Kulliat Azad Bilgerami

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٤٣ //‬‬ ‫ﻭﺩﺍﻋﻢ ﻣﻲﮐﻨﻲ ﺩﻝ ﺭﺍ ﺑﺒﺮ ﺑﺎ ﺧﻮﺩ ﺳﺮﺕ ﮔﺮﺩﻡ ﺍﮔﺮ ﻭﺍ ﻣﻲﮔﺬﺍﺭﻱ ﻧﺰﺩ ﻣﻦ ﺧﻮﺍﻫﺪ ﻃﭙﻴﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺑـــﺮﺍﻱ ﺑﻴـــﻊ ﺑـــﺎﺯﺍﺭ ﻣﺤﺒ‪‬ـــﺖ ﺑﻨـــﺪﻫﺎ ﺩﺍﺭﺩ ﻧﻤﻲﺩﺍﻧﻢ ﻧﮕـﺎﻩ ﺍﻭ ﮐـﺮﺍ ﺧﻮﺍﻫـﺪ ﺧﺮﻳـﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺧﺪﺍ ﺁﮔﺎﻩ ﺍﺯ ﻣﻦ ﻫﻴﭻ ﺗﻘﺼـﻴﺮﻱ ﻧﺸـﺪ ﺻـﺎﺩﺭ ﺑﻪﻣﺤﻔﻞ ﺁﻣﺪ ﻭ ﺑﻲﻭﺟﻪ ﺭ‪‬ﻭ ﺍﺯ ﻣﻦ‪ ١‬ﮐﺸـﻴﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﻧﮕﺎﻩ ﻟﻄﻒ ﮐﺮﺩﻱ ﺑﺮ ﮐﺴﻲ ﺩﻝ ﭘﺎﺭﻩ ﺷﺪ ﺍﺯ ﻣﻦ ﺗﻮ ﻧﺎﻭﮎ ﺭﺍ ﻓﮕﻨﺪﻱ ﺑﺮ ﻧﺸﺎﻧﻲ ﺧﻮﻥ ﭼﮑﻴﺪ ﺍﻳﻨﺠﺎ‬ ‫ﮐﺪﺍﻣﻴﻦ ﻳﻮﺳﻒ ﺻﺎﺣﺐ ﮐﺮﻡ ﺑﺮﻣﻲﺧﻮﺭﺩ ﻳـﺎﺭﺏ ﺩﻣﺎﻍ ﻣﻦ ﺯ ﻋﻄﺮ ﭘﻴـﺮﻫﻦ ﺑـﻮﻳﻲ ﺷـﻨﻴﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺑـﻪﻣ‪‬ﻠـﮏ‪ ‬ﻫﻨـﺪ ﺑﺎﺷـﺪ ﻃـﺎﻟﻊ ﺭﻭﺷـﻦ ﺍﺭﺍﺫﻝ ﺭﺍ ﺳﻴﺎﻫﺎﻥ ﺭﺍ ﮐﻒ ﭘﺎ ﻣﻲﺷﻮﺩ ﻳﮑﺴﺮ ﺳﻔﻴﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺗﻤﺎﺷﺎ ﮐﻦ ﮐﻪ ﺑﻠﺒﻞﹺ ﻣﺴﺖ ﺍﻓﺘﺎﺩ ﺍﺳﺖ ﺩﺭ ﮔﻠﺸﻦ‬ ‫ﻣﮕــﺮ ﺍﺯ ﺧﺎﻣــﺔ ﺁﺯﺍﺩ ﺁﻫﻨﮕــﻲ ﺷــﻨﻴﺪ ﺍﻳﻨﺠــﺎ‬ ‫»‪«۲۱‬‬ ‫ﺑﻪﺁﻫﻲ ﺳﻴﻨﻪ ﺭﺍ ﮐﻦ ﭼﺎﮎ ﺟﺎﻧﺎﻥ ﻣﻲﺷـﻮﺩ ﭘﻴـﺪﺍ ﺩﺭﹺ ﮐﺎﺷﺎﻧﻪ ﺭﺍ ﮐﻦ ﺑـﺎﺯ ﻣﻬﻤـﺎﻥ ﻣـﻲﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻗﻠﻢ ﺻﺎﺣﺐ ﺯﺑﺎﻥ ﭘﻴﺶ ﺍﺯ ﺗﺮﺍﺷﻴﺪﻥ ﻧﻤﻲﮔـﺮﺩﺩ ﺳﺨﻦ ﺳﻨﺠﻲ ﭘﺲ ﺍﺯ ﺟﻬﺪ ﻓﺮﺍﻭﺍﻥ ﻣﻲﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﺑﻬﺎﺭ ﺍﻟﺘﻔﺎﺕ ﺩﻭﺳﺖ ﻫﺮ ﺟﺎ ﺟﻠـﻮﻩ ﮔـﺮ ﮔـﺮﺩﺩ ﮔﻞ ﺍﻣﻴﺪ ﻣـﺎ ﺍﺯ ﺧـﺎﺭ ﺣﺮﻣـﺎﻥ ﻣـﻲﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺑﻪﻣﺮﮒ ﺧﻮﺩ ﺳﻴﻪ ﮐﻦ ﺟﺎﻣﻪ ﺗﺎ ﻋﻤﺮ ﺍﺑـﺪ ﻳـﺎﺑﻲ ﺩﺭ ﺍﻳﻦ ﻇﻠﻤﺖ ﻗﺪﻡ ﻧﹺﻪ ﺁﺏ ﺣﻴﻮﺍﻥ ﻣﻲﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﻧﻔﺲ ﺭﺍ ﺳﻮﺧﺖ ﺻﺒﺢ ﺑﺎ ﺻﻔﺎ ﺧﻮﺭﺷﻴﺪ ﺳﺮ ﺑﺮ ﺯﺩ ﮔﺮ ﺍﺯ ﺟﺎﻥ ﺩﺳﺖ ﺍﻓﺸﺎﻧﻨﺪ ﺟﺎﻧﺎﻥ ﻣﻲﺷﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻧﮕﻬﺪﺍﺭ ﺍﺩﺏ ﺷﻮ ﭼـﻮﻥ ﺗﺠﻠﹼـﻲ ﭘـﺮﺩﻩ ﺑـﺮﺩﺍﺭﺩ ﺯ ﺩﻭﺭﻱ‪ ٢‬ﺩﺭ ﻧﻈﺮ ﺣﺴﻦ ﭼﺮﺍﻏﺎﻥ ﻣﻲﺷﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺑـﻪﮔﻴﺴـﻮﻱ ﺭﺳـﻮﻝ ﻫﺎﺷـﻤﻲ ﺁﺯﺍﺩ ﺩﻝ ﺑﺴـﺘﻢ‬ ‫ﮐﻪ ﺍﺯ ﺩﺍﻣﺎﻥ ﺍﻳﻦ ﺷﺐ ﺻﺒﺢ ﺍﻳﻤﺎﻥ ﻣﻲﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫»‪«۲۲‬‬ ‫ﭼﻮ ﻣﺮﻍ ﺑﻴﻀﻪ ﺩﺭ ﺧﻠﻮﺕ ﺟﻬﺎﻧﻲ ﮐﺮﺩﻩﺍﻡ ﭘﻴـﺪﺍ ﺟــﺪﺍ ﺍﺯ ﺁﺳــﻤﺎﻥﻫــﺎ ﺁﺳــﻤﺎﻧﻲ ﮐــﺮﺩﻩﺍﻡ ﭘﻴــﺪﺍ‬ ‫ﭼﻪ ﺣ‪‬ﺪ‪ ‬ﻣﻦ ﮐﻪ ﺭﻧﮓ ﺁﺷﻴﺎﻥ ﺑﺮ ﺷﺎﺥ ﮔﻞ ﺭﻳـﺰﻡ ﺑــﻪﺩﻳــﻮﺍﺭ ﺣــﺮﻳﻤﺶ ﺁﺷــﻴﺎﻧﻲ ﮐــﺮﺩﻩﺍﻡ ﭘﻴــﺪﺍ‬ ‫ﺑـﻪﻗﺮﺑـﺎﻧﺶ ﺭﻭﻡ ﺍﺯ ﻋﺎﺷـﻘﺎﻥ ﺯﺩ ﺍﻧﺘﺨـﺎﺏ ﻣـﻦ ﭼﻪ ﺧﻮﻥﻫﺎ ﺧﻮﺭﺩﻩ ﺻﺎﺣﺐ ﺍﻣﺘﺤﺎﻧﻲ ﮐﺮﺩﻩﺍﻡ ﭘﻴﺪﺍ‬ ‫ﭼــﻮ ﻣــﺎﻩ ﻧــﻮ ﺟﻤــﺎﻝ‪ ٣‬ﺁﻓﺘــﺎﺑﻲ ﺩﺭ ﻧﻈــﺮ ﺩﺍﺭﻡ ﺑﻪﭘﻴﺮﻱ ﻋﺸﻖ ﺑـﺎ ﺭﻋﻨـﺎ ﺟـﻮﺍﻧﻲ ﮐـﺮﺩﻩﺍﻡ ﭘﻴـﺪﺍ‬ ‫‪ .١‬ﺳﺎﻻﺭﺟﻨﮓ‪ :‬ﺩﺭﻫﻢ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺩﻭﺭ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺧﻴﺎﻝ‪.‬‬

‫‪ // ١٤٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻣﺮﺍ ﻭﺍﺳﻮﺧﺖ ﭼﻮﻥ ﭘﺮﻭﺍﻧﻪ ﺁﺧﺮ ﺣﺮﻑ‪ ‬ﮔﺮﻡﹺ ﺍﻭ ﺯ ﺧﻮﺑـﺎﻥ ﺟﻬـﺎﻥ ﺁﺗـﺶ ﺯﺑـﺎﻧﻲ ﮐـﺮﺩﻩﺍﻡ ﭘﻴـﺪﺍ‬ ‫ﻃﭙﻴﺪﻡ ﺁﺏ ﮔﺸﺘﻢ ﺳﺎﻝﻫـﺎ ﺩﺭ ﺧـﺎﮎ ﻏﻠﻄﻴـﺪﻡ ﺑﻪﺍﻳﻦ ﺧﻮﻥ ﺟﮕﺮ ﺳـﺮﻭ ﺭﻭﺍﻧـﻲ ﮐـﺮﺩﻩﺍﻡ ﭘﻴـﺪﺍ‬ ‫ﭼﻤــﻦ ﺷــﺪ‪ ‬ﺑﹺﻠﮕــﺮﺍﻡ ﺁﺯﺍﺩ ﺍﺯ ﺩﻳــﻮﺍﻥ‪ ‬ﺭﻧﮕﻴــﻨﻢ‬ ‫ﺩﺭ ﺍﻳﻦ ﺷﻴﺮﺍﺯﹺ ﹶﻧـﻮﺭﺱ ﺑﻮﺳـﺘﺎﻧﻲ ﮐـﺮﺩﻩﺍﻡ ﭘﻴـﺪﺍ‬ ‫»‪«۲۳‬‬ ‫ﺁﺧــﺮ ﺗــﺮﺍ ﮐﻨــﺪ ﺍﺛــﺮ ﻋﺸــﻖ ﺭﺍﻡ ﻣــﺎ ﮔﻴﺮﺍﺗـﺮ‪ ١‬ﺍﺳـﺖ ﺍﺯ ﺳـﺮﹺﺯﻟﻒ ﺗـﻮ ﺩﺍﻡ ﻣـﺎ‬ ‫ﻣﺎﻧﻨﺪ ﻃـﺮ‪‬ﻩﺍﻱ ﮐـﻪ ﺑـﻪﺭﺧﺴـﺎﺭ ﻭﺍ ﺭﺳـﺪ ﺁﺭﺩ ﺑﻪﺩﺳﺖ ﺩﺍﻣـﻦ ﺻـﺒﺢ ﺗـﻮ ﺷـﺎﻡ ﻣـﺎ‬ ‫ﺟـﺎ ﺩﺍﺩ ﺳـﺮﻭ ﻗﻤـﺮﻱ ﺁﺷـﻔﺘﻪ ﺭﺍ ﺑـﻪﺳـﺮ ﺑـﺮ ﻫﻤ‪‬ـﺖ ﺗـﻮ ﻓـﺮﺽ ﺑ‪‬ـﻮ‪‬ﺩ ﺍﺣﺘـﺮﺍﻡ ﻣـﺎ‬ ‫ﺩﺭ ﻋ‪‬ﺮﻑ ﻧﺎﻡ ﻟﻴﻠﻲ ﻭ ﻣﺠﻨـﻮﻥ ﺑﻬـﻢ ﺑﺮﻧـﺪ ﺷﺎﺩﻡ ﮐﻪ ﮔﺸـﺖ ﻻﺯﻡ ﺍﺳـﻢ ﺗـﻮ ﻧـﺎﻡ ﻣـﺎ‬ ‫ﭼﻨﺪﻳﻦ ﻫﺰﺍﺭ ﻣﻴﮑﺪﻩ ﺭﺍ ﻭﻗﻒ ﻣـﻲﮐﻨـﻴﻢ‪ ٢‬ﺭﻭﺯﻱ ﮐﻪ ﺟﺎﻡ ﭼﺸﻢ ﺗﻮ ﮔﺮﺩﺩ ﺑﻪﮐﺎﻡ ﻣـﺎ‬ ‫ﻟﻄﻒ ﻭ ﻋﺘﺎﺏ ﻫﺮﭼﻪ ﮐﻨﻲ ﺍﺧﺘﻴﺎﺭﹺ ﺗﻮﺳﺖ ﺩﺭ ﻗﺒﻀــﺔ ﺗــﻮ ﺩﺍﺩ ﻣﺤﺒ‪‬ــﺖ ﺯﻣــﺎﻡ ﻣــﺎ‬ ‫ﺁﺯﺍﺩ ﻧﺎﻟــﺔ ﻣــﻦ ﻭ ﺑﻠﺒــﻞ ﺷــﻨﻴﺪﻧﻲﺳــﺖ‬ ‫ﺧــﻮﻥ ﻫــﺰﺍﺭ ﺩﺭﺩ ﭼﮑــﺪ ﺍﺯ ﮐــﻼﻡ ﻣــﺎ‬ ‫»‪«۲۴‬‬ ‫ﺭﻭﻧﻖ ﺍﺯ ﺍﻧﺠﻢ ﺩﻫﻢ ﭼﻮﻥ ﻣﺎﻩ ﺟـﺎﻩ ﺧـﻮﻳﺶ ﺭﺍ ﻧﻴﺴﺘﻢ ﺧﻮﺭﺷـﻴﺪ ﺗـﺎ ﺳـﻮﺯﻡ ﺳـﭙﺎﻩ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﮔﺮ ﺩﻣﺎﻍ ﻓﻘﺮ ﺩﺍﺭﻱ ﮔﻮﺷـﻪ ﮔﻴـﺮﻱ ﭘﻴﺸـﻪ ﮐـﻦ ﺍﺯ ﺷﮑﺴﺖ ﭘﺎﻱ ﺧﻮﺩ ﺑﺸﮑﻦ ﮐـﻼﻩ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﺳﻌﻲﻫﺎ ﺩﺍﺭﻡ ﺑﻪﺟﺴﺖ ﻭ ﺟﻮﻱ ﺍﻭ ﭼﻮﻥ ﺁﻓﺘﺎﺏ ﺭﻭﺑﻢ ﺍﺯ ﺟﺎﺭﻭﺏ ﻣﮋﮔﺎﻥ ﺳﻨﮓ ﺭﺍﻩ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﭘﺎﻱ ﺗﺎ ﺳﺮ ﮔﺸﺘﻪﺍﻡ ﭼـﻮﻥ ﻫﺎﻟـﻪ ﭼﺸـﻢ ﺍﻧﺘﻈـﺎﺭ ﺩﺭ ﺑﻐﻞ ﮔﻴﺮﻡ ﺷﺒﻲ ﺍﻱ ﮐـﺎﺵ ﻣـﺎﻩ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻣــﺪﺗﻲ ﺷــﺪ ﮔــﻮﻫﺮ ﺩﻝ ﺭﺍ ﻧﮕﻬﺒــﺎﻧﻲ ﮐــﻨﻢ ﭘﻴﺸﮑﺶ ﺧـﻮﺍﻫﻢ ﻧﻤـﻮﺩﻥ ﺑﺎﺩﺷـﺎﻩ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻣﺎﻳـﺔ ﺧـﻮﺩ ﺭﺍ ﻧﻤـﻲﺩﺍﺭﻳـﻢ‪ ٣‬ﺍﺯ ﺳـﺎﻳﻞ ﺩﺭﻳــﻎ ﺻــﺮﻑ ﺭﺍﻩ ﮐﻬﺮﺑــﺎ ﮐــﺮﺩﻳﻢ ﮐــﺎﻩ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﺯﻳﻨﻬــﺎﺭ ﺁﺯﺍﺩ ﻏﺎﻓــﻞ ﺍﺯ ﺳــﺤﺮﺧﻴﺰﻱ ﻣﺒــﺎﺵ‬ ‫ﺳـﺮﻣﺔ ﭼﺸـﻢ ﺳـﺤﺮ ﮐـﻦ ﺩﻭﺩ‪ ‬ﺁﻩ‪ ‬ﺧـﻮﻳﺶ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﮔﻴﺮ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻣﻲﮐﻨﻢ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻧﻤﻲﺩﺍﻧﻢ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٤٥ //‬‬ ‫»‪«۲۵‬‬ ‫ﺑــﻲﻃــﺎﻗﺘﻢ ﮐﻤﻨــﺪ ﺍﺛــﺮ ﻣــﻲﮐﺸــﺪ ﻣــﺮﺍ ﺑﻮﻱ ﮔﻠـﻢ ﻧﺴـﻴﻢ ﺳـﺤﺮ ﻣـﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫ﺷـﺎﺥ ﺑﺮﻫﻨـﻪ ﺗﻴـﻎ ﺯﻧـﺪ ﻣﻮﺳـﻢ ﺧـﺰﺍﻥ ﻳﮏ ﺑﺮﮒ ﺳﺒﺰ ﺯﻳﺮ ﺳـﭙﺮ ﻣـﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫ﻣﻲﮔﻔـﺖ ﺑﻠﺒﻠـﻲ ﮐـﻪ ﮔﺮﻓﺘـﺎﺭ ﮔـﻞ ﻧـﻴﻢ ﺑــﻲﺍﺧﺘﻴــﺎﺭ ﺍﻟﻔــﺖ ﺯﺭ ﻣــﻲﮐﺸــﺪ ﻣــﺮﺍ‬ ‫ﺯﻧﺠﻴــﺮ‪ ١‬ﺁﻫﻨــﻴﻦ ﻧﺘﻮﺍﻧــﺪ ﻣــﺮﺍ ﮐﺸــﻴﺪ ﺍﻣ‪‬ـﺎ ﺑـﻪﺯﻭﺭ ﻣـﻮﻱ ﮐﻤـﺮ ﻣـﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫ﺩﺭ ﺧـﺎﺭﺯﺍﺭ ﻋﺠـﺰ ﭼـﻮ ﺷـﺒﻨﻢ ﻓﺘـﺎﺩﻩﺍﻡ ﺧﻮﺭﺷﻴﺪ ﻣﻦ ﺑﻪﺯﻭﺭ ﻧﻈﺮ ﻣـﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫ﭼﻮﻥ ﮐ‪‬ﺮﻡ ﺷﺐ ﻓﺮﻭﺯ ﻧﻴﻢ ﺷﻤﻊ ﺩﺭ ﺑﻐـﻞ ﭘﺮﻭﺍﻧﻪﺍﻡ ﮐﻪ ﺷﻤﻊ ﺑـﻪﺑـﺮ ﻣـﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫ﺁﺯﺍﺩ ﻣﻦ ﭼﮕﻮﻧـﻪ ﻧﺸـﻴﻨﻢ ﺑـﻪﮐـﻨﺞ ﺷـﻬﺮ‬ ‫ﺩﺳﺖ ﺟﻨﻮﻥ ﺑﻪﺳﻮﻱ ﺩﮔﺮ ﻣﻲﮐﺸـﺪ ﻣـﺮﺍ‬ ‫»‪«۲۶‬‬ ‫ﮔـﺮﺩ ﺩﺍﻣــﺎﻧﻲ ﻧﺸــﺪ ﺧﺎﮐﺴــﺘﺮ ﺑــﺮ ﺑــﺎﺩ ﻣــﺎ ﻫﺴﺖ ﺩﺭ ﻣﺸﻖ ﭘﺮﻳﺪﻥ ﺭﻧـﮓ ﻣـﺎ ﺍﺳـﺘﺎﺩ ﻣـﺎ‬ ‫ﺍﺯ ﮔﻠﺴﺘﺎﻥ ﺭﺍﻧـﺪﻩ ﻭ ﺍﺯ ﺭﻭﺑـﺮﻭ ﻭﺍ ﻣﺎﻧـﺪﻩﺍﻳـﻢ ﮐﺎﺵ ﺑﮕﺬﺍﺭﺩ ﻗﻔﺲ ﺭﺍ ﭘﻴﺶﹺ ﺧﻮﺩ ﺻـﻴ‪‬ﺎﺩ ﻣـﺎ‬ ‫ﮐﺎﺭ ﻣﺎ ﺍﻣﻴﺪﻭﺍﺭﺍﻥ ﺍﻳـﻦ ﻗـﺪﺭ ﺩﺷـﻮﺍﺭ ﻧﻴﺴـﺖ ﻣﻲﺗﻮﺍﻥ ﮐـﺮﺩﻥ ﺑـﻪﺑـﻮﻱ ﭘﻴـﺮﻫﻦ ﺍﻣـﺪﺍﺩ‪ ٢‬ﻣـﺎ‬ ‫ﺟﺮﺃﺕ ﻣﺎ ﻣﻲﺗـﻮﺍﻥ ﻣﻌﻠـﻮﻡ ﮐـﺮﺩ ﺍﺯ ﺍﻧﮑﺴـﺎﺭ ﭼﻮﻥ ﺷﮑﺴﺖ ﺁﺳﺘﻴﻦ ﻋﺠﺰ ﺍﺳﺖ ﺍﺳﺘﻌﺪﺍﺩ ﻣﺎ‬ ‫ﻫﺮ ﺩﻝ ﺑـﻲﮐﻴﻨـﻪ ﺭﺍ ﻋـﺮﺵ ﺍﻟﻬـﻲ ﮔﻔﺘـﻪﺍﻧـﺪ ﺩﻭﺳﺘﺎﻥ ﺑﺨﺸﻨﺪ ﻣﻌﺮﺍﺟـﻲ ﺑـﻪﻣـﺎ ﺍﺯ ﻳـﺎﺩ ﻣـﺎ‬ ‫ﭼﻮﻥ ﺧ ‪‬ﻂ ﺳﺎﻏﺮ ﺯﻣﻴﻨﮕﻴﺮ ﺍﺳﺖ ﺩﺭ ﺩﻝ ﻧﺎﻟﻪﻫﺎ ﻧﻘﺶ ﻣﺎ ﺍﺯ ﻣﻮﻱ ﭼﻴﻨـﻲ ﺯﺩ ﻣﮕـﺮ ﺑﻬـﺰﺍﺩ ﻣـﺎ‬ ‫ﺩﺳـﺖ ﺑﻴﻌـﺖ ﺩﺍﺩ ﺩﺭ ﻣﻴﺨﺎﻧـﻪ ﺑـﺎ ﭘﻴﺮﻣﻐـﺎﻥ‬ ‫ﺷﻴﺸــﺔ ﻧــﺎﻣﻮﺱ ﺭﺍ ﺑــﺮ ﺳــﻨﮓ ﺯﺩ ﺁﺯﺍﺩ ﻣــﺎ‬ ‫»‪«۲۷‬‬ ‫ﺍﺯ ﺣــﺮﻡ ﺁﻭﺭﺩ ﺳــﻮﻱ ﺩ‪‬ﻳــﺮ ﻫﻨﺪ‪‬ﺳــﺘﺎﻥ ﻣــﺮﺍ ﮔـﺮﺩﺵ ﭼﺸـﻢ ﺳـﻴﺎﻫﻲ ﮐـﺮﺩ ﺳـﺮﮔﺮﺩﺍﻥ ﻣـﺮﺍ‬ ‫ﺩﺭ ﻋﺪﻡ ﻫﻢ ﺟ‪‬ﻮﺭﹺ ﻗﺎﺗﻞ ﺩﺳﺖ ﺍﺯ ﻣﻦ ﺑﺮﻧﺪﺍﺷﺖ ﻏﻨﭽـﻪﺍﻱ ﺗﻨـﮓ‪ ‬ﺩﻫـﺎﻧﺶ ﮐـﺮﺩ ﺩﺭ ﺯﻧـﺪﺍﻥ ﻣـﺮﺍ‬ ‫ﺍﺯ ﻧﮕــﺎﻩ ﺣﺴــﺮﺗﻢ ﭘﻴﺪﺍﺳــﺖ ﺍﺣــﻮﺍﻝ ﺩﺭﻭﻥ ﻣــﻲﮐﻨــﺪ ﺁﻳﻴﻨــﻪﺩﺍﺭﻱ ﺩﻳــﺪﺓ ﺣﻴــﺮﺍﻥ ﻣــﺮﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﺑﻴﺖ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﻧﺪﺍﺯ‪.‬‬

‫‪ // ١٤٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺧﻂ ﺑﺮﺁﻭﺭﺩﻱ ﻭ ﻣﺸﻐﻮﻟﻢ‪ ١‬ﺑـﻪﺩﻳـﺪﺍﺭﺕ ﻫﻨـﻮﺯ ﻣﺴﺖ ﺍﺯ ﺑﻮﻱ ﻣﺤﺒ‪‬ﺖ ﮐـﺮﺩ ﺍﻳـﻦ ﺭﻳﺤـﺎﻥ ﻣـﺮﺍ‬ ‫ﺧﻨــﺪﺓ ﺍﻳــﻦ ﺑــﺎﻍ ﻣــﻲﺁﺭﺩ ﺛﻤــﺮ ﺩﺍﻍ ﺟﮕــﺮ ﺭﺣــﻢ ﻣــﻲﺁﻳــﺪ ﺑــﻪﺣــﺎﻝ ﺑﺴــﺘﺔ ﺑﺮﻳــﺎﻥ ﻣــﺮﺍ‬ ‫ﺁﺗـﺶ ﺩﻭﺯﺥ ﺷــﻮﺩ ﺍﻓﺴــﺮﺩﻩ‪ ٢‬ﺑـﺮ ﺍﻫــﻞ ﮔﻨــﺎﻩ ﮔﺮ‪ ٣‬ﺑﻪﻣﺤﺸﺮ ﺁﺏ ﺳﺎﺯﺩ ﺧﺠﻠـﺖ ﻋﺼـﻴﺎﻥ ﻣـﺮﺍ‬ ‫ﺑﻲﺗﻮ ﺍﺯ ﺳﻴﺮ ﮔﻠﺴـﺘﺎﻥ ﺯﺧﻤـﻲ ﺻـﺪ ﺣﺴـﺮﺗﻢ ﺳــﺒﺰﺓ ﺗــﺮ ﻣــﻲﻧﻤﺎﻳــﺪ ﺧﻨﺠــﺮ ﻋﺮﻳــﺎﻥ ﻣــﺮﺍ‬ ‫ﻫﺮﮐﻪ ﻣﺤﻮ ﺍﻳﻦ ﭼﻤﻦ ﺷﺪ ﺯﺩ ﮔﻞ ﺣﻴﺮﺕ ﺑﻪﺳﺮ ﭼﺸﻢ ﻋﺒﺮﺕ ﺩﺳﺖ ﺩﺍﺩ ﺍﺯ ﻧﺮﮔﺲ ﺑﺴـﺘﺎﻥ ﻣـﺮﺍ‬ ‫ﻣﻦ ﻧﻪ ﺧـﻮﺩ ﺁﺯﺍﺩ ﺍﺯ ﺩﻧﻴـﺎ ﻭ ﺩﻳـﻦ ﺭﻡ ﮐـﺮﺩﻩﺍﻡ‬ ‫ﭘﻨﺠـﺔ ﻣﮋﮔـﺎﻥ ﺷـﻮﺧﻲ ﻣـﻲﮐﺸـﺪ ﺩﺍﻣـﺎﻥ ﻣـﺮﺍ‬ ‫»‪«۲۸‬‬ ‫ﺭﺳـﺎﻧﺪ‪ ٤‬ﺷـﺮﮐﺖ ﻧﺎﺍﻫـﻞ ﺩﺭ ﮐـﺎﺭﹺ ﺗـﻮ ﺁﻓـﺖﻫـﺎ ﺑﻪﺩﺳﺖ ﻭ ﭘﺎ ﻧﺒﺎﺷﺪ ﭼﻮﻥ ﺑﻪﭘﺎ ﻗﻄﻊ ﻣﺴـﺎﻓﺖﻫـﺎ‬ ‫ﻧﻴﺎﺯ ﻧﻘـﺪ ﻫـﻢ ﺑـﺎ ﺧـﻮﻳﺶ ﺩﺍﺭﺩ ﻧﻌﻤـﺖ‪ ‬ﺍﻟـﻮﺍﻥ‪ ٥‬ﹸﺻﺪﺍﻋﻲ‪ ٦‬ﻫﺴﺖ ﺩﺭ ﺳﺎﻣﺎﻥ ﺍﺳـﺒﺎﺏ ﺿـﻴﺎﻓﺖﻫـﺎ‬ ‫ﺧﻮﺷﺎﻣﺪﻫﺎ ﺍﮔـﺮ ﺑﺮﺟﺎﺳـﺖ ﻧﻘﺼـﺎﻧﻲ ﻧﻤـﻲﺩﺍﺭﺩ ﮐـﻪ ﺑﺎﺷـﺪ ﺩﺭ ﻣﻨﺎﺟـﺎﺕ ﺍﻟﻬـﻲ ﺍﻳـﻦ ﻋﺒـﺎﺭﺕﻫـﺎ‬ ‫ﻧﺒﺎﺷﺪ ﺧﻮﺏ ﺑﺎ ﻫﻢ ﺻﺤﺒﺘﺎﻥ ﺁﺋﻴﻦ ﺧﻮﺵ ﻃﺒﻌﻲ ﮐﻪ ﮐﺎﺭﺩ ﺩﺭ ﺯﻣـﻴﻦ ﺳـﻴﻨﻪﻫـﺎ ﺗﺨـﻢ ﻋـﺪﺍﻭﺕﻫـﺎ‬ ‫ﺷﺒﻲ ﮔﻔﺘﻲ ﺑﻪﺧﺎﻃﺮ ﻫﺴﺖ ﻗﺘﻞ ﺷﺨﺺ ﮔﺴﺘﺎﺧﻲ ﺳﺮﺕ ﮔﺮﺩﻡ ﻏﻼﻣﺖ ﻣﻲﺷﻨﺎﺳﺪ ﺍﻳﻦ ﺍﺷـﺎﺭﺕﻫـﺎ‬ ‫ﭼﻪ ﺧﻮﺍﻫﺪ ﺑﻮﺩ ﺁﺷﻮﺑﻲ ﮐﻪ ﺩﺭ ﻣﺤﺸﺮ ﺷﻮﺩ ﭘﻴـﺪﺍ ﺗﻤﺎﺷﺎ ﮐﻦ ﺍﺯ ﺍﻳﻦ ﺧﻮﺵ ﻗﺎﻣﺘﺎﻥ ﺟﻮﺵ ﻗﻴﺎﻣﺖﻫﺎ‬ ‫ﻣــﺮﺍﻥ ﺁﺯﺍﺩ ﺭﺍ ﺍﻱ ﺑﻨــﺪﻩﭘــﺮﻭﺭ ﺍﺯ ﺩﺭﹺ ﺍﺣﺴــﺎﻥ‬ ‫ﮐــﻪ ﺩﺍﺭﺩ ﺍﺯ ﺟﻨــﺎﺏﹺ ﺧــﺎﺹ ﺍﻣﻴــﺪ‪ ‬ﻋﻨﺎﻳــﺖﻫــﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻣﺸﻐﻮﻟﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﻓﺸﺮﺩﻩ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﭼﻮﻥ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪ :‬ﺭﺳﺎﻧﺖ‪.‬‬ ‫‪ .٥‬ﻧﻌﻤ ‪‬ﺖ ﺍﻟﻮﺍﻥ‪ :‬ﻧﻌﻤ ‪‬ﺖ ﺭﻧﮕﺎﺭﻧﮓ‪ ،‬ﺍﻧﻮﺍﻉ ﻧﻌﻤﺖ؛ ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﻗﻨﺎﻋﺖ ﮐﻦ ﺑﻪﻧـﺎﻥ ﺧﺸـﮏ ﺗـﺎ ﺑـﻲﺁﺭﺯﻭ ﮔـﺮﺩﻱ ﮐﻪ ﺧﻮﺍﻫﺶﻫﺎﻱ ﺍﻟﻮﺍﻥ ﻫﺴﺖ ﻧﻌﻤﺖﻫﺎﻱ ﺍﻟﻮﺍﻥ ﺭﺍ‬ ‫*‬ ‫ﮐﺸﺘﻲ ﺧﻮﺩ ﺭﺍ ﺑﻪﺧﺸﮏ ﺁﻭﺭﺩ ﺍﺯ ﺩﺭﻳﺎﻱ ﺧﻮﻥ ﻫﺮﮐﻪ ﺑﻬﺮ ﻧﺎ ‪‬ﻥ ‪‬ﺟﻮ ﺍﺯ ﻧﻌﻤـ ‪‬ﺖ ﺍﻟـﻮﺍﻥ ﮔﺬﺷـﺖ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٧٢٨/٢‬‬ ‫‪ .٦‬ﹸﺻﺪﺍﻉ )ﺑﻪﺿ ‪‬ﻢ ﺍ ‪‬ﻭﻝ(‪ :‬ﺑﻪﻣﻌﻨﻲ ﺩﺭ ‪‬ﺩﺳﺮ ﻭ ﺍﻳﻦ ﻣﺄﺧﻮﺫ ﺍﺯ ﺻﺪﻉ ﺍﺳﺖ ﮐﻪ ﺑﻪﻣﻌﻨﻲ ﺷﮑﺎﻓﺘﻦ ﺑﺎﺷﺪ‪) .‬ﻏﻴﺎﺙﺍﻟﱡﻠﻐﺎﺕ‪(۵۳۶ ،‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٤٧ //‬‬ ‫»‪«۲۹‬‬ ‫ﺳﻔﻴﺪﻱ ﺁﻣﺪﻩ ﺑﻲﻭﻗـﺖ ﺯﻟـﻒ ﭘ‪‬ـﺮﺧﻢ ﺭﺍ ﻣﺒﻴﻦ ﺑﻪﭼﺸﻢ ﺣﻘـﺎﺭﺕ ﺑـﻼﻱ ﺍﺭﻗـﻢ‪ ١‬ﺭﺍ‬ ‫ﺍﺳـﻴﺮ ﺩﺍﻡ ﺩﻭ ﻣﻌﺸـﻮﻕ ﻣـﻲﺷـﻮﺩ ﺭﺳـﻮﺍ ﺑــﺮ ﺁﻭ‪‬ﺭ‪‬ﺩ ﺯ ﭼﻤــﻦ ﺁﻓﺘــﺎﺏ ﺷــﺒﻨﻢ ﺭﺍ‬ ‫ﻓﺘــﺎﺩ ﺍﺯ ﻧﻈــﺮ ﺍﻋﺘﺒــﺎﺭ ﺳــﺎﻏﺮﹺ ﺟ‪‬ـــﻢ ﮐﻪ ﭼﺸﻢ ﺷﻮﺥ ﺗـﻮ ﺩﺍﺭﺩ ﻫـﺰﺍﺭ ﻋـﺎﻟﻢ ﺭﺍ‬ ‫ﺑﺮﺍﻱ ﻫﻨﺪ ﻫﻤﻴﻦ ﺩﺳﺘﮕﺎﻩ ﻧﺎﺯ ﺑﺲ ﺍﺳـﺖ ﮐــﻪ ﺗﺨﺘﮕــﺎﻩ ﺳــﺮﺍﻧﺪﻳﺐ ﺑــﻮﺩ ﺁﺩﻡ ﺭﺍ‬ ‫ﻟﺐ ﺳﺆﺍﻝ ﺿﺮﻭﺭ ﺍﺳـﺖ ﭘـﻴﺶ ﺩﻭﻟﺘﻤﻨـﺪ ﻓﺘﺎﺩ ﺣﺎﺟـﺖ ﺗﺤﺮﻳـﮏ ﻧﺨـﻞ ﻣـﺮﻳﻢ‪ ٢‬ﺭﺍ‬ ‫ﻃﺮﻳﻘــﺔ ﺭﺥ ﺧﻨــﺪﺍﻥ ﻭ ﺩﻳــﺪﺓ ﮔﺮﻳــﺎﻥ ﺯ ﺷﻤﻊ ﭘﺮﺱ ﮐﻪ ﺁﻣﻴﺨﺖ ﺳﻮﺭ‪ ٣‬ﻭ ﻣﺎﺗﻢ ﺭﺍ‬ ‫ﺭﺳﺎﻧﺪ ﻫﺮ ﭼـﻪ ﺧـﺪﺍ ﻣﺭﺍﻐﺘـﻨﻢ ﺷـﻤﺮ ﺁﺯﺍﺩ‬ ‫ﮐـﻪ ﻗﺎﻧﻌـﺎﻥ ﻧﺸﻨﺎﺳـﻨﺪ ﺑـﻴﺶ ﻳـﺎ ﮐـﻢ ﺭﺍ‬ ‫»‪«۳۰‬‬ ‫ﺟﻔﺎﺟﻮﻳﻲ ﮐـﻪ ﺍﺯ ﺧـﻮﻥ ﺟﻬـﺎﻥ ﺁﻟـﻮﺩ ﺩﺍﻣـﺎﻥ ﺭﺍ ﺩﻝ ﺳﻨﮕﻴﻦ ﺍﻭ ﺑﺎﺷﺪ ﻓﺴـﺎﻥ‪ ٤‬ﺷﻤﺸـﻴﺮ ﻣﮋﮔـﺎﻥ ﺭﺍ‬ ‫ﺯ ﺷﻮﻗﺖ ﺁﻧﻘﺪﺭﻫﺎ ﮔﺮﻳﺔ ﺣﺴﺮﺕ ﺑﻪﺟـﻮﺵ ﺁﻣـﺪ ﮐﻪ ﭼﻮﻥ ﻧﺮﮔﺲ ﺳﻴﺎﻫﻲ ﻣﺤﻮ ﺷﺪ ﭼﺸﻢ ﻏﺰﺍﻻﻥ ﺭﺍ‬ ‫ﺩﺭﹺ ﺻﺎﺣﺐ ﮐﺮﻡ ﺑﺎﺯ ﺍﺳﺖ ﺑﺮ ﻫﺮﮐﺲ ﮐﻪ ﺭﻭ ﺁﺭﺩ ﺷﻨﺎﺳﺪ ﺭﺣﻤﺘﻲ ﺍﺯ ﺁﺳـﻤﺎﻥ ﻧﺎﺧﻮﺍﻧـﺪﻩ ﻣﻬﻤـﺎﻥ ﺭﺍ‬ ‫ﻧﻤــﻲﺩﺍﻧــﻢ ﮐﺠــﺎﻳﻲ ﺍﻱ ﻧﻬــﺎﻝ ﺑــﺎﻍ ﺭﻋﻨــﺎﻳﻲ ﺑﻪﺟﻮﺵ ﺁﻭﺭﺩ ﺷﻮﻕ ﺩﻳﺪﻧﺖ ﺧـﻮﻥ ﮔﻠﺴـﺘﺎﻥ ﺭﺍ‬ ‫ﭼﻮ ﺧﻮﺭﺷﻴﺪ ﻗﻴﺎﻣﺖ ﺍﺯ ﮔﺮﻳﺒـﺎﻥ ﺳـﺮ ﺑـﺮﻭﻥ ﺁﺭﺩ ﮐﻒ ﻣﺤﺘﺎﺝ ﮔﺮﺩﺩ ﺳـﺎﻳﺒﺎﻥ ﺑـﺮ ﺳـﺮ ﮐﺮﻳﻤـﺎﻥ ﺭﺍ‬ ‫ﺷــﺐ ﺗــﺎﺭ ﻣــﺮﺍ ﭘﻴﺮﺍﻳــﺔ ﻣﻬﺘــﺎﺏ ﻣــﻲﺑﺨﺸــﻨﺪ ﻧﮕﻬﺪﺍﺭﺩ ﺧﺪﺍ ﺍﺯ‪ ٥‬ﭼﺸﻢ ﺑﺪ ﺍﻳـﻦ ﻣـﺎﻩ ﺭﻭﻳـﺎﻥ ﺭﺍ‬ ‫ﻣـــﺮﺍ ﺁﺯﺍﺩ ﺍﺯ ﺧـــﻮﺩ ﺑ‪‬ـــﺮﺩ ﺯﻧﹼـــﺎﺭﹺ ﺳـــﺮﹺﺯﻟﻔﺶ‬ ‫ﺯﺩﻡ ﺑـﺮ ﺳـﻨﮓ ﺁﺧـﺮ ﺷﻴﺸـﺔ ﻧـﺎﻣﻮﺱ ﺍﻳﻤـﺎﻥ ﺭﺍ‬ ‫‪ .١‬ﺍﺭﻗﻢ‪ :‬ﺑﺎﻟﻔﺘﺢ ﻭ ﻗﺎ ‪‬ﻑ ﻣﻔﺘﻮﺡ‪ ،‬ﻣﺎ ﹺﺭ ﺳﻴﺎﻩ ﮐﻪ ﻧﻘﻄﻪﻫﺎﻱ ﺳﻔﻴﺪ ﺑﺮ ﭘﺸﺖ ﺩﺍﺭﺩ ﻭ ﺑﻌﻀﻲ ﭼﻨﻴﻦ ﻧﻮﺷﺘﻪ ﺍﺭﻗﻢ ﻣﺎﺭﻱ ﮐﻪ ﺧﻄﻮﻁ‬ ‫ﻭ ﻧﻘﺎﻁ‪ ‬ﺳﻴﺎﻩ ﻳﺎ ﺳﭙﻴﺪ ﺑﺮ ﭘﺸ ‪‬ﺖ ﺁﻥ ﺑﺎﺷﺪ‪) .‬ﻏﻴﺎﺙﺍﻟﱡﻠﻐﺎﺕ‪(۳۷ ،‬‬ ‫‪ .٢‬ﺗﻠﻤﻴﺢ ﺍﺳﺖ ﺑﻪﻗﺼﹼﺔ ﻣﺮﻳﻢ ﮐﻪ ﺩﺭ ﻗﺮﺁﻥ ﻣﺠﻴﺪ ﻭﺍﻗﻊ ﺷﺪﻩ‪ .‬ﻣﺮﻳﻢ ﻭﻗﺖ‪ ‬ﻭﻻﺩ ‪‬ﺕ ﻋﻴﺴٰﻲ ﻋﻠﻴﻪﺍﻟ ‪‬ﺴﻼﻡ ﺯﻳ ﹺﺮ ﺩﺭﺧﺖ ﺧﺮﻣﺎﻱ‬ ‫ﺧﺸﮏ ﺑﻲﺳﺮ ﺑﻮﺩ ﺣ ‪‬ﻖ ﺗﻌﺎﻟﻲ ﺁﻥ ﺩﺭﺧﺖ ﺭﺍ ﺳﺒﺰ ﺳﺎﺧﺖ ﻭ ﺳﺮﻭ ﺧﻮﺷﻪ ﭘﻴﺪﺍ ﮐﺮﺩ ﻭ ﻣﺮﻳﻢ ﺭﺍ ﺣﮑﻢ ﺷﺪ ﮐﻪ ﺩﺭﺧﺖ ﺭﺍ‬ ‫ﺑﺠﻨﺒﺎﻥ ﺗﺎ ﺧﺮﻣﺎ ﺑﻴﻔﺘﺪ ﻭ ﺍﺯ ﺁﻥ ﺑﺨﻮﺭ‪ .‬ﻗﺎﺩﺭﻱ ﮐﻪ ﺍﻳﻦ ﻫﻤﻪ ﻗﺪﺭﺕ ﻧﻤﺎﻳﻲ ﮐﺮﺩ ﺍﮔﺮ ﻣﻲﺧﻮﺍﺳﺖ ﺧﺮﻣﺎ ﻫﻢ ﺧﻮﺩ ﺑﻪﺧﻮﺩ ﺍﺯ‬ ‫ﺩﺭﺧﺖ ﻣﻲﺍﻓﺘﺎﺩ‪ .‬ﭼﻮﻥ ﺍﻳﻦ ﻋﺎﻟﻢ ﻋﺎﻟﻢ ﺍﺳﺒﺎﺏ ﺍﺳﺖ ﺣﮑﻢ ﺑﻪﺗﺤﺮﻳﮏ ﻧﺨﻞ ﺷﺪ )ﺣﺎﺷﻴﻪ(؛ ﻧﻴﺰ ﺭﮎ ﺑﻪﺳﻮﺭﺓ ﻣﺮﻳﻢ ﺩﺭ ﻗﺮﺁﻥ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺷﻮﺭ‪.‬‬ ‫‪ .٤‬ﻓﺴﺎﻥ‪ :‬ﺑﻪﻓﺘﺢ‪ ،‬ﻧﻮﻋﻲ ﺍﺯ ﺳﻨﮓ ﮐﻪ ﺑﺪﺍﻥ ﮐﺎﺭﺩ ﻭ ﺷﻤﺸﻴﺮ ﺗﻴﺰ ﮐﻨﻨﺪ ﻭ ﺑﻪﻣﻌﻨﻲ ﭼﻴﺰﻱ ﭘﻬﻦ ﻭ ﻣﺪ ‪‬ﻭﺭ ﮐﻪ ﺁﻥ ﺭﺍ ﺑﻪﮔﺮﺩﺵ‬ ‫ﺁﻭﺭﺩﻩ ﮐﺎﺭﺩ ﻭ ﺷﻤﺸﻴﺮ ﺗﻴﺰ ﮐﻨﻨﺪ ﻭ ﺑﻪﻫﻨﺪﻱ ﺳﺎﻥ ﮔﻮﻳﻨﺪ… )ﻏﻴﺎﺙ‪(۶۴۴ ،‬‬ ‫‪ .٥‬ﻧﺪﻭﻩ‪ :‬ﺯ‪.‬‬

‫‪ // ١٤٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۱‬‬ ‫ﺧــﺎﻝ ﺳــﻴﺎﻩ ﺑــﻴﻦ ﻭ ﺧــﻂ ﻣﺸــﮏ ﻓــﺎﻡ ﺭﺍ ﻣــﻮﻻﻱ ﺣﺴــﻦ ﮐــﺮﺩ ﻣﺴﻠﺴــﻞ ﻏــﻼﻡ ﺭﺍ‬ ‫ﮔﺮ ﻧﻮﺭ ﺳﻴﻨﻪ ﻧﻴﺴﺖ ﭼﻪ ﺣﺎﺻﻞ ﺯ ﻧﻮﺭ ﭼﺸﻢ ﺑـﻲﺷـﻤﻊ ﺧﺎﻧـﻪ ﺧـﺎﮎ ﺑـﻪﺳـﺮ ﻣـﺎﻩ ﺑـﺎﻡ ﺭﺍ‬ ‫ﺷــﺎﻫﺎﻥ ﺍﻳــﻦ ﺯﻣﺎﻧــﻪ ﺑــﻪﺣــﺎﺗﻢ ﺑﺮﺍﺑﺮﺍﻧــﺪ ﮔــﺎﻫﻲ ﺍﮔــﺮ ﺩﻫﻨــﺪ ﺟــﻮﺍﺏ ﺳــﻼﻡ ﺭﺍ‬ ‫ﺳـــﺎﻗﻲ ﻣـــﺮﺍ ﺑـــﻪﻭﻋـــﺪﺓ ﻓـــﺮﺩﺍ ﻣﻴﺎﺯﻣـــﺎ ﻟﺒﺮﻳـــﺰ ﮐـــﻦ ﺯ ﺑـــﺎﺩﺓ ﺍﻣـــﺮﻭﺯ ﺟـــﺎﻡ ﺭﺍ‬ ‫ﻣﺮﻏﻲ ﮐﻪ ﺩﺭ ﺗﻼﺵ ﮔﺮﻓﺘـﺎﺭﻱ ﺧـﻮﺩ ﺍﺳـﺖ ﺩﺍﻧﺴـﺖ ﭼﺸـﻢ ﺑﻠﺒـﻞ ﺧـﻮﺵ ﻃـﺮﺡ ﺩﺍﻡ ﺭﺍ‬ ‫ﺧﻮﺵ ﻃﻴﻨﺘﻲ ﮐـﻪ ﺷـﻴﻮﺓ ﺍﻏﻤـﺎﺽ ﺑﺮﮔﺰﻳـﺪ ﺑــﺮ ﻧﻔــﺲ ﺧــﻮﺩ ﺣــﺮﺍﻡ ﮐﻨــﺪ ﺍﻧﺘﻘــﺎﻡ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺯﻧــﺪﻩ ﺑــﺎﺩ ﻧﺴــﻴﻢ ﺩﻳــﺎﺭ ﺩﻭﺳــﺖ‬ ‫ﮔــﺎﻫﻲ ﺑــﻪﮔــﻮﺵ ﺑﻨــﺪﻩ ﺭﺳــﺎﻧﺪ ﭘﻴــﺎﻡ ﺭﺍ‬ ‫»‪«۳۲‬‬ ‫ﺑﺒـﻴﻦ ﺩﻭ ﻣﺮﺩﻣـﮏ ﻳــﺎﺭ ﻭ ﺍﺑـﺮﻭﻱ ﺧــﻢ ﺭﺍ ﮐﻪ ﺭﻳﺨﺖ ﺍﻳﻦ ﺩﻭ ﮐﻤﺎﻥ ﻣﻬﺮﻩ ﺧﻮﻥ ﻋﺎﻟﻢ ﺭﺍ‬ ‫ﺗﻮ ﻧﻨـﮓ ﻣـﻲﮐﻨـﻲ ﺍﺯ ﻣـﻦ ﺑﻴـﺎ ﺗﻤﺎﺷـﺎ ﮐـﻦ ﮐـﻪ ﮔـﻞ ﭼﮕﻮﻧـﻪ ﮐﺸـﺪ ﺩﺭ ﮐﻨـﺎﺭ ﺷـﺒﻨﻢ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﺯﻣﺎﻧﻪ ﺍﮔﺮ ﮐﺲ ﮔﻠـﻲ ﺑـﻪﺳـﺎﻳﻞ ﺩﺍﺩ ﺑﻪﺷﻤﻊ ﺗـﺎﺯﻩ ﺑـﺮ ﺍﻓﺮﻭﺧـﺖ ﮔـﻮﺭ ﺣـﺎﺗﻢ ﺭﺍ‬ ‫ﺯ ﺻـﻠﺐ ﺧﺎﻣـﻪ ﺑـﺮ ﺁﻳـﺪ ﻧﺘﻴﺠـﻪ ﺑـﻲﻣـﺎﺩﺭ ﺍﮔــﺮ ﺑﻐﻴــﺮ ﭘــﺪﺭ ﺑــﻮﺩ ﻃﻔــﻞ ﻣــﺮﻳﻢ ﺭﺍ‬ ‫ﭼﻮ ﺷﺒﻨﻤﻲ ﮐﻪ ﺳﺤﺮ ﮔﻞ ﺟﺪﺍ ﮐﻨﺪ ﺍﺯ ﺧـﻮﺩ ﻓﺸﺎﻧﺪ ﺯﺧـﻢ ﺩﻝ ﻣـﻦ ﺯ ﺧـﻮﻳﺶ ﻣـﺮﻫﻢ ﺭﺍ‬ ‫ﻟﺒــﺎﺱ ﻣــﺎﺗﻢ ﻭ ﻭﺍﻻ ﮔﻬــﺮ ﺯ ﻫــﻢ ﺩﻭﺭﺍﻧــﺪ ﻧﻤــﻲﺗــﻮﺍﻥ ﺯ ﺟــﻮﺍﻫﺮ ﺷــﻤﺮﺩ ﻧﹺــﻴﹶﻠﻢ‪ ١‬ﺭﺍ‬ ‫ﻋ‪‬ﻠـﻮ‪‬ﻱ ﺣﻮﺻـﻠﻪ ﻓﻘـﺮ ﺍﺳـﺖ ﺩﺭ ﺳـﻠﻴﻤﺎﻧﻲ‬ ‫ﻧﺒــﻮﺩ ﺍﻳــﻦ ﺟﮕــﺮ ﺁﺯﺍﺩ ﭘــﻮﺭﹺ ﹶﺍﺩﻫ‪‬ــﻢ ﺭﺍ‬ ‫»‪«۳۳‬‬ ‫ﺍﻟﻬـــﻲ ﻧﺎﻟـــﺔ ﮔﺮﻣـــﻲ ﺩﻝ ﺩﻳﻮﺍﻧـــﺔ ﻣـــﺎ ﺭﺍ ﮐﺮﺍﻣــﺖ ﮐــﻦ ﻧﻬــﺎﻝ ﺁﺗﺸــﻴﻨﻲ ﺩﺍﻧــﺔ ﻣــﺎ ﺭﺍ‬ ‫ﻣـﺪﻩ ﺩﺭ ﺩﺳـﺖ ﺯﻧﮕـﺎﺭ ﻫـﻮﺱ ﺁﻳﻴﻨـﺔ ﺩﻝ ﺭﺍ ﺯ ﺣﺴﻦ ﺧﻮﻳﺶ ﮐﻦ ﺁﺑﺎﺩ ﺣﻴﺮﺕ ﺧﺎﻧﺔ ﻣﺎ ﺭﺍ‬ ‫ﮐﺮﻳﻤﺎﻥ ﺭﺍ ﻧﻈﺮ ﺑﺮ ﺯﺷﺘﻲ ﻣﻬﻤﺎﻥ ﻧﻤـﻲﺑﺎﺷـﺪ ﻣﺒــﺮ ﺍﺯ ﺑــﺎﻍ ﺑﻴــﺮﻭﻥ ﺳــﺒﺰﺓ ﺑﻴﮕﺎﻧــﺔ ﻣــﺎ ﺭﺍ‬ ‫‪ .١‬ﻳﺎﻗﻮﺕ ﮐﺒﻮﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٤٩ //‬‬ ‫ﺗﺠﻠﹼﻲ ﮐﻦ ﺩﻝ ﺑﻲﻣﺎﻳﻪ‪ ١‬ﺭﺍ ﺳـﺎﻣﺎﻥ ﻃﺎﻗـﺖ ﺩﻩ ﺳﻤﻨﺪﺭ ﺳﺎﺯ ﻭ ﺩﺭ ﺁﺗﺶ ﻧﺸﺎﻥ ﭘﺮﻭﺍﻧـﺔ ﻣـﺎ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﺤﻔﻞ ﻣﮑﻦ ﺍﺯ ﺩﺳﺖ ﻣﺮﺩﻡ ﺁﺑﺮﻭ ﺭﻳﺰﻱ ﺗﻮ ﮔﺮﺩﺵ ﺩﻩ ﺑﻪﺭﻧﮓ ﺁﺳـﻤﺎﻥ ﭘﻴﻤﺎﻧﹺـﺔ ﻣـﺎ ﺭﺍ‬ ‫ﻋﻨﺎﻳـــﺖ‪ ٢‬ﮐـــﻦ ﺩﻝ ﺁﺯﺭﺩﻩ ﺭﺍ ﺁﻩ ﭘﺮﻳﺸـــﺎﻧﻲ ﺑﻪﺷﺎﺥ ﺳـﻨﺒﻠﻲ ﺳﺮﺳـﺒﺰ ﮐـﻦ ﻭﻳﺮﺍﻧـﺔ ﻣـﺎ ﺭﺍ‬ ‫ﺻـﺮﻳﺮ ﺧﺎﻣـﺔ ﺁﺯﺍﺩ ﺭﺍ ﺷـﻮﺭ ﺩﻭ ﻋـﺎﻟﻢ ﮐـﻦ‬ ‫ﻧﻤـﮏ ﺩﻩ ﺍﺯ ﻗﺒـﻮﻝ ﺧﻮﻳﺸـﺘﻦ ﺍﻓﺴـﺎﻧﺔ ﻣـﺎ ﺭﺍ‬ ‫»‪«۳۴‬‬ ‫ﺑﺮ ﺧﺎﻃﺮ ﻭﺣﺸﺖ ﺯﺩﻩ ﺣﻘﹼـﻲ ﺍﺳـﺖ ﺍﻟـﻢ ﺭﺍ ﺻــﻴ‪‬ﺎﺩ ﺷــﺒﺎﻧﻲ ﮐﻨــﺪ ﺁﻫــﻮﻱ ﺣــﺮﻡ ﺭﺍ‪٣‬‬ ‫ﺳـﻨﮓ ﺍﺳــﺖ ﮐـﻪ ﺩﺭ ﻗﺒﻠــﻪﻧﻤـﺎ ﺭﺍﻩ ﻧﻤﺎﻳــﺪ ﺑــﻲﺣﮑﻤــﺖ ﺧﺎﺻــﻲ ﻧﭙﺮﺳــﺘﻨﺪ ﺻــﻨﻢ ﺭﺍ‬ ‫ﺩﺭ ﻓﮑـﺮ ﻏـﺬﺍ ﺻـﺮﻑ ﻣﮑـﻦ ﻋﻤـﺮ ﮔﺮﺍﻣـﻲ ﺑﺎ ﭘﺸﺖ ﺗﻮﺍﻥ ﺑﺴـﺖ ﭼـﻮ ﺗﺼـﻮﻳﺮ ﺷـﮑﻢ ﺭﺍ‬ ‫ﻣﺤﺘــﺎﺝ ﻧﮕــﺎﻩ ﺗــﻮ ﺑ‪‬ــﻮ‪‬ﺩ ﺟﻨــﺒﺶ ﺍﺑــﺮﻭ ﺑﺴـﻴﺎﺭ ﺿـﺮﻭﺭ ﺍﺳـﺖ ﻋﺼـﺎ ﻗﺎﻣـﺖ ﺧـﻢ ﺭﺍ‬ ‫ﮔـــﺮ ﺑـــﺎﺯ ﮔﺬﺍﺭﻧـــﺪ ﻣـــﺮﺍ ﺭﻭﺯ ﻗﻴﺎﻣـــﺖ ﺍﺯ ﮐــﻒ ﻧــﺪﻫﻢ ﺩﺍﻣــﻦ ﺻــﺤﺮﺍﻱ ﻋــﺪﻡ ﺭﺍ‬ ‫ﻫﻴﻬــﺎﺕ ﭼــﻮ ﺗﺼــﻮﻳﺮ ﺯﺭ ﺳــﮑﹼﻪ ﺑﺨــﻴﻼﻥ ﺟـــﺰﻭﹺ ﺑ‪‬ـــﺪﻥ‪ ‬ﺧـــﻮﻳﺶ ﻧﻤﺎﻳﻨـــﺪ ﺩﺭﻡ ﺭﺍ‬ ‫ﺷــﻌﺮ ﻋــﺮﺏ ﻭ ﻓﹸــﺮﺱ ﻃــﺮﺍﺯﺩ ﻗﻠــﻢ ﻣــﺎ ﺯﻳــﻦ ﺗﻴــﻎ ﮔــﺮﻓﺘﻴﻢ ﻋــﺮﺏ ﺭﺍ ﻭ ﻋﺠــﻢ ﺭﺍ‬ ‫ﺩﺭ ﻫﻨﺪ ﭼﻮ ﻣﻦ ﻃﻮﻃﻲ ﺧﻮﺷﮕﻮ ﻧﺘﻮﺍﻥ ﻳﺎﻓﺖ ﻫـﻢ ﺣـﺮﻑ ﺷـﺪﻡ ﭼﺸـﻢ ﻏـﺰﺍﻻﻥ ﺣـﺮﻡ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺍﺯ ﺁﻥ ﺷــﻌﻠﻪ ﮐــﻪ ﺩﺍﺭﺩ ﺳــﺨﻦ ﻣــﻦ‬ ‫ﺍﻓﺮﻭﺧﺘــﻪﺍﻡ ﺷــﻤﻊ ﻭ ﭼــﺮﺍﻍ ﹶﺍﺏ ﻭ ﻋ‪‬ــﻢ ﺭﺍ‬ ‫»‪«۳۵‬‬ ‫ﺍﺯ ﺟﻨﺎﺏ ﺧـﻮﺩ ﻧﺒﺎﻳـﺪ ﺭﺍﻧـﺪ ﺍﻳـﻦ ﺩﺭﻭﻳـﺶ ﺭﺍ ﺧﺴﺮﻭﺍ ! ﺑﺸﻨﺎﺱ ﺍﺯ ﺑﺪ ﺧﻮﺍﻩ ﺧﻴـﺮ ﺍﻧـﺪﻳﺶ ﺭﺍ‬ ‫ﻋﻴﺐ ﻣﺮﺩﻡ ﻓﺎﺵ ﮐﺮﺩﻥ ﺑـﺪﺗﺮﻳﻦ ﻋﻴـﺐﻫﺎﺳـﺖ ﻋﻴﺐﮔﻮ ﺍﻭ‪‬ﻝ ﮐﻨﺪ ﺑـﻲﭘـﺮﺩﻩ ﻋﻴـﺐ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻣﻲﮐﻨﺪ ﺍﺣﺴـﺎﻥ ﻇـﺎﻟﻢ ﻫـﻢ ﺭﻋﻴ‪‬ـﺖ ﺭﺍ ﺧـﺮﺍﺏ ﭘ‪‬ـﺮﻭ‪‬ﺭ‪‬ﺩ ﻗ ﹼﺼـﺎﺏ ﺑﻬــﺮ ﮐﺸـﺘﻦ ﺁﺧـﺮ ﻣ‪‬ــﻴﺶ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﭘﻴﻤﺎﻧﻪ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﺑﻴﺖ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٣‬ﺩﺭ ﺍﺷﻌﺎﺭ ﻣﻴﺮﺯﺍ ﻋﺴﮑﺮﻱ ﺑﺮﺍﺩﺭ ﺣﻘﻴﻘﻲ ﻣﻴﺮﺯﺍ ﮐﺎﻣﺮﺍﻥ ﺩﺭ ﻫﻤﻴﻦ ﺯﻣﻴﻦ ﻏﺰﻟﻲ ﺩﻳﺪﻩ ﻣﻲﺷﻮﺩ ﮐﻪ ﻣﻄﻠﻌﺶ ﺍﻳﻦ ﺍﺳﺖ‪:‬‬ ‫ﺗــﺎ ﮐــﺮﺩ ﺧــﺪﺍ ﺭﻭﺯﻱ ﻣــﻦ ﻭﺍﺩﻱ ﻏــﻢ ﺭﺍ ﺩﺭ ﻋﺸﻖ ﺻﻼﺡ ﺍﺳﺖ ﻋﺮﺏ ﺭﺍ ﻭ ﻋﺠـﻢ ﺭﺍ‬ ‫)ﺭﮎ‪ .‬ﺑﻪ ﻣﻘﺎﻟﺔ ﭘﺮﻭﻓﺴﻮﺭ ﻧﺬﻳﺮ ﺍﺣﻤﺪ ﺑﻪ ﻋﻨﻮﺍﻥ »ﮐﻼﻡ ﺗﺎﺯﻩ ﺍﺯ ﺳﻼﻃﻴﻦ ﻣﻐﻮﻝ«(‬

‫‪ // ١٥٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺧﻮﺵ ﻧﻤﻲﺁﻳﺪ ﺩﻟﻴﺮﺍﻥ ﺭﺍ ﻧﺸﺴـﺘﻦ ﻭﻗـﺖ ﮐـﺎﺭ ﺭﻭﺯ ﻣﻴﺪﺍﻥ ﺗﻴـﺮ ﺯﹶﻧـﺪﺍﻥ ﻣـﻲﺷﻨﺎﺳـﺪ ﮐـﻴﺶ ﺭﺍ‬ ‫ﻏﺮﻕ ﺷﺒﻨﻢ ﻧﻴﺴﺖ ﮔـﻞ ﺩﺭ ﺩﻳـﺪﺓ ﺑﻴـﻨﺶ ﻭﺭﺍﻥ ﺩﺭ ﻧﻤﮏ ﺧﻮﺍﺑﺎﻧﺪ ﮔﺮﺩﻭﻥ ﺍﻳﻦ ﺳـﺮﺍﭘﺎ ﺭﻳـﺶ ﺭﺍ‬ ‫ﺩﺭ ﻧﮕـﺎﻩ ﮐﺎﻣﺠﻮﻳـﺎﻥ ﺭﻧـﺞ‪ ،‬ﺭﺍﺣـﺖ ﻣـﻲﺷـﻮﺩ ﺍﻧﮕﺒﻴﻦ ﻫﺮﮐﺲ ﮐﻪ ﺧﻮﺍﻫﺪ ﻧﻮﺵ ﺩﺍﻧﺪ ﻧـﻴﺶ ﺭﺍ‬ ‫ﺳـﺎﻗﻴﺎ ﺁﺯﺍﺩ ﺭﺍ ﻣ‪‬ــﻲ ﻣــﻲﺩﻫـﻲ ﻫﺸــﻴﺎﺭ ﺑــﺎﺵ‬ ‫ﺳﺨﺖ ﮔﺴﺘﺎﺥ ﺍﺳﺖ ﺍﻧﺪﮎ ﻣﻲﺷﻤﺎﺭﺩ ﺑـﻴﺶ ﺭﺍ‬ ‫»‪«۳۶‬‬ ‫ﺳـــﺘﻢ ﺁﺑـــﺎﺩ ﮔﻔﺘـــﻪﺍﻧـــﺪ ﺗـــﺮﺍ ﺳــﺨﺖ ﺟ‪‬ﻠﹼــﺎﺩ ﮔﻔﺘــﻪﺍﻧــﺪ ﺗــﺮﺍ‬ ‫ﻣــﻲﺩﻫــﻲ ﺩﺭﺱ ﻧــﺎﺯ ﺧﻮﺑــﺎﻥ ﺭﺍ ﻃﻔــﻞ ﺍﺳــﺘﺎﺩ ﮔﻔﺘــﻪﺍﻧــﺪ ﺗــﺮﺍ‬ ‫ﺑﺎﻏﺒﺎﻧـــﺎﻥ‪ ‬ﺻـــﺎﺣ ﹺﺐ ﺍﻧﺼـــﺎﻑ ﺭﺷــﮏ ﺷﻤﺸــﺎﺩ ﮔﻔﺘــﻪﺍﻧــﺪ ﺗــﺮﺍ‬ ‫ﺣﻠﻘـﻪ ﺗـﺎ ﺑـﺮ ﺳـﺮ ﺗـﻮ ﺯﺩ ﮐﺎﮐـﻞ ﻣﺼــﺮﻉ ﺻــﺎﺩ ﮔﻔﺘــﻪﺍﻧــﺪ ﺗــﺮﺍ‬ ‫ﭼﻮﻥ ﺗﻮ ﮐﺲ‪ ١‬ﻧﻴﺴﺖ ﺩﺭ ﺑﺘﺎﻥ ﺑﺪﻧﺎﻡ ﻋـــﻴﻦ ﺑﻴـــﺪﺍﺩ ﮔﻔﺘـــﻪﺍﻧـــﺪ ﺗـــﺮﺍ‬ ‫ﺑـﺧـﺎﻧـــﻪــﻫـــﺎــﺳــــﻮـﺧـﺘــﻲــﻭــﺍﻳـــﻦــﻣـــﺪﺮﻧﺩﺎﻡ ﺧﺎﻧـــﻪ ﺁﺑـــﺎﺩ ﮔﻔﺘـــﻪﺍﻧـــﺪ ﺗـــﺮﺍ‬ ‫ﻧﺎﺗﻮﺍﻧــــﺎﻥ ﭼﺸــــﻢ ﺑﻴﻤــــﺎﺭﺕ‪ ٢‬ﻋﺎﻓﻴــﺖ ﺑــﺎﺩ ﮔﻔﺘـــﻪﺍﻧــﺪ ﺗـــﺮﺍ‬ ‫ﭼــﻪ ﻧﻤﮑﻬــﺎ ﺑـــﻪﺩﺍﻍ ﺩﻝ ﺯﺩﻩﺍﻱ ﺷــﻮﺭ ﺍﻳﺠــﺎﺩ ﮔﻔﺘــﻪﺍﻧــﺪ ﺗــﺮﺍ‬ ‫ﺗــﺎ ﻏــﻼﻡ ﻗــﺪ ﺗــﻮ ﻣــﻦ ﺷــﺪﻩﺍﻡ‬ ‫ﺳـــﺮﻭ ﺁﺯﺍﺩ ﮔﻔﺘـــﻪﺍﻧـــﺪ ﺗـــﺮﺍ‬ ‫»‪«۳۷‬‬ ‫ﺭﻓﺖ ﺯ ﻭﻋﺪﻩ ﺳﺎﻝﻫـﺎ ﭼﻨـﺪ ﮐـﻨﻢ ﺣﺴـﺎﺏ ﺭﺍ ﻭﻋــﺪﺓ ﺳــﺎﻝ ﺑــﻴﺶ ﻧﻴﺴــﺖ ﺩﻭﺭﺓ ﺁﻓﺘــﺎﺏ ﺭﺍ‬ ‫ﻣﺮﺩﻡ ﻋﻤﺪﻩ ﺑﻴﺶﺗﺮ ﺣﺮﻑ ﺯﻧﻨـﺪ ﻳـﮏ ﺟﻬـﺖ ﻫﺴﺖ ﺳﻮﺍﺩ ﻳﮏ ﻃـﺮﻑ ﺳـﺮ ﻭﺭﻕ ﮐﺘـﺎﺏ ﺭﺍ‬ ‫ﺣﺎﻟﺖ ﺧﻮﻳﺶ ﮔﻔﺘﻤﺶ ﺍﺯ ﺳﺮ ﻧﺎﺯ ﮔﻔﺖ‪ ،‬ﺑﺲ ﮔﻮ ﻧﺪﻫـﺪ ﻣـﺮﺍﺩ‪ ‬ﻣـﻦ ﺑﻨـﺪﻩﺍﻡ ﺍﻳـﻦ ﺟـﻮﺍﺏ ﺭﺍ‬ ‫ﻣﺎﻳﺔ ﻣﻦ ﻫﻤﻴﻦ ﺩﻝ ﺍﺳﺖ ﭘﻴﺸﮑﺶ ﺗﻮ ﻣﻲﮐـﻨﻢ ﺍﺯ ﮐﻒ ﺩﺳﺖ ﮐﻦ ﺻﺪﻑ ﺍﻳﻦ ﮔﻬﺮ ﺧﻮﺷﺎﺏ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﮐﺲ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻧﺎﺗﻮﺍﻥ ﻣﺎ ﭼﺸ ﹺﻢ ﺑﻴﻤﺎﺭ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٥١ //‬‬ ‫ﺻﺤﺒﺖ ﺯﺷﺖ ﺧﻮﺏ ﺭﺍ ﺳﺨﺖ ﻭﺑﺎﻝ ﻣﻲﺷﻮﺩ ﻣﺼﺮﻉ ﺳ‪‬ﺴﺖ‪ ١‬ﺁﻓﺖ ﺍﺳﺖ ﻣﺼﺮﻉ ﺍﻧﺘﺨـﺎﺏ ﺭﺍ‬ ‫ﮐﻬﻨـﻪ ﻣﻐـﺎﻥ ﺳـﻴﺮ ﭼﺸـﻢ ﻣـﻲﺯﺩﻩﺍﻧـﺪ ﺑﺎﺭﻫـﺎ ﻟﻄﻒ ﺑﺮﻧﺪ ﺗـﺎﺯﻩ ﮐـﻦ ﺟـﺎﻡ ﮐﻬـﻦ ﺷـﺮﺍﺏ ﺭﺍ‬ ‫ﺳﺎﻗﻲ ﺻـﺎﺣﺐ ﻫﻨـﺮ ﺟـﻮﻫﺮ ﺗـﺎﺯﻩ ﺟﻠـﻮﻩ ﺩﻩ ﺭﻧﮓ ﮐـﻦ ﺍﺯ ﻋﻘﻴـﻖ ﻣ‪‬ـﻲ‪ ٢‬ﭼـﺎﺩﺭ ﻣﺎﻫﺘـﺎﺏ ﺭﺍ‬ ‫ﮔﺮ ﺳﺮ ﻣﻦ ﺟﺪﺍ ﮐﻨﻨﺪ ﺍﺯ ﺗـﻮ ﺟـﺪﺍ ﻧﻤـﻲﺷـﻮﻡ ﺭﻭﺯ ﺍﺯﻝ ﮔﺮﻓﺘــﻪﺍﻡ ﺩﺍﻣــﻦ ﺍﻳــﻦ ﺟﻨــﺎﺏ ﺭﺍ‬ ‫ﻧﻴﺴﺖ ﮔﻞ ﺗﺨﻠﹼﺼﻢ ﺟﻠﻮﻩﻧﻤـﺎ ﺩﺭ ﺍﻳـﻦ ﭼﻤـﻦ‬ ‫ﺳﺮﻭ ﺭﻳﺎﺽ ﺭﺍ ﺑﺒﻴﻦ ﻓﻬﻢ ﮐﻦ ﺍﻳـﻦ ﺧﻄـﺎﺏ ﺭﺍ‬ ‫»‪«۳۸‬‬ ‫ﻧــﺮﮔﺲ ﺍﻭ ﺑﺠــﺎ ﮐﺸــﻴﺪ‪ ٣‬ﺳــﺮﻣﺔ ﺩﻟﭙــﺬﻳﺮ ﺭﺍ ﺧﻮﺏ ﮐﻤﻨﺪ ﻭﺣﺪﺕ ﺍﺳﺖ ﻣﺮﺩﻡ ﮔﻮﺷﻪ ﮔﻴﺮ ﺭﺍ‬ ‫ﺭﻳﺨﺖ ﺑﻪﺧﺎﮎ ﺁﺏ ﺭﺍ ﺁﻳﻴﻨـﻪ ﺭﺍ ﺑـﻪﺳـﻨﮓ ﺯﺩ ﻏﻴــﺮﺕ ﺩﻟﺴــﺘﺎﻥ ﻣــﺎ ﮐــﻲ ﻧﮑــﺮﺩ ﻧﻈﻴــﺮ ﺭﺍ‬ ‫ﺑﺎﺯﻱ ﻋﺮﺻﺔ ﻓﻠﮏ ﻧﻴﺴﺖ ﻫﻤﻴﺸﻪ ﻳـﮏ ﺭﻭﺵ ﮔــﺎﻩ ﭘﻴــﺎﺩﺓ ﺣﺮﻳــﻒ ﺻــﻴﺪ ﮐﻨــﺪ ﻭﺯﻳــﺮ ﺭﺍ‬ ‫ﺩﻳــﺪﺓ ﻫــﻮﺵ ﻭﺍ ﮐﻨــﺪ ﺑــﺮ ﻭﺭﻕ ﻣــﺂﻝ ﺧــﻮﺩ ﻟـﻮﺡ ﻣـﺰﺍﺭ ﮔـﺮ ﺷـﻮﺩ ﻋﻴﻨـﮏ ﭼﺸـﻢ ﭘﻴـﺮ ﺭﺍ‬ ‫ﮐﺮﺩ ﺗﺨﻠﹼﺼﻢ ﺗﻬﻲ ﭘﻬﻠﻮﻱ ﺧـﻮﺩ ﺍﺯ ﺍﻳـﻦ ﻏـﺰﻝ‬ ‫ﻧﻴﺴﺖ ﺗﻌﻠﹼـﻖ ﺁﻧﻘـﺪﺭ ﺑـﺎ ﺳـﺨﻦ ﺍﻳـﻦ ﻓﻘﻴـﺮ ﺭﺍ‬ ‫»‪«۳۹‬‬ ‫ﺩﻳــﺪﻡ ﺁﺧــﺮ ﻏــﻢ ﺟــﺪﺍﻳﻲﻫــﺎ ﺩﺍﺩ ﺍﺯ ﺩﺳـــﺖ ﺁﺷـــﻨﺎﻳﻲﻫـــﺎ‬ ‫ﺭﻡ ﺁﻥ ﺷـﻮﺥ ﺑـﻲﻭﻓـﺎ ﺁﻣﻮﺧـﺖ ﺁﻫـــﻮﺍﻥ ﺭﺍ ﮔﺮﻳـــﺰ ﭘـــﺎﻳﻲﻫـــﺎ‬ ‫ﻣــﺎﻩ ﻧــﻮ ﺭﺍ ﮐــﻼﻩ ﮐــﺞ ﮐــﺮﺩﻥ ﺧﻮﺷـﻨﻤﺎ ﻧﻴﺴـﺖ ﺩﺭ ﮔـﺪﺍﻳﻲﻫـﺎ‬ ‫ﺯﻟــﻒ ﺍﻭ ﺑــﺎ ﺷﮑﺴــﺘﻪ ﺍﺣــﻮﺍﻟﻲ ﻧﻴﺴــﺖ ﻏﺎﻓــﻞ ﺯ ﺩﻟﺮﺑــﺎﻳﻲﻫــﺎ‬ ‫ﻳــﺎﻓﺘﻢ ﻟــﺬﹼﺕ ﺧﻠﻴــﺪﻥ ﺧــﺎﺭ ﺍﺯ ﻃﻔﻴـــﻞ ﺑﺮﻫﻨـــﻪ ﭘـــﺎﻳﻲﻫـــﺎ‬ ‫ﻧﻴﺴـﺖ ﺟـﺎﻳﻲ ﮐـﻪ ﻗـﻮﺕ ﻃـﺎﻟﻊ ﭼـــﻪ ﮐﻨـــﺪ ﺯﻭﺭ ﺁﺯﻣـــﺎﻳﻲﻫـــﺎ‬ ‫ﮐــﺮﺩ ﺍﺯ ﻳــﺎﺭ ﺧــﻮﺩ ﭘﺴــﻨﺪ ﺁﺯﺍﺩ‬ ‫ﻃـــﺮﺯ ﺭﻋﻨـــﺎﻱ ﻣﻴﺮﺯﺍﻳـــﻲﻫـــﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ » :‬ﺳﺴﺖ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪» :‬ﻣﻲ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﮐﺸﻴﺪﻩ‪.‬‬

‫‪ // ١٥٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۴۰‬‬ ‫ﻧﺨــﻮﺍﻫﻢ ﺁﺏ ﺭﮐﻨﺎﺑــﺎﺩ‪ ١‬ﻭ ﮔﻠﮕﺸــﺖ ﻣﺼــﻠﹼﺎ ﺭﺍ ﮐﻪ ﺧﻮﺵ ﮐﺮﺩﻡ ﮐﻨﺎﺭ ﺯﻣﺰﻡ ﻭ ﺭﮐﻦ ﻭ ﻣﺼـﻠﹼﺎ‪ ٢‬ﺭﺍ‬ ‫ﺟﻤــﺎﻝ ﻧﺎﺭﻧﻴﻨــﺎﻥ ﺩﮔــﺮ ﮐــﻲ ﻣــﻲﺗــﻮﺍﻥ ﺩﻳــﺪﻥ ﺑﻪﺁﻥ ﭼﺸﻤﻲ ﮐﻪ ﺩﻳﺪﻡ ﺟﻠـﻮﺓ ﺧﻮﺑـﺎﻥ ﺑﻄﺤـﺎ ﺭﺍ‬ ‫ﺗﻮﺍﻧــﺪ ﻋﺸــﻖ ﻋﻤــﺮ ﺭﻓﺘــﻪ ﺭﺍ ﺍﺯ ﺭﺍﻩ ﮔﺮﺩﺍﻧــﺪ ﻋﻨﺎﻳــﺖ ﮐــﺮﺩ ﺗﺸــﺮﻳﻒ ﺟــﻮﺍﻧﻲ ﺍﻭ ﺯﻟﻴﺨــﺎ ﺭﺍ‬ ‫ﺳﻴﻪ ﺭﻭﺯﻳﺴﺖ ﺑﺮ ﭘﺎ ﻫﺮ ﮐﺠﺎ ﺑﺎﺷﺪ ﺧـﻮﺩ ﺁﺭﺍﻳـﻲ ﺩﻭ ﺷﺎﻫﺪ ﺷﻤﻊ ﻭ ﻃﺎﻭﻭﺱ ﺍﺳﺖ ﺍﻳﻦ ﺑﺮﺟﺴﺘﻪ ﺩﻋﻮﺍ ﺭﺍ‬ ‫ﺑﻬﻞ ﮐﺮﺩﻡ ﺍﮔﺮ ﺧﻮﻥ ﻣـﺮﺍ ﺑـﺮ ﺧـﺎﮎ ﻣـﻲﺭﻳـﺰﻱ ﻧﺨﻮﺍﻫﺪ ﺷﺪ ﮐﻪ ﺑﮕـﺬﺍﺭﻡ‪ ٣‬ﺯ ﮐـﻒ ﺩﺍﻣـﺎﻥ ﻭﺍﻻ ﺭﺍ‬ ‫ﻣﻌـﺎﺫﺍﷲ! ﺧﻴـﺎﻝ ﻣـﺎ ﺳـﻮﻱ ﺭﺍ ﻣﮕـﺬﺭﺍﻥ ﺩﺭ ﺩﻝ ﭼﻪ ﺍﺳﻼﻡ ﺍﺳﺖ ﺟﺎ ﺩﺭ ﮐﻌﺒﻪ ﺩﺍﺩﻥ ﻻﺕ ﻭ ﻋﺰﹼﺍ ﺭﺍ‬ ‫ﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﻧﺜـﺎﺭ ﺁﺯﺍﺩ ﻳﮑﺠـﺎ ﻫـﺮ ﺩﻭ ﻋـﺎﻟﻢ ﺭﺍ‬ ‫»ﺍﮔﺮ ﺁﻥ ﺗﺮﮎ ﺷﻴﺮﺍﺯﻱ ﺑﺪﺳـﺖ ﺁﺭﺩ ﺩﻝ ﻣـﺎ ﺭﺍ«‪٤‬‬ ‫»‪«۴۱‬‬ ‫ﺷـﺪ ﺟﺎﺫﺑـﺔ ﺣﻀـﺮﺕ ﮔـﻞ ﺩﺍﺩﺭﺱ ﻣـﺎ ﺁﻭﻳﺨﺘــﻪ ﺻــﻴ‪‬ﺎﺩ ﺯ ﮔﻠــﺒﻦ ﻗﻔــﺲ ﻣــﺎ‬ ‫ﺑﺮﺩﻧــﺪ ﺳــﺮﺍﻏﻲ ﺑــﻪﻧــﻮﺍﻱ ﻃــﭙﺶ ﺩﻝ ﺟﻤﻌﻲ ﮐﻪ ﺷـﻨﻴﺪﻧﺪ ﺻـﺪﺍﻱ ﺟـﺮﺱ ﻣـﺎ‬ ‫ﺍﺯ ﺁﺗﺶ ﺍﻳﻦ ﻗﺎﻓﻠـﻪ ﺩﺍﻏـﻴﻢ ﭼـﻪ ﺳـﺎﺯﻳﻢ ﺩﺭ ﺩﺳـﺖ ﻋﺰﻳﺰﻳﺴـﺖ ﻋ‪‬ﻨـﺎﻥ ﻓـﺮﺱ ﻣـﺎ‬ ‫ﺩﺭ ﮐﺸﻮﺭ ﻣﺎ ﻧﻴﺴﺖ ﺭﻭﺍ ﺷﺐ ﻣﮋﻩ ﺑﺴـﺘﻦ ﺑـﺎ ﻣـﺮﺩﻡ ﺧﻮﺍﺑﻴـﺪﻩ ﺳـﺘﻴﺰﺩ ﻋﺴـﺲ ﻣـﺎ‬ ‫ﺩﺭ ﻣﻮﺳﻢ ﺧﻂ ﺍﻟﻔﺖ ﺍﻭ ﻧﺸﻮ ﻭ ﻧﻤﺎ ﮐـﺮﺩ ﺧﻮﺵ ﺭﻳﺸـﻪ ﺩﻭﺍﻧﻴـﺪ ﻧﻬـﺎﻝ ﻫـﻮﺱ ﻣـﺎ‬ ‫ﺩﻭﺭ ﺍﺳﺖ ﺯ ﺁﺋـﻴﻦ ﺍﺩﺏ ﺧﻮﺍﻧـﺪﻥ ﻗﺎﺗـﻞ ﺧﻮﺩ ﺑﺮ ﻧﻔﺲ ﺑﺮﻕ ﺯﻧﺪ ﺧﺎﺭ ﻭ ﺧـﺲ ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﻧـــﺪﺍﺭﻳﻢ ﺳـــﺮ ﺷـــﮑﻮﺓ ﺧـــﺎﺭﻱ‬ ‫ﭼﻮﻥ ﻏﻨﭽﺔ ﮔﻞ ﭘﺎﮎ ﺑـﺮ ﺁﻳـﺪ ﻧﻔـﺲ ﻣـﺎ‬ ‫‪ .١‬ﻧﻬﺮﻱ ﺍﺳﺖ ﺩﺭ ﺷﻴﺮﺍﺯ ﮐﻪ ﺑﻨﺎ ﺑﻪﻧﻮﺷﺘﺔ ﻓﺎﺭﺳﻨﺎﻣﺔ ﻧﺎﺻﺮﻱ ﺩﺭ ‪ ۳۳۸‬ﻗﻤﺮﻱ ﺗﻮ ‪‬ﺳ ‪‬ﻂ ﺭﮐﻦﺍﻟ ‪‬ﺪﻭﻟﻪ ﺩﻳﻠﻤﻲ ﺍﺣﺪﺍﺙ ﺷﺪ‪ .‬ﻭﺻﻒ‬ ‫ﻭ ﺗﺤﺴﻴﻦ ﺁﻥ ﺩﺭ ﺍﺷﻌﺎﺭ ﺷﻤﺎﺭﻱ ﺍﺯ ﺷﺎﻋﺮﺍﻥ ﺁﻣﺪﻩ ﺍﺳﺖ ﭼﻨﺎﻧﮑﻪ ﺣﺎﻓﻆ ﮔﻮﻳﺪ‪:‬‬ ‫ﺑﺪﻩ ﺳﺎﻗﻲ ‪‬ﻣﻲ ﺑﺎﻗﻲ ﮐﻪ ﺩﺭ ﺟﹼﻨﺖ ﻧﺨﻮﺍﻫﻲ ﻳﺎﻓـﺖ ﮐﻨـــﺎﺭ ﺁﺏ ﺭﮐﻨﺎﺑـــﺎﺩ ﻭ ﮔﻠﮕﺸـــﺖ ﻣﺼـــﹼﻠﺎ ﺭﺍ‬ ‫)ﻓﺮﻫﻨﮓ‪ ‬ﺍﺩﺑ‪‬ﻴﺎﺕ‪ ‬ﻓﺎﺭﺳﻲ‪(۳ ،‬‬ ‫‪ .٢‬ﺭﮐ ﹺﻦ ﻋﺒﺎﺭﺕ ﺍﺳﺖ ﺍﺯ ﺣﺠ ﹺﺮ ﹶﺍﺳﻮﺩ ﻭ ﻣﺼﹼﻠﺎ ﺟﺎﻱ ﻧﺰﺩﻳﮏ ﻣﻘﺎ ﹺﻡ ﺍﺑﺮﺍﻫﻴﻢ ﻣﻮﺍﻓﻖ ﺁﻳﺔ ﮐﺮﻳﻪ‪ :‬ﻭ‪‬ﺍﺗ‪‬ﺨ‪ ‬ﹸﺬﻭﹾﺍ ‪‬ﻣﻦ ﻣ‪‬ﻘﹶﺎﻡﹺ ﺇﹺ‪‬ﺑﺮ‪‬ﺍﻫ‪‬ﻴﻢ‪.‬‬ ‫)ﺑﻘﺮﻩ‪) (۱۲۵/‬ﺣﺎﺷﻴﻪ(‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺑﮕﺬﺭﻡ‪.‬‬ ‫‪ .٤‬ﺍﺯ ﺣﺎﻓﻆ ﺷﻴﺮﺍﺯﻱ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٥٣ //‬‬ ‫»‪«۴۲‬‬ ‫ﺩﻋ ٰﻮﻱ ﻋﺎﺷﻘﻲ ﺍﺳﺖ ﺩﺭ ﺳـﺮ ﻣـﺎ ﺩﺍﻍ ﺳﻮﺩﺍﺳـﺖ ﻣ‪‬ﻬـﺮ ﻣﺤﻀـﺮ ﻣـﺎ‬ ‫ﭼﻮﻥ ﺣﺒﺎﺑﻲ ﮐﻪ ﮔﻞ ﮐﻨـﺪ ﺍﺯ ﻣـﻲ ﻫﺴـﺖ ﻋـﻴﻦ ﺷـﺮﺍﺏ ﺳـﺎﻏﺮ ﻣـﺎ‬ ‫ﺭﻭﺯ ﻣﺤﺸـﺮ ﺯ ﺁﻓﺘـﺎﺏ ﭼـﻪ ﻏـﻢ ﺁﻓﺘـﺎﺑﻲ ﺍﺳـﺖ ﺳـﺎﻳﻪ ﮔﺴـﺘﺮ ﻣـﺎ‬ ‫ﮐﺮﺩﻩﺍﻱ ﺳﻴﺮ ﻣﺎﺳﺖ ﺳـﻴﺮ ﻧﺠـﻮﻡ ﺑــﺮ ﻧﺨﻴــﺰﺩ ﻏﺒــﺎﺭ ﻟﺸــﮑﺮ ﻣــﺎ‬ ‫ﭘﺎﺩﺷــــﺎﻩ ﻗﻠﻤــــﺮﻭ ﻋﺸــــﻘﻴﻢ ﻧﻘﺶ ﭘﺎﻱ ﮐﺴﻲ ﺍﺳﺖ ﺍﻓﺴـﺮ ﻣـﺎ‬ ‫ﻧﻘﺺ ﻋﺸﻖ ﺍﺳﺖ ﺭﺳﻢ ﺑﻲﺗـﺎﺑﻲ ﺑــﺮ ﻧﺨﻴــﺰﺩ ﺳــﭙﻨﺪ ﻣﺠﻤــﺮ ﻣــﺎ‬ ‫ﺭﻓﻌــﺖ ﺷــﺎﻥ ﻣــﺎ ﻣﭙــﺮﺱ ﺁﺯﺍﺩ‬ ‫ﺁﺳـﻤﺎﻥ ﺣﻠﻘـﻪ ﺍﻳﺴـﺖ ﺍﺯ ﺩ‪‬ﺭﹺ ﻣـﺎ‬ ‫»‪«۴۳‬‬ ‫ﻣـﻲﮐﻨـﻲ ﮔـﺮ ﺩﻭﺳـﺘﻲ ﺑـﺎ ﺩﺷـﻤﻦ ﻣـﺎ ﻣﺮﺣﺒـﺎ ﺁﺷــﻨﺎﻳﻲ ﺁﺷــﻨﺎﻱ ﻣﺎﺳــﺖ ﺑــﺎ ﻣــﺎ ﺁﺷــﻨﺎ‬ ‫ﮐـﺎﺭ ﺑـﻲﺍﺟـﺮﺕ ﻧﻤـﻲﺁﻳـﺪ ﺯ ﺩﻧﻴـﺎ‪ ،‬ﺩﻭﺳـﺘﺎﻥ ﻣﻲﺳﺘﺎﻧﺪ ﺣ ‪‬ﻖ ﺧﻮﺩ ﺳﻨ ‪‬ﮓ ﻣﺤﮏ ﻫـﻢ ﺍﺯ ﻃـﻼ‬ ‫ﺑﻌﺪ ﻋﻤﺮﻱ ﺷﺎﻡ ﻣﺎ ﺭﺍ ﺻـﺒﺢ ﺭﻭﺷـﻦ ﮐـﺮﺩﻩﺍﻱ ﺧﻴـﺮ ﻣﻘـﺪﻡ ﻣﺮﺣﺒـﺎ ﺍﻱ ﺩﻭﺳـﺖ ﺁﻭﺭﺩﻱ ﺻـﻔﺎ‬ ‫ﻫﻴﭻ ﻃﺎﻋﺖ ﻧﻴﺴﺖ ﺑﻲﺍﺧـﻼﺹ ﺷـﺎﻳﺎﻥ ﻗﺒـﻮﻝ ﺧﺎﮎ ﺑﺮ ﺳﺮ ﺍﺯ ﺗـﻴﻤﻢ ﮔـﺮ ﻏـﺮﺽ ﺑﺎﺷـﺪ ﺭﻳـﺎ‬ ‫ﺑﺮ ﺯﻣﻴﻨﻲ ﺍﻓﺘﺎﺩﮔـﺎﻥ ﺷـﺎﻫﻲ‪ ١‬ﮐﺮﺍﻣـﺖ ﻣـﻲﮐﻨـﺪ ﺷـﺎﻫﺪ ﺍﻳــﻦ ﺣـﺮﻑ ﺑﺎﺷــﺪ ﺳـﺎﻳﺔ ﺑــﺎﻝ ﻫﻤــﺎ‬ ‫ﮔﻮﺷـﻪ‪٢‬ﮔﻴـﺮﺍﻥ ﺭﺍ ﺭﺟـﻮﻉ ﺧﻠـﻖ ﺁﺭﺩ ﺩﺭﺩ ﺳـﺮ ﺩﺭ ﺩﻣـﺎﻍ ﻣــﺎ ﺯ ﭘـﺎﻱ ﻣــﻮﺭ ﻣـﻲﭘﻴﭽــﺪ ﺻــﺪﺍ‬ ‫ﺧﻮﻥ ﺧﻮﺩ ﺭﺍ ﻭﻗﻒ ﺩﺳﺖ ﻭ ﭘﺎﻱ ﺧﻮﺑﺎﻥ ﻣﻲﮐﻨﺪ‪٣‬‬ ‫ﻳﻣـــﺎـﺩــﮔـﻴـــﺮـﺁــﺯﺍـﺩــﺍﻳــــﻦﻲﺁﮐﺋﻨـــﻴــﻦــﺭﻧــﮕـــﻴــﻦـﺍـﺯـــﺣﻨــﺪـﺎ‪٣‬‬ ‫»‪«۴۴‬‬ ‫ﮐﻤﻨﺪ ﺷﻮﻕ ﺑـﻪﺁﻥ ﺁﺳـﺘﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ ﺑﻪﺳﻴﺮ ﺁﻥ ﻃـﺮﻑ ﺁﺳـﻤﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫ﺑﻪﮐﻨﺞ ﻏﻤﮑـﺪﻩ ﺍﻓﺴـﺮﺩﻩ ﻗـﺎﻟﺒﻲ ﺑـﻮﺩﻡ ﻧﺴﻴﻢ ﻣﺮﺣﻤﺖ ﺍﻭ ﺑﻪﺟﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻣﺎﻫﻲ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺩﺳﺘﻪ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﻲﮐﻨﻨﺪ‪.‬‬

‫‪ // ١٥٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻣﺮﺍ ﺑﻪﺩﺳﺖ ﺣﻨﺎ ﺑﺴـﺘﻪ ﺩﺍﺩ ﺟـﺎ ﺻـﻴ‪‬ﺎﺩ ﺑﻪﺳﻴﺮ ﮔﺎﻩ ﺑـﻪﺍﺯ ﮔﻠﺴـﺘﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫ﺩﻣـﺎﻍ ﺭﺍ ﺯ ﻣـﻲﮐﻬﻨـﻪ ﺗـﺎﺯﮔﻲ ﺑﺨﺸـﻴﺪ ﺑﻪﭘﻴﺮ‪ ١‬ﻣﻴﮑﺪﻩ ﺑﺨﺖ ﺟﻮﺍﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫ﻧﻈــﺎﺭﺓ ﺳــﺮﹺﺯﻟﻒ ﺗــﻮ ﺑﻴﺨــﻮﺩﻱ ﺁﻭﺭﺩ ﺷﺐ ﺑﻬﺎﺭ ﺑﻪﺧﻮﺍﺏ ﮔﺮﺍﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫ﻣﺒﻴﻦ ﺑﻪﭼﺸﻢ ﺣﻘﺎﺭﺕ ﺷﮑﺴﺘﻪ ﺣﺎﻻﻥ ﺭﺍ ﺩﻝ ﺷﮑﺴﺘﻪ ﺑﻪﺟﺎﻥ ﺟﻬﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫ﻧﮕﺸﺖ ﺟﺒـﺔ ﻣـﻦ ﺁﺷـﻨﺎﻱ ﭼـﻴﻦ ﺁﺯﺍﺩ‬ ‫ﻫﺰﺍﺭ ﺣﺎﺩﺛـﻪ ﺩﺭ ﺍﻣﺘﺤـﺎﻥ ﺭﺳـﺎﻧﺪ ﻣـﺮﺍ‬ ‫»‪«۴۵‬‬ ‫ﻳﺎﺭﺏ ﺑﻪﺫﻭﻕ ﺳﻮﺧﺘﻦ‪ ٢‬ﻣﻤﻨﻮﻥ ﺍﺣﺴﺎﻥ ﮐﻦ ﻣﺮﺍ ﺍﺯ ﺩﺍﻍ ﺩﺍﻍ ﻋﺸﻖ ﺧﻮﺩ ﺷﺐﻫﺎ ﭼﺮﺍﻏﺎﻥ ﮐﻦ ﻣﺮﺍ‬ ‫ﻣﻦ ﮐﻴﺴﺘﻢ ﺩﺭﻳﻮﺯﻩﮔـﺮ ﺩﺍﺭﻡ ﺑـﻪﺍﺣﺴـﺎﻧﺖ ﻧﻈـﺮ ﺍﻱ ﺧﺴﺮﻭﹺ ﻭﺍﻻ ﮔﻬﺮ ﻳﮏ ﺑﺎﺭ ﻣﻬﻤـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺳﻨﮓ‪ ٣‬ﺟﮕﺮ ﺍﻓﺴﺮﺩﻩﺍﻡ ﺧﻮﻧﻬﺎ ﺑﻪﺳﺨﺘﻲ ﺧﻮﺭﺩﻩﺍﻡ ﺍﻱ ﺁﻓﺘـﺎﺏﹺ ﺑـﺎ ﮐـﺮﻡ ﻟﻌـﻞ ﺑﺪﺧﺸـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺑﺎﺧـﻃــﺮ‪‬ـﻩﺍـــﺕــﻫـﻢــﻧــﺴﺒـﺘــﻲــﺧــﻮـــﺵــﺩـﻭﻟـﺘــﻲـ ﺑـﺎــﺷــﻮﺪﺭﻣﺩـﻩﺍﺮﺍﻡ ﺟﺎﻧﺎﻥ ﻣﮑﻦ ﺍﻧﺪﻳﺸﻪﺍﻱ ﻳﮑﺴﺮ ﭘﺮﻳﺸﺎﻥ ﮐﻦ ﻣـﺮﺍ‬ ‫ﺍﻱ ﻧﻮ ﺑﻬﺎﺭ ﺗﺎﺯﻩ ﺭﻭ‪ ،‬ﺑﺮ ﺣﺎﻝﹺ ﺑﻠﺒـﻞ ﺭﺣـﻢ ﮐـﻦ ﺍﺯ ﻭﺍ ﺷﮕﻔﺘﻦ ﻳﮏ ﻧﻔﺲ‪ ،‬ﺧﺎﻃﺮ ﮔﻠﺴﺘﺎﻥ ﮐﻦ ﻣـﺮﺍ‬ ‫ﻣﻮﺭ ﺿﻌﻴﻒ ﺧﺴـﺘﻪﺍﻡ ﺩﻝ ﺑـﺮ ﺍﻣﻴـﺪﻱ ﺑﺴـﺘﻪﺍﻡ ﻳﺎﺭﺏ ﺗﻮ ﺻﺎﺣﺐ ﻗﺪﺭﺗﻲ ﺑﺎﺭﻱ ﺳﻠﻴﻤﺎﻥ ﮐﻦ ﻣﺮﺍ‬ ‫ﺍﻱ ﺩﺳﺘﮕﻴﺮ‪ ٤‬ﺑﻴﮑﺴـﺎﻥ ﺳـﺎﻣﺎﻥ ﻃـﺮﺍﺯ ﻣﻔﻠﺴـﺎﻥ ﻣﻦ ﺫﺭ‪‬ﻩﺍﻱ ﺑﻲﻣﺎﻳﻪﺍﻡ ﺧﻮﺭﺷﻴﺪ ﺗﺎﺑـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺩﻳــﺪﻡ‪ ٥‬ﺳــﻮﺍﺩ ﺷــﻬﺮﻫﺎ ﺗــﺎﺭﻳﮑﻲ ﺩﻝ ﺁﻭﺭﺩ ﻓﻴﺾ ﺟﻨﻮﻧﻢ ﻟﻄﻒ ﮐﻦ ﻭﻗﻒ ﺑﻴﺎﺑـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺁﺯﺍﺩ ﺍﻱ ﺧﻮﺵ ﺑﺎﻏﺒﺎﻥ ﻣﻦ ﻗﻤﺮﻱ ﺍﻳﻦ ﮔﻠﺸـﻨﻢ‬ ‫ﮔﺮ ﻣﻲﺗﻮﺍﻧﻲ ﺷـﺎﺩ ﺍﺯ ﺳـﺮﻭ ﺧﺮﺍﻣـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫»‪«۴۶‬‬ ‫ﮐﻲ ﺑﻪﺩﺍﻡ ﺧﻮﻳﺶ ﺁﺭﺩ ﻋﺸﻖ ﻫﺮ ﺩﻟﺒـﺮ ﻣـﺮﺍ ﻧﻴﺴﺖ ﺟﺰ ﻳﮏ ﺧﻮﺑﺮﻭ ﻣﺎﻧﻨـﺪ ﻧﻴﻠـﻮﻓﺮ ﻣـﺮﺍ‬ ‫ﺗﺎ ﺗﻮ ﺭﻓﺘﻲ ﺍﺯ ﭼﻤﻦ ﺍﻱ ﮔﻠﺒﻦ ﺯﻳﺒـﺎ ﺑـﺮﻭﻥ ﻣﻲﺯﻧﺪ ﻓﻮﺍﺭﻩﺍﻱ ﺍﻳﻦ ﮔﻠﺴـﺘﺎﻥ ﺧﻨﺠـﺮ ﻣـﺮﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺳﻴﺮ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺧﻮﻳﺸﺘﻦ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﺸﮏ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪ :‬ﺩﺳﺘﮕﻴﺮﻱ‪.‬‬ ‫‪ .٥‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﺑﻴﺖ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٥٥ //‬‬ ‫ﺷﻌﻠﺔ ﺁﻭﺍﺯ ﻣﻄﺮﺏ ﻃﺮﻓـﻪ ﺍﻋﺠـﺎﺯﻱ ﻧﻤـﻮﺩ ﺯﻧﺪﮔﻲ ﻣﺎﻧﻨﺪ ﺷﻤﻊ ﮐﺸـﺘﻪ ﺩﺍﺩ ﺍﺯ ﺳـﺮ ﻣـﺮﺍ‬ ‫ﻋﻨﺪﻟﻴﺐ ﻓﺎﺭﻍﺍﻟﺒـﺎﻟﻢ ﮐـﻪ ﺍﺯ ﺍﺧـﻼﺹ ﮔـﻞ ﻧﻴﺴﺖ ﻣﻨﻈﻮﺭ ﻧﻈـﺮ ﻫﺮﮔـﺰ ﺗـﻼﺵ ﺯﺭ ﻣـﺮﺍ‬ ‫ﺍﺯ ﻃﻔﻴــﻞ ﮔﺮﻳــﻪ ﻣﻨﻈــﻮﺭ ﻧﮕــﺎﻩ ﻣــﺮﺩﻣﻢ ﺩﺍﺩ ﺟﺎ ﺩﺭ ﺍﻧﺠﻤﻦ ﭼﻮﻥ ﺷﻤﻊ ﭼﺸﻢ ﺗﺮ ﻣﺮﺍ‬ ‫ﻣﻦ ﮐﻪ ﺷﻤﺸـﻴﺮ ﺍﺻـﻴﻞ ﺩﺭ ﻧﻴـﺎﻡ ﺁﺳـﻮﺩﻩﺍﻡ ﺭﻭﺯ ﻣﻴﺪﺍﻥ ﺑﺮ ﺗﻮ ﺭﻭﺷﻦ ﻣﻲﺷﻮﺩ ﺟﻮﻫﺮ ﻣﺮﺍ‬ ‫ﻣـﻲﺑـﺮﺩ ﺁﺯﺍﺩ ﺑـﺎ ﺧـﻮﺩ ﺩﺭ ﺟﻨـﺎﺏ ﮐﺒﺮﻳـﺎ‬ ‫ﻗﺒﻠــﺔ ﻋــﺎﻟﻢ ﺍﻣﻴﺮﺍﻟﻤــﺆﻣﻨﻴﻦ ﺣﻴــﺪﺭ ﻣــﺮﺍ‬ ‫»‪«۴۷‬‬ ‫ﻧﺪﺍﻧﺴــﺘﻨﺪ‪ ١‬ﺧﻮﺑــﺎﻥ ﺁﻩ ﻗــﺪﺭ ﺍﻟﻔــﺖ ﻣــﺎ ﺭﺍ ﺗﻠﻒ ﮐﺮﺩﻧـﺪ ﺑـﻲﺗﻘﺼـﻴﺮ ﺣـﻖ ﺧـﺪﻣﺖ ﻣـﺎ ﺭﺍ‬ ‫ﺳﺮﺕ ﮔﺮﺩﻳﻢ ﻗﺮﺑﺎﻧـﺖ ﺷـﻮﻳﻢ ﺍﻱ ﻗﺒﻠـﺔ ﻋـﺎﻟﻢ ﮐﻪ ﻣﻲﺳﺎﺯﺩ ﺭﻭﺍ ﺟـﺰ ﺁﺳـﺘﺎﻧﺖ ﺣﺎﺟـﺖ ﻣـﺎ ﺭﺍ‬ ‫ﺑـﺮﻭﻥ ﺍﺯ ﺑﻴﻀـﺔ ﻧـﻪ ﺁﺳـﻤﺎﻥ ﺩﺍﺭﺩ ﭘـﺮ ﺍﻓﺸـﺎﻧﻲ ﻧــﺪﺍﺭﺩ ﻃــﺎﺋﺮﻱ ﭘــﺮﻭﺍﺯ ﺑــﺎﻝ ﻫﻤ‪‬ــﺖ ﻣــﺎ ﺭﺍ‬ ‫ﺑﻪﻋﺎﻟﻢ ﻫﻴﭻ ﻋﻴﺒـﻲ ﺑـﺪﺗﺮ ﺍﺯ ﭘﻴـﺮﻱ ﻧﻤـﻲﺑﺎﺷـﺪ ﻧﮕﻬــﺪﺍﺭﺩ ﺧــﺪﺍ ﺩﺭ ﻧﻮﺟﻮﺍﻧــﺎﻥ ﻋــﺰﹼﺕ ﻣــﺎ ﺭﺍ‬ ‫ﺯ ﻣﻬﺘﺎﺏ ﺣـﻮﺍﺩﺙ ﭼـﻴﻦ ﺑـﻪﭘﻴﺸـﺎﻧﻲ ﻧﻴﻨـﺪﺍﺯﺩ ﺗﻤﺎﺷـﺎ ﻣـﻲﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﮐﺘـﺎﻥ ﻃﺎﻗـﺖ ﻣـﺎ ﺭﺍ‬ ‫ﮐﻪ ﺟﺰ ﺧﻮﺭﺷﻴﺪ ﭘﺮﺩﺍﺯﺩ ﺑﻪﺣﺎﻝ ﺷـﺒﻨﻢ ﮔﺮﻳـﺎﻥ ﺗـﻮﺍﻥ ﺩﻳـﺪﻥ ﺑـﻪﭼﺸـﻢ ﻣﻬﺮﺑـﺎﻧﻲ ﺭﻗـﺖ ﻣـﺎ ﺭﺍ‬ ‫ﻣﭙﺮﺱ ﺁﺯﺍﺩ ﺍﺯ ﻳﺎﺭﺍﻥ ﺑـﺎ ﺍﻧﺼـﺎﻑ ﺍﻳـﻦ ﻣﺤﻔـﻞ‬ ‫ﮐﻪ ﺳﺎﻗﻲ ﻧﻮﺵ ﺟﺎﻥ ﺧﻮﺩ ﮐﺮﺩ ﺟﺎﻡ ﻗﺴﻤﺖ ﻣﺎ ﺭﺍ‬ ‫»‪«۴۸‬‬ ‫ﻧﻤﻮﺩﻡ ﺻﺮﻑ ﺍﺧﻼﺹ ﻓﻘﻴﺮﺍﻥ ﻫﻤ‪‬ـﺖ ﺧـﻮﺩ ﺭﺍ ﺑﻪﺧﺎﺻـﺎﻥ ﺍﻟﻬـﻲ ﻋـﺎﻡ ﮐـﺮﺩﻡ ﺍﻟﻔـﺖ ﺧـﻮﺩ ﺭﺍ‬ ‫ﮐﻨـﺪ ﺗﻨﻬـﺎ ﻧﺸـﻴﻨﻲ ﺭﻭﺯﮔـﺎﺭ ﺷـﻤﻊ ﺭﺍ ﺿـﺎﻳﻊ ﺑﻪﺑﺰﻡ ﻣﺎ ﮐﺮﻡ ﮐـﻦ ﺯﻳﻨﺘـﻲ ﺩﻩ ﺩﻭﻟـﺖ ﺧـﻮﺩ ﺭﺍ‬ ‫ﻗﻴﺎﻣﺖ ﺑﺮ ﺳﺮ ﺁﺷـﻮﺏ ﺧـﻮﺩ ﺑﺴـﻴﺎﺭ ﻣـﻲﻧـﺎﺯﺩ ﺗﻮﻗﹼﻒ ﭼﻴﺴﺖ ﺍﺫﻥ ﺟﻠﻮﻩﺍﻱ ﺩﻩ ﻗﺎﻣﺖ ﺧـﻮﺩ ﺭﺍ‬ ‫ﭼﺮﺍ ﺍﻱ ﮔﻮﻫﺮ ﺷﻬﻮﺍﺭ ﻣﻲﻏﻠﻄـﻲ ﺑـﻪﻫـﺮ ﭘﻬﻠـﻮ ﭼﻨﻴﻦ ﺍﺭﺯﺍﻥ ﻧﮑﺮﺩﻱ ﮔﺮ ﺷﻨﺎﺳﻲ ﻗﻴﻤﺖ ﺧﻮﺩ ﺭﺍ‬ ‫ﺩﮔﺮ ﺍﻱ ﻣﺎﻩ ﻗﺮﺑﺎﻥ ﺳﺮﺕ ﮔﺮﺩﻡ ﭼﻪ ﻣﻲﺧﻮﺍﻫﻲ ﻧﻴـﺎﺯ ﺟﻠـﻮﻩﺍﺕ ﮐـﺮﺩﻡ ﮐﺘـﺎﻥ ﻃﺎﻗـﺖ ﺧـﻮﺩ ﺭﺍ‬ ‫ﺯﺑﺎﻥ ﮔﻔﺘﮕﻮﻳﻲ ﮔـﺮ ﻧـﺪﺍﺭﻱ ﻣ‪‬ﻬـﺮ ﺑـﺮ ﻟـﺐ ﺯﻥ ﻣﺪﻩ ﺍﺯ ﺩﺳﺖ ﺩﺭ ﺑﺰﻡ ﺣﺮﻳﻔﺎﻥ ﻋـﺰﹼﺕ ﺧـﻮﺩ ﺭﺍ‬ ‫ﭘﺴـﻨﺪ ﺁﻣـﺪ ﻣـﺮﺍ ﺁﺯﺍﺩ ﻃـﻮﺭ ﺯﻧـﺪﮔﻲ ﺍﺯ ﮔـﻞ‬ ‫ﻧﺜـﺎﺭ ﻋﻨــﺪﻟﻴﺒﺎﻥ ﮐــﺮﺩ ﻧﻘــﺪ ﻓﺮﺻــﺖ ﺧــﻮﺩ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬

‫‪ // ١٥٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۴۹‬‬ ‫ﮔﻞ‪ ١‬ﻧﮑـﺮﺩ ﺍﺯ ﺷـﻴﻮﺓ ﺍﻓﺘـﺎﺩﮔﻲ ﻧﻘﺼـﺎﻥ ﻣـﺎ ﮐﻢ ﻧﺸﺪ ﭼﻮﻥ ﺯﻟﻒ ﺧﻮﺑﺎﻥ ﺍﺯ ﺗﻨﺰﹼﻝ ﺷﺎﻥ ﻣﺎ‬ ‫ﺍﺯ ﻗـﺪﻭﻣﺖ ﺑـﺎﺯ ﺁﻣـﺪ ﺩﺭ ﺩﻝ ﻣـﺎ ﺟـﺎﻥ ﻣـﺎ ﻣﺮﺣﺒــﺎ ﺁﺑــﺎﺩ ﮐــﺮﺩﻱ ﺧﺎﻧــﺔ ﻭﻳــﺮﺍﻥ ﻣــﺎ‬ ‫ﺣﺴﻦ ﺧﻠﻖ ﻣﺎ ﻧﻤﻲﮔﺮﺩﺩ ﺑﻪﺩﻝ ﺩﺭ ﻫﻴﭻ ﺣﺎﻝ ﺯﺧﻢ ﺭﺍ ﻣﺮﻫﻢ ﺷﻮﺩ ﺑﻮﻱ ﮔﻞ ﻭ ﺭﻳﺤﺎﻥ ﻣـﺎ‬ ‫ﺍﺯ ﮐﻒ ﺩﻧﻴـﺎ ﺩﻝ ﺑـﻲﺗـﺎﺏ ﻣـﺎ ﺁﻣـﺪ ﺑـﺮﻭﻥ ﺁﻓـﺮﻳﻦ ﺑـﺮ ﺍﺿـﻄﺮﺍﺏ ﮔـﻮﻫﺮ ﻏﻠﻄـﺎﻥ ﻣـﺎ‬ ‫ﺁﻧﻘﺪﺭ ﺧﻮ ﮐﺮﺩ ﺩﻝ ﺑﺎ ﺍﻭ ﮐﻪ ﺑـﺎﺯ ﺁﻳـﺪ ﺍﮔـﺮ ﻣﻲﺗﻮﺍﻥ ﮔﻔﺘﻦ ﮐﻪ ﺷﺪ ﺑﻴﮕﺎﻧﻪﺍﻱ ﻣﻬﻤﺎﻥ ﻣـﺎ‬ ‫ﺭﻭﺯﮔﺎﺭﻱ ﺷﺪ ﮐﻪ ﺑﺎ ﻣﺎ ﻧﻴﺴﺖ ﻫﺮﮔﺰ ﺁﺷـﻨﺎ ﺟﺎﻥ ﻣﺎ ﻫﻢ ﮐﺮﺩ ﭘﻴﺪﺍ ﻭﺣﺸـﺖ ﺟﺎﻧـﺎﻥ ﻣـﺎ‬ ‫ﻣ‪‬ﻬــﺮ ﺑــﺮ ﻟــﺐ ﮐــﺮﺩ ﺁﺯﺍﺩ ﺍﺯ ﺛﻨــﺎﻱ ﺍﻏﻨﻴــﺎ‬ ‫ﻧﻴﺴـﺖ ﺍﺭﺑـﺎﺏﹺ ﺩ‪‬ﻭ‪‬ﻝ ﺭﺍ ﺑـﺎﺭ ﺩﺭ ﺩﻳـﻮﺍﻥ ﻣـﺎ‬ ‫»‪«۵۰‬‬ ‫ﮔﺮ‪ ٢‬ﺯ ﺧـﻮﺩ ﺩﻭﺭ ﮐـﺮﺩﻩﺍﻧـﺪ ﻣـﺮﺍ ﺑـﺎ ﺗـﻮ ﻣﺤﺸـﻮﺭ ﮐـﺮﺩﻩﺍﻧـﺪ ﻣـﺮﺍ‬ ‫ﺍﺯ ﮔـﻞ ﻣـﻦ ﮐﺸـﻴﺪﻩﺍﻧـﺪ ﮔـﻼﺏ ﺑــﻲﺯﺭ ﻭ ﺯﻭﺭ ﮐــﺮﺩﻩﺍﻧــﺪ ﻣــﺮﺍ‬ ‫ﻧﻤﮑــﻲ ﺑــﺮ ﺟــﺮ‪‬ﺍﺣﺘﻢ ﺯﺩﻩﺍﻧــﺪ ﻳﮏ ﺟﻬﺎﻥ ﺷـﻮﺭ ﮐـﺮﺩﻩﺍﻧـﺪ ﻣـﺮﺍ‬ ‫ﭼــﻪ ﻗــﺪﺭﻫﺎ ﺑــﻪﺗﻨــﮓ ﺁﻣــﺪﻩﺍﻡ ﺩﺭ ﺩﻝ ﻣــﻮﺭ ﮐــﺮﺩﻩﺍﻧــﺪ ﻣــﺮﺍ‬ ‫ﻋﺸﻖ ﺩﺍﻧﺪ ﮐـﻪ ﺍﺯ ﻏﻤـﺶ ﺷـﺎﺩﻡ ﺑـﻪﭼـﻪ ﻣﺴـﺮﻭﺭ ﮐـﺮﺩﻩﺍﻧـﺪ ﻣـﺮﺍ‬ ‫ﻗﻄﺮﻩﺍﻱ ﻣ‪‬ﻲ ﺑﻪﻣ‪‬ﻠﮏ‪ ‬ﺟـﻢ ﻧـﺪﻫﻢ ﺑـﺲﮐـﻪ ﻣﺨﻤـﻮﺭ ﮐـﺮﺩﻩﺍﻧـﺪ ﻣـﺮﺍ‬ ‫ﺛــﺎﺑﺘﻢ ﺑــﻲﺣﺮﺍﺳــﺖ ﺿــﺎﻣﻦ ﻃﺮﻓــﻪ ﮐــﺎﻓﻮﺭ ﮐــﺮﺩﻩﺍﻧــﺪ ﻣــﺮﺍ‬ ‫ﺩﺭ ﻣﺤﺒ‪‬ــﺖ ﺯﻫــﻲ ﺧﺮﺍﺑــﻲ ﻣــﻦ ﺍﺯ ﺗــﻮ ﻣﻌﻤــﻮﺭ ﮐــﺮﺩﻩﺍﻧــﺪ ﻣــﺮﺍ‬ ‫ﺟﻠــــﻮﻩﮔــــﺎ‪‬ﻩ ﺗﺠﻠﹼــــﻴﻢ ﺁﺯﺍﺩ‬ ‫ﺷــﺠﺮ ﻃــﻮﺭ ﮐــﺮﺩﻩﺍﻧــﺪ ﻣــﺮﺍ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﻧﺪﻭﻩ ﻧﻴﺎﻣﺪﻩ‪.‬‬ ‫‪ .٢‬ﻫﻤﺎﻥ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٥٧ //‬‬ ‫»‪«۵۱‬‬ ‫ﺧﻮﺍﻫـﺪ ﺯﻣـﻴﻦﹺ ﻣــﺎ ﻗـﺪﻡﹺ ﺁﻥ ﺟﻨــﺎﺏ ﺭﺍ ﺍﻳــﻦ ﺟــﺎﻱ ﺗــﺎﺭ ﻣــﻲﻃﻠﺒــﺪ ﺁﻓﺘــﺎﺏ ﺭﺍ‬ ‫ﻣﺴـﺮﻭﺭ ﮐـﻦ ﻃﺒﻴﻌـﺖ‪ ‬ﻧﺎﺷـﺎﺩ‪ ‬ﻣﺨﻠﺼـﺎﻥ ﺁﺑـﺎﺩ ﺳـﺎﺯ ﺍﺯ ﺳـﺮﹺ ﻧـﻮ ﺍﻳـﻦ ﺧـﺮﺍﺏ ﺭﺍ‬ ‫ﮐــﺮﺩﻡ ﻋــﻼﺝ ﺩﺭﺩ‪ ‬ﺩﻝﹺ ﺧــﻮﺩ ﺯ ﺩﺭﺩ‪ ‬ﺩﻝ ﺍﺯ ﻣﻲ ﺗﻮﺍﻥ ﺷﮑﺴـﺖ ﺧﻤـﺎﺭﹺ ﺷـﺮﺍﺏ ﺭﺍ‬ ‫ﺩﺭ ﻭﺻــﻞ ﺑﻴﻘــﺮﺍﺭﻱ ﻋﺎﺷــﻖ ﻧﻤــﻲﺭﻭﺩ ﺩﺍﺭﻡ ﮔــﻮﺍ‪‬ﻩ ﺧــﻮﻳﺶ ﮔــﻞﹺ ﺁﻓﺘــﺎﺏ ﺭﺍ‬ ‫ﺍﻧﺠﺎﻡ ﺷﻮﺥ ﭼﺸﻤﻲ ﺑﻲﻣﻐﺰ ﻇﺎﻫﺮ ﺍﺳـﺖ ﺑﺮﺑــﺎﺩ ﺩﺍﺩ ﺧﻴــﺮﻩﺳــﺮﻱﻫــﺎ ﺟﻨــﺎﺏ ﺭﺍ‬ ‫ﺟﺰ ﻋﮑﺲ ﺯﻟﻒ ﻳﺎﺭ ﮐـﻪ ﺍﻓﺘـﺪ ﺩﺭ ﺁﻳﻴﻨـﻪ ﭼﺸﻢ ﮐـﻪ ﺩﻳـﺪ ﻗﺎﺗـﻞ ﮐـﺲ ﻣـﺎﺭ ﺁﺏ ﺭﺍ‬ ‫ﺍﻱ ﮔﻞ ﻧﮕﺎﻩ ﺑﻠﺒﻞ ﻣﺴﮑﻴﻦ ﺑﻪﻓﻴﺾ ﺗﺴﺖ ﺑــﺎﺭﻱ ﺯﮐــﺎﺕ ﺩﻩ ﺯﺭ ﮐﺎﻣــﻞ ﻧﺼــﺎﺏ ﺭﺍ‬ ‫ﺩﺭ ﻋﺸﻖ ﻫﻢ ﻃﺒﻴﻌﺖ ﻧﺎﺯﮎ ﺯ ﻣﺎ ﻧﺮﻓـﺖ‪ ١‬ﺯﻧﻬـﺎﺭ ﺑﺮﻧﺪﺍﺷـﺖ ﺯ ﺧﻮﺑـﺎﻥ ﺣﺴـﺎﺏ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﺳـــﻠﻴﻘﺔ ﺗﺼـــﻨﻴﻒ ﺩﻟﺮﺑﺎﺳـــﺖ‬ ‫ﺗﺤﺮﻳــﺮ ﻣــﻲﮐﻨــﺪ ﺳــﺨﻦﹺ ﺍﻧﺘﺨــﺎﺏ ﺭﺍ‬ ‫»‪«۵۲‬‬ ‫ﺭﻫــﺎﮐﻦ ﺍﺯ ﮔــﺮ‪‬ﻩ ﺩﺍﻡ ﻋﻨﺒــﺮﻳﻦ ﺩﻝ ﺭﺍ ﺑﻪﻋﻠﻢ ﺷﺎﻧﻪ ﺷﮑﻦ ﺍﻳﻦ ﻃﻠﺴﻢ ﻣﺸﮑﻞ ﺭﺍ‬ ‫ﭼﺮﺍ ﺯ ﺣﻠﻘـﺔ ﺍﺣﺒـﺎﺏ ﻣـﻲﺭﻭﻱ ﺑﻴـﺮﻭﻥ ﻣﮑﻦ ﺑـﺮﺍﻱ ﺧـﺪﺍ ﺑـﻲﭼـﺮﺍﻍ ﻣﺤﻔـﻞ ﺭﺍ‬ ‫ﺯ ﺷﺮﻡ ﺍﻳﻦ ﮐﻪ ﺑﻪﻗﺎﺗﻞ ﺭﺳﻴﺪ ﻣﺤﻨﺖ ﻗﺘﻞ ﺧﺠﺎﻟـﺖ ﻋﺠﺒـﻲ ﺩﺳـﺖ ﺩﺍﺩ ﺑﹺﺴـﻤﻞ ﺭﺍ‬ ‫ﺟﻤـﺎﻋﺘﻲ ﮐـﻪ ﮔﺰﻳﺪﻧـﺪ ﺷـﻴﻮﺓ ﻭﺣـﺪﺕ ﮐــﻢ ﺍﺯ ﮔﻬــﺮ ﻧﺸﻨﺎﺳــﻨﺪ ﻣ‪‬ﻬــﺮﺓ ﮔ‪‬ــﻞ ﺭﺍ‬ ‫ﺑـﻪﮐﻌﺒـﻪ ﻗﺎﻓﻠـﺔ ﺷـﺎﻡ ﻣـﻲﺑ‪‬ـﺮﺩ ﻣﺤﻤـﻞ ﺗــﻮ ﻫــﻢ ﺑﺒــﺮ ﺯ ﺩﻝ ﺑﻴﻘــﺮﺍﺭ ﻣﺤﻤــﻞ ﺭﺍ‬ ‫ﺭﺳــﺎﻧﺪ ﭘﺎﻳــﺔ ﻣﻌﻨــﻲ ﺑــﻪﺁﺳــﻤﺎﻥ‪ ‬ﻧﻬــﻢ ﺑﻠﻨــﺪ ﻃﺒــﻊ ﺷﻨﺎﺳــﺪ ﮐــﻼﻡﹺ ﺑﻴــﺪﻝ‪ ٢‬ﺭﺍ‬ ‫ﺩﻝ ﺭﻣﻴـــﺪﺓ ﺁﺯﺍﺩ ﺭﺍ ﻣﻘﻴ‪‬ـــﺪ ﺳـــﺎﺧﺖ‬ ‫ﺧﺪﺍ ﺟﺰﺍ ﺩﻫـﺪ ﺁﻥ ﻋﻨﺒـﺮﻳﻦ ﺳﻼﺳـﻞ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﺮﻓﺖ‪.‬‬ ‫‪ .٢‬ﻣﻴﺮﺯﺍ ﻋﺒﺪﺍﻟﻘﺎﺩﺭ ﺑﻴﺪﻝ ﻋﻈﻴﻢ ﺁﺑﺎﺩﻱ )‪ ١٠٥٤-١١٣٣‬ﻫ‪ ١٦٤٤-١٧٢٠/‬ﻡ( ﺷﺎﻋﺮ ﻭ ﻧﻮﻳﺴﻨﺪﺓ ﻣﻌﺮﻭﻑ ﻫﻨﺪ ﮐﻪ ﺑﻌﻀﻲﻫﺎ ﻭﻱ‬ ‫ﺭﺍ ﺑﻪﻏﻠﻂ »ﺩﻫﻠﻮﻱ» ﻭ »ﻻﻫﻮﺭﻱ« ﻫﻢ ﻧﻮﺷﺘﻪﺍﻧﺪ ﻭ ﻣﻲﻧﻮﻳﺴﻨﺪ ﻭ ﺑﺮﺍﻱ ﺷﺮﺡ ﺣﺎﻝ ﺭﮎ ﺑﻪ‪ :‬ﺗﺬﮐﺮﺓ ﺣﺴﻴﻨﻲ‪٧٤-٧٧ ،‬؛‬ ‫ﺳﺮﻭ ﺁﺯﺍﺩ‪١٤٨-١٥٤ ،‬؛ ﺧﺰﺍﻧﺔ ﻋﺎﻣﺮﻩ‪١٥٢-١٦٧ ،‬؛ ﮐﻠﻤﺎﺕﺍﻟ ﹼﺸﻌﺮﺍ‪١٤-١٨ ،‬؛ ﺷﻤﻊ ﺍﻧﺠﻤﻦ‪٨٢-٨٦ ،‬؛ ﺭﻳﺎﺽﺍﻟﻌﺎﺭﻓﻴﻦ‪٤٤ ،‬؛‬ ‫ﻧﺘﺎﺋﺞﺍﻻﻓﮑﺎﺭ‪١١٢-١١٨ ،‬؛ ﻧﺼﺮﺁﺑﺎﺩﻱ‪٤٥١ ،‬؛ ﻋﻘﺪ ﺛﺮ‪‬ﻳﺎ‪١٦-١٧ ،‬؛ ﺷﺎﻡ ﻏﺮﻳﺒﺎﻥ‪٥٢-٥٥ ،‬؛ ﺳﻔﻴﻨﺔ ﺧﻮﺷﮕﻮ‪١٠٣-١٤٧ ،‬؛‬ ‫ﺳﻔﻴﻨﺔ ﻫﻨﺪﻱ‪٢٨-٢٩ ،‬؛ ﺭﻳﺎﺽﺍﻟﺸﻌﺮﺍﻱ ﻭﺍﻟﻪ‪١٣٣-١٣٤ ،‬؛ »ﺷﺎﻋﺮ ﺁﻳﻨﻪﻫﺎ« ﺍﺯ ﺩﮐﺘﺮ ﻣﺤ ‪‬ﻤﺪ ﺭﺿﺎ ﺷﻔﻴﻌﻲ ﮐﺪﮐﻨﻲ‪،‬‬ ‫ﺍﻧﺘﺸﺎﺭﺍﺕ ﺁﮔﺎﻩ ﺗﻬﺮﺍﻥ‪.١٣٦٦ ،‬‬

‫‪ // ١٥٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۵۳‬‬ ‫ﺍﻧﺪﻳﺸـﺔ ﺯﻳـﺎﻥ‪ ‬ﮐﺴـﻲ ﻧﺴـﻴﺖ ﮐـﺎﺭﹺ ﻣــﺎ ﺑــﺎ ﭘﻨﺒــﻪﺍﻱ ﻧﮑــﺮﺩ ﺷــﺮﺍﺭﺕ ﺷــﺮﺍﺭ ﻣــﺎ‬ ‫ﻫﺮﭼﻨﺪ ﻧﻮ ﺑﻬـﺎﺭ ﺟﻬـﺎﻥ ﺭﺍ ﻓـﺮﻭ ﮔﺮﻓـﺖ ﻣﻨﺖ ﭘﺬﻳﺮ ﻧﻴﺴﺖ ﺯ ﻳﮏ ﮔـﻞ‪ ،‬ﻫـﺰﺍﺭ ﻣـﺎ‬ ‫ﺭﻭﮐـﺶ ﻣﺴـﺎﺯ ﺁﻳﻴﻨــﺔ ﺷـﻮﺥ ﭼﺸــﻢ ﺭﺍ ﺗﻘﺼـﻴﺮ ﻣﻨــﺪ ﻧﻴﺴــﺖ ﺩﻝ ﺑـﻲﻏﺒــﺎﺭ ﻣــﺎ‬ ‫ﻣﻤﻨــﻮﻥ ﺁﺗﺸــﻴﻦ ﻧﻔــﺲ ﺧﺎﻣــﺔ ﺧــﻮﺩﻳﻢ ﺗﺎ ﺻﺒﺢ ﻣﺤﺸـﺮ ﺍﺳـﺖ ﭼـﺮﺍﻍ ﻣـﺰﺍﺭ ﻣـﺎ‬ ‫ﺩﺭ ﺣــﻖ ﺁﺷــﻨﺎﺋﻲ ﻣــﺎ ﮐــﻮﺗﻬﻲ ﻣﮑــﻦ ﺁﺧـﺮ ﺗـﻮ ﺭﻭﺯ ﺣﺸـﺮ ﻧﻴـﺎﺋﻲ ﺑـﻪﮐـﺎﺭ ﻣـﺎ‬ ‫ﺗﺎ ﭼﻨﺪ ﺍﺯ ﺗﻐﺎﻓﻞ ﭼﺸﻢ ﺗﻮ ﺧـﻮﻥ ﺷـﻮﻳﻢ ﺑﺸﮑﻦ ﺯ ﺟﺎﻡ ﻣﺮﺣﻤﺖ ﺧـﻮﺩ ﺧﻤـﺎﺭ ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﺩﻳــﺎﺭ ﺩﮔــﺮ ﻣــﻲﺭﺳــﺪ ﺑﻬــﻢ‬ ‫ﮔﺮ ﻧﻴﺴﺖ ﻗـﺪﺭﺩﺍﻥ ﺳـﺨﻦ ﺩﺭ ﺩﻳـﺎﺭﹺ ﻣـﺎ‬ ‫»‪«۵۴‬‬ ‫ﹸﮐﺸﺘﻲ ﻭ ﺻـﺪ ﻫـﺰﺍﺭ ﺩﻋـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ ﺣــ ّﻖﹺ ﻣﺤﺒ‪‬ــﺖ‪ ‬ﺗــﻮ ﺍﺩﺍ ﻣــﻲﮐﻨــﻴﻢ ﻣــﺎ‬ ‫ﻳﺎﺭﺍﻥ‪ ،‬ﺻﺒﺎﺡ‪ ١‬ﻭ ﺷﺎﻡ ﺩﻋـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ ﺧﻮﺵ ﺧﺪﻣﺘﻲ ﺑﺮﺍﻱ ﺷﻤﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫ﺩﺭ ﻭﺻـﻞ ﻧﻴﺴـﺖ ﻟـﺬﹼﺕ ﻫﻨﮕﺎﻣـﺔ ﻓـﺮﺍﻕ ﭘﺮﻭﺍﻧـﻪ ﺭﺍ ﺯ ﺷـﻤﻊ ﺟـﺪﺍ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫ﺩﻝ ﺭﺍ ﻧﮕـﺎﻩ ﭼﺸـﻢ ﮐﺴـﻲ ﻳـﺎﺩ ﺩﺍﺩﻩﺍﻳـﻢ ﻣﺠــﺮﻭﺡ ﺭﺍ ﺯ‪ ٢‬ﺑــﺎﺩﻩ ﺩ‪‬ﻭﺍ ﻣــﻲﮐﻨــﻴﻢ ﻣــﺎ‬ ‫ﭼﻮﻥ ﻧﺨﻞ ﻣﻮﻡ ﺩﻝ ﺑـﻪﺗﻌﻠﹼـﻖ ﻧﺒﺴـﺘﻪﺍﻳـﻢ ﻓﺎﺭﻍ ﺯ ﺭﻳﺸﻪ ﻧﺸـﻮ ﻭ ﻧﻤـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫ﺭﻓﺘﻲ ﺑﻘﻮﻝ ﺣﺮﻑ ﺗﺮﺍﺷﺎﻥ ﺯ ﺟﺎﻱ ﺧـﻮﺩ ﺍﻇﻬـﺎﺭ ﺷـﮑﻮﺓ ﺗـﻮ ﺑﺠـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫ﺍﺣــﺮﺍﻡ ﺁﺳــﺘﺎﻥ ﺗــﻮ ﺑﺴــﺘﻴﻢ ﺍﺯ ﺣــﺮﻡ ﻓﺮﺿﻲ ﮐﻪ ﻓﻮﺕ ﮔﺸﺖ ﻗﻀﺎ ﻣﻲﮐﻨﻴﻢ ﻣـﺎ‬ ‫ﺩﺍﻧﺎ ﺑـﻪﺯﻟـﻒ ﻃـﻮﻝ ﹶﺍﻣـﻞ ﺩﻝ ﻧﻤـﻲﺩﻫـﺪ ﺧﻮﺩ ﺭﺍ ﺍﺯ ﺍﻳﻦ ﮐﻤﻨﺪ ﺭﻫـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﻓﺮﻧــــﮓ ﻣﺤﺒ‪‬ــــﺖ ﻣﻘﻴ‪‬ــــﺪﻳﻢ‬ ‫ﮔﺮ ﺟ‪‬ـﻮﺭ ﮐـﺮﺩ ﻳـﺎﺭ‪ ،‬ﻭﻓـﺎ ﻣـﻲﮐﻨـﻴﻢ ﻣـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺻﺒﺢ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺯﻳﺎﺩﻩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٥٩ //‬‬ ‫»‪«۵۵‬‬ ‫ﻣــﻲﺩﺍﺩ ﭼﺸــﻢﹺ ﻳــﺎﺭ ﺩﻝﹺ ﺯﺧــﻢ ﺩﻳــﺪﻩ ﺭﺍ ﺩﺍﻧﺪ ﮐﻪ ﻧﺎﻓﻊ ﺍﺳـﺖ ﺟﺮ‪‬ﺍﺣـﺖ ﺭﺳـﻴﺪﻩ ﺭﺍ‬ ‫ﺧﻄﹼﺶ ﺩﻣﻴﺪ ﻭ ﻭﺣﺸﻲ ﺩﻝ ﺭﺍ ﺍﺳﻴﺮ ﮐـﺮﺩ ﻧــﻮ ﭼــﺎﮐﺮﻱ ﮔﺮﻓــﺖ ﻏــﺰﺍﻝ ﺭﻣﻴــﺪﻩ ﺭﺍ‬ ‫ﭘﻴﺮﻱ ﺭﺳـﻴﺪ‪ ،‬ﺑـﺮ ﺩﺭﹺ ﻃﺎﻋـﺖ ﻣﻘـﻴﻢ ﺷـﻮ ﺿــﺎﻳﻊ ﻣﺴــﺎﺯ ﺣﻠﻘــﺔ ﻗــﺪ‪ ‬ﺧﻤﻴــﺪﻩ ﺭﺍ‬ ‫ﺍﻳﻦ ﺁﺳﻤﺎﻥ ﮐﻪ ﺩﺷﻤﻦ ﺁﺳﺎﻳﺶ ﺧﻮﺩ ﺍﺳﺖ ﮐﻲ ﺳﺮ ﺩﻫﺪ ﺑـﻪﺣﺎﻟـﺖ‪ ‬ﺧـﻮﺩ ﺁﺭﻣﻴـﺪﻩ ﺭﺍ‬ ‫ﻫﺮ ﺟﺎ ﺭﻓﺖ ﺑﺎﻍ ﻭ ﺑﻬـﺎﺭ ﺍﺳـﺖ ﺩﺭ ﻧﻈـﺮ ﺩﺍﻣــﻦ ﺯ ﺧــﺎﺭﺯﺍﺭﹺ ﻋﻼﻳــﻖ ﮐﺸــﻴﺪﻩ ﺭﺍ‬ ‫ﻋﻴﺸﻲ ﮐﻪ ﺭﻓﺖ ﺑﺎﺯ ﻧﻴﺎﻳﺪ ﺑـﻪﺟـﺎﻱ ﺧـﻮﺩ ﻧﺘــﻮﺍﻥ ﮔﺮﻓــﺖ ﺩﺍﻣــﻦﹺ ﺭﻧــﮓ‪ ‬ﭘ‪‬ﺮﻳــﺪﻩ ﺭﺍ‬ ‫ﻧﺎﺯﻡ ﺑﻪﺻﺎﺣﺒﻲ ﮐﻪ ﺳـﺮﺍﭘﺎ ﻣـﺮﻭ‪‬ﺕ ﺍﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﮐـــﺮﺩ ﭘﻴـــﺮ ﻏـــﻼﻡ ﺧﺮﻳـــﺪﻩ ﺭﺍ‬ ‫»‪«۵۶‬‬ ‫ﻣﻐــﺮﻭﺭ ﮐــﺮﺩ ﭘ‪‬ﺮﺗــﻮ ﺧﻮﺭﺷــﻴﺪ ﻣــﺎﻩ ﺭﺍ ﭘﻴــــﺮﺍﻫﻦ ﺳــــﻔﻴﺪ ﻏــــﻼﻡ ﺳــــﻴﺎﻩ ﺭﺍ‬ ‫ﻇﻞﹼ ﻫﻤﺎ ﻋﺠﺐ ﮐﻪ ﭘﺴـﻨﺪ ﺍﺳـﺖ ﺷـﺎﻩ ﺭﺍ ﺑــﺮ ﺳــﺮ ﮔﺮﻓﺘــﻪ ﺍﺳــﺖ ﺑــﻼﻱ ﺳــﻴﺎﻩ ﺭﺍ‬ ‫ﺩﻝ ﺭﺍ ﺑﻪﺟـﺰ ﺟﻨـﺎﺏﹺ ﻣﻘـﺪ‪‬ﺵ ﮐﺠـﺎ ﺑ‪‬ـﺮﻡ ﺍﻳــﻦ ﻟﻌــﻞﹺ ﺁﺑــﺪﺍﺭ ﺳــﺰﺩ ﺑﺎﺩﺷـــﺎﻩ ﺭﺍ‬ ‫ﻋﺸﹼــﺎﻕ ﺭﺍ ﻓﮕﻨــﺪ ﺯ ﭘــﺎ ﻃﻔــﻞﹺ ﻧﹶﻮﺭﺳــﻲ ﻳﮏ ﻧﻴﺴﻮﺍﺭ ﺩﺍﺩ ﺷﮑﺴـﺖ ﺍﻳـﻦ ﺳـﭙﺎﻩ‪ ١‬ﺭﺍ‬ ‫ﺣﻴﺮﺍﻥ ﮔﻮﺷـﻪ ﮔﻴـﺮﻱ ﺳـﻴﻤﺎﺏ ﮔﺸـﺘﻪﺍﻡ ﺑﺎ ﻭﺻﻒ ﺍﺿـﻄﺮﺍﺏ ﻭﻃـﻦ ﮐـﺮﺩ ﭼـﺎﻩ ﺭﺍ‬ ‫ﺩﺭ ﻋﺠﺰ ﮐﻮﺵ ﻭ ﺷﻴﻮﺓ ﻧﺨﻮﺕ ﻓـﺮﻭ ﮔـﺬﺍﺭ ﺗﺴــﻠﻴﻢ ﻧﻔــﺲ ﺳــﺎﺯ ﺷﮑﺴــﺖ ﮐــﻼﻩ ﺭﺍ‬ ‫ﺑــﺎ ﺷــﻮﺭ ﺍﺣﺘﺸــﺎﻡ ﺩﻣــﺎﻏﻢ ﻭﻓــﺎ ﻧﮑــﺮﺩ ﻳﮏ ﺩﺳﺖ ﭘﺸﺖ ﭘﺎ ﺯﺩﻩﺍﻡ ﺣ‪‬ـ ‪‬ﺐ ﺟـﺎﻩ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﮔﺮﭼـﻪ ﺩﺍﻡﹺ ﻋﻼﻳـﻖ ﮔﺴﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺑﺎﺷــﺪ ﻏــﻼﻡﹺ ﺷــﺎﻩ ﻭﻻﻳــﺖ ﭘﻨــﺎﻩ ﺭﺍ‬ ‫»‪«۵۷‬‬ ‫ﺻــﺒﺎ ﭘﻴــﺎﻡ ﺭﺳــﺎﻥ ﺁﻥ ﺑﻬــﺎﺭﹺ ﺭﻋﻨــﺎ‪ ‬ﺭﺍ ﮐﻪ ﺩﺍﺩ ﺑـﻮﻱ ﺗـﻮ ﺳـﺮﻣﺎﻳﺔ ﺟﻨـﻮﻥ‪ ‬ﻣـﺎ ﺭﺍ‬ ‫ﺗﻮﺍﻥ ﺯ ﺳﻮﺧﺘﮕﺎﻥ ﻳﺎﻓﺖ ﻣﻨـﺰﻝﹺ ﻣﻘﺼـﻮﺩ ﮐـﻪ ﺭﺍﻩ ﻣـﺎﻫﻲ ﺑﺮﻳـﺎﻥ ﻧﻤـﻮﺩ ﻣﻮﺳٰـﻲ ﺭﺍ‬ ‫ﺍﻣﻴــﺪ ﺳــﻮﺩ ﺑــﻪﺑــﺎﺯﺍﺭﹺ ﺁﺧــﺮﺕ ﺩﺍﺭﻳــﻢ ﻓــﺮﻭﺧﺘﻴﻢ ﺑــﻪﺍﻳــﻦ ﻧﹺﺴــﻴﻪ ﻧﻘــﺪ‪ ‬ﺩﻧﻴــﺎ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺳﻮﺍﺭ‪.‬‬

‫‪ // ١٦٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﭼـﺮﺍ ﺑـﻪﺁﺷـﺘﻲ ﻣـﺎ ﻧﻤـﻲﺷـﻮﻱ ﺭﺍﺿـﻲ ﻧﻤﻲﮐﻨﻴﻢ ﺩﺭ ﺍﻳﻦ ﺻـﻠﺢ ﺷـﺮﻁ ﺣﻠـﻮﺍ ﺭﺍ‬ ‫ﺍﮔﺮ ﻫـﻮﺍﻱ ﺗـﻮ ﺍﺯ ﺩﻝ ﺑـﺮﻳﻢ ﻣـﻲﺷـﮑﻨﺪ ﮐﻪ ﺍﺯ ﺧﻼﺳﺖ ﺳـﻼﻣﺖ ﻣﺤـﺎﻝ ﻣﻴﻨـﺎ ﺭﺍ‬ ‫ﺩﻻ ﺑﻪﮔﺮﻳﻪ ﺷﻨﺎ ﮐﻦ ﮐﻪ ﺳﺎﮐﻦ ﻟـﺐ ﺑﺤـﺮ ﻋﺠـﺐ ﮐـﻪ ﻳـﺎﺩ ﻧﮕﻴـﺮﺩ ﺷـﻨﺎﻱ ﺩﺭﻳـﺎ ﺭﺍ‬ ‫ﻧﻤــﻲﺭﻭﺩ ﺑــﻪﺗﻤﺎﺷــﺎﺋﻲ ﮔﻠﺴــﺘﺎﻥ ﺁﺯﺍﺩ‬ ‫ﮔﺮﻓـﺖ ﺩﺍﻣـﻦ ﺁﻥ ﺷـﻮﺥ ﺳـﺮﻭ ﺑـﺎﻻ ﺭﺍ‬ ‫»‪«۵۸‬‬ ‫ﻋـﺎﻟﻤﻲ ﺷـﮑﻮﻩ ﮐﻨـﺪ ﻧـﺮﮔﺲ ﻓﺘﹼـﺎﻥ‪ ‬ﺗـﺮﺍ ﮐــﺮﺩ ﺗﻌﻠــﻴﻢ ﻣــﻲﺍﻃﻔــﺎﻝ ﺩﺑﺴــﺘﺎﻥ‪ ‬ﺗــﺮﺍ‬ ‫ﻋﻨﺪﻟﻴﺐ ﺍﺯ ﺳﺮ ﺍﺧـﻼﺹ ﺳـﺘﺎﻳﺪ ﮔـﻞ ﺭﺍ ﻃﻤـﻊ ﺧـﻮﺭﺩﺓ ﺭﺯ ﻧﻴﺴـﺖ ﺛﻨـﺎﺧﻮﺍﻥ‪ ‬ﺗـﺮﺍ‬ ‫ﺭﺳــﻢ ﺩﻟــﺪﺍﺭﻱ ﻋﺸﹼــﺎﻕ ﺑﺠــﺎ ﻣــﻲﺁﺭﺩ ﺁﻓــﺮﻳﻦ ﺣﻮﺻــﻠﺔ ﺯﻟــﻒ ﭘﺮﻳﺸــﺎﻥ‪ ‬ﺗــﺮﺍ‬ ‫ﺗﻮ ﺑﻪﺍﻳﻦ ﻧﺎﺯ ﻭ ﺍﺩﺍ ﮔـﺮ ﺑـﻪﮔﻠﺴـﺘﺎﻥ ﺁﺋـﻲ ﺷﺎ ﹺﺥ ﮔﻞ ﺳﺠﺪﻩ ﮐﻨﺪ ﺳﺮﻭﹺ ﺧﺮﺍﻣـﺎﻥ‪ ‬ﺗـﺮﺍ‬ ‫ﺑﻴﺶ ﺍﺯ ﺍﻳﻦ ﺧﺪﻣﺖ ﺩﺭﮔـﺎﻩ ﭼـﻪ ﺁﻳـﺪ ﺍﺯ ﮐـﻪ ﭘـﺮ ﻭ ﺑـﺎﻝ ﮐـﻨﻢ ﻧـﺬﺭ ﭼﺮﺍﻏـﺎﻥ‪ ‬ﺗـﺮﺍ‬ ‫ﺗﻣـﺎــﮐـﻨـــﺪـــﺧــﻀــــﺮـﺗـﻤـﺎــﺷــﺎــﭼــﻤـــﻦــﻋــﺎﻟــﻢـﺭﺍﻦ ﻳــﺎﺩ ﺍﻳ‪‬ــﺎﻡ ﺑﻘــﺎ ﺳــﺮﻭﹺ ﮔﻠﺴــﺘﺎﻥ‪ ‬ﺗــﺮﺍ‬ ‫ﺑﺲﮐﻪ ﺍﻳﺠـﺎﺩ ﮐﻨـﻲ ﻣﻌﻨـﻲ ﺭﻧﮕـﻴﻦ ﺁﺯﺍﺩ‬ ‫ﻣﻲﺗﻮﺍﻥ ﮔﻔﺖ ﭼﻤﻦ ﻧﺴـﺨﺔ ﺩﻳـﻮﺍﻥ‪ ‬ﺗـﺮﺍ‬ ‫»‪«۵۹‬‬ ‫ﺯ ﻳــﺎﺭ ﻣــﺎ ﻧﮕــﻪ ﺁﺷﻨﺎﺳــﺖ ﺟﻠــﻮﻩ ﻧﻤــﺎ ﺧﻼﻑ ﻃﺒﻊ ﻣﺒﺎﺭﮎ ﻭﻓﺎﺳـﺖ ﺟﻠـﻮﻩ ﻧﻤـﺎ‬ ‫ﺧﻤﻴﺮ ﻣﺎﻳـﺔ ﺯﺭﻫﺎﺳـﺖ ﻣﺸـﺖ ﺍﮐﺴـﻴﺮﻱ ﺯ ﺧﺎﮐﺴـﺎﺭﻱ ﻣـﺎ ﮐﺒﺮﻳﺎﺳـﺖ ﺟﻠـﻮﻩ ﻧﻤـﺎ‬ ‫ﻏﻠﻂ ﻣﮑﻦ ﺍﮔـﺮ ﺁﻫـﻦ ﺑﺮﻧـﮓ ﺁﺗـﺶ ﺷـﺪ ﮐﻪ ﻫﺮ ﻳﮑﻲ ﺑﻪﺣﻘﻴﻘﺖ ﺟﺪﺍﺳﺖ ﺟﻠﻮﻩ ﻧﻤﺎ‬ ‫ﭼﻮ ﻣﻬﺮ ﺟﺎﻣﺔ ﺧﻮﺩ ﻫﺮ ﺳﺤﺮ ﺳﻔﻴﺪ ﮐﻨـﺪ ﺯ ﻃﺒﻊ ﻫﺮﮐﻪ ﻓﺮﻭﻍ ﺻﻔﺎﺳـﺖ ﺟﻠـﻮﻩ ﻧﻤـﺎ‬ ‫ﻣــﺮﺍ ﻣﺸــﺎﻫﺪﻩ ﺷــﺪ ﺩﺭ ﻣﺪﻳﻨــﺔ ﻧﺒــﻮﻱ ﮐﻪ ﺁﺏﹺ ﺧﻀﺮ ﺯ ﺧﺎﮎ ﺷﻔﺎﺳﺖ ﺟﻠﻮﻩ ﻧﻤﺎ‬ ‫ﭼـﻪ‪ ١‬ﻧـﺎﺧﻨﻲ ﺯﺩﻩ ﺩﺭ ﺩﻝ ﻫـﻼﻝ ﺍﻟﻤﺎﺳـﻲ ﮐﻪ ﺩﺭ ﻣﻮﺍﺟ‪‬ﻬـﺔ ﻣﺼﻄﻔﺎﺳـﺖ ﺟﻠـﻮﻩ ﻧﻤـﺎ‬ ‫ﻣﻘـــﻴﻢ ﺷـــﻮ ﺑـــﻪﺩﺭﹺ ﺷـــﺎ‪‬ﻩ ﺍﻧﺒﻴـــﺎ ﺁﺯﺍﺩ‬ ‫ﺗﺮﺍ ﮐﻪ ﺣ‪‬ﻠﻘـﺔ ﻗـﺪ‪ ‬ﺩﻭﺗﺎﺳـﺖ ﺟﻠـﻮﻩ ﻧﻤـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﺑﻴﺖ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٦١ //‬‬ ‫»‪«۶۰‬‬ ‫ﺍﻱ ﻣﻌــﺎﻟﺞ ﺩﻳــﺪﻩﺍﻱ ﮔــﺮ ﻧــﺮﮔﺲ ﻳــﺎﺭﹺ ﻣــﺮﺍ ﺑــﺮ ﻃﺒﻴﻌــﺖ ﻫﻤﭽــﻮ ﺍﻭ ﺑﮕــﺬﺍﺭ ﺑﻴﻤــﺎﺭﹺ ﻣــﺮﺍ‬ ‫ﺗﺎ ﺑﻪﺩﺳـﺖ ﺁﻭﺭﺩﻩﺍﻡ ﻣﺎﻧﻨـﺪ ﮔـﻞ ﻣ‪‬ﺸـﺖ ﺯﺭﻱ ﻫـﺮ ﮐـﺮﺍ ﺩﻳـﺪﻡ ﻃﻠﺒﮕـﺎﺭ ﺍﺳـﺖ ﺩﺳـﺘﺎﺭﹺ ﻣـﺮﺍ‬ ‫ﺍﻱ ﺻــﺒﺎ ﺍﺯ ﺣﺴــﻦﹺ ﺁﺩﺍﺏﹺ ﺭﺳــﺎﻟﺖ ﻭﺍﻗﻔــﻲ ﻋﺮﺽ ﮐﻦ ﻭﻗﺖ ﻣﻨﺎﺳـﺐ ﺩﻳـﺪﻩ‪ ،‬ﺍﻇﻬـﺎﺭ ﻣـﺮﺍ‬ ‫ﺑﺮﻧﺘﺎﺑــﺪ ﻏﻴــﺮ ‪‬ﺕ ﻣــﻦ ﻣﻨﹼــﺖ ﺳــﻨﮕﻴﻦ ﺧﻠــﻖ ﻣﺒــﺪﺀ ﻓﻴ‪‬ــﺎﺽ ﺭﻭﻧــﻖ ﻣــﻲﺩﻫــﺪ ﮐــﺎﺭﹺ ﻣــﺮﺍ‬ ‫ﺣﺮﻑ‪ ‬ﻣﺤﮑﻢ ﮔﻮﺵ ﮐﺮﺩﻥ ﺑﻴﺦ ﻧﺨﻞ ﺩﻭﻟﺘﺴﺖ ﺻــﺎﺣﺒﺎ! ﺑﺎﻳــﺪ ﺷــﻨﻴﺪﻥ ﺣﺴــﻦﹺ ﮔﻔﺘــﺎﺭﹺ ﻣــﺮﺍ‬ ‫ﺷﻤﻊ ﻳﮑﺘﺎﺋﻲ ﮐﻪ ﺑﺎ ﺧﻮﺩ ﺩﺍﺷﺘﻢ‪ ١‬ﺧﺎﻣﻮﺵ ﺷﺪ ﮐﻴﺴـﺖ ﺍﮐﻨـﻮﻥ ﺗـﺎ ﺑﺮﺍﻓـﺮﻭﺯﺩ ﺷـﺐﹺ ﺗـﺎﺭﹺ ﻣـﺮﺍ‬ ‫ﮔﺮﭼــﻪ ﺁﺯﺍﺩﻡ ﻭ ﻟــﻴﮑﻦ ﺩﺭ ﻏﻼﻣــﻲ ﺣﺎﺿــﺮﻡ‬ ‫ﻧﻴﺴــﺖ ﻧﻘﺼــﺎﻧﻲ ﺯ ﺳــﺮ ﺩﺍﺩﻥ ﺧﺮﻳــﺪﺍﺭﹺ ﻣــﺮﺍ‬ ‫»‪«۶۱‬‬ ‫ﻫﺮ ﺻﺒﺢ ﺟﺎﻥ‪ ‬ﺗﺎﺯﻩ ﺻـﺒﺎ ﻣـﻲﺩﻫـﺪ ﻣـﺮﺍ ﺑﻴﻤــﺎﺭﻱ ﻧﺴــﻴﻢ ﺷــﻔﺎ ﻣــﻲﺩﻫــﺪ ﻣــﺮﺍ‬ ‫ﺩﺭ ﻫﺮ ﹶﻧﻔﹶﺲ ﻋﻨﺎﻳﺖ ﻧﹶـﻮ ﻣـﻲﮐﻨـﺪ ﮐـﺮﻳﻢ ﺩﺷـﻨﺎﻡ ﺗـﺎﺯﻩ ﺗـﺎﺯﻩ ﺑﺠـﺎ ﻣـﻲﺩﻫـﺪ ﻣـﺮﺍ‬ ‫ﮔﺎﻫﻲ ﻋﻼﺝﹺ ﻧﺮﮔﺲ ﺑﻴﻤـﺎﺭﹺ ﺧـﻮﺩ ﻧﮑـﺮﺩ ﺍﻣ‪‬ــﺎ ﺯ ﺭﺍﻩ‪ ‬ﻟﻄــﻒ ﺩ‪‬ﻭﺍ ﻣــﻲﺩﻫــﺪ ﻣــﺮﺍ‬ ‫ﻣـﻦ ﺧـﻮﺩ ﺯ ﺁﺳـﺘﺎﻥ‪ ‬ﻣﻘـﺪ‪‬ﺱ ﻧﻤـﻲﺭﻭﻡ ﺧﻂ ﺭﺧﺼﺖ ﻓـﺮﺍﺭ ﭼـﺮﺍ ﻣـﻲﺩﻫـﺪ ﻣـﺮﺍ‬ ‫ﺧﻮﺍﻫﺪ ﻧﻤـﻮﺩ ﺧـﻮﻥ ﻣـﺮﺍ ﻧﻴـﺰ ﮐﺎﻣﻴـﺎﺏ ﺁﮔــﺎﻫﻴﻲ ﺯ ﺭﻧــ ‪‬ﮓ ﺣﻨــﺎ ﻣــﻲﺩﻫــﺪ ﻣــﺮﺍ‬ ‫ﺗﮑﻠﻴﻒ ﺑﻮﺳﻪ ﻣﻮﺳﻢ ﺧﻂ ﮐـﺮﺩ ﺍﺯ ﺩﻫـﻦ ﺑــﺮ ﮐﺎﺳــﺔ ﺳــﻴﺎﻩ ﺻــﻼ ﻣــﻲﺩﻫــﺪ ﻣــﺮﺍ‬ ‫ﺁﺯﺍﺩ ﻣﻦ ﺑﻪﺩﺷـﻤﻦ ﺧـﻮﺩ ﺑ‪‬ـﺪ ﻧﻤـﻲﮐـﻨﻢ‬ ‫ﻧﺎﻣﻨﺼﻒ ﺍﺳﺖ ﻫﺮﮐﻪ ﺩﻏﺎ ﻣـﻲﺩﻫـﺪ ﻣـﺮﺍ‬ ‫»‪«۶۲‬‬ ‫ﺩﺍﺭﺩ ﺑــﻪﺭﺍﻩ ﺩﻳــﺪﻩ ﺟﻤﺎﻟــﺖ ﺳــﺮﺍﻍﻫــﺎ ﺩﺭ ﭼﺸﻢ ﻣﻲﺭﺳﺪ ﺧﻂ ﭼﻨﺪ ﺍﺯ ﭼـﺮﺍﻍﻫـﺎ‬ ‫ﻣﻌﻤــﻮﺭ ﺳــﺎﺧﺘﻢ ﺩﻝ ﺧــﻮﺩ ﺭﺍ ﺯ ﺩﺍﻍﻫــﺎ ﺍﻓـﺮﻭﺧﺘﻢ ﺑـﻪﺷﻴﺸـﺔ ﺳـﺮﺧﻲ ﭼـﺮﺍﻍﻫـﺎ‬ ‫ﺣﻘﹼـﺎ ﮐـﻪ ﻧﺸـﺌﻪ ﻋﺠﺒـﻲ ﻟﻄـﻒ ﻣـﻲﮐﻨـﺪ ﺧــﻮﺭﺩﻳﻢ ﺍﺯ ﺷــﺮﺍﺏ ﻋﺘــﺎﺑﺶ ﺍﻳــﺎﻍﻫــﺎ‬ ‫ﻳــﮏ ﺩﺍﻍ ﺩﻝ ﺯ ﺑﻠﺒــﻞ ﺷﻴﺪﺍﺳــﺖ ﻣﻌﺘﺒــﺮ ﻣﻨﻈـﻮﺭ ﻧﻴﺴـﺖ ﺑـﺮ ﭘ‪‬ـﺮﹺ ﻃـﺎﻭﻭﺱ ﺩﺍﻍﻫـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺩﺍﺷﺘﻦ‪.‬‬

‫‪ // ١٦٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺟﺎﻳﻲ ﮐﻪ ﮔﻴﺴﻮﻱ ﺗﻮ ﺩﻫﺪ ﺑﻮﻱ ﻣﺸﮏ ﺗﺮ ﭼـﻮﻥ‪ ١‬ﻧﺎﻓـﻪﻫـﺎ ﺷـﻮﻧﺪ ﻣﻌﻄﹼـﺮ ﺩﻣـﺎﻍﻫـﺎ‬ ‫ﺩﻡ ﻣــﻲﺯﻧﻨــﺪ ﮐــﻮﺭ ﺳــﻮﺍﺭﺍﻥ ﺯ ﺭﺗﺒــﻪﺍﻡ‪ ٢‬ﺑـﺎ ﺑﻠﺒﻠـﻲ ﺷـﻮﻧﺪ ﻃـﺮﻑ ﺍﻳـﻦ ﮐـﻼﻍﻫـﺎ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﺳــﻮﺍﺩ‪ ‬ﻋــﺪﻡ ﻫــﻢ ﺑﻬﺎﺭﻫﺎﺳــﺖ‬ ‫ﺩﺍﺭﺩ ﺣــﺮﻳﻢ ﺑﻴﻀــﺔ ﻃــﺎﻭﻭﺱ ﺑــﺎﻍﻫــﺎ‬ ‫»‪«۶۳‬‬ ‫ﻫﻮﺷﻲ ﺑﺠﺎ ﻧﻤﺎﻧـﺪ ﺯ ﮔﻠﮕﺸـﺖ ﻻﻟـﻪﻫـﺎ ﭘ‪‬ﺮﮐــﺮﺩﻩﺍﻧــﺪ ﺍﺯ ﻣ‪‬ــﻲ ﺳــﻮﺩﺍ ﭘﻴﺎﻟــﻪﻫــﺎ‬ ‫ﭘﺮﻭﺍﻧــﻪ ﺭﺍ ﺑﻬﺸــﺖ ﺍٰﻟﻬــﻲ ﻧﺼــﻴﺐ ﮐــﻦ ﻭﺍ ﺳﻮﺧﺖ ﺩﺭ ﺗﺠﻠﹼﻲ‪ ٣‬ﻣﺸﮑﻴﻦ ﮐﻼﻟـﻪﻫـﺎ‬ ‫ﺭﻧﮕﻴﻦ ﮐﻨﺪ ﺟﻤﺎﻝ ﺗـﻮ ﺁﻏـﻮﺵ ﻋﺸـﻖ ﺭﺍ ﮔﻴﺮﻧــﺪ ﺭﻧــﮓ ﺍﺯ ﺍﺛــﺮ ﻣــﺎﻩ ﻫﺎﻟــﻪﻫــﺎ‬ ‫ﭼﺸﻢ ﺑ‪‬ﺘﺎﻥ ﺯ ﺍﺑﺮﻭﻱ ﺧﻢ ﺟﺎﻱ ﺣﻴﺮﺗﺴﺖ ﺩﺍﺭﻧﺪ ﻧﻘﺶ ﭘﻴﮑـﺮ ﺷـﻴﺮ‪ ،‬ﺍﻳـﻦ ﻏﺰﺍﻟـﻪﻫـﺎ‬ ‫ﺑـﺎ ﺁﻧﮑـﻪ ﺯﻭﺩ ﺁﻥ ﻃـﺮﻑ ﺁﺳـﻤﺎﻥ ﺭﺳـﻴﺪ ﺗﺎ ﮔﻮﺵ ﺍﻭ ﻧﻤـﻲﺭﺳـﺪ ﺍﻱ ﻭﺍﻱ ﻧﺎﻟـﻪﻫـﺎ‬ ‫ﺍﻭ ﺟﻠﻮﻩ ﮐﺮﺩ ﻭ ﺯﻫـﺮﺓ ﻋﺸﹼـﺎﻕ ﺁﺏ ﺷـﺪ ﺩﺭ ﺁﻓﺘــﺎﺏ ﭘــﺎ ﺑــﻪﺭﮐــﺎﺏﺍﻧــﺪ ﮊﺍﻟــﻪﻫــﺎ‬ ‫ﺁﺯﺍﺩ ﺳﺮﺯﻣﻴﻦﹺ ﺳﺨﻦ ﻣ‪‬ﻠـﮏ‪ ‬ﺑﻨـﺪﻩ ﺍﺳـﺖ‬ ‫ﺩﺍﺭﻡ ﺑــﻪﻣ‪‬ﻬــﺮ ﺩﻳــﺪﺓ ﺑﻴﻨــﺎ ﻗﺒﺎﻟــﻪﻫــﺎ‬ ‫»‪«۶۴‬‬ ‫ﺻــﺒﺎ ﭘﻴــﺎﻡ ﺭﺳــﺎﻥ ﺁﻥ ﻧﻬــﺎﻝ ﻭﺍﻻ ﺭﺍ ﺗــﻮﺍﻥ ﺑــﻪﺳــﺎﻳﺔ ﺍﻗﺒــﺎﻝ ﺩﺍﺩ ﺟــﺎ ﻣــﺎ ﺭﺍ‬ ‫ﺯ ﺧﻮﺩ ﮔﺬﺷـﺘﻢ ﻭ ﺩﺭ ﻋـﺎﻟﻢ ﺩ‪‬ﮔـﺮ ﺭﻓـﺘﻢ ﻣﺮﻳﺾﹺ ﻋﺸﻘﻢ ﻭ ﺗﺒﺪﻳﻞ ﻣـﻲﮐـﻨﻢ ﺟـﺎ ﺭﺍ‬ ‫ﺑﻪﺍﻳـﻦ ﺍﻣﻴـﺪ ﮐـﻪ ﺩﺭ ﺑﺮﮐﺸـﻢ ﭘ‪‬ـﺮﻱﺯﺍﺩﻱ ﻃﻠﺐ ﮐـﻨﻢ ﺯ ﺧـﺪﺍ ﺑﺨـﺖ‪ ‬ﺳـﺒﺰﹺ ﻣﻴﻨـﺎ ﺭﺍ‬ ‫ﺑـﻪﺁﻫـﻮﺍﻥ ﺣـﺮﻡ ﺩﺍﺩ ﻣﺼـﻠﺤﺖ ﻣﺠﻨـﻮﻥ ﺑــﻪﺷــﻬﺮ ﺭﻓﺘــﻪ ﻏﻼﻣــﻲ ﮐﻨﻴــﺪ ﻟــﻴﻼ ﺭﺍ‬ ‫ﺭﺳﻴﺪ ﺟﺎﻥ ﺑﻪﻟﺐﹺ ﻣﻦ ﺗـﻮ ﺩﻳـﺮ ﻣـﻲﺁﺋـﻲ ﮐﻪ ﺍﻳـﻦ ﭘﻴـﺎﻡ ﺭﺳـﺎﻧﺪ ﺯ ﻣـﻦ ﻣﺴـﻴﺤﺎ ﺭﺍ‬ ‫ﺷــﺘﺎﺏ ﺍﺯ ﺩﻝ ﺍﻭ ﺭﻓــﺖ ﻳــﺎﺩ‪ ‬ﻣﺸــﺘﺎﻗﺎﻥ ﻣﮕﻮ ﮐﻪ ﺩﻳﺮ ﺭﻭﺩ ﻧﻘﺶﹺ ﺳـﻨ ‪‬ﮓ ﺧـﺎﺭﺍ‪ ٤‬ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺧﻮﻥ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﺯ ﺗﺒﻪﺍﻡ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺗﺨﻠﻲ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪» :‬ﺧﺎ«‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٦٣ //‬‬ ‫ﺩﻭ ﭼﺸــﻢﹺ ﺍﻭ ﺩﻝ ﺁﺯﺍﺩ ﺭﺍ‪ ١‬ﺯ ﭘــﺎ ﺍﻓﮕﻨــﺪ‬ ‫ﺩﻭ ﻧﺎﺗﻮﺍﻥ ﺯﺩﻩ ﺑـﺮ ﺧـﺎﮎ ﻳـﮏ ﺗﻮﺍﻧـﺎ ﺭﺍ‬ ‫»‪«۶۵‬‬ ‫ﺑﻲﺟﺎ ﻧﻪ ﹸﮐﺸﺖ ﻣﺎﻩ ﺭﺧـﻲ ﺍﻳـﻦ ﻗﺘﻴـﻞ ﺭﺍ ﮐــﺮﺩﻡ ﺍﺯ ﺍﻭ ﻣﻌﺎﻳﻨــﻪ ﻭﺟــﻪ ﺟﻤﻴــﻞ ﺭﺍ‬ ‫ﭼﻮﻥ ﺩﻳﺪ ﺍﺷﮏ ﻭ ﺁﻩ‪ ‬ﻣـﺮﺍ ﮔﻔـﺖ ﻣﺮﺣﺒـﺎ ﺩﺍﺭﺩ ﻋﺰﻳـــﺰ ﻣﻘـــﺪﻡ ﺍﺑـــﻦ ﺍﻟﺴ‪‬ـــﺒﻴﻞ ﺭﺍ‬ ‫ﻳﺎﺩ‪ ‬ﻭﻃـﻦ ﺑـﺰﺭﮒ ﻣـﻨﺶ ﺭﺍ ﺯ ﺧـﻮﺩ ﺑ‪‬ـﺮ‪‬ﺩ ﺳـﺎﺯﺩ ﺧﻴـﺎﻝﹺ ﻫﻨـﺪ‪ ‬ﺳـﻴﻪ ﻣ‪‬ﺴـﺖ ﻓﻴـﻞ ﺭﺍ‬ ‫ﺑﺎﺷـﺪ ﻋﻴــﺎﻥ ﻧﺠﺎﺑــﺖ‪ ‬ﻣـﺎ ﺍﺯ ﺟﺒــﻴﻦﹺ ﻣــﺎ ﺟــﻮﻫﺮ ﺑــﻮﺩ ﺑــﻪﻧﺎﺻــﻴﻪ ﺗﻴــﻎﹺ ﺍﺻــﻴﻞ ﺭﺍ‬ ‫ﺩﺍﺭﺩ ﻃﺮﻳــﻖ ﻋﺸــﻖ ﻋﺠــﺐ ﺩﻭﺭ ﺑﺎﺷــﻬﺎ ﺯﺩ ﺳـــﺪﺭﻩ ﻧﻴﺸـــﻬﺎ ﻗـــﺪﻡﹺ ﺟﺒﺮﺋﻴـــﻞ ﺭﺍ‬ ‫ﺧﺎﻟﻲ ﻗﺮﻳ ﹺﺐ ﻧﺮﮔ ﹺﺲ ﺑﻴﻤﺎﺭ ﺩﻳـﺪﻧﻲ ﺍﺳـﺖ ﺧــﺎﺩﻡ ﺑ‪‬ــﻮ‪‬ﺩ ﻏــﻼﻡ ﺳــﻴﺎﻫﻲ ﻋﻠﻴــﻞ ﺭﺍ‬ ‫ﺁﺧﺮ ﮐﻤﺮ ﺑﻪﺧﺼﻤﻲ ﺍﻭ ﺑ‪‬ﺴﺖ ﻭ ﻏﺮﻕ ﮐﺮﺩ ﻓﺮﻋــﻮﻥ ﺭﺍﻡ ﮐـــﺮﺩ ﺍﮔــﺮ ﺭ‪‬ﻭﺩ‪ ‬ﻧﻴـــﻞ ﺭﺍ‬ ‫ﺩﻝ ﻣﻲﺑ‪‬ﺮﺩ ﻣﺮﺍ ﺑﻪﺳـﻮﻱ ﮐـﻮﻱ ﺍﻭ ﮐﺸـﺎﻥ ﺍﻳـﺰﺩ ﺟـﺰﺍﻱ ﺧﻴـﺮ ﺩﻫـﺪ ﺍﻳـﻦ ﺩﻟﻴـﻞ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﻣﺎ ﮐﻪ ﻓﻀﻞ ﻭ ﮐﻤـﺎﻟﻲ ﺑﻬـﻢ ﺭﺳـﺎﻧﺪ‬ ‫ﺧـﺪﻣﺖ ﻧﻤـﻮﺩ ﺣﻀـﺮ ‪‬ﺕ ﻋﺒـﺪﺍﻟﺠﻠﻴﻞ ﺭﺍ‬ ‫»‪«۶۶‬‬ ‫ﺑـﺎ ﮔـﻞ ﭘﻴـﺎﻡ ﮔﻔـﺖ ﺯ ﺑـﺮﮒ ﮔﻴـﺎﻩ ﻣـﺎ ﺷــﺎﺑﺎﺵ ﺑــﺮ ﻧﺴــﻴﻢ ﺳــﻔﺎﺭﺕ ﭘﻨــﺎﻩ ﻣــﺎ‬ ‫ﻣــﺎ ﺭﺍ ﻓــﺮﻭﻍ ﺩﻳــﺪﺓ ﺗﺼــﻮﻳﺮ ﺩﺍﺩﻩﺍﻧــﺪ ﺍﻭ‪‬ﻝ ﻓﺘــﺎﺩ ﺳــﻮﻱ ﻣﺼــﻮ‪‬ﺭ ﻧﮕــﺎﻩ ﻣــﺎ‬ ‫ﻓﺮﻣــﺎﻥ ﻗﺘــﻞ ﻣﺨﻠــﺺ ﺩﻳﺮﻳﻨــﻪ ﺩﺍﺩﻩﺍﻱ ﺑﺎﺭﻱ ﺍﻓﺎﺩﻩ ﮐﻦ ﮐﻪ ﭼـﻪ ﺩﻳـﺪﻱ ﮔﻨـﺎﻩ ﻣـﺎ‬ ‫ﺍﻳﻦ ﻏﻨﭽﻪﻫﺎ ﮐﻪ ﻣﺤﻮ ﺗﺄﻣ‪‬ـﻞ ﻧﺸﺴـﺘﻪﺍﻧـﺪ ﻏﺎﻟﺐ ﮐﻪ ﻣﻲﺭﺳﺪ ﺑﻪﭼﻤﻦ ﮐﺞ ﮐـﻼﻩ ﻣـﺎ‬ ‫ﺗﺴـﺨﻴﺮ ﺩﻝ ﻧﻤـﻮﺩ ﺑﻄـﻮﺭﻱ ﮐـﻪ ﻭﺍﻩ ﻭﺍﻩ ﻫﺮﭼﻨـﺪ ﺧـﻮﺭﺩ ﺳـﺎﻝ ﺑ‪‬ـﻮ‪‬ﺩ ﭘﺎﺩﺷـﺎﻩ ﻣـﺎ‬ ‫ﺩﺍﻍﹺ ﺟﻨــﻮﻥ ﻣــﺎ ﺯﺩﻩ ﺁﺗــﺶ‪ ٢‬ﺑــﻪﺷــﻬﺮﻫﺎ ﺩﺍﻳـﻢ ﺑـﺮ ﺍﻳـﻦ ﺳـﻮﺍﺩ ﺯﻧـﺪ ﺑـﺮﻕ ﺁﻩ ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﻣــﺎ ﺑــﻪﭘﺮﺗــﻮ ﺍﺻــﻠﻲ ﻣﻨــﻮ‪‬ﺭﻳﻢ‬ ‫ﺷـﺮﻣﻨﺪﺓ ﻓـﺮﻭﻍ ﮐﺴـﻲ ﻧﻴﺴـﺖ ﻣـﺎﻩ ﻣـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺭﺍ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪» :‬ﺁﺗﺶ« ﻧﺪﺍﺭﺩ‪.‬‬

‫‪ // ١٦٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۶۷‬‬ ‫ﻧﺪﺍﺭﺩ ﺻﺮﻓﻪ ﻭﻗﺖ ﻗﺘﻞ ﺑﺴـﺘﻦ ﭼﺸـﻢ ﺑﺴـﻤﻞ ﺭﺍ ﻣﻨﺎﺳﺐ ﺍﻳﻦ ﮐﻪ ﺑﻨـﺪﺩ ﻣﻬﺮﺑـﺎﻧﻲ ﭼﺸـﻢ ﻗﺎﺗـﻞ ﺭﺍ‬ ‫ﻧﻤﻲﺁﻳﺪ ﻣﮑﺎﻥ ﺗﻨﮓ ﺧﻮﺵ ﺑـﺎ ﻭﺻـﻒ ﺭﻧﮕﻴﻨـﻲ ﻗﻔﺲ ﺩﺍﻧﺴﺘﻪ ﺑ‪‬ﻮ ﺍﺯ‪ ١‬ﻏﻨﭽﺔ ﮔﻞ ﺑﺴـﺖ ﻣﺤﻤـﻞ ﺭﺍ‬ ‫ﻣﻦ ﺍﺯ ﺩﺭﺝ ﻣﺴﻲ ﺯﻳﺐ ﺗﻮ ﻣﻲﺧﻮﺍﻫﻢ ﺷﮑﺮ ﺧﻨﺪﻱ ﺑﻪﺑﺮﻗﻲ ﺷﺎﺩﮐﻦ ﺩﺭ ﻭﻗﺖ‪ ‬ﺷﺐ ﮔﻢ ﮐﺮﺩﻩ ﻣﻨﺰﻝ ﺭﺍ‬ ‫ﺧﺠﺎﻟﺖ ﺁﻭ‪‬ﺭ‪‬ﺩ ﺑﺎ ﺩﺳﺖ‪ ‬ﺧـﺎﻟﻲ ﺩﺭ ﻭﻃـﻦ ﺭﻓـﺘﻦ ﻧﻤﻲﺧﻮﺍﻫﺪ ﮐﻪ ﺑﻴﻨﺪ ﺑﻲﮔﻬـﺮ ﻏـﻮ‪‬ﺍﺹ ﺳـﺎﺣﻞ ﺭﺍ‬ ‫ﺑﺰﻭﺭ ﺍﺯ ﺯﻟﻒ‪ ‬ﺧﻮﺑﺎﻥ ﻋﻘـﺪﻫﺎ ﺭﺍ ﺷـﺎﻧﻪ ﻭﺍ ﺳـﺎﺯﺩ ﺗﻮﺍﻥ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﺯ ﺩﺳﺖ ﻫﻤ‪‬ﺖ ﮐﺎﺭﹺ ﻣﺸـﮑﻞ ﺭﺍ‬ ‫ﺍٰﻟﻬـﻲ ﺍﺟﺮﻫـﺎ ﺣﻀﹼـﺎﺭﹺ ﻣﺠﻠـﺲ ﺭﺍ ﮐﺮﺍﻣـﺖ ﮐـﻦ ﺑﻪﺣﺮﻓﻲ ﻣﻬﺮﺑﺎﻥ ﮐﺮﺩﻧﺪ ﺑـﺮ ﻣـﻦ ﻣﻴـﺮ ﻣﺤﻔـﻞ ﺭﺍ‬ ‫ﻣــﺮﺍ ﺁﺯﺍﺩ ﺑــﺮ ﻧــﺎﺩﺍﻧﻲ ﺧــﻮﺩ ﺧﻨــﺪﻩ ﻣــﻲﺁﻳــﺪ‬ ‫ﺑﺪﺳــﺖ‪ ‬ﺧﻮﺭﺩﺳــﺎﻟﻲﻫــﺎﻱ ﺩﺍﺩﻡ ﮔــﻮﻫﺮ ﺩﻝ ﺭﺍ‬ ‫»‪«۶۸‬‬ ‫ﮔﺮﭼــﻪ ﻓﺮﻣــﻮﺩ ﺯ ﺑﻨــﺪ‪ ‬ﻗﻔــﺲ ﺁﺯﺍﺩ ﻣــﺮﺍ ﹸﮐﺸـﺖ ﺑﻴـﺮﻭﻥ‪ ‬ﻗﻔـﺲ ﻣ‪‬ﻨﹼـﺖ‪ ‬ﺻـﻴ‪‬ﺎﺩ ﻣـﺮﺍ‬ ‫ﺑﻠﺒﻠـﻲ ﺩﻭﺭ ﺯ ﮔﻠـﺰﺍﺭ ﺑـﻪﺯﺍﺭﻱ ﻣـﻲﮔﻔـﺖ ﺧﺎﻃﺮ ﻋـﺎﻃﺮ ﮔـﻞ ﮐـﺎﺵ ﮐﻨـﺪ ﻳـﺎﺩ ﻣـﺮﺍ‬ ‫ﺍﺯ ﺩﻡ ﺗﻴﺸــﻪ ﺗﺮﺍﺷــﻴﺪ ﺷــﺮﻳﮏ ﺷــﻴﺮﻳﻦ ﻋﺠــﺐ ﺁﻣــﺪ ﺯ ﺟﻔﺎﮐــﺎﺭﻱ ﻓﺮﻫــﺎﺩ ﻣــﺮﺍ‬ ‫ﺑﺎﻏﺒﺎﻥ ﻓﺮﺽ ﺑ‪‬ﻮ‪‬ﺩ ﺑﺮ ﺗـﻮ ﺯﮐـﺎ ‪‬ﺕ ﺯﺭﹺ ﮔـﻞ ﻣﻲﺗﻮﺍﻥ ﮐـﺮﺩ ﺑـﻪﺗﺴـﻠﻴﻢ ﮔﻠـﻲ ﺷـﺎﺩ ﻣـﺮﺍ‬ ‫ﺁﺷـﻨﺎﻳﻲ ﻭ ﺑـﻪﻭﻳﺮﺍﻧـﻲ ﻣـﻦ ﻣـﻲﮐﻮﺷـﻲ ﺑﻌﺪ ﺍﺯ ﺍﻳﻦ ﮐﻴﺴﺖ ﮐﻪ ﺍﺯ ﺳﺮ ﮐﻨﺪ ﺁﺑﺎﺩ ﻣﺮﺍ‬ ‫ﺑﻲﺗـﻮ ﮔﻠﮕﺸـﺖ‪ ‬ﮔﻠﺴـﺘﺎﻥ ﻧﺘـﻮﺍﻧﻢ ﮐـﺮﺩﻥ ﮐـﻪ ﺑﻼﺋﻴﺴـﺖ ﺳـﻴﻪ ﺳـﺎﻳﺔ ﺷﻤﺸـﺎﺩ ﻣـﺮﺍ‬ ‫ﻳـﮏ ﻗﻠـﻢ ﺷـﻌﺮ ﻣـﻦ ﺁﺯﺍﺩ ﺩﻣـﺎﻏﻲ ﺩﺍﺭﺩ‬ ‫ﮐﻪ ﮐﻨﺪ ﺣﻀﺮﺕ ﺭﻭﺡﺍﻟﻘﺪﺱ ﺍﻣـﺪﺍﺩ ﻣـﺮﺍ‬ ‫»‪«۶۹‬‬ ‫ﺳﺮﺕ ﮐﺮﺩﻡ ﭼﻪ ﻏﻢ ﻋﻘﺪﺓ ﺯﻟﻒ ﺗﻮ ﺑـﺮ ﺩﻝﻫـﺎ ﮐﻪ ﻣﻲﺩﺍﻧﻢ ﺑﻪﻋﻠﻢ ﺷﺎﻧﻪ ﺳﺎﺯﻱ ﺣﻞﱢ ﻣﺸﮑﻞﻫـﺎ‬ ‫ﻧﺒﺎﺷــﺪ ﺧﺎﻧــﺔ ﺭﻧﮕــﻴﻦ ﺩﻧﻴــﺎ ﺟــﺎﻱ ﺁﺳــﺎﻳﺶ ﺳﺒﮏ ﺭﻭﺣﺎﻥ ﺑﺮﻧﮓ ﺑﻮﻱ ﮔﻞ ﺑﺴﺘﻨﺪ ﻣﺤﻤﻞﻫﺎ‬ ‫ﻧﻪ ﻣﻦ ﺗﻨﻬﺎ ﺑﻼ ﮔﺮﺩﺍﻥ ﺁﻥ ﺷﻤﻊ ﺷـﺐ ﺍﻓـﺮﻭﺯﻡ ﭼﻮ ﻓﺎﻧﻮﺱ‪ ٢‬ﺧﻴﺎﻟﻲ ﮔﺮﺩ ﺍﻭ ﮐﺮﺩﻧﺪ ﻣﺤﻔـﻞﻫـﺎ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﺸﻬﺪ ﺗﻤﺎﺷﺎ ﻣﻲﮐﻨﻢ ﺁﺛـﺎﺭ ﺭﺣﻤـﺖ ﺭﺍ ﮐﻪ ﻗﺎﺗﻞ ﺳﺒﺰﻩ ﺑ‪‬ﺮﺩ ﺍﺯ ﺗﻴﻐﻬﺎ ﺑﺮ ﺧﺎﮎ ﺑﺴﻤﻞﻫـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ »ﺍﺯ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻓﺎﻧﻮﺳﻲ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٦٥ //‬‬ ‫ﻣﻴﺴ‪‬ﺮ ﻧﻴﺴﺖ ﻋﺎﻟﻲ ﺩﻭﻟـﺖ ﺗﺠﺮﻳـﺪ ﺷـﺎﻫﺎﻥ ﺭﺍ ﻧﻴﺎﺯ ﺑﺮﻕ ﻋـﺎﻟﻢ ﺳـﻮﺯ ﺑﺎﻳـﺪ ﮐـﺮﺩ ﺣﺎﺻـﻞﻫـﺎ‬ ‫ﺩﺭ ﺍﻳﻦ ﺭﻩ ﭘﻲ ﮐﻨﺪ ﮔﺮ ﻫﻤ‪‬ﺖ ﻣﺮﺩﺍﻧﻪ ﺗﻮﺳﻦ ﺭﺍ ﺗﻮﺍﻥ ﮐﺮﺩﻥ ﭼﻮ ﺟﻢ ﺑﺮ ﭘﺸﺖ ﺻﺮﺻﺮ ﻗﻄﻊ ﻣﻨﺰﻝﻫﺎ‬ ‫ﺍﻟﹼــﺎ ﺁﺯﺍﺩ ﺍﺣﺒﺒﻬــﺎ ﻭ ﻋﻤ‪‬ــﺎ ﺩﻭﻧﻬــﺎ ﺍ‪‬ﻋــﺮﺽ‬ ‫»ﺩﻉ ﺍﻟﺪﻧﻴﺎ ﻣﺘ ٰﻲ ﻣـﺎﺗﻠ ‪‬ﻖ ﻣـﻦ ﺗﻬـﻮﻱٰ ﻭ ﺍﹶﻣﻬﻠﻬـﺎ‪١‬‬ ‫»‪«۷۰‬‬ ‫ﺑــﻲﻧﻴــﺎﺯ ﺍﺳــﺖ ﺯ‪ ٢‬ﺗﻌﻤﻴــﺮ ﺳــﺮﹺ ﻣﺮﻗــﺪ‪ ‬ﻣــﺎ ﺩﺭ ﺯﻣــﻴﻦ ﺳــﺨﻦ ﺧــﻮﻳﺶ ﺑ‪‬ــﻮ‪‬ﺩ ﻣﺸــﻬﺪ‪ ‬ﻣــﺎ‬ ‫ﻣﺎ ﮔﺬﺷﺘﻴﻢ ﻭ ﺻـﺪﺍﻱ ﺟـﺮﺱ ﻣـﺎ ﺑـﺎﻗﻲﺳـﺖ ﺯﺩ ﺩﺭ ﺍﻳــﻦ ﺑﺎﺩﻳــﻪ ﻟﻨﮕــﺮ ﻧﹶﻔﹶــﺲ ﺳــﺮﻣﺪ‪ ‬ﻣــﺎ‬ ‫ﻧﺴــﺨﺔ ﻣــﺪﺡ ﺗــﺮﺍ ﺩﻳــﺪﻩ ﻋــﺮﻕ ﮐــﺮﺩ ﻗﻠــﻢ ﻧﻴﺴـﺖ ﺗﻌﺮﻳـﻒ ﺟﻨـﺎﺏ ﺗـﻮ ﻧﻮﺷـﺘﻦ ﺣـﺪ ﻣـﺎ‬ ‫ﺳــﻴﻢ ﺩﺭ ﭘﻨﺠــﺔ‪ ٣‬ﻣــﺎ ﻟﮑﹼــﺔ ﭘﻴﺴــﻲ‪ ٤‬ﻧﺸــﻮﺩ ﭼﻮﻥ ﮐﻒ ﻣـﺎﻩ ﺗﻬـﻲ ﻣـﻲﺷـﻮﺩ ﺁﺧـﺮ ﻳ‪‬ـﺪ ﻣـﺎ‬ ‫ﺩﺭ ﮔﻠﺴــﺘﺎﻥ ﺟﻬــﺎﻥ ﺯﻳﻨــﺖ ﺷــﺒﻨﻢ ﺩﺍﺭﻳــﻢ ﺍﻃﻠــﺲ ﺑــﺮﮒ ﮔــﻞ ﻭ ﻻﻟــﻪ ﺑ‪‬ــﻮ‪‬ﺩ ﻣﺴــﻨﺪ ﻣــﺎ‬ ‫ﺯﺍﻝ ﺩﻧﻴــﺎ ﺍﺳــﺖ ﺯ ﺁﻣﻴــﺰﺵ ﻣــﺎ ﺭﻭ ﮔــﺮﺩﺍﻥ ﻟﻄﻤﻪ ﺯﺩ ﺑـﺮ ﺭﺥ ﺍﻳـﻦ ﻓﺎﺣﺸـﻪ‪ ٥‬ﺩﺳـﺖ ﺭﺩ ﻣـﺎ‬ ‫ﻣﺎﹶﻧــﺪ ﺍﺯ ﻣــﺎ ﭼــﻪ ﻗــﺪﺭ ﻣﻌﻨــﻲ ﺭﻧﮕــﻴﻦ ﺁﺯﺍﺩ‬ ‫ﮔــﻞ ﻓﺸــﺎﻧﹶﺪ ﺳــﺨﻦ ﻣــﺎ ﺑــﻪﺳــﺮﹺ ﻣﺮﻗــﺪ‪ ‬ﻣــﺎ‬ ‫»‪«۷۱‬‬ ‫ﺁﻥﻗــﺪﺭ ﮐــﺮﺩ ﺗﺼــﻮ‪‬ﺭ ﺳــﺮ ﺳــﻮﺩﺍﻳﻲ ﻣــﺎ ﮐـﻪ ﺭﻩ ﺷـﻬﺮ ﮔﺮﻓـﺖ ﺁﻫـﻮﻱ ﺻـﺤﺮﺍﻳﻲ ﻣـﺎ‬ ‫ﻗﺒﻠﻪﮔﺎﻫـﺎ ﻧﻈـﺮﻱ ﮐـﻦ ﺑـﻪﺟﺒـﻴﻦ ﺳـﺎﻳﻲ ﻣـﺎ ﮐــﺮﻡ ﺗﺴــﺖ ﻋــﻼﺝ ﺳــﺮ ﺳــﻮﺩﺍﻳﻲ ﻣــﺎ‬ ‫ﻭﻗﺖ ﺩﻭﻟﺖ ﻣﮑﻦ ﺍﺯ ﮔﻮﺷﺔ ﭼﺸﻤﻲ ﻣﺤـﺮﻭﻡ ﻣــﻲﺗــﻮﺍﻥ ﮐــﺮﺩ ﺍﺩﺍ ﺣــ ‪‬ﻖ ﺷﻨﺎﺳــﺎﻳﻲ ﻣــﺎ‬ ‫ﺳـﻮﺧﺖ ﺍﺯ ﭘﺮﺗـﻮ ﺧﻮﺭﺷـﻴﺪ ﺟﺒﻴﻨـﻲ ﺩﻝ ﺭﺍ ﺁﺗﺸــﻲ ﺷﻴﺸــﻪ ﺑــﻮﺩ ﭼﺸــﻢ ﺗﻤﺎﺷــﺎﻳﻲ ﻣــﺎ‬ ‫ﺧﻮﺍﺳــﺘﻢ ﺁﻩ ﺑــﺮﺁﺭﻡ ﺳــﺮ ﻣﺠﻠــﺲ‪ ،‬ﻓﻬﻤﻴــﺪ ﮔﻔـﺖ ﺁﻫﺴـﺘﻪ‪ ،‬ﻣﺸـﻮ ﺩﺭ ﭘـﻲ ﺭﺳـﻮﺍﻳﻲ ﻣـﺎ‬ ‫ﻣﺘــ ٰﻲ ﻣــﺎﺗﻠ ‪‬ﻖ ﻣــﻦ ﺗﻬــﻮﻱٰ ﺩﻉ ﺍﻟــﺪﻧﻴﺎ ﻭ ﺍﹶﻫﻤﻠﻬــﺎ‬ ‫‪ .١‬ﺩﻳﻮﺍﻥ ﺣﺎﻓﻆ‪:‬‬ ‫ﺣﻀﻮﺭﻱ ﮔﺮ ﻫﻤﻲ ﺧﻮﺍﻫﻲ ﺍﺯ ﺍﻭ ﻏﺎﺋﺐ ﻣﺸﻮ ﺣﺎﻓﻆ‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﺯ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺑﻴﺨﺒﺮ‪.‬‬ ‫‪ .٤‬ﺩﺍﻍ ﺑﺮﺹ‪.‬‬ ‫‪ .٥‬ﻧﺪﻭﻩ‪ :‬ﻓﺎﺧﺘﻪ‪.‬‬

‫‪ // ١٦٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺟﻮﻫﺮ ﻣﺎﺳﺖ ﺩﺭ ﺍﻳﻦ ﺟﺰﻭ ﺯﻣﺎﻥ ﮔﺮﭼﻪ ﻧﻬﺎﻥ ﺭﻭﺯﻱ ﺁﻳـﺪ ﮐـﻪ ﮐﻨـﺪ ﺟﻠـﻮﻩ ﻣﺴـﻴﺤﺎﻳﻲ ﻣـﺎ‬ ‫ﻫﺴــﺖ ﮐﻮﺗــﺎﻩ ﺯ ﻣــﺎ ﺩﺳــﺖ ﺑﻼﻫــﺎ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﺣﺼﺎﺭﻳﺴﺖ ﻋﺠـﺐ ﮔﻮﺷـﺔ ﺗﻨﻬـﺎﻳﻲ ﻣـﺎ‬ ‫»‪«۷۲‬‬ ‫ﺍﮔﺮﭼــﻪ ﺑ‪‬ــﺮﺩ ﺯ ﻣــﺎ ﺣــﻆﱢ ﺯﻧــﺪﮔﺎﻧﻲ ﻣــﺎ ﺧﺪﺍ ﻣﻌـﺎﻑ ﮐﻨـﺪ ﺟـﺮﻡﹺ ﻳـﺎﺭﹺ ﺟـﺎﻧﻲ‪ ١‬ﻣـﺎ‬ ‫ﺷﺪﻳﻢ ﻳﺎﺭ ﻧﻬﺎﻻﻥ ﺩﺳـﺖ ﮐﺸـﺘﺔ ﺧـﻮﻳﺶ ﺳـﻮﺍﻱ ﺍﻳـﻦ ﭼـﻪ ﺛﻤـﺮ ﺩﺍﺩ ﺑﺎﻏﺒـﺎﻧﻲ ﻣـﺎ‬ ‫ﺯ ﺁﺏ ﻣـﺎﻫﻲ ﻟـﺐ ﺗﺸـﻨﻪ ﺭﺍ ﻧﻤـﻮﺩ ﺟـﺪﺍ ﺩﻟﻴــﺮ ﮐــﺮﺩ ﺑــﻪﺻــﻴ‪‬ﺎﺩ ﻣﻴﺰﺑــﺎﻧﻲ ﻣــﺎ‬ ‫ﻓـﺮﻭﻍ ﺻـﺒﺢ ﺍﻟٰﻬـﻲ ﺑـﻪﻣـﺎ ﮐﺮﺍﻣـﺖ ﮐـﻦ ﮐﻪ ﺩﺭ ﺻـﻔﺎ ﮔـﺬﺭﺩ ﭘﻴـﺮﻱ ﻭ ﺟـﻮﺍﻧﻲ ﻣـﺎ‬ ‫ﺗﻮ ﺭﻧﮓ ﺯﺭﺩ ﺩﺭ ﺁﻏﻮﺵ ﺩﺍﺭﻱ ﺍﻱ ﮔﻞﹺ ﺳﺮﺥ ﻣﺨﻨﺪ ﺍﻳﻦ ﻫﻤـﻪ ﺑ‪‬ـﺮ ﺭﻧـ ‪‬ﮓ ﺯﻋﻔﺮﺍﻧـﻲ ﻣـﺎ‬ ‫ﺑـﻪﺁﺵﹺ ﮐـﺲ ﻧﮕﺮﺍﻳﻨـﺪ ﻋﻴﺴـﻮﻱ ﻧﹶﹶﻔﺴـﺎﻥ ﮐﻪ ﻣﻲﺭﺳﺪ ﺯ ﺧـﺪﺍ ﺧـﻮﺍﻥ ﻣﻴﻬﻤـﺎﻧﻲ ﻣـﺎ‬ ‫ﺯ ﮐﻮﻱ ﺍﻭ ﻧﺘـﻮﺍﻥ ﺭﻓـﺖ ﻳـﮏ ﻗـﺪﻡ ﺁﺯﺍﺩ‬ ‫ﺧــﺪﺍ ﺯﻳــﺎﺩﻩ ﮐﻨــﺪ ﻓــﻴﺾ ﻧــﺎﺗﻮﺍﻧﻲ ﻣــﺎ‬ ‫»‪«۷۳‬‬ ‫ﮐــﺮﺩﻳﻢ ﺳــﻮﻱ ﻳــﺎﺭ ﻣــﺮﺧﹼﺺ ﻧﺴــﻴﻢ ﺭﺍ ﻳـﺎﺭﺏ ﺑـﻪﻋﺎﻓﻴ‪‬ـﺖ ﺑﺮﺳـﺎﻥ ﺍﻳـﻦ ﺳـﻘﻴﻢ ﺭﺍ‬ ‫ﺑﺎ ﺑﺪﺭ ﻧﻴﺴـﺖ ﻟﻄـﻒ ﻧﺨﺴـﺖ ﺁﻓﺘـﺎﺏ ﺭﺍ ﻧﺎﺧﻮﺵ ﮐﻨـﺪ ﺳـﻤﺎﺟﺖ ﺳـﺎﻳﻞ ﮐـﺮﻳﻢ ﺭﺍ‬ ‫ﺑﺎﺷــﺪ ﺑــﺮﺍﻱ ﭼــﺎﺭﺓ ﺑﻴﻤــﺎﺭ ﭘــﺮ ﺿــﺮﻭﺭ ﻳـــﺎﻗﻮﺗﻲ ﺗﺒﺴ‪‬ـــﻢ ﺷـــﻴﺮﻳﻦ ﺣﮑـــﻴﻢ ﺭﺍ‬ ‫ﺩﺭ ﭼﻮﺏ ﺧﺸﮏ ﺻﺤﺒﺖ ﮐﺎﻣﻞ ﺍﺛـﺮ ﮐﻨـﺪ ﺍﻋﺠــﺎﺯ ﺷــﺪ ﻧﺼــﻴﺐ ﻋﺼــﺎﻱ ﮐﻠــﻴﻢ ﺭﺍ‬ ‫ﺍﺯ ﺧﻮﺩ ﮔﺬﺷﺘﻪ ﭘﻴﺶ ﺗﻮ ﺧﻮﺩ ﺭﺍ ﺭﺳﺎﻧﺪﻩﺍﻡ ﻓــﺮﺽ ﺍﺳــﺖ ﺍﺣﺘــﺮﺍﻡ ﻣﺴــﺎﻓﺮ ﻣﻘــﻴﻢ ﺭﺍ‬ ‫ﺩﺭ ﮔﻮﺵﹺ ﻫﺮﮐﺴﻲ ﻣﺮﺳـﺎﻥ ﮔـﻮﻫﺮﹺ ﺳـﺨﻦ ﺳﺮﮔﺸـﺘﻪ ﺩﺭ ﺑـﻪﺩﺭ ﻣﭙﺴـﻨﺪ ﺍﻳـﻦ ﻳﺘـﻴﻢ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺧﻴﺮﺧــﻮﺍﻩ ﺻــﻤﻴﻢ ﺟﻨــﺎﺏ ﺗﺴــﺖ‬ ‫ﺍﺯ ﺩﺭ ﻣﺴــــﺎﺯ ﺩﻭﺭ ﻏــــﻼﻡ ﻗــــﺪﻳﻢ ﺭﺍ‬ ‫‪ .١‬ﺟﺎﻧﻲ ﻣﻌﺮﻭﻑ ﻭ ﺑﻪﻣﻌﻨﻲ ﮔﻨﺎﻩﮐﻨﻨﺪﻩ ﻣﺸﺘﻖ ﺍﺯ ﺟﻨﺎﺑﺖ‪ ،‬ﺍﻳﻦ ﻣﺼﺮﻉ ﺑﺪﻳﻦﮔﻮﻧﻪ ﻧﻴﺰ ﺁﻣﺪﻩ ﺍﺳﺖ‪:‬‬ ‫ﺧﺪﺍ ﺯﻳﺎﺩ ﮐﻨﺪ ﻋﻤﺮ ﻳﺎ ﹺﺭ ﺟﺎﻧﻲ ﻣﺎ )ﺣﺎﺷﻴﺔ ﻧﺴﺨﻪ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٦٧ //‬‬ ‫»‪«۷۴‬‬ ‫ﺑﺲﮐﻪ ﻣﻲﺩﺍﻧﻢ ﺳﻌﺎﺩﺕ ﺧـﺪﻣﺖ ﺩﻳﻮﺍﻧـﻪﻫـﺎ ﺩﺭ ﺭﻩ ﻃﻔـﻼﻥ ﺭﺳـﺎﻧﻢ ﺳـﻨﮓ ﺍﺯ ﻭﻳﺮﺍﻧـﻪﻫـﺎ‬ ‫ﮔــﺮ ﺗــﻼﺵ ﻋﺎﺷــﻘﻲ ﺩﺍﺭﻱ ﺑﺒــﻴﻦ ﺁﻳﻴﻨــﻪ ﺭﺍ ﺁﺷﻨﺎ ﮔﺸـﺘﻦ ﻣﻨﺎﺳـﺐ ﻧﻴﺴـﺖ ﺑـﺎ ﺑﻴﮕﺎﻧـﻪﻫـﺎ‬ ‫ﺳﺎﻗﻲ ﻣﺎ ﮔﺮﭼﻪ ﺣﺎﺿﺮ ﻧﻴﺴﺖ ﻓﻴﻀﺶ ﺣﺎﺿﺮ ﺍﺳﺖ ﺭﻗﺺﻫـﺎ ﺩﺍﺭﺩ ﺑـﻪﻳـﺎﺩ ﭼﺸـﻢ ﺍﻭ ﭘﻴﻤﺎﻧـﻪ‪١‬ﻫـﺎ‬ ‫ﺁﺭﺯﻭﻳـﻲ ﻧﻴﺴـﺖ ﺟـﺰ ﺩﺍﻍ ﻣﺤﺒ‪‬ـﺖ ﺩﺭ ﺩﻟـﻢ ﺣﺸﺮ ﮐـﻦ ﻳـﺎﺭﺏ ﻣـﺮﺍ ﺩﺭ ﺯﻣـﺮﺓ ﭘﺮﻭﺍﻧـﻪﻫـﺎ‬ ‫ﺯﺍﻫــﺪ ﺍﺯ ﺗﺴــﺒﻴﺢ ﺩﺭ ﺁﺯﺍﺭ ﺩﺍﺭﺩ ﺩﺳــﺖ ﺭﺍ ﺧﺪﻣﺖ ﺩﻟﻬﺎ ﮐﻨـﺪ ﺍﻱ ﮐـﺎﺵ ﺟـﺎﻱ ﺩﺍﻧـﻪﻫـﺎ‬ ‫ﻣﻲﺗﻮﺍﻧﺪ ﺩﺳﺖ ﻣﺎ ﺭﺍ ﺗﺎ ﺑـﻪﺯﻟـﻒ ﺍﻭ ﺭﺳـﺎﻧﺪ ﺁﻧﮑﻪ ﭘﻴﺪﺍ ﮐﺮﺩ ﺍﻳﻦ ﻗﺪﺭﺕ ﺑﺪﺳـﺖ ﺷـﺎﻧﻪﻫـﺎ‬ ‫ﺳـﺎﻗﻴﺎ ﺁﺯﺍﺩ ﻣـﺎ ﺭﺍ ﻫـﺮ ﮐﺠـﺎ ﺑﺎﺷـﺪ ﺑﺨـﻮﺍﻥ‬ ‫ﺑﻲﺣﻀﻮﺭ ﺍﻭ ﺳﺮﻭﺭﻱ ﻧﻴﺴﺖ ﺩﺭ ﻣﻴﺨﺎﻧﻪﻫـﺎ‪٢‬‬ ‫»‪«۷۵‬‬ ‫ﺑﺲﮐﻪ ﺑﺎ ﻣﻦ ﺍﻟﻔﺖ ﺧﺎﺹ ﺍﺳﺖ ﻣﺤﺒﻮﺏ ﻣﺮﺍ ﺣـﺮﺯ ﺑـﺎﺯﻭﻱ ﻣﺒـﺎﺭﮎ ﮐـﺮﺩ ﻣﮑﺘـﻮﺏ ﻣـﺮﺍ‬ ‫ﻧﻴﺴﺖ ﮔﺮ ﻣﻨﻈﻮﺭ ﻳﺎﻗﻮﺕ ﺩﻝ ﻣﻦ ﺟﺒﺮ ﻧﻴﺴﺖ ﻣﻲﺗﻮﺍﻥ ﺭﺩ‪ ‬ﮐﺮﺩ ﺁﺧـﺮ ﺟـﻨﺲ ﻣﻌﻴـﻮﺏ ﻣـﺮﺍ‬ ‫ﺣﻖ ﺗﻌﺎﻟﻲ ﺩﺍﺩ ﺩﺭ ﺣﮑﻤﺖ ﺗـﺮﺍ ﺩﺳـﺖ‪ ‬ﺷـﻔﺎ ﻣﻲﺗﻮﺍﻥ ﮐﺮﺩﻥ ﻋﻼﺟـﻲ ﺩﺭﺩ‪ ‬ﺩﻝ ﮐـﻮﺏ ﻣـﺮﺍ‬ ‫ﻧﻴﺴــﺘﻢ ﺍﺯ ﺟﻠــﻮﺓ ﻟﻄــ ‪‬ﻒ ﺍﻟﻬــﻲ ﻧﺎﺍﻣﻴــﺪ ﺭﺍﻡ ﻣـﻦ ﺁﺧـﺮ ﻧﻤﺎﻳـﺪ ﺻـﻴﺪ ﻣﻄﻠـﻮﺏ ﻣـﺮﺍ‬ ‫ﺍﺯ ﺧﺪﺍ ﻳﺎﺑﺪ ﺳـﺰﺍﻱ ﺯﺷـﺘﻲ ﮐـﺮﺩﺍﺭ ﺧـﻮﻳﺶ ﺁﻧﮑﻪ ﺑﻲﺗﻘﺼﻴﺮ ﺑﺎ ﻣﻦ ﮐـﺮﺩ ﺑ‪‬ـﺪ ﺧـﻮﺏ‪ ٣‬ﻣـﺮﺍ‬ ‫ﺑﺮ ﺳﺮ ﻣﻦ ﻫﺮ ﻧﻔـﺲ ﺷـﻮﺭ ﻗﻴﺎﻣـﺖ ﻣـﻲﺭﻭﺩ ﻧﻴﺴﺖ ﺗﻮﻓﻴـﻖ ﻣـﺮﻭ‪‬ﺕ ﺧـﺎﻃﺮ ﺁﺷـﻮﺏ ﻣـﺮﺍ‬ ‫ﻣﻦ ﻧﻪ ﺁﻥ ﺷﺨﺼﻢ ﮐﻪ ﺁﺭﻡ ﺍﻟﺘﺠﺎ ﭘﻴﺶ ﮐﺴـﻲ‬ ‫ﻣــﻲﺷﻨﺎﺳــﻲ ﺍﺯ ﻗــﺪﻳﻢ ﺁﺯﺍﺩ ﺍﺳــﻠﻮﺏ ﻣــﺮﺍ‬ ‫»‪«۷۶‬‬ ‫ﮐﺎﺭ ﺁﺳﺎﻥ ﻧﻴﺴﺖ ﻓﻬـﻢ ﻓﮑـﺮ ﻋـﺎﻟﻲﺷـﺄﻥ‪ ‬ﻣـﺎ ﺟـﻮﻫﺮﻱ ﺩﺍﻧـﺪ ﺑﻬـﺎﻱ ﺳـﺒﺤﺔﺍﻟﻤﺮﺟـﺎﻥ‪ ٤‬ﻣـﺎ‬ ‫ﺍﻳﻦ ﭼﻨﻴﻦ ﺗﺼﻨﻴﻒ ﺩﺭ ﻫﻨﺪﻭﺳﺘﺎﻥ ﮔﺎﻫﻲ ﻧﺸﺪ ﺁﻓﺮﻳﻦ ﺑـﺮ ﺻـﻨﻌﺖ‪ ‬ﮐﻠـﮏ‪ ‬ﮔﻬـﺮ ﺍﻓﺸـﺎﻥ‪ ‬ﻣـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﭘﻴﻮﺍﻧﻪ ﻫﺎ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻣﺼﺮﻉ ﺩﻭﻡ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺧﻮﺍﺏ‪.‬‬ ‫‪ .٤‬ﺳﺒﺤﺔﺍﻟﻤﺮﺟﺎﻥ ﻓﻲ ﺁﺛﺎﺭ ﻫﻨﺪﻭﺳﺘﺎﻥ‪ ،‬ﮐﺘﺎﺑﻲﺳﺖ ﺑﻪﻋﺮﺑﻲ ﮐﻪ ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ ﺁﻥ ﺭﺍ ﺗﺄﻟﻴﻒ ﮐﺮﺩﻩ ﻭ ﺍﻳﻦ ﮐﺘﺎﺏ ﭼﺎﭖ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ١٦٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺫﻭﺍﻟﻔﻘــﺎﺭ ﺁﺑــﺪﺍﺭ ﻣﺎﺳــﺖ ﮐﻠــﮏ‪ ‬ﻭﺍﺳــﻄﻲ ﮐﻴﺴﺖ ﺗﺎ ﺁﻳـﺪ ﺟﮕـﺮ ﺩﺍﺭﺍﻧـﻪ ﺩﺭ ﻣﻴـﺪﺍﻥ‪ ‬ﻣـﺎ‬ ‫ﺩﺭ ﻋﺮﺏ ﺩﻳﻮﺍﻥ‪ ‬ﻣﺎ ﻫﻢ ﺷﻮﺭﻫﺎ ﺍﻓﮕﻨﺪﻩ ﺍﺳـﺖ ﮔــﺮﻡ ﺩﺍﺭﺩ ﺑﺰﻣﻬــﺎ ﺭﺍ ﺷــﻌﻠﺔ ﺍﻟﺤــﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﻧﻌﻤﺖ‪ ‬ﺍﻟﻮﺍﻥ ﺯ ﻣﻌﻨﻲﻫﺎﻱ ﺭﻧﮕﻴﻦ ﭼﻴـﺪﻩﺍﻳـﻢ‪ ١‬ﻣﻲﺷﻮﺩ ﻣﻬﻤﺎﻥ ﻣـﺎ ﻣﺤﻈـﻮﻅ ﺍﺯ ﺷـﻴﻼﻥ ﻣـﺎ‬ ‫ﻫﺴﺖ ﺣﺴﺐ ﺣﺎﻝ ﻣﺎ ﺁﺯﺍﺩ ﺍﻳـﻦ ﺑﻴـﺖ ﺑﻠﻨـﺪ ﺍﺯ ﻟﺐ ﻧﺎﺻـﺮ ﻋﻠـﻲ‪ ٢‬ﺍﺳـﺘﺎﺩ ﻫﻨﺪﻭﺳـﺘﺎﻥ ﻣـﺎ‬ ‫»ﻣــﺎ ﻣﺼــﻮ‪‬ﺭﺯﺍﺩﺓ ﻋﺸــﻘﻴﻢ ﺷــﺎﻋﺮ ﻧﻴﺴــﺘﻴﻢ‬ ‫ﻳﮏ ﻗﻠﻢ ﺗﺼﻮﻳﺮ ﻣﻌﺸﻮﻕ ﺍﺳﺖ ﺩﺭ ﺩﻳﻮﺍﻥ‪ ‬ﻣـﺎ‪«٣‬‬ ‫»‪«۷۷‬‬ ‫ﻧﻤــﻲﺩﺍﻧــﺪ ﺍﺳــﻴﺮ ﺯﻟــﻒ ﺍﻭ ﻧــﺎﻡ ﺭﻣﻴــﺪﻥﻫــﺎ ﮐـﻪ ﺍﻳـﻦ ﺯﻧﺠﻴـﺮ ﺑﺎﻟـﺪ ﺑـﺎﺭ ﺩﻳﮕـﺮ ﺍﺯ ﺑﺮﻳـﺪﻥﻫـﺎ‬ ‫ﺑﻪﺟﺎﻳﻲ ﻣـﻲﺭﺳـﺎﻧﺪ ﺍﺳـﺘﻘﺎﻣﺖ ﮔﻮﺷـﻪﮔﻴـﺮﺍﻥ ﺭﺍ ﮐﻪ ﺻﻬﺒﺎ ﺭﺍ ﻣﻴﺴ‪‬ﺮ ﻣﻲﺷـﻮﺩ ﺩﺭ ﺧـﻢ ﺭﺳـﻴﺪﻥﻫـﺎ‬ ‫ﺩﻣــﺎﻍ ﻧــﺎﺯﮎ ﻣــﻦ ﺑــﻮﻱ ﻣﻨﹼــﺖ ﺑﺮﻧﻤــﻲﺗﺎﺑــﺪ ﺭﻋﺎﻳﺖ ﻣﻲﮐـﻨﻢ ﺑـﺮ ﺑﺎﻏﺒـﺎﻥ ﺍﺯ ﮔـﻞ ﺑﭽﻴـﺪﻥﻫـﺎ‬ ‫ﻣﻨﺎﺳﺐ ﻧﻴﺴﺖ ﺟﺎﻧـﺎﻥ ﺍﻳـﻦﻗـﺪﺭ ﺑـﻲﺍﻟﺘﻔـﺎﺗﻲﻫـﺎ ﺧــﺪﺍ ﺭﺍ ﺍﻟﺘﻤــﺎ ﹺﺱ ﻣﺨﻠﺼــﺎﻥ ﺩﺍﺭﺩ ﺷــﻨﻴﺪﻥﻫــﺎ‬ ‫ﺑﻪﺍﻳﻦ ﺷﻮﺧﻲ ﺍﮔﺮ ﺩﺭ ﺟﻨﹼﺖﺍﻟﻔـﺮﺩﻭﺱ ﻣـﻲﺁﻳـﻲ ﺩﺭ ﺁﻧﺠـﺎ ﻫـﻢ ﻧﺨﻮﺍﻫـﺪ ﺷـﺪ ﻣﻴﺴ‪‬ـﺮ ﺁﺭﻣﻴـﺪﻥﻫـﺎ‬ ‫ﺑﺴـــﺎﻥ ﮔﺮﺩﺑـــﺎﺩ ﺁﻭﺍﺭﺓ ﺩﺍﻣـــﺎﻥ ﺍﻳـــﻦ ﺩﺷـــﺘﻢ ﻧﻤﻲﺩﺍﻧﻢ ﮐﺠﺎ ﺧﻮﺍﻫﺪ ﺭﺳـﺎﻧﻴﺪ ﺍﻳـﻦ ﺩﻭﻳـﺪﻥﻫـﺎ‬ ‫ﻧﻤﻲﺳﺎﺯﺩ ﺟﺪﺍ ﺍﺯ ﺩﺳﺖ‪ ‬ﺧﻮﺩ ﻳﮏ ﻟﺤﻈﻪ ﺳﺎﻏﺮ ﺭﺍ‬ ‫ﺯ ﻧـﺮﮔﺲ ﻳــﺎﺩﮔﻴﺮ ﺁﺯﺍﺩ ﻃــﺮﺯ ﻣـﻲﮐﺸــﻴﺪﻥﻫــﺎ‬ ‫»‪«۷۸‬‬ ‫ﺑـﺎ ﺳ‪‬ـﺮﻣﻪ ﺳـﺮ ﻭ ﮐـﺎﺭ ﻧـﺪﺍﺭﺩ ﺑ‪‬ﺼﹶـﺮﹺ ﻣـﺎ ﺧــﺎﮎ ﻗــﺪﻡ ﻳــﺎﺭ ﺑ‪‬ــﻮ‪‬ﺩ ﺩﺭ ﻧﻈــﺮﹺ ﻣــﺎ‬ ‫ﻭﺍﷲ ﮐــﻪ ﻣــﺎ ﻃﺎﻗــﺖ‪ ‬ﭘــﺮﻭﺍﺯ ﻧــﺪﺍﺭﻳﻢ ﺻـﻴ‪‬ﺎﺩ ﭼـﺮﺍ ﻣـﻲﺷـﮑﻨﺪ ﺑـﺎﻝ ﻭ ﭘ‪‬ـﺮ ﻣـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﭼﻴﺪﻩﺍﻡ‪.‬‬ ‫‪ .٢‬ﻧﺎﺻﺮ ﻋﻠﻲ ﺳﺮﻫﻨﺪﻱ )ﺩ‪ ١١٠٨ :‬ﻫ‪ ١٦٩٦/‬ﻡ( ﺭﮎ‪ :‬ﺳﺮﻭﺁﺯﺍﺩ‪١٢٩ ،‬؛ ﺧﺰﺍﻧﺔ ﻋﺎﻣﺮﻩ‪٣٢٨،‬؛ ﺗﺬﮐﺮﺓ ﺣﺴﻴﻨﻲ‪٢٢٢ ،‬؛‬ ‫ﻧﺘﺎﻳﺞﺍﻻﻓﮑﺎﺭ‪٤٧٥ ،‬؛ ﺳﻔﻴﻨﺔ ﺧﻮﺷﮕﻮ‪١-٧/٣ ،‬؛ ﺷﻤﻊ ﺍﻧﺠﻤﻦ‪٥٠٤ ،‬؛ ﮐﻠﻤﺎﺕﺍﻟﺸﻌﺮﺍ‪١٣٢ ،‬؛ ﺳﺮﺧﻮﺵ ﺩﺭ ﺗﻌﺮﻳ ‪‬ﻒ ﻧﺎﺻﺮ‬ ‫ﻋﻠﻲ ﻳﮏ ﺭﺑﺎﻋﻲ ﮔﻔﺘﻪ ﮐﻪ ﺷﺎﻫﺪ ﻣﻘﺎﻡ ﻭ ﻣﺮﺗﺒﺔ ﺍﻭ ﺩﺭ ﺷﺎﻋﺮﻱ ﺍﺳﺖ‪:‬‬ ‫ﺩﺭ ‪‬ﻣﻠ ‪‬ﮏ ﺳـﺨﻦ ﺑـﻮﺩ ﺟﻬـﺎﻧﮕﻴﺮ ﻋﻠـﻲ ﺩﺭ ﻣﺸـﺮﺏ ﺩﻝ ﻭﻟـﻲ ﻋﻠـﻲ ﭘﻴـﺮ ﻋﻠـﻲ‬ ‫ﺑﺎ ﺷﻌﺮ ﻋﻠـﻲ ﻧﻤـﻲﺭﺳـﺪ ﺷـﻌﺮ ﮐﺴـﻲ ﺯﺍﻧﺴﺎﻥ ﮐﻪ ﺧﻂ ﮐﺲ ﺑﻪﺧ ‪‬ﻂ ﻣﻴﺮ ﻋﻠـﻲ‬ ‫‪ .٣‬ﺩﻳﻮﺍﻥ ﻧﺎﺻﺮ ﻋﻠﻲ ﺳﺮﻫﻨﺪﻱ‪ ،‬ﺹ ‪.٧٥‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٦٩ //‬‬ ‫ﻧﺸﻨﺎﺧﺖ ﮐﻪ ﺗﺮ ﺩﺍﻣﻨﻲ ﻣﺎ ﺯ ﭼﻪ ﺭﺍﻩ ﺍﺳﺖ ﺁﻥ ﮐﺲ ﮐﻪ ﻧﺪﺍﺭﺩ ﺧﺒﺮ ﺍﺯ ﭼﺸـﻢﹺ ﺗـﺮﹺ ﻣـﺎ‬ ‫ﺣﺎﺟــﺖ ﺑــﻪﺛﻨــﺎﺧﻮﺍﻧﻲ ﻣــﺪ‪‬ﺍﺡ ﻧــﺪﺍﺭﻳﻢ ﭘﻴﺪﺍﺳــﺖ ﺍﺻــﺎﻟﺖ ﺯ ﺟﺒــﻴﻦ ﮔﻬــﺮ ﻣــﺎ‬ ‫ﺣﻘﹼﺎ ﮐﻪ ﺟﻨـﺎﺏ ﺗـﻮ ﺑ‪‬ـﻮ‪‬ﺩ ﻟﻄـﻒ‪ ‬ﻣﺠﺴ‪‬ـﻢ ﺣﺎﺷﺎ ﮐﻪ ﺯ ﺩﺳﺖ‪ ‬ﺗـﻮ ﺑﺮﺁﻳـﺪ ﺿـﺮﺭ ﻣـﺎ‬ ‫ﺍﻱ ﺭﻭﺷــﻨﻲ ﭼﺸــﻢ ﺗﻤﻨﹼــﺎ ﺗــﻮ ﮐﺠــﺎﻳﻲ ﺑﻲﺭﻭﻱ ﺗﻮ ﺧﻮﺭﺷـﻴﺪ ﻧـﺪﺍﺭﺩ ﺳـﺤﺮ ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﺯ ﻣـــــﺎ ﺷـــــﻴﻮﺓ ﺁﺯﺍﺭ ﻧﻴﺎﻳـــــﺪ‬ ‫ﺑـﺎ ﭘﻨﺒـﺔ ﮐـﺲ ﺟﻨـﮓ ﻧـﺪﺍﺭﺩ ﺷـﺮﺭ ﻣـﺎ‬ ‫»‪«۷۹‬‬ ‫ﺍﺷــﮏ ﺑﻠﺒــﻞ ﺗــﺎﺯﻩ ﺩﺍﺭﺩ ﺑــﺎﻍ ﺭﺍ ﮔﺮﻳـﺔ ﻣــﻦ ﺳـﺒﺰ ﺳــﺎﺯﺩ ﺩﺍﻍ‪ ١‬ﺭﺍ‬ ‫ﺩﺭﺩﻣﻨـﺪﻱ ﻳـﺎﺩ ﺍﺯ ﻋﺼـﻔﻮﺭ ﮔﻴـﺮ ﺩﺭ ﮔﻠــﻮ ﺗﻌﻮﻳــﺬ ﺳــﺎﺯﺩ ﺩﺍﻍ ﺭﺍ‬ ‫ﻣﻮﺳﻢ ﺧﻂ ﺣﺴﻦ ﺧﺎﻝ ﺍﻭ ﻧﻤﺎﻧـﺪ ﺑ‪‬ـﺮﺩ ﻃـﻮﻃﻲ ﺭﻭﻧـﻖ ﺍﻳـﻦ ﺯﺍﻍ ﺭﺍ‬ ‫ﮐﺮﺩ ﺭﻧﮕﻴﻦ ﺟﺎﻣـﺔ ﮔـﻞ ﺭﺍ ﺑﻬـﺎﺭ ﮔﺸﺖ ﺑﻠﺒﻞ ﺑﻨـﺪﻩ ﺍﻳـﻦ ﺻـﺒ‪‬ﺎﻍ ﺭﺍ‬ ‫ﺍﺯ ﭘﻲ ﻋﻘﺒﻲ ﺯ ﺩﻧﻴـﺎ ﺩﺭ ﮔﺬﺷـﺖ‬ ‫ﺗــﺮﮎ ﮐــﺮﺩ ﺁﺯﺍﺩ ﺍﻳــﻦ ﺍﻧﺒــﺎﻍ ﺭﺍ‬ ‫»‪«۸۰‬‬ ‫ﻣﮕﻴﺮ ﮐﺎﺳﻪ ﺑﮑـﻒ ﻭﻗـﺖ ﺑـﻲﻧـﻮﺍﻳﻲﻫـﺎ ﮐــﻪ ﺩﺍﻍ ﮐــﺮﺩ ﺩﻝ ﻣــﺎﻩ ﺭﺍ ﮔــﺪﺍﻳﻲﻫــﺎ‬ ‫ﺳــﻔﻴﺪﻱ ﮐــ ‪‬ﻒ ﭘــﺎﻱ ﺑﺘــﺎﻥ‪ ‬ﻫﻨــﺪ ﺑــﻮﺩ ﺍﺯ ﺍﻳﻦ ﺳـﺒﺐ ﮐـﻪ ﻧﺪﺍﺭﻧـﺪ ﺳـﺒﺰﭘﺎﻳﻲﻫـﺎ‬ ‫ﻋ‪‬ﻨﺎﻥ‪ ‬ﻧﹶﻔﹾﺲ ﺍﮔـﺮ ﺿـﺒﻂ ﻣـﻲﺗـﻮﺍﻧﻲ ﮐـﺮﺩ ﮐﻨـﺎﺭﻩ ﮐـﻦ ﺯ ﺳـﺮﹺ ﭼـﺎﻩ ﮐﺪﺧـﺪﺍﻳﻲﻫـﺎ‬ ‫ﺑﮕﻴـﺮ ﻃـﻮﺭ ﻋﺒـﺎﺩﺕ ﺯ ﺳـﺎﺟﺪ ﺗﺼـﻮﻳﺮ ﺗﻤﺎﻡ ﻋﻤـﺮ ﮐﻨـﺪ ﺻـﺮﻑ ﺟﺒـﻪﺳـﺎﻳﻲﻫـﺎ‬ ‫ﮐﺴﻲ ﻧﻤﺎﻧﺪ ﮐﻪ ﺑﻮﺋﻲ ﺍﺯ ﺍﻳﻦ ﭼﻤﻦ ﻧﺸﻨﻴﺪ ﻫﻤـﻴﻦ ﺑـﻪﻃـﺎﻟﻊ ﻣـﺎ ﺑـﻮﺩ ﻧﺎﺭﺳـﺎﻳﻲﻫـﺎ‬ ‫ﻗﺼﻮﺭ ﺍﺯ ﺗﻮ ﻧﻤـﻲﺭﻓـﺖ ﺩﺭ ﻣﺤﺒ‪‬ـﺖ ﻣـﺎ ﺩﺭ ﺍﻳﻦ ﺩﻭ ﺭﻭﺯ ﮐﻪ ﺁﻣﻮﺧﺖ ﺑﻲﻭﻓﺎﻳﻲﻫـﺎ‬ ‫ﻣﺘــﺎﻉ ﻓﻘــﺮ ﺑــﻪﺧﺎﺻــﺎﻥ ﮐﻨﻨــﺪ ﺍﺭﺯﺍﻧــﻲ‬ ‫ﻣﺒـــﺎﺩ ﺩﻭﺭ ﺯ ﺁﺯﺍﺩ ﺑـــﻲﻧـــﻮﺍﻳﻲﻫـــﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﺎﻍ‪.‬‬

‫‪ // ١٧٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۸۱‬‬ ‫ﺍﻱ ﻣﺼـﻮ‪‬ﺭ ﺍﺯ ﺗـﻮ ﺁﻳـﺪ ﺍﻳـﻦﻗـﺪﺭ ﺗـﺪﺑﻴﺮﹺ ﻣـﺎ ﺑﺎ ﺷـﺒﻴﻪ ﺁﻥ ﭘ‪‬ـﺮﻱ ﭘﻴﮑـﺮ ﺑﮑـﺶ ﺗﺼـﻮﻳﺮﹺ ﻣـﺎ‬ ‫ﺍﻳﻦ ﺷﮑﺎﺭ ﺍﻓﮕﻦ ﭼﻪ ﺍﻓﺴﻮﻥ ﺧﻮﺍﻧﺪ ﺩﺭ ﺗﺴﺨﻴﺮﹺ ﻣـﺎ ﻣﻲﺭﻭﺩ ﺩﺭ ﺩﺍﻡ ﺍﻭ ﺍﺯ ﭘﺎﻱ ﺧـﻮﺩ ﻧﺨﭽﻴـﺮﹺ ﻣـﺎ‬ ‫ﺟﺬﺑـﺔ ﻋﺎﺷـﻖ ﺑـﺮﺩ ﻣﻌﺸـﻮﻕ ﺭﺍ ﺍﺯ ﺍﺧﺘﻴـﺎﺭ ﺧــﺎﻃﺮ ﻳﻮﺳــﻒ ﺑــﻮﺩ ﻭﺍﺑﺴــﺘﺔ ﺯﻧﺠﻴــﺮﹺ ﻣــﺎ‬ ‫ﺍﻟﺘﻤــﺎﺱ ﺁﺷــﻨﺎﻳﺎﻥ ﺭﺍ ﻣــﻴﻔﮕﻦ ﺑــﺮ ﺯﻣــﻴﻦ ﻗﺎﺑـﻞﹺ ﮔـﻮﺵﹺ ﺗـﻮ ﺑﺎﺷـﺪ ﮔـﻮﻫﺮ ﺗﻘﺮﻳـﺮﹺ ﻣـﺎ‬ ‫ﺧﻮﺵ ﺩﻣﺎﻏﺎﻥ ﺍﺯ ﺳﻮﺍﺩ ﮐﻠﮏ ﻣﺎ ﺣﻆ ﻣﻲﺑ‪‬ﺮﻧﺪ ﺑــﻮﻱ ﺯﻟــﻒ‪ ‬ﻳــﺎﺭ ﺩﺍﺭﺩ ﺳــﻨﺒﻞ ﺗﺤﺮﻳــﺮﹺ ﻣــﺎ‬ ‫ﻳﺎﺭ ﻧﺎﺳﺎﺯﻱ ﮐـﻪ ﺟـﺎﻥ ﺩﺭ ﺭﺍﻩ ﺍﻭ ﺩﺍﺩﻡ ﻫﻨـﻮﺯ ﻣـﻲﻓﺸـﺎﻧﺪ ﺁﺳـﺘﻴﻦ ﺑـﺮ ﺧـﺎﮎ ﺩﺍﻣﻨﮕﻴـﺮﹺ ﻣـﺎ‬ ‫ﻧﻴﺴﺖ ﺑﺎ ﺁﺯﺍﺩ ﺍﺧﻼﺻﻲ ﮐـﻪ ﺳـﺎﺑﻖ ﺩﺍﺷـﺘﻲ‬ ‫ﻣﺪ‪‬ﻋﻲ ﺑﺎﺭﻱ ﭼﻪ ﻇﺎﻫﺮ ﻣـﻲﮐﻨـﺪ ﺗﻘﺼـﻴﺮﹺ ﻣـﺎ‬ ‫»‪«۸۲‬‬ ‫ﻟــﺐ ﻣــﻦ ﺑــﺮﺩ ﻧــﺎﻡ ﻧــﺎﻣﻲ ﺭﺍ ﮐــﺮﺩ ﺳــﻴﺮﺍﺏ ﺗﺸــﻨﻪ ﮐــﺎﻣﻲ ﺭﺍ‬ ‫ﺫﺭ‪‬ﺓ ﻣﺴـــﺘﻤﻨﺪ ﻣـــﻲﺧﻮﺍﻫـــﺪ ﭘﺮﺗــــﻮ ﺍﻟﺘﻔــــﺎﺕ ﺳــــﺎﻣﻲ ﺭﺍ‬ ‫ﺩﺭ ﺛﻨـﺎﻱ ﺗـﻮ ﻣـﻲﺗـﻮﺍﻥ ﺍﻓﺸـﺎﻧﺪ ﺩ‪‬ﺭﹺ ﺷــﺎﺩﺍﺏ ﺧــﻮﺵ ﮐﻼﻣــﻲ ﺭﺍ‬ ‫ﺣـﻖ ﺗﻌـﺎﻟﻲ ﺑـﻪﻣـﻦ ﮐﻨـﺪ ﺭﻭﺯﻱ ﺩﻭﻟـــﺖ‪ ‬ﺧـــﺪﻣﺖ‪ ‬ﮔﺮﺍﻣـــﻲ ﺭﺍ‬ ‫ﺑﻨـﺪﺓ ﮔـﻞ ﺭﺧـﺎﻥ ﺍﮔـﺮ ﻧﺸـﺪﻱ ﺑــﻪﮐﺠــﺎ ﻣــﻲﺑ‪‬ــﺮﻱ ﻏﻼﻣــﻲ ﺭﺍ‬ ‫ﺯﺍﻫﺪ ﺍﺯ ﺣﺴﻦ ﺁﻥ ﮐﻤـﺮ ﻣﺤـﺮﻭﻡ ﭼــﻪ ﺧﺒــﺮ ﺍﺯ ﺩﻗﻴﻘــﻪ ﻋــﺎﻣﻲ ﺭﺍ‬ ‫ﺑﻨﺪﮔﻲ ﺩﺭ ﺟﻨﺎﺏ ﻣﺮﺗﻀﻮﻱ ﺍﺳﺖ‬ ‫ﻣﻴــــــﺮ ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣــــــﻲ ﺭﺍ‬ ‫»‪«۸۳‬‬ ‫ﮐﻪ ﺍﺩﺍ ﻧﻤﻮﺩ ﭼﻮﻥ ﻣﻦ ﺣﻖ ﺷﻴﻮﺓ ﻭﻓـﺎ ﺭﺍ ﺳﺮﹺ ﺧـﻮﺩ ﻧﻴـﺎﺯ ﮐـﺮﺩﻡ ﺩ‪‬ﻡﹺ ﺗﻴـﻎ ﺁﺷـﻨﺎ ﺭﺍ‬ ‫ﺗﻌﺒﻲ‪ ١‬ﮐﺸﻴﺪ ﻭ ﺁﻭﺭﺩ ﺧﻂ ﺩﺳﺖ ﻧﺎﺯﻧﻴﻨﻲ ﺑـﻪﻟـﺐﹺ ﻧﻴـﺎﺯ ﺑﻮﺳـﻢ ﭘـﺮ ﻫ‪‬ﺪﻫ‪‬ـﺪ‪ ‬ﺳـﺒﺎ ﺭﺍ‬ ‫ﻧـﺷــﺐــﻭــﺻــﻞــﻳـﺎـﺭــﮐـﻤـﺘـﺮــﺯــﺳــﻮﺍـﺩـــﺳـــﺎﻳـﺎﺔﺯﻧﮔﻴﻨـﻲﻞ ﭼﻪ ﻧﺸﺎﻁ ﺭﻭ ﻧﻤﺎﻳﺪ ﺯ ﭼﻨﻴﻦ ﻭﺻﺎﻝ ﻣﺎ ﺭﺍ‬ ‫ﺑﻪﺧﻴﺎﻝ ﺷﻤﻊ ﺑﺎﺷﺪ ﮐﻪ ﺯ ﻳﺎﺭ ﻣﺎﺳﺖ ﺑﻬﺘﺮ ﺑﻔﺮﺳﺖ ﻳـﺎ ﺍﻟﻬـﻲ ﺩﻡ ﺻـﺒﺢ ﻳـﺎ ﺻـﺒﺎ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻳﻌﻨﻲ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٧١ //‬‬ ‫ﻧﻈﺮ ﮐﺴﻲ ﺍﺳﺖ ﺑﻴﻨﺎ ﺑﻪﺯﻳﺎﻥ ﻭ ﺳﻮﺩ‪ ‬ﻋﺎﻟﻢ ﮐﻪ ﺑﻪﻧﻘﺪ ﺧﺎﮎ ﮐﻮﻳﺖ ﻧﺨﺮﻳﺪ‪ ١‬ﮐﻴﻤﻴـﺎ ﺭﺍ‬ ‫ﻟﺐ ﺳﺎﻳﻼﻥ ﻣﻌﻄﹼﻞ ﺯ ﺍﺩﺍﻱ ﺣﺮﻑ‪ ‬ﺣﺎﺟﺖ ﮐﻪ ﮐﻒ‪ ‬ﺗﻮ ﻣ‪‬ﻬﺮ ﺑ‪‬ﺮﺯﺩ ﺯ ﺩﺭﻡ ﻟﺐﹺ ﮔـﺪﺍ ﺭﺍ‬ ‫ﺷـﻨﻮﻳﺪ ﺧﻮﺑﺮﻭﻳـﺎﻥ ﺳـﺨﻦ ﺿـﺮﻭﺭ ﺁﺯﺍﺩ‬ ‫ﻣﮑﺸﻴﺪ ﺩﻭﺳﺘﺎﻥ ﺭﺍ ﺑﻪﻓﺮﺍﻕ ﺧﻮﺩ ﺧـﺪﺍ ﺭﺍ‬ ‫»‪«۸۴‬‬ ‫ﺩﻳﺪ ﭼﺸﻢ ﺗﺮ ﺯ ﻋﻄـﺮ ﭘﻴـﺮﻫﻦ ﻧﻴﺮﻧـﮓﻫـﺎ ﺁﺏ ﭘﻴﺪﺍ ﻣﻲﮐﻨﺪ ﺩﺭ ﺧﻮﺩ ﺯ ﺭﻭﻏﻦ ﺭﻧﮓﻫﺎ‬ ‫ﻟﻴﻠﻴﻲ ﺩﺍﺭﻡ ﮐـﻪ ﺍﺯ ﺁﻳـﻴﻦ ﺑﻴـﺪﺍﺩﺵ ﻣﭙـﺮﺱ ﻧﺎﻗﻪ ﺭﺍ ﻣﻲﺑﻨﺪﺩ ﺍﺯ ﺩﻟﻬﺎﻱ ﻧـﺎﻻﻥ ﺯﻧـﮓﻫـﺎ‬ ‫ﮐﻔﺮ ﻭ ﺍﻳﻤﺎﻥ ﺭﺍ ﺯ ﻳﮏ ﺭﻧﮕﻲ ﻋﻤﺎﺭﺕ ﮐﺮﺩﻩﺍﻧﺪ ﮐﻌﺒـﻪ ﻭ ﺑﺘﺨﺎﻧـﻪ ﺭﺍ ﺁﺭﺍﺳـﺘﻨﺪ ﺍﺯ ﺳـﻨﮓﻫـﺎ‬ ‫ﺩﻭﺭﻱ ﺩﻟﻬــﺎ ﺯ ﻳﮑــﺪﻳﮕﺮ ﻣﺒــﺎﺩﺍ ﺭﻭ ﺩﻫــﺪ ﺳﻬﻞ ﺑﺎﺷﺪ ﺩﺭ ﻋﺰﻳﺰﺍﻥ ﺩﻭﺭﻱ ﻓﺮﺳـﻨﮓﻫـﺎ‬ ‫ﺧﺎﻃﺮ ﺧﻮﺩ ﺭﺍ ﺻﻔﺎ ﺩﻩ ﺍﺯ ﻏﺒـﺎﺭ ﮐﻴﻨـﻪ‪٢‬ﻫـﺎ ﻣـﻲﺑـﺮﺩ ﺁﻳﻴﻨـﻪ ﺭﺍ ﺍﺯ ﮐـﺎﺭ ﺁﺧـﺮ ﺯﻧـﮓﻫـﺎ‬ ‫ﺯﺍﻫﺪ ﻣﺠﻬﻮﻝ ﺍﮔﺮ ﻣﻴﻠﻲ ﻧـﺪﺍﺭﺩ ﺑـﺎ ﺷـﺮﺍﺏ ﺩﺧﺘﺮ ﺭﺯ ﻫﻢ ﺍﺯ ﺍﻳﻦ ﻧـﺎﻣﺮﺩ ﺩﺍﺭﺩ ﻧﻨـﮓﻫـﺎ‬ ‫ﺍﺯ ﺯﺑــﺎﻥ ﺧﺎﻣــﺔ ﺁﺯﺍﺩ ﺷــﻴﺮﻳﻨﻲ ﻃﻠــﺐ‬ ‫ﻣﻲﺩﻫﺪ ﺍﻳﻦ ﻧﻲ ﺗﺮﺍ ﺍﺯ ﺷﮑﹼﺮﹺ ﺧﻮﺩ ﺗﻨﮓﻫـﺎ‬ ‫»‪«۸۵‬‬ ‫ﺳﺎﻗﻲﹺ ﻣﺎ ﺟﺎ ﻭ ﺑـﻲﺟـﺎ ﻣـﻲﺩﻫـﺪ ﭘﻴﻤﺎﻧـﻪ ﺭﺍ ﻳـﺎ ﺍﻟٰﻬـﻲ ﻫـﻮﺵ ﺩﻩ ﺍﻳـﻦ ﻗﺎﺳـﻢﹺ ﺩﻳﻮﺍﻧـﻪ‪ ٣‬ﺭﺍ‬ ‫ﺷﻤﻊ ﻇﺎﻟﻢ ﺭﺍ ﺧﺒـﺮ ﺍﺯ ﺍﻧﺘﻘـﺎﻡﹺ ﺻـﺒﺢ ﻧﻴﺴـﺖ ﺑــﻲﺗﺄﻣ‪‬ــﻞ ﻣــﻲﺯﻧــﺪ ﺁﺗــﺶ ﭘ‪‬ــﺮﹺ ﭘﺮﻭﺍﻧــﻪ ﺭﺍ‬ ‫ﻏﻴﺮ ﺭﺍ ﺩﺭ ﺻـﺤﺒﺖ‪ ‬ﻳـﺎﺭﺍﻥ‪ ‬ﺭﻧﮕـﻴﻦ ﺭ‪‬ﻩ ﻣﺒـﺎﺩ ﺑﺮﻧﻤــﻲﺗﺎﺑــﺪ ﮔﻠﺴــﺘﺎﻥ ﺳــﺒﺰﺓ ﺑﻴﮕﺎﻧــﻪ ﺭﺍ‬ ‫ﮐــﺮﺩ ﺁﺧــﺮ ﮔﺮﻳــﺔ ﺑﺴــﻴﺎﺭ ﺑــﺎ ﺩﻝ ﺩﺷــﻤﻨﻲ ﺁﺏ ﺿﺎﻳﻊ ﻣﻲﮐﻨـﺪ ﺍﺯ ﮐﺜـﺮﺕ‪ ‬ﺧـﻮﺩ ﺩﺍﻧـﻪ ﺭﺍ‬ ‫ﻧﻴﺴﺖ ﺑﺮ ﺍﺳﺮﺍﺭﹺ ﺧﻮﺩ ﺁﮔﺎﻩ ﮐـﺮﺩﻥ ﻣﺼـﻠﺤﺖ ﺩﻭﺭ ﺑﺎﻳﺪ ﺳﺎﺧﺖ ﺍﺯ ﭘﻬﻠﻮﻱ ﺧﻮﺩ ﻫﻢ ﺧﺎﻧﻪ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺗﺠﺮﻳﺪ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﮐﻴﻤﻴﺎ‪.‬‬ ‫‪ .٣‬ﻣﺤﻤﺪ ﻗﺎﺳﻢ ﻣﺸﻬﺪﻱ ﻣﺘﺨﹼﻠﺺ ﺑﻪ ﻗﺎﺳﻢ ﻭ ﻣﻌﺮﻭﻑ ﺑﻪ ﻗﺎﺳﻢ ﺩﻳﻮﺍﻧﻪ )ﺩ‪ ١٠٨٥ :‬ﻫ‪ ١٦٧٤/‬ﻡ( ﺍﺯ ﺷﺎﮔﺮﺩﺍﻥ ﺻﺎﺋﺐ ﺗﺒﺮﻳﺰﻱ‬ ‫ﺑﻮﺩ‪ .‬ﺭﮎ‪ :‬ﺳﺮﻭﺁﺯﺍﺩ‪١٢٢ ،‬؛ ﮐﻠﻤﺎﺕﺍﻟﺸﻌﺮﺍ‪١٥٦ ،‬؛ ﺗﺬﮐﺮﺓ ﺣﺴﻴﻨﻲ‪٢٦٩ ،‬؛ ﺷﻤﻊ ﺍﻧﺠﻤﻦ‪٥٨٩ ،‬؛ ﻧﺘﺎﺋﺞﺍﻻﻓﮑﺎﺭ‪٥٦٤ ،‬؛ ﺗﺎﺭﻳﺦ‬ ‫ﺍﺩﺑﻴﺎﺕ ﺩﺭ ﺍﻳﺮﺍﻥ‪ ،‬ﺻﻔﺎ‪١١٦٧/٢/٥ :‬؛ ﮐﺎﺭﻭﺍﻥ ﻫﻨﺪ ‪١٠٨٣/٢‬؛ ﻣﺤﻤﺪ ﺷﺮﻳﻔﻲ‪ :‬ﻓﺮﻫﻨﮓ ﺍﺩﺑﻴﺎﺕ ﻓﺎﺭﺳﻲ‪.١١١٣ ،‬‬

‫‪ // ١٧٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺩﺳﺖ ﺩﺭ ﺩﺍﻣﺎﻥ ﺁﻥ ﺑﺪﺧﻮ ﺯﺩﻥ ﻣﻘﺪﻭﺭ ﻧﻴﺴﺖ ﺑﺎﺯ ﺩﺍﺭﺩ ﺯﻟـ ‪‬ﻒ ﺍﻭ ﺍﺯ ﭼﻴـﺮﻩﺩﺳـﺘﻲ ﺷـﺎﻧﻪ ﺭﺍ‬ ‫ﺑــﻲﺭﻓﻴــﻖ ﺁﺯﺍﺩ ﺭﺍﻩ ﮐﻌﺒــﻪ ﺁﻭﺭﺩﻡ ﺑــﻪﺳــﺮ‬ ‫ﺧﻀﺮﹺ ﺭﺍﻩ‪ ‬ﺧـﻮﻳﺶ ﮐـﺮﺩﻡ ﻫﻤ‪‬ـﺖ‪ ‬ﻣﺮﺩﺍﻧـﻪ ﺭﺍ‬ ‫»‪«۸۶‬‬ ‫ﺍﺯ ﺗﻤﺎﺷـﺎﻱ ﭼﻤـﻦ ﻃﺮﻓـﻪ ﻓـﺮﺍﻍ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ ﺷﺎﺥ ﺳﻨﺒﻞ ﺭﮒ ﮔﻞ ﻣﻮﻱ ﺩﻣـﺎﻍ‪ ١‬ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻧﺴــﺒﺖ ﻣﻴﮑــﺪﻩ ﮐﺎﻓﻴﺴــﺖ ﺗﻨــﮓ ﻇﺮﻓــﺎﻥ ﺭﺍ ﻋـﺎﻟﻤﻲ ﻣﺴـﺖ ﺯ ﺗﺼــﻮﻳﺮ ﺍﻳـﺎﻍ ﺍﺳـﺖ ﺍﻳﻨﺠــﺎ‬ ‫ﮐﻒ ﭘـﺎﻱ ﻫﻤـﻪ ﺧﻮﺑـﺎﻥ ﻫﻨـﻮﺩ ﺍﺳـﺖ ﺳـﻔﻴﺪ ﭼﺸﻢ ﺭﺍ ﺭﻭﺷـﻨﻲ ﺍﺯ ﭘـﺎﻱ ﭼـﺮﺍﻍ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺍﻱ ﮔﻞ ﺍﺯ ﺻﺤﺒﺖ ﻣﺮﻏﺎﻥ ﭼﻤﻦ ﻳﮑﺴـﻮ ﺑـﺎﺵ ﮐﻬﻨﻪ ﺟﺎﺳﻮﺱ ﺻـﺒﺎ ﮔـﺮﻡ ﺳـﺮﺍﻍ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻏﻨﭽــﺔ ﻻﻟــﻪ ﻣﺸــﻮ ﻟــﺐ ﺑــﻪﺗﺒﺴ‪‬ــﻢ ﻣﮕﺸــﺎﻱ ﻫﺮﮐﻪ ﺩﺍﺭﺩ ﺩﻝ ﺧـﻮﺵ ﻗﺎﺑـﻞ ﺩﺍﻍ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻣﺮﮒ ﺧﻮﺍﻧﻨﺪﺓ ﺧﻮﺵ ﺻﺤﺒﺖ ﺑﺪ ﺣﻨﺠﺮﻩ ﺍﺳﺖ ﺑﻠﺒــﻞ ﺗــﺎﺯﻩ ﻧــﻮﺍ ﮐﺸــﺘﺔ ﺯﺍﻍ ﺍﺳــﺖ ﺍﻳﻨﺠــﺎ‬ ‫ﭘــﻴﺶ ﺍﻳــﻦ ﻣــﺮﺩﻡ ﺑــﺪ ﻓﻬــﻢ ﻣــﺰﻥ ﺩﻡ ﺁﺯﺍﺩ‬ ‫ﺑﻬﺘــﺮﻳﻦ ﺯﻣﺰﻣــﻪ ﺁﻭﺍﺯ ﮐــﻼﻍ ﺍﺳــﺖ ﺍﻳﻨﺠــﺎ‬ ‫»‪«۸۷‬‬ ‫ﺁﻓــﺖ ﺭﺳــﺪ ﻧﺨﺴــﺖ ﺫﻭﻱﺍﻻﻗﺘــﺪﺍﺭ ﺭﺍ ﺍﻭﻝ ﮐﹸﺸـــﺪ ﻧﺴـــﻴﻢ ﭼـــﺮﺍﻍ ﻣﻨـــﺎﺭ ﺭﺍ‬ ‫ﺩﺳﺖ ﮐﺴﻲ ﮐﻪ ﻓﻴﺾ ﻧـﺪﺍﺭﺩ ﺑﺮﻳـﺪﻩ ﺑـﻪ ﺁﺗــﺶ ﺍﺯ ﺍﻳــﻦ ﮔﻨــﺎﻩ ﺑﺴــﻮﺯﺩ ﭼﻨــﺎﺭ ﺭﺍ‬ ‫ﺩﺍﺭﺩ ﺍﮔﺮﭼﻪ ﻏﻨﭽﺔ ﮔـﻞ ﺟﻴـﺐ ﭘ‪‬ـﺮ ﺯ ﺯﺭ ﻳﮑﺒــﺎﺭ ﻫــﻢ ﻧﮑــﺮﺩ ﺗﻮﺍﺿــﻊ ﻫــﺰﺍﺭ ﺭﺍ‬ ‫ﺁﻩ ﺁﺭﺯﻭﻱ ﺑﺴــﻤﻞ ﻣــﺎ ﻧﺎﺗﻤــﺎﻡ ﻣﺎﻧــﺪ ﻓﺘـﺮﺍﮎ‪ ‬ﺍﻭ ﻗﺒـﻮﻝ ﻧﮑـﺮﺩ ﺍﻳـﻦ ﺷـﮑﺎﺭ ﺭﺍ‬ ‫ﺩﺍﺭﻱ ﺍﮔـﺮ ﻣـﻼﻝ ﺯ ﻳـﺎﺭﺍﻥ ﻓـﺮﻭ ﻧﺸـﺎﻥ ﺩﻳــﻮﺍﺭ ﺍﺳــﺘﻮﺍﺭ ﻣﮑــﻦ ﺍﻳــﻦ ﻏﺒــﺎﺭ ﺭﺍ‬ ‫ﮔـﺮ ﺩﻭﻟـﺖ‪ ‬ﻭﺻــﺎﻝ ﻣﻴﺴ‪‬ـﺮ ﻧﻤـﻲﺷــﻮﺩ ﺑﺸﮑﻦ ﺑﻴـﺎﺩ‪ ‬ﺳـﺎﻏﺮ ﭼﺸـﻤﺶ ﺧﻤـﺎﺭ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺍﺯ ﺗــﻮ ﺑــﺎﺯ ﻧﺨﻮﺍﻫــﺪ ﮔﺮﻓــﺖ ﺩﻝ‬ ‫ﻧــﺬﺭﹺ ﺗــﻮ ﮐــﺮﺩ ﺍﻳــﻦ ﮔﻬــﺮﹺ ﺁﺑــﺪﺍﺭ ﺭﺍ‬ ‫‪ .١‬ﻣﻮﻱ ﺩﻣﺎﻍ‪ ،‬ﮐﺎﻫﺶ ﺩﻣﺎﻍ‪) .‬ﺣﺎﺷﻴﻪ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٧٣ //‬‬ ‫»‪«۸۸‬‬ ‫ﺑﻪﺍﻳﻦ ﺷﻮﺧﻲ ﭼﻪ ﺗﻤﮑﻴﻦ ﺍﺳﺖ ﺣﺴﻦﹺ ﺑﻲﺣﺠﺎﺑﺶ ﺭﺍ ﮐﻪ ﮔـﺮﺩﺩ ﻋﮑـﺲ ﺩﺭ ﺁﻳﻴﻨـﻪ ﺗﺼـﻮﻳﺮ ﺁﻓﺘـﺎﺑﺶ ﺭﺍ‬ ‫ﺯ ﺩﺭﻳﺎﻱ ﺟﻬﺎﻥ‪ ‬ﭘ‪‬ﺮﺧﻄـﺮ ﺑـﺮ ﺧـﻮﻳﺶ ﻣـﻲﻟـﺮﺯﻡ ﭼﻮ ﺳﻮﺭﺍﺥ ﮔﻬﺮ ﭼﺎﻫﻲ ﺍﺳﺖ ﺩﺭ ﻫﺮ ﻗﻄﺮﻩ ﺁﺑﺶ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﺩﺭﻳﺎ ﮐﻪ ﻟﺒﺮﻳﺰ ﺍﺯ ﻓـﺮﻭﻍ ﮔـﻮﻫﺮﻱ ﺑﺎﺷـﺪ ﭼﺮﺍﻏﻲ ﻫﺴـﺖ ﺯﻳـﺮ ﭘـﺮﺩﻩ ﻓـﺎﻧﻮ ﹺﺱ ﺣﺒـﺎﺑﺶ ﺭﺍ‬ ‫ﺣﺠــﺎﺏﹺ ﺣ‪‬ﺴــﻦ ﺑــﺎ ﺯﻭﺭﹺ ﻣﺤﺒ‪‬ــﺖ ﺑﺮﻧﻤــﻲﺁﻳــﺪ ﻧﺴــﻴﻢ ﺁﻩ ﻣــﺎ ﺍﺯ ﭼﻬــﺮﻩ ﺑــﺮﺩﺍﺭﺩ ﻧﻘــﺎﺑﺶ ﺭﺍ‬ ‫ﮐﺮﺍ ﻃﺎﻗﺖ ﮐـﻪ ﮔﻴـﺮﺩ ﺑﻮﺳـﻪ ﺍﺯ ﭼﺸـﻢ ﺳـﻴﺎ‪‬ﻩ ﺍﻭ ﻣﻴﺴ‪‬ــﺮ ﮐــﻦ ﺍﻟﻬــﻲ ﺑﻮﺳــﺔ ﭼﺸــﻢ ﺭﮐــﺎﺑﺶ ﺭﺍ‬ ‫ﻣﻦ ﺁﻥ ﻧﺎﻣﻬﺮﺑﺎﻥ ﺭﺍ ﺑﺮ ﺧﻮﺩ ﺁﺧﺮ ﻣﻬﺮﺑـﺎﻥ ﺳـﺎﺯﻡ ﮐﻨﺪ ﺯﻧﺠﻴـﺮ ﺩﺭ ﭘـﺎ ﺻـﺒﺮﹺ ﻣـﻦ ﺑـﺮﻕﹺ ﻋﺘـﺎﺑﺶ ﺭﺍ‬ ‫ﺳﺤﺮ ﺁﺯﺍﺩ ﺧﻮﺍﻧﺪﻡ ﺩﺭ ﮔﻠﺴﺘﺎﻥ ﻣﺼﺤ ‪‬ﻒ ﮔـﻞ ﺭﺍ‬ ‫ﺑــﻪﺭﻭﺡﹺ ﺑﻠﺒــﻞ ﻣﺮﺣــﻮﻡ ﺑﺨﺸــﻴﺪﻡ ﺛــﻮﺍﺑﺶ ﺭﺍ‬ ‫»‪«۸۹‬‬ ‫ﭘﺎﻥ‪١‬ﺧﻮﺭﺩﻩ ﻟﺐ ﻳﺎﺭ ﺧﺠﻞ ﮐﺮﺩ ﭼﻤـﻦ ﺭﺍ ﻏﻠﻄﺎﻧـﺪ ﺑﺨﻮﻧـﺎﺏ ﺑﺪﺧﺸـﺎﻥ ﻭ ﻳﻤـﻦ ﺭﺍ‬ ‫ﺍﻱ ﻏﻨﭽﻪ ﺑﮑﺶ ﺩﺳﺖ ﺯ ﺑﻴﺪﺍﺭ ﮐﻪ ﺗﺮﺳﻢ ﺑـﻲﺗـﺎﺑﻲ ﺑﻠﺒـﻞ ﺷـﮑﻨﺪ ﺭﻧـﮓ‪ ‬ﭼﻤـﻦ ﺭﺍ‬ ‫ﺍﻟﻤﺎﺱ ﮐﻪ ﺩﺭ ﺷﻴﻮﺓ ﺳﺨﺘﻲ ﺍﺳﺖ ﻣﺴـﻠﹼﻢ ﺍﺳــﺘﺎﺩ ﺷﻨﺎﺳــﺪ ﺩﻝﹺ ﺧﻮﺑــﺎﻥ‪ ‬ﺩﮐــﻦ ﺭﺍ‬ ‫ﺗـﺎ ﺯﻟـ ‪‬ﻒ ﺗـﻮ ﻭﺍ ﮐـﺮﺩ ﮔـﺮﺓ ﻧﺎﻓـﺔ ﺁﻫـﻮ ﺩﺍﻏﻲ ﺍﺳﺖ ﺳﻴﻪ ﺩﺍﻣﻦ ﺻﺤﺮﺍﻱ ﺧـﺘﻦ ﺭﺍ‬ ‫ﺑﺎﻳــﺪ ﺑــﻪﻣﺼــﻴﺒﺖ ﺯﺩﻩ ﺍﻣــﺪﺍﺩ ﻭﺳــﺎﻳﻞ ﻳﻮﺳـﻒ ﻃﻠﺒـﺪ ﻭﺍﺳـﻄﺔ ﺩﺍﺭ ﻭ ﺭﺳـﻦ ﺭﺍ‬ ‫ﻣﺸــﺘﻲ ﺩﻝﹺ ﺁﺳــﻮﺩﻩ ﻧﺸــﻴﻨﻨﺪ ﭘﺮﻳﺸــﺎﻥ ﺑﺮﺑــﺎﺩ ﻣــﺪﻩ ﻃــﺮ‪‬ﺓ ﻟﺒﺮﻳــﺰ ﺷــﮑﻦ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺑﺒﻴﻨـــﺪ ﺭﺥﹺ ﺍﻭ ﺩﺭ ﺷـــﮑﻦﹺ ﺯﻟـــﻒ‬ ‫ﺩﺭ ﺷـﺎﻡﹺ ﻏﺮﻳﺒـﺎﻥ ﻧﮕـﺮﺩ ﺻـﺒ ﹺﺢ ﻭﻃـﻦ ﺭﺍ‬ ‫‪ .١‬ﺑﺮﮔﻲ ﺍﺳﺖ ﻣﻌﺮﻭﻑ ﺩﺭ ﻫﻨﺪ ﮐﻪ ﺑﺎﻓﻮﻓﻞ ﻭ ﮐﺎﺕ ﻭ ﻧﻮﺭﻩ ﺧﻮﺭﻧﺪ ﻭ ﺗﻤﺎﻡ ﺳﺎﻝ ﺳﺒﺰ ﻣﺎﻧﺪ ﻭ ﭼﻮﻥ ﺁﻥ ﺭﺍ ﺩﺭ ﺑﺮﮔﻲ ﺩﻳﮕﺮ‬ ‫ﺑﻪﺭﺳﻢ ﻣﻌﻬﻮﺩ ﭘﻴﭽﻨﺪ ﹺﺑﻴﺮﻩ )ﺑﺮ ﻭﺯﻥ ﺧﻴﺮﻩ( ﺧﻮﺍﻧﻨﺪ‪) .‬ﻓﺮﻫﻨﮓ ﺁﻧﻨﺪ ﺭﺍﺝ ‪(٨٧١/٢‬‬ ‫ﺍﻣﻴﺮ ﺧﺴﺮﻭ ﺩﻫﻠﻮﻱ ﮔﻮﻳﺪ‪:‬‬ ‫ﻧـﺎﺩﺭﻩ ﺑﺮﮔـﻲ ﭼـﻮ ﮔـﻞ ﺑﻮﺳـﺘﺎﻥ ﺧـﻮﺏﺗـﺮﻳﻦ ﻧﻌﻤـﺖ ﻫﻨﺪﻭﺳـﺘﺎﻥ‬ ‫ﻃﺮﻓﻪ ﻧﺒﺎﺗﻲ ﮐﻪ ﭼﻮ ﺷﺪ ﺩﺭ ﺩﻫـﻦ ﺧﻮﻧﺶ ﭼﻮ ﺣﻴﻮﺍﻥ ﺑﺪﺭ ﺁﻳﺪ ﺯ ﺗﻦ‬ ‫ﺧﻮﺭﺩﻥ ﺁﻥ ﺑﻮﻱ ﺩﻫـﻦ ﮐـﻢ ﮐﻨـﺪ ‪‬ﺳﺴﺘﻲ ﺩﻧﺪﺍﻥ ﻫﻤـﻪ ﻣﺤﮑـﻢ ﮐﻨـﺪ‬ ‫ﺳﻴﺮ ﺧـﻮﺭﺩ ﮔﺮﺳـﻨﻪ ﺩﺭ ﺩﻡ ﺷـﻮﺩ ﮔﺮﺳــﻨﻪ ﺭﺍ ﮔﺮﺳــﻨﮕﻲ ﮐــﻢ ﮐﻨــﺪ‬ ‫ﺗﻴــﺰﻱ ﺍﻭ ﺁﻟــﺖ ﻗﻄــﻊ ﺟــﺰﺍﻡ ﻗــﻮﻝ ﻧﺒــﻲ ﺭﻓﺘــﻪ ﻋﻠﻴــﻪﺍﻟ ‪‬ﺴــﻼﻡ‬ ‫ﺻﺎﺋﺐ ﺗﺒﺮﻳﺰﻱ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺑﻮﻱ ﮔﻠﺰﺍﺭ ﺷﻬﺎﺩﺕ ﻫﺮ ﮐﺮﺍ ﺑﻴﺘﺎﺏ ﮐـﺮﺩ »ﭘﺎﻥ« ﺧﻮﺭﺩﻩ ﻣﻲﺑﻮﺳﺪ ﺩﻫﺎﻥ ﺷﻤﺸﻴﺮ ﺭﺍ‬

‫‪ // ١٧٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۹۰‬‬ ‫ﺷﻨﺎﺧﺖ ﺩﻟﺒﺮ ﻣﺎ ﻗﺪﺭ ﺧﻮﺵ ﻭﻓـﺎﺋﻴﻲ ﻣـﺎ ﺑﺮﻳــﺪ ﺍﺯ ﭘــﻲ ﻫﻨﮕﺎﻣــﻪ ﺁﺷــﻨﺎﺋﻴﻲ ﻣــﺎ‬ ‫ﺑﻪﺳﺒﺰ ﺑﺨﺘﻲ ﻧﺮﮔﺲ ﺩﺭ ﺍﻳﻦ ﭼﻤﻦ ﺯﺍﺩﻳﻢ ﮐﻪ ﭘ‪‬ـﺮ ﺑـﻮﺩ ﺯ ﻃـﻼ ﮐﺎﺳـﺔ ﮔـﺪﺍﺋﻴﻲ ﻣـﺎ‬ ‫ﺷﺪﻳﻢ ﺷﺎﺩ ﺯ ﭘﻴﻮﺳـﺘﻪ ﺍﺑـﺮﻭﺵ ﮐـﻪ ﺑﻬـﻢ ﺩﻭ ﻧـﺎﺧﻦ ﺁﻣـﺪﻩ ﺑﻬـﺮﹺ ﮔـﺮﻩﮐﺸـﺎﺋﻴﻲ ﻣـﺎ‬ ‫ﺯ ﻳﻤـﻦ ﺗﺮﺑﻴـﺖ ﺑﺤـﺮ ﮔﺸـﺘﻪﺍﻳـﻢ ﮔﻬـﺮ ﺑﺠﺰ ﺷﺘﺎﻳﺶﹺ ﺍﻭ ﭼﻴﺴﺖ ﺧﻮﺩﺳـﺘﺎﺋﻴﻲ ﻣـﺎ‬ ‫ﮐﻨﻴﻢ ﺷﮑﺮ ﺍﻟٰﻬﻲ ﮐـﻪ ﺭﻓﺘـﻪ ﺭﻓﺘـﻪ ﺭﺳـﻴﺪ ﺑـﻪﭘـﺎﻱ ﺑـﻮﺱﹺ ﺑﺘـﺎﻥ ﻃـﺮ‪‬ﺓ ﺭﺳـﺎﺋﻴﻲ ﻣـﺎ‬ ‫ﺑــﺮﻭﻱ ﺻــﻔﺤﺔ ﺍﻳﺠــﺎﺩ ﺗــﻮﺍﻡ ﻗﻠﻤــﻴﻢ ﮐﻪ ﻫـﻴﭻ ﻋـﺎﺭ ﻧﺒﺎﺷـﺪ ﺑﺮﻫﻨـﻪ ﭘـﺎﺋﻴﻲ ﻣـﺎ‬ ‫ﭼـﻮ ﺁﻓﺘـﺎﺏ ﮐـﻪ ﺍﺯ ﻣـﺎﻩ ﺭﻧـﮓ ﭘـﺮﺩﺍﺯﺩ ﺗــﻮﺍﻥ ﺯﺩﻭﺩ ﺯ ﺩﻝ ﺩﺍﻍ ﺑــﻲﻧــﻮﺍﺋﻴﻲ ﻣــﺎ‬ ‫ﮐﺘـﺎﻥ‪ ‬ﻫﺴـﺘﻲ ﺍﻭ ﭘـﺎﺭﻩ ﺑـﺎﺩ ﺍﺯ ﺻـﺪ ﺟـﺎ ﮐﺴﻲ ﮐﻪ ﺧﻮﺍﺳﺖ ﺍﺯ ﺁﻥ ﻣﺎﻩ ﺭﻭ ﺟﺪﺍﺋﻴﻲ ﻣﺎ‬ ‫ﺯ ﺩﺍﻡ ﻏــﻢ ﻧﺘــﻮﺍﻧﻴﻢ ﺳــﺮ ﮐﺸــﻴﺪ ﺁﺯﺍﺩ‬ ‫ﮔﺴﺴــﺘﻪﺍﻧــﺪ ﺑﺘــﺎﻥ ﺭﺷــﺘﺔ ﺭﻫــﺎﺋﻴﻲ ﻣــﺎ‬ ‫»‪«۹۱‬‬ ‫ﺧﻮﺍﻫﻢ ﮐﻪ ﻳﺎﺭ ﺭﻧﺠﻪ ﻧﺴﺎﺯﺩ ﺑﻪﺑﺎﻍ ﭘـﺎ ﺗﺮﺳﻢ ﺷﻮﺩ ﺯ ﺁﺗﺶ ﮔﻞ ﺩﺍﻍ ﺩ ﺍﻍ ﭘـﺎ‬ ‫ﻫﺮ ﺻﺒﺢ ﺑﺎﺩ ﺩﺭ ﭼﻤﻦ ﻻﻟـﻪ ﻣـﻲﺭﻭﺩ ﻣﻦ ﻫﻢ ﮔﺬﺍﺷﺘﻢ ﺑـﻪﺗـﻼﺵﹺ ﺍﻳـﺎﻍ ﭘـﺎ‬ ‫ﺭﻭﺩﺍﺩ ﺩﺭ ﺯﻣﺎﻧﺔ ﻣـﺎ ﺷـﮑﻞ ﻃﺮﻓـﻪﺍﻱ ﺩﺭ ﺟﻠﻮﻩﮔﺎﻩ ﮐﺒﮏ ﮔـﺬﺍﺭﺩ ﮐـﻼﻍ ﭘـﺎ‬ ‫ﮐﺒﮏ ﺩﺭﻱ ﺑﻪﮔﺮﺩ ﺧﺮﺍﻣﺖ ﻧﻤﻲﺭﺳـﺪ ﮔﺮ ﺻﺪ ﻫﺰﺍﺭ ﺳﺎﻝ ﺯﻧﺪ ﺩﺭ ﺳـﺮﺍﻍ ﭘـﺎ‬ ‫ﮐﻮ ﻓﺮﺻﺘﻲ ﮐﻪ ﺳﺮ ﺯ ﮔﺮﻳﺒﺎﻥ ﺑـﺮﺁﻭﺭﻡ ﻫﺮﺩﻡ ﺧﻴﺎﻝ ﻳـﺎﺭ ﺯﻧـﺪ ﺑـﺮ ﺩﻣـﺎﻍ ﭘـﺎ‬ ‫ﺁﻧﺎﻥ ﮐﻪ ﺭﻩ ﺑﻪﻗـﻮ‪‬ﺕ ﻧﻔـﺲ… ﺭﻭﻧـﺪ ﺷﺒﮕﻴﺮ ﻣﻲﮐﻨﻨﺪ ﺑـﺮ ﺍﺳـﭗ ﺳـﺮﺍﻍ ﭘـﺎ‬ ‫ﺁﺯﺍﺩ ﭘﺎﺳــﺒﺎﻧﻲ ﮐــﻮﻱ ﺗــﻮ ﻣــﻲﮐﻨــﺪ‬ ‫ﺑﻴـﺪﻝ ﺩﺭﺍﺯ ﮐـﻦ ﺑـﻪﺑﺴـﺎﻁ ﻓـﺮﺍﻍ ﭘـﺎ‬ ‫»‪«۹۲‬‬ ‫ﺍﻱ ﺩﻭﺳﺘﺎﻥ ﻣﺴﺎﺯﻳﺪ ﻣﺤﺮﻭﻡ ﺧﺎﮎ ﻣـﺎ ﺭﺍ ﮔﺎﻫﻲ ﺗﻮﺍﻥ ﻓﺸﺎﻧﺪﻥ ﻣﺸﺖ ﮔﻠﻲ ﺧـﺪﺍ ﺭﺍ‬ ‫ﭘﺮﻭﺍﻧﻪﻫﺎ ﻣﻴﺎﻳﻴﺪ ﺩﺭ ﭘـﻴﺶ ﺷـﻤﻊ ﻣﺤﻔـﻞ ﻧﺘـﻮﺍﻥ ﻧﮕــﺎﻩ ﮐــﺮﺩﻥ ﺑــﻲﺗــﺎﺑﻲ ﺷــﻤﺎ ﺭﺍ‬ ‫ﺑﺮ ﭼﺮﺥ ﺑ‪‬ـﺮﺩﻩ ﻧـﺎﺣﻖ ﺍﻓﮕﻨـﺪ ﺑـﺮ ﺯﻣﻴـﻨﻢ ﮐـﺎﻓﺮ ﻧﻤـﻲﭘﺴـﻨﺪﺩ ﺍﻳـﻦ ﻃـﻮﺭ ﺁﺷـﻨﺎ ﺭﺍ‬ ‫ﻫﺮ ﮔﺎﻩ ﺧﻮﻥ ﻣﺎ ﺭﺍ ﺑﺮ ﭘﺎﻱ ﺧـﻮﺩ ﻧﻤـﺎﻟﻲ ﺑﺎﺭﻱ ﭼﺴﺎﻥ ﭘﺴـﻨﺪﻱ ﮔﺴـﺘﺎﺧﻲ ﺣﻨـﺎ ﺭﺍ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٧٥ //‬‬ ‫ﺩﺭﻭﻳﺶ ﺭﺍ ﻧﺒﺎﻳﺪ ﺑﻲﺩﺳﺖ ﻭ ﭘﺎ ﺷـﻤﺮﺩﻥ ﺷﺎﻳﺪ ﮐﻪ ﺣﻖ ﺗﻌﺎﻟﻲ ﺳﻠﻄﺎﻥ ﮐﻨﺪ ﮔـﺪﺍ ﺭﺍ‬ ‫ﻫﻤ‪‬ـﺖ ﻧﻤـﻲﭘـﺬﻳﺮﺩ ﭘـﺮﻭﺍﺯ ﺑـﺎﻝ ﺩﻭﻟـﺖ ﻣﻘﺮﺍﺽ ﻣﻲﺗﻮﺍﻥ ﮐﺮﺩ ﺑﺎﻝ ﻭ ﭘ‪‬ـﺮ ﻫ‪‬ﻤـﺎ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﻣﺼﺮﻋﻲ ﺩﺭ ﻣﻘﻠﻮﺏ ﺑﻲﻧﻘـﻂ ﮔﻔـﺖ‬ ‫ﺁﺭﺍﻡ ﺩﺍﺩ ﻣــــــﺎ ﺭﺍ ﺁﺭﺍﻡ ﺩﺍﺩ ﻣــــــﺎ ﺭﺍ‬ ‫»‪«۹۳‬‬ ‫ﺭﺳﺘﮕﺎﺭﻱ ﻟﻄـﻒ ﻓﺮﻣـﺎ ﺻـﻴﺪ ﺩﺍﻡ ﺧـﻮﻳﺶ ﺭﺍ ﺧـﻂﱢ ﺁﺯﺍﺩﻱ ﻋﻨﺎﻳـﺖ ﮐـﻦ ﻏـﻼﻡ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻣﻨﹼﺖ‪ ‬ﻳﮏ ﻗﻄﺮﻩ ﺑﺎ ﻣـﻦ ﮐـﺎﺭﹺ ﻃﻮﻓـﺎﻥ ﻣـﻲﮐﻨـﺪ ﺳﺎﻗﻴﺎ ﺧﻮﺩ ﻧﻮﺵ ﮐﻦ ﺻﻬﺒﺎﻱ ﺟﺎﻡﹺ ﺧﻮﻳﺶ ﺭﺍ‬ ‫ﻣﻦ ﻧﻤﻲﺩﺍﻧﻢ ﮐﻪ ﮐﺎﺭﹺ ﻣﻦ ﮐﺠﺎ ﺧﻮﺍﻫـﺪ ﮐﺸـﻴﺪ ﺩﺍﺩﻩﺍﻡ ﺩﺭ ﻗﺒﻀــﺔ ﻇــﺎﻟﻢ ﺯﻣــﺎﻡﹺ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﮔـﻮﻫﺮﹺ ﺩﻝ ﺭﺍ ﻏﻠـﻂ ﺍﺯ ﻣـﻦ ﺗﻘﺎﺿـﺎ ﻣـﻲﮐﻨـﻲ ﮐـﺮﺩﻩﺍﻱ ﺗﺴـﻠﻴﻢ ﺯﻟـﻒ‪ ‬ﻣﺸـﮑﻔﺎﻡ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻣﻦ ﻧﻪ ﺍﺯ ﺧﻮﺩ ﺁﻣﺪﻡ ﺍﻳﻨﺠـﺎ ﺍﮔـﺮ ﮔﻔـﺘﻢ ﻏﻠـﻂ ﻣـﻲﺗـﻮﺍﻥ ﭘﺮﺳـﻴﺪ ﺍﺯ ﻗﺎﺻـﺪ ﭘﻴـﺎﻡﹺ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﮔﺮ ﺗﻮ ﻣﻲﺧﻮﺍﻫﻲ ﮐﻪ ﻧﺎﻡﹺ ﻣﻦ ﻧﻤﺎﻧﺪ ﺩﺭ ﺟﻬـﺎﻥ ﻣــﻲﺑ‪‬ــﺮﻡ ﺍﺯ ﺻــﻔﺤﺔ ﺍﻳ‪‬ــﺎﻡ ﻧــﺎﻡﹺ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﮔــﻮﻫﺮ ﺧــﻮﺩ ﺭﺍ ﻣ‪‬ﺒ‪‬ــﺮ ﺁﺯﺍﺩ ﭘــﻴﺶﹺ ﺟــﺎﻫﻼﻥ‬ ‫ﻋﺮﺽ ﮐﻦ ﺑﺮ ﺻﺎﺣ ﹺﺐ ﻓﻄﺮﺕ ﮐﻼﻡﹺ ﺧﻮﻳﺶ ﺭﺍ‬ ‫»‪«۹۴‬‬ ‫ﻣـﺎﻩ ﻣـﻦ ﻫـﺮ ﮔـﺎﻩ ﮔﻴـﺮﺩ ﺩﺭ ﮐﻨـﺎﺭ ﺁﺋﻴﻨـﻪ ﺭﺍ ﺩﺍﻧــﺔ ﻳــﺎﻗﻮﺕ ﺩﻝ ﺳـــﺎﺯﺩ ﻧﺜــﺎﺭ ﺁﺋﻴﻨـــﻪ ﺭﺍ‬ ‫ﭘـﻴﺶ ﺍﻭ ﺑ‪‬ـﺮﺩﻡ ﺩﻝﹺ ﺧـﻮﺩ ﺭﺍ ﭘـﺬﻳﺮﺍﺋﻲ ﻧﻴﺎﻓـﺖ ﮐـﺮﺩ ﻧﺎﺍﻧﺼـﺎﻑ ﺭ‪‬ﻭﮐـﺶ ﺻـﺪ ﻫـﺰﺍﺭ ﺁﺋﻴﻨـﻪ ﺭﺍ‬ ‫ﺩﺭ ﻣﻴــﺎﻥ ﺁﺗﺸــﻲ ﺍﻓﺘــﺎﺩﻩ ﺧﺎﮐﺴــﺘﺮ ﺷــﺪﻡ ﺗــﺎ ﺑــﺮﺍﻱ ﻳــﺎﺭ ﺳــﺎﺯﻡ ﺑــﻲﻏﺒــﺎﺭ ﺁﺋﻴﻨــﻪ ﺭﺍ‬ ‫ﻋﺸﻖ ﭼﻮﻥ ﺍﺯ ﻫﺮﺩﻭ ﺳﻮ ﺑﺎﺷﺪ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻴﺴﺖ‪ ١‬ﺩﺭ ﮐﻨــﺎﺭ ﺧــﻮﺏﺭﻭﻳــﺎﻥ ﻭﺍ ﮔــﺬﺍﺭ ﺁﺋﻴﻨــﻪ ﺭﺍ‬ ‫ﮐﺧﺮـﺩﻧﺎﻴﻃﺴﺮﹺـﺁــﻥــﺷـــﻮــﺥــﺭﺍــﺑـﻴـﮕـﺎﻧـــﻪـﺍـﺯــﺁـﺭـﺍـﻡــﺳــﺎــﺧﺖﺖ‪ ١‬ﺍﺯ ﭼـﻪ ﺭﻭ ﺑـﺎﺭﻱ ﺷﻨﺎﺳـﺪ ﺩﻭﺳـﺘﺪﺍﺭ ﺁﺋﻴﻨـﻪ ﺭﺍ‬ ‫ﻧﻴﺴـﺖ ﺍﻳـﻦ ﻣﺎﻟﻴـﺪﻥ ﺧﺎﮐﺴـﺘﺮ ﺍﺯ ﺑﻬـﺮﹺ ﺟﹺـﻼ ﺧــﺎﮎ ﺍﻓﺸــﺎﻧﺪ ﺑــﻪﭼﺸــﻢ ﺍﻧﺘﻈــﺎﺭ ﺁﺋﻴﻨــﻪ ﺭﺍ‬ ‫ﺗــﺎ ﮐﺠــﺎ ﺁﺯﺍﺩ ﺑــﺮ ﺯﺍﻧــﻮﻱ ﺧﻮﺑــﺎﻥ ﺑﻴــﻨﻤﺶ‬ ‫ﺁﺷــﻨﺎﺋﻲ ﮐــﻮ ﮐــﻪ ﺳــﺎﺯﺩ ﺳﻨﮕﺴــﺎﺭ ﺁﺋﻴﻨــﻪ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﮐﺮﺩﻧﺖ‪.‬‬

‫‪ // ١٧٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۹۵‬‬ ‫ﻧﮑﻨﻢ ﺯ ﺩﻳﺪﻩ ﺑﻴﺮﻭﻥ ﺩ‪‬ﻡﹺ ﺻﺒﺢ ﺧﻮﺍﺏ ﺧـﻮﺩ ﺭﺍ ﻣﮕﺮ ﺁﻥ ﺯﻣـﺎﻥ ﮐـﻪ ﺑﻴـﻨﻢ ﺭ‪‬ﺥﹺ ﺁﻓﺘـﺎﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﻧﺸﻨﺎﺧﺖ ﺩﻳﺪﺓ ﻣﻦ ﻫﻤﻪ ﻋﻤﺮ ﺧﻮﺍﺏ ﺧـﻮﺩ ﺭﺍ ﺑـﻪﺍﻣﻴـﺪ ﺁﻧﮑـﻪ ﻭﻗﺘـﻲ ﻓﮕﻨـﻲ ﻧﻘـﺎﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﺑــﻪﺑﻬــﺎﺭ ﻻﻟــﻪ ﻭ ﮔــﻞ ﻣــﮋﻩ ﺭﺍ ﻧﻤــﻲﮔﺸــﺎﻳﻢ ﮐﻪ ﺩﺭ ﺍﻳﻦ ﭼﻤﻦ ﻧﺒﻴﻨﻢ ﮔﻞ ﺍﻧﺘﺨـﺎﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﻣﻲ ﭼﺸﻢ ﺧﻮﻳﺸﺘﻦ ﮐﹸﻦ ﻧﻪ ﻣ‪‬ﻲ ﺩ‪‬ﮔﺮ ﺑـﻪﺳـﺎﻏﺮ ﮐﻪ ﻣﺬﺍﻕ ﻣـﻦ ﺷﻨﺎﺳـﺪ ﻣـﮋﺓ ﺷـﺮﺍﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﺟﮕـﺮ ﺑﺮﺷـﺘﻪﺍﻡ ﺭﺍ ﻣﻔﮕـﻦ ﺑـﻪﭼﺸـﻢ ﺭﻏﺒـﺖ ﮐﻪ ﺗﻮﺍﻥ ﭼﺸﻴﺪ ﻗﺪﺭﻱ ﻧﻤـﮏ ﮐﺒـﺎﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﺳﺮ ﻣﻦ ﻧﺮﻓـﺖ ﮔـﺎﻫﻲ ﺯ ﺍﻃﺎﻋـﺖ ﺗـﻮ ﺑﻴـﺮﻭﻥ ﺑﻪﭼﻪ ﺟﺮﻡ ﮔﺮﻡ ﮐـﺮﺩﻱ ﻧﮕـﻪ ﻋﺘـﺎﺏ ﺧـﻮﺩ ﺭﺍ‬ ‫ﺳـﺤﺮﻱ ﺗــﻮﺍﻥ ﮔﺬﺷـﺘﻦ ﺑــﻪﺳـﺮﹺ ﻣــﺰﺍﺭ ﺁﺯﺍﺩ‬ ‫ﺑﻪﺗﻮ ﺧﻮﺷﻨﻤﺎ ﮐﻪ ﺍﺯ ﮐﻒ ﻧﺪﻫﻲ ﺛﻮﺍﺏ ﺧﻮﺩ ﺭﺍ‬ ‫»‪«۹۶‬‬ ‫ﺭﻓﺖ ﺩﺭ ﮐﻬﻨﺴﺎﻟﻲ ﺑـﺎﻝ ﻭ ﭘ‪‬ـﺮ ﻓﺸـﺎﻧﻲﻫـﺎ ﺩﻭﺭ ﺍﺯ ﭼﻤــﻦ ﻣﺎﻧــﺪﻡ ﻭﺍﻱ ﻧــﺎﺗﻮﺍﻧﻲﻫــﺎ‬ ‫ﻫـﻴﭻ ﮐـﺎﺭ ﺩﺭ ﭘﻴــﺮﻱ ﺑﺮﻧﻴﺎﻳـﺪ ﺍﺯ ﺩﺳــﺘﻢ ﮐﺎﺵ ﻣﻲﺷﺪﻱ ﺍﮐﻨـﻮﻥ ﻗـﻮ‪‬ﺕ ﺟـﻮﺍﻧﻲﻫـﺎ‬ ‫ﻣﻦ ﺍﮔﺮ ﺩﺭ ﺍﻳﻦ ﻣﺤﻔﻞ ﻟﺐ ﺯ ﮔﻔﺘﮕﻮ ﺑﺴﺘﻢ ﻧﻘــﺶ ﻧــﺎﻡ ﺍﻭ ﺩﺍﺭﺩ ﻣ‪‬ﻬــﺮ ﺑﻴﺰﺑــﺎﻧﻲﻫــﺎ‬ ‫ﻧﻴﺴﺘﻢ ﮐـﻪ ﺁﺭﺍﻳـﻢ ﺧـﻮﻳﺶ ﺭﺍ ﺑـﻪﭘﻴـﺮﺍﻫﻦ ﺍﺯ ﮐﺠـﺎ ﺗـﻮﺍﻧﻢ ﮐـﺮﺩ ﺁﺳـﺘﻴﻦ ﻓﺸـﺎﻧﻲﻫـﺎ‬ ‫ﻣﻲﮐﻨـﺪ ﺩﻫـﺎﻥ ﺍﻭ ﻃﺮﻓـﻪ ﮔـﻮﻫﺮ ﺍﻓﺸـﺎﻧﻲ ﺑـﺎﻭﺭﻡ ﻧﻤـﻲﺁﻳـﺪ ﺣـﺮﻑ‪ ‬ﺑـﻲﺩﻫـﺎﻧﻲﻫـﺎ‬ ‫ﺁﺷﻨﺎﺋﻴﻲ ﺻﺪ ﺳـﺎﻝ ﺩﺭ ﺩ‪‬ﻣـﻲ ﺯﻧـﺪ ﺑـﺮﻫﻢ ﮐﺎﺵ ﺧﻴﺰﺩ ﺍﺯ ﻋـﺎﻟﹶﻢ ﺭﺳـﻢﹺ ﺑـﺪﮔﻤﺎﻧﻲﻫـﺎ‬ ‫ﺑﻠﺒﻼﻥ‪ ‬ﺧﻮﺵﺍﻟﺤﺎﻥ ﻧﻘـﺶ ﺁﻓـﺮﻳﻦ ﺑﺴـﺘﻨﺪ‬ ‫ﺑﺲﮐﻪ ﻃﺮﺡ ﮐﺮﺩ ﺁﺯﺍﺩ ﻃﺮﺯﹺ ﺧﻮﺵﺑﻴﺎﻧﻲﻫـﺎ‬ ‫»‪«۹۷‬‬ ‫ﺭﻭﺯ ﺷــﻨﺒﻪ ﺍﺯ ﻣ‪‬ــﻲ ﺩﻳﺮﻳﻨــﻪ ﻣــﻲﻏﻠﻄــﻴﻢ ﻣــﺎ ﻫـﻢ ﺑـﺮﻳﻦ ﻣﻨـﻮﺍﻝ ﺗـﺎ ﺁﺩﻳﻨـﻪ ﻣـﻲﻏﻠﻄـﻴﻢ ﻣـﺎ‬ ‫ﺩﺳﺖ ﻭ ﭘﺎ ﮔﻢ ﮐﺮﺩﻩﺍﻱ ﭼﻮﻥ ﮐﺎﺭﻭﺍﻥ ﺳﺒﺤﻪﺍﻳﻢ ﻫـﺮ ﻗـﺪﻡ ﺩﺭ ﺭﻩ ﺑـﺰﻭﺭ ﺳـﻴﻨﻪ ﻣـﻲﻏﻠﻄـﻴﻢ ﻣـﺎ‬ ‫ﭘــﺎﻱ ﻣــﺎ ﻟﻐﺰﻳــﺪ ﺍﺯ ﺑــﺎﻻﻱ ﻃــﺎﻕﹺ ﺁﺳــﻤﺎﻥ ﺩﺳﺘﮕﻴﺮﻱ ﮐﻮ ﮐﺰﻳﻦ ﻧـﻪ ﺯﻳﻨـﻪ ﻣـﻲﻏﻠﻄـﻴﻢ ﻣـﺎ‬ ‫ﻣﺎﺭ ﺭﺍ ﮔﻔﺘﻢ ﮐﻪ ﮐﺎﺭﺕ ﻣﺮﺩﻡ ﺁﺯﺍﺭﻱ ﭼﺮﺍﺳـﺖ ﮔﻔﺖ ﻣﻌـﺬﻭﺭﻳﻢ ﺑـﺮ ﮔﻨﺠﻴﻨـﻪ ﻣـﻲﻏﻠﻄـﻴﻢ ﻣـﺎ‬ ‫ﮔﻔﺖ ﺁﻥ ﺧﻮﺩ ﺑﻴﻦ ﮐﻪ ﻳﺎﺭﺏ ﺩﺭ ﺣﻖ ﻣﺎ ﺭﺣﻢ ﮐﻦ ﺭﻭﺯ ﻭ ﺷـﺐ ﺩﺭ ﺧﺎﻧـﺔ ﺁﺋﻴﻨـﻪ ﻣـﻲﻏﻠﻄـﻴﻢ ﻣـﺎ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٧٧ //‬‬ ‫ﮐـﺮﺩ ﺑـﻲﺭﻭﻧـﻖ ﺑﻴـﺎﺽﹺ ﺻـﻔﺤﺔ ﺭﺧﺴـﺎﺭ ﺭﺍ ﺍﺯ ﺧــﻂ ﺍﻭ ﺩﺭ ﻏﺒــﺎﺭ ﮐﻴﻨــﻪ ﻣــﻲﻏﻠﻄــﻴﻢ ﻣــﺎ‬ ‫ﻳﮏ ﻧﻈﺮ ﺁﺯﺍﺩ ﺣﺎﻝ ﻣـﺎ ﺗﻤﺎﺷـﺎ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﺻــﺒﺤﺪﻡ ﺍﺯ ﺑــﺎﺩﺓ ﺩﻭﺷــﻴﻨﻪ ﻣــﻲﻏﻠﻄــﻴﻢ ﻣــﺎ‬ ‫»‪«۹۸‬‬ ‫ﻳﻘﻴﻦ ﮐﻪ ﺩﻭﺭ ﺷﻮﺩ ﺑﻌﺪ ﺍﺯ ﺍﻳﻦ ﻣﺼﺎﺋﺐ ﻣـﺎ ﮐﻤﺮ ﺑﻪﻳﺎﺭﻱ ﻣـﺎ ﺑ‪‬ﺴـﺖ ﻣﻴـﺮ ﺻـﺎﺣﺐ ﻣـﺎ‬ ‫ﻧﻤﻲﮐﻨﻢ ﭼﻮ ﮔﻞ ﻳﮏ ﻧﻔﺲ ﺟـﺪﺍ ﺍﺯ ﺧـﻮﺩ ﺍﮔﺮﭼﻪ ﺧـﺎﺭ ﺑـﻪﭘﻬﻠـﻮ ﺑ‪‬ـﻮ‪‬ﺩ ﻣﺼـﺎﺣﺐ ﻣـﺎ‬ ‫ﺑـﻪﺑﺎﺭﮔـﺎﻩ ﺗـﻮ ﺩﻝ ﺭﺍﻩ ﺧـﺎﺹ ﭘﻴـﺪﺍ ﮐـﺮﺩ ﺯ ﻣــﺎ ﺗﺮﻗﹼــﻲ ﺑﺴــﻴﺎﺭ ﮐــﺮﺩ ﻧﺎﺋــﺐ ﻣــﺎ‬ ‫ﻃﻮﺍﻑ ﻣﺸﻬﺪ ﻣﺎ ﮐﺮﺩ ﻭ ﻟﺐ ﺑﻪﻋﺬﺭ ﮔﺸـﻮﺩ ﮔﺮﻓــﺖ ﺩﺍﻣــﻦ ﺟﻠﹼــﺎﺩ ﺧــﻮﻥ ﻏﺎﻟــﺐ ﻣــﺎ‬ ‫ﻫﻤﻴﺸﻪ ﺧﺎﻧﺔ ﻣﺎ ﺑﻴﺖ ﻃﺮﺡ ﮐـﺮﺩﺓ ﻣﺎﺳـﺖ ﺳــﺮﺍﻍ ﻣــﺎ ﻃﻠﺒــﺪ ﺩﺭ ﮐــﻼﻡ ﻃﺎﻟــﺐ ﻣــﺎ‬ ‫ﺣﻀﻮﺭ ﺧﺎﻃﺮ ﺁﺳﻮﺩﻩ ﺑﻲﺗﻮ ﺑـﺮﻫﻢ ﺧـﻮﺭﺩ ﮐـﻪ ﺍﻳـﻦ ﭘﻴـﺎﻡ ﺭﺳـﺎﻧﺪ ﺑـﻪﻳـﺎﺭ ﻏﺎﺋـﺐ ﻣـﺎ‬ ‫ﺯ ﺷﻮﺭﻫﺎ ﮐـﻪ ﺩﺭ ﺍﻳـﻦ ﺍﻧﺠﻤـﻦ ﺑ‪‬ـﻮ‪‬ﺩ ﺁﺯﺍﺩ‬ ‫ﭘﺴﻨﺪ ﺷﻮﺭ ﺟﻨـﻮﻥ ﮐـﺮﺩ ﺭﺍﻱ ﺻـﺎﺋﺐ ﻣـﺎ‬ ‫»‪«۹۹‬‬ ‫ﺩﺭ ﺩﻝ ﺧــﻮﺩ ﮐــﻲ ﺗــﻮﺍﻧﻢ ﺩﺍﺩ ﺭﻩ ﺑﻴﮕﺎﻧــﻪ ﺭﺍ ﮐـﺮﺩﻩﺍﻡ ﺯﻧﺠﻴـﺮ ﺍﺯ ﺯﻟﻔـﺖ ﺩﺭﹺ ﺍﻳـﻦ ﺧﺎﻧـﻪ ﺭﺍ‬ ‫ﻧﺸﺌﻪﺍﻱ ﺑﻬﺘـﺮ ﺯ ﻫﺸـﻴﺎﺭﻱ ﻧﺒﺎﺷـﺪ ﺩﺭ ﺟﻬـﺎﻥ ﺑﺮ ﺳـﺮ ﺳـﺎﻗﻲ ﺷﮑﺴـﺘﻢ ﺷﻴﺸـﻪ ﻭ ﭘﻴﻤﺎﻧـﻪ ﺭﺍ‬ ‫ﺩﻭﻟﺖ ﻧﻮﺭﺵ ﭼﻪ ﺍﻓﺰﻭﻧﻲ ﺑﻬﻢ ﺧﻮﺍﻫﺪ ﺭﺳﺎﻧﺪ ﺷـﻤﻊ ﻧـﺎﺣﻖ ﻣـﻲﺯﻧـﺪ ﺁﺗـﺶ ﭘ‪‬ـﺮﹺ ﭘ‪‬ﺮﻭﺍﻧـﻪ ﺭﺍ‬ ‫ﺍﻳـﻦﻗـﺪﺭ ﺑـﻲﺩﻳــﺪﺓ ﮔﺮﻳـﺎﻥ ﻧﺒﺎﻳـﺪ ﺯﻳﺴــﺘﻦ ﻣﻲﺗـﻮﺍﻥ ﺍﻓﺸـﺎﻧﺪ ﺩﺭ ﺧـﺎﮎ‪ ‬ﻣﺤﺒ‪‬ـﺖ ﺩﺍﻧـﻪ ﺭﺍ‬ ‫ﻣﺴﺖ‪ ‬ﺟﺎﻡﹺ ﺑﻲﺧﻮﺩﻱ ﺭﺍ ﻃﻌﻦﹺ ﻧﺎﺩﺍﻧﺎﻥ ﺑ‪‬ﻼﺳﺖ ﺳﻨ ‪‬ﮓ ﻃﻔﻼﻥ ﻣـﻲﮐﻨـﺪ ﺩﻳﻮﺍﻧـﻪﺗـﺮ ﺩﻳﻮﺍﻧـﻪ ﺭﺍ‬ ‫ﺩﺭ ﺳـﺮﺯﻟﻒ ﺗـﻮ ﺣﻴـﺮﺍﻥ ﺩﻳـﺪﺓ ﻣﺸﹼـﺎﻃﻪﻫـﺎ ﺧﻮﻥ ﺩﻟﻬﺎ ﺑ‪‬ﺴﺖ ﺭﻧ ‪‬ﮓ ﺗـﺎﺯﻩ ﺩﺳـﺖ ﺷـﺎﻧﻪ ﺭﺍ‬ ‫ﻣﻲﺭ‪‬ﻭﻡ ﺁﺯﺍﺩ ﺭ‪‬ﻩ ﻧﺎﺩﻳـﺪﻩ ﺩﺭ ﺻـﺤﺮﺍﻱ ﻋﺸـﻖ‬ ‫ﺧﻀـﺮﹺ ﺭﺍﻩ‪ ‬ﺧـﻮﻳﺶ ﮐـﺮﺩﻡ ﻫﻤ‪‬ـﺖ‪ ‬ﻣﺮﺩﺍﻧـﻪ ﺭﺍ‬ ‫»‪«۱۰۰‬‬ ‫ﻧﻴﺴـﺘﻢ ﻧـﺎﺩﺍﻥ ﮐـﻪ ﺟـﻮﻳﻢ ﺍﺯ ﺩﻫـﺎﻧﺶ ﺑـﺎﺩﻩ ﺭﺍ ﻣــﻦ ﮐﺠــﺎ ﻭ ﺳــﻌﻲ ﺑﺎﻃــﻞ ﺭﻭﺯﻱ ﻧﻨﻬــﺎﺩﻩ ﺭﺍ‬ ‫ﺷﻴﺸﻪ ﭼﻮﻥ ﺍﺯ ﺳﻨﮓ ﺑﻴﺮﻭﻥ ﮔﺸﺖ ﺩﺍﺭﺩ ﺻﺪ ﺧﻄﺮ ﻣﻴﺮﺯﺍﺋــﻲ ﺷــﺪ ﻭﺑــﺎﻝﹺ ﺩﻭﺵﹺ ﺩﻫﻘــﺎﻥ ﺯﺍﺩﻩ ﺭﺍ‬

‫‪ // ١٧٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻋﺸﻖ ﭼﻮﻥ ﺩﺭ ﺩﻝ ﻧﺸﻴﻨﺪ ﺻﻮﺭﺗﻲ ﺩﺭ ﮐﺎﺭ ﻧﻴﺴﺖ ﮔـﺎﻩ ﺑــﺪﺭﻭﻳﻲ ﭘﺴـﻨﺪ ﻃﺒــﻊ ﺷـﺪ ﺑــﻲﺟــﺎﺩﻩ ﺭﺍ‬ ‫ﺍﻫﻞ ﺩﻧﻴـﺎ ﺩﺳـﺖ ﺩﺭ ﻃـﻮﻝﹺ ﺍﹶﻣـﻞ ﻣﺤﮑـﻢ ﺯﻧﻨـﺪ ﺳﺨﺖ ﺣﺎﺟﺖ ﺑﺎ ﺭﺳﻦ ﺑﺎﺷﺪ ﺑـﻪﭼـﺎﻩ ﺍﻓﺘـﺎﺩﻩ ﺭﺍ‬ ‫ﺩﻳـﺪﻩﺍﻱ ﺁﺋﻴﻨـﻪ ﺑـﺮ ﺭﻭﻱ ﺗـﻮ ﺷـﻮﺧﻲﻫـﺎ ﮐﻨـﺪ ﺭﻩ ﭼﺮﺍ ﺩﺭ ﺻﺤﺒﺖ‪ ‬ﺧﻮﺩ ﻣﻲﺩﻫﻲ ﺍﻳـﻦ ﺳـﺎﺩﻩ ﺭﺍ‬ ‫ﮔـﺮ ﺩﻟـﻢ ﺑ‪‬ـﺮﺩﻱ ﻣﺒـﺎﺭﮎ‪ ،‬ﻟـﻴﮑﻦ ﺍﺯ ﺭﻭﻱ ﮐـﺮﻡ ﻣــﻲﺗــﻮﺍﻥ ﻧــﻮﻋﻲ ﺗﺴــﻠﹼﻲ ﺩﺍﺩ ﺍﻳــﻦ ﺩﻟــﺪﺍﺩﻩ ﺭﺍ‬ ‫ﺟﻤــﻊ ﺍﺳــﺒﺎﺏ ﻣﺸــﻴﺨﺖ ﺷــﻴﻮﺓ ﺁﺯﺍﺩ ﻧﻴﺴــﺖ‬ ‫ﺩﺳـﺖ ﻭ ﭘـﺎﻱ ﻣـﺎ ﻧـﺪﺍﺭﺩ ﺳ‪‬ـﺒﺤﻪ ﻭ ﺳـ ‪‬ﺠﺎﺩﻩ ﺭﺍ‬ ‫»‪«۱۰۱‬‬ ‫ﺑﺎﺷـﺪ ﺳـﺠﻮﺩ ﺧـﺎﮎ ﺩﺭﺕ ﺩﺭ ﺟﺒـﻴﻦ ﻣـﺎ ﺟـﺰ ﻧﻘـﺶ ﻃﺎﻋـﺖ ﺗـﻮ ﻧـﺪﺍﺭﺩ ﻧﮕـﻴﻦ ﻣـﺎ‬ ‫ﭘﻴﻮﺳـــﺘﻪ ﺩﺭ ﻟﺒـــﺎﺱ ﻣـــﺮﻭ‪‬ﺕ ﺑﺴـــﺮﺑﺮﻳﻢ ﮔـﺎﻫﻲ ﻧﮕﺸـﺖ ﺷـﻤﻊ ﮐﺴـﻲ ﺁﺳـﺘﻴﻦ ﻣـﺎ‬ ‫ﭼﻮﻥ ﮔﻞ ﺑﺮﺍﻱ ﻣﺸﺖ ﺯﺭﻱ ﺧﻮﻥ‪ ‬ﺩﻝ ﺧﻮﺭﻳﻢ ﺻــﺪ ﺧــﺎﺭﹺ ﻧﺎﺑﮑــﺎﺭ ﺑ‪‬ــﻮ‪‬ﺩ ﺩﺭ ﮐﻤــﻴﻦ ﻣــﺎ‬ ‫ﭘﺴـﺖ ﻭ ﺑﻠﻨـﺪ ﺭﺍ ﻫﻤـﻪ ﻫﻤـﻮﺍﺭ ﮐـﺮﺩﻩﺍﻳـﻢ ﺳﻨﮕﻲ ﺑﻪﭘـﺎﻱ ﮐـﺲ ﻧﺨـﻮﺭ‪‬ﺩ ﺩﺭ ﺯﻣـﻴﻦ ﻣـﺎ‬ ‫ﺷﻴﺮﻳﻦ ﮐﻼﻡ ﻣﺎ ﺻـﻠﻪﮐـﺶ ﻧﻴﺴـﺖ ﺯﻳﻨﻬـﺎﺭ ﻧﻘﺼــﺎﻥ ﺧــﻮﻥ ﮐــﺲ ﻧﮑﻨــﺪ ﺍﻧﮕﺒــﻴﻦ ﻣــﺎ‬ ‫ﻣﻀـﻤﻮﻥ ﻣـﺎ ﺑﺨـﺎﻃﺮ ﻫـﺮﮐﺲ ﻧﻤـﻲﺭﺳـﺪ ﮐــﻲ ﻫــﺮﺯﻩ ﺍﺧــﺘﻼﻁ ﺷــﻮﺩ ﻧــﺎﺯﻧﻴﻦ ﻣــﺎ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﻃــﻮﺍﻑ‪ ‬ﺣ‪‬ــﺮﻡ ﺷــﺮﻡ ﻣــﻲﮐــﻨﻢ‬ ‫ﺑﺎﺷــﺪ ﻫﻤﻴﺸــﻪ ﻳــﺎﺩ‪ ‬ﺑﺘــﺎﻥ ﺩﻟﻨﺸــﻴﻦ ﻣــﺎ‬ ‫»‪«۱۰۲‬‬ ‫ﭼﺸـﻢ ﺍﻭ ﻣﺴـﺖ ﮐـﺞ ﻧﮕـﺎﻫﻲﻫـﺎ ﺟﻬﻞ ﺧـﺘﻢ ﺍﺳـﺖ ﺑـﺮ ﺳـﭙﺎﻫﻲﻫـﺎ‬ ‫ﺧﻨــﺪﻩﺍﻱ ﺯﺩ ﻟــﺐ ﻣﺴ‪‬ــﻲ ﻣــﺎﻟﺶ‪ ١‬ﺑـــﺮﻕ ﺍﻓﺘـــﺎﺩ ﺩﺭ ﺳـــﻴﺎﻫﻲﻫـــﺎ‬ ‫ﻟﻄﻒ ﮐـﻦ ﺑﻮﺳـﻪﺍﻱ ﺯ ﻟﻌـﻞﹺ ﻟﺒـﺖ ﺑــﻲﺳــﺨﺎ ﺣﻴــﻒ ﭘﺎﺩﺷــﺎﻫﻲﻫــﺎ‬ ‫ﻭﺻﻞ ﻣﻌﺸﻮﻕ ﮐﻢ ﺯ ﻫﺠﺮﺍﻥ ﻧﻴﺴﺖ ﺩﻳــﺪﻩﺍﻡ ﺧــﺎﺭ ﺧــﺎﺭﹺ ﻣــﺎﻫﻲﻫــﺎ‬ ‫ﻗﺎﺑـــﻞ ﺗﻴــــﻎ ﻗـــﺎﺗﻠﻲ ﻧﺸــــﺪﻡ ﺩﺍﺩ ﺍﺯ ﺩﺳـــﺖ ﺑـــﻲﮔﻨـــﺎﻫﻲﻫـــﺎ‬ ‫ﻏﻨﭽــﺔ ﮔــﻞ ﺍﺩﺍ‪ ٢‬ﻧﻤــﻲﺩﺍﻧﺴــﺖ ﺍﺯ ﺗــﻮ ﺁﻣﻮﺧــﺖ ﮐــﺞ ﮐﻼﻫــﻲﻫــﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﻣ ‪‬ﺴﻲ ﻣﺎﻟﺶ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺍﻭ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٧٩ //‬‬ ‫ﻗﺘــــﻞ ﺁﺯﺍﺩ ﮐــــﺮﺩﻩﺍﻱ ﻧــــﺎﺣﻖ‬ ‫ﻣـﻲﺗـﻮﺍﻥ ﮐـﺮﺩ ﻋـﺬﺭ ﺧـﻮﺍﻫﻲﻫـﺎ‬ ‫»‪«۱۰۳‬‬ ‫ﮐـﺮﺩ ﺗـﺎ ﺁﻫﻨـﮓ ﺭﻓـﺘﻦ ﻣﺤﻤـﻞ ﺟﺎﻧـﺎﻥ‪ ‬ﻣـﺎ ﭼﻮﻥ ﺟﺮﺱ ﺩﺭ ﺳﻴﻨﻪ ﻣﻲﻏﻠﻄﺪ ﺩﻝ ﻧﺎﻻﻥ‪ ‬ﻣـﺎ‬ ‫ﻧﻴﺴﺖ ﺟﺰ ﺩﻳﺪﺍﺭ ﺧﻮﺷﺮﻭﻳﺎﻥ ﻏﺬﺍﻱ ﺟﺎﻥ‪ ‬ﻣﺎ ﺟﻠــﻮﺓ ﻧﻴﺮﻧــﮓ ﺑﺎﺷــﺪ ﻧﻌﻤــﺖ ﺍﻟــﻮﺍﻥ‪ ١‬ﻣــﺎ‬ ‫ﻫﺮ ﻗﺪﺭ ﮐﺎﻫﻴﺪ ﺗﻦ ﻧﻌﻢﺍﻟﺒـﺪﻝ ﺍﺯ ﻧـﻮﺭ ﻳﺎﻓـﺖ ﻧﻴﺴﺖ ﮐﻢ ﺍﺯ ﺷﻤﻊ ﺩﺭ ﻃﻮﺭ ﺭﻳﺎﺿﺖﺷﺎﻥ‪ ‬ﻣـﺎ‬ ‫ﺍﻳﻦﻗﺪﺭ ﺷﺮﻣﻨﺪﺓ ﺍﺣﺴـﺎﻥ ﺧـﻮﺩ ﮐـﺮﺩﻥ ﭼـﺮﺍ ﺍﺯ ﺳﺮ ﮐﻮﻱ ﺗﻮ ﮔﺮﺩﻱ ﻧﻴﺴﺖ ﺑـﺮ ﺩﺍﻣـﺎﻥ‪ ‬ﻣـﺎ‬ ‫ﺭﻳـﺰﺵ ﻣـﺎ ﺭﺍ ﮔـﺪﺍﻳﺎﻥ ﺑـﻲﻣﺮﺑ‪‬ـﻲ ﻣـﻲﺑﺮﻧـﺪ ﺑﻲﻫﺪﻑ ﮔﻮﻫﺮ ﺭﺳـﺎﻧﺪ ﺧﻠـﻖ ﺭﺍ ﻧﻴﺴـﺎﻥ‪ ‬ﻣـﺎ‬ ‫ﺗﺎ ﮐﺠﺎﻫﺎ ﺑﺎ ﻣﺰﺍﺝ ﺧﺸـﮏ ﺧـﻮﺍﻫﻲ ﺳـﺎﺧﺘﻦ ﻣﻲﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﻧﻈـﺮ ﺑـﺮ ﺩﻳـﺪﺓ ﮔﺮﻳـﺎﻥ‪ ‬ﻣـﺎ‬ ‫ﺩﺭ ﻋﺮﺏ ﺟﺰ ﺧﺎﻣﺔ ﺁﺯﺍﺩ ﺩ‪‬ﺭﺭﻳـﺰﻱ ﮐـﻪ ﮐـﺮﺩ‬ ‫ﻫﺴﺖ ﺩﺳﺖﺁﻭﻳﺰ ﻣﺤﮑﻢ ﺳﺒﺤﺔﺍﻟﻤﺮﺟﺎﻥ‪ ٢‬ﻣـﺎ‬ ‫ﻣــــــــــــــــــــــــــــــــــــــ ـﺎ‬ ‫»‪«۱۰۴‬‬ ‫ﻧﮕـﺎﻩ ﮐـﻦ ﺩﻝ ﻭ ﺑـﺎﺯﻭﻱ ﭘـﻮﺭ ﺍﺩﻫـﻢ ﺭﺍ ﮐﻪ ﮐﺮﺩ ﺳـﻨﮓ ﻓﻼﺧـﻦ ﻧﮕـﻴﻦ ﺧـﺎﺗﻢ ﺭﺍ‬ ‫ﮐﺴﻲ ﮐﻪ ﻣﻲﻧﮕﺮﺩ ﻣ‪‬ﻠﮏ‪ ‬ﻫﻨـﺪ ﺭﺍ ﺗﺎﺭﻳـﮏ ﻧﺪﻳــﺪﻩ ﺍﺳــﺖ ﭼﺮﺍﻏــﺎﻥ ﻧــﻮﺭ ﺁﺩﻡ ﺭﺍ‬ ‫ﺗﻮ ﺁﻓﺘـﺎﺑﻲ ﻭ ﻣـﻦ ﺯﻳـﺮ ﭘﺮﺗـﻮ ﺗـﻮ ﻫـﻼﻝ ﻳﻘﻴﻦ ﮐﻪ ﻟﻄﻒ ﺗﻮ ﺑﺴﻴﺎﺭ ﻣﻲﮐﻨـﺪ ﮐـﻢ ﺭﺍ‬ ‫ﺑﻪﺟﺎﻥ ﻧـﻮﺍﻱ ﻧـﻲ ﺩﻝ ﻧـﻮﺍﺯ ﻣـﻲﺷـﻨﻮﻳﻢ ﮐـﻪ ﻳـﺎﻓﺘﻢ ﺩﺭ ﺍﻳـﻦ ﺭﺍﻩ ﻫـﻮﺵ ﺩﺭ ﺩﻡ ﺭﺍ‬ ‫ﻳ‪‬ﺪ‪ ‬ﺑ‪‬ﺮﻳﺪﻩ ﮐﻨـﺪ ﮐـﺎﺭ‪ ،‬ﮔـﺮ ﺧـﺪﺍ ﺧﻮﺍﻫـﺪ ﮐﻪ ﺷﺎﻧﻪ ﻋﻘﺪﻩ ﮐﻨﺪ ﺑـﺎﺯ ﺯﻟـﻒ ﺩﺭﻫـﻢ ﺭﺍ‬ ‫ﮐﻨﻨﺪ ﺑﺎﺩﻩﮐﺸﺎﻥ ﻳـﺎﺩ ﻭﻗـﺖ‪ ‬ﻣـﻲﺧـﻮﺭﺩﻥ ﺯ ﺟﺎﻡ ﺳﺎﺧﺘﻦ ﺍﻳـﻦ ﺑـﻮﺩ ﻣـﺪ‪‬ﻋﺎ ﺟـﻢ ﺭﺍ‬ ‫ﻣــﻦ ﻭ ﻣﺸــﺎﻫﺪﺓ ﺷــﻌﻠﻪ ﺟﻠــﻮﺓ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﮐـﺮﺩ ﺩﻳـﺪﻥ ﺍﻭ ﺧﺸـﮏ ﺩﻳـﺪﺓ ﻧـﻢ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻮﺍﻥ‪.‬‬ ‫‪ .٢‬ﺍﺳﻢ ﮐﺘﺎﺏ ﻋﺮﺑﻲ ﺁﺯﺍﺩ »ﺳﺒﺤﺔﺍﻟﻤﺮﺟﺎﻥ ﻓﻲ ﺁﺛﺎﺭ ﻫﻨﺪﻭﺳﺘﺎﻥ«‪ ،‬ﺷﻬﺮﺕ ﺩﺍﺭﺩ‪.‬‬

‫‪ // ١٨٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۰۵‬‬ ‫ﺭﻭﺯﻱ ﮐـﻪ ﺑـﺎﺯ ﺑﻴـﻨﻢ ﺁﻥ ﻳـﺎﺭﹺ ﻣﻬﺮﺑـﺎﻥ ﺭﺍ ﺑـﺮ ﭘــﺎﻱ ﺍﻭ ﺑﻤـﺎﻟﻢ ﭼﺸــﻢ ﮔﻬﺮﻓﺸــﺎﻥ ﺭﺍ‬ ‫ﭼﻨـﺪﻱ ﺩﺭ ﺍﻳــﻦ ﮔﻠﺴـﺘﺎﻥ ﺭﻳــﺰﻳﻢ ﺭﻧــ ‪‬ﮓ ﮔـﺮ ﺑـﺎﺩ ﻭﺍ ﮔـﺬﺍﺭﺩ ﺑـﺮ ﺷـﺎﺥ ﺁﺷـﻴﺎﻥ ﺭﺍ‬ ‫ﻣﻋﮋﺸﮔـــــﺎـﻥــﺍـﻭـ ﺑــــﻪﺍـﺑــــــﺮـﻭــﺩﺍـﺭــﺩــﺳــــــﺮﹺـﺩــﺭﺍﺮﺯﺕﻱ ﺍﻳﻦ ﺗﻴﺮ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﺯﺧﻤـﻲ ﮐﻨـﺪ ﮐﻤـﺎﻥ ﺭﺍ‬ ‫ﺷﺎﺩﻡ ﺯ ﻗﺎﻣﺖ ﺧﻢ ﭘﻴﺮﺍﻧـﻪ ﺳـﺮ ﮐـﻪ ﺩﺍﻳـﻢ ﺑﻮﺳﻢ ﺯﻣﻴﻦ ﺧـﺪﻣﺖ ﺁﻥ ﻳـﺎﺭﹺ ﻧﻮﺟـﻮﺍﻥ ﺭﺍ‬ ‫ﻳﮏ ﻟﺤﻈﻪ ﭼﺸﻢ ﺧﻮﺩ ﺭﺍ ﺯ ﺁﺋﻴﻨﻪ ﺑﺮﻧﺪﺍﺭﻱ ﺗـﺎ ﭼﻨـﺪ ﺭﻧﺠـﻪﺳـﺎﺯﻱ ﺑﻴﻤـﺎﺭ ﻧـﺎﺗﻮﺍﻥ ﺭﺍ‬ ‫ﺧﻮﺍﻫﻢ ﮐـﻪ ﺑﺮﻧﮕﻴـﺮﻡ ﺍﺯ ﺷـﻬﺮ ﺭﺍﻩ ﺻـﺤﺮﺍ ﺍﻣ‪‬ـﺎ ﭼـﻪ ﭼـﺎﺭﻩ ﺳـﺎﺯﻡ ﺑـﻲﺗـﺎﺑﻲ ﻋ‪‬ﻨـﺎﻥ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﻣﻲﮐﻨﻢ ﻣﻦ ﺑـﺮ ﻫﻤ‪‬ـﺖ ﺗـﻮ ﺗﺤﺴـﻴﻦ‬ ‫ﮐﺰ ﺿﺮﺏ ﭘﺸﺖ ﭘﺎﺋﻲ ﺑﺮﻫﻢ ﺯﺩﻱ ﺟﻬﺎﻥ ﺭﺍ‬ ‫»‪«۱۰۶‬‬ ‫ﺗﺒﺴ‪‬ـﻢ ﺗـﻮ ﺑـﻪﺣﻴـﺮﺕ ﻓﮕﻨـﺪ ﻋﺎﻗــﻞ ﺭﺍ ﮐﻪ ﺩﺭﻧﻈﺮ ﺣـﻖ ﺭﻭﺷـﻦ ﻧﻤـﻮﺩ ﺑﺎﻃـﻞ ﺭﺍ‬ ‫ﺩﻭ ﭼﺸﻢ ﺷﻮﺥ ﺗﻮ ﺑﺴﻴﺎﺭ ﻫﺮ ﻃﺮﻑ ﺍﻓﺘـﺪ ﺧﺪﺍ ﺍﻓﺎﻗﻪ ﺩﻫﺪ ﺍﻳـﻦ ﺩﻭ ﻣﺴـﺖ ﻣﺎﻳـﻞ ﺭﺍ‬ ‫ﺳﺮﺷﮏ‪ ‬ﻣﻦ ﻧﻈﺮﹺ ﺭﺣﻢ ﺍﺯ ﺗﻮ ﻣﻲﺧﻮﺍﻫـﺪ ﻣﺴــﺎﺯ ﺍﺯ ﺩﺭ ﺧــﻮﺩ ﻧﺎﺍﻣﻴــﺪ ﺳــﺎﻳﻞ ﺭﺍ‬ ‫ﭼﻪ ﻧﻐﻤﻪﻫﺎ ﮐﻪ ﺯﻧﺪ ﺳﺮ ﺯ ﻋﻨﺪﻟﻴﺐ ﺳـﻴﺎﻩ ﻧﻈﺮ ﮐﻨﻴﺪ ﺳـﺨﻦ ﺭﺍ ﻧـﻪ ﺷـﮑﻞ ﻗﺎﻳـﻞ ﺭﺍ‬ ‫ﺗﻮﮐﹼﻞ ﺍﺳﺖ ﮐﻪ ﺳﺎﻣﺎﻥ ﺑﻪﺍﻫﻞﹺ ﻓﻀﻞ ﺩﻫﺪ ﺭﺳﺪ ﺯ ﻏﻴﺐ ﻣﺮﻗﹼـﻊ ﺩﺭﺧـﺖ‪ ١‬ﻓﺎﺿـﻞ ﺭﺍ‬ ‫ﻣﺪﻩ ﺑﻪﺻﺤﺒﺖ ﺧﻮﺩ ﺭﺍﻩ ﺳﺎﺩﻩ ﻟﻮﺣـﺎﻥ ﺭﺍ ﮐﻪ ﺑـﻲﺧـﺮﺩ ﮐﻨـﺪ ﺁﺋﻴﻨـﻪ ﻣـﺮﺩ ﻋﺎﻗـﻞ ﺭﺍ‬ ‫ﻣﮑــﻦ ﻣﻨﺎﻗﺸــﻪ ﺑــﺎ ﻣــﺮﺩﻡ ﺳــﻘﻴﻢ ﺁﺯﺍﺩ‬ ‫ﮐﻨﺪ ﺳﮑﻮ ‪‬ﺕ ﺗﻮ ﺳﺎﮐﺖ ﺯﺑـﺎﻥ‪ ‬ﺟﺎﻫـﻞ ﺭﺍ‬ ‫»‪«۱۰۷‬‬ ‫ﺯ ﺑﺴﻂ ﻗﺒﺾ ﺧﻮﺩ ﻧﺘﻮﺍﻥ ﻧﺸﺴﺘﻦ ﻧﺎﺍﻣﻴﺪ ﺍﻳﻨﺠـﺎ ﮐﻪ ﻣﺎﻧﻨﺪ ﺯﺑﺎﻥ ﺩﺭ ﻗﻔﻞ ﻣـﻲﺑﺎﺷـﺪ ﮐﻠﻴـﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺳـﺮﺍﻍ ﻗﻔـﻞ ﻣـﺎ ﻧﺘـﻮﺍﻥ ﺑﺪﺳـﺖ ﺁﻭﺭﺩ ﺍﺯ ﻗﺎﺗـﻞ ﮐﻪ ﺩﺯﺩﺩ ﺗﻴﻎ ﭼﻮﻥ ﺑﺮﮒ ﺣﻨﺎ ﺧﻮﻥ ﺷﻬﻴﺪ ﺍﻳﻨﺠﺎ‬ ‫‪ .١‬ﺩﺭﺧﺘﻲ ﺍﺳﺖ ﮐﻪ ﻣﺴﺎﻓﺮﺍﻥ ﺑﺮ ﺁﻥ ﺑﺴﺘﻪ ﺑﻨﺪﻧﺪ ﺑﺮﺍﻱ ﺗﺤﺼﻴﻞ ﻣﺮﺍﺩ‪ .‬ﺍﺷﺮﻑ ﻣﺎﺯﻧﺪﺭﺍﻧﻲ ﺩﺭ ﻣﺜﻨﻮﻱ ﻗﻀﺎ ﻭ ﻗﺪﺭ ﺗﻌﺮﻳﻒ‬ ‫ﺭﺍﻭﻱ ﺣﮑﺎﻳﺖ ﻣﻲﮐﻨﺪ‪:‬‬ ‫ﭼﺮﺍﻏﻲ ﺻﺒﺤﮕﺎﻫﻲ ﺩﺭ ﺧﻤﻮﺷﻲ ﺩﺭﺧﺖ ﻓﺎﺿﻞ ﺩﺭ ﮊﻧـﺪﻩ ﭘﻮﺷـﻲ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٨١ //‬‬ ‫ﻫﻨﻮﺯ ﺍﺯ ﺩﺍﻣﻦ ﺻﺤﺮﺍﻱ ﻣﺠﻨﻮﻥ ﻋﺸﻖ ﻣﻲﺧﻴﺰﺩ ﮐﻪ ﻫﻨﮕـﺎﻡ ﮔـﺬﺭ ﺍﻓﺘـﺎﺩﻥ ﻣـﺎ ﺩﻝ ﻃﭙﻴـﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﻣﻘــﻴﻢﹺ ﺁﺳــﺘﺎﻧﺖ ﺭﻭﺯﮔــﺎﺭﹺ ﻋﺸــﺮﺕ‪ ‬ﻋــﺎﻟﹶﻢ ﺷﺐ ﻗﺪﺭﻱ ﮐﻪ ﻧﺎﻳﺎﺏ ﺍﺳﺖ ﺍﻳﻨﺠﺎ ﺻﺒﺢ ﻋﻴﺪ ﺍﻳﻨﺠﺎ‬ ‫ﺩﮔﺮ ﺍﺯ ﮔﻠﺴﺘﺎﻥ ﮐـﻮﻱ ﺍﻭ ﻧﺘـﻮﺍﻥ ﺑـﺮﻭﻥ ﺭﻓـﺘﻦ ﮐﻪ ﺧﺎﺭ ﺍﻟﻔﺖ ﺁﻥ ﺷﺎﺥ ﮔـﻞ ﺩﺍﻡ ﮐﺸـﻴﺪ ﺍﻳﻨﺠـﺎ‬ ‫ﺍﻟﻬـﻲ ﺳـﺎﻳﺔ ﺍﻳـﻦ ﻧﺨـﻞ ﻗـﺎﻳﻢ ﺩﺍﺭ ﺗـﺎ ﻣﺤﺸـﺮ ﺩﻝ ﺁﻭﺍﺭﺓ ﻣــﻦ ﺑﻌــﺪ ﻋﻤــﺮﻱ ﺁﺭﻣﻴــﺪ ﺍﻳﻨﺠــﺎ‬ ‫ﭼـﺮﺍ ﺍﻱ ﺑﺎﻏﺒـﺎﻥ ﺁﺯﺍﺩ ﺭﺍ ﻣﻤﻨـﻮﻥ ﺧﻮﺩﺳـﺎﺯﻱ‬ ‫ﮔﻠـﻲ ﺍﺯ ﺷﺎﺧﺴـﺎﺭ ﺁﺭﺯﻭ ﮔـﺎﻫﻲ ﻧﭽﻴـﺪ ﺍﻳﻨﺠـﺎ‬ ‫»‪«۱۰۸‬‬ ‫ﺳﺮﺍﭘﺎ ﺳﻮﺧﺘﻢ ﺗـﺎ ﺑـﻴﺶ ﺳـﺎﺯﻡ ﺣﺴـﻦﹺ ﺩﻟﺒـﺮ ﺭﺍ ﮐﻪ ﺧﺎﮐﺴﺘﺮ ﺩﻭ ﺑﺎﻻ ﻣـﻲﮐﻨـﺪ ﺭﻧـ ‪‬ﮓ ﻣﻌﺼـﻔﺮ ﺭﺍ‬ ‫ﻏﺬﺍ ﺑﻴﺶ ﺍﺯ ﺩﻫﺎﻥ ﺧﻮﻳﺶ ﺧﻮﺭﺩﻥ ﭘ‪‬ﺮ ﺯﻳﺎﻥ ﺩﺍﺭﺩ ﮐﻨﺪ ﻓﻲﺍﻟﻔﻮﺭ ﺑﺴـﻤﻞ ﺧـﻮﺭﺩﻥ ﮔـﻮﻫﺮ ﮐﺒـﻮﺗﺮ ﺭﺍ‬ ‫ﻳﻘﻴﻨﻢ ﮔﺸﺖ ﭼﻮﻥ ﻣﻨﻘﺎﺭ ﺳـﺮﺥ ﻃﻮﻃﻴـﺎﻥ ﺩﻳـﺪﻡ ﮐﻪ ﻣﺎﺩﺭﺯﺍﺩ ﺑﺎﺷﺪ ﺧﻮﻥ ﺩﻝ ﺧـﻮﺭﺩﻥ ﺳـﺨﻨﻮﺭ ﺭﺍ‬ ‫ﺩﺭ ﺁﺗﺶ ﺑﻮﺩﻩﺍﻡ ﺍﻣ‪‬ـﺎ ﺯ ﮐـﺲ ﺁﺑـﻲ ﻧﻤـﻲﺧـﻮﺍﻫﻢ ﺍﮔــﺮ ﺁﺏ ﺑﻘــﺎ ﺑﺎﺷــﺪ ﺯﻳــﺎﻥ ﺩﺍﺭﺩ ﺳــﻤﻨﺪﺭ ﺭﺍ‬ ‫ﻧﮕﺮﺩﺩ ﺣﻖ ﮐـﺲ ﺍﺯ ﺧـﺎﻃﺮ ﺭﻭﺷـﻦ ﺩﻻﻥ ﺯﺍﻳـﻞ ﻫﻨــﻮﺯ ﺁﺋﻴﻨــﻪ ﺩﺍﺭﺩ ﺩﺭ ﻧﻈــﺮ ﺷــﮑﻞ ﺳــﮑﻨﺪﺭ ﺭﺍ‬ ‫ﺧـﺪﺍ ﺳـﺎﺯ ﺍﺳـﺖ ﮐــﺎﺭ ﻧﺎﺗﻮﺍﻧﺎﻳـﺎﻥ ﻧﻤـﻲﺑﻴﻨــﻲ ﮐـﻪ ﮐﺸـﺘﻲ ﺑـﻲﻧﻴـﺎﺯ ﺍﺯ ﻧﺎﺧـﺪﺍ ﺑﺎﺷـﺪ ﻗﻠﻨـﺪﺭ ﺭﺍ‬ ‫ﺑــﻪﺣــﺮﻑ‪ ‬ﺭﻭﺷــﻦ ﺁﺯﺍﺩ ﺍﻧــﺪﮎ ﻧﺴــﺒﺘﻲ ﺩﺍﺭﺩ‬ ‫ﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﺗﻤﺎﺷـﺎ ﺍﺧﺘـﺮ ﻣﺴـﻌﻮﺩ ﮔـﻮﻫﺮ ﺭﺍ‬ ‫»‪«۱۰۹‬‬ ‫ﺯ ﺁﺏ ﺩﻳــﺪﺓ ﻣــﻦ ﺁﺗــﺶ ﺟــﺎﻧﻢ ﺷــﻮﺩ ﭘﻴــﺪﺍ ﺑﺴﺎﻥ ﺷـﻤﻊ ﺩﺍﻍ ﺍﺯ ﭼﺸـﻢ ﮔﺮﻳـﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﭼﻮ ﺁﻥ ﮐﺎﻏﺬ ﮐﻪ ﺧﻄﺶ ﮔﻞ ﮐﻨﺪ ﺍﺯ ﺩﻳﺪﻥ ﺁﺗﺶ ﺯ ﺁﺗـﺶ ﮐـﺎﺭﻱ ﺩﻝ ﺭﺍﺯ ﭘﻨﻬــﺎ ﻧـﻢ ﺷـﻮﺩ ﭘﻴــﺪﺍ‬ ‫ﺩﻝ ﺻﺤﺒﺖ ﻃﻠﺐ ﺍﺯ ﺩﺳﺖ ﺗﻨﻬﺎﺋﻲ ﺑﻪﺗﻨﮓ ﺁﻣـﺪ ﻧﻪ ﺧﻀﺮ ﺍﻱ ﮐﺎﺵ ﻏﻮﻟﻲ ﺩﺭ ﺑﻴﺎﺑﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻣﺰﺍﺟﻢ ﺭﻳﺰﺵ ﻣﺨﺼﻮﺹ ﺭﺍ ﺷـﺎﻳﺎﻥ ﻧﻤـﻲﺩﺍﻧـﺪ ﺑـﻪﺑ‪‬ـﺮ‪ ‬ﻭ ﺑﺤـﺮ ﺍﺑـﺮ ﮔـﻮﻫﺮ ﺍﻓﺸـﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺳﺮ ﺳﺮﻭ ﺳﻬﻲ ﭼﻮﻥ ﺑﻴﺪ ﻣﺠﻨﻮﻥ ﺩﺭ ﺳﺠﻮﺩ ﺁﻳﺪ ﺍﮔـﺮ ﺩﺭ ﮔﻠﺴـﺘﺎﻥ‪ ،‬ﺳـﺮﻭﹺ ﺧﺮﺍﻣـﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﮐﻨــﺪ ﺯﺧــﻢ ﮐﺘــﺎﻥ ﺭﺍ ﻣــﺮﻫﻢ ﮐــﺎﻓﻮﺭ ﺍﺭﺯﺍﻧــﻲ ﺩﺭ ﺁﻥ ﻣﻨـﺰﻝ ﮐـﻪ ﺭﻭﻱ ﻣـﺎﻩ ﺗﺎﺑـﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺧﻴــﺎﻝ ﺭﻭﻱ ﺗﺎﺑــﺎﻧﻲ ﻣــﺮﺍ ﺁﺯﺍﺩ ﺑــﺲ ﺑﺎﺷــﺪ‬ ‫ﻧﻤﻲﺧﻮﺍﻫﻢ ﮐﻪ ﺷﻤﻌﻲ ﺩﺭ ﺷﺒﺴﺘﺎﻧﻢ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬

‫‪ // ١٨٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۱۰‬‬ ‫ﺑـﺮﺍﻱ ﻫـﻢﻧﺸـﻴﻨﻲ ﺍﺿـﻄﺮﺍﺭﻱ ﻣـﻲﮐﻨـﺪ ﭘﻴـﺪﺍ ﮐﻪ ﺩﺭ ﺁﺋﻴﻨﻪ ﻫﺮ ﺩﻡ ﻳﺎﺭﹺ ﻏـﺎﺭﻱ ﻣـﻲﮐﻨـﺪ ﭘﻴـﺪﺍ‬ ‫ﻓﺸﺎﻥ ﺩﺭ ﺍﺷﮏ ﻣﻦ ﻋﻄﺮ ﮔﺮﻳﺒﺎﻥ ﻭ ﺗﻤﺎﺷـﺎﮐﻦ ﮐﻪ ﺑﺎﻫﻢ ﺁﺏ ﻭ ﺭﻭﻏﻦ ﻧﻮﺑﻬﺎﺭﻱ ﻣﻲﮐﻨـﺪ ﭘﻴـﺪﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﻋﺎﻟﻢ ﺑﻮﺩ ﺑﺎ ﺧﺎﻣﻪ ﺗـﻮﺍﻡ ﺭ‪‬ﻫـﺮﻭﹺ ﮐﺎﻣـﻞ ﮐﻪ ﺍﺯ ﻧﻘﺶﹺ ﻗﺪﻡ ﺧﻮﺵ ﻳﺎﺩﮔﺎﺭﻱ ﻣﻲﮐﻨﺪ ﭘﻴـﺪﺍ‬ ‫ﺧﻄﻮﻃﻲ ﮐﺰ ﭼﺮﺍﻏﺎﻥ ﺩﺭ ﻧﻈﺮ ﺁﻳـﺪ ﺗﺄﻣ‪‬ـﻞ ﮐـﻦ ﺯ ﺭﺷﮏ‪ ‬ﺷﻤﻊ ﺭﻭﻳﺶ ﺧﺎﺭ ﺧﺎﺭﻱ ﻣﻲﮐﻨﺪ ﭘﻴﺪﺍ‬ ‫ﺳـﻮﺍﺩ ﺧـﺎﻝ ﻋـﺰﹼﺕ ﺩﺍﺩ‪ ،‬ﺭﺧﺴـﺎﺭﹺ ﻣﺰﻟﹼـﻒ ﺭﺍ ﮐﻪ ﺧﻂ ﺍﺯ ﻧﻘﺶ ﺧﺎﺗﻢ ﺍﻋﺘﺒﺎﺭﻱ ﻣﻲﮐﻨـﺪ ﭘﻴـﺪﺍ‬ ‫ﺑﺴــﺎﻥ‪ ‬ﻣــﺎﻩ‪ ‬ﻧــﻮ ﺩﺭﻳــﺎﻓﺘﻢ ﺍﺯ ﻃــﺮﺯﹺ ﺭﻓﺘــﺎﺭﺵ ﮐﻪ ﻭﻗﺖ‪ ‬ﺍﻭﺝﹺ ﺧﻮﺩ ﺍﺯ ﻣﻦ ﻏﺒﺎﺭﻱ ﻣﻲﮐﻨﺪ ﭘﻴﺪﺍ‬ ‫ﭼﺴـﺎﻥ ﺁﺯﺍﺩ ﺩﺭ ﮐﹸـﻨﺞﹺ ﻗﻨﺎﻋـﺖ ﻣـﻲﺯﹺﻳـﺪ ﺗﻨﻬـﺎ‬ ‫ﻣﮕﺮ ﺍﺯ ﺳﺎﻳﺔ ﺧﻮﺩ ﻏﻤﮕﺴـﺎﺭﻱ ﻣـﻲﮐﻨـﺪ ﭘﻴـﺪﺍ‬ ‫»‪«۱۱۱‬‬ ‫ﮐـﻮ ﺑﻬـﺎﺭﺍﻥ ﮐـﻪ ﺩﻫـﺪ ﺟﻠـﻮﻩ ﺗﻤﻨﹼـﺎﻱ ﻣـﺮﺍ ﺁﺗــﺶ ﻻﻟــﻪ ﺯﻧــﺪ ﺩﺍﻣــﻦ ﺻــﺤﺮﺍﻱ ﻣــﺮﺍ‬ ‫ﺟﺎﻱ ﺻﺪ ﺧﻴﻞ ﭘ‪‬ﺮﻱ ﺩﺭ ﺩﻝ ﺧﻮﺩ ﻣﻲﺧﻮﺍﻫﻢ ﺣﻖ ﺗﻌﺎﻟٰﻲ ﺩﻫـﺪ ﺍﻳـﻦ ﺣﻮﺻـﻠﻪ ﻣﻴﻨـﺎﻱ ﻣـﺮﺍ‬ ‫ﻣـﻲﻧﺸـﻴﻨﻨﺪ ﺩﺭ ﺍﻳـﻦ ﺑﺎﺩﻳـﻪ ﺻـﻴ‪‬ﺎﺩﻱ ﭼﻨـﺪ ﮐــﻪ ﺧﺒــﺮﺩﺍﺭ ﮐﻨــﺪ ﺁﻫــﻮﻱ ﺭﻋﻨــﺎﻱ ﻣــﺮﺍ‬ ‫ﺷــﻴﻮﺓ ﻋﺸــﻖ ﺗــﻮ ﺍﻱ ﻭﺍﻱ ﻧﻤــﻲﺩﺍﻧﺴــﺘﻢ ﮐــﻪ ﮐﻨــﺪ ﻃــﻮﻕ ﮔﻠــﻮ ﺩﻳــﺪﺓ ﺑﻴﻨــﺎﻱ ﻣــﺮﺍ‬ ‫ﺑﺎ ﮐﻪ ﮔﻮﻳﻢ ﮐﻪ ﻣﻦ ﺍﺯ ﺗﺸﻨﻪ ﻟﺒـﻲ ﻣـﻲﺳـﻮﺯﻡ ﺧﻮﺭﺩ ﺧﻮﺩ ﺳﺎﻗﻲ ﺍﻳﻦ ﻣﻴﮑـﺪﻩ ﺻـﻬﺒﺎﻱ ﻣـﺮﺍ‬ ‫ﭼـــﺎﺭﺓ ﺩﺭﺩ ﻣﻔﺮﻣـــﺎ ﺑـــﻪﻃﺒﻴـــﺐﹺ ﺩﻳﮕـــﺮ ﮐـﻪ ﺑـﻪﺩﺳـﺖ‪ ‬ﺗـﻮ ﺳـﭙﺮﺩﻧﺪ ﻣـﺪﺍﻭﺍﻱ ﻣــﺮﺍ‬ ‫ﺑـﻪﭼــﻪ ﺍﻣﻴــﺪ ﺗــﻮﺍﻥ ﻣ‪‬ــﺮﺩ ﺩﺭ ﺍﻳــﻦ ﺭ‪‬ﻩ ﺁﺯﺍﺩ‬ ‫ﺳﺮ ﺑﺨﺸـﻴﺪﻥ ﺟـﺎﻥ ﻧﻴﺴـﺖ ﻣﺴـﻴﺤﺎﻱ ﻣـﺮﺍ‬ ‫»‪«۱۱۲‬‬ ‫ﭘﻴﺮﻱ ﻫﺠـﻮﻡ ﮐـﺮﺩ ﻭ ﻧﻴﻔﺴـﺮﺩ ﺩﺍﻍ ﻣـﺎ ﺧﺎﻣﻮﺵ ﻭﻗﺖ ﺻﺒﺢ ﻧﮕﺮﺩﺩ ﭼـﺮﺍﻍ ﻣـﺎ‬ ‫ﭘﺮﻫﻴــﺰ ﻣــﻲﮐﻨــﻴﻢ ﺯ ﹸﺧﻠــﻖﹺ ﻣ‪‬ــ ﹶﺰﻭ‪‬ﺭﺍﻥ‪ ١‬ﺑﺎ ﺑـﻮﻱ ﻋﻄـﺮ ﻓﺘﻨـﻪ ﻧﺴـﺎﺯﺩ ﺩﻣـﺎﻍ ﻣـﺎ‬ ‫ﺁﻥ ﻣﺴﺖ‪ ‬ﻧﺎﺯ ﺳﺮﻣﻪ ﺑﻪﻧﺮﮔﺲ ﻧﻤﻲﮐﺸﺪ ﻇـﺎﻟﻢ ﺯ ﺁﻩ ﻭ ﻧﺎﻟـﻪ ﻧﺨﻮﺍﻫـﺪ ﻓـﺮﺍﻍ ﻣـﺎ‬ ‫ﺳﺎﻗﻲ ﺑﻴﺎﺭ ﺑﺎﺩﻩ ﮐﻪ ﻫﻨﮕﺎﻡﹺ ﮔـﻞ ﺭﺳـﻴﺪ ﺑﻲﻣﻲ ﺑﻪﺭﻧﮓ ﻻﻟـﻪ ﻧﺴـﻮﺯﺩ‪ ٢‬ﺍﻳـﺎﻍ ﻣـﺎ‬ ‫‪ .١‬ﺭﻳﺎﮐﺎﺭﺍﻥ‪ ،‬ﻧﻴﺮﻧﮕﺒﺎﺯﺍﻥ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺑﺴﻮﺯﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٨٣ //‬‬ ‫ﺑﺎﺷـﺪ ﺳـﻴﺎﻩ ﺧﺎﻧـﺔ ﻣـﺎ ﭼﺸـﻢﹺ ﺁﻫـﻮﺍﻥ ﺟﻮﺋﻴــﺪ ﺍﺯ ﻧﮕــﺎ‪‬ﻩ ﻏــﺰﺍﻻﻥ ﺳــﺮﺍﻍ ﻣــﺎ‬ ‫ﺍﻣﻴﺪ ﺟﻠﻮﻩ ﮐـﺮﺩﻥ ﮔـﻞ ﺍﺯ ﮐﺠـﺎ ﮐﻨـﻴﻢ ﻳﮏ ﺧﺎﺭ ﻫﻢ ﻧﹶﺮ‪‬ﺳﺖ ﺯ ﺩﺍﻣﺎﻥ ﺭﺍﻍ‪ ١‬ﻣـﺎ‬ ‫ﺁﺯﺍﺩ ﺁﺷــﻨﺎﻱ ﺩﻭ ﺭﻧﮕــﻲ ﻧﻤــﻲﺷــﻮﻳﻢ‬ ‫ﺯﻧﻬﺎﺭ ﻧﺸﮕﻔﺖ‪ ٢‬ﮔﻞﹺ ﺭﻋﻨـﺎ ﺑـﻪﺑـﺎﻍ ﻣـﺎ‬ ‫»‪«۱۱۳‬‬ ‫ﻣﭙــﺮﺱ ﺑﺎﻋــﺚ ﺑﻴﻤــﺎﺭﻱ ﻧﺴــﻴﻢ ﺻــﺒﺎ ﺭﺍ ﺧـﺪﺍ ﺭﺳـﺎﻧﺪ ﺑـﻪﭘﻴﻐﻤﺒـﺮﺍﻥ ﻫﻤﻴﺸـﻪ ﺑـﻼ ﺭﺍ‬ ‫ﻗﺪﻡ ﺑﻪﻣﺮﻗﺪ ﻣﺎ ﺭﻧﺠﻪ ﺳـﺎﺯ ﺍﺯ ﭘـﺲﹺ ﮐﹸﺸـﺘﻦ ﺯﻳﺎﺭ ‪‬ﺕ ﺗـﻮ ﺑـﻮﺩ ﺑـﻪ ﺯ ﺧـﻮﻥﺑﻬـﺎ ﺷـﻬﺪﺍ ﺭﺍ‬ ‫ﺑﺮﺍﻱ ﺻـﺤﺒﺖ ﺑﻴﻤـﺎﺭ ﻧـﺎﻓﻊ ﺍﺳـﺖ ﺗﺼـﺪ‪‬ﻕ ﺑﻪﺑﺨﺶ ﺍﻱ ﺑﺖ‪ ‬ﺑﻴﻤﺎﺭ ﭼﺸﻢ ﺑﻮﺳـﻪ ﮔـﺪﺍ ﺭﺍ‬ ‫ﺯ ﺑﺲﮐﻪ ﺣﺴﻦ ﺧﺪﺍﺩﺍﺩ ﻓﺎﺭﻍ ﺍﺳﺖ ﺯ ﺯﻳﻨﺖ ﺧﻴﺎﻝ ﺧﻨﺠـﺮ ﺧـﻮﻧﺮﻳﺰ ﮐـﺮﺩ ﺑـﺮﮒ ﺣﻨـﺎ ﺭﺍ‬ ‫ﺗﻮ ﺟ‪‬ﻮﺭ ﻣﻲﮐﻨﻲ ﻭ ﻣﻦ ﮐـﻨﻢ ﺩﻋـﺎﻱ ﺑﻘﺎﻳـﺖ ﮐﻪ ﺍﺯ ﺳـﺘﻢﺯﺩﻩ ﺳـﺎﺯﻧﺪﻩ ﻣﺴـﺘﺠﺎﺏ ﺩﻋـﺎ ﺭﺍ‬ ‫ﻫﺰﺍﺭ ﺗﻴﺸﻪ ﻓﺮﻭ ﺑ‪‬ـﺮﺩﻩ ﺳـﺮ ﺑـﻪﻓﮑـﺮ ﺑﺮﻳـﺪﻥ ﮐﻨﻨﺪ ﮐـﺎﺵ ﺩﺭﺧﺘـﺎﻥ ﻭﺩﺍﻉ ﻧﺸـﻮ ﻭ ﻧﻤـﺎ ﺭﺍ‬ ‫ﺑﺮ ﺁﺳـﺘﺎﻥ ﺗـﻮ ﺁﺯﺍﺩ ﺭﻳﺨـﺖ ﺭﻧـﮓ‪ ‬ﺍﻗﺎﻣـﺖ‬ ‫ﺑــﻪﭘﺮﺗــﻮﹺ ﻧﮕﻬــﻲ ﺑﻨــﺪﻩ ﺭﺍ ﻧــﻮﺍﺯ ﺧــﺪﺍ ﺭﺍ‬ ‫»‪«۱۱۴‬‬ ‫ﺭﺍﻡ ﺧﻮﺩ ﺳﺎﺧﺘﻢ ﺁﺧﺮ ﺯ ﮐﺸﺶ ﺟﺎﻧـﺎﻥ ﺭﺍ ﻋﺎﺷﻖ ﺁﻧﺴﺖ ﮐﻪ ﻣﺎﻳﻮﺱ ﮐﻨﺪ ﺣﺮﻣـﺎﻥ ﺭﺍ‬ ‫ﺑﺮﻃـﺮﻑ ﺳـﺎﺯ ﺯﻳـﺎﺩ ﺩﻝ ﻣـﻦ ﻧﺴـﻴﺎﻥ ﺭﺍ ﺣﻴﻒ ﺣﺎﻓﻆ ﮐﻪ ﻓﺮﺍﻣـﻮﺵ ﮐﻨـﺪ ﻗـﺮﺁﻥ ﺭﺍ‬ ‫ﻻﻟﻪ ﺍﺯ ﺑﺲﮐﻪ ﺯ ﻧﺎﻳﺎﺑﻲ ﺻﺤﺒﺖ ﺩﺍﻍ ﺍﺳﺖ ﻣﻐﺘـﻨﻢ ﻣـﻲﺷـﻤﺮﺩ ﺻـﺤﺒﺖ ﻧﺎﻓﺮﻣـﺎﻥ ﺭﺍ‬ ‫ﻣـﻲﺗـﻮﺍﻥ ﺍﺯ ﻫﻨـﺮ ﺧـﻮﺭﺩ ﺷـﺪﻥ ﻧـﺎﻡﺁﻭﺭ ﺯﻳـﺮﺓ ﺭﻳـﺰﻩﺍﻱ ﻣﺸـﻬﻮﺭ ﮐﻨـﺪ ﮐﺮﻣــﺎﻥ ﺭﺍ‬ ‫ﺑﺲﮐﻪ ﺍﺯ ﻧﺮﮔﺲ ﺑﻴﻤﺎﺭﹺ ﺗﻮ ﺗﻌﻠـﻴﻢ ﮔﺮﻓـﺖ ﺩﺭﺩ‪ ‬ﻋﺸﹼـــﺎﻕ ﺗﻤﻨﹼـــﺎ ﻧﮑﻨـــﺪ ﺩﺭﻣـــﺎﻥ ﺭﺍ‬ ‫ﻧﺘـﻮﺍﻥ ﺩﺍﺷـﺘﻦ ﺍﺯ ﺣﺴـﻦﹺ ﺗـﻮ ﺍﻣﻴـﺪ ﺑﻬـﻲ ﮔـﺮﻩ ﺯﻟـﻒ ﺗـﻮ ﺍﺷـﮑﺎﻝ ﮐﻨـﺪ ﺁﺳـﺎﻥ ﺭﺍ‬ ‫ﺗـﻮ ﻣـﺮﺍ ﺳـﺎﺧﺘﻲ ﺍﺯ ﻗﻴـﺪ‪ ‬ﺩﻭ ﻋـﺎﻟﻢ ﺁﺯﺍﺩ‬ ‫ﻣﻦ ﻧﻪ ﺁﻧﻢ ﮐﻪ ﻓﺮﺍﻣـﻮﺵ ﮐـﻨﻢ ﺍﺣﺴـﺎﻥ ﺭﺍ‬ ‫‪ .١‬ﺩﺷﺖ‪ ،‬ﭼﻤﻦ ﺯﺍﺭ‪.‬‬ ‫‪ .٢‬ﮔﻨﺞ ﺑﺨﺶ ﻭ ﻣﺠﻠﺲ‪ :‬ﻧﺸﮕﻔﺪ‪.‬‬

‫‪ // ١٨٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۱۵‬‬ ‫ﺩﻟﻬﺎ ﺷﮑﺴﺖ ﺑـﺮ ﺳـﺮ ﮐﻮﻳـﺖ ﺯ ﺧﺎﺭﻫـﺎ ﭘــﺎﻱ ﺗــﺮﺍ ﻣﺒــﺎﺩ ﺧﻠــﺪ ﺷﻴﺸــﻪ ﭘﺎﺭﻫــﺎ‬ ‫ﺫﻭﻕ ﺳﻼﺡ ﻫﻨﺪﻭﻱ ﭼﺸﻤﺖ ﺑﻬﻢ ﺭﺳﺎﻧﺪ ﺁﻭﺭﺩ ﮔــﺮﺩ ﺧــﻮﻳﺶ ﻓــﺮﺍﻫﻢ ﮐﺘﺎﺭﻫــﺎ‪١‬‬ ‫ﻓﺮﻣﻮﺩ ﭼﻨﺪ ﺑﺎﺭ ﮐﻪ ﺷﺐ ﺑﻴﺸـﺘﺮ ﮔﺬﺷـﺖ ﺑﺎﺷـﺪ ﺑـﺮﺍﻱ ﺭﻓـﺘﻦ ﻣـﻦ ﺍﻳـﻦ ﺍﺷــﺎﺭﻫﺎ‬ ‫ﺩﻳﮕﺮ ﭼﺮﺍ ﻧﻘﺎﺏ ﮐﺸﻲ ﺑـﺮ ﺟﻤـﺎﻝﹺ ﺧـﻮﺩ ﺑﻴﮑـﺎﺭ ﺷـﺪ ﺯ ﺣﻴـﺮﺕ ﺭﻭﻳـﺖ ﻧﻈﺎﺭﻫـﺎ‬ ‫ﺁﻥ ﺗﺎﺯﻩ ﺭﻳﺶ ﺳـﺎﺩﻩ ﺭﺧـﺎﻥ ﺭﺍ ﺑﺒـﺎﺩ ﺩﺍﺩ ﺟـــﺎﺭﻭﺏ ﺁﻓﺘـــﺎﺏ ﺑﺮﻭﻳـــﺪ ﺳـــﺘﺎﺭﻫﺎ‬ ‫ﺑﺎﺷﺪ ﺧﻄﺎ ﺿﻌﻴﻒ ﺷـﻤﺮﺩﻥ ﺿـﻌﻴﻒ ﺭﺍ ﭘﻴﭽﻨــﺪ ﺑــﺮ ﺩﺭﺧــﺖ ﺗﻨــﺎﻭﺭ ﺑﻴﺎﺭﻫــﺎ‬ ‫ﺁﺯﺍﺩ ﻣــﺎ ﺯ ﺧــﻮﺩ ﺑــﻪﮐﻤﻨــﺪ ﺑﺘــﺎﻥ ﻓﺘــﺎﺩ‬ ‫ﻳــﺎﺭﺍﻥ ﺍﻭ ﺑــﺮﺍﻱ ﭼــﻪ ﮐﺮﺩﻧــﺪ ﭼﺎﺭﻫــﺎ‬ ‫»‪«۱۱۶‬‬ ‫ﺟﻠــﻮﻩﮔــﺮ ﺩﺭ ﺧﺎﻧــﺔ ﺩﻝ ﺳــﺎﺧﺘﻢ ﺭﻭﻱ ﺗــﺮﺍ ﺑــﺮ ﺩﺭ ﺍﻭ ﻧﻘــﺶ ﮐــﺮﺩﻡ ﺑﻴــﺖ ﺍﺑــﺮﻭﻱ ﺗــﺮﺍ‬ ‫ﮐﻮ ﻋﺘـﺎﺏ ﻭ ﻧـﺎﺯ ﺗـﺎ ﺗﺴـﮑﻴﻦ ﺩﻫـﺪ ﺩﺭﺩ ﻣـﺮﺍ ﺯﺧﻢ ﺩﻝ ﻣﻲﺧﻮﺍﻫﺪ ﺁﺗﺶ ﮐـﺎﺭﻱ ﺧـﻮﻱ ﺗـﺮﺍ‬ ‫ﺯﻟـﻒ ﺧــﻮﺩ ﺭﺍ ﺑﻨــﺪﺓ ﺑــﻲﻏﻴﺮﺗــﻲ ﺑﺮﺑــﺎﺩ ﺩﺍﺩ ﮐﻴﺴﺖ ﺗـﺎ ﮐﻮﺗـﺎﻩ ﺳـﺎﺯﺩ ﻋﻨﺒـﺮﻳﻦ ﻣـﻮﻱ ﺗـﺮﺍ‬ ‫ﮐﺎﺭ ﺣﺴﻦ ﺳﺤﺮﺳﺎﺯ ﺍﺳﺖ ﺍﻳﻦ ﮐﻪ ﺁﻭﻳﺰﺍﻥ ﺑﻮﺩ ﺻﺪ ﺣﻠﺐ ﻣﻴﻨـﺎﻱ ﺩﻝ ﻫـﺮ ﺗـﺎﺭ ﮔﻴﺴـﻮﻱ ﺗـﺮﺍ‬ ‫ﻣﻲﺯﻧﺪ ﺩﺭ ﻏﻴﺒـﺖ ﻣـﻦ ﻻﻑ ﺷـﺎﺩﺍﺑﻲ ﺑﻬﺸـﺖ ﻣـﻲﻧﻤـﺎﻳﻢ ﺭﻭﺯ ﺑـﺮ ﺧـﻮﺭﺩﻥ ﺑـﻪﺍﻭ ﺭﻭﻱ ﺗـﺮﺍ‬ ‫ﺩﺭ ﭼﻤﻦ ﻫﺮﭼﻨﺪ ﻧﺘﻮﺍﻥ ﮐﺮﺩ ﻓﺮﻕ‪ ٢‬ﺍﺯ ﮔﻞ ﺗـﺮﺍ ﻣـﻲﺷﻨﺎﺳـﺪ ﻫﺮﮐﺴـﻲ ﺍﺯ ﺑـﻮﻱ ﺍﻭ ﺑـﻮﻱ ﺗـﺮﺍ‬ ‫ﻧﻴﺴــﺖ ﺁﺯﺍﺩ ﺍﺯ ﺟﻨــﺎﺏ ﻣﺴــﺘﻄﺎﺑﺖ ﺭﻓﺘﻨــﻲ‬ ‫ﻣﻨــﺰﻝ ﻣﻘﺼــﻮﺩ ﻣــﻲﺩﺍﻧــﺪ ﺳــﺮﹺ ﮐــﻮﻱ ﺗــﺮﺍ‬ ‫»‪«۱۱۷‬‬ ‫ﮔﺪﺍﻳﺎﻥ ﺭﺍ ﺑﻪﺧﻮﺍﺭﻱ ﻣﻲﻧﺸﺎﻧﺪ ﻋﺮﺽ ﻣﻄﻠﺐﻫﺎ ﮐﻪ ﺟﺎﻱ ﻣﺎﻩ ﺑﺎﺷﺪ ﺍﺯ ﻃﻤـﻊ ﭘـﺎﻳﻴﻦ ﮐﻮﮐـﺐﻫـﺎ‬ ‫ﺧﺪﺍ ﺁﻣﻴﺨﺖ ﺳﻮﺯ ﻭ ﺩﺭﺩ ﺭﺍ ﺑـﺎ ﻃﻴﻨـﺖ‪ ‬ﻣ‪‬ـﺮﺩﺍﻥ ﮐﻪ ﺑﺎﺷﺪ ﺩﺭ ﻣـﺰﺍﺝ ﺷـﻴﺮ ﻻﺯﻡ ﮔﺮﻣـﻲ ﺗـﺐﻫـﺎ‬ ‫‪ .١‬ﮐﺘﺎﺭﻩ ﺑﺮﻭﺯﻥ ﻫﺰﺍﺭﻩ‪ ،‬ﺳﻼﺣﻲ ﮐﻪ ﺑﻴﺸﺘﺮ ﺍﻫﻞ ﻫﻨﺪ ﺑﺮ ﮐﻤﺮ ﺯﻧﻨﺪ ﻭ ﮐﺘﺎﺭ ﺑﻪﺣﺬﻑ »ﻩ« ﻣﺸﻬﻮﺭ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺩﻟﻴﺮ ﻣﻲﺭﻭﻱ ﺍﺯ ﺑﻲﺳﭙﺎﻩ ﭼﺸﻤﺎﻥ ﺭﺍ ﮐﺘﺎﺭﺓ ﻧﮕﻬﺖ ﺑﺮ ﺟﮕﺮ ﻧﻴﺎﻣﺪﻩ ﺍﺳـﺖ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻓﺮﺍﻕ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٨٥ //‬‬ ‫ﺷﮑﻮﻩ ﻣﺸﺖ ﺧـﺎﮎ ﻣـﺎ ﭼـﻪ ﺩﺍﻧـﺪ ﺯﺍﺩﺓ ﺁﺗـﺶ ﻓﻠﮏﻫﺎ ﺩﺭ ﺳـﺮﺍﻍ ﻣـﺎ ﺗﻬـﻲ ﮐﺮﺩﻧـﺪ ﻗﺎﻟـﺐﻫـﺎ‬ ‫ﺯ ﻣﮑــﺮﹺ ﺩﺷــﻤﻨﺎﻥ ﺁﺳــﻮﺩﻩ ﺑﻨﺸــﻴﻨﻨﺪ ﺩﺍﻧﺎﻳــﺎﻥ ﮐﻪ ﺑﺎﺷﺪ ﺩﺭ ﻗﻔﺎ ﭘﻴﻮﺳﺘﻪ ﻗﺎﻳﻢ ﻧـﻴﺶﹺ ﻋﻘـﺮﺏﻫـﺎ‬ ‫ﮐﺠـﺎ ﺍﻳـﻦ ﺷـﻴﻮﺓ ﻧﻴﺮﻧـﮓ ﺍﺯ ﻳـﺎﻗﻮﺕ ﻣـﻲﺁﻳـﺪ ﺳﺨﻦ ﻭﻗﺖ‪ ‬ﺗﮑﻠﹼﻢ ﺭﻧﮓ ﻣﻲﮔﻴﺮﺩ ﺍﺯ ﺁﻥ ﻟﺐﻫـﺎ‬ ‫ﻣﻨﺎﺳﺐ ﺍﻳﻦ ﮐﻪ ﺳﺎﺯﺩ ﺧﺎﻣﻪ ﺍﺯ ﻣﻮﻱ ﺳﺮﹺ ﻣﺠﻨﻮﻥ ﺑﺨﺎﻃﺮ ﭼﻮﻥ ﺭﺳﺪ ﻧﻘﹼﺎﺵ ﺭﺍ ﺗﺼﻮﻳﺮ ﻣﮑﺘـﺐﻫـﺎ‬ ‫ﻧـﻪ ﺗﻨﻬـﺎ ﮐـﺎﻡ ﺁﺯﺍﺩ ﺍﺯ ﺩﻫﺎﻧـﺖ ﭼﺎﺷـﻨﻲ ﺩﺍﺭﺩ‬ ‫ﻧﻤﮏﺧﻮﺍﺭ ﺷﮑﺮ ﺧﻨﺪ ﻟﺐ ﻟﻌﻞ ﺗـﻮ ﻣﺸـﺮﺏﻫـﺎ‬ ‫»‪«۱۱۸‬‬ ‫ﭼﺮﺍ ﻓﺮﻭ ﻧﭽﮑـﺪ ﺧـﻮﻥ ﺯ ﺩﻳـﺪﺓ ﺗـﺮﹺ ﻣـﺎ ﮐﻪ ﺭﺧﺖ ﺑﺴﺖ ﺯ ﻋﺎﻟﹶﻢ ﻏﻼﻡ ﺣﻴﺪﺭﹺ ﻣـﺎ‪١‬‬ ‫ﺗـﻼﺵ ﮐـﺮﺩﻩ ﺑﻴﺎﺭﻳـﺪ ﭘـﻴﺶﹺ ﻣـﺎ ﻳـﺎﺭﺍﻥ ﺑﻪﺯﻳﺮ ﺧﺎﮎ ﻓﺮﻭ ﺭﻓﺘﻪ ﺍﺳـﺖ ﮔـﻮﻫﺮﹺ ﻣـﺎ‬ ‫ﮐﺸﻨﺪ‪ ٢‬ﺳﺮ ﺯ ﺍﻓـﻖ ﻭﻗـﺖ‪ ‬ﺷـﺎﻡ ﺍﺧﺘﺮﻫـﺎ ﻫﺰﺍﺭ ﺣﻴﻒ ﮐـﻪ ﺑﻴـﺮﻭﻥ ﻧﻴﺎﻳـﺪ ﺍﺧﺘـﺮﹺ ﻣـﺎ‬ ‫ﭼﻨﻴﻦ ﻣﺼﻴﺒﺖ‪ ‬ﻋﻈﻤٰﻲ ﻧﻤـﻲﺗـﻮﺍﻥ ﺩﻳـﺪﻥ ﻣﮕـﺮ ﺑـﺮﺍﻱ ﻫﻤـﻴﻦ ﺯﺍﺩﻩ ﺑـﻮﺩ ﻣـﺎﺩﺭﹺ ﻣـﺎ‬ ‫ﺧﻮﺩﺵ ﺑﻪﺟﻨﹼﺖ ﻭ ﻣﺎ ﺭﺍ ﻧﺸﺎﻧﺪ ﺩﺭ ﺁﺗـﺶ ﮐﺴﻲ ﺑﻪﻣـﺎ ﻧﮑﻨـﺪ ﺁﻧﭽـﻪ ﮐـﺮﺩ ﺩﻟﺒـﺮﹺ ﻣـﺎ‬ ‫ﭼﻨﺎﻧﮑﻪ ﺭﻓﺖ ﺗﻨﺶ ﺩﺭ ﺷﮕﺎﻑ‪ ‬ﺧﺎﮎ ﻓﺮﻭ ﺑــﺮﻭﻥ ﻓﺘــﺎﺩ ﺩﻝﹺ ﺑﻴﻘــﺮﺍﺭ ﺍﺯ ﺑ‪‬ــﺮﹺ ﻣــﺎ‬ ‫ﭼﻪ ﻃﺎﻗﺖ ﺍﺳﺖ ﮐﻪ ﮐﻮﻩ ﮔﺮﺍﻥ ﺑﺠﺎ ﻣﺎﻧـﺪ ﺍﮔﺮ ﺭ‪‬ﻭ‪‬ﺩ ﺑﻪﺳﺮﺵ ﺁﻧﭽﻪ ﺭﻓﺖ ﺑ‪‬ﺮ ﺳـﺮﹺ ﻣـﺎ‬ ‫ﺯﻣﺎﻧﻪ ﺑﺲﮐﻪ ﮐﻤﺮ ﺑﺴﺖ ﺑـﺮﺧﻼﻑ ﻣ‪‬ـﺮﺍﺩ ﺑﻬـﻢ ﺭﺳـﺎﻧﺪ ﻣـﺬﺍﻕ ﺷـﺮﻧﮓ ﺷـﮑﹼﺮ ﻣـﺎ‬ ‫ﮐﺸـــﻴﺪ ﻧﺎﻟـــﺔ ﺗـــﺎﺭﻳﺦ ﺭﺣﻠـــﺘﺶ ﺁﺯﺍﺩ‬ ‫ﺳــﻮﻱ ﺍ‪‬ﻟٰــﻪ ﺳــﻔﺮ ﮐــﺮﺩ ﻧــﺎﺯﭘ‪‬ﺮﻭ‪‬ﺭﹺ ﻣــﺎ‬ ‫)‪ ۱۱۸۳‬ﻫ(‬ ‫»‪«۱۱۹‬‬ ‫ﻫﺮﮐﺴﻲ ﺭﺍ ﮔﻠﻪ ﺍﺯ ﺑﺎﺭﺵﹺ ﺳﻨﮓ ﺍﺳﺖ ﺍﻳﻨﺠـﺎ ﺷﻴﺸﺔ ﮐﻴﺴﺖ ﮐﻪ ﺧﺎﻟﻲ ﺯ ﺗﺮﻧﮓ ﺍﺳﺖ ﺍﻳﻨﺠﺎ‬ ‫ﻣــﻲﺭﺳــﺎﻧﻢ ﺧﺒــﺮ ﺍﺻــﻞ ﺗــﻮ ﺩﺍﻧــﻲ ﺩﻳﮕــﺮ ﺭﻭ ﺑﻪﺁﺋﻴﻨﻪ ﻣﮑـﻦ ﻗﻴـﺪ ﻓﺮﻧـﮓ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﭼﻤﻦ ﻋﺸﻖ ﺧﻮﺭﺩ ﺁﺏ ﺯ ﺳﺮ ﭼﺸﻤﺔ ﺧﻀـﺮ ﮔﻞ ﺍﻳﻤﻦ ﺯ ﺧﺰﺍﻥ ﺯﺧﻢ ﺧﺪﻧﮓ ﺍﺳﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻭﻗــﺖ ﺑﻴــﺰﺍﺭﻱ ﺩﻝ ﺗﻠــﺦ ﻧﻤﺎﻳــﺪ ﺷــﻴﺮﻳﻦ ﺩﺍﻧﺔ ﺧﺎﻝﹺ ﺑﺘـﺎﻥ ﺗﺨـﻢ ﺷـﺮﻧﮓ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﺩﺭ ﺳﻮﮒ ﺑﺮﺍﺩﺭﺵ ﮔﻔﺘﻪ ﺑﻮﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﮐﺸﺘﻨﺪ‪.‬‬

‫‪ // ١٨٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﮐــﻪ ﺗــﺮﺍ ﺩﻳــﺪ ﮐــﻪ ﺁﺗــﺶ ﺑــﻪﺩﻝ ﺍﻭ ﻧﻔﺘــﺎﺩ ﻣ‪‬ﻨﹼﺘـﻲ ﺑـﺮ ﺳـﺮ ﺁﺋﻴﻨـﻪ ﺯ ﺯﻧـﮓ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺭﺍﺣــﺖ‪ ‬ﻫﻨــﺪ ﻧﺒﺎﺷــﺪ ﺑــﻪﺯﻣــﻴﻦ ﺩﻳﮕــﺮ ﺧﻮﺍﺑﮕﺎﻩ ﮐﻪ ﻭ ﻣﻪ ﭘﺸﺖ‪ ‬ﭘﻠﻨﮓ‪ ١‬ﺍﺳﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻣﻲﺗﻮﺍﻥ ﮐـﺮﺩ ﺩﺭ ﺍﻳـﻦ ﻣﻌﺮﮐـﻪ ﺟـﻮﻻﻥ ﺁﺯﺍﺩ‬ ‫ﻣﺸﻨﻮ ﺣﺮﻑ‪ ‬ﻏﻠﻂ ﻗﺎﻓﻴﻪ ﺗﻨـﮓ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫»‪«۱۲۰‬‬ ‫ﺳﻔﻴﺪﻱ ﺧﻂ‪ ٢‬ﻟﺐ ﻋﻴﺐ ﻧﻴﺴـﺖ ﺩﻟﺒـﺮ ﺭﺍ ﮐﻪ ﺷـﻴﺮ ﺻـﺎﻑ ﮐﻨـﺪ ﺍﺯ ﻏﺒـﺎﺭ ﺷـﮑﺮ ﺭﺍ‬ ‫ﻣﮕـﻮ ﻣﺮﺑ‪‬ـﻲ ﻣـﻨﻌﻢ ﻧﻤـﻲﺷـﻮﺩ ﻣﺴـﮑﻴﻦ ﮐــﻪ ﺍﺳــﺒﻐﻮﻝ ﻧﮕﻬــﺪﺍﺭﺩ ﺁﺏ ﮔــﻮﻫﺮ ﺭﺍ‬ ‫ﻏﺒـﺎﺭ ﮐـﻴﻦ ﺯ ﺩﻝ ﺳـﺨﺖ ﺑ‪‬ﺮﻧﻤـﻲﺧﻴـﺰ ﺟــﺪﺍ ﺯ ﺁﺋﻴﻨــﻪ ﻧﺘــﻮﺍﻥ ﻧﻤــﻮﺩ ﺟــﻮﻫﺮ ﺭﺍ‬ ‫ﺑﺪﺍﻥ ﺯ ﺻﺤﺒﺖ ﻧﻴﮑﺎﻥ ﻋﺰﻳﺰ ﺧﻠﻖ ﺷـﻮﻧﺪ ﻗﺒـﻮﻝ ﻋـﺎﻡ ﺩﻫـﺪ ﻋﻄـﺮ ﺩﻭﺩ ﻣﺠﻤـﺮ ﺭﺍ‬ ‫ﺑﺘﻲ ﮐﻪ ﺧﺎﻧﺔ ﻣﻦ ﮐﺮﺩ ﺭﻭﺷﻦ ﻭ ﺧﻮﺷـﺒﻮ ﻧﺸـﺎﻧﺪ ﺩﺭ ﻋـﺮ ﹺﻕ ﺷـﺮﻡ ﺷـﻤﻊ ﻋﻨﺒــﺮ ﺭﺍ‬ ‫ﺧﺪﺍ ﭘﻨـﺎﻩ ﺩﻫـﺪ ﺍﺯ ﺟﻠـﻴﺲ ﺑ‪‬ـﺪ ﻣـﺬﻫﺐ ﺧـﺮﺍﺩ ﮐـﺮﺩ ﺍﺑﻮﺍﻟﻔﻀـﻞ‪ ،٣‬ﺷـﺎ‪‬ﻩ ﺍﮐﺒـﺮ‪ ٤‬ﺭﺍ‬ ‫ﺯ ﺩﺳﺖ‪ ‬ﺳﺎﻗﻲ ﺑ‪‬ﺪﻣ‪‬ﺴﺖ ﺧﻮﻥ ﺷﺪﻡ ﺁﺯﺍﺩ‬ ‫ﺷﮑﺴﺖ‪ ،‬ﻧﻮﺑﺖ‪ ‬ﻣﻦ ﭼﻮﻥ ﺭﺳﻴﺪ ﺳﺎﻏﺮ ﺭﺍ‬ ‫»‪«۱۲۱‬‬ ‫ﻧﻮﺑﻬـﺎﺭ ﺍﻗﺴــﺎﻡ ﺧﻠﻌــﺖ ﻣـﻲﺩﻫــﺪ ﻭﻳﺮﺍﻧــﻪ ﺭﺍ ﻟﻄﻒ ﺩﻳﮕﺮ ﺍﻳﻦ ﮐﻪ ﻋﺮﻳﺎﻥ ﻣـﻲﮐﻨـﺪ ﺩﻳﻮﺍﻧـﻪ ﺭﺍ‬ ‫ﻫﺮﮐﻪ ﺟﺎ ﺩﺭ ﺧﺎﻧـﺔ ﺧـﻮﺩ ﻣـﻲﺩﻫـﺪ ﺑﻴﮕﺎﻧـﻪ ﺭﺍ ﺑﺮ ﻋﻴ‪‬ﻮﺏ ﺧﻮﻳﺶ ﻭﺍﻗﻒ ﻣﻲﮐﻨﺪ ﻫـﻢ ﺧﺎﻧـﻪ ﺭﺍ‬ ‫ﺧﺎﺭﻫﺎ ﺑﺮ ﺷﺎﺥ ﺳـﻨﺒﻞ ﮔـﺮ ﺯﻧـﻲ ﺿـﺎﻳﻊ ﺷـﻮﺩ ﮐﻮﺗﻪ ﺍﺯ ﮔﻴﺴﻮﻱ ﻣﺸﮑﻴﻦ ﺳﺎﺯ ﺩﺳـﺖ ﺷـﺎﻧﻪ ﺭﺍ‬ ‫ﺗـﺎ ﻧﮑﻮﺷــﻲ ﺩﺭ ﺯﻳــﺎﻥ‪ ‬ﺧــﻮﺩ ﻧﻴــﺎﺑﻲ ﻣﻨﻔﻌــﺖ ﻣـﻲﻓﺸـﺎﻧﺪ ﺑـﺬﺭ ﮔـﺮ ﺩﺭ ﺧـﺎﮎ ﺍﻭ‪‬ﻝ ﺩﺍﻧـﻪ ﺭﺍ‬ ‫‪ .١‬ﭘﻠﻨﮓ ﺩﺭ ﻓﺎﺭﺳﻲ ﻣﻌﺮﻭﻑ ﻭ ﺩﺭ ﻫﻨﺪﻱ ﭼﺎﺭﭘﺎﺋﻲ )ﺑﺴﺘ ﹺﺮ ﺧﻮﺍﺏ( ﮔﻮﻳﻨﺪ ﺩﺭ ﻣﻌﻨﻲ ﺍ ‪‬ﻭﻝ ﮐﻨﺎﻳﺔ ﻣﺬﻣﺖ ﻭ ﺩﺭ ﻣﻌﻨﻲ ﺛﺎﻧﻲ‬ ‫ﻣﺪﺡ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٢‬ﻣﻮﺯﻭﻧﺎﻥ‪ ،‬ﺧﻂ ﺳﻔﻴﺪ ﺭﺍ ﺗﻌﺮﻳﻒ ﮐﺮﺩﻩﺍﻧﺪ ﻣﺴﻴﺢ ﮐﺎﺷﻲ ﮔﻮﻳﺪ‪:‬‬ ‫ﮔﺮ ﺳﻔﻴﺪﻱ ﺩﺭ ﺧﻂ ﻣﺸﮑﻴﻦ ﻳﺎﺭ ﺁﻣﺪ ﭼﻪ ﻏﻢ ﭘﻴﺸـﺘﺮ ﺩﺍﺭﺩ ﺑﻬـﺎ ﻫﺮﮐـﻪ ﺷـﻮﺩ ﻋﻨﺒـﺮ ﺳـﻔﻴﺪ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٣‬ﺷﻴﺦ ﺍﺑﻮﺍﻟﻔﻀﻞ ﻋﹼﻠﺎﻣﻲ ﺩﻫﻠﻮﻱ )‪ ۹۵۸-۱۰۱۱‬ﻫ‪ ۱۵۵۱-۱۶۰۲/‬ﻡ( ﭘﺴﺮ ﺷﻴﺦ ﻣﺒﺎﺭﮎ ﻧﺎﮔﻮﺭﻱ ﻭ ﺑﺮﺍﺩﺭ ﺷﻴﺦ ﺍﺑﻮﺍﻟﻔﻴﺾ‬ ‫ﻓﻴﻀﻲ ﺍﮐﺒﺮﺁﺑﺎﺩﻱ )‪ ٩٥٤-١٠٠٤‬ﻫ‪ ۱۵۴۷-۱۵۹۵/‬ﻡ( ﻭ ﻭﺯﻳﺮ ﺍﮐﺒﺮ ﺷﺎﻩ )‪ ۹۶۳-۱۰۱۴‬ﻫ‪ ۱۵۵۶-۱۶۰۵/‬ﻡ( ﻭ ﻣﺆﹼﻟﻒ‬ ‫»ﺁﺋﻴﻦ ﺍﮐﺒﺮﻱ« ﻭ »ﺍﮐﺒﺮﻧﺎﻣﻪ«‪.‬‬ ‫‪ .٤‬ﺟﻼﻝﺍﻟ ‪‬ﺪﻳﻦ ﻣﺤ ‪‬ﻤﺪ ﺍﮐﺒﺮ ﺷﺎﻩ )‪ ۹۴۹-۱۰۱۴‬ﻫ‪ ۱۵۴۲-۱۶۰۵/‬ﻡ(‪ ،‬ﺍﻣﭙﺮﺍﺗﻮﺭ ﺑﺰﺭﮒ ﻣﻐﻮﻝ ﺩﺭ ﻫﻨﺪ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٨٧ //‬‬ ‫ﻫﻮﺵ ﺩﺭ ﮐﺎﺭ ﺍﺳﺖ ﺗﺎ ﺟـﺎﻥ ﺭﺍ ﻧﮕﻬﺒـﺎﻧﻲ ﮐﻨـﺪ ﺩﺭ ﮐــﻒ ﺁﺗــﺶ ﺩﻫــﺪ ﺩﻳــﻮﺍﻧﮕﻲ ﭘﺮﻭﺍﻧــﻪ ﺭﺍ‬ ‫ﺩﺭ ﺯﻣﺎﻥ ﺳﺎﻗﻲ ﻣـﺎ ﺑـﺲﮐـﻪ ﻣﺴـﺘﻲ ﻋـﺎﻡ ﺷـﺪ ﻧــﺮﮔﺲ ﺍﻭ ﺩﻳــﺪﻩ ﺁﻫــﻮ ﻣــﻲﺯﻧــﺪ ﭘﻴﻤﺎﻧــﻪ ﺭﺍ‬ ‫ﻋﻨـﺪﻟﻴﺐ ﺁﺯﺍﺩ ﺧـﺎﻟﻲ ﺩﺳـﺖ ﮔـﻞ ﻣﺸـﺘﺎﻕ ﺯﺭ‬ ‫ﺍﺯ ﺧﻮﺩ ﺍﻳﻦ ﻣﺴﮑﻴﻦ ﭼﺴﺎﻥ ﺭﺍﺿﻲ ﮐﻨﺪ ﺟﺎﻧﺎﻧﻪ ﺭﺍ‬ ‫»‪«۱۲۲‬‬ ‫ﻫﻤﻴﺸـﻪ ﻣـﺮﮒ ﺑـﻮﺩ ﺩﺭ ﻧﻈـﺮ ﺷﮑﺴـﺘﻪ ﺩﻻﻥ ﺭﺍ ﮐﻪ ﮔﻞ ﺑﺨﺎﻃﺮ ﺧﻮﺩ ﻧﻘﺶ ﮐﺮﺩ ﺭﻧ ‪‬ﮓ ﺧﺰﺍﻥ‪ ١‬ﺭﺍ‬ ‫ﭼﺴﺎﻥ ﮐﺸﻢ ﺩﻝ ﺳﻨﮕﻴﻦ ﻳﺎﺭ ﺭﺍ ﺑﻪﺳـﻮﻱ ﺧـﻮﺩ ﮐــﻪ ﻧــﺎﺗﻮﺍﻥ ﻧﺘﻮﺍﻧــﺪ ﮐﺸــﻴﺪ ﺑــﺎﺭﹺ ﮔــﺮﺍﻥ ﺭﺍ‬ ‫ﭼﻨﺎﻧﮑــﻪ ﺭﺷــﺘﺔ ﺑﺎﺭﻳــﮏ ﺍﺯ ﮔﻬــﺮ ﮔﺬﺭﺍﻧﻨــﺪ ﺑﺘــﺎﻥ ﺯ ﺩﻝ ﮔﺬﺭﺍﻧﻴــﺪﻩﺍﻧــﺪ ﻣــﻮﻱ ﻣﻴــﺎﻥ ﺭﺍ‬ ‫ﻣﻴﺎﻧــﻪ ﺍﺳــﺖ ﺯ ﻫــﺮ ﭼﻴــﺰ ﺍﻧﺘﺨــﺎﺏ ﺑﺰﺭﮔــﺎﻥ ﮐـﻪ ﺁﻓﺘـﺎﺏ ﺯ ﻫﻔـﺖ ﺁﺳـﻤﺎﻥ ﮔﺰﻳـﺪ ﻣﻴـﺎﻥ ﺭﺍ‬ ‫ﺯ ﺑــﺰﻡ ﮐــﻢ ﻧﺸــﻤﺎﺭﻧﺪ ﺭﺯﻡ ﻣﻌﺮﮐــﻪﺟﻮﻳــﺎﻥ ﺩﻟﻴــﺮ ﻧﻐﻤــﻪ ﺷﻨﺎﺳــﺪ ﺻــﻔﻴﺮ ﺯﺍﻍ ﮔﻤــﺎﻥ ﺭﺍ‬ ‫ﺷـﺘﺎﺏ ﻣـﻲﺭﻭﺩ ﺍﺯ ﺩﺳـﺖ ﺍﻭﺝ ﺩﻭﻟـﺖ ﭘﻴـﺮﻱ ﮐﺠﺎﺳﺖ ﻓﺮﺻﺖ ﺻﺤﺒﺖ ﺑﻪﭘﻴﺮ ﺑﺨﺖ ﺟﻮﺍﻥ ﺭﺍ‬ ‫ﭼـــﺮﺍ ﻣﺤﺒ‪‬ـــﺖ ﺁﺯﺍﺩ ﺩﺭ ﺩﻝﹺ ﺗـــﻮ ﻧﺒﺎﺷـــﺪ‬ ‫ﺑــﻪﺍﻭ ﻋﻼﻗــﺔ ﻫﻤﻨــﺎﻣﻲ ﺍﺳــﺖ ﺳــﺮﻭﹺ ﺭ‪‬ﻭﺍﻥ ﺭﺍ‬ ‫»‪«۱۲۳‬‬ ‫ﺑﺲﮐﻪ ﺩﺍﺭﺩ ﺁﺳﻤﺎﻥ ﺑﺎ ﺭﻓﻌﺖ ﻣﻦ ﮐﻴﻨـﻪﻫـﺎ ﭼﻮﻥ ﻗﻠﻢ ﻫﻤﻮﺍﺭﻩ ﻣﻲﺁﻳﻢ ﻓﺮﻭ ﺍﺯ ﺯﻳﻨـﻪﻫـﺎ‬ ‫ﺑﻲﺗﻮ ﻫﻤﭽﻮﻥ ﺳﺒﺰ ﭘﻮﺷﺎﻥ‪ ‬ﻣﺤﺮ‪‬ﻡ ﻣﻲﺯﻧﻨـﺪ ﻧﻮﻧﻬـﺎﻻﻥ ﮔﻠﺴـﺘﺎﻥ ﺩﺳـﺘﻬﺎ ﺑـﺮ ﺳـﻴﻨﻪﻫـﺎ‬ ‫ﺣﺸﺮ ﻣﻲﮔﻮﻳﻨﺪ ﺩﺭ ﺁﺩﻳﻨـﻪ ﺑﺮﭘـﺎ ﻣـﻲﺷـﻮﺩ ﻳﺎﺩ ﺁﻥ ﺣﺎﻟﺖ ﺩﻫﻨـﺪ ﺍﻃﻔـﺎﻝ ﺩﺭ ﺁﺩﻳﻨـﻪﻫـﺎ‬ ‫ﺑﺮ ﺗﺠﻠﹼﻲﻫﺎﻱ ﺑﻲﺗﮑـﺮﺍﺭ ﭼﺸـﻤﻲ ﻭﺍ ﮐﻨﻴـﺪ ﺩﻭﺧﺘﻢ ﭘﺮ ﻣﺨﺘﻠﻒ ﺩﺭ ﺟﺎﻣﺔ ﺧﻮﺩ ﭘﻴﻨﻪﻫـﺎ‬ ‫ﺭﻭ ﻣﮑﻦ ﺁﻧﺠﺎ ﮐﻪ ﺩﺭ ﺩﺍﻡﹺ ﺑﻼ ﺧﻮﺍﻫﻲ ﻓﺘـﺎﺩ ﻧﻴﺴﺖ ﮐﻢ ﺍﺯ ﭼﺎ‪‬ﻩ ﻳﻮﺳﻒ ﭼﺸﻤﺔ ﺁﺋﻴﻨﻪﻫـﺎ‬ ‫ﺍﻳﻦﻗﺪﺭ ﺑﺎ ﺩﻭﺳﺘﺎﻥ ﺁﺯﺭﺩﮔﻴﻬﺎ ﺧﻮﺏ ﻧﻴﺴﺖ ﺩﺍﻣــﻦ ﺩﻝ ﺭﺍ ﺑﻴﻔﺸــﺎﻥ ﺍﺯ ﻏﺒــﺎﺭ ﮐﻴﻨــﻪﻫــﺎ‬ ‫ﺧﺎﻣﺔ ﺁﺯﺍﺩ ﻫﺮﭼﻨﺪ ﺁﺳـﺘﻴﻨﻲ ﺑـﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺭﻳﺨﺖ ﺩﺭ ﺩﺍﻣﺎﻥ ﮔﻮﺵ ﺳﺎﻣﻌﺎﻥ ﮔﻨﺠﻴﻨﻪﻫﺎ‬ ‫‪ .١‬ﺍﺯ ﺭﻧﮓ ﺧﺰﺍﻥ ﮐﻨﺎﻳﺔ ﺯﺭﺩﻱ ﮐﻪ ﺩﺭ ﮔﻞ ﺑﺎﺷﺪ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ(‬

‫‪ // ١٨٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۲۴‬‬ ‫ﺯ ﺟﻠﻮﺓ ﺗﻮ ﻋﺠﺐ ﺣﻴﺮﺕ ﺍﺳـﺖ ﺩﻳـﺪﻩﻭﺭﺍﻥ ﺭﺍ ﮐﻪ ﻣﻲﮐﺸـﺪ ﮐﻤـﺮ ﻧﺎﺯﮐـﺖ ﺩﻭ ﮐـﻮﻩ ﮔـﺮﺍﻥ ﺭﺍ‬ ‫ﺯ ﺑﺎﺭﮔــﺎﻩ ﻣﺸــﻮ ﺩﻭﺭ ﻭﺭﻧــﻪ ﻗــﺪﺭ ﺗــﻮ ﮐﺎﻫــﺪ ﮐﻪ ﭼﺸﻢ ﻣﻲﻧﮕﺮﺩ ﺍﺯ ﺑﻌﻴـﺪ ﺧـﻮﺭﺩ ﻭ ﮐـﻼﻥ ﺭﺍ‬ ‫ﮐــﻪ ﮔﻔــﺖ ﺑــﺎﺩﺓ ﻧــﻮ ﻧﺸــﺌﺔ ﺑﻠﻨــﺪ ﻧــﺪﺍﺭﺩ ﺍﺩﺍﻱ ﺗـﺎﺯﺓ ﭼﺸـﻢ ﺗـﻮ ﻣﺴـﺖ ﮐـﺮﺩ ﺟﻬـﺎﻥ ﺭﺍ‬ ‫ﭼﺮﺍ ﻧـﻪ ﺑﻴﺨﺒـﺮ ﺍﺯ ﻣﺨﻠﺼـﺎﻥ ﻧﮕـﺎﻩ ﺗـﻮ ﺑﺎﺷـﺪ ﻣﺪﺍﻡ ﻣﻲﮐﺸﺪ ﺍﻳﻦ ﻣـﻲﭘﺮﺳـﺖ ﺭﻃـﻞﮔـﺮﺍﻥ ﺭﺍ‬ ‫ﻭﺻـﺎﻝ ﺣﺴــﻦ ﺯ ﻋﺸــﻖ ﺍﻧﺘﻈــﺎﺭ ﺩﻭﺭ ﻧﺴــﺎﺯﺩ ﺑﺒــﻴﻦ ﺑــﻪﺩﺍﻣــﻦ ﮔﻠﺒــﺮﮒ ﺷــﺒﻨﻢﹺ ﻧﮕــﺮﺍﻥ ﺭﺍ‬ ‫ﺟﻤــﺎﻋﺘﻲ ﮐــﻪ ﺷﻨﺎﺳــﻨﺪ ﻗــﺪﺭ ﺭﻭﺯﻩ ﮔــﺮﻓﺘﻦ ﺷـﻨﺎﺧﺘﻨﺪ ﺷـﺐ ﻗـﺪﺭ ﻫـﺮ ﺷـﺐ ﺭﻣﻀـﺎﻥ ﺭﺍ‬ ‫ﭼــﻮ ﺧــﻂ ﺑــﺮﺁﻭﺭﻱ ﺁﺯﺍﺩ ﻋﺸــﻖ ﺭﺍ ﻧﮕــﺬﺍﺭﺩ‬ ‫ﭼﻪ ﺣﺎﺟﺖ ﺍﺳﺖ ﮐﻪ ﺧﻮﺍﻫﻲ ﺍﺯ ﺍﻳﻦ ﻏﻼﻡ ﺿـﻤﺎﻥ ﺭﺍ‬ ‫»‪«۱۲۵‬‬ ‫ﺁﻥ ﭘﺮﻱ ﺳﻴﻤﺎ ﺯﻳﺎﻥ ﺟﺎﻥ ﻭ ﺗﻦ ﺑﺎﺷـﺪ ﻣـﺮﺍ ﻳﻮﺳ ‪‬ﻒ ﻗﺘﹼﺎﻝ‪ ١‬ﺩﺭ ﻣ‪‬ﻠـﮏ‪ ‬ﺩﮐـﻦ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫ﻧﻴﺴﺘﻢ ﻧﺎﺩﺍﻥ ﮐﻪ ﺍﺯ ﮐﻮﻳﺖ ﺭﻭﻡ ﺟﺎﻱ ﺩﮔـﺮ ﺷﺎﻡ ﺍﻳﻨﺠﺎ ﺑﻬﺘﺮ ﺍﺯ ﺻﺒﺢ ﻭﻃـﻦ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫ﮔﺮ ﺗﻮ ﺧﻮﺩ ﺭﺍ ﺍﺯ ﻫﺠﻮﻡ ﺷﺮﻡ ﻧﻨﻤﺎﺋﻲ ﺑﻪﻣﻦ ﺳﺎﻳﻪﺍﺕ ﺁﻫﻮﻱ ﻣﺸﮑﻴﻦ ﺧـﺘﻦ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫ﻗﻄﻌﻪﺍﻱ ﺍﺯ ﮔﻠﺸﻦ ﻓﺮﺩﻭﺱ ﻳـﺎ ﺑﻬﺘـﺮ ﺍﺯ ﺍﻭ ﮔـﻞ ﺯﻣـﻴﻦ ﺳـﺎﻳﺔ ﺁﻥ ﻧـﺎﺭﻭﻥ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫ﺁﺭﺯﻭﻣﻨﺪ ﺟﻨـﻮﻥ ﺭﺍ ﻣﺴـﺖ ﺳـﺎﺯﺩ ﻧﺴـﺒﺘﻲ ﺷﻮﺭ ﺻﺪ ﺳﻮﺩﺍ ﺯ ﺗﺼﻮﻳﺮ ﭼﻤﻦ ﺑﺎﺷﺪ ﻣـﺮﺍ‬ ‫ﺷﺎﻩ ﻣﺴﻘﻂ ﻧﺎﻣﺔ ﺷﻮﻗﻲ ﺑﻨـﺎﻡ ﻣـﻦ ﻧﻮﺷـﺖ ﺗـﺎﺯﮔﻲ ﺍﺯ ﺑـﺎﺩ ﻣﺸـﮑﻴﻦﹺ ﻳ‪‬ﻤـﻦ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫ﻣﻲﮐﻨﻢ ﺁﺯﺍﺩ ﻣﻌﻨـﻲﻫـﺎﻱ ﺭﻧﮕـﻴﻦ ﺍﺧﺘـﺮﺍﻉ‬ ‫ﺩﺭ ﻧﻈـﺮ ﺳـﻴﻤﺎﻱ ﻳـﺎﺭ ﮔﻠﺒـﺪﻥ ﺑﺎﺷـﺪ ﻣـﺮﺍ‬ ‫»‪«۱۲۶‬‬ ‫ﺍﺯ ﺳﺮ‪ ٢‬ﺗﺮﺑـﺖ‪ ‬ﻣـﻦ ﻣـﻲﮔﺬﺭﻧـﺪ ﺁﻫﻮﻫـﺎ ﮐﻪ ﮐﻨﺪ ﻟﻄﻒ ﺍﺯ ﺍﻳﻦ ﻣﺸﮏ ﻓﺸﺎﻧﺎﻥ ﺑﻮﻫﺎ‬ ‫ﻳــﺎﺭ ﺩﺭ ﺟﻠــﻮﻩ ﺍﺩﺏ ﺍﺫﻥ ﺗﻤﺎﺷــﺎ ﻧﺪﻫــﺪ ﺳﺮ ﺍﻧﺪﻳﺸﻪ ﺩﺭ ﺍﻳﻨﺠﺎ ﮐﺮﺩ ﺯﺍﻧﻮﻫـﺎ )ﮐـﺬﺍ(‬ ‫ﻇﺎﻫﺮﹰﺍ ﻓﺎﺧﺘﻪﺍﻱ ﺳﻮﺧﺘﺔ ﺭﻓـﺖ ﺑـﻪﺧـﺎﮎ ﻭﺭﻧﻪ ﺷﻤﺸﺎﺩ ﭼـﺮﺍ ﮐـﺮﺩ ﭘﺮﻳﺸـﺎﻥ ﻣﻮﻫـﺎ‬ ‫‪ .١‬ﻧﺎﻡ ﺳ‪‬ﻴﺪ ﺭﺍﺟﻮ ﻗﺘﺎﻝ ﻣﺸﻬﻮﺭ ﭘﺪﺭ ﺳ‪‬ﻴﺪ ﻣﺤ ‪‬ﻤﺪ ﮔﻴﺴﻮﺩﺭﺍﺯ‪ ،‬ﻳﻮﺳﻒ ﺍﺳﺖ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺩﻭﺭ ﺍﺯ ﺗﺮﺑﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٨٩ //‬‬ ‫ﻣـﻲﮐﻨـﺪ ﺁﺗـﺶ ﺑﺴـﻴﺎﺭ ﮐﻤـﺎﻥ ﺭﺍ ﺿـﺎﻳﻊ ﻧﺎﺩﺭﺳﺖ ﺍﺳﺖ ﺯ ﺧﺸﻢ ﺗﻮ ﹶﺧـﻢﹺ ﺍﺑﺮﻭﻫـﺎ‬ ‫ﺧﺪﻣﺖ‪ ‬ﺳﺮﻭ ﺳﻬﻲ ﻓﺮﺽ ﺷﻨﺎﺳﺪ ﻗﻤﺮﻱ ﺁﺏ ﺍﺯ ﺩﻳﺪﺓ ﺧﻮﺩ ﮐـﺮﺩ ﺭﻭﺍﻥ ﺩﺭ ﺟﻮﻫـﺎ‬ ‫ﺁﺧﺮ‪ ١‬ﺍﺯ ﺟﻮﺭ ﺗﻮ ﺳﺮ ﺗﺎ ﺑﻪﻗﺪﻡ ﻣﻲﺳـﻮﺯﻡ ﺁﺗﺶ ﺗﺎﺯﻩﺍﻱ ﻫﺮ ﻟﺤﻈـﻪ ﺯﻧـﻲ ﺍﺯ ﺧﻮﻫـﺎ‬ ‫ﮔﻮﺷﻪﺍﻱ ﺩﺍﻣﻦ ﻭﺻﻞ ﺗﻮ ﻧﻴﺎﻣﺪ ﺩﺭ ﺩﺳﺖ‬ ‫ﮔﺸــﺖ ﺁﺯﺍﺩ ﺗــﻮ ﺍﺯ ﭘــﺎﻱ ﺗﻤﻨﹼــﺎ ﮐﻮﻫــﺎ‬ ‫»‪«۱۲۷‬‬ ‫ﺩﺭ ﺯﻳﺮ ﺧﺎﮎ ﮐﺮﺩﻧـﺪ ﺗﺤﺮﻳـﺮ ﺧﺎﻣـﺔ ﻣـﺎ ﺍﻳﻦ ﺍﺳﺖ ﭘﻴﺶ ﺧﻮﺑﺎﻥ ﺗﺮﺗﻴـﺐ ﻧﺎﻣـﺔ ﻣـﺎ‬ ‫ﺍﺯ ﮐﺎﺭﺳـﺎﺯ ﻋـﺎﻟﻢ ﺧـﻮﺍﻫﻴﻢ ﻧﻘـﺶﺑﻨـﺪﻱ ﮐﺰ ﺭﻭﻱ ﻟﻄﻒ ﺑﺎﻓﺪ ﻧﺎﻣـﺖ ﺑـﻪﺟﺎﻣـﺔ ﻣـﺎ‬ ‫ﺁﻳــﺪ ﺍﮔــﺮ ﻗﻴﺎﻣــﺖ ﭘــﺮﻭﺍﻱ ﺍﻭ ﮐــﻪ ﺩﺍﺭﺩ ﺭﻓﺘــﺎﺭ ﺳــﺮﻭ ﻗــﺪ‪‬ﻱ ﺑﺎﺷــﺪ ﻗﻴﺎﻣــﺔ ﻣــﺎ‬ ‫ﺟﻮﻳﻨــﺪ ﺩﺭ ﺑﻴﺎﺑــﺎﻥ ﺁﺛــﺎﺭ ﻣــﺎ ﺷــﻬﻴﺪﺍﻥ ﺧﺎﮐﻲ ﮐﻪ ﻋﺸـﻖ ﺩﺍﺭﺩ ﺑﺎﺷـﺪ ﻋﻠﹼﺎﻣـﺔ ﻣـﺎ‬ ‫ﺑﺎ ﮔﻞ ﺍﮔﺮ ﺷـﺒﻴﻬﻲ ﻣـﺎ ﺩﺭ ﻏﻠـﻂ ﻧﻴﻔﺘـﻴﻢ ﺣﻘﹼﺎ ﮐﻪ ﻣﻲﺷﻨﺎﺳـﺪ ﺑـﻮﻱ ﺗـﻮ ﺷـﺎﻣﺔ ﻣـﺎ‬ ‫ﻫﺮﭼﻨﺪ ﮐﺎﺭ ﺧﻮﺑﻲ ﭘﻴﺮﺍﻧـﻪ ﺳـﺮ ﻧﮑـﺮﺩﻳﻢ ﺷــﻮﻳﺪ ﺳــﻴﺎﻫﻲ ﺩﻝ ﺍﺷــﮏ ﻧﺪﺍﻣــﺔ ﻣــﺎ‬ ‫ﻧﺎﺻـﺢ ﺯ ﻋﺸـﻖﹺ ﺧﻮﺑـﺎﻥ ﺁﺯﺍﺩ ﺑﺮﻧﮕـﺮﺩﺩ‬ ‫ﺩﻳﮕـﺮ ﻣﻴــﺎﺭ ﺑـﺮ ﺭﻭ ﺣــﺮﻑ ﻣﻼﻣـﺔ ﻣــﺎ‬ ‫»‪«۱۲۸‬‬ ‫ﺧﻮﺷــﺎﻣﺪ ﺑﺮﻧﮕﺮﺩﺍﻧــﺪ ﻣــﺰﺍﺝ ﻗــﺎﻳﻢ ﻣــﺎ ﺭﺍ ﮐﻲ ﻣﻲﮔﻮﻳﺪ ﺷﮑﺮ ﺷﻴﺮﻳﻦ ﺗﻮﺍﻧﺪ ﮐﺮﺩ ﺩﺭﻳـﺎ ﺭﺍ‬ ‫ﻧﻤﻲﺩﺍﻧﻢ ﮐﺠﺎ ﺧﻮﺍﻫﺪ ﮐﺸﻴﺪﻥ ﺣـﺎﻝ ﺑﻴﻤـﺎﺭﺍﻥ ﮐﻪ ﺑ‪‬ﺮﺩﻧﺪ ﺍﺯ ﺯﻣﻴﻦ ﺑـﺮ ﻋـﺎﻟﻢ ﺑـﺎﻻ ﻣﺴـﻴﺤﺎ ﺭﺍ‬ ‫ﺳﺮﺕ ﮐﺮﺩﻡ ﺯ ﺭﻭﻱ ﻟﻄﻒ ﺑﺎ ﻣﻦ ﻭﻋﺪﻩﻫﺎ ﮐﺮﺩﻱ ﭼــﻪ ﺑﺎﺷــﺪ ﮔــﺮ ﺩﻫــﻲ ﺍﻧﻌﺎﻣــﺎ ‪‬ﺕ ﻓــﺮﺩﺍ ﺭﺍ‬ ‫ﻋﻨﺎﻳﺎﺗﻲ ﮐﻪ ﺩﺭ ﺁﻏـﺎﺯ ﺑـﻮﺩ ﺍﮐﻨـﻮﻥ ﻧﻤـﻲﺑﻴـﻨﻢ ﭼﻪ ﺑﺪﮔﻮﻳﺎﻥ ﺭﺳـﺎﻧﻴﺪﻧﺪ ﺍﺯ ﻣـﻦ ﻳـﺎﺭ ﺭﻋﻨـﺎ ﺭﺍ‬ ‫ﺩﻫﺪ ﻋﺸﺎﻕ ﺭﺍ ﮐﺎﺷﺎﻧﺔ ﻣﻌﺸﻮﻕ ﻫـﻢ ﺗﺴـﮑﻴﻦ ﺯﻳﺎﺭﺕ ﻣـﻲﮐﻨـﺪ ﭘﺮﻭﺍﻧـﺔ ﻣـﺎ ﺳـﻨﮓ‪ ‬ﺧـﺎﺭﺍ ﺭﺍ‬ ‫ﺩﻣـﺎﻍ ﻧـﺎﺯﮐﻢ ﺳـﻴﺮ ﮔﻠﺴـﺘﺎﻥ ﺑ‪‬ـﺮ ﻧﻤـﻲﺗﺎﺑـﺪ ﺑﻪﻳﺎﺩ ﺭﻭﻳﺖ ﺍﻳﻨﺠـﺎ ﺭﻳﺨـﺘﻢ ﺭﻧـﮓ‪ ‬ﺗﻤﺎﺷـﺎ ﺭﺍ‬ ‫ﺗﻤــﺎﻡ ﻋﻤــﺮ ﺩﻟــﺪﺍﺭﻱ ﺑــﻮﺩ ﺁﺯﺍﺩ ﭘﺮﻣﺸــﮑﻞ‬ ‫ﮐﺴﻲ ﺗﺎ ﮐﻲ ﻧﮕﻬﺪﺍﺭﻱ ﮐﻨﺪ ﺩﺭ ﺩﺳﺖ ﻣﻴﻨـﺎ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﺑﻴﺖ ﺭﺍ ﻧﺪﺍﺭﺩ‪.‬‬

‫‪ // ١٩٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۲۹‬‬ ‫ﺩﺭﻭﻥ ﺧﻢﻧﺸﻴﻦ ﺍﻣ‪‬ﺎ ﻣﭽـﺶ ﺻـﻬﺒﺎﻱ ﮔﻠﮕـﻮﻥ ﺭﺍ ﻓﻼﻃــﻮﻧﻲ ﺍﮔــﺮ ﺧــﻮﺍﻫﻲ ﺑــﺮﻭ ﺭﺍﻩ ﻓﻼﻃــﻮﻥ ﺭﺍ‬ ‫ﺍﻣﻴـﺪ ﺳـﺎﻳﻪ ﻣﻔـﺖ ﺍﺯ ﻳـﺎﺭ ﺑـﻲﭘـﺮﻭﺍ ﻧﻤـﻲﺩﺍﺭﻡ ﮐﻪ ﭘﺮﻭﺭﺩﻡ ﺯ ﺁﺏﹺ ﭼﺸﻢﹺ ﺧﻮﺩ ﺁﻥ ﺳﺮﻭﹺ ﻣﻮﺯﻭﻥ ﺭﺍ‬ ‫ﺑـﺮﺍﻱ ﺻـﺤﺒﺖ ﻣﺠﻨـﻮﻥ‪ ‬ﻣـﺎ ﻫﻤـﺪﺭﺩ ﻣـﻲﺑﺎﻳـﺪ ﻏﻨﻴﻤﺖ ﻣـﻲﺷـﻤﺎﺭﺩ ﺩﺭ ﺑﻴﺎﺑـﺎﻥ ﺑﻴـﺪ‪ ‬ﻣﺠﻨـﻮﻥ ﺭﺍ‬ ‫ﻫـﻼﻝ ﻋﻴـﺪ ﻗﺮﺑـﺎﻥ ﺩﻳـﺪﻩ ﻣـﻲﺑﻴﻨﻨـﺪ ﺩﺧﺘـﺮ ﺭﺍ ﺑـﻪﺭﻭﻱ ﺩﺧﺘـﺮ ﺭﺯ ﺩﻳـﺪﻡ ﺍﻳـﻦ ﻣـﺎﻩ ﻫﻤـﺎﻳﻮﻥ ﺭﺍ‬ ‫ﭼﺮﺍ ﺍﻳﻦ ﻣﺸﺖ‪ ‬ﺯﺭ ﺭﺍ ﻏﻨﭽﻪ ﺑﺮ ﺑﻠﺒﻞ ﻧﻤـﻲﭘﺎﺷـﺪ ﻣﮕﺮ ﻧﺸـﻨﻴﺪ ﺍﻧﺠـﺎﻣﻲ ﮐـﻪ ﺁﻣـﺪ ﭘـﻴﺶ ﻗـﺎﺭﻭﻥ ﺭﺍ‬ ‫ﻧﺒﺎﺷﺪ ﺍﺧﺘﻼﻁ ﺷﻬﺮﻳﺎﻥ ﺟـﺰ ﺧـﻮﻥ‪ ‬ﺩﻝ ﺧـﻮﺭﺩﻥ ﺳـﻌﺎﺩﺕﻣﻨـﺪ ﮔﻴـﺮﺩ ﮔﻮﺷـﺔ ﺩﺍﻣـﺎﻥ ﻫـﺎﻣﻮﻥ ﺭﺍ‬ ‫ﺗﻮ ﺍﻱ ﺳﺎﻗﻲ ﺩﻭ ﺻﺪ ﻣﻴﻨﺎﻱ ﻣﻲ ﺩﺭ ﻃﺎﻕﻫﺎ ﭼﻴﺪﻱ‬ ‫ﺗﻮﺍﻧﻲ ﺷـﺎﺩ ﮐـﺮﺩ ﺍﺯ ﺟﺮﻋـﻪﺍﻱ ﺁﺯﺍﺩ ﻣﺤـﺰﻭﻥ ﺭﺍ‬ ‫»‪«۱۳۰‬‬ ‫ﮐﻪ ﻧﻤﻮﺩ ﭘﻴﺶ ﺗﻮ ﺍﻟﺘﺠﺎ ﮐﻪ ﺑﻪﺑﺎﻍ ﺳﺮ ﻭ ﺳﻤﻦ ﺩﺭﺁ ﺩﻝ ﻣﻦ ﺑﻬﺸﺖ ﺩﮔﺮ ﺑﻮ‪‬ﺩ ﺩﺭﹺ ﺍﻭ ﮔﺸﺎ ﺑﻪﭼﻤﻦ ﺩﺭﺁ‬ ‫ﻣﮋﺓ‪ ١‬ﺗﻮ ﺧﻮﻥ ﺟﮕﺮ ﻓﺸﺎﻥ ﭘﻲ ﻭﺻﻞ ﺁﻫﻮﻱ ﺩﻟﺴﺘﺎﻥ ﻧﺮﺳﻲ ﻧﺸﺴﺘﻪ ﺑﻪﮐﺎﻡ ﺟﺎﻥ ﺯ ﻭﻃﻦ ﺑﺮﺁ ﺑﻪﺧﺘﻦ ﺩﺭﺁ‬ ‫ﻣﺸﮑﻦ ﺑﮕﻮﺷﺔ ﺧﺎﻧـﻪ ﭘـﺎ ﺑﺸـﻨﻮ ﻧﺼـﻴﺤﺖ ﺁﺷـﻨﺎ ﮐﻪ ﺍﮔﺮ ﻋﻘﻴﻖ ﮔﺮﺍﻥﺑﻬﺎ ﻃﻠﺒﺪ ﺩﻟـﺖ ﺑـﻪﻳﻤـﻦ ﺩﺭﺁ‬ ‫ﺩﻡ ﻭﺻﻞ ﻋﺸﻮﻩﮔﺮﺍﻱ ﺧﻮﺩ ﻣﮕﺬﺭ ﺯ ﻃﻮﺭ ﻭﻓﺎﻱ ﺧﻮﺩ ﻣﻨﮕﺮ ﺑﻠﻨـﺪﻱ ﺟـﺎﻱ ﺧـﻮﺩ ﮐـﻼﻩ ﺍﻭ ﺑﺸـﮑﻦ ﺩﺭﺁ‬ ‫ﭼﻪ ﺧﻄﺮ ﺯ ﭘﻴﺮﻱ ﺗﻠﺦ ﺭﻭ ﮐﻪ ﺗﺮﺍ ﺳﻠﻴﻘﻪ ﺑﻮﺩ ﻧﮑﻮ ﺑﻪﻣﺰﺍﺝ ﺁﻥ ﺑ‪‬ﺖ‪ ‬ﺗﻨﺪﺧﻮ ﭼﻮ ﻣﻲ ﮐﻪ ﮔﺸﺘﻪ ﮐﻬـﻦ ﺩﺭﺁ‬ ‫ﻣﻔﺸﺎﺭ ﭘﺎ ﺑﻪﻋﺘﺎﺏﹺ ﺧﻮﺩ ﺑﻪﺩﺭﺁ ﺯ ﹸﮐﻨﺞ ﺣﺠﺎﺏﹺ ﺧـﻮﺩ ﺯ ﺑﺮﺍﻱ ﮐﺴ ﹺﺐ ﺛﻮﺍﺏﹺ ﺧﻮﺩ ﺑﻪﺣﺮﻳﻢ ﻣﺸﻬﺪ‪ ‬ﻣﻦ ﺩﺭﺁ‬ ‫ﻧﮑﺸﺪ ﺗﺨﻠﹼﺺ ﺭﺳﺘﻪ‪ ٢‬ﺭﺍ ﺑﻪﺷﮑﻨﺠﻪ ﺗﻨﮕﻲ ﺍﻳﻦ ﻏﺰﻝ‬ ‫ﺗﻮ ﺑﺮﺍﻱ ﮔﻮﻫﺮ ﺗﻪﻧﺸﻴﻦ ﻧﻔﺴﻲ ﺑﻪﺑﺤﺮﹺ ﺳـﺨﻦ ﺩﺭﺁ‬ ‫»‪«۱۳۱‬‬ ‫ﺻـﺎﺣﺐ ﻣﻌﻨـﻲ ﺑﺒﻴﻨـﺪ ﺩﺭ ﺟﻬـﺎﻥ ﺁﺷـﻮﺏ ﺭﺍ ﻗﻄـﻊ ﻣـﻲﺳـﺎﺯﻧﺪ ﻧـﺎﺣﻖ ﮔﻮﺷـﺔ ﻣﮑﺘـﻮﺏ ﺭﺍ‬ ‫ﺻﺮﻑ ﮐﺮﺩﻡ ﻋﻤﺮ ﺭﺍ ﺩﺭ ﺳﻴﺮ ﺩﺭﻳـﺎﻱ ﺟﻬـﺎﻥ ﺭﺍﺳﺖ ﻣـﻲﮔـﻮﻳﻢ ﻧﺪﻳـﺪﻡ ﺁﺷـﻨﺎﻱ ﺧـﻮﺏ ﺭﺍ‬ ‫ﻏﻨﭽـﻪ ﺭﺍ ﺭﻧـﮓ ﺗﺒﺴ‪‬ـﻢ ﻣـﻲﺩﻫـﺪ ﺑـﺎﺩ‪ ‬ﺻـﺒﺎ ﮐـﺮﺩ ﻭﺍ ﺁﺧـﺮ ﺧﻮﺷـﺎﻣﺪ ﺩﻟﺒـﺮ ﻣﺤﺠـﻮﺏ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻣﮋﺩﺓ‪.‬‬ ‫‪ .٢‬ﻣﺮﺍﺩﻑ ﺁﺯﺍﺩ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٩١ //‬‬ ‫ﺩﺍﺩ ﺟﻨــﺒﺶ ﺷــﻌﻠﻪ ﺭﺍ ﺑــﺎﺩ ﭘ‪‬ــﺮ ﭘﺮﻭﺍﻧــﻪﺍﻱ ﻧﻴﺴﺖ ﻋﺎﺷﻖ ﺁﻧﮑﻪ ﺁﺯﺍﺩﻱ ﺩﻫـﺪ ﻣﺤﺒـﻮﺏ ﺭﺍ‬ ‫ﭘﻴﺶ ﺑﺮﮔﺮﺩﻳﺪﻩ ﻣﮋﮔﺎﻥ ﺗﻮ ﺧﺎﻝ ﻋﺎﺭﺿﻲ ﺍﺳﺖ ﻳـﺎ ﺳـﭙﺮ ﺍﻓﺘـﺎﺩ ﺩﺭ ﻣﻴـﺪﺍﻥ‪ ‬ﺻـﻒ ﻣﻐﻠـﻮﺏ ﺭﺍ‬ ‫ﮔﻮﺷﺔ ﭼﺸﻤﻲ ﺑﻪﺳﻮﻱ ﺩﻳﮕﺮﺍﻥ‪ ،‬ﺭﻭ ﺳﻮﻱ ﻣﻦ ﺑﻨﺪﻩﭘ‪‬ﺮﻭﺭ ﻣﻲﺷﻨﺎﺳﻢ ﺧـﻮﺏ ﺍﻳـﻦ ﺍﺳـﻠﻮﺏ ﺭﺍ‬ ‫ﮔـﺮ ﻧﻤـﻲﺩﺍﻧـﻲ ﻣـﺮﺍ ﺷﺎﻳﺴـﺘﺔ ﺩﺭﮔـﺎﻩ‪ ‬ﺧـﻮﺩ‬ ‫ﺻــﺎﺣﺒﺎ ﺁﺯﺍﺩ ﮐــﻦ ﺍﻳــﻦ ﺑﻨــﺪﺓ ﻣﻌﻴــﻮﺏ ﺭﺍ‬ ‫»‪«۱۳۲‬‬ ‫ﻧﻪ ﺗﻨﻬﺎ ﺧﺴـﺘﻪﺍﻡ ﺍﺯ ﻧـﺎﻭﮎ ﺑﺮﮔﺸـﺘﻪ ﺩﻳـﺪﻥﻫـﺎ ﮐﻪ ﺩﻝ ﻫﻢ ﭼﺸﻢ ﺑﺎﺩﺍﻡ ﺍﺳﺖ ﺍﺯ ﻣﮋﮔﺎﻥ ﺧﻠﻴﺪﻥﻫﺎ‬ ‫ﺧـﺪﺍﺭﺍ ﺑﺎﻏﺒـﺎﻥ ﺑﻴـﺮﻭﻥ ﻣﮑـﻦ ﺍﺯ ﺑـﺎﻍ ﺑﻠﺒـﻞ ﺭﺍ ﻧﺪﺍﺭﺩ ﺍﺯ ﺍﺩﺏ‪ ١‬ﺩﺭ ﭘﻴﺶ ﮔـﻞ ﺗـﺎﺏﹺ ﭘﺮﻳـﺪﻥﻫـﺎ‬ ‫ﺑﻪﮔﻠﺸﻦ ﺭﻓﺖ ﻭ ﻣﺎﻟﺶ ﺩﺍﺩ ﺑﺮﮒ ﻻﻟﻪ ﺭﺍ ﻧﺎﺣﻖ ﻧﻤﻲﺩﺍﻧﺪ ﻫﻨﻮﺯ ﺍﺯ ﺭﻧﮓ ﻃﻔﻠﻲ ﻻﻟـﻪ ﭼﻴـﺪﻥﻫـﺎ‬ ‫ﺑﻠﻨﺪﻱﻫـﺎ ﺑـﻮﺩ ﺩﺭ ﺑـﺎﻍ ﺩﻧﻴـﺎ ﻗﺴـﻤﺖ ﺧﺎﻣـﺎﻥ ﺑﻪﺭﻭﻱ ﺧـﺎﮎ ﺍﻓﺘـﺪ ﻣﻴـﻮﻩ ﻫﻨﮕـﺎﻡ ﺭﺳـﻴﺪﻥﻫـﺎ‬ ‫ﺑﻪﻇﺎﻫﺮ ﻭﺣﺸﺖ ﺍﺯ ﺩﻧﻴﺎ ﻭ ﺩﺭ ﺑﺎﻃﻦ ﻫﻤﺎﻥ ﺍﻟﻔﺖ ﻧﻪﺍﻱ ﭼﻮﻥ ﺁﻫﻮﻱ ﺗﺼﻮﻳﺮ ﺟﺰ ﺷﮑﻞﹺ ﺭﻣﻴﺪﻥﻫـﺎ‬ ‫ﺗﻼﺵ ﺍﻭﺝ‪ ٢‬ﺍﺯ ﭘﺴﺘﻲ ﻧﺸﻴﻦ ﮐـﺎﺭﹺ ﻏﻠـﻂ ﺑﺎﺷـﺪ ﮐﻪ ﺍﻓﺘـﺪ ﺳـﺮﻧﮕﻮﻥ ﻓـﻮ‪‬ﺍﺭﻩ ﺍﺯ ﺑـﺎﻻ ﺩﻭﻳـﺪﻥﻫـﺎ‬ ‫ﺩﻝ ﺁﺯﺍﺩ ﺭﺍ ﻣﺸـﮑﻦ ﭼــﺮﺍ ﺩﺭ ﺭﻧـﺞ ﻣــﻲﹸﺍﻓﺘــﻲ‬ ‫ﮐﻪ ﺁﺧﺮ ﺑﮑﺸﻨﺪ ﻃﻮﺭﻱ ﮐﻪ ﺧﻮﺍﻫﻲ ﺍﺯ ﻃﭙﻴﺪﻥﻫﺎ‬ ‫»‪«۱۳۳‬‬ ‫ﺩﺭ ﺍﻳﻦ ﭼﻤﻦ ﮔﻞ ﻓﺼﻠﻲ ﺍﺳﺖ ﺩﻭﻟﺖ‪ ‬ﺍﹸﻣﺮﺍ ﮔـﻞﹺ ﻫﻤﻴﺸـﻪ ﺑﻬـﺎﺭ ﺍﺳـﺖ ﺩﻭﻟـﺖ‪ ‬ﻓﻘــﺮﺍ‬ ‫ﺻﺒﺎ ﺍﺳﺖ ﺩﺷﻤﻦ ﭘﺮﻭﺍﻧﻪ ﺩﻭﺳﺖ ﺑـﺎ ﺑﻠﺒـﻞ ﺍﺯ ﺁﻥ ﭼﻪ ﺩﻳﺪ ﻋﺪﺍﻭﺕ ﺍﺯ ﺍﻳﻦ ﭼﻪ ﺩﻳﺪ ﻭﹺﻻ‬ ‫ﻏﺮﻳﺐ ﺭﻧﮓ ﻧـﻮﺍﺯﺵ ﺯ ﻳـﺎﺭﹺ ﺧـﻮﺩ ﺩﻳـﺪﻡ ﮐﻪ ﺳﻮﻱ ﻏﻤﮑﺪﺓ ﻣـﻦ ﺭﺳـﻴﺪ ﭘـﺎ ﺑـﻪﺣﻨـﺎ‬ ‫ﺳــﻴﺎﻩ ﻣﺴـــﺘﻲ ﻣﮋﮔــﺎﻥ‪ ‬ﻳـــﺎﺭ ﺭﺍ ﻧـــﺎﺯﻡ ﺭﻫــﺎ ﻧﮑــﺮﺩ ﺩ‪‬ﻣــﻲ ﺁﺳــﺘﺎﻥ‪ ‬ﻣﻴﮑــﺪﻩ ﺭﺍ‬ ‫ﺑﻪﻭﻗﺖ ﺧﻮﻳﺶ ﺗﻬﻲ ﻣﻐﺰ ﻫـﻢ ﺑﮑـﺎﺭ ﺁﻳـﺪ ﮐﻪ ﺩﻭﺯ ﺗﺨﺖ ﺷﻬﻲ ﺑﻬﺘﺮ ﺍﺳﺖ ﻭﻗﺖ ﺷـﻨﺎ‬ ‫ﺟﻮﺍﺏﹺ ﻧﻴﮏ ﻧﹺﮑـﻮ ﺭﺍ ﺩﻫﻨـﺪ ﻭ ﺑ‪‬ـﺪ‪ ،‬ﺑ‪‬ـﺪ ﺭﺍ ﮐﻨﻨﺪ ﺭﺍﺳﺖ ﻣﺰﺍﺟﺎﻥ ﭼـﻮ ﮐـﻮﻩ ﺣـﺮﻑ ﺍﺩﺍ‬ ‫ﭼﻪ ﻣﻲﮐﻨﻲ ﻃﻠﺐ ﺳـﻴﻢ ﻭ ﮔـﻮﻫﺮ ﺍﺯ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﺭﻭﻱ ﺩﻭﺳﺖ ﻧـﺪﺍﺭﺩ ﺑﺠـﺰ ﻣﺘـﺎﻉ ﺩﻋـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺍﺩﺏ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪» :‬ﺍﻭﺝ« ﻧﺪﺍﺭﺩ‪.‬‬

‫‪ // ١٩٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۳۴‬‬ ‫ﺩﺭ ﺗﻤﺎﺷﺎ ﮔـﺎﻩ ﺳـﺮﻭ ﻭ ﻻﻟـﻪ ﻭ ﺳـﻮﺭﻱ ﺩﺭﺁ ﺑﺎﻏﺒــﺎﻥ ﮔــﺮ ﺩﺭ ﺑﺒﻨــﺪﺩ ﺍﺯ ﺭﻩ‪ ‬ﻣــﻮﺭﻱ‪ ١‬ﺩﺭﺁ‬ ‫ﻭﺍﻡ ﮐــﻦ ﺭﻓﺘــﺎﺭ ﻫﻤ‪‬ــﺖ ﺍﺯ ﻧﺴــﻴﻢﹺ ﻧــﺎﺗﻮﺍﻥ ﭘﺎﻱ ﮐﻮﺑﺎﻥ ﺩﺭ ﭼﻤﻦ ﺑﺎ ﻭﺻ ‪‬ﻒ ﺭﻧﺠﻮﺭﻱ ﺩﺭﺁ‬ ‫ﻗﻠﻘﻞ ﺻﻬﺒﺎﻱ ﺁﺗﺶ ﺭﻧﮓ ﺍﺯ ﻣﻴﻨﺎ ﺧﻮﺵ ﺍﺳﺖ ﺩﺭ ﻣﻴﺴـﺘﺎﻥ ﺍﺯ ﭘـﻲ ﮔﻔﺘـﺎﺭ ﺍﻳـﻦ ﻧـﻮﺭﻱ ﺩﺭﺁ‬ ‫ﮔﺮ ﮐﺸﺎﻳﺪ ﺑﺮ ﺗـﻮ ﺭﺍﻩ ﭼﺸـﻤﺔ ﺣﻴـﻮﺍﻥ ﻣ‪‬ـﺮﻭ ﺩﺭ ﺧﺮﺍﺑــﺎﺕ ﺍﺯ ﺑــﺮﺍﻱ ﺁﺏ ﺍﻧﮕــﻮﺭﻱ ﺩﺭﺁ‬ ‫ﻭﻗﺖ ﺟﻮﺵ ﻻﻟﻪ ﻣﻲ ﺩﺭ ﺍﻧﺠﻤﻦ ﻻﺟﺮﻋﻪ ﺯﻥ ﭼﻮﻥ ﺧﺰﺍﻥ ﺁﻳﺪ ﺑﻪﺧﻠﻮﺕﮔـﺎﻩ ﻣﺴـﺘﻮﺭﻱ ﺩﺭﺁ‬ ‫ﺑﻲﺍﺟﺎﺯﺕ ﮔﺮ ﻧﻤﻲﺧﻮﺍﻫﻲ ﮐﻪ ﺁﺋﻲ ﺩﺭ ﭼﻤﻦ ﺩﺍﺩ ﺭﺧﺼﺖ ﺑﺎﻏﺒﺎﻥ ﺍﮐﻨﻮﻥ ﺑـﻪﺩﺳـﺘﻮﺭﻱ ﺩﺭﺁ‬ ‫ﺟـﺰ ﺩﺭ ﻣﻴﺨﺎﻧـﻪ ﮐـﻮ ﺁﺯﺍﺩ ﭘﻴـﺮﻱ ﺭﺍ ﻋـﻼﺝ‬ ‫ﺩﺭ ﭼﻨــﻴﻦ ﺩﺍﺭﺍﻟﺸــﻔﺎ ﻫﻨﮕــﺎﻡ ﻣﻌــﺬﻭﺭﻱ ﺩﺭﺁ‬ ‫»‪«۱۳۵‬‬ ‫ﻫﺮﭼﻨـﺪ ﺗـﺐ ﮔﺮﻓـﺖ ﻣـﺰﺍﺝ ﺣﺒﻴـﺐ ﺭﺍ ﺍﺯ ﺷـﺮﻡ ﻧـﺒﺾ ﺧـﻮﺩ ﻧﻨﻤﺎﻳـﺪ ﻃﺒﻴـﺐ ﺭﺍ‬ ‫ﺗﺎ ﻳﮏ ﻧﻔﺲ ﺑﻪﺑـﺎﻍ ﺗﻤﺎﺷـﺎﻱ ﮔـﻞ ﮐﻨـﺪ ﺑــﻲﭘﻴــﺮﻫﻦ ﺑﺒــﺮ ﻗﻔــﺲ ﻋﻨــﺪﻟﻴﺐ ﺭﺍ‬ ‫ﻃﻔﻠﻲ ﻋ‪‬ﻨﺎﻥ ﻣﺮﮐﺐ ﻧﻲ ﺑﺴﺖ ﻫﺮ ﺩﻭ ﺳـﻮ ﺗﺎ ﺩﺭ ﻓﻠﮏ ﮐﺸﺪ‪ ٢‬ﻋﻮﺽ ﺧﻮﺩ ﺍﺩﻳـﺐ ﺭﺍ‬ ‫ﻧﻨﺸﺴـﺖ ﻧﻮﺟـﻮﺍﻥ ﺧﻄﻴﺒـﻲ ﺑﺠـﺰ ﺩ‪‬ﻣـﻲ ﻓﺮﻣﻮﺩ ﺟﻠﺴـﻪ ﺑـﻴﺶ ﻧﺒﺎﺷـﺪ ﺧﻄﻴـﺐ ﺭﺍ‬ ‫ﻫﺮ ﺩﻡ ﺯ ﭼﺸﻤﺔ ﻟﺐ ﺍﻭ ﺁﺏ‪ ٣‬ﻣـﻲﺧـﻮﺭﺩ ﺑﺎﻟﻴﺪﮔﻲ ﺑﺠﺎﺳﺖ ﺧﻂ ﺧﻮﺵ ﻧﺼـﻴﺐ ﺭﺍ‬ ‫‪ .١‬ﻣﻮﺭﻱ‪ :‬ﺭﻩ ﮔﺬ ﹺﺭ ﺁﺏ‪.‬‬ ‫‪ .٢‬ﺩﺭ ﻓﻠﮏ ﮐﺸﻴﺪﻥ ﻧﻮﻋﻲ ﺍﺯ ﺗﺄﺩﻳﺐ ﺍﻃﻔﺎﻝ ﮐﻪ ﻣﻌﹼﻠﻤﺎﻥ ﮐﻨﻨﺪ ﻓﻠﮏ ﭼﻮﺑﻲ ﺭﺍ ﮔﻮﻳﻨﺪ ﮐﻪ ﺗﺨﻤﻴﻨﺎﹰ ﺑﻘﺪﺭ ﻳﮏ ﻧﻴﻢ ﮔﺰ ﺑﺎﺷﺪ ﻭ‬ ‫ﺩﺭ ﻭﺳﻂ ﺁﻥ ﺑﻪﻓﺎﺻﻠﺔ ﻳﮑﺪﺳﺖ ﺩﻭ ﺳﻮﺭﺍﺥ ﮐﻨﻨﺪ ﻭ ﺭﺳﻨﻲ ﺭﺍ ﺍﺯ ﺳﻮﺭﺍﺥﻫﺎ ﮔﺬﺭﺍﻧﻴﺪ ﻣﺤﮑﻢ ﺳﺎﺯﻧﺪ ﻭ ﻃﻔﻞ ﺭﺍ ﺑﺮ ﭘﺸﺖ‬ ‫ﺧﻮﺍﺑﺎﻧﻴﺪﻩ ﻫﺮ ﺩﻭ ﭘﺎﻱ ﺍﻭ ﺭﺍ ﻣﻴﺎﻥ ﭼﻮﺏ ﻭ ﺭﺳﻦ ﺩﺭﺁﻭﺭﺩﻩ ﺑﭙﻴﭽﻨﺪ ﺩﻭ ﮐﺲ ﻫﺮ ﺩﻭ ﺳﺮﭼﻮﺏ ﮔﺮﻓﺘﻪ ﭘﺎﻫﺎﻱ ﻃﻔﻞ ﺭﺍ‬ ‫ﺟﺎﻧﺐ ﺁﺳﻤﺎﻥ ﮐﻨﻨﺪ ﻭ ﺑﺮ ﮐﻒ ﭘﺎ ﭼﻮﺏ ﺯﻧﻨﺪ‪.‬‬ ‫ﺩﺭﻭﻳﺶ ﻣﺤ ‪‬ﻤﺪ ﻗﺼﹼﻪﺧﻮﺍﻥ ﮐﻪ ﺍﻭ ﺭﺍ ﺷﺎﻩ ﺍﺳﻤﺎﻋﻴﻞ ﺛﺎﻧﻲ ﺻﻔﻮﻱ ﺑﻪﻃﺮﻳﻖ ﻣﻄﺎﻳﺒﻪ ﺩﺭ ﻓﻠﮏ ﮐﺸﻴﺪ ﺑﺪﺍﻫﺔﹰ ﮔﻔﺖ‪:‬‬ ‫ﭘﺎﻳﻢ ﮐﻪ ﺩﻭﻳﺪﻩ ﺑﻮﺩ ﺩﺭ ﻫﺮ ﻭﺍﺩﻱ ﭼﻮﻥ ﺑﻲﺍﺩﺑﻲ ﮐﺮﺩ ﺳﺰﺍﻳﺶ ﺩﺍﺩﻱ‬ ‫ﺍﺯ ﺩﻭﻟﺖ ﺗﻮ ﺭﺳﻴﺪﻩ ﭘـﺎﻳﻢ ﺑﻔﻠـﮏ ﺩﻳﮕﺮ ﺯﻣﻴﻦ ﻧﻤﻲﺭﺳـﺪ ﺍﺯ ﺷـﺎﺩﻱ‬ ‫ﻭ ﺳﺮﺧﻮﺵ ﮔﻮﻳﺪ‪:‬‬ ‫ﺗﺮﮎ ﺷﻮﺧﻲ ﻧﮑﻨﺪ ﺯ ﺁﻥ ﺳﺒﺐ ﺍﺳﺘﺎﺩ ﺍﺯﻝ ﻫﻤﭽﻮ ﺍﻃﻔﺎﻝ ﮐﺸﻴﺪﻩ ﺍﺳﺖ ﭘﺎﻳﺖ ﺭﺍ ﺑﻔﻠﮏ‬ ‫)ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺁﺩﺍﺏ‪.‬‬