ﻣـﻲﺭﻭﺩ ﻳﻮﺳﻒ ﺍﺯ ﮐﻨﻌﺎﻥ ﺑﻪﭘﺎﻱ ﺧﻮﺩ ﻧﻤﻲﺁﻳﺪ ﺑﻪﻣـﺼﺮ ﺩﺭ ﻫــﻮﺍﻱ ﺟﺬﺑــﺔ ﻋــﺸﻖ ﺯﻟﻴﺨــﺎ ﻣــﻲﺭﻭﺩ ﻳﺎ ﻫﻤﻲﮔـﻮﻳﻢ ﺳـﺨﻦ ﺍﺯ ﻗﺎﻣـﺖ ﻣـﻮﺯﻭﻥ ﻳـﺎﺭ ﺭﻓﺘــﻪ ﺭﻓﺘــﻪ ﭘﺎﻳــﺔ ﻧﻈﻤــﻢ ﺑــﻪﺑــﺎﻻ ﻣــﻲﺭﻭﺩ ﺩﺭ ﻃﺮﻳﻘﺖ ﻧﻘﺶ ﭘﺎﻱ ﺳﺎﻟﮑﺎﻥ ﺭﺍ ﮐﺲ ﻧﻴﺎﻓـﺖ ﻫﺮﮐﻪ ﻣﻲﺁﻳﺪ ﺩﺭﻳﻦ ﺭﻩ ﺑـﻲﺳـﺮ ﻭ ﭘـﺎ ﻣـﻲﺭﻭﺩ ﺗﺎﺏ ﺭﺳﻮﺍﻳﻲ ﻧﺪﺍﺭﻱ ﻣﺴﺖ ﺷﻮ ،ﻣﻌﺬﻭﺭ ﺑـﺎﺵ ﻫﺮﮐﻪ ﻫﺸﻴﺎﺭ ﺍﺳﺖ ﺍﺯ ﺍﻳﻦ ﻣﻴﺨﺎﻧﻪ ﺭﺳﻮﺍ ﻣﻲﺭﻭﺩ ﺍﻧﺪﺭﻳﻦ ﺩﺍﺭ ﺩﻭ ﺩﺭ ﻳﮏ ﺭﻭﺯ ﺍﻗﺎﻣﺖ ﺑﻴﺶ ﻧﻴﺴﺖ ﺁﻧﮑـﻪ ﺩﻱ ﺁﻣـﺪ ﺑـﻪﺩﻧﻴـﺎ ﺑـﺎﺯ ﻓـﺮﺩﺍ ﻣـﻲﺭﻭﺩ
ﻏﺰﻟﻴﺎﺕ ١١٥ ) ( ۶۱ ﮔﻔﺘﻢ ﺑﻪﺻـﺒﺮ ﮐـﺎﺭ ﻣـﻦ ﺁﺳـﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﺩﺭ ﻫﺠـﺮ ﺩﻝ ﺯ ﻋـﺸﻖ ﭘـﺸﻴﻤﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﮐﻮﮐــﻮ ﺯﺩﻡ ﭼــﻮ ﻓﺎﺧﺘــﻪ ﺩﺭ ﺑــﺎﻍ ﺁﺭﺯﻭ ﮐﺎﻥ ﺳﺮﻭ ﺧﻮﺵﺧﺮﺍﻡ ﺧﺮﺍﻣـﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﺍﻳﻦ ﻧﻔـﺲ ﻣﺎﻧـﺪ ﮐـﺎﻓﺮ ﻭ ﺯﺩ ﺭﺍﻩِ ﺩﻳـﻦ ﻣـﻦ ﻫﺮﭼﻨﺪ ﺧﻮﺍﺳـﺘﻢ ﮐـﻪ ﻣـﺴﻠﻤﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﻣﻨﺼﻮﺭ ﮔﺸﺖ ﻋـﺎﻟﻢ ﻭ ﺑـﺮ ﺩﺍﺭ ﮔﻔـﺖ ﺩﺭﺱ ﮔﻔﺘﻨـﺪ ﺍﻫـﻞ ﭘﻨـﺪ ﮐـﻪ ﻧـﺎﺩﺍﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﻋﺎﺑــﺪ ﺷــﺪ ﺍﺯ ﻋﺒــﺎﺩ ِﺕ ﺑــﺴﻴﺎﺭ ﻣﺘﹼﻘــﻲ ﮐﺎﺭﻱ ﮐﻪ ﺁﻥ ﺑـﻪﻧﺎﻟـﻪ ﻭ ﺍﻓﻐـﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﺳﻨﺒﻞ ﺯ ﺭﺷﮏ ﺯﻟﻒ ﺗﻮ ﺩﺭ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﻣﺎﻧـﺪ ﻣﻲﺧﻮﺍﺳﺖ ﻣﺸﮑﺒﻮﻱ ﻭ ﭘﺮﻳﺸﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﺷﺪ ﭼﺎﮎ ﺳـﻴﻨﻪ ﺍﺯ ﺳـﺘﻢ ﻋـﺸﻖ ﻭ ﺧﻮﺍﺳـﺘﻢ ﺩﺳﺖ ﺿـﻌﻴﻒ ﺗـﺎ ﺑـﻪﮔﺮﻳﺒـﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ﺩﺍﺩﻳﻢ ﺟﺎﻥ ﺑـﻪﺩﺭﺩ ﻭ ﻧﺪﻳـﺪﻳﻢ ﺭﻭﻱ ﺩﻭﺳـﺖ ﮔﻔﺘـﻴﻢ ﺍﻳـﻦ ﻣﻌﺎﻣﻠـﻪ ﺑـﺎ ﺟـﺎﻥ ﺷـﻮﺩ ﻧـﺸﺪ ) ( ۶۲ ﺍﮔﺮ ﺷـﺮﺍﺏ ﺧـﻮﺭﻱ ﺩﺭ ﺑﻬـﺎﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ ﺯ ﺩﺳـﺖ ﺳـﺎﺩﻩ ﺭﺥ ﮔﻠﻌِـﺬﺍﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١١٦ ﻣﻘــﺎﻡ ﺍﻣــﻦ ﻭ ﺩﻝ ﺟﻤــﻊ ﻭ ﮔﻮﺷــﺔ ﭼﻤﻨــﻲ ﭘﻴﺎﻟﻪ ﺑﺮ ﮐﻒ ﻭ ﺑـﺖ ﺩﺭ ﮐﻨـﺎﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ ﺳﻪ ﻣﺎﻩ ﻣﺴﺖ ﻭ ﺩﮔﺮ ﻫﻮﺷـﻴﺎﺭ ﺑﺎﻳـﺪ ﺯﻳـﺴﺖ ﻗﺴﻢ ﺑـﻪﻣـﺼﺤﻒ ﺭﻭﻱ ﻧﮕـﺎﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ ﺭﻭﺍﻳﺘﻲﺳﺖ ﮐﻪ ﻣﻲ ﻫﺮﮐﺠﺎ ﺩﻭﺍﺳﺖ ﺭﻭﺍﺳﺖ ﺗــﺮﺍ ﺑــﻪﻧﻴــﺖ ﺩﻓــﻊ ﺧﻤــﺎﺭ ﺑﺎﻳــﺪ ﺧــﻮﺭﺩ ﭼﻮ ﺩﻭﺭ ﺑـﺎﺩﻩ ﮐﻨـﺪ ﺩﻓـﻊ ﺟـﻮﺭ ﺩﻭﺭ ﻓﻠـﮏ ﺑﺨـﻮﺭ ﻭﮔﺮﻧـﻪ ﻏـ ِﻢ ﺭﻭﺯﮔـﺎﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ ﭼﻮ ﻣﺴﺖ ﺑﻲﺧﻮﺩ ﻭ ﺑـﻲﺍﺧﺘﻴـﺎﺭ ﺑﺎﻳـﺪ ﺑـﻮﺩ ﻭﮔﺮﻧـﻪ ﺧـﻮﻥ ﺩﻝ ﺍﺯ ﺍﺧﺘﻴـﺎﺭ ﺑﺎﻳـﺪ ﺧــﻮﺭﺩ ﺩﺭﻳﻦ ﭼﻤﻦ ﭼﻮ ﻧﻈـﺮ ﺑـﺮ ﮔﻠـﻲ ﮐﻨـﻲ ﺭﺍﺯﻱ ﻫـﺰﺍﺭ ﺳـﺮﺯﻧﺶِ ﻧـﻮﮎ ﺧـﺎﺭ ﺑﺎﻳـﺪ ﺧـﻮﺭﺩ ) ( ۶۳ ﭘﺲ ﺍﺯ ﺻﺪ ﺗﻮﺑﻪ ﺑﺎ ﻣﺴﺘﺎﻥ ﻧﺸﺴﺘﻢ ﺗﺎ ﭼﻪ ﭘﻴﺶ ١ﺁﻳـﺪ ﺑﻪﻳﮏ ﭘﻴﻤﺎﻧﻪ ﺻﺪ ﭘﻴﻤﺎﻥ ﺷﮑﺴﺘﻢ ﺗﺎ ﭼﻪ ﭘﻴﺶ ﺁﻳﺪ ﻣﻘﻴﻢ ﮐﻌﺒﻪ ﮔـﺸﺘﻢ ﻋـﺸﻖ ﺗﺮﺳـﺎﺯﺍﺩﻩ ﭘـﻴﺶ ﺁﻣـﺪ ﭘﺮﺳﺘﻴﺪﻡ ﺑﺖ ﻭ ﺯﹼﻧﺎﺭ ﺑـﺴﺘﻢ ﺗـﺎ ﭼـﻪ ﭘـﻴﺶ ﺁﻳـﺪ ﮐﺴﻲ ﻣﺴﺘﻢ ﻫﻤﻲﺧﻮﺍﻧﺪ ﮐﺴﻲ ﻫـﺸﻴﺎﺭ ﻣـﻲﺩﺍﻧـﺪ ﺍﮔﺮ ﻣﺴﺘﻢ ﻭ ﮔﺮ ﻫﺸﻴﺎﺭ ﻫﺴﺘﻢ ﺗﺎ ﭼـﻪ ﭘـﻴﺶ ﺁﻳـﺪ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﺑﺪﻭﻥ ﻧﻘﻄﻪ.
ﻏﺰﻟﻴﺎﺕ ١١٧ ﺑﺮﻱ ﺍﺯ ﺧﻮﺩﭘﺮﺳـﺘﻲ ﻋـﺎﺟﺰﻡ ﺍﺯ ﺣـﻖ ﭘﺮﺳـﺘﻴﺪﻥ ﺑﻪﺍﻣﻴﺪﻱ ﺑﺘﻲ ﺭﺍ ﻣﻲﭘﺮﺳـﺘﻢ ﺗـﺎ ﭼـﻪ ﭘـﻴﺶ ﺁﻳـﺪ ﺑﻪﺩﻧﻴﺎ ﻫﺮﮐﺴﻲ ﺭﺍﺯﻱ ﺑﻤﺎﻧـﺪﻩ ﺩﺭ ﻏﻤـﻲ ﻣﺮﻫـﻮﻥ ﻣﻦ ﺍﻳﻨﺠﺎ ﺩﺭ ﻏﻢ ﻋﻬﺪِ ﺍﻟﺴﺘﻢ ﺗـﺎ ﭼـﻪ ﭘـﻴﺶ ﺁﻳـﺪ ) ( ۶۴ ﺍﻣﺮﻱ ﮐﻪ ﺯ ﻃﺒـﻊ ﺑـﺸﺮ ﺁﻳـﺪ ﺑـﺸﺮ ﺁﻳـﺪ ﭘﺲ ﺧﻴﺮ ﺯ ﺟﺎﻳﻲ ﺩﮔـﺮ ﺁﻳـﺪ ﺩﮔـﺮ ﺁﻳـﺪ ﺍﻳﻦ ﺩﺭﺩ ﺣﻘﻴﻘﻲ ﮐﻪ ﺳﺮﻡ ﺩﺭ ﮔﺮﻭ ﺍﻭﺳﺖ ﭼﻮﻥ ﻋﻤﺮ ﻃﺒﻴﻌﻲ ﺑـﻪﺳـﺮﺁﻳﺪ ﺑـﻪﺳـﺮﺁﻳﺪ ﺩﺭ ﻗﺎﻟﺐ ﻣـﺎ ﻣﻬـﺮ ﺗـﻮ ﺑـﺎ ﺭﻭﺡ ﺩﺭﺁﻣـﺪ ﮔﺮ ﺭﻭﺡ ﺯ ﻗﺎﻟـﺐ ﺑـﻪﺩﺭﺁﻳـﺪ ﺑـﻪﺩﺭﺁﻳـﺪ ﺩﻝ ﺭﺍ ﮐﻪ ﺑﻮﺩ ﻣﻨﺰﻝِ ﻏـﻢﻫـﺎﻱ ﺩﻭ ﻋـﺎﻟﻢ ﺯﺍﻥ ﭘﻴﺶ ﮐﻪ ﻏﻢ ﺑﻲﺧﺒﺮ ﺁﻳـﺪ ﺧﺒـﺮ ﺁﻳـﺪ ﺭﺍﺯﻱ ﺑﻪﺟﻮﺍﻧﻲ ﺗﻮ ﺑﺮﻭﻥ ﻧﺎﻣﺪﻱ ﺍﺯ ﺧـﻮﺩ ﭼﻮﻥ ﻋﻤﺮ ﺑﻪﺳ ِﻦ ﮐﺒﺮ ﺁﻳـﺪ ﮐـﻪ ﺑـﺮ ﺁﻳـﺪ ﺭﺍﺯﻱ ﺑـﻪﮔﻠـﺴﺘﺎﻥ ﺟﻬـﺎﻥ ﺷـﺎﺥ ﺍﻣﻴـﺪﻡ ﺁﻥ ﺳـﺮﻭ ﺭﻭﺍﻥ ﮔـﺮ ﺑـﻪﺑﺮﺁﻳـﺪ ﺑـﻪﺑﺮﺁﻳـﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١١٨ ) ( ۶۵ ﺍﻓﺴﻮﺱ ﮐﻪ ﺍﻳﻦ ﻋﻤـﺮ ﮔﺮﺍﻧﻤﺎﻳـﻪ ﺗﻠـﻒ ﺷـﺪ ﺳﻮﺩﻱ ﻧﺘﻮﺍﻥ ﮐﺮﺩ ﭼﻮ ﺳـﺮﻣﺎﻳﻪ ﺯ ﮐـﻒ ﺷـﺪ ﭼـﻮﻥ ﺩﺍﺩ ﭘـﺪﺭ ﻋـﺎﻟﻢ ﺑـﺎﻗﻲ ﺑـﻪﺩﻭ ﮔﻨـﺪﻡ ﻫﺮ ﮐﺲ ﺩﻭ ﺟﻬﺎﻥ ﺭﺍ ﺑﻪﻳﮑﻲ ﺩﺍﺩ ﺧﻠﻒ ﺷـﺪ ﺻﺪ ﻧﺎﻭﮎ ﻃﻌﻨﻪﺳﺖ ﺭﻭﺍﻥ ﺳﻮﻱ ﺳﺨﻦ ﺳﻨﺞ ﻫﺮﮐﺲ ﮐﻪ ﺳﺨﻦ ﮔﻔﺖ ﺩﺭ ﺍﻳﻦ ﻋﺮﺻﻪ ﻫﺪﻑ ﺷﺪ ﺍﻱ ﻣﺒﺘــﺪﻉ ﺍﺯ ﺷــﺎﻳﺒﺔ ﺑﻐــﺾ ﺑــﻮﺩ ﭘــﺎﮎ ﻫﺮ ﺩﻝ ﮐﻪ ﺩﺭ ﺍﻭ ﺩﻭﺳﺘﻲ ﺷـﺎﻩ ١ﻧﺠـﻒ ﺷـﺪ ) ( ۶۶ ﺗـﺎ ﺯﻟـﻒ ﺗـﻮ ﺩﺭ ﻧﻈـﺮ ﺩﺭﺁﻣـﺪ ﺳﻮﺩﺍﻱ ﺟﻨـﻮﻥ ﺑـﻪﺳـﺮ ﺩﺭﺁﻣـﺪ ﺑــﻮﺩﻳﻢ ﺯ ﺩﺭ ِﺩ ﻋــﺸﻖ ﻏﺎﻓــﻞ ﻧﺎﮔــﺎﻩ ﻏﻤــﺖ ﺯ ﺩﺭ ﺩﺭﺁﻣـــﺪ ﺍﺯ ﻫﺮﭼﻪ ﮐﻪ ﺑﻮﺩ ﺩﻝ ﺧﺒﺮ ﺩﺍﺷﺖ ﺟﺰ ﻋﺸﻖ ﮐـﻪ ﺑـﻲﺧﺒـﺮ ﺩﺭﺁﻣـﺪ ﺩﺭ ﻭﺍﺩﻱ ﻋـﺸﻖ ﻣـﺮﺩِ ﺧﻮﺩﮐـﺎﻡ ﻳﮏ ﮔﺎﻡ ٢ﺯﺩ ﻭ ﺑـﻪﺳـﺮ ﺩﺭﺁﻣـﺪ ) ( ۶۷ ﺩﺭﺩﻡ ﺑﻪﺳﺮ ﻧﺒﺎﺷﺪ ﺭﻭﺯﻱ ﮐﻪ ﺳـﺮ ﻧﺒﺎﺷـﺪ ﺍﻳﻦ ﺳـﺮ ﺍﮔـﺮ ﻧﺒﺎﺷـﺪ ﺩﺭﺩ ﺩﮔـﺮ ﻧﺒﺎﺷـﺪ .1ﻧﺠﻒ ﺷﻬﺮﻱ ﺍﺳﺖ ﺩﺭ ﻋﺮﺍﻕ .ﺷﺎﻩ ﻧﺠﻒ ﮐﻨﺎﻳﻪ ﺑﻪﺣﻀﺮﺕ ﻋﻠﻲ ﺑﻦ ﺍﺑﻲ ﻃﺎﻟﺐﻉ ﻣﻲﺑﺎﺷﺪ ﮐﻪ ﺩﺍﻣﺎﺩ ﺣﻀﺮﺕ ﭘﻴﻐﻤﺒﺮ ﺻﻠﻲ ﺍﷲ ﻋﻠﻴﻪ ﻭ ﺁﻟﻪ ﻭﺳﹼﻠﻢ ﻭ ﺧﻠﻴﻔﺔ ﺍﻟﻤﺴﻠﻤﻴﻦ ﺑﻮﺩ. .2ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﮐﺎﻡ.
ﻏﺰﻟﻴﺎﺕ ١١٩ ﺍﻱ ﻏﻤﺰﺓ ﻧﻬـﺎﻧﻲ ﭼـﻮﻥ ﺩﺭ ﻣﻴـﺎﻥِ ﺟـﺎﻧﻲ ﺟﺎﻥ ﺩﺍﻧﺪ ﻭ ﺗﻮ ﺩﺍﻧﻲ ﻣـﺎ ﺭﺍ ﺧﺒـﺮ ﻧﺒﺎﺷـﺪ ﮔﺮ ﺳﻮﺧﺖ ﺟﺎ ِﻥ ﺭﺍﺯﻱ ﺍﺯ ﺩﺍﻍ ﺑﻲﻧﻴـﺎﺯﻱ ﻣﺎﻳﻴﻢ ﻭ ﻋﺸﻖﺑﺎﺯﻱ ﺟﺎﻥ ﻫﻢ ﺍﮔـﺮ ﻧﺒﺎﺷـﺪ ) ( ۶۸ ﻣﮕﺮ ﮐﻪ ﻣﺎﻩ ﻣﻦ ﺍﻣﺸﺐ ﺭﺥ ﺍﺯ ﻧﻘـﺎﺏ ﮐـﺸﻴﺪ ﮐﻪ ﺩﻝ ﻋﻨـﺎﻥ ﺑـﻪﺗﻤﺎﺷـﺎﻱ ﻣﺎﻫﺘـﺎﺏ ﮐـﺸﻴﺪ ﺟﻬـﺎﻥ ﺯ ﭘﺮﺗـ ِﻮ ﺭﻭﻳـﺶ ﭼﻨـﺎﻥ ﻣﻨـ ﻮﺭ ﺷـﺪ ﮐـﻪ ﻣـﻪ ﺯ ﺷـﺮﻡ ﺭﺥ ﭘـﺮﺩﺓ ﺳـﺤﺎﺏ ﮐـﺸﻴﺪ ﺍﻣﻴﺪ ﺑﻮﺩ ﮐـﻪ ﺯﻟﻔـﺶ ﺳـﺮﻱ ﮐـﺸﺪ ﺑـﻪﺩﻟـﻢ ﺳﺮﻱ ﮐﺸﻴﺪ ﻭﻟﻴﮑﻦ ﺑـﻪﭘـﻴﭻ ﻭ ﺗـﺎﺏ ﮐـﺸﻴﺪ ﺑﻪﺳﻴﻨﻪ ﻧﻘﺶ ﺧﻴﺎﻟﺶ ﭼﻮ ﻧﻘﺶ ﺑﺮ ﺳﻨﮓ ﺍﺳﺖ ﺍﮔﺮ ﭼﻪ ﺩﻳﺪﻩ ﻫﻢ ﺍﻳﻦ ﻧﻘﺶ ﺭﺍ ﺑﺮ ﺁﺏ ﮐـﺸﻴﺪ ﺯ ﺩﻭ ِﺭ ﭼــﺮﺥ ﻣــﺪﺍﺭﺍ ﻃﻤــﻊ ﻣــﺪﺍﺭ ﻭ ﺑﺒــﻴﻦ ﮐــﻪ ﺍﻧﺘﻘــﺎﻡ ﺑــﻪﻳــﮏ ﺭﻭﺯ ﺁﻓﺘــﺎﺏ ﮐــﺸﻴﺪ ﺯ ﮐﻮﭼــﺔ ﻏﻠــ ِﻂ ﺯﻫــ ِﺪ ﭘﻴــﺮ ﺑــﺎﺩﻩ ﻓــﺮﻭﺵ ﺑــﻪﮐــﻮﻱ ﻣﻴﮑــﺪﻩﺍﻡ ﺍﺯ ﺭﻩ ﺻــﻮﺍﺏ ﮐــﺸﻴﺪ ﺑﻨﺎﺯ ﺑـﺮ ﺩﻝ ﺧـﻮﺩ ﺭﺍﺯﻳـﺎ ﺑـﻪﺩﻭﻟـﺖ ﻋـﺸﻖ ﮐﻪ ﺭﺧﺖِ ﻫﻤﺖ ﺍﺯ ﺍﻳﻦ ﻋﺎﻟ ِﻢ ﺧـﺮﺍﺏ ﮐـﺸﻴﺪ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٢٠ ) ( ۶۹ ﭼﻮﻥ ﺩﺭ ﺁﻳﻴﻨﺔ ﻣﺎ ﺟﻠـﻮﻩﻧﻤـﺎ ﺭﻭﻱ ﺗـﻮ ١ﺑـﻮﺩ ﺭﻭﻱ ﻫﺮ ﻋﮑﺲ ﮐﻪ ﺩﻳﺪﻳﻢ ﻫﻤﻪ ﺳﻮﻱ ﺗﻮ ﺑﻮﺩ ﺩﺭ ﺑﻴﺎﻥ ﺍﺯ ﻫﻤﻪ ﺍﻋﻴﺎﻥ ﻭ ﻧﻬـﺎﻥ ﺩﺭ ﺩﻭ ﺟﻬـﺎﻥ ﺍﻳﻦ ﻧﻈﺮﺑﻨﺪ ﻓﺴﻮﻥ ﺧﺎﺻﺔ ﺟـﺎﺩﻭﻱ ﺗـﻮ ﺑـﻮﺩ ﻧﻔﺤﺔ ٢ﻧﻔﺦ ﺗﻮ ﺗﺎ ﺩﺭ ﺩﻝ ﮔـﻞ ﻏﻨﭽـﻪ ﺭﺳـﻴﺪ ﻫﺮ ﮔﻠﻲ ﺗﺎﺯﻩ ﮐﻪ ﺑﺸﮑﻔﺖ ﺩﺭ ﺁﻥ ﺑﻮﻱ ﺗﻮ ﺑﻮﺩ ﺭﻭﻱ ﺩﺍﺭﻳﻢ ﺑﻪﻣﺤـﺮﺍﺏ ﭼـﻮ ﺩﺭ ﮐـﻨﺞ ﻋـﺪﻡ ﻗﺒﻠـﻪ ﮔـﺎﻩ ﺩﻝ ﻣـﺎ ﮔﻮﺷـﺔ ﺍﺑـﺮﻭﻱ ﺗـﻮ ﺑـﻮﺩ ﭼﻮﻥ ﺳﻮﻳﺪﺍﻱ ﺩﻟـﻢ ﻣـﺸﮏ ﺧـﺘﻦ ﺩﺭ ﻧﺎﻓـﻪ ﻫﻨﺪﻭﻱ ﺧﺎﻝِ ﺳـﻴﻪ ﺧﺎﻧـﺔ ﮔﻴـﺴﻮﻱ ﺗـﻮ ﺑـﻮﺩ ﻋﺬﺭ ﻣﺴﺘﻲ ﻣﮑـﻦ ﺍﺯ ﻋﺮﺑـﺪﻩ ﺟـﻮ ﺑـﺎ ﺭﺍﺯﻱ ﻣﻲ ﮐﺠﺎ ﺑﻮﺩ ﮐﻪ ﺍﻳﻦ ﻋﺮﺑﺪﻩ ﺩﺭ ﺧﻮﻱ ﺗﻮ ﺑﻮﺩ ) ( ۷۰ ﺍﻱ ﺣﺴﻦ ﺗﺮﺍ ﻫﺮ ﺩﻡ ﺻﺪ ﺟﻠﻮﻩ ﻧﻘـﺎﺏ ﺍﻧـﺪﺭ ﺻﺪ ﻣﻮﺝ ﺯﻧﺪ ﺩﺭﻳﺎ ﻫﺮ ﻟﺤﻈـﻪ ﺣﺒـﺎﺏ ﺍﻧـﺪﺭ ﺗﻮ ﮔﺸﺘﻪ ﻧﻬﺎﻥ ﺩﺭﻣﺎ ﭼﻮﻥ ﺁﺏ ﺑﻪﺭﻧـﮓ ﺍﻧـﺪﺭ ﻣﺎ ﺟﻠﻮﻩﻧﻤﺎ ﺍﺯ ﺗﻮ ﭼـﻮﻥ ﺭﻧـﮓ ﺑـﻪﺁﺏ ﺍﻧـﺪﺭ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺑﺪﻭﻥ ﻧﻘﻄﻪ. .2ﻫﻤﺎﻥ :ﻧﻔﺤﻪ ﻧﻔﺢ.
ﻏﺰﻟﻴﺎﺕ ١٢١ ﺩﺭﺩِ ﺗﻮ ﻣﺮﺍ ﺩﺭ ﺳﺮ ﭼـﻮﻥ ﺭﻭﺡ ﺑـﻮﺩ ﺩﺭ ﺗـﻦ ﺳﻮﺯِ ﺗﻮ ﺩﺭ ﺍﺷﮏ ﻣﻦ ﭼﻮﻥ ﺑﻮﻱ ﮔﻼﺏ ﺍﻧﺪﺭ ﻋﺸﻘﺖ ﺯ ﺭﺧﻢ ﭘﻴﺪﺍ ﭼﻮﻥ ﺿﻌﻒ ﺯ ﺑﻴﻤـﺎﺭﻱ ﻣﻬﺮﺕ ﺑﻪﺩﻟﻢ ﭘﻨﻬﺎﻥ ﭼﻮﻥ ﮔﻨﺞ ١ﺧﺮﺍﺏ ﺍﻧـﺪﺭ ﺗﺎ ﺯﻟﻒ ﺗـﺮﺍ ﺩﻳـﺪﻡ ﺩﺭ ﺩﺳـﺖ ﺻـﺒﺎ ﭘﻴﭽـﺎﻥ ﻣﻲﭘﻴﭽﻢ ﻭ ﻣﻲﮐﺎﻫﻢ ﭼﻮﻥ ﺭﺷﺘﻪ ﺑﻪﺗﺎﺏ ﺍﻧـﺪﺭ ﺩﻭﺭ ﺍﺯ ﻟﺐ ﻣﻲﮔﻮﻧﺖ ﺍﻱ ﺳﺎﻗﻲ ﺟـﺎﻥﭘـﺮﻭﺭ ﻣﺨﻤﻮﺭﻱﺍﻡ ﺍﻧﺪﺭ ﺳﺮ ﭼﻮﻥ ﻧﺸﺌﻪ ﺷﺮﺍﺏ ﺍﻧـﺪﺭ ﺍﻓﺴﻮﺱ ﮐﻪ ﺍﺯ ﮔﺮﻳﻪ ﺩﺭ ﺧﻮﺍﺏ ﻧـﺸﺪ ﺩﻳﮕـﺮ ﺗﺎ ﺩﻳﺪ ﺟﻤﺎﻟﺖ ﺭﺍ ﺍﻳﻦ ﺩﻳﺪﻩ ﺑﻪﺧـﻮﺍﺏ ﺍﻧـﺪﺭ ﺍﺣــﻮﺍ ِﻝ ﺩﻝِ ﺭﺍﺯﻱ ﮔﻔﺘﻨــﺪ ﺩﺭ ﺍﻳــﻦ ﻣــﺼﺮﻉ ﺩﺭ ﮐﺎﺭﻡ ﻭ ﺑﻲﮐﺎﺭﻡ ﭼﻮﻥ ﻣﺪ ﺑﻪﺣﺴﺎﺏ ﺍﻧـﺪﺭ ) ( ۷۱ ﺩﻝ ﺧﻮﻥ ﻧﺸﺪﻱ ﻋﺎﺷﻖ ﻭ ﻣﻔﺘﻮﻥ ﻧﺸﺪﻱ ﮔﺮ ﻋﺎﺷﻖ ﻧﺸﺪﻱ ﺭﻭﺯﻱ ﺍﻭ ﺧﻮﻥ ﻧـﺸﺪﻱ ﮔـﺮ ﺟــﺎﻧﻢ ﺳــﺘﻢ ﻏﻤــﺰﺓ ﺧــﻮﻧﺮﻳﺰ ﻧﻬﻔﺘــﻲ ﺧﻮﻧﺎﺏ ﺩﺭﻭﻥ ﻣﺎﻳـﻞ ﺑﻴـﺮﻭﻥ ﻧـﺸﺪﻱ ﮔـﺮ ﻟﻴﻠــﻲ ﻧــﺸﺪﻱ ﺷــﻬﺮﺓ ﺁﻓــﺎﻕ ﺑــﻪﺧــﻮﺑﻲ ﺩﺳـﺘﺎﻥ ﺯﻥِ ﻫﻨﮕﺎﻣـﺔ ﻣﺠﻨـﻮﻥ ﻧـﺸﺪﻱ ﮔـﺮ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﮐﻨﺞ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٢٢ ﺻﺒﺮ ﺍﺯ ﺩﻟﻢ ﻭ ﺧﻮﺍﺏ ﺯ ﭼـﺸﻤﻢ ﻧﺮﺑـﻮﺩﻱ ﺍﻓﺴﺎﻧﺔ ﺗﻮ ﺍﻱ ﭘـﺮﻱ ﺍﻓـﺴﻮﻥ ﻧـﺸﺪﻱ ﮔـﺮ ﺳﺮﻣﺎﻳﺔ ﺍﺭﺑﺎﺏ ﺳﺨﻦ ﺯﻟﻒ ﺗـﻮ ﺑـﺲ ﺑـﻮﺩ ﺑﺮ ﻟﻮﺡ ﺧﺮﺩ ﻧﺴﺨﺔ ﻣـﻀﻤﻮﻥ ﻧـﺸﺪﻱ ﮔـﺮ ﮐـﺎﺭﻡ ﺑـﻪﻣـﺮﺍﺩ ﺩﻝ ﺣـﺴﺮﺕﮐـﺪﻩ ﺑـﻮﺩﻱ ﮔﺮﺩﻭﻥ ﻫﻤﻪ ﺩﺭ ﺗﺮﺑﻴـﺖ ﺩﻭﻥ ﻧـﺸﺪﻱ ﮔـﺮ ﮐــﺸﺘ ﻲ ١ﺍﻣﻴــﺪﻡ ﺑﺮﺳــﻴﺪﻱ ﺑــﻪﮐﻨــﺎﺭﻱ ﺍﺷﮑﻢ ﺑﻪﮐﻨﺎﺭ ﺁﻣﺪﻩ ﺟﻴﺤـﻮﻥ ٢ﻧـﺸﺪﻱ ﮔـﺮ ﻣﻮﺯﻭﻥ ﻧـﺸﺪﻱ ﻃﺒـﻊ ﭘﺮﻳـﺸﺎﻥ ﺗـﻮ ﺭﺍﺯﻱ ﻧ ﹼﻈــﺎﺭﮔﻲ ﻗﺎﻣــ ِﺖ ﻣــﻮﺯﻭﻥ ﻧــﺸﺪﻱ ﮔــﺮ ) ( ۷۲ ﮔــﺸﺘﻴﻢ ﺿــﻌﻴﻒ ﻭ ﺩﻝ ﺗﻮﺍﻧﺎﺳــﺖ ﻫﻨــﻮﺯ ﺭﻓﺘـﻴﻢ ﺯ ﺩﺳـﺖ ﻭ ﭘـﺎﻱ ﺑﺮﺟﺎﺳـﺖ ﻫﻨـﻮﺯ ﺳــﺮ ﺭﺍ ﺑﻨﻬــﺎﺩﻩ ﺯﻳــﺮ ﭘــﺎ ﺩﺳــﺖ ﺯﺩﻳــﻢ ﺩﺭ ﭘﺎﻳــﺔ ﻋــﺸﻖ ﻟﻴــﮏ ﺑﺎﻻﺳــﺖ ﻫﻨــﻮﺯ ﺩﻝ ﺳﻮﺧﺖ ﺯ ﻫﺠﺮ ﻭ ﭼﺸﻢ ﺗﺮ ﺧﺸﮏ ﻧﺸﺪ ﺳﺮﭼﺸﻤﻪ ﻧﻤﺎﻧﺪ ﻭ ﺩﻳـﺪﺓ ﺩﺭﻳﺎﺳـﺖ ﻫﻨـﻮﺯ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﮐﺸﺘﻲ. .2ﻧﺎﻡ ﺭﻭﺩﺧﺎﻧﻪﺍﻱ ﺑﻪﻧﺰﺩﻳﮏ ﺑﻠﺦ ﺩﺭ ﺧﺮﺍﺳﺎﻥ.
ﻏﺰﻟﻴﺎﺕ ١٢٣ ﺷـﺪ ﭼـﺸﻢ ﺳـﻔﻴﺪ ،ﺍﺯ ﻏـ ِﻢ ﭼـﺸﻢ ﺳـﻴﺎﻩ ﻏﻢ ﻧﻴﺴﺖ ﭼﻮ ﭼﺸﻢ ﻋﺸﻖ ﺑﻴﻨﺎﺳـﺖ ﻫﻨـﻮﺯ ﻳﮏ ﺟﻠﻮﻩ ﻧﻤﻮﺩﻩ ﺣـﻖ ﺑـﻪﺻـﺤﺮﺍﻱ ﻋـﺪﻡ ﺩﺭ ﻣﻠـﮏ ﻭﺟـﻮﺩ ﺍﺯ ﺁﻥ ﺗﻤﺎﺷﺎﺳـﺖ ﻫﻨـﻮﺯ ) ( ۷۳ ﺩﻝ ﮔﻮﺵ ﺗﻔـﺄﻝ ﺑـﻪﺳـﺮﻭ ِﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﺗﺎ ﺳﺎﻗﻲ ﻣـﺎ ﺩﻝ ﺑـﻪﺧـﺮﻭ ِﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﻣـﻲﻣﻴـﺮﻡ ﻭ ﺩﺭ ﺣـﺴﺮﺕِ ﺁﻧـﻢ ﮐـﻪ ﺩﺭﻳﻐـﺎ ﺍﻳﻦ ﻳـﺎﺭ ﺟﻔـﺎ ﻳـﺎﺭ ﺑـﻪﺩﻭ ِﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﻣﺠﻨﻮﻥ ﺯ ﺟﻬﺎﻥ ﺭﻓﺘـﻪ ﻭ ﻋـ ﹼﺸﺎﻕ ﺑـﻪﻫﻮﺷـﻨﺪ ﺗﺎ ﺩﺍﻍ ﺟﻨﻮﻥ ﻋﺸﻖ ﺑﻪﻫـﻮﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﻟﺨﺘـﻲ ﺯ ﺟﮕـﺮ ﻣﺎﻧـﺪﻩ ﺑﺒـﻴﻦ ﺩﺳـﺖ ﻧﻈـﺎﺭﻩ ﺁﻥ ﺑـﺮ ﻣـﮋﺓ ﻏﻤـﺰﻩ ﻓـﺮﻭﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﺧﻮﻥ ﺟﻮﺵ ﺯ ﺩﻝ ﻣﻲﺯﺩ ﻭ ﺍﮐﻨﻮﻥ ﮐﻪ ﺩﻟﻲ ﻧﻴﺴﺖ ﺍﻳﻦ ﺩﻳﺪﺓﺗﺮ ﭼﺸﻢ ﺑـﻪﺟـﻮ ِﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﻣﻨﺼﻮﺭ ﺯ ﺧﻮﺩ ﺭﻓﺖ ﭼﻮ ﺷﺪ ﻣﺤـﺮ ِﻡ ﺍﺳـﺮﺍﺭ ﺗﺎ ﺩﻭﺳﺖ ﺍﺯ ﺍﻳﻦ ﺭﺍﺯ ﺑﻪﮔﻮﺵ ﮐـﻪ ﻧﻬـﺪ ﺑـﺎﺯ ﺻﺪ ﻏﻢ ﺯﺩﻝ ﺁﻣـﺪ ﺑـﻪﺯﺑـﺎﻥ ﺗـﺎ ﮐـﻪ ﺯﺑـﺎﻧﻢ ﺩﺭ ﮔــﻮﺵ ﺩﻝ ﺩﺭﺩ ﻧﻴــﻮ ِﺵ ﮐــﻪ ﻧﻬــﺪ ﺑــﺎﺯ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٢٤ ) ( ۷۴ ﻣﺮﺍ ﺑﻪﺭﻭﺯ ﺟـﺪﺍﻳﻲ ﭼـﻮ ﻧﻴـﺴﺖ ﻣﺤـﺮ ِﻡ ﺭﺍﺯ ﺷﺐ ﻓﺮﺍﻕ ﻭ ﻣﻦ ﻭ ﺷﻤﻊ ﻭ ﺫﮐﺮ ﺳﻮﺯ ﻭ ﮔﺪﺍﺯ ﺯ ﺩﺳــﺖ ﺩﺍﺩ ﺳــﺮ ﺯﻟــﻒ ﺑﺨــﺖ ﮐﻮﺗــﺎﻫﻢ ﺩﺭﻳﻎ ﻭ ﺩﺭﺩ ﮐﻪ ﺍﺯ ﺩﺳـﺖ ﺭﻓـﺖ ﻋﻤـﺮ ﺩﺭﺍﺯ ﺩﺭﻳﻦ ﻣﻘﺎ ِﻡ ﺣﺠﺎﺯﻱ ﺑﻬﺮ ﮔـﺬﺭ ﺧﻄـﺮﻱﺳـﺖ ﻗﺪﻡ ﺑﻪﻫـﻮﺵ ﻧـﻪ ﺍﻱ ﺳـﺎﻟﮏ ﻃﺮﻳـﻖ ﻣﺠـﺎﺯ ﺑﻪﻋﻴﻦ ﻋﺸﻖ ﺑﺒﻴﻦ ﻧﻲ ﺑﻪﭼﺸﻢ ﭼـﻮﻥ ﻭ ﭼـﺮﺍ ﻓﺮﻭﻍ ﺩﻳـﺪﺓ ﻣﺤﻤـﻮﺩ ١ﻭ ﺧـﺎ ِﮎ ﭘـﺎﻱ ﺍﻳـﺎﺯ٢ ﺳﺨﻦ ﺯ ﻋﺸﻖ ﻣﮕﻮ ﻳـﺎ ﺯﺑـﺎﻥ ﺷـﮑﻮﻩ ﺑـﺴﻮﺯ ﺩﻟﻲ ﺑـﻪﻫﺠـﺮ ﺑﻨـﻪ ﻳـﺎ ﺑـﻪﺟـﻮﺭ ﻳـﺎﺭ ﺑـﺴﺎﺯ ﻣﺒﻨــﺪ ﺩﻝ ﺑــﻪﺑﺘــﺎﻥ ﻳــﺎ ﻣﺠــﻮ ﺯ ﺩﻝ ﺍﻳﻤــﺎﻥ ﺑـﻪﻧـﺎﺯ ﻋـﺸﻖ ﻭﮔـﺮ ﺑـﺎﺧﺘﻲ ﺑـﻪﻧـﺎﺯ ﺑﻨـﺎﺯ ﮐﺴﻲ ﺯ ﻟﻮﺡ ﻣﺤﺒﺖ ﺑﻪﭼـﺸﻢ ﻋﻠـﻢ ﻧﺨﻮﺍﻧـﺪ ﺭﻣﻮﺯ ﻋﺎﺷﻖ ﻭ ﻣﻌـﺸﻮﻕ ﻭ ﺳـﺮِّ ﻧـﺎﺯ ﻭ ﻧﻴـﺎﺯ ﺑﻪﺳﻮﻱ ﺧﻮﺩ ﻣﻨﮕﺮ ﻳﺎ ﺧﺪﺍﻱ ﺧﻮﺩ ﺧﻮﺩ ﺑﺎﺵ ﻧﻤــﺎﺯ ﻋﺠـﺐ ﻣـﮑﻦ ﺑـﺎ ﺑـﺪﻳﻦ ﻧﻤـﺎﺯ ﻣﻨـﺎﺯ .1ﻣﺮﺍﺩ ﺳﻠﻄﺎﻥ ﻣﺤﻤﻮﺩ ﺍﺳﺖ ﮐﻪ ﺍﺯ ﺳﺎﻝ ۹۹۷ﺗﺎ ۱۰۳۰ﻣﻴﻼﺩﻱ ﺩﺭ ﺁﺳﻴﺎﻱ ﻣﺮﮐﺰﻱ ﺣﮑﻮﻣﺖ ﮐﺮﺩ) .ﺭ.ﮎ .ﺑﻪﺍﻳﻞ ﻣﮑﺮﺟﻲ :ﺗﺎﺭﻳﺦ ﻫﻨﺪ )ﺍﻧﮕﻠﻴﺴﻲ( ،ﺹ .(۱۴ .2ﺍﻳﻦ ﻧﮋﺍﺩ ﺣﺒﺸﻲ ﮐﻪ ﺍﻳﺎﺯ ﻧﺎﻡ ﺩﺍﺷﺖ ﻏﻼ ِﻡ ﻣﺤﻤﻮﺩ ﺑﻮﺩ .ﻭﻓﺎﺩﺍﺭﻱ ﻭ ﻓﺮﺽﺷﻨﺎﺳﻲ ﺑﺎﻋﺚ ﺷﺪ ﮐﻪ ﻣﺤﻤﻮﺩ ﺍﻭ ﺭﺍ ﺧﻴﻠﻲ ﺩﻭﺳﺖ ﻣﻲﺩﺍﺷﺖ ﻭ ﺍﻳﺎﺯ ﻫﻢ ﺑﻪﺍﻭ ﺍﺯ ﺩﻝ ﻭ ﺟﺎﻥ ﻓﺮﻳﻔﺘﻪ ﺑﻮﺩ .ﻫﻤﻴﻦ ﺳﺒﺐ ﺷﺪ ﮐﻪ ﺍﺯ ﺣﻴﺚ ﻭﻓﺎﺩﺍﺭﻱ ﻭ ﻣﻬﺮ ﺍﻳﺎﺯ ﺩﺭ ﺍﺩﺏ ﻓﺎﺭﺳﻲ ﺧﻴﻠﻲ ﺍﻫﻤﻴﺖ ﻭ ﺷﻬﺮﺕ ﺩﺍﺭﺩ) .ﺭ.ﮎ. ﺑﻪﻣﺠﻴﺐﺍﻟ ﺮﺣﻤﻦ ،ﺹ .(۵۵
ﻏﺰﻟﻴﺎﺕ ١٢٥ ﺩﻟـﻲ ﮐـﻪ ﺟﻤـﻊ ﺷـﻮﺩ ﺑـﺎ ﻧﻴـﺎﺯ ﺑﻌـﺪ ﮔﻨـﺎﻩ ﺑﻪﺍﺯ ﺩﻟﻲ ﮐﻪ ﭘﺮﻳـﺸﺎﻥ ﺑـﻮﺩ ﺑـﻪﻭﻗـﺖ ﻧﻤـﺎﺯ ﻣـﺸﻮ ﺑـﻪﻋﻠـﻢ ﻭ ﻋﻤـﻞ ﻏـﺮﻩ ﺭﺍﺯﻳـﺎ ﺯﻧﻬـﺎﺭ ﺍﻣﻴــﺪﻭﺍﺭ ﺷــﻮ ﺍﺯ ﻟﻄــﻒِ ﺷــﺎِﻩ ١ﺑﻨــﺪﻩﻧــﻮﺍﺯ ) ( ۷۵ ﺣﺎﺻﻞ ﻫﺮ ﺩﻭ ﺟﻬﺎﻥ ﻋﺸ ِﻖ ﺑﺘﺎﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﻳﮏ ﻧﻈﺮ ﺑﺮ ﺻﻨﻤﻲ ﺩﺭ ﺩﻭ ﺟﻬﺎﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﮔﺮﭼﻪ ﭘﻴـﺮﻳﻢ ﻭﻟـﻲ ﻋـﺸﻖ ﺟـﻮﺍﻧﻲ ٢ﺩﺍﺭﻳـﻢ ﺍﻳﻦ ﻗﺪﺭ ﻳﺎﻭﺭﻱ ﺍﺯ ﺑﺨﺖ ﺟـﻮﺍﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﺳـﻴﻨﺔ ﻣـﺎ ﻫـﺪﻑ ﺗﻴـﺮِ ﮐﻤـﺎ ِﻥ ﺍﺑﺮﻭﻳـﻲﺳـﺖ ﻳﮏ ﺧﺪﻧﮓ ﺍﺭ ﺑﺮﺳﺪ ﻣﻮﻧﺲ ﺟﺎﻥ ﻣﺎ ﺭﺍ ﺑـﺲ ﮔـﺮ ﻫﻤـﺎ ﺳـﺎﻳﺔ ﭘـﺮﻭﺍﺯ ﺑـﻪﺷـﺎﻫﺎﻥ ﺍﻓﮑﻨـﺪ ﺳــﺎﻳﺔ ﺟﻠــﻮﺓ ﮔــﺮ ﺳــﺮﻭﻗﺪﺍﻥ ﻣــﺎ ﺭﺍ ﺑــﺲ ﺧﺮﻗﺔ ﭘـﺎﮎ ﻧـﺪﺍﺭﻳﻢ ﮐـﻪ ﺩﺭ ﮐﻌﺒـﻪ ٣ﺭﻭﻳـﻢ ﺧﺎﮐــﺴﺎﺭﻳﻢ ﺩﺭِ ﭘﻴــﺮ ١ﻣﻐــﺎﻥ ٢ﻣــﺎ ﺭﺍ ﺑــﺲ .1ﮐﻨﺎﻳﻪ ﺑﻪﺧﺪﺍﻱ ﮐﺮﻳﻢ ﻭ ﻏﻔﻮﺭ ﻣﻲﺑﺎﺷﺪ. .2ﺩﺭ ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ ﺩﺭﻭﻥ ﻣﺼﺮﻋﻪ :ﺟﻮﺍﻧﺎﻥ. .3ﺩﺭ ﺷﺒﻪ ﺟﺰﻳﺮﻩ ﺣﺠﺎﺯ ﻭ ﻣﻤﻠﮑﺖ ﻋﺮﺑﺴﺘﺎﻥ ﻣ ﹼﮑﻪ ﻗﺮﺍﺭ ﺩﺍﺭﺩ ﻭ ﺷﻬﺮﻱ ﺍﺳﺖ ﺧﻴﻠﻲ ﻣﻘﺪﺱ، ﭘﺮﻋﻈﻤﺖ ﻭ ﻻﻳﻖ ﺍﺣﺘﺮﺍﻡ،ﮐﻌﺒﻪ ﻧﺨﺴﺘﻴﻦ ﺧﺎﻧﺔ ﺧﺪﺍ ﺍﺳﺖ ﺑﺮ ﺭﻭﻱ ﺯﻣﻴﻦ ﮐﻪ ﺁﻥ ﺭﺍ ﭘﻴﻐﻤﺒﺮ ﺧﺪﺍ ﺣﻀﺮﺕ ﺍﺑﺮﺍﻫﻴﻢ ﻋﻠﻴﻪﺍﻟ ﺴﻼﻡ ﺑﻨﺎ ﻧﻤﻮﺩ .ﻫﻤﻪ ﻣﺴﻠﻤﺎﻧﺎﻥ ﻋﺎﻟﻢ ﺑﻪﻫﻤﺎﻥ ﻃﺮﻑ ﺭﻭ ﮐﺮﺩﻩ ﻧﻤﺎﺯ ﭘﻨﺠﮕﺎﻧﻪ ﻣﻲﮔﺬﺍﺭﻧﺪ ﻭ ﻫﺮ ﺳـﺎﻝ ﺍﺯ ﻃﻮﺍﻑ ﺧﺎﻧﺔ ﮐﻌﺒﻪ ﻭ ﻓﺮﻳﻀﺔ ﺣﺞ ﺑﻬﺮﻩﻣﻨﺪ ﻣﻲﺷﻮﻧﺪ .ﺭﺍﺟﻊ ﺑﻪﺧﺎﻧﺔ ﮐﻌﺒﻪ ﺑﺮﺍﻱ ﻣﻌﻠﻮﻣﺎﺕ ﺍﺭﺯﻧﺪﻩ ﺭﺟـﻮﻉ ﮐﻨﻴﺪ ﺑﻪﺳـﻮﺭﻩﻫﺎﻱ ﺍﻟﺒﻘﺮﻩ ،ﺁﻳﻪ E ،۱۵۰-۱۴۹
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٢٦ ﺑـﺮ ﺩﺭِ ﻳـﺎﺭ ﺯ ﺁﻣـﺪ ﺷـﺪ ﻣـﺎ ﻧﻴـﺴﺖ ﻏﺒـﺎﺭ ﺍﻳﻦ ﻗﺪﺭ ﻓﺎﻳـﺪﻩ ﺍﺯ ﺍﺷـﮏ ﺭﻭﺍﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﺩﺭ ﺷﺐ ﻫﺠﺮ ﮐﺴﻲ ﻫﻢﻧﻔﺲ ﻋﺎﺷـﻖ ﻧﻴـﺴﺖ ﺷﻤﻊ ﺩﻟـﺴﻮﺧﺘﻪ ﺍﺯ ﻫـﻢﻧﻔـﺴﺎﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﮐﻨـﺪ ﺁﻥ ﺳـﺮﻭ ﺭﻭﺍﻥ ﮔـﺮ ﺩﻡِ ﺁﺧـﺮ ﺑـﺮ ﻣـﺎ ﮔـﺬﺭﻱ ﺣﺎﺻـﻞِ ﻋﻤـﺮِ ﮔـﺬﺭﺍﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﻣﺮﺩ ِﻡ ﺩﻳﺪﻩ ﭼﻮ ﺍﺯ ﺻﺤﺒﺖ ﺧـﺲ ﻣـﻲﮔﺮﻳـﺪ ﺭﺍﺯﻱ ﺍﻳﻦ ﺗﺠﺮﺑﻪ ﺍﺯ ﻗﺮﺏ ﺧﺴﺎﻥ ﻣـﺎ ﺭﺍ ﺑـﺲ ﺣﺴﻦ ﺩﺭ ﭘﺮﺩﻩ ﻧﻬﺎﻥ ﺍﺳﺖ ﻭ ﻋﻴـﺎﻥ ﻣـﻲﺑﻴـﻨﻢ ﺍﻳﻦ ﻗﺪﺭ ﺣﺎﺻﻞ ﺍﺯ ﺍﻳﻦ ﻋﺸﻖ ﻧﻬﺎﻥ ﻣﺎ ﺭﺍ ﺑﺲ ) ( ۷۶ ﮔﺮﭼـﻪ ﺩﺭ ﺳـﺮ ﻣـﺮﺍ ﻧﻤﺎﻧـﺪ ﻫـﻮﺱ ﻫــﻮ ِﺱ ﻭﺻــﻞِ ﻳــﺎﺭ ﺩﺍﺭﻡ ﻭ ﺑــﺲ ﻧـﻪ ﻣـﺮﺍ ﺩﺭ ﺳـﺮ ﺍﺳـﺖ ﺍﻳـﻦ ﺳـﻮﺩﺍ ﺍﻳﻦ ﻫﻮﺱ ﻫﺴﺖ ﺩﺭ ﺳ ِﺮ ﻫﻤـﻪ ﮐـﺲ Fﺁﻝﻋﻤﺮﺍﻥ ،۹۷-۹۶ ،ﺍﻟﻤﺎﺋﺪﻩ ،۹۷ ،ﺍﻟﺤﺞ ۲۹-۲۶ ،ﺩﺭ ﻗﺮﺁﻥ ﻣﺠﻴﺪ. .1ﭘﻴﺮ ﺑﻪﻣﻌﻨﻲ ﺿﻌﻴﻒﺍﻟﻌﻤﺮ ﻭﻟﻲ ﺍﺻﻄﻼﺣﹰﺎ ﺩﺭ ﺗﺼ ﻮﻑ ﻣﺮﺷﺪ ﻳﺎ ﺷﻴﺦ ﺭﺍ ﻣﻲﮔﻮﻳﻨﺪ ﮐﻪ ﻣﺮﻳﺪﺍﻧﺶ ﺭﺍ ﺑﻪﺗﻼﺵ ﺣﻖ ﺭﺍﻫﻨﻤﺎﻳﻲ ﻣﻲﮐﻨﺪ. .2ﺩﺭ ﺍﺩﺑﻴﺎﺕ ﺍﺭﺩﻭ ﻭ ﻓﺎﺭﺳﻲ ﭘﻴﺸﻮﺍﻳﻲ ﺭﻭﺣﺎﻧﻲ ﺭﺍ »ﭘﻴﺮ ﻣﻐﺎﻥ« ﻣﻲﻧﺎﻣﻨﺪ .ﺭﺍﺟﻊ ﺑﻪﻭﺍﮊﻩ »ﻣﻐﺎﻥ« ﺑﺮﺍﻱ ﻣﻌﻠﻮﻣﺎﺕ ﺍﺭﺯﻧﺪﻩ )ﺭ.ﮎ .ﺑﻪﻣﺠﻴﺐﺍﻟﺮﺣﻤﻦ ،ﺹ ۶۹ﻭ .(۲۰۴
ﻏﺰﻟﻴﺎﺕ ١٢٧ ﻋــﻴﻦ ﺁﺑــﻴﻢ ﻟﻴــﮏ ﻣﺜــﻞ ﺣﺒــﺎﺏ ﻣـﻲﺭﻭﺩ ﺳـﺮ ﭼـﻮ ﻣـﻲﺯﻧـﻴﻢ ﻧﻔـﺲ ﻫﺮﮐﻪ ﺑـﺮ ﺧـﻮﺍﻥ ﻧﺎﮐـﺴﺎﻥ ﺑﻨﺸـﺴﺖ ﺩﺳﺖ ﺑﺮ ﺳـﺮ ﺯﻧـﺪ ﺑـﻪﺳـﺎ ِﻥ ﻣﮕـﺲ ﺁﻥ ﭼﻨـﺎﻥ ﮐـﺎﺭﻭﺍﻥ ﻋـﻴﺶ ﮔﺬﺷـﺖ ﮐــﻪ ﺩﻟــﻢ ﻧــﺸﻨﻮﺩ ﺻــﺪﺍﻱ ﺟــﺮﺱ ﻧﻮﺳــﻔﺮ ﻣــﺎ ﻭ ﭘــﺮ ﺧﻄــﺮ ﻣﻨــﺰﻝ ﺧﺎﺭ ﺩﺭ ﭘـﺎﻱ ١ﻣﺎﻧـﺪﻩ ﺍﺯ ﻫﻤـﻪ ﭘـﺲ ﺭﺍﺯﻱ ﺍﺯ ﺷـــﺒﺮﻭﻱ ﻧﻴﺎﻳـــﺪ ﺑـــﺎﺯ ﻋﺎﺷـﻘﺎﻥ ﺭﺍ ﮐﺠﺎﺳـﺖ ﺑـﻴﻢ ﻋـﺴﺲ ) ( ۷۷ ﺷﺐ ﻋﻴﺪ ﺍﺳﺖ ﻭ ﻣﻦ ﺍﺯ ﻳﺎﺭ ﺑﻌﻴﺪﻡ ﺍﻓﺴﻮﺱ ﻣﺎﻩ ﺩﻳﺪﻡ ﺭﺥ ﭼـﻮﻥ ﻣـﺎﻩ ﻧﺪﻳـﺪﻡ ﺍﻓـﺴﻮﺱ ﺍﻱ ﺻـﺒﺎ ﺗﻬﻨﻴـﺖ ﻋﻴـﺪ ﺑـﻪﺟﺎﻧـﺎﻥ ﺑﺮﺳـﺎﻥ ﮔﻮ ﺳﻴﻪ ﺭﻭﺯ ﺷﺪ ﺍﺯ ﻫﺠﺮ ﺗﻮ ﻋﻴﺪﻡ ﺍﻓﺴﻮﺱ ﻧﺎﺭﺳﺎ ﺑﻮﺩ ﻣﮕـﺮ ﺑﺨـﺖ ﮐـﻪ ﺍﻧـﺪﺭ ﻃﻠﺒـﺖ ﺟﺎﻥ ﺭﺳﻴﺪﻩ ﺑﻪﻟﺐ ﻭ ﻣﻦ ﻧﺮﺳـﻴﺪﻡ ﺍﻓـﺴﻮﺱ ﻗﻴﺲ ﺩﺭ ﺑﺎﺩﻳـﻪ ﺍﺯ ﺣـﺴﺮ ِﺕ ﻟﻴﻠـﻲ ﻧﮑـﺸﻴﺪ ﺁﻧﭽﻪ ﺩﺭ ﺯﺍﻭﻳﻪ ﺩﻭﺭ ﺍﺯ ﺗﻮ ﮐﺸﻴﺪﻡ ﺍﻓـﺴﻮﺱ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﭘﺎﻱ ﻭ ﻣﺎﻧﺪﻩ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٢٨ ﺣﻴﺮﺗﻢ ﮐﺸﺖ ﭼﻮ ﺻﻴﺪ ﺗﻮ ﺷﺪﻡ ﺍﻱ ﺻـﻴﺎﺩ ﺗﻮ ﺭﻣﻴﺪﻱ ﺯ ﻣﻦ ﻭ ﻣـﻦ ﻧﺮﻣﻴـﺪﻡ ﺍﻓـﺴﻮﺱ ﻏﻴﺮ ﺍﻓـﺴﻮﻥ ﺟﻨـﻮﻥ ﺑـﺮ ﺩﻝ ﻣﺠﻨـﻮﻥ ﺭﺍﺯﻱ ﺑﻲﺍﺛﺮ ﺑﻮﺩ ﻫﺮ ﺍﻓﺴﻮﻥ ﮐـﻪ ﺩﻣﻴـﺪﻡ ﺍﻓـﺴﻮﺱ ) ( ۷۸ ﮔﺮﻓﺖ ﻣﻄﺮﺏِ ﻣـﺎ ﭼـﻮﻥ ﺭﺑـﺎﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺑﻪﺭﻗـﺺ ﻣﺤﺘـﺴﺐ ﺁﻣـﺪ ﮐﺘـﺎﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺷﺒﻲ ﮐﻪ ﻳـﺎﺭ ﺩﺭ ﺁﻏـﻮﺵ ﺧـﻮﺩ ﻧﺪﻳـﺪ ﺳـﺘﻢ ﻧﺪﻳـﺪﻩ ﺩﻳــﺪﺓ ﺧﻮﻧﺒـﺎﺭ ﺧــﻮﺍﺏ ﺩﺭ ﺁﻏــﻮﺵ ﻋﺠﺐ ﻣﺪﺍﺭ ﮐﻪ ﭼﺸﻤﻢ ﺯ ﮔﺮﻳﻪ ﺑﻲﺧﻮﺍﺏ ﺍﺳﺖ ﭼﮕﻮﻧﻪ ﺧـﻮﺍﺏ ﮐﻨـﺪ ﺳـﻴﻞ ﺁﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺑﻪﻣﺜﻞ ﺗﻴـﺮ ﺯ ﺁﻏـﻮﺵ ﻗـﻮﺱ ﺑﻴـﺮﻭﻥ ﺟـﺴﺖ ﮐﺸﻴﺪﻣﺶ ﭼﻮ ﺑﻪﺻﺪ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﺩﺭ ﺁﻏـﻮﺵ ﭼـﻮ ﺟـﺎﻡ ﺑـﺎﺩﻩ ﺍﺯ ﺍﻭ ﺧﻠـﻖ ﺍﺳـﺘﻔﺎﺩﻩ ﮐﻨـﺪ ﮔﺮﻓﺖ ﻫـﺮ ﮐـﻪ ﮐـﺪﻭﻱ ﺷـﺮﺍﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺯ ﺳﻴﻞ ﺍﺷﮏ ﮐﻨﺎﺭﻡ ﭼـﻮ ﺑﺤـﺮ ﻣـﻮﺍﺝ ﺍﺳـﺖ ﮔﺮﻓﺘﻪ ﺍﺳﺖ ﻣـﺮﺍ ﭼـﻮﻥ ﺣﺒـﺎﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺗﺮﺍ ﺑـﻪﺑـﺮ ﮐـﺸﻢ ﺍﻱ ﻣـﻪ ﻫﻤـﻴﻦ ﺑـﻮﺩ ﺗﻌﺒﻴـﺮ ﺑـﻪﺧـﻮﺍﺑﻢ ﺁﻣـﺪﻩ ﺩﻭﺵ ﺁﻓﺘـﺎﺏ ﺩﺭ ﺁﻏـﻮﺵ ﺑﺪﻳﻬــﻪ ﮔﻔﺘــﻲ ﺭﺍﺯﻱ ﺟــﻮﺍﺏ ﺻــﻬﺒﺎﻳﻲ ﻣﮕـﺮ ﮐﻪ ﻃﺒ ِﻊ ﺗـﻮ ﺩﺍﺭﺩ ﺟـﻮﺍﺏ ﺩﺭ ﺁﻏـﻮﺵ
ﻏﺰﻟﻴﺎﺕ ١٢٩ ) ( ۷۹ ﻳﺎ ﻣﻨﻪ ﺑـﺮ ﻋﻘـﻞ ﺩﺍﻍِ ﻋـﺸﻖ ﻳـﺎ ﺩﻳﻮﺍﻧـﻪ ﺑـﺎﺵ ﻳﺎ ﺑﻨﻪ ﺍﺯ ﺳـﺮ ﻫـﻮﺍﻱ ﹸﮐـﻨﺞ ﻳـﺎ ﻭﻳﺮﺍﻧـﻪ ﺑـﺎﺵ ﻳﺎ ﻣﻨﻪ ﺑﺮ ﭼﺸﻢ ﻣﺴﺖ ﻭ ﻏﻤـﺰﺓ ﺧـﻮﻥﺭﻳـﺰ ﺩﻝ ﻳﺎ ﭼﻮ ﻣﺠﻨﻮﻥ ﺑﻲﺧﻮﺩ ﻭ ﭼﻮ ﮐﻮﻫﮑﻦ ﻣﺮﺩﺍﻧﻪ ﺑﺎﺵ ﻳـﺎ ﻣﮑـﻦ ﻧ ﹼﻈـﺎﺭﺓ ﺣـﺴﻦ ﮔـﻞ ﻭ ﺍﻧـﻮﺍﺭ ﺷـﻤﻊ ﻳﺎ ﺑﻪﺻﺒﺢ ﻭ ﺷﺎﻡ ﺣﻴﺮﺕ ﺑﻠﺒـﻞ ﻭ ﭘﺮﻭﺍﻧـﻪ ﺑـﺎﺵ ﺍﺯ ﻫﻤــﻪ ﺑﻴﮕﺎﻧــﻪ ﺷــﻮ ﺗــﺎ ﺁﺷــﻨﺎﻱ ﺍﻭ ﺷــﻮﻱ ﺁﺷﻨﺎﻳﺶ ﭼﻮﻥ ﺷﺪﻱ ﺍﺯ ﺧﻮﻳﺶ ﻫﻢ ﺑﻴﮕﺎﻧﻪ ﺑﺎﺵ ﺍﻱ ﮐﻪ ﺑﺎ ﺳﺎﻗﻲ ﺑﻪﻣﺴﺘﻲ ﺑﺴﺘﻪﺍﻱ ﭘﻴﻤﺎﻥ ﻧﺨـﺴﺖ ﺗﺎ ﺷـﻮﺩ ﭘﻴﻤﺎﻧـﻪﺍﺕ ﭘـﺮ ﻃﺎﻟـﺐ ﭘﻴﻤﺎﻧـﻪ ﺑـﺎﺵ ﻣﻲﮐﻨﻨـﺪ ﺍﻳـﻦ ﻋـﺎﻗﻼﻥ ﻏﻤﺨـﻮﺍﺭﻱ ﺩﻳﻮﺍﻧﮕـﺎﻥ ﮔﺮ ﺗﻮ ﻋﻘﻠﻲ ﺩﺍﺭﻱ ﺍﻱ ﻫﺸﻴﺎﺭ ﭘﺲ ﺩﻳﻮﺍﻧﻪ ﺑـﺎﺵ ﺭﺍﺯﻳﺎ ﺑﺮ ﻫﻮﺷﻴﺎﺭﺍﻥ ﺍﻳﻦ ﺟﻬـﺎﻥ ﻏﻤﺨﺎﻧـﻪ ﺍﺳـﺖ ﺳﺎﮐﻦ ﻣﻴﺨﺎﻧﻪ ﮔﺮﺩ ﻭ ﻓـﺎﺭﻍ ﺍﺯ ﻏﻤﺨﺎﻧـﻪ ﺑـﺎﺵ ) ( ۸۰ ﺩﻝ ﺭﻣﻴــﺪﺓ ﻣــﺎ ﺭﺍ ﺯ ﺑﻨــﺪ ﻧﻴــﺴﺖ ﺧــﻼﺹ ﺑﻪﺑﻨﺪ ﺯﻟﻒ ﺷﺪ ﻭ ﺯﺍﻥ ﮐﻤﻨﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ ﻣــﺮﺍ ﺑــﻪﺳﻠــﺴﻠﺔ ﺯﻟــﻒ ﺍﻭ ﻗــﺴﻢ ﮐــﻪ ﺍﺯ ﺍﻭ ﺩﻝ ﺷﮑـﺴﺘﺔ ﻳـﮏ ﻣـﺴﺘﻤﻨﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٣٠ ﺑــﺪﻭﻥ ﺁﻧﮑــﻪ ﺑــﻪﺩﻳــﻮﺍﻧﮕﻲ ﺑــﺮ ﺁﺭﻡ ﻧــﺎﻡ ﺯ ﺑﻨﺪ ﺻﺤﺒﺖ ﺍﺭﺑـﺎﺏ ﭘﻨـﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ ﻣﺠـﻮﻱ ﻣﻌﺮﻓـﺖ ﺫﺍﺕ ﺑـﻲﮐـﻢ ﻭ ﺑـﻲﮐﻴـﻒ ﺩﻻ ﺗﺮﺍ ﺍﮔﺮ ﺍﺯ ﭼﻮﻥ ﻭ ﭼﻨـﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ ﻣﮕــﻮ ﺯ ﺁﺗــﺶ ﺳــﻮﺯﻧﺪﻩ ﺟــﺴﺖ ﭘﺮﻭﺍﻧــﻪ ﺳﻮﺍﻱ ﺳﻮﺧﺘﻨﺶ ﭼﻮﻥ ﺳﭙﻨﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ ﺑـــﻪﺣﻴـــﺮﺗﻢ ﺯ ﮔﺮﻓﺘـــﺎﺭﻱ ﺩ ِﻝ ﻋـــﺸﹼﺎﻕ ﺍﮔﺮﭼﻪ ﺑـﺎ ﺩﻡِ ﺁﺧـﺮ ﺭﺳـﻨﺪ ﻧﻴـﺴﺖ ﺧـﻼﺹ ﭼﻪ ﺷﺪ ﮐـﻪ ﺳـﺮﻭ ﺑـﻪﺁﺯﺍﺩﮔـﻲ ﮐـﺸﻴﺪ ﻋﻠـﻢ ﺯ ﺑﻨــﺪ ﺟﻠــﻮﺓ ﻗــ ﺪ ﺑﻠﻨــﺪ ﻧﻴــﺴﺖ ﺧــﻼﺹ ﺷـﮑﺎﻳﺖ ﺍﺯ ﺩﻝ ﻏﻤﮕـﻴﻦ ﺧـﻮﺩ ﻣﮑـﻦ ﺭﺍﺯﻱ ﭼﻮ ﻳﮏ ﺩﻝ ﺍﺯ ﻏﻢ ﺁﻥ ﺩﻝﭘﺴﻨﺪ ﻧﻴﺴﺖ ﺧﻼﺹ ) ( ۸۱ ﺩﻝ ﺑﻪﺗﻮ ﺩﺍﺩﻡ ﺯ ﺩﺳـﺖ ،ﺁﻩ ﮐـﻪ ﮐـﺮﺩﻡ ﻏﻠـﻂ ﺷﻴﺸﻪ ﺳﭙﺮﺩﻡ ﺑﻪﻣﺴﺖ ﮐﺲ ﻧﮑﻨـﺪ ﺯﻳـﻦ ﻧﻤـﻂ ﭼﺸﻢ ﻣﻪ ﻭ ﺁﻓﺘﺎﺏ ﺟﺰ ﺗـﻮ ﻧﺪﻳـﺪﻩ ﺑـﻪﺧـﻮﺍﺏ ﻣﻮﻱ ﺑﻪﺍﻳﻦ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﺭﻭﻱ ﺑﻪﺍﻳﻦ ﺧﺎﻝ ﻭ ﺧﻂ ﮔﺮﭼﻪ ﻧﻴﻢ ﺑﻮﺍﻟﻬـﻮﺱ ﻣـﻲﮐـﻨﻢ ﺍﻳـﻦ ﻣﻠـﺘﻤﺲ ﺩﺭ ﺩﻭ ﺟﻬﺎﻥ ﻳﮏ ﻧﻔﺲ ﻭﺻﻞ ﺗﻮ ﺧﻮﺍﻫﻢ ﻓﻘـﻂ
ﻏﺰﻟﻴﺎﺕ ١٣١ ﻧﺴﺨﺔ ﺣـﺴﻦ ﺗـﺮﺍ ﭼﻮﻧﮑـﻪ ﻣـﺼﻨﹼﻒ ﻧﻮﺷـﺖ ﺑـﺮ ﻭﺭﻕ ﺭﻭﻱ ﺗـﻮ ﻧﻴـﺴﺖ ﻏﻠـﻂ ﻳـﮏ ﻧﻘـﻂ ) ( ۸۲ ﺑﺎ ﻣﻦ ﻣـﺴﺖ ﺍﮔـﺮ ﻳـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻣﺴﺖ ﻭ ﻫﺸﻴﺎﺭ ﺑﻪﻳﮑﺒـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﺍﺯ ﺳﻤﺎﻋﻢ ﭼﻪ ﻋﺠﺐ ﻣﻄﺮﺏ ﺍﮔﺮ ﺭﻗﺺ ﮐﻨـﺪ ﻧﻐﻤﻪ ﺩﺭ ﭘﺮﺩﺓ ﻫـﺮ ﺗـﺎﺭ ﺩﺭ ﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻧﻐﻤــﺔ ﺩﺭﺩ ﺍﮔــﺮ ﺑــﺮ ﺩ ِﺭ ﻣــﺴﺠﺪ ﺧﻮﺍﻧﻨــﺪ ﺩﺭ ﺯﻧﺪ ﺣﻠﻘـﻪ ﻭ ﺩﻳـﻮﺍﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻏﺰﻝ ﻋﺸﻖ ﭼﻮ ﺩﺭ ﭘﺮﺩﻩ ﻧﻬﺎﻥ ﻧﺘﻮﺍﻥ ﺧﻮﺍﻧـﺪ ﺭﻓﺖ ﻣﻨﺼﻮﺭ ﮐﻪ ﺑـﺮﺩﺍﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﮔﺮ ﺑﻪﮔﻮ ِﺵ ﺩﻟﻢ ﺍﻳﻦ ﺯﻣﺰﻣﻪ ﮔﻮﻳﻨﺪ ﺑﻪﺧﻮﺍﺏ ﭘﻴﮑﺮ ﺧﻔﺘـﻪ ﭼـﻮ ﺑﻴـﺪﺍﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﺍﻱ ﺻﻨﻢ ﻧﺎﻡ ﺗﻮ ﮔـﺮ ﺩﺭ ﺩﻝ ﻧـﺎﻗﻮﺱ ﺩﻣﻨـﺪ ﺑﺮﻫﻤﻦ ﺭﻗـﺼﺪ ﻭ ﺯﻧﹼـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﭼﺸﻢﮔﺮﻳـﺎﻥ ﭼـﻮ ﺑﺒﻴﻨـﺪ ﺭﺥ ﺧﻨـﺪﺍﻥ ﺗـﺮﺍ ﺍﺷﮏ ﺩﺭ ﺩﻳﺪﺓ ﺧﻮﻥﺑـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﺑﻪﺳﺮ ﺯﻟﻒ ﺗﻮ ﮔـﺮ ﺑـﺮ ﺳـﺮ ﺑﻴﻤـﺎﺭ ﺷـﻮﻱ ﻗﺎﻟــﺐ ﺧــﺴﺘﺔ ﺑﻴﻤــﺎﺭ ﺩﺭﺁﻳــﺪ ﺑــﻪﺳــﻤﺎﻉ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٣٢ ﮔﺮ ﻧﺴﻴﻤﻲ ﻭﺯﺩ ﺍﺯ ﮐﻮﻱ ﺗﻮ ﺑﺮ ﻋﺎﻟﻢ ﺧـﺎﮎ ﺧﺎﮎ ﭼﻮﻥ ﮔﻨﺒـﺪ ﺩ ﻭﺍﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻗﺎﻣﺘﺖ ﺟﻠﻮﻩﮐﻨﺎﻥ ﭼﻮﻥ ﺑﺨﺮﺍﻣـﺪ ﺑـﻪﭼﻤـﻦ ﺳﺮﻭ ﺩﺭ ﻋﺮﺻـﺔ ﮔﻠـﺰﺍﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻧﮕﻪ ﻣـﺴ ِﺖ ﺗـﻮ ﮔـﺮ ﺑـﺮ ﺩ ِﺭ ﻣﻴﺨﺎﻧـﻪ ﻓﺘـﺪ ﭼﻮﻥ ﻗﺪﺡ ﺧﺎﻧﻪ ﻭ ﺧ ﻤﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﺁﻧﭽﻪ ﻣﻲﮔﻮﻳﻢ ﺍﮔﺮ ﺟﻠﻮﻩ ﮐﻨـﺪ ﻣـﻀﻤﻮﻧﺶ ﻣﻄﺮﺏ ﺍﺯ ﻟـﺬﹼﺕ ﮔﻔﺘـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻏﻴـﺮ ﻋـﺎﺭﻑ ﻧﺒـﻮﺩ ﻣﺤـﺮﻡ ﺍﺳـﺮﺍﺭ ﺳـﻤﺎﻉ ﻳـﺎﺭ ﺩﺭ ﮐـﺴﻮﺕ ﺍﻏﻴـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ﻏﺰﻝ ﻋـﺸﻖ ﭼـﻮ ﺭﺍﺯﻱ ﺑﻨﻮﻳـﺴﺪ ﺍﺯ ﺷـﻮﻕ ﺧﺎﻣﻪ ﺑﺮ ﻫﻴﺌـﺖ ﭘﺮﮔـﺎﺭ ﺩﺭﺁﻳـﺪ ﺑـﻪﺳـﻤﺎﻉ ) ( ۸۳ ﻧﻬﺎﺩﻩ ﺑـﺮ ﺩﻝِ ﻣـﺎ ﻋـﺸﻖ ﻻﻟـﻪ ﺭﻭﻳـﺎﻥ ﺩﺍﻍ ﮐــﻪ ﺩﺍﻍ ﮔــﺸﺘﻪ ﺩﻝ ﻻﻟــﻪ ﺍﺯ ﻏــﻢ ﺁﻥ ﺩﺍﻍ ﭼﻮ ﺷﻤﻊ ﺳـﻮﺯ ﺩﺭﻭﻧـﻢ ﺯﺑـﺎﻥ ﻧﻤـﻲﮔﻮﻳـﺪ ﺩﻟﻢ ﭼـﻮ ﻻﻟـﺔ ﻧـﺸﮑﻔﺘﻪ ﮐـﺮﺩﻩ ﭘﻨﻬـﺎﻥ ﺩﺍﻍ ﺑﻪﺟﺎﻥ ﻗﺴﻢ ﮐﻪ ﻣﺮﺍ ﺟﺎﻥ ﻋﺰﻳﺰﺗﺮ ﺷﺪﻩ ﺍﺳﺖ ﺍﺯ ﺁﻥ ﺯﻣﺎﻥ ﮐﻪ ﻓﺮﺍﻗﺖ ﻧﻬـﺎﺩﺓ ﺩﺭ ﺟـﺎﻥ ﺩﺍﻍ
ﻏﺰﻟﻴﺎﺕ ١٣٣ ﺯ ﺑﺨﺖ ﺳﻮﺧﺘﻪﺍﻡ ﺁﺏ ﮔﺸﺘﻪ ﺁﺗـﺶ ﺧـﻮﻱ ﻧﻤﻮﺩﻩ ﭼﻬـﺮﺓ ﺯﺭﺩﻡ ﺳﺮﺷـﮏ ﺳـﻮﺯﺍﻥ ﺩﺍﻍ ﺷـﺐ ﻓـﺮﺍﻕ ﻭﺛـﺎﻗﻢ ﻧﻤـﻲﺷـﺪﻱ ﺭﻭﺷـﻦ ﻧﻔﺲ ﻧﻔﺲ ﻧﺸﺪﻱ ﮔـﺮ ﺯ ﺳـﻮﺯ ﺗﺎﺑـﺎﻥ ﺩﺍﻍ ﺑﻪﺣﻴﺮﺗﻢ ﮐﻪ ﭼﻪ ﺳﺎﻥ ﮔﺸﺖ ﮐﺒﮏ ﺁﺗﺸﺨﻮﺍﺭ ﺯ ﺭﺷــﮏ ﺟﻠــﻮﺓ ﺁﻥ ﻗﺎﻣــﺖ ﺧﺮﺍﻣــﺎﻥ ﺩﺍﻍ ) ( ۸۴ ﺩﺍﻧــﺔ ﺧــﺎﻟﺶ ﻧﻬــﺎﻥ ﺩﺭ ﺩﺍﻡ ﺯﻟــﻒ ﻣــﻲﮐﻨــﺪ ﺻــﻴﺪ ﺩﻟــﻢ ﺭﺍ ﺭﺍﻡ ﺯﻟــﻒ ﺗــﺎ ﺑــﻪﺑﻨــﺪ ﺣﻠﻘــﺔ ﻫــﺮ ﻣــﻮ ﺩﻟــﻲ ﺩﺭ ﻧﻴﺎﻳــﺪ ﺑــﺮ ﻧﻴﺎﻳــﺪ ﮐــﺎﻡ ﺯﻟــﻒ ﺑـﺲ ﮐـﻪ ﺩﻝﻫـﺎ ﺭﺍ ﭘﺮﻳـﺸﺎﻥ ﺳــﺎﺧﺘﻪ ﺩﺭ ﭘﺮﻳــﺸﺎﻧﻲ ﺑﺮﺁﻣـــﺪ ﻧـــﺎﻡ ﺯﻟـــﻒ ﻧﺎﻓﻪ ﺻﺪ ﺷﺐ ﺧﻮﺭﺩ ﺧﻮﻥ ﺗﺎ ﺁﻧﮑﻪ ﮐﺮﺩ ﺍﺯ ﻧــﺴﻴﻢ ﺻــﺒﺢ ﺍﺳﺘــﺸﻤﺎﻡ ﺯﻟــﻒ ﺳـــــﻮﺧﺘﻢ ﺩﺭ ﺣـــــﺴﺮﺕ ﺁﺭﺍﻡ ﺩﻝ ﺳــﻮﺧﺖ ﺩﻝ ﺩﺭ ﺣــﺴﺮﺕ ﺁﺭﺍﻡ ﺯﻟــﻒ ﺑــﺮ ﻧﻴﺎﻳــﺪ ﺗــﺎ ﺑــﻪﺻــﺒﺢ ﺭﻭﺯ ﺣــﺸﺮ ﭼــﻮﻥ ﺩﻝ ﺭﺍﺯﻱ ﺭﻭﺩ ﺩﺭ ﺷــﺎﻡِ ﺯﻟــﻒ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٣٤ ) ( ۸۵ ﺍﺯ ﻣﻘﻴـﺪ ﺳـﻮﻱ ﻣﻄﻠـﻖ ﺳـﻔﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ ﺧــﻮﺵ ﺭﻩ ﺯﻭﺩﺭﺱ ﭘﺮﺧﻄــﺮﻱ ﺩﺍﺭﺩ ﻋــﺸﻖ ﮐـﺎﻡ ﺟـﺎﻥ ﺗﻠـﺦ ﮐﻨـﺪ ﺯﻫـﺮ ﻓـﺮﺍﻕ ﺷـﻴﺮﻳﻦ ﮔﺮ ﭼﻮ ﺧﺴﺮﻭ ﻧﻈﺮﻱ ﺑﺮ ﺷـﮑﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ ﺳﻮﺯ ١ﻋﺸﻖ ﺍﺳﺖ ﮐﻪ ﺁﺗﺶ ﺯﻧﺪ ﺍﻧﺪﺭ ﺩﻝ ﺳﻨﮓ ﻣــﺎ ﺍﮔــﺮ ﺳــﻨﮕﺪﻻﻧﻴﻢ ﺍﺛــﺮﻱ ﺩﺍﺭﺩ ﻋــﺸﻖ ﻫﺮ ﺩﻡ ﺍﺯ ﻋﺸﻖ ﺗﻮ ﺷﺎﻧﻲ ﺩﮔـﺮﻱ ﺩﺍﺭﺩ ﺣـﺴﻦ ﻫﺮ ﺩﻡ ﺍﺯ ﺣﺴﻦ ﺗﻮ ﺷﻮﻗﻲ ﺩﮔـﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ ﺯﺍﻥ ﺣﻼﻭﺕ ﮐﻪ ﺑﻪﻣﻨـﺼﻮﺭ ﺭﺳـﻴﺪ ﺍﺯ ﺳـﺮِ ﺩﺍﺭ ﮔﺸﺖ ﻣﺤﺴﻮﺱ ﮐﻪ ﻧﺨﻞ ﻭ ﺛﻤﺮﻱ ﺩﺍﺭﺩ ﻋﺸﻖ ﺍﻳﻦ ﻧﮕﻮﻳﻢ ﮐﻪ ﺯ ﺗـﻮ ﺗـﺎﺯﻩ ﺗـﺮﻱ ﺩﺍﺭﺩ ﺣـﺴﻦ ﺍﻳﻦ ﻧﺪﺍﻧﻢ ﮐﻪ ﺯ ﻣﻦ ﺧـﺴﺘﻪ ﺗـﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ ﺑﻲﺧﺒﺮ ﺷﺪ ﺩﻝ ﻭ ﺍﺯ ﻋﺸﻖ ﺧﺒـﺮ ﻫـﻴﭻ ﻧﻴﺎﻓـﺖ ﺍﺯ ﺩﻝ ﺑــﻲﺧﺒــ ِﺮ ﻣــﺎ ﺧﺒــﺮﻱ ﺩﺍﺭﺩ ﻋــﺸﻖ ﻫـﺴﺖ ﺑـﺎ ﺩﺭ ِﺩ ﺳـﺮ ﺧـﻮﻳﺶ ﻣـﺮﺍ ﺳـﻮﺩﺍﻳﻲ ﭼﻮﻥ ﺑـﻪﺩﺭﺩِ ﺳـﺮ ﻋـﺸﹼﺎﻕ ﺳـﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ ﮔﺮﭼــﻪ ﻣﻌــﺸﻮﻕ ﻧــﺪﺍﺭﺩ ﻧﻈــﺮﻱ ﺑــﺎ ﺭﺍﺯﻱ ﺷﺎﺩ ﺍﺯ ﺁﻥ ﺍﺳﺖ ﮐﻪ ﺑﺎ ﺍﻭ ﻧﻈـﺮﻱ ﺩﺍﺭﺩ ﻋـﺸﻖ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﺳﻮﺭ.
ﻏﺰﻟﻴﺎﺕ ١٣٥ ) ( ۸۶ ﺧﻮﺍﻫﻢ ﺑﻪﺗﻮ ﺍﻇﻬﺎﺭ ﮐﻨﻢ ﺩﺭﺩ ﻭ ﻏـﻢ ﻋـﺸﻖ ﺗﺮﺳﻢ ﮐﻪ ﮐﻨﺪ ﺩﺭ ﺗـﻮ ﺳـﺮﺍﻳﺖ ﺍﻟـ ِﻢ ﻋـﺸﻖ ﻳﮏ ﺷﺐ ﻏﻢِ ﺩﻝ ﺧﻮﺍﻧﺪﻱ ﻭ ﺧﻮﻧﺎﺏ ﻓﺸﺎﻧﺪﻱ ﺍﻱ ﺩﻳﺪﻩ ﺗﻮ ﻣﺤﺮﻡ ﻧـﺸﺪﻱ ﺩﺭ ﺣﺮﻡِ ﻋـﺸﻖ ﺑـﺮ ﻟـﻮﺡِ ﺩﻟـﻢ ﺣـﺮﻑ ﺩﮔـﺮ ﻧﻘـﺶ ﻧﺒﻨـﺪﺩ ﺑﺸﮑﺴﺖ ﻗﻠﻢ ﭼﻮﻥ ﺑﻪﺳﺮ ﺁﻣﺪ ﺭﻗـﻢِ ﻋـﺸﻖ ﻋﺎﺷﻖ ﮐـﻢ ﺧـﻮﺩ ﮔﻴـﺮﺩ ﻭ ِﻣﹼﻨـﺖ ﻧﺒﭙـﺬﻳﺮﺩ ﺍﻱ ﺁﻧﮑﻪ ﻧﮕﻴﺮﻱ ﮐﻢ ﺧﻮﺩ ،ﮔﻴﺮ ﮐـﻢ ﻋـﺸﻖ ﻫﺮﮐﺲ ﮐﻪ ﺩﻟﺶ ﻭﺍﻗﻒ ﺍﺳﺮﺍﺭ ﻭﺟﻮﺩ ﺍﺳﺖ ﺧﻮﺍﻫﺪ ﻋﺪﻡ ﺧﻮﻳﺶ ﻭ ﻧﺨﻮﺍﻫﺪ ﻋﺪﻡ ﻋـﺸﻖ ﻣﻨـــﺰﻝ ﻧﮑﻨـــﺪ ﺩﺭ ﺩﻝ ﺍﺭﺑـــﺎﺏ ﺗـــﻨ ﻌﻢ ﺑﺎ ﺧـﺴﺘﻪ ﺩﻻﻥ ﺳـﺎﺧﺘﻪ ﺑﻨﮕـﺮ ﹶﮐـﺮﻡ ﻋـﺸﻖ ﺑﺎ ﻋﺸﻖ ﺑـﺴﺎﺯﻳﻢ ﻭ ﺑـﻪﺟـﺰ ﻋـﺸﻖ ﻧﺒـﺎﺯﻳﻢ ﺧﻮﺭﺩﻳﻢ ﺩﺭﺍﻳﻦ ﺑﺎﺏ ﭼﻮ ﺭﺍﺯﻱ ﻗﺴﻢ ﻋـﺸﻖ ) ( ۸۷ ﻧﮕﺎﺭ ﻣﻦ ﭼﻮ ﺷﻮﺩ ﺩﺭ ﻋﺘﺎﺏ ﻏـﺮﻕ ١ﻋـﺮﻕ ﻧﻤﺎﻳــﺪﻡ ﺑــﻪﻣﺜــﻞ ﺁﻓﺘــﺎﺏ ﻏــﺮﻕ ﻋــﺮﻕ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﺑﺪﻭﻥ ﻧﻘﻄﻪ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٣٦ ﺑﻪﻣﺜﻞ ﺑﺮﻕ ﮐﻪ ﺩﺭ ﺍﺑـﺮ ﻏـﺮﻕ ﺑـﺎﺭﺍﻥ ﺍﺳـﺖ ﻧﻤـﻮﺩ ﻳـﺎﺭ ﺭﺥ ﺍﻧـﺪﺭ ﻧﻘـﺎﺏ ﻏـﺮﻕ ﻋـﺮﻕ ﺑﻪﺍﻳﻦ ﺟﻤـﺎﻝ ﮐﻤـﺎﻝ ﺣﻴـﺎ ﺗﺮﺍﺳـﺖ ﭼﻨـﺎﻥ ﮐﻪ ﻋﮑﺲ ﺭﻭﻱ ﺗﻮ ﺩﻳﺪﻡ ﺩﺭ ﺁﺏ ﻏﺮﻕ ﻋﺮﻕ ﻃﺮﻳﻖ ﺳـﻮﺧﺘﻦ ﻭ ﺧـﻮﻥ ﮔﺮﻳـﺴﺘﻦ ﺯ ﺩﻟـﻢ ﭼﻮ ﺩﻳﺪ ﮔﺸﺖ ﺯ ﺧﺠﻠﺖ ﮐﺒﺎﺏ ﻏﺮﻕ ﻋﺮﻕ ﭼﻮ ﺑﺎﺯﺧﻮﺍﺳﺖ ﺯ ﺍﻋﻤﺎﻝ ﻣـﻦ ﺷـﻮﺩ ﺭﺍﺯﻱ! ﺯ ﺍﻧﻔﻌـﺎﻝ ﺷـﻮﻡ ﺩﺭ ﺟـﻮﺍﺏ ﻏـﺮﻕ ﻋـﺮﻕ ) ( ۸۸ ﺯ ﺁﺏ ﺩﻳﺪﺓ ﮔﺮﻳـﺎﻥ ﻣـﻦ ﺳـﺤﺎﺏ ﺧﺠـﻞ ﺯ ﻧﮑﻬﺖ ﻋﺮﻕ ﻋﺎﺭﺿـﺖ ﮔـﻼﺏ ﺧﺠـﻞ ﺯ ﺭﺷﮏ ﮔﺮﻣﻲ ﻣﻬﺮِ ﻣﻦ ﺁﻓﺘـﺎﺏ ﺑـﻪﺗـﺎﺏ ﺯ ﭘﺮﺗـ ِﻮ ﻣــ ِﻪ ﺭﻭﻱ ﺗـﻮ ﻣﺎﻫﺘــﺎﺏ ﺧﺠــﻞ ﺯ ﺳــﺮﮔﺮﺍﻧﻲ ﺑﺨــﺘﻢ ﺧﻤــﺎﺭ ﺷــﺮﻣﻨﺪﻩ ﺯ ﻣـﺴﺘﻲ ﻧﮕﻬـﺖ ﻧـﺸﺌﺔ ﺷـﺮﺍﺏ ﺧﺠـﻞ ﺑﻪﻳﺎﺩ ﺁﻥ ﻗـﺪ ﻭ ﺭﻓﺘـﺎﺭ ﺳـﺮﻭ ﭘـﺎ ﺩﺭ ﮔِـﻞ ﻧﮕﺎﻩ ﻧﺮﮔﺲ ﺍﺯ ﺁﻥ ﭼﺸﻢ ﻧﻴﻢﺧﻮﺍﺏ ﺧﺠﻞ ﺑﻴـﺎ ﮐـﻪ ﺑـﻲﺭﺥ ﺗـﻮ ﺁﻥ ﻗـﺪﺭ ﮔﺮﻳـﺴﺘﻪﺍﻡ ﮐﻪ ﺷﺪ ﺯ ﺩﺍﻣﻦِ ﺗﺮ ﺩﻳـﺪﺓ ﭘـﺮ ﺁﺏ ﺧﺠـﻞ
ﻏﺰﻟﻴﺎﺕ ١٣٧ ﺧﺮﺍﺏ ﺷﺪ ﺩﻝ ﻣﺎ ﺑﺮ ﺍﻣﻴـﺪ ﮔـﻨﺞ ﺣـﻀﻮﺭ ﻧﻴــﺎﻓﺘﻢ ﻭ ﺷــﺪﻳﻢ ﺍﺯ ﺩﻝ ﺧــﺮﺍﺏ ﺧﺠــﻞ ﺑﻪﺭﻭﺯ ﺣﺸﺮ ﺯ ﺍﻋﻤﺎﻝ ﭼﻮﻥ ﮐﻨﻨـﺪ ﺳـﺆﺍﻝ ﭼﻨﺎﻥ ﻣﮑﻦ ﮐﻪ ﺷﻮﻱ ﺭﺍﺯﻱ! ﺍﺯ ﺟﻮﺍﺏ ﺧﺠﻞ ) ( ۸۹ ﭼﺮﺍ ﺑﻪﺟﻠـﻮﺓ ﺻـﻮﺭﺕ ﻧﻈـﺮ ﮔـﺸﺎﻳﺪ ﺩﻝ ﭼﻮ ﺁﻳﻨﻪ ﻫﻤﻪ ﺩﺭ ﺧـﻮﻳﺶ ﻣـﻲﻧﻤﺎﻳـﺪ ﺩﻝ ﻣﮕـﺮ ﻧـﺴﻴ ِﻢ ﺳـﺮِ ﮐـﻮﻱ ﻳـﺎﺭ ﻣـﻲﺁﻳـﺪ ﺩﺭﻳﻦ ﺑﻬﺎﺭ ﮐﻪ ﭼﻮﻥ ﻏﻨﭽﻪ ﻣﻲﮔـﺸﺎﻳﺪ ﺩﻝ ﺷﻨﻴﺪﻩﺍﻡ ﮐﻪ ﺑﻪﺧﻮﺩ ﺭﻩ ﺑﻪ ١ﺑﻲﺧﻮﺩﻱ ﻳﺎﺑﻨﺪ ﺯ ﺧﻮﺩ ﺑﺮﺁﻣـﺪﻩﺍﻡ ﺗـﺎ ﺑـﻪﺧـﻮﺩ ﺑﻴﺎﻳـﺪ ﺩﻝ ﺑﺪﻭﻥ ﺻﺤﺒﺖ ﺻـﺎﺣﺒﺪﻟﻲ ﺑـﻪﺩﻝ ﻧﺮﺳـﻲ ﺑﻪﻧـﻮ ِﺭ ﺍﻫـ ِﻞ ﺩﻝ ﺍﻱ ﮐـﻮﺭ ﺩﻝ ﻧﻤﺎﻳـﺪ ﺩﻝ ﺳﺤﺮ ﺑﻪﮔﻮﺵ ﺩﻟـﻢ ﮔﻔـﺖ ﺑﻴـﺪﻟﻲ ﺭﺍﺯﻱ! ﭼﻪ ﻧﻐﻤﻪ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﭘﺮﺩﻩ ﻣﻲﺳـﺮﺍﻳﺪ ﺩﻝ ) ( ۹۰ ﺍﺯ ﺑﺲ ﻧﻬﺎﺩﻩﺍﻡ ﺑـﻪﺭﻫـﺖ ﺍﻱ ﻧﮕـﺎﺭ ﭼـﺸﻢ ﺷــﺪ ﺗﻴــﺮﻩ ﺍﺯ ﻏﺒــﺎﺭ ﺭﻩ ﺍﻧﺘﻈــﺎﺭ ﭼــﺸﻢ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﺯ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٣٨ ﭼﺸﻤﻢ ﺯ ﺧﻮﻥ ﺩﻝ ﭘﺮ ﻭ ﺍﺯ ﭼﺸﻢ ﺧﻮﻥ ﺩﻟﻢ ﺷﺮﻣﻨﺪﻩ ﺩﻝ ﺯ ﭼﺸﻢ ﻭ ﺯ ﺩﻝ ﺷﺮﻣﺴﺎﺭ ﭼﺸﻢ ﺍﺯ ﻓﺮﻁ ﮔﺮﻳـﻪ ﺧـﺎﮎ ﻭﺟـﻮﺩﻡ ﺭﺑـﻮﺩﻩ ﺁﺏ ﺧﻮﺵ ﺩﻭﺭ ﺳﺎﺧﺖ ﺍﺯ ﺭِﻩ ﺩﻝ ﺍﺷﮑﺒﺎﺭ ﭼﺸﻢ ﺯﺍﻥ ﺭﻭ ﮐﻪ ﺻﻮﺭﺕ ﻧﻤﮑﻴﻦ ﺗﻮ ﺟﻠـﻮﻩ ﮐـﺮﺩ ﺩﺭ ﭼﺸﻢ ﻣﺎ ﻫﻤﻴـﺸﻪ ﺑـﻮﺩ ﺍﺷـﮑﺒﺎﺭ ﭼـﺸﻢ ﺗــﺮﮎ ﻧﻈــﺎﺭﻩ ﺩﻝ ﺑــﻪﺟــﻮﺍﻧﻲ ﻧﻤــﻲﮐﻨــﺪ ﺑﻠﺒـﻞ ﮐﺠــﺎ ﻓـﺮﺍﺭ ﮐﻨــﺪ ﺩﺭ ﺑﻬـﺎﺭ ﭼــﺸﻢ ﺑــﻲﺍﺧﺘﻴــﺎﺭ ﺩﻝ ﺯ ﭘــﻲ ﺩﻳــﺪﻩ ﻣــﻲﺭﻭﺩ ﻧﮕــﺸﻮﺩﻩﺍﻳــﻢ ﻣــﺎ ﺯ ﺭﻩِ ﺍﺧﺘﻴــﺎﺭ ﭼــﺸﻢ ﺍﺯ ﻧــﻮﺭ ﭼــﺸﻢ ﻻﻣﻌــﺔ ﺣــﺴﻦ ﺩﺭ ﺟﻬــﺎﻥ ﻫﺮﺟﺎ ﮐﻪ ﺟﻠﻮﻩ ﮐﺮﺩ ﺍﺯ ﺁﻥ ﺑﺮ ﻣـﺪﺍﺭ ﭼـﺸﻢ ﺑﻨﮕﺮ ﮐﻪ ﮐﻴﺴﺖ ﺟﻠﻮﻩ ﮔـﺮ ﺍﺯ ﻋـﺎﻟ ِﻢ ﹸﺻـﻮﺭ ﺑﮕــﺸﺎﻱ ﻳــﮏ ﻧﻈــﺮ ﺯ ﺭﻩِ ﺍﻋﺘﺒــﺎﺭ ﭼــﺸﻢ ﺭﺍﺯﻱ! ﭼــﺮﺍ ﺭﻭﻡ ﺑــﻪﺗﻤﺎﺷــﺎﻱ ﻻﻟــﻪﺯﺍﺭ ﺍﻳﻦ ﺁﺭﺯﻭ ﭼﻮ ﻣـﻲﻧﻬـﺪﻡ ﺩﺭ ﮐﻨـﺎﺭ ﭼـﺸﻢ ) ( ۹۱ ﺑﻪﺑﻮﻳﺶ ﺻﺒﺤﺪﻡ ﭼﻮﻥ ﺑـﺎﺩ ﺩﺭ ﮔﻠـﺰﺍﺭ ﭘﻴﭽﻴـﺪﻡ ﮔ ِﻞ ﺭﻭﻳﺶ ﻧﺪﻳـﺪﻡ ﺩﺭ ﭼﻤـﻦ ﺑـﺴﻴﺎﺭ ﭘﻴﭽﻴـﺪﻡ
ﻏﺰﻟﻴﺎﺕ ١٣٩ ﺑـﻪﺁﺭﺍﻣـﻢ ﻧﻤـﻲﻳﺎﺑﻨـﺪ ﺗـﺎ ﺩﻝ ﺍﺯ ﮐﻔـﻢ ﺑﺮﺩﻧـﺪ ﺯ ﻏﻢ ﺗﺎ ﻣﻬﺮﻩ ﺭﺍ ﮔﻢ ﮐﺮﺩﻩﺍﻡ ﭼﻮﻥ ﻣﺎﺭ ﭘﻴﭽﻴـﺪﻡ ﺟﻤﺎﻝ ﺩﻭﺳﺖ ﻣﻲﺟﻮﻳﻢ ﭼﻮ ﻣﻮﺳﻲ ﺍﺯ ﻫﻤﻪ ﺍﺷﻴﺎ ﮔﻬﻲ ﺑﺮ ﻧـﻮﺭ ﺍﻓﺘـﺎﺩﻡ ﮔﻬـﻲ ﺑـﺮ ﻧـﺎﺭ ﭘﻴﭽﻴـﺪﻡ ﭼﻮ ﺣﺴﻨﺶ ﺟﻠﻮﻩﮔﺮ ﺩﻳﺪﻡ ﺑﻪﺷﮑﻞ ﺩﺧﺘﺮ ﺗﺮﺳـﺎ ﺭﺩﺍ ﺍﺯ ﺩﻭﺵ ﺧـﻮﺩ ﺍﻓﮑﻨـﺪﻡ ﻭ ﺯﹼﻧـﺎﺭ ﭘﻴﭽﻴـﺪﻡ ﺯ ﺣﺎﻝ ﺯﻟﻔﺶ ﺍﻱ ﺷﺎﻧﻪ ﺧﺒﺮ ﺩﺍﺭﻱ ﺑﮕـﻮ ﻳـﺎ ﻧـﻪ ﺑﻬﺮ ﻣﻮﻳﻲ ﮐﻪ ﭘﻴﭽﻴﺪﻱ ﺗﻮ ﻣﻦ ﺻﺪ ﺑﺎﺭ ﭘﻴﭽﻴـﺪﻡ ﺑﻪﻧﻮﻋﻲ ﺳﺎﮐﻦ ﻣﻴﺨﺎﻧﻪ ﮔـﺸﺘﻢ ﺭﺍﺯﻱ ﺍﺯ ﻣـﺴﺘﻲ ﮐﻪ ﭼﻮﻥ ﺑﻮﻱ ﻣﻲ ﺍﻧﺪﺭ ﺧﺎﻧـﺔ ﺧ ﻤـﺎﺭ ﭘﻴﭽﻴـﺪﻡ ) ( ۹۲ ﺗــﺎ ﻋﻘــﺪِ ﻣﺤﺒــﺖ ﺗــﻮ ﺑــﺴﺘﻴﻢ ﺍﺯ ﺑﻨـﺪ ﻭﺟـﻮﺩ ﺧـﻮﻳﺶ ﺭﺳـﺘﻴﻢ ﭼﺸﻤﻲ ﮐﻪ ﺑﻪﺭﻭﻱ ﺗـﻮ ﮐـﺸﺎﺩﻳﻢ ﺍﺯ ﺩﻳـــﺪﻥ ﮐﺎﺋﻨـــﺎﺕ ﺑـــﺴﺘﻴﻢ ﺗــﺎ ﺑــﺮ ﺳــﺮِ ﮐﻮﻳــﺖ ﺍﻳــﺴﺘﺎﺩﻳﻢ ﭼﻮﻥ ﺳﺎﻳﻪ ﺑﻪﺧـﺎﮎ ﺩﺭ ﻧﺸـﺴﺘﻴﻢ ﺗﺎ ﻧﺴﺨﺔ ﻟـﻮﺡ ﻋـﺸﻖ ﺧﻮﺍﻧـﺪﻳﻢ ﺑﺮ ﺣـﺮ ِﻑ ﺧـﺮﺩ ﻗﻠـﻢ ﺷﮑـﺴﺘﻴﻢ ﺯﺩ ﻧﻌﺮﻩ ﭼﻮ ﻣﺴﺖ ﮔﺸﺖ ﻣﻨﺼﻮﺭ ﻣـﺎ ﻧﻌـﺮﻩ ﻧﻤـﻲﺯﻧـﻴﻢ ﻭ ﻣـﺴﺘﻴﻢ ﺁﺗـــﺶ ﺯﻥِ ﺧـــﺮﻣ ِﻦ ﺭﻳـــﺎﻳﻴﻢ ﺷــﺎﻫﺪ ﺑــﺎﺯﻳﻢ ﻭ ﻣــﻲﭘﺮﺳــﺘﻴﻢ ﻫﻤــﺪﻭﺵ ﺑــﻪﺷــﺎﻫﺪ ﺟﻤﻴﻠــﻴﻢ ﺳﺮﻣـــﺴﺖ ﺯ ﺑـــﺎﺩﺓ ﺍﻟـــﺴﺘﻴﻢ ﺑــﺎ ﺩﺳــﺖ ﺗﻬــﻲ ﻭ ﺩﻳــﺪﺓ ﭘــﺮ ﺟﻮﻳـــﺎﻱ ﻣﺘـــﺎ ِﻉ ﺩﻭﺭﺩﺳـــﺘﻴﻢ ﮔــﺮ ﺧــﺎﺭ ﻭ ﮔــﺮ ﮔﹸﻠــﻴﻢ ﺭﺍﺯﻱ! ﺩﺭ ﺑـﺎﻍِ ﺧـﻮﺩﻳﻢ ﻫﺮﭼـﻪ ﻫـﺴﺘﻴﻢ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٤٠ ) ( ۹۳ ﺗـﺎ ﻧﻔـﺲ ﺩﺍﺭﻳـﻢ ﺁﻩ ﺩﻟﮕـﺸﺎﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﺑـﻲﻧﻮﺍﻳـﺎﻧﻴﻢ ﺍﺯ ﺣـﺴﺮﺕ ﻧـﻮﺍﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﺑﺮ ﺩﺭِ ﻣﻴﺨﺎﻧﻪ ﺩﺭ ﻭﻗﺖ ﻣـﺼﻴﺒﺖ ﻣـﻲﺭﻭﻳـﻢ ﺣﻠﻘﺔ ﺍﻳﻦ ﺩﺭ ﺑﻪﺑـﻮﻱ ﻏﻤﺰﺩﺍﻳـﻲ ﻣـﻲﺯﻧـﻴﻢ ﺩﺍﻣﻦ ﻣﺎ ﮔﺮ ﺯ ﻣﻲ ﺁﻟﻮﺩﻩ ﺑﺎﺷﺪ ﺑـﺎﮎ ﻧﻴـﺴﺖ ﺩﺳﺖ ﺩﺭ ﺩﺍﻣـﺎ ِﻥ ﭘـﺎ ِﮎ ﻣﻘﺘـﺪﺍﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﺧﻮﻥ ﺩﻝ ﺑﺮ ﺧﻮﺍ ِﻥ ﺍﺣﺴﺎ ِﻥ ﻣﺤﺒﺖ ﻣﻲﺧﻮﺭﻳﻢ ﻟ ﹼﺬﺗﻲ ﺩﺍﺭﻳﻢ ﻭ ﻣـﺮﺩﻡ ﺭﺍ ﺻـﻼﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﺗﻴﺸﻪ ﺑﺮ ﺳﺮ ﺯﺩ ﺑﻪﺩﺳﺖ ﺑﻲﺧﻮﺩﻱ ﻓﺮﻫﺎﺩ ﻭ ﻣﺎ ﺗﻴﺸﻪ ﺟﺎﻱ ﺳﺮ ﺑﻪﺟﺎﻱ ﺩﺳﺖ ﺟﺎﻳﻲ ﻣﻲﺯﻧﻴﻢ ﻣﻮﺝ ﺯﺩ ﺩﺭﻳﺎﻱ ﻋﺸﻖ ﻭ ﮐﺸﺘﻲ ﻣﺎ ﻏﺮﻕ ﺷﺪ ﺩﺳﺖ ﻭ ﭘﺎﻳﻲ ﺑـﺮ ﺍﻣﻴـﺪ ﺁﺷـﻨﺎﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﺷﻌﺮ ﺗﺎﺯﻩ ﺩﺭ ﺟﻮﺍﺏ ﻳﺎ ِﺭ ١ﺩﻳـﺮﻳﻦ ﮔﻔﺘـﻪﺍﻳـﻢ ﺍﻳﻦ ﻧﻔﺲ ﺭﺍ ﺑـﺮ ﺍﻣﻴـﺪ ﻣﺮﺣﺒـﺎﻳﻲ ﻣـﻲﺯﻧـﻴﻢ ﻏﺎﻓﻼﻥ ﺩﺭ ﺩﻳﻦ ﻭ ﺩﻧﻴﺎ ﺩﺳﺖ ﻭ ﭘﺎﻳﻲ ﻣﻲﺯﻧﻨﺪ ﻣﺎ ﭼﻮ ﺭﺍﺯﻱ ﺑﺮ ﺩﻭ ﻋﺎﻟﻢ ﭘﺸﺖ ﭘﺎﻳﻲ ﻣﻲﺯﻧﻴﻢ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﻧﻘﻄﺔ ﻱ ﺍﻓﺘﺎﺩﻩ ﺍﺳﺖ.
ﻏﺰﻟﻴﺎﺕ ١٤١ ) ( ۹۴ ﺟﺬﺑﻪﺍﻱ ﮐﻮ ﮐﻪ ﺩﮔـﺮ ﺑـﺎﺭ ﺑـﻪﻣﻴﺨﺎﻧـﻪ ﺭﻭﻡ ﻋﻘﻞ ﺍﮔﺮ ﺭﺍﻩ ﺯﻧـﺪ ﺑـﻲﺧـﻮﺩ ﻭ ﺩﻳﻮﺍﻧـﻪ ﺭﻭﻡ ﮔﺮ ﻫﻤﻪ ﺳﺮ ﺑـﺮﻭﺩ ﺳـﺮ ﺑـﻪﺧﺮﺍﺑـﺎﺕ ﮐـﺸﻢ ﻧﻘـ ِﺾ ﭘﻴﻤـﺎﻥ ﻧﮑـﻨﻢ ﺑـﺮ ﺳـ ِﺮ ﭘﻴﻤﺎﻧـﻪ ﺭﻭﻡ ﮔﺮ ﺑﮕﻮﻳﻨـﺪ ﺧﺮﺍﺑـﺎﺕ ﺧـﺮﺍﺏ ﺍﺳـﺖ ﺑﮕـﻮ ﻃﺎﻟـﺐ ﮔـﻨﺠﻢ ﺍﺯ ﺁﻥ ﺭﻭﻱ ﺑـﻪﻭﻳﺮﺍﻧـﻪ ﺭﻭﻡ ﺩﺭﮔﻪ ﭘﻴﺮﻣﻐـﺎﻥ ﮐﻌﺒـﺔ ﻣﻘـﺼﻮﺩ ﻣـﻦ ﺍﺳـﺖ ﺗﺎ ﮐﻲ ﺍﻧﺪﻳـﺸﻪ ﮐـﻨﻢ ﻫـﺎﻥ ﺑـﺮﻭﻡ ﻳـﺎ ﻧـﺮﻭﻡ ﺩﺭ ﺧﻢ ﺯﻟﻒ ﺗﻮ ﺧﺎﻝ ﺍﺳﺖ ﮐﻪ ﺩﻝ ﻣﻲﮔﻮﻳﺪ ﻣـﻦ ﺩﺭﻳـﻦ ﺩﺍ ِﻡ ﺑـﻼ ﺑـﺮ ﻫـﻮ ِﺱ ﺩﺍﻧـﻪ ﺭﻭﻡ ﻣﻦ ﺑﻪﺻﺪ ﮔﺮﺩ ِﺵ ﺳﺎﻏﺮ ﻧﺮﻭﻡ ﺍﺯ ﺧﻮﺩ ﻟﻴـﮏ ﺑـﻪﻳﮑـﻲ ﮔـﺮﺩﺵ ﺁﻥ ﻧـﺮﮔﺲِ ﻣـﺴﺘﺎﻧﻪ ﺭﻭﻡ ﺑﺮ ﺳـ ِﺮ ﺧـﺎ ِﮎ ﺩ ِﺭ ﺩﻭﺳـﺖ ﺍﮔـﺮ ﺟـﺎ ﻳـﺎﺑﻢ ﮐﻮﻩ ﺍﺯ ﺟﺎ ﺑـﺮﻭﺩ ﻟﻴـﮏ ﻣـﻦ ﺍﺯ ﺟـﺎ ﻧـﺮﻭﻡ ﺁﺷــﻨﺎﻳﻲ ﺗــﻮ ﻣــﺴﺘﻠﺰﻡ ﺑﻴﮕــﺎﻧﮕﻲ ﺍﺳــﺖ ﺯﻳﻦ ﺳﺒﺐ ﺳﻮﻱ ﺗـﻮ ﺑﺮﻧـﺪﻳﺐ ﺑﻴﮕﺎﻧـﻪ ﺭﻭﻡ ﺭﺍﺯﻱ ﺁﻥ ﺭﻭﺯ ﮐﻪ ﺟـﺎﻧﻢ ﺭﻭﺩ ﺍﺯ ﺧﺎﻧـﺔ ﺗـﻦ ﻳﮑﺴﺮ ﺍﺯ ﺧﺎﻧـﻪ ﺑـﻪﺳـﺮ ﻣﻨـﺰ ِﻝ ﺟﺎﻧﺎﻧـﻪ ﺭﻭﻡ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٤٢ ) ( ۹۵ ﺩﻭ ِﺭ ﻃﺮﺏ ﺁﺧﺮ ﺷﺪ ﻭ ﻣـﺴﺘﻴﻢ ﭼـﻪ ﻣـﺴﺘﻴﻢ ﺗــﺎ ﻗﺎﻓﻠــﻪ ﺑﮕﺬﺷــﺖ ﻧﺸــﺴﺘﻴﻢ ﻧﺸــﺴﺘﻴﻢ ﺻﺪ ﭼﺸﻢ ﺍﻣﻞ ﺩﺳﺖ ﺍﺟﻞ ﺑﺴﺖ ﺑﻪﺣـﺴﺮﺕ ﻣـــﺎ ﺩﻳـــﺪﺓ ﺍﻣﻴـــﺪ ﻧﺒـــﺴﺘﻴﻢ ﻧﺒـــﺴﺘﻴﻢ ﺍﺯ ﻫﻤـ ِﺖ ﻋـﺸﻖ ﺍﺯ ﻏـﻢِ ﮐـﻮﻧﻴﻦ ﺑـﺮ ﺳـﺘﻢ ﻟــﻴﮑﻦ ﺯ ﻏــﻢ ﻋــﺸﻖ ﻧﺮﺳــﺘﻴﻢ ﻧﺮﺳــﺘﻴﻢ ﺷﺪ ﺧـﺸﮏ ﺯ ﺗﺤﺮﻳـﺮ ﻟـ ِﺐ ﺧﺎﻣـﺔ ﺗﻘـﺪﻳﺮ ﻣـﺎ ﺻـﻔﺤﺔ ﺗـﺪﺑﻴﺮ ﺑــﻪﺩﺳـﺘﻴﻢ ﺑـﻪﺩﺳــﺘﻴﻢ ﺭﺍﺯﻱ ﺑﻪﺟﺰ ﺁﻥ ﻋﻬﺪ ﮐـﻪ ﺑـﺴﺘﻴﻢ ﺑـﻪﺑﺮﻫـﺎﻥ ﻫـﺮ ﻋﻬـﺪ ﮐـﻪ ﺑـﺴﺘﻴﻢ ﺷﮑـﺴﺘﻴﻢ ﺷﮑـﺴﺘﻴﻢ ) ( ۹۶ ﺩ ِﻝ ﺩﻳﻮﺍﻧـﺔ ﺧـﻮﺩ ﺭﺍ ﺑـﻪﺯﻟـﻒ ﻳـﺎﺭ ﻣـﻲﺑﻨـﺪﻡ ﺍﮔﺮ ﻋﺎﺷﻖ ﺷﺪﻥ ﮐﻔﺮ ﺍﺳﺖ ﻣﻦ ﺯﻧﹼـﺎﺭ ﻣـﻲﺑﻨـﺪﻡ ﺧﻴﺎﻟﺶ ﺗﺎ ﺑﻪﺩﻝ ﺩﺍﺭﻡ ﻧﻈـﺮ ﺑـﺮ ﺧﻠـﻖ ﻧﮕـﺸﺎﻳﻢ ﺩﺭﻭ ِﻥ ﺧﺎﻧـﻪ ﻳـﺎﺭ ﺁﻣـﺪ ،ﺩﺭ ﺍﺯ ﺍﻏﻴـﺎﺭ ﻣـﻲﺑﻨـﺪﻡ ﻣﻦ ﺍﺯ ﻋﻠـﻢ ﻣﺤﺒـﺖ ﻗﺎﺗـﻞ ﻣﻨـﺼﻮﺭ ﻣـﻲﺩﺍﻧـﻢ ﻭﻟﻴﮑﻦ ﻣـﺼﻠﺤﺖ ﺭﺍ ﺗﻬﻤﺘـﻲ ﺑـﺮ ﺩﺍﺭ ﻣـﻲﺑﻨـﺪﻡ ﺟﺪﺍ ﺍﺯ ﺩﻭﺳﺖ ﺻﺪ ﻓﺼﻞِ ﺷﮑﺎﻳﺖ ﺑﺮ ﺯﺑﺎﻥ ﺩﺍﺭﻡ ﭼﻮ ﻣﻲﺑﻴﻨﻢ ﺑﻪﺻﺪ ﺣﻴﺮﺕ ﻟﺐ ﺍﺯ ﮔﻔﺘﺎﺭ ﻣﻲﺑﻨـﺪﻡ
ﻏﺰﻟﻴﺎﺕ ١٤٣ ﺩﻟﻢ ﺩﺭ ﺯﻟ ِﻒ ﻫﻨﺪﻭﻳﻲ ﮔﺮﻓﺘﺎﺭ ﺍﺳﺖ ﻭ ﻣﻲﮔـﻮﻳﻢ ﺍﮔﺮ ﺻﺪ ﺩﻝ ﺑﻮﺩ ﻫﺮ ﺩﻝ ﺑﻪﻫﺮ ﻳﮏ ﺗﺎﺭ ﻣـﻲﺑﻨـﺪﻡ ﺧﻴﺎﻟﺶ ﺧﻮﺍﺑﻢ ﺍﺯ ﺳﺮ ﺑﺮﺩ ،ﻟﻴﮑﻦ ﭼﺸﻢ ﻣﻲﭘﻮﺷﻢ ﺭِﻩ ﺳــﻴﻞِ ﺳﺮﺷــ ِﮏ ﺩﻳــﺪﺓ ﺧﻮﻧﺒــﺎﺭ ﻣــﻲﺑﻨــﺪﻡ ﭼﻮ ﺑﻮﻱ ﮔﻴﺴﻮﻳﻲ ﺩﺍﺭﺩ ﻣﺸﺎﻡ ﺟﺎﻥ ﺑﻪﻣـﻦ ﺭﺍﺯﻱ! ﺩﮔــﺮ ﺭﻩ ﺑــﺮ ﻧــﺴﻴﻢِ ﻧﺎﻓــﺔ ﺗﺎﺗــﺎﺭ ﻣــﻲﺑﻨــﺪﻡ ) ( ۹۷ ﺯﺍﻫﺪ ﭼﻪ ﺯﻧﻲ ﻃﻌﻨﻪ ﮐﻪ ﻣﺎ ﻋﺎﺷﻖ ﻭ ﻣـﺴﺘﻴﻢ ﺑـﺮ ﺯﻫـﺪ ﻧﻨـﺎﺯﻳﻢ ﺑـﻪﻫﺮﺣـﺎﻝ ﮐـﻪ ﻫـﺴﺘﻴﻢ ﭼﻮﻥ ﺭﻭﻱ ﺑﺘﺎﻥ ﻣﻈﻬﺮ ﺣﺴﻦ ﺍﺳﺖ ﺩﺭﻳﻦ ﺩﻳـﺮ ﮐـﺎﻓﺮ ﻧﺘـﻮﺍﻥ ﺧﻮﺍﻧـﺪ ﺍﮔـﺮ ﺑـﺖ ﺑﭙﺮﺳـﺘﻴﻢ ﺍﻣــﺮﻭﺯ ﺑﺒــﺴﺘﻴﻢ ﺩﻝ ﺍﻧــﺪﺭ ﺧــﻢ ﺯﻟﻔــﺶ ﻣــﺎ ﺑــﺴﺘﺔ ﺍﻳــﻦ ﺳﻠــﺴﻠﻪ ﺍﺯ ﺭﻭﺯ ﺍﻟــﺴﺘﻴﻢ ﺁﻥ ﮐﺲ ﮐﻪ ﻧﻈﺮ ﺑﺮ ﺭﺥ ﺩﻟﺨﻮﺍﻩ ﺗﻮ ﺑﮕـﺸﺎﺩ ﺑﺮ ﻣﺎ ﻧﻨﻬـﺪ ﺟـﺮﻡ ﺍﮔـﺮ ﺩﻝ ﺑـﻪﺗـﻮ ﺑـﺴﺘﻴﻢ ﺍﺯ ﻫﻤــﺖ ﻋــﺸﻖ ﺗــﻮ ﺑﺮﺳــﺘﻴﻢ ﺯ ﮐــﻮﻧﻴﻦ ﻟﻴﮏ ﺍﺯ ﺧﻢ ﺯﻟﻔﻴﻦ ﺗﻮ ﺍﻱ ﺩﻭﺳـﺖ ﻧﺮﺳـﺘﻴﻢ ﺑﺲ ﺳـﻌﻲ ﻧﻤـﻮﺩﻳﻢ ﺩﺭﻳـﻦ ﻭﺍﺩﻱ ﺣﻴـﺮﺕ ﺟﺎﻳﻲ ﻧﺮﺳـﻴﺪﻳﻢ ﺟـﺰ ﺁﻧﺠـﺎ ﮐـﻪ ﻧﺸـﺴﺘﻴﻢ
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٤٤ ﺭﺍﺯﻱ! ﺩﻝِ ﻣــﺎ ﺭﻓــﺖ ﺩﺭ ﺁﻏــﺎﺯ ﺟــﻮﺍﻧﻲ ﺍﻓﺴﻮﺱ ﮐﻪ ﻣﻴﻨـﺎﻱ ﻃـﺮﺏ ﺯﻭﺩ ﺷﮑـﺴﺘﻴﻢ ) ( ۹۸ ﺟﺎﻧﺎ ﺩﻝ ﺷﮑﺴﺘﻪ ﺑﻪﺯﻟ ِﻒ ﺗـﻮ ﺑـﺴﺘﻪﺍﻳـﻢ ﭘﻴﻤﺎﻥ ﺩﺭﺳﺖ ﺩﺍﺭ ﮐﻪ ﻣﺎ ﺩﻝ ﺷﮑﺴﺘﻪﺍﻳـﻢ ﺩﺭ ﭘﻴﭻ ﻭ ﺗﺎﺏِ ﺣﻠﻘـﺔ ﺯﻟﻔـﻴﻦ ﺩﻟ ﹶﮑـ ﹶﺸﺖ ﺩﻟﺒﺴﺘﻪﺍﻳﻢ ﺍﮔﺮﭼـﻪ ﺯ ﮐـﻮﻧﻴﻦ ﺭﺳـﺘﻪﺍﻳـﻢ ﭼﻮﻥ ﺁﻓﺘﺎﺏ ﮔﺮ ِﺩ ﺟﻬﺎﻥ ﺳﻴﺮ ﮐـﺮﺩﻩﺍﻳـﻢ ﻣﺎﻧﻨﺪ ﺳﺎﻳﻪ ﺑﺮ ﺳـﺮِ ﮐﻮﻳـﺖ ﻧﺸـﺴﺘﻪﺍﻳـﻢ ﺩﺭ ﺩﺍﻡِ ﻋﻘـﻞ ﺩﺍﻧـﺔ ﺗﮑﻠﻴـﻒ ﺩﻳـﺪﻩﺍﻳـﻢ ﭼﻮﻥ ﻣﺮﻍ ﺯﻳﺮﮐﻴﻢ ﺍﺯﻳﻦ ﺩﺍﻡ ﺟـﺴﺘﻪﺍﻳـﻢ ﺭﺍﺯﻱ ﭼﻮ ﻋﺸﻖ ﺟﺎ ﺑﻪﺩﻝ ﺧﺴﺘﻪ ﻣﻲﮐﻨﺪ ﻣﺎ ﺩﺭ ﻫﻮﺍﻱ ﻋﺸﻖ ﺩ ِﻝ ﺧﺴﺘﻪ ﺧﺴﺘﻪﺍﻳـﻢ ) ( ۹۹ ﮐﺲ ﻧﺪﺍﻧـﺪ ﻏﻴـﺮ ﺣـﻖ ﻣـﺎ ﮐﻴـﺴﺘﻴﻢ ﺯﺍﻧﮑـﻪ ﺩﺭ ﻣﻴﺨﺎﻧـﻪ ﺻـﻮﻓﻲ ﺯﻳـﺴﺘﻴﻢ ﺍﺯ ﺷــﻌﺎﺭ ﺯﺍﻫــﺪﺍﻥ ﺩﺍﺭﻳــﻢ ﻋــﺎﺭ ﷲ ﺍﻟﺤﻤـــﺪ ﺍﺯ ﺭﻋﺎﻳـــﺎ ﻧﻴـــﺴﺘﻴﻢ ﺷﻬﺮ ﻭ ﺷﻬﺮ ﻭ ﺟﺎﺑﻪﺟﺎ ﻭ ﮐﻮ ﺑـﻪﮐـﻮ ﻃﺎﻟـــﺐِ ﺑﺮﻫـــﺎﻥِ ﺷﻄﹼﺎﺭﻳـــﺴﺘﻴﻢ
ﻏﺰﻟﻴﺎﺕ ١٤٥ ﻏﺎﻓﻼﻥ ﺑـﺮ ﺣـﺎﻝِ ﻣـﺎ ﺩﺭ ﺧﻨـﺪﻩﺍﻧـﺪ ﺑﺲ ﮐﻪ ﻣﺎ ﺑﺮ ﺣﺎﻝِ ﺧـﻮﺩ ﺑﮕﺮﻳـﺴﺘﻴﻢ ﻭﺻﻞ ﻧـﻲ ﻭ ﻓـﺼﻞ ﻧـﻲ ﺩﺭ ﺣﻴـﺮﺗﻢ ﻋﻴﻦ ﻧﻲ ﻭ ﻏـﻴﻦ ﻧـﻲ ﭘـﺲ ﭼﻴـﺴﺘﻴﻢ ﺻﻮﺭﺕ ﻭ ﻣﻌﻨﻲ ﺑـﻪﻣـﺎ ﺟﻤـﻊ ﺁﻣـﺪﻩ ﺯﺍﻥ ﮔﻬﻲ ﺻـﻮﺭﺕ ﮔﻬـﻲ ﻣﻌﻨﻴـﺴﺘﻴﻢ ﮔﺎﻩ ﺳـﻴﺮﺍﺑﻴﻢ ﻭ ﮔـﻪ ﻟـﺐ ﺗـﺸﻨﻪﺍﻳـﻢ ﮔــﺎﻩ ﺳــﺎﻗﻲ ﮔــﺎﻩ ﻣﺴﺘﺴﻘﻴــﺴﺘﻴﻢ ﮔــﺎﻩ ﻣــﺴﺘﺎﻧﻴﻢ ﻭ ﮔــﺎﻫﻲ ﻫﻮﺷــﻴﺎﺭ ﻣﺨﺘﻠــﻒ ﺍﺣــﻮﺍﻝ ﭼــﻮﻥ ﺭﺍﺯﻳــﺴﺘﻴﻢ ) ( ۱۰۰ ﻣـﺎ ﺩﺭ ﺳـﻤﺎﻉ ،ﮔﺮﻳـﺔ ﻣـﺴﺘﺎﻧﻪ ﻣـﻲﮐﻨـﻴﻢ ﻳﮏ ﺟﺮﻋﻪ ﺧﻮﺭﺩﻩ ﭘﺎ ﺩﺭ ﺧﻤﺨﺎﻧﻪ ﻣﻲﮐﻨﻴﻢ ﭼﻮﻥ ﺧﺎﮎ ﺭﺍ ﻧﺼﻴﺒﻪ ﺯ ﺟﺎﻡِ ١ﮐﺮﺍﻡ ﻫﺴﺖ ﺩﺭﻳﻮﺯﻩﺍﻱ ﺯ ﺳـﺎﻗﻲ ﻭ ﭘﻴﻤﺎﻧـﻪ ﻣـﻲﮐﻨـﻴﻢ ﺍﻱ ﮔﻨﺞ ٢ﺭﺍﻳﮕﺎﻥ ﭼﻮ ﺗﻮ ﻭﻳﺮﺍﻧـﻪ ﺩﻭﺳـﺘﻲ ﻣﺎ ﺧﺎﻧﻪ ﺩﺭ ﻫـﻮﺍﻱ ﺗـﻮ ﻭﻳﺮﺍﻧـﻪ ﻣـﻲﮐـﻨﻢ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﺟﺎﻣﻢ. .2ﻫﻤﺎﻥ :ﮐﻨﺞ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٤٦ ﺻﺪ ﭼﺎﮎ ﻣﻲﺷﻮﺩ ﺩ ِﻝ ﺷﺎﻧﻪ ﺯ ﺭﺷ ِﮏ ﻣـﺎ ﭼﻮﻥ ﺯﻟﻒ ﻳﺎﺭ ﺭﺍ ﺑﻪﻣﮋﻩ ﺷـﺎﻧﻪ ﻣـﻲﮐﻨـﻴﻢ ﺩﻝ ﺭﺍ ﺑـﻪﺑﻨـﺪ ﺳﻠـﺴﻠﺔ ﺯﻟـﻒ ﻣـﻲﺩﻫـﻴﻢ ﺍﺻﻼﺡِ ﺣﺎﻝ ﺍﻳـﻦ ﺩ ِﻝ ﺩﻳﻮﺍﻧـﻪ ﻣـﻲﮐﻨـﻴﻢ ﺑﻲﺧﺎﻧﻤﺎﻥ ﻧﻪﺍﻳﻢ ﭼﻮ ﻣﺠﻨـﻮﻥ ﻭ ﮐـﻮﻫﮑﻦ ﻣﺎ ﺩﺷﺖ ﻭ ﮐﻮﻩ ﺭﺍ ﻫﻤﻪ ﻏﻤﺨﺎﻧﻪ ﻣﻲﮐﻨـﻴﻢ ) ( ۱۰۱ ﻣﺎ ﻣﻲ ﻧﺨﻮﺭﺩﻩﺍﻳﻢ ﻭ ﭼﻪ ﻣﺴﺘﺎﻧﻪ ﻣـﻲﺭﻭﻳـﻢ ﻣﺎ ﻧﻲ ١ﺑﻪﺳﻮﻱ ﺣﻀﺮﺕ ﻣﻴﺨﺎﻧﻪ ﻣـﻲﺭﻭﻳـﻢ ﺷﻄﹼﺎﺭﻱﺍﻳﻢ ﻭ ﻣﺬﻫﺐِ ﻣﺎ ﺳﺘﺮ ﻣـﺬﻫﺒﻲﺳـﺖ ﭘﻮﺷـﻴﺪﻩﺍﻳـﻢ ﺧﺮﻗـﻪ ﻭ ﺭﻧﺪﺍﻧـﻪ ﻣـﻲﺭﻭﻳـﻢ ﻣﻨﺼﻮﺭ ﮔﻔﺖ ﺭﻓﺖ ﭼﻮ ﺑﻲﺩﺳﺖ ﻭ ﭘﺎ ﺑﻪﺩﺍﺭ ﺩﺭ ﺭﺍِﻩ ﺩﻭﺳﺖ ﺑﻴﻦ ﮐﻪ ﭼﻪ ﻣﺮﺩﺍﻧﻪ ﻣﻲﺭﻭﻳـﻢ ﺷﻤﻌﻲ ﺑﻪﺭﺍﻩ ﻣـﺎ ﭼـﻮ ﻧﻬـﺪ ﻋـﺸﻖ ﺭﻫﻨﻤـﺎ ﻳﮏ ﭼﺮﺥ ﻣﻲﺯﻧﻴﻢ ﻭ ﭼﻮ ﭘﺮﻭﺍﻧﻪ ﻣـﻲﺭﻭﻳـﻢ ﺍﻓﺴﻮﻥ ﭼﻪ ﺣﺎﺟـﺖ ﺍﺳـﺖ ﺩﻝ ﺩﺭﺩﻣﻨـﺪ ﺭﺍ ﻣﺎ ﺑﻲﺩﻻﻥ ﺯ ﺧﻮﺩ ﺑﻪﻳﮏ ﺍﻓﺴﺎﻧﻪ ﻣـﻲﺭﻭﻳـﻢ ﻣﻄﺮﺏ ﺗﻮ ﺑﺎ ﺟﻨﺎﺯﺓ ﻣـﺎ ﺍﻳـﻦ ﺗﺮﺍﻧـﻪ ﺧـﻮﺍﻥ ﻣﺎ ﺩﺭ ﻗﻔﺎﻱ ﺟﺎﻥ ﺳﻮﻱ ﺟﺎﻧﺎﻧـﻪ ﻣـﻲﺭﻭﻳـﻢ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﻧﺎ.
ﻏﺰﻟﻴﺎﺕ ١٤٧ ﻣـﺴﺠﻮﺩ ﻧﺎﺷـﻨﺎﺧﺘﻪ ﺩﺭ ﺳـﺠﺪﻩﺍﻧـﺪ ﺧﻠـﻖ ﭼﻮﻥ ﺩﺭ ﺧﻴﺎﻝ ﻣﺴﺠﺪ ﻭ ﺑﺘﺨﺎﻧﻪ ﻣـﻲﺭﻭﻳـﻢ ﻣﺎ ﺭﺍ ﭼﻮ ﮐﻮﻫﮑﻦ ﺳﺮ ﺗﺪﺑﻴﺮ ﻭﺻـﻞ ﻧﻴـﺴﺖ ﻣﺠﻨﻮﻥ ﺻﻔﺖ ﺑﻪﺭﺍﻩ ﺗﻮ ﺩﻳﻮﺍﻧـﻪ ﻣـﻲﺭﻭﻳـﻢ ﺭﺍﺯﻱ! ﺭﻓﻴــﻖ ﻣــﺎ ﺷــﺪﻩ ﺁﻥ ﻳــﺎﺭ ﺁﺷــﻨﺎ ﺯﺍﻥ ﺑــﺮ ﮐﻨــﺎﺭ ﻗﺎﻓﻠــﻪ ﺑﻴﮕﺎﻧــﻪ ﻣــﻲﺭﻭﻳــﻢ ) ( ۱۰۲ ﻣـﺴﺘﻢ ﻭﻟﻴـﮏ ﺳـﺎﮐﻦ ﻣﻴﺨﺎﻧـﺔ ﺧـﻮﺩﻡ ﮔﻨﺠﻢ ١ﻧﻬﺎﻥ ﺑـﻪﮔﻮﺷـﺔ ﻭﻳﺮﺍﻧـﺔ ﺧـﻮﺩﻡ ﺧﻮﻥ ﺟﮕﺮ ﺯ ﮐﺎﺳﺔ ﺩﻝ ﻣﻲﺧـﻮﺭﻡ ﺍﺯﺁﻥ ﻣــﺴﺘﺎﻧﻪ ﺩﺭ ﺷﮑــﺴﺘﻦِ ﭘﻴﻤﺎﻧــﺔ ﺧــﻮﺩﻡ ﺷﻤﻊ ﺧﻴﺎﻝ ﺭﻭﻱ ﺗﻮ ﺍﻓﺮﻭﺧﺖ ﺩﺭ ﺩﻟـﻢ ﻓــﺎﻧﻮﺱ ﺁﻥ ﺧﻴــﺎﻟﻢ ﻭ ﭘﺮﻭﺍﻧــﺔ ﺧــﻮﺩﻡ ﺗــﻮ ﺁﺷــﻨﺎﻱ ﻋــﺎﻟﻢ ﻭ ﺑﻴﮕﺎﻧــﺔ ﻣﻨــﻲ ﻣـﻦ ﺑـﺎ ﺗـﻮ ﺁﺷـﻨﺎﻳﻢ ﻭ ﺑﻴﮕﺎﻧـﺔ ﺧـﻮﺩﻡ ﺍﺯ ﺁﻩِ ﺁﺗﺸﻴﻦ ﻣـﻦ ﺍﻱ ﻫﻤﻨـﺸﻴﻦ ﻣﺘـﺮﺱ ﮔـﺮ ﺁﺗـﺸﻢ ﺑـﻪﺳـﻮﺧﺘﻦ ﺧﺎﻧـﺔ ﺧـﻮﺩﻡ ﮔـﺎﻫﻲ ﺭﻫـﻴﻦ ﺷـﺎﻫﺪﻡ ﻭ ﮔـﺎﻩ ﺯﺍﻫـﺪﻡ ﺭﺍﺯﻱ ﺧﺮﺍﺏ ﺍﻳـﻦ ﺩﻝ ﺩﻳﻮﺍﻧـﺔ ﺧـﻮﺩﻡ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﮐﻨﺠﻢ.
ﺩﻳﻮﺍﻥ ﺍﺷﻌﺎﺭ ﻋﺎﻗﻞ ﺧﺎﻥ ﺭﺍﺯﻱ ١٤٨ ) ( ۱۰۳ ﻏﻤﺰﻩ ﺯﻥ ﺷﺪ ﭼـﺸﻢ ﻭ ﺍﺑـﺮﻭ ﻧﻴـﺰ ﻫـﻢ ﺩﺷﻨﻪ ﺯﻥ ﺷﺪ ﺗـﺮﮎ ﻭ ﻫﻨـﺪﻭ ﻧﻴـﺰ ﻫـﻢ ﺑـــﻲﻭﻓـــﺎ ﺩﺍﻧـــﺴﺘﻤﻲ ﻣﻌـــﺸﻮﻕ ﺭﺍ ﺑﻲﻭﻓـﺎ ﺑـﻮﺩﻩﺳـﺖ ﻭ ﺑـﺪﺧﻮ ﻧﻴـﺰ ﻫـﻢ ﭼـﺸﻢ ﺍﻭ ﺩﺭ ﺳـﺎﺣﺮﻱ ﭼـﻮﻥ ﺳـﺎﻣﺮﻱ ﻣـﻲﮐﻨـﺪ ﺍﻓـﺴﻮﻥ ﻭ ﺟـﺎﺩﻭ ﻧﻴـﺰ ﻫـﻢ ﻻﻟــﻪ ﺭﻧﮕــﻲ ﺩﺍﺭﺩ ﻭ ﺭﺧــﺴﺎﺭ ﻳــﺎﺭ ﻻﻟﻪ ﺭﻧﮓ ﺍﺳﺖ ﻭ ﺳـﻤﻦ ﺑـﻮ ﻧﻴـﺰ ﻫـﻢ ﺁﻥ ﮐﻤﺮ ﺭﺍ ﭼـﻮﻥ ﮐـﻨﻢ ﻧـﺴﺒﺖ ﺑـﻪﻣـﻮ ﺯﺍﻧﮑـﻪ ﻧـﺎﺯﮎ ﺩﺍﻧـﻢ ﺍﺯ ﻣـﻮ ﻧﻴـﺰ ﻫـﻢ ﺑﻬــﺮ ﺻــﻴﺪ ﻣــﺮ ِﻍ ﺩﻝﻫــﺎ ﺭﺍﺯﻳــﺎ ﮐﺎﮐﻠﺶ ﺩﺍﻡ ﺍﺳـﺖ ﻭ ﮔﻴـﺴﻮ ﻧﻴـﺰ ﻫـﻢ ) ( ۱۰۴ ﺍﻱ ﺩﻝ ﺍﺯ ﺳــﻮﺯ ﻋــﺸﻖ ﺁﻩ ﻣﮑــﻦ ﻃﻴﻠــﺴﺎ ِﻥ ﻓﻠــﮏ ﺳــﻴﺎﻩ ﻣﮑــﻦ ﺟﻠــﻮﺓ ﺭﻭﻱ ﻳــﺎﺭ ﮔــﺮ ١ﺧــﻮﺍﻫﻲ ﺑــﺮ ﺭﺥ ﻏﻴــﺮ ﺍﻭ ﻧﮕــﺎﻩ ﻣﮑــﻦ ﮐــﻨﺞ ﺑﻴــﺖﺍﻟﺤــﺰﻥ ﻏﻨﻴﻤــﺖ ﺩﺍﻥ ﺭﻭﻱ ﺩﺭ ﺑﺎﺭﮔـــﺎِﻩ ﺷـــﺎﻩ ﻣﮑـــﻦ ﭼـﻮﻥ ﺑـﻮﺩ ﻓﻘـﺮ ﻓﺨـﺮ ﭘﻴﻐﻤﺒـﺮ ٢ﺯﻳﻨﻬـــﺎﺭ ﺁﺭﺯﻭﻱ ﺟـــﺎﻩ ﻣﮑـــﻦ .1ﻧﺴﺨﺔ ﺧ ﹼﻄﻲ :ﺍﮐﺮ. .2ﻣﺮﺍﺩ ﺍﺯ ﭘﻴﻐﻤﺒﺮ ﺧﺪﺍ ﺣﻀﺮﺕ ﻣﺤﻤﺪ ﺭﺳﻮﻝ ﺍﮐﺮﻡﺹ ﻣﻲﺑﺎﺷﺪ.
ﻏﺰﻟﻴﺎﺕ ١٤٩ ﻭﺭﻉ ﻭ ﺯﻫـــﺪ ﺩﺳـــﺘﮕﺎﻩ ﻣﮑـــﻦ ﺯﺍﻫـــﺪﺍ ﺑﻬـــﺮ ﺟـــﺎﻩ ﺩﺭ ﺩﻧﻴـــﺎ ﺯﻳﻨﻬــﺎﺭ ﺍﻱ ﭘــﺴﺮ ﺗﺒــﺎﻩ ﻣﮑــﻦ ﻋﻤـﻞ ﻧﻴـﮏ ﺭﺍ ﺑـﻪﻧﻴـﺖ ﺯﺷـﺖ ﺳـﻴﺮ ِﺕ ﺧـﻮﻳﺶ ﺭﺍ ﺳـﻴﺎﻩ ﻣﮑـﻦ ﺭﺍﺯﻳﺎ ﮔﺮ ﺑـﻪﺻـﻮﺭﺗﻲ ﭼـﻮ ﺳـﻴﺎﻩ ) ( ۱۰۵ ﺍﺯ ﻫﻤﭽـﻮ ﺗـﻮﻳﻲ ﺗـﻮﺍﻥ ﮔﺬﺷـﺘﻦ ﻧﺘــﻮﺍﻥ ﺑﺘــﻮﺍﻥ ﺯ ﺟــﺎﻥ ﮔﺬﺷــﺘﻦ ﺗﺎ ﮐـﻲ ﺷـﺐِ ﻣـﺎ ﺑـﻪﻭﻋـﺪﺓ ﺗـﻮ ﺩﺭ ﻧﺎﻟــﻪ ﻭ ﺩﺭ ﻓﻐــﺎﻥ ﮔﺬﺷــﺘﻦ ﺑﺮ ﮐـﻮﻱ ﺗـﻮ ﺗـﺎ ﺳـﺤﺮ ﻧﺸـﺴﺘﻦ ﺧﻮﻥ ﺧﻮﺭﺩﻥ ﻭ ﺧﻮﻥﻓﺸﺎﻥ ﮔﺬﺷﺘﻦ ﺣﺮﻓــﻲﺳــﺖ ﻣﺤــﺎﻝ ﺩﻝ ﻓﺘــﺎﺩﻥ ﻭﺯ ﮐﻮﭼـــﺔ ﺩﻟﺒـــﺮﺍﻥ ﮔﺬﺷـــﺘﻦ ﺳﺨﺖ ﺍﺳﺖ ﺯ ﺭﺍﻩِ ﻋﺸﻖ ﮔـﺸﺘﻦ ١ﺳﻬﻞ ﺍﺳﺖ ﺯ ﺧﺎﻧﻤـﺎﻥ ٢ﮔﺬﺷـﺘﻦ ﭼﻮﻥ ﻫﺮ ﺩﻭ ﺟﻬﺎﻥ ﺣﺠﺎﺏ ﺭﺍﻩ ﺍﺳﺖ ﻣـﻲﺑﺎﻳـﺪ ﺍﺯ ﺍﻳـﻦ ﻭ ﺁﻥ ﮔﺬﺷـﺘﻦ ﺭﺍﺯﻱ! ﭼـﻮ ﺯ ﺧﻮﻳـﺸﺘﻦ ﮔﺬﺷـﺘﻲ ﺁﺳـﺎﻥ ﺷـﻮﺩ ﺍﺯ ﺟﻬـﺎﻥ ﮔﺬﺷـﺘﻦ ) ( ۱۰۶ ﺑـﻮﺩ ﺑـﺎ ﺣـﺴﻦ ﺟﻨـﺎﻥ ﺑـﺎﺯﺍﺭ ﻟﻴﻠـﻲ ﮐـﻲ ﭼﻨـﻴﻦ ﻋﺎﻟﻤﻲ ﻣﺠﻨﻮﻥ ﺷﺪﻱ ﮔﺮ ﻣـﻲﺷـﺪﻱ ﻟﻴﻠـﻲ ﭼﻨـﻴﻦ ﺟﺎﻣﻲ ﺍﺯ ﮐﻒ ﺑﻮﺳﻲ ﺍﺯ ﻟﺐ ﮔﺮﺩﺷﻲ ﺍﺯ ﭼﺸﻢ ٣ﻣﺴﺖ ﺩﺍﺩ ﺳـﺎﻗﻲ ﻋﺎﺷـﻘﺎﻥ ﺭﺍ ﺟـﺎ ِﻡ ﭘـﻲ ﺩﺭ ﭘـﻲ ﭼﻨـﻴﻦ ﻳﮏ ﻧﻔﺲ ﺩﺭ ﻧﻲ ﺩﻣﻴﺪﻡ ﻣﺤﺘـﺴﺐ ﻧﺎﻟﻴـﺪ ﻭ ﮔﻔـﺖ ﺳـﻨﮓ ﻫـﻢ ﺩﺭ ﻧﺎﻟـﻪ ﺁﻳـﺪ ﮔـﺮ ﺑﻨﺎﻟـﺪ ﻧـﻲ ﭼﻨـﻴﻦ .1ﻧﺴﺨﺔ ﺧﻄﹼﻲ :ﮐﺸﺘﻦ. .2ﻫﻤﺎﻥ :ﺧﺎﻥ ﻭ ﻣﺎﻥ. .3ﻫﻤﺎﻥ :ﺍﺭ ﭼﺸﻢ.
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