Kulliat Azad Bilgerami

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٤٣ //‬‬ ‫ﻣــﻲﺷــﻮﺩ ﮐــﺎﺭ ﺍﺳــﺎﻓﻞ ﺯ ﺍﻋــﺎﻟﻲ ﺟــﺎﺭﻱ ﻗﻮ‪‬ﺕ ﺩﺳـﺖ ﻣـﺪﺩﮔﺎﺭ ﻋﺼـﺎﻱ ﻟﻨـﮓ ﺍﺳـﺖ‬ ‫ﺑﻨـــﺪﻩ ﺁﺯﺍﺩ ﺑﻼﻋـــﺬﺭ ﻏـــﻼﻡ ﺍﺳـــﺖ ﺗـــﺮﺍ‬ ‫ﺣﻠﻘـﺔ ﺑﻨـﺪﮔﻲ ﻏﻴـﺮ ﺗـﻮ ﺍﻭ ﺭﺍ ﻧﻨـﮓ ﺍﺳـﺖ‬ ‫»‪«۲۴۸‬‬ ‫ﺩﺭ ﺩﻝ ﺧﻴﺎﻝ ﻃـﺮ‪‬ﺓ ﺟﺎﻧـﺎﻥ ﻓﺘـﺎﺩﻩ ﺍﺳـﺖ ﺳـﻮﺩﺍﺋﻲ ﺑـﻪﺳـﻴﺮ ﺑﻴﺎﺑـﺎﻥ ﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‪١‬‬ ‫ﺗﮑﻠﻴﻒ ﺑـﺎﻍ ﻭﻗـﺖ ﺧـﺰﺍﻥ ﮐـﺮﺩ ﺑﺎﻏﺒـﺎﻥ ﻧﺮﮔﺲ ﺩﺭ ﺍﻳﻦ ﻣﻌﺎﻣﻠﻪ ﺣﻴﺮﺍﻥ ﻓﺘﺎﺩﻩ ﺍﺳﺖ‬ ‫ﺩﻝ ﺭﺍ ﺧﺮﻳﺪﻩﺍﻱ ﻭ ﺑﻘـﺪﺭﺵ ﻧﻤـﻲﺭﺳـﻲ ﻳﺎﻗﻮﺕ ﻣﺎ ﺑﻪﺩﺳﺖ ﺗﻮ ﺍﺭﺯﺍﻥ ﻓﺘﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﮔﻞ ﮐﺮﺩ ﺗـﺎ ﺗﺒﺴ‪‬ـﻢ ﺷـﻴﺮﻳﻦ ﺍﺯ ﺁﻥ ﺩﻫـﻦ ﺁﺗﺶ ﺑﻪﺟﺎﻥ ﭼﺸﻤﺔ ﺣﻴﻮﺍﻥ ﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺯﻟﻒ ﺗﺮﺍ ﮐـﻪ ﺭﺗﺒـﺔ ﻋـﺎﻟﻲ ﻣﻴﺴ‪‬ـﺮ ﺍﺳـﺖ ﺩﺭ ﺣﻴﺮﺗﻢ ﮐﻪ ﺍﺯ ﭼﻪ ﭘﺮﻳﺸﺎﻥ ﻓﺘﺎﺩﻩ ﺍﺳﺖ‬ ‫ﺁﻣﺪ ﺑﺴﻮﻱ ﺳﻮﺧﺘﮕﺎﻥ ﺳﺨﺖ ﺧﺸﻤﮕﻴﻦ ﺑﺎ ﺑـﺎﺩ ﺗﻨـﺪ ﮐـﺎﺭ ﭼﺮﺍﻏـﺎﻥ ﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺷﺎﻳﺪ ﮐﻨﺪ ﻣﻌﺎﻟﺠﻪ ﺁﻥ ﭼﺸـﻢ ﺳـﺮﻣﻪ ﺳـﺎ‬ ‫ﺁﺯﺍﺩ ﺯﻳـﺮ ﭘـﺎﻱ ﺗـﻮ ﻧـﺎﻻﻥ ﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫»‪«۲۴۹‬‬ ‫ﺩﺍﻍ ﺩﻝ ﺑﻪﮐﺮﺩﻡ ﻭ ﺑـﺮ ﻣـﻦ ﻣﻼﻣـﺖﻫـﺎ ﮔﺬﺷـﺖ ﺗﺎ ﮔﺸﺎﺩﻡ ﺍﺯ ﺧﻮﺩ ﺍﻳﻦ ﺗﻌﻮﻳﺬ ﺁﻓﺖﻫـﺎ ﮔﺬﺷـﺖ‪٢‬‬ ‫ﺷﺐ ﮐﻪ ﺑﻴﺪﺭﺩﺍﻧﻪ ﻣﺴﺘﻲ ﺷﻴﺸﻪ ﺭﺍ ﺑـﺮ ﺳـﻨﮓ ﺯﺩ ﺍﺯ ﺷﮑﺴﺖ ﺟﻨﺲ ﺧﻮﺩ ﺑﺮ ﺩﻝ ﻣﻼﻟﺖﻫﺎ‪ ٣‬ﮔﺬﺷﺖ‬ ‫ﻳــﮏ ﻗﻴﺎﻣــﺖ ﺑﺎﺷــﺪ ﻭ ﺁﻥ ﻧﻴــﺰ ﻧﺎﭘﻴــﺪﺍ ﺷــﻮﺩ ﺑﮔﺮﺬﺷﺳـﺮـﻡــﺍﻣـــﺮـﻭـﺯــﺍـﺯـــﺧـﻮـﺑـﺎــﻥــﻗﻴـﺎـﻣـــــﺖـﻫـــﺎــﮔـﺬــﺷــﺖ‬ ‫ﭘـﻴﺶ ﺣﺴـﻦ ﺁﻥ ﺫﻗـﻦ ﺳﺮﺳـﺒﺰ ﻧﺘﻮﺍﻧـﺪ ﺷـﺪﻥ ﺭﻭﺯﮔﺎﺭ ﺳـﻴﺐ ﺩﺭ ﺭﻧـﮓ ﺧﺠﺎﻟـﺖﻫـﺎ ﮔﺬﺷـﺖ‬ ‫ﺟﺮﻋـﺔ ﺗﻠﺨـﻲ ﺯ ﺟـﺎﻡ ﻧﺎﮐﺴـﺎﻥ ﺧـﻮﺭﺩﻡ ﺷـﺒﻲ ﻋﻤـﺮ ﺑـﺎﻗﻲﻣﺎﻧـﺪﺓ ﻣـﻦ ﺩﺭ ﻧـﺪﺍﻣﺖﻫـﺎ ﮔﺬﺷـﺖ‬ ‫ﻣـﺎﻧﻊ ﻣـﺎ ﭘـﺎﺱ ﺧﻮﺑـﺎﻥ ﺍﺳـﺖ ﺍﺯ ﻗﺘـﻞ ﺭﻗﻴـﺐ ﻣﻔﺖ ﻋﻤﺮ ﺍﻳﻦ ﻣﺨﺎﻟﻒ ﺩﺭ ﺣﻤﺎﻳﺖﻫـﺎ ﮔﺬﺷـﺖ‬ ‫ﺟﺎﻥ ﻭ ﺩﻝ ﮐـﺰ ﻳـﺎﺭ ﺑﺎﺷـﺪ ﺗـﺎ ﮐﺠـﺎ ﺩﺍﺭﻡ ﻧﮕـﺎﻩ‬ ‫ﻋﻤـﺮ ﻣـﻦ ﺁﺯﺍﺩ ﺩﺭ ﺣﻔـﻆ ﺍﻣﺎﻧـﺖﻫـﺎ ﮔﺬﺷـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻫﻤﺎﻥ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﻼﻣﺖﻫﺎ‪.‬‬

‫‪ // ٢٤٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۵۰‬‬ ‫ﮔﺮﻳﻪ ﻣﻲﮐﺮﺩﻡ ﮐﻪ ﺁﻣﺪ ﻳﺎﺭ ﻭ ﺑﻲﭘـﺮﻭﺍ ﮔﺬﺷـﺖ ﺑﻲﺗﺄﻣ‪‬ـﻞ ﭼﺸـﻢ ﺭﺍ ﭘﻮﺷـﻴﺪﻩ ﺍﺯ ﺩﺭﻳـﺎ ﮔﺬﺷـﺖ‬ ‫ﺷﺐ ﮐﻪ ﺳﺎﻗﻲ ﺟﺎﻡﹺ ﻣﻲ ﺍﺯ ﺑﻲﺩﻣـﺎﻏﻲﻫـﺎ ﻧـﺪﺍﺩ ﮔﺮﻳﻪ ﮐﺮﺩﻡ ﺁﻥ ﻗـﺪﺭﻫﺎ ﮐـﺰ ﺳـﺮ ﻣﻴﻨـﺎ ﮔﺬﺷـﺖ‬ ‫ﻭﻗﻔــﺔ ﺍﻭ ﺑــﻮﺩ ﺑــﺎ ﻃﺒــﻊ ﺟ‪‬ﻌ‪‬ــﻞ‪ ١‬ﻧﺎﺳــﺎﺯﮔﺎﺭ ﺁﻓﺮﻳﻦ ﺑﺮ ﺑﻮﻱ ﺧﻮﺵ ﭘﺮﻭﺍﺯ ﮔﻞ ﺍﺯ ﺟﺎ ﮔﺬﺷﺖ‬ ‫ﻗﻤﺮﻱ ﮔﺴـﺘﺎﺥ ﺭﺍ ﺑـﺮ ﺟـﺎ ﺑـﻮﺩ ﺗﻌﺰﻳـﺮ ﻃـﻮﻕ ﺑﺎﺭﻫــﺎ ﺍﺯ ﺳــﺮﻭﹺ ﻭﺍﻻ ﻣﺮﺗﺒــﺖ ﺑــﺎﻻ ﮔﺬﺷــﺖ‬ ‫ﺁﻫﻮﺍﻥ ﮔﻴﺮﻧﺪ ﺟﺎﺳﻮﺳـﺎﻧﻪ ﺩﺭ ﻫـﺮ ﺳـﻮ ﺳـﺮﺍﻍ ﺗﺎ ﮐﺪﺍﻣﻴﻦ ﺷﻮﺥ ﺑﻲﭘﺮﻭﺍ ﺍﺯ ﺍﻳﻦ ﺻﺤﺮﺍ ﮔﺬﺷﺖ‬ ‫ﺭﻫﺮﻭﻱ ﭘﺮﺳﻴﺪ ﺍﺯ ﻣﻦ ﺍﻳﻦ ﻃـﺮﻑ ﺁﻣـﺪ ﮐﺴـﻲ ﮔﻔﺘﻤﺶ ﺯﻳﻦ ﺭﻩ ﺟﻮﺍﻥ ﻧﻮﺭﺳﻲ ﺣـﺎﻻ ﮔﺬﺷـﺖ‬ ‫ﮔﻮﻫﺮ ﺩﻝ ﺭﺍ ﭼـﺮﺍ ﺑـﻲﻫـﻴﭻ ﻭﺍﭘـﺲ ﻣـﻲﺩﻫـﻲ‬ ‫ﺗـﺎ ﭘﺴـﻨﺪﺵ ﮐـﺮﺩﺓ ﺁﺯﺍﺩ ﺯﻳـﻦ ﮐـﺎﻻ ﮔﺬﺷـﺖ‬ ‫»‪«۲۵۱‬‬ ‫ﺻﻨﻌﺘﻲ ﺩﺭ ﺻﻔﺤﺔ ﺁﻥ ﺭﻭ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ ﻟ ‪‬ﻒ ﺯﻟﻒ ﻭ ﻧﺸﺮﹺ ﺧ ﹼﻂ ﺍﻭ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ‬ ‫ﺩﻝ ﺑـﺮﻭﻥ ﺁﻣـﺪ ﺯ ﺭﺍﻩ ﺩﻳـﺪﻩﺍﻡ ﻫﻤـﺮﺍﻩ ﺍﺷـﮏ ﻣﻲﺧﺮﺍﻣﺪ ﮔﻞ ﺩﺭ ﺁﺏ ﺟ‪‬ﻮ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻲ ﺍﺳﺖ‬ ‫ﺷﻴﺸــﺔ ﺍﻓــﻼﮎ ﺩﺍﺭﺩ ﺁﻥ ﻃــﺮﻑ ﺗﺼــﻮﻳﺮﻫﺎ ﭼﺸﻢ ﺩﻝ ﺭﺍ ﺑﺎﺯﮐﻦ ﺁﻧﺴﻮ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ‬ ‫ﭼﻮﻥ ﺳﻴﻪ ﻣﺴﺘﻲ ﮐﻪ ﺧﻮﺩ ﺭﺍ ﺑﺮ ﺩﻡ ﺗﻴﻐﻲ ﺯﻧـﺪ ﺧﺎﻝ‪ ٢‬ﻣﺸﮑﻴﻨﻲ ﺑﺮ ﺁﻥ ﺍﺑﺮﻭ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧﻲ ﺍﺳﺖ‬ ‫ﺣﺎﻟﺖ ﻣﺪﻫﻮﺷﻲ ﻣﻦ ﺩﻳﺪ ﻭ ﺩﻝ ﺩﺯﺩﻳـﺪﻩ ﺑ‪‬ـﺮﺩ ﺍﺯﺳـﻧـﮕـﺎـﻫـــﺶـــﺟـﺴـﺘــﻦــﻗﺎـﺑـﻮــﺗـﻤـﺎــﺷـﺎــﮐــﺮـﺩﻧـــﻲــﺍـﺳــﺖ‬ ‫ﺳـﻌﻲﻫـﺎ ﺩﺍﺭﺩ ﺑـﻪﺗﻔﺘـﻴﺶﹺ ﺩﻝﹺ ﮔـﻢ ﮔﺸـﺘﻪﺍﻡ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﻃﺮ‪‬ﺓ ﺩﻟﺠﻮ ﺗﻤﺎﺷـﺎ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﮐـــﺮﺩ ﺍﻳﻤـــﻦ ﺍﺯ ﺑﻼﻫـــﺎﻱ ﺟﻬـــﺎﻥ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﺧﺎﺻﺔ ﺗﻌﻮﻳﺬ ﺁﻥ ﺑـﺎﺯﻭ ﺗﻤﺎﺷـﺎ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫»‪«۲۵۲‬‬ ‫ﻧﻴﺴﺘﻲ ﺍﺯ ﺑﺲﮐﻪ ﺩﺭ ﮔﻴﺘﻲ ﺑﺴﺎﻃﻲ‪ ٣‬ﭼﻴﺪﻩ ﺍﺳـﺖ ﭼﺸﻢ ﺗﺎ ﻣﮋﮔﺎﻥ ﮔﺸﺎﻳﺪ ﻋـﺎﻟﻤﻲ ﺧﻮﺍﺑﻴـﺪﻩ ﺍﺳـﺖ‬ ‫‪ .١‬ﺟ ‪‬ﻌﻞ‪ :‬ﺟﺎﻧﻮﺭﻱ ﺍﺳﺖ ﺳﻴﺎﻩ ﭘﺮﺩﺍﺭ ﻣﺸﺎﺑﻪ ﺑﻪﺯﻧﺒﻮﺭ ﮐﻪ ﺩﺭ ﺳﺮﮔﻴﻦ ﻭ ﻧﺒﺎﺗﺎﺕ ﭘﻴﺪﺍ ﻣﻲﺷﻮﺩ )ﻏﻴﺎﺙ‪.(٢٥٣ ،‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺧﺎﮎ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺑﺴﺎﻁ؛ ﺑﺴﺎﻁ ﭼﻴﺪﻥ‪ ،‬ﮔﺴﺘﺮﺩﻥ‪ .‬ﺭﺍﻗﻢ ﻣﺸﻬﺪﻱ ﮔﻮﻳﺪ‪:‬‬ ‫ﺧﻮﺵ ﺑﺴﺎﻃﻲ ﭼﻴﺪﻩ ﺍﺯ ﮐﻮﺩﮎ ﻣﺰﺍﺟﻲ ﺭﻭﺯﮔـﺎﺭ ﻫــﺮ ﮐــﺮﺍ ﺩﻳــﺪﻳﻢ ﮔــﺮﻡ ﺑــﺎﺯﻱ ﻃﻔﻼﻧــﻪ ﺍﺳــﺖ‬ ‫)ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٤٥ //‬‬ ‫ﺩﺭ ﺗﺮﺩ‪‬ﺩﮔـــﺎﻩ ﺩﻧﻴـــﺎ ﺁﻣـــﺪ ﻭ ﺭﻓﺘـــﻲ ﻧﻤﺎﻧـــﺪ ﺍﻣﻦﻫﺎ ﺩﻳﺪﻳﻢ ﻫـﺮ ﺟـﺎ ﭘـﺎﻱ ﻣـﺎ ﻟﻐﺰﻳـﺪﻩ ﺍﺳـﺖ‬ ‫ﻫﺮ ﺯﻣﺎﻥ ﺑﺎ ﻣﺨﻠﺺ ﺧﻮﺩ ﺑـﻲﺩﻣـﺎﻏﻲ ﻣـﻲﮐﻨـﻲ ﻫﻴﭻ ﺩﺍﻧﺎﺋﻲ ﺯ ﺩﻭﻟﺖﺧﻮﺍﻩ ﺧـﻮﺩ ﺭﻧﺠﻴـﺪﻩ ﺍﺳـﺖ‬ ‫ﭼﻮﻥ ﺩﻝﹺ ﺧﻮﺩ ﺳـﺨﺖ ﻣـﻲﺩﺍﻧـﻲ ﺩﻝﹺ ﻋﺸﹼـﺎﻕ ﺭﺍ ﮊﺍﻟﻪ ﺭﺍ ﺑـﺎ ﺩﺍﻧـﺔ ﺍﻟﻤـﺎﺱ ﮐـﺲ ﺳـﻨﺠﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﺍﻳﻦ ﺗﻠﻮ‪‬ﻧﻬـﺎ ﮐـﻪ ﺩﺍﺭﺩ ﻃﺒـﻊ ﻧﻴﺮﻧﮕـﺖ ﮐﺠﺎﺳـﺖ ﭼﺸﻢ ﻣﻦ ﺩﺭ ﻋﻤﺮ ﺧﻮﺩ ﺭﻧﮓ ﺟﻬﺎﻧﻲ ﺩﻳﺪﻩ ﺍﺳﺖ‬ ‫ﺩﺭ ﺗﻤﺎﺷـــﺎ ﺧﺎﻧـــﺔ ﺩﻧﻴـــﺎ ﻧﺒﺎﻳـــﺪ ﺑ‪‬ﺴـــﺖ ﺩﻝ ﺍﺯ ﻫﻮﺍﻱ ﺍﻳﻦ ﭼﻤﻦ ﺳﻨﺒﻞ ﺑﺨﻮﺩ ﭘﻴﭽﻴـﺪﻩ ﺍﺳـﺖ‬ ‫ﺩﺳﺖ ﺯﻟﻔﺖ ﻗﺎﺑﻞ ﻗﻄﻊ ﺍﺳﺖ ﭼﻮﻥ ﺯﻟـﻒ ﺍﻳـﺎﺯ‪١‬‬ ‫ﻋــﺎﻟﻤﻲ ﺩﺍﻧــﺪ ﮐــﻪ ﺍﺯ ﺁﺯﺍﺩ ﺩﻝ ﺩﺯﺩﻳــﺪﻩ ﺍﺳــﺖ‬ ‫»‪«۲۵۳‬‬ ‫ﮔﻔﺘﻢ ﺁﻥ ﻳﺎﺭﻱ ﮐﻪ ﺑﺎﺷﺪ ﺷﻤﻊ ﺍﻳﻦ ﻣﺤﻔﻞ ﮐﺠﺎﺳﺖ ﺁﻣﺪ ﺁﻭﺍﺯﻱ ﮐﻪ ﺩﺭ ﺩﻟﺠـﻮﻱ ﮔﻔـﺘﻢ ﺩﻝ ﮐﺠﺎﺳـﺖ‬ ‫ﭼﻮﻥ ﮐﻮﺍﮐـﺐ ﮐـﺎﺭﻭﺍﻥ ﻣﺎﺳـﺖ ﺩﺍﻳـﻢ ﺩﺭ ﺳـﻔﺮ ﻧﻴﺴﺖ ﻣﻌﻠـﻮﻡ ﮐﺴـﻲ ﺁﺳـﺎﻳﺶ ﻣﻨـﺰﻝ ﮐﺠﺎﺳـﺖ‬ ‫ﺧـﻮﺵ ﻧﻤـﻲﺁﻳـﺪ ﻣـﺮﺍ ﺑـﻲﻳـﺎﺭ ﻳﮑـﺪﻡ ﺯﻳﺴـﺘﻦ ﺳﺮﮔﺮﺍﻧﻲ ﻣـﻲﮐﻨـﺪ ﺑـﺮ ﭘﻴﮑـﺮﻡ ﻗﺎﺗـﻞ ﮐﺠﺎﺳـﺖ‬ ‫ﻧﻴﺴـﺘﻢ ﻣـﺎﻫﻲ ﮐـﻪ ﺩﺭ ﺩﺭﻳـﺎ ﺳـﺮ ﺁﺭﻡ ﻋﻤـﺮ ﺭﺍ ﻣﻮﺝ ﺑﺮ ﻣﻦ ﺗﻴﻎ ﺑﺎﺯﻱ ﻣﻲﮐﻨﺪ ﺳـﺎﺣﻞ ﮐﺠﺎﺳـﺖ‬ ‫ﭘﻴﺶ ﻣﺎ ﻫﺮ ﺷﮑﻞ ﺩﻝ ﺧﻮﺍﻫﻲ ﮐﻪ ﺑﺎﻳﺪ ﺣﺎﺿﺮ ﺍﺳﺖ ﺩﺭ ﺟﻬﺎﻥ ﺑﺎﺭﻱ ﻧﺸﺎﻥ ﺩﻩ ﺟﻮﻫﺮ ﻗﺎﺑـﻞ ﮐﺠﺎﺳـﺖ‬ ‫ﮔﻠﺒﻨـﻲ ﺑـﻲﺳﺮﮐﺸـﻲ ﺩﺭ ﻋـﺎﻟﻢ ﺍﻳﺠـﺎﺩ ﻧﻴﺴــﺖ ﺷﺎﺥ ﺳﺮﺳﺒﺰﻱ ﮐﻪ ﮔﺮﺩﺩ ﺳﻮﻱ ﻣﻦ ﻣﺎﻳﻞ ﮐﺠﺎﺳﺖ‬ ‫ﭼﺸﻢ ﻫﺮ ﺳﻮ ﺍﻓﮕﻨﺪ ﺁﺯﺍﺩ ﻣـﺎ ﺣـﻖ ﺍﺳـﺖ ﺣـﻖ‬ ‫ﮔﺮ ﺗﻮ ﺩﺭ ﺍﻧﮑﺎﺭ ﭘـﺎ ﺍﻓﺸـﺮﺩﻩﺍﻱ ﺑﺎﻃـﻞ ﮐﺠﺎﺳـﺖ‬ ‫»‪«۲۵۴‬‬ ‫ﺭﻓﺖ ﺍﺯ ﺍﻳﻦ ﺍﻧﺠﻤﻦ ﮔﻮﺵ ﺑﺮ ﺍﻓﻐـﺎﻥ ﮐﻴﺴـﺖ ﭼﺎﺭﻩ ﺑﺠﺰ ﺻﺒﺮ ﻧﻴﺴﺖ ﻳﺎﺭ ﺑﻪﻓﺮﻣـﺎﻥ‪ ‬ﮐﻴﺴـﺖ‬ ‫ﻳﮑﺴـﺮ ﻣـﻮ ﻭﺍ ﻧﺸـﺪ ﺑـﺎ ﻧﻤـﮏ‪ ‬ﺷـﻮﺭﹺ ﺣﺸـﺮ ﺁﺭﺯﻭ ﺯﺧــﻢ ﻣــﻦ ﺷــﻮﺭﹺ ﻧﻤﮑــﺪﺍﻥ ﮐﻴﺴــﺖ‬ ‫ﮔﺮﺩﺵ ﺍﻓـﻼﮎ ﺭﺍ ﻃﺎﻗـﺖ ﺍﻳـﻦ ﮐـﺎﺭ ﻧﻴﺴـﺖ ﺩﺭ ﭘــﻲ ﺁﺯﺍﺭ ﻣــﻦ ﮔــﺮﺩﺵ ﺩﺍﻣــﺎﻥ ﮐﻴﺴــﺖ‬ ‫ﭘـﺎﻱ ﺗـﺮﺍ ﮔـﺮ ﺧﻠﻴـﺪ ﺧـﺎﺭ ﺷـﮑﺎﻳﺖ ﻣﮑـﻦ ﻫﻴﭻ ﺷﻨﺎﺳﻲ ﮐـﻪ ﺍﻳـﻦ ﺧـﺎﺭ ﺑﻴﺎﺑـﺎﻥ ﮐﻴﺴـﺖ‬ ‫ﻫﺴــﺖ ﺯ ﺍﺧﺘــﺮ ﻓــﺰﻭﻥ ﺩﺭ ﺩﻝ ﻣــﻦ ﺩﺍﻍﻫــﺎ ﺍﻳﻦ ﻫﻤﻪ ﺩﺭ ﺷﻴﺸﻪﺍﻱ ﺟﻮﺵ ﭼﺮﺍﻏﺎﻥ ﮐﻴﺴﺖ‬ ‫‪ .١‬ﻗﺼﹼﻪ ﺑﺮﻳﺪﻥ ﺳﻠﻄﺎﻥ ﻣﺤﻤﻮﺩ ﺯﻟﻒ ﺍﻳﺎﺯ ﺭﺍ ﻣﺸﻬﻮﺭ ﺍﺳﺖ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺑﮕﻴﺮ ﺳﺮ ﺧﻂ ﻋﺒﺮﺕ ﺯ ﻗﻄﻊ ﺯﻟ ‪‬ﻒ ﺍﻳـﺎﺯ ﻧﮕـــﺎﻩ ﺩﺍﺭ ﻋﻨـــﺎﻥ ﺩﺭﺍﺯ ﺩﺳـــﺘﻲﻫـــﺎ‬ ‫)ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬

‫‪ // ٢٤٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺣﺴــﻦ ﭘــﺮﻱﺯﺍﺩ ﺭﺍ ﺟﻠــﻮﻩﻧﻤــﺎﻳﻲ ﮐﺠــﺎ ﻧﻴﺴﺖ ﮐﺴﻲ ﺭﻭﺑـﻪﺭﻭ ﺁﻳﻴﻨـﻪ ﺣﻴـﺮﺍﻥ ﮐﻴﺴـﺖ‬ ‫ﻣﺴــﻠﮏ‪ ‬ﺁﺯﺍﺩ ﻣــﺎ ﻧﻴﺴــﺖ ﺑﺠــﺰ ﺭﺍﺳــﺘﻲ‬ ‫ﺩﺭ ﭼﻤـﻦ ﺧـﺎﻃﺮﺵ ﺳـﺮﻭ ﺧﺮﺍﻣـﺎﻥ ﮐﻴﺴـﺖ‬ ‫»‪«۲۵۵‬‬ ‫ﻧﻲ ﻫـﺮ ﻧﮑـﻮﻱ ﻋـﺎﻟﻢ ﺍﻣﮑـﺎﻧﻢ ﺁﺭﺯﻭﺳـﺖ ﭼﻴﺰﻱ ﮐﻪ ﺩﻝ ﭘﺴﻨﺪ ﮐﻨـﺪ ﺁﻧـﻢ ﺁﺭﺯﻭﺳـﺖ‬ ‫ﺷـﺎﻳﺪ ﻣـﺮﺍ ﻧﻴﺎﺑـﺖ ﺧـﻮﺩ ﻣﺮﺣﻤـﺖ ﮐﻨـﺪ ﺑﻴﻤـــﺎﺭﻱ ﻣﻌﻠﹼـــﻢ ﻃﻔﻼﻧـــﻢ ﺁﺭﺯﻭﺳـــﺖ‬ ‫ﻣﺠﻨــﻮﻥ ﻋــﺎﻗﻠﻢ ﺑــﻪﺑﻴﺎﺑــﺎﻥ ﻧﻤــﻲﺭﻭﻡ ﺩﻳــﻮﺍﻧﮕﻲ ﺑــﻪﮐﻮﭼــﺔ ﺟﺎﻧــﺎﻧﻢ ﺁﺭﺯﻭﺳــﺖ‬ ‫ﻓﺮﻣﺎﻧﺮﻭﺍﻱ ﻣﺼﺮ ﺟﻮﺍﻫﺮ ﺑﻪﺧـﺎﮎ ﺭﻳﺨـﺖ ﻓﺮﻣــﻮﺩ ﺳــﻨﮕﺮﻳﺰﺓ ﮐﻨﻌــﺎﻧﻢ ﺁﺭﺯﻭﺳــﺖ‬ ‫ﻳـﺎﺭﺍﻥ ﻣـﺮﺍ ﺯ ﺣﻠﻘـﺔ ﺯﻧﺠﻴـﺮ ﺳـﺮ ﺩﻫﻴـﺪ ﺩﺭ ﻋﺮﺻﺔ ﺟﻨﻮﻥ ﺩﻭ ﺳﻪ ﺟﻮﻻﻧﻢ ﺁﺭﺯﻭﺳﺖ‬ ‫ﻣـــﻮﺭ ﺩﻣـــﺎﻍ ﺑـــﺮ ﻓﻠـــﮏ ﺍﻭﺝ ﻫﻤ‪‬ـــﺘﻢ ﺑﻮﺳــﻴﺪﻥ ﺯﻣــﻴﻦ ﺳــﻠﻴﻤﺎﻧﻢ ﺁﺭﺯﻭﺳــﺖ‬ ‫ﺩﺭ ﻳـﺎﺩ ﻫـﺮ ﭼـﻪ ﺑ‪‬ـﺮﺩ ﻓﺮﺍﻣـﻮﺵ ﮐـﺮﺩﻩﺍﻡ ﻳﮏ ﭼﻨـﺪ ﺳـﻴﺮ ﻋـﺎﻟﻢ ﻧﺴـﻴﺎﻧﻢ ﺁﺭﺯﻭﺳـﺖ‬ ‫ﺩﺭ ﺧﻠــﻮﺗﻲ ﮐــﻪ ﻳــﺎﺭ ﻏﺰﺍﻻﻧــﻪ ﺭﻡ ﮐﻨــﺪ ﺑﺮﺟﺴــﺘﻦ ﻭ ﮐﺸــﻴﺪﻥ ﺩﺍﻣــﺎﻧﻢ ﺁﺭﺯﻭﺳــﺖ‬ ‫ﺁﺯﺍﺩ ﺭﺍﻩ ﻋﻘــﻞ ﺑــﻪﺟــﺎﻳﻲ ﻧﻤــﻲﺭﺳــﺪ‬ ‫ﻟﻐﺰﻳــﺪﻧﻲ ﺑــﻼﻱ ﻣﻴﺴــﺘﺎﻧﻢ ﺁﺭﺯﻭﺳــﺖ‬ ‫»‪«۲۵۶‬‬ ‫ﺗﻮ ﺩﺭ ﻣﻘﺎﺑﻞ ﻣﻦ ﻏﺎﻳﺐ‪ ١‬ﺍﻳﻦ ﭼﻪ ﻣﮑﹼﺎﺭﻱ ﺍﺳﺖ ﺑـﻪﻧـﺮﮔﺲ ﺗـﻮ ﻣﮕـﺮ ﺗﻮﺗﻴـﺎﻱ ﻋﻴ‪‬ـﺎﺭﻱ ﺍﺳـﺖ‬ ‫ﺍﺑـﺳـــﻪﺍــﺧـﺘﻴـــــﺎـﺭـﻧـﻴـﻔـﺘــــﺎـﺩـــﭼـﺸــــــﻢـﺍـﻭــﺑــــﺮــﻣـــــﻦﺖ ﺧﺪﺍ ﮔﻮﺍﻩ ﮐـﻪ ﺍﻳـﻦ ﻣﻘﺘﻀـﺎﻱ ﺑﻴﻤـﺎﺭﻱ ﺍﺳـﺖ‬ ‫ﺯ ﻧﮑﺘــﻪﺳــﻨﺠﻲ ﺁﻥ ﭼﺸــﻢ ﻣﺴــﺖ ﺣﻴــﺮﺍﻧﻢ ﮐﻪ ﮔﻔﺘﮕـﻮﻱ ﺣﺮﻳﻔﺎﻧـﻪ ﮐـﺎﺭ ﻫﺸـﻴﺎﺭﻱ ﺍﺳـﺖ‬ ‫ﻣــﺮﺍ ﺑــﻪﺳــﻴﺮ ﮔﻠﺴــﺘﺎﻥ ﻧﻤــﻲﺑ‪‬ــﺮﻱ ﻫﻤــﺮﺍﻩ ﺗﻮ ﺧﻮﺩ ﻣﻼﺣﻈﻪ ﮐﻦ ﺍﻳﻦ ﻃﺮﻳﻘﺔ ﻳـﺎﺭﻱ ﺍﺳـﺖ‬ ‫ﺩﻭﺑــﺎﺭﻩ ﺧﻨﺠـــﺮ ﺑﻴـــﺪﺍﺩ ﺭﺍ ﻣـــﺪﻩ ﺗﮑﻠﻴـــﻒ ﺑﺴﺎﺯ ﺧﺎﻃﺮ ﺧﻮﺩ ﺟﻤﻊ ﺯﺧﻢ ﻣﻦ ﮐﺎﺭﻱ ﺍﺳـﺖ‬ ‫ﺭﺳــﻴﺪ ﻧﻮﺑــﺖ ﻳــﺎﺩﻡ ﺑــﻪﮔﻮﺷــﺔ ﺧــﻂ ﻏﻴــﺮ ﻣﺮﺍ ﺑﻪﮔﻮﺷﻪ ﻧﺸﺎﻧﺪﻥ ﭼﻪ ﺭﺳﻢ ﺩﻟـﺪﺍﺭﻱ ﺍﺳـﺖ‬ ‫ﺑـــﺮﺍﻩ ﻋﺸـــﻖ ﺗـــﻮ ﻧﺎﻟﻨـــﺪ ﺣـــﺎﻓﻆ ﻭ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﻣﺎ ﺩﻭ ﻋﺎﺷﻖ ﺯﺍﺭﻳﻢ ﻭ ﮐﺎﺭﹺ ﻣـﺎ ﺯﺍﺭﻱ ﺍﺳـﺖ‬ ‫‪ .١‬ﺻﺎﺣﺐ ﺍﺳﺮﺍﺭﺍﻟﻄﻠﺴﻤﺎﺕ ﻣﻲﻧﻮﻳﺴﺪ‪ :‬ﮐﺤﻞ ﺍﻋﻈﻢ ﻭ ﮐﺤﻞ ﻋﻴﺎﺭﻱ ﻭ ﮐﺤﻞ ﺍﺧﻔﺎﺀﺍﻟﻌﻴﻮﻥ ﻋﺒﺎﺭﺕ ﺍﺯ ﺁﻥ ﺍﺳﺖ ﮐﻪ ﭼﻮﻥ‬ ‫ﺩﺭ ﭼﺸﻢ ﮐﺸﻨﺪ ﺍﺯ ﻧﻈﺮ ﻣﺮﺩﻡ ﻏﺎﻳﺐ ﺷﻮﻧﺪ )ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٤٧ //‬‬ ‫»‪«۲۵۷‬‬ ‫ﺩﻝ ﮐﻪ ﺍﺯ ﺍﻟﻔﺖ‪ ‬ﻣـﻲ ﺳﺮﺷـﺎﺭ ﺍﺳـﺖ ﺷﻴﺸـــﺔ ﺗﻔﺴـــﺮﺓ ﺑﻴﻤـــﺎﺭ ﺍﺳـــﺖ‬ ‫ﻧﻴــﮏ ﻭ ﺑــﺪ ﺭﺍ ﺑــﻪﺯﻣــﻴﻦ ﺧﻮﺍﺑﺎﻧــﺪ ﺩﺧﺘـﺮ ﺭﺯ ﭼـﻪ ﻗـﺪﺭ ﺑـﺪﮐﺎﺭ ﺍﺳـﺖ‬ ‫ﭘﺸﺖ ﻭ ﺭﻭ ﺁﻳﻴﻨﻪ ﺭﺍ ﻳﮑﺴـﺎﻥ ﻧﻴﺴـﺖ ﺁﺷــﻨﺎﺋﻲ ﭼــﻪ ﻗــﺪﺭ ﺩﺷــﻮﺍﺭ ﺍﺳــﺖ‬ ‫ﻃـــﺎﻟﻊ ﻗﻤـــﺮﻱ ﻭ ﺑﻠﺒـــﻞ ﻧﮕﺮﻳـــﺪ ﺳﺮﻭ ﭘـﺮﻣﻔﻠﺲ ﻭ ﮔـﻞ ﺯﺭﺩﺍﺭ ﺍﺳـﺖ‬ ‫ﻗﺴـﻤﺖ ﮐـﺲ ﻧﺸـﻮﺩ ﺍﻳـﻦ ﺻـﺤﺒﺖ ﺩﻝ ﻣــﻦ ﺯﺍﺭ ﻭ ﺻــﻨﻢ ﺑﻴــﺰﺍﺭ ﺍﺳــﺖ‬ ‫ﺣـــﺮﻑ ﻣﻌﺸـــﻮﻕ ﻧﻔﻬﻤـــﺪ ﺑﻠﺒـــﻞ ﻏﻨﭽـﺔ ﮔـﻞ ﻫﻤـﻪ ﺗـﻦ ﻣﻨﻘـﺎﺭ ﺍﺳـﺖ‬ ‫ﺩﻝ ﺁﺯﺍﺩ ﻧﺒﺎﻳـــــــــــــــــﺪ ﺁﺯﺭﺩ‬ ‫ﺑﻨـــﺪﺓ ﻣﻌﺘﻘـــﺪ‪ ‬ﺳـــﺮﮐﺎﺭ ﺍﺳـــﺖ‬ ‫»‪«۲۵۸‬‬ ‫ﺩﻝ ﻣﻦ ﺟـﺎﻱ ﭘﺎﺩﺷـﺎﻫﻲ ﻫﺴـﺖ ﻣﻨـﺰﻝ ﺟﻠـﻮﻩﮔـﺎﻩ ﻣـﺎﻫﻲ ﻫﺴـﺖ‬ ‫ﺩﺭﹺ ﺷﻬﺮ ﻧﺒﻲ ﺍﺳـﺖ ﺷـﺎ‪‬ﻩ ﻧﺠـﻒ ﺑﻪﻋﻠﻲ)ﻉ( ﻗـﺎﭘﻴﻢ‪ ١‬ﭘﻨـﺎﻫﻲ ﻫﺴـﺖ‬ ‫ﺩﻝ ﺑﻠﺒــﻞ ﭼــﺮﺍ ﻧﺴــﺎﺯﺩ ﺧــﻮﻥ ﻏﻨﭽﻪ ﺷﺎﮔﺮﺩ ﮐﺞ ﮐﻼﻫﻲ ﻫﺴـﺖ‬ ‫ﮔـﺮ ﺩﻫـﺪ ﺩﺭﺩﺳــﺮ ﻣـﺮﺍ ﻧﺎﺻــﺢ ﺻﻨﺪﻝ‪ ٢‬ﺟﺒﻪ ﮔﺮﺩ ﺭﺍﻫـﻲ ﻫﺴـﺖ‬ ‫ﺣــﺮﻑ ﺑــﺎ ﻣــﻦ ﻧﻤــﻲﺯﻧــﺪ ﺍﻣ‪‬ــﺎ ﻧﺎﻳﺐ ﺣـﺮﻑ ﺍﻭ ﻧﮕـﺎﻫﻲ ﻫﺴـﺖ‬ ‫ﺷـﺎﻩ ﻣﺤﻤـﻮﺩ ﺭﺍ ﮐـﻪ ﻣـﻲﮔﻮﻳـﺪ ﺧــﺎﺩﻡ ﺑﻨــﺪﺓ ﺳــﻴﺎﻫﻲ ﻫﺴــﺖ‬ ‫ﺑﻨــﺪﻩ ﺁﺯﺍﺩ ﻧﻴﺴــﺖ ﺑــﻲﺳــﺎﻣﺎﻥ‬ ‫ﺩﺭ ﺟﮕﺮ ﻧﺎﮐﺸـﻴﺪﻩ ﺁﻫـﻲ ﻫﺴـﺖ‬ ‫‪ .١‬ﻗﺎﭘﻲ ﺩﺭ ﺗﺮﮐﻲ ﺩﺭﻭﺍﺯﻩ ﺭﺍ ﮔﻮﻳﻨﺪ ﻭ ﻋﻠﻲ ﻗﺎﭘﻲ ﻧﺎﻡ ﺩﺭﻭﺍﺯﻩ ﺍﺳﺖ ﺩﺭ ﺍﺻﻔﻬﺎﻥ ﭘﻴﺶ ﺩﻭﻟﺖﺧﺎﻧﺔ ﺑﺎﺩﺷﺎﻫﻲ ﺁﻥ ﺭﺍ ﺣﮑﻢ‬ ‫ﺣﺮﻡ ﺩﺍﺩﻩﺍﻧﺪ‪ ،‬ﮔﻨﺎﻩﮐﺎﺭﻱ ﮐﻪ ﺁﻧﺠﺎ ﭘﻨﺎﻩ ﻣﻲﮔﻴﺮﺩ ﺍﻭ ﺭﺍ ﻧﻤﻲﮔﻴﺮﻧﺪ )ﺣﺎﺷﻴﻪ ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﺻﻨﺪﻝ‪ :‬ﭼﻮﺑﻲ ﻣﻌﺮﻭﻑ ﮐﻪ ﺳﭙﻴﺪ ﺁﻥ ﺧﻮﺷﺒﻮ ﺑﻮﺩ ﻭ ﺳﺮﺥ ﺍﻭ ﺑﻮ ﻧﺪﺍﺭﺩ ﻭ ﺍﻳﻦ ﻇﺎﻫﺮﺍﹰ ﻣﻌ ‪‬ﺮﺏ ﭼﻨﺪﻝ ﺑﻪﻻﻡ ﺍﺳﺖ ﻭ‬ ‫‪‬ﭼﻨﺪﻥ ﺑﻪﻧﻮﻥ ﻣﺸﺘﺮﮎ ﺍﺳﺖ ﺩﺭ ﻫﻨﺪﻱ ﻭ ﻓﺎﺭﺳﻲ؛ ﻭ ﺑﺎ ﻟﻔﻆ ﺑﻮﺩﻥ ﻭ ﮐﺮﺩﻥ ﻭ ﺳﺎﻳﻴﺪﻥ ﻭ ﻣﺎﻟﻴﺪﻥ ﻭ ﮐﺸﻴﺪﻥ ﻣﺴﺘﻌﻤﻞ‬ ‫)ﺑﺮﻫﺎﻥ(؛ ﻃﻼﻱ ﺍﻭ ﺟﻬﺖ ﺭﻓﻊ ﺩﺭﺩﺳﺮ ﺣﺎﺩ ﻣﻔﻴﺪ ﺍﺳﺖ )ﻟﻐﺖﻧﺎﻣﻪ(‪ .‬ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﻏﻢ ﺑﻪﻗـﺪﺭ ﻏﻤﮕﺴـﺎﺭ ﺍﺯ ﭼـﺮﺥ ﻧـﺎﺯﻝ ﻣـﻲﺷـﻮﺩ ﻫﺴﺖ ﺩﺭ ﻫﺮ ﺟﺎ ﮐﻪ ﺻﻨﺪﻝ ﺩﺭﺩﺳﺮ ﺑﺴﻴﺎﺭ ﻫﺴﺖ‬ ‫*‬ ‫ﺧﺎﮐﺴـــﺎﺭﻱ ﻣـــﻲﮐﻨـــﺪ ﺍﻓﺘﺎﺩﮔـــﺎﻥ ﺭﺍ ﺳـــﺮﻓﺮﺍﺯ ﻭﻗﺖ ﺁﻥ ﮐﺲ ﺧﻮﺵ ﮐﻪ ﺍﻳﻦ ﺻﻨﺪﻝ ﺑﻪﭘﻴﺸﺎﻧﻲ ﮐﺸﻴﺪ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٥٠٣/٢‬‬

‫‪ // ٢٤٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۵۹‬‬ ‫ﺭﻭﻧﻖ ﮐﺎﺭ ﻣـﻦ ﺍﺯ ﻳ‪‬ﻤـﻦ ﻣـﺪﺩﮔﺎﺭﻱ ﺍﻭﺳـﺖ ﺁﺑــﺮﻭﻱ ﮔﻬــﺮ ﻣــﻦ ﺯ ﺧﺮﻳــﺪﺍﺭﻱ ﺍﻭﺳــﺖ‬ ‫ﭘﻨﺪ ﺩﻩ ﻧﺮﮔﺲ ﺧﻮﺩ ﺭﺍ ﮐﻪ ﺯ ﻣـﻲ ﺗﻮﺑـﻪ ﮐﻨـﺪ ﻭﺟﻪ ﺑﻴﻤﺎﺭﻱ ﺍﻭ ﮐﺜﺮﺕ ﻣﻲﺧـﻮﺍﺭﻱ ﺍﻭﺳـﺖ‬ ‫ﭘـﻴﺶ ﻣـﻦ ﺁﻣـﺪ ﻭ ﺍ‪‬ﺳـﺘﺎﺩ ﻭ ﻧﻴﺎﻣـﺪ ﺑـﻪﻧﻈـﺮ ﺩﺍﻍﻫـﺎ ﺩﺭ ﺩﻟــﻢ ﺍﺯ ﺳـﺮﻣﺔ ﻋﻴ‪‬ــﺎﺭﻱ ﺍﻭﺳــﺖ‬ ‫ﺍﺧﮕـﺮ ﺯﻧــﺪﻩ ﺩﻟـﻢ ﺩﺭ ﺗــﻪ ﺧﺎﮐﺴـﺘﺮ ﺧــﻮﺩ ﺧﻮﺍﺏ ﻭﺍ ﺳﻮﺧﺘﺔ ﻋﺸﻖ ﺗﻮ ﺑﻴﺪﺍﺭﻱ ﺍﻭﺳـﺖ‬ ‫ﻧﺘــﻮﺍﻥ ﻳﺎﻓــﺖ ﺑﻬــﻢ ﻋﺎﻓﻴــﺖ ﻭ ﻋﺼــﻴﺎﻥ ﺭﺍ ﺷﮑﻦ ﺯﻟﻒ ﺳـﻴﺎﻫﺖ ﺯ ﺳـﻴﻪﮐـﺎﺭﻱ ﺍﻭﺳـﺖ‬ ‫ﺗــﺎ ﺑــﻪﺻــﻴ‪‬ﺎﺩ ﻣــﺮﺍ ﺑــﻮﺩ ﺭﺳــﻴﺪﻥ ﺩﺷــﻮﺍﺭ ﻣﺸﺖ ﺑﺎﻝ ﻭ ﭘﺮ ﻣﻦ ﺩﺭ ﻗﻔﺲ ﺍﺯ ﻳﺎﺭﻱ ﺍﻭﺳﺖ‬ ‫ﺑـﺎ ﭼﻨـﻴﻦ ﻳـﺎﺭﹺ ﺑ‪‬ـﺪ ﺍﻃـﻮﺍﺭ ﭼـﻪ ﺳـﺎﺯﻡ ﺁﺯﺍﺩ‬ ‫ﻧــﺎﺣﻖ ﺁﺯﺭﺩﻥ ﺩﻝ ﻋــﺎﻟﻢ ﺩﻟــﺪﺍﺭﻱ ﺍﻭﺳــﺖ‬ ‫»‪«۲۶۰‬‬ ‫ﮐﺮﺍ ﻧﺼـﻴﺐ ﺣـﻼﻭﺕ ﺍﺯ ﺁﻥ ﺷـﮑﺮﺧﻨﺪ ﺍﺳـﺖ ﮐــﻪ ﺭﺍﻩ‪ ‬ﺁﺏﹺ ﺑﻘــﺎ ﺑــﺮ ﺟﻬﺎﻧﻴــﺎﻥ ﺑﻨــﺪ ﺍﺳــﺖ‬ ‫ﺯ ﺑﺲﮐﻪ ﺯﻟﻒ ﺗﻮ ﺧﻮﺷﺒﻮ ﺑﻪﻧﮑﻬﺖ ﺫﺍﺗﻲ ﺍﺳﺖ ﭼﻮ ﺩﻭﺩ ﻋﻮﺩ ﺯ ﺑﻮﻳﺶ ﺩﻣﺎﻍ ﺧﻮﺭﺳـﻨﺪ ﺍﺳـﺖ‬ ‫ﺍﮔــﺮ ﺧــﺮﺍﺝ ﺑﺪﺧﺸــﺎﻥ ﻃﻠــﺐ ﮐﻨــﻲ ﺩﺍﺭﻡ ﺑﮕـﻮ ﮐـﻪ ﺑﻮﺳـﺔ ﻟﻌـﻞ ﺗـﺮﺍ ﺑﻬـﺎ ﭼﻨـﺪ ﺍﺳـﺖ‬ ‫ﺯ ﻋـﺬﺭﺧﻮﺍﻫﻲ ﺁﻥ ﭼﺸـﻢ ﻣـﻲﺗـﻮﺍﻥ ﺩﺍﻧﺴـﺖ ﮐﻪ ﺧـ ﹼﻂ ﺻـﻔﺤﺔ ﺭﺧﺴـﺎﺭ ﻧﺴـﺨﺔ ﭘﻨـﺪ ﺍﺳـﺖ‬ ‫ﻧﺘﻴﺠــﺔ ﻋﻤﻠــﺶ ﺟــﺰ ﻏﺒــﺎﺭ ﺧــﺎﻃﺮ ﻧﻴﺴــﺖ ﻣﻬﻮ‪‬ﺳــﻲ ﮐــﻪ ﺑــﻪﺍﮐﺴــﻴﺮ ﺁﺭﺯﻭﻣﻨــﺪ ﺍﺳــﺖ‬ ‫ﮐﺴﻲ ﮐﻪ ﺑﺮ ﺩﻝ ﺧـﻮﺩ ﺍﺯ ﮐﺴـﻲ ﻏﺒـﺎﺭ ﮔﺮﻓـﺖ ﻫﻤﻴﺸــﻪ ﺷﻴﺸــﺔ ﺍﻭ ﺯﻳــﺮ ﺑــﺎﺭ ﺍﻟﻮﻧــﺪ ﺍﺳــﺖ‬ ‫ﺯ ﺳــﻴﺮ ﺑــﺎﻍ ﭘﺮﺩﺭﻧــﮓ ﻫــﻮﺵ ﻣــﻦ ﺁﺯﺍﺩ‬ ‫ﮐـﻪ ﻫــﺮ ﻧﻬـﺎﻝ ﺑــﻪﺑــﺎﻻﻱ ﻳـﺎﺭ ﻣﺎﻧﻨــﺪ ﺍﺳــﺖ‬ ‫»‪«۲۶۱‬‬ ‫ﺻـﺪﺍﺋﻲ ﺑﺮﻧﺨﻴـﺰﺩ ﻭﻗـﺖ ﮐﺸـﺘﻦ ﺍﺯ ﺷـﻬﻴﺪﺍﻧﺖ ﮐﻪ ﮔﺮﺩ ﺳﺮﻣﻪ ﺑﺎﺷـﺪ ﺟـﻮﻫﺮ ﺷﻤﺸـﻴﺮ ﻣﮋﮔﺎﻧـﺖ‬ ‫ﻧﻤﮏ ﺭﺍ ﺑـﺎ ﺷـﮑﺮ ﺁﻣﻴﺨـﺘﻦ ﻧـﺎﺧﻮﺵ ﮐﻨـﺪ ﺍﻣ‪‬ـﺎ ﭼﺸــﺎﻧﺪ ﻟــﺬﹼﺕ ﺧﺎﺻﹼــﻲ ﺷــﮑﺮﺧﻨﺪ ﻧﻤﮑــﺪﺍﻧﺖ‬ ‫ﺯﺑــﺎﻥ ﻭ ﮐــﺎﻡ ﺧــﻮﺩ ﺍﺯ ﻧﻌﻤــﺖ ﺍﻟــﻮﺍﻥ ﻧﻴــﺎﻻﻳﻢ ﺍﮔـﺮ ﺛﻘﻠـﻲ ﺑﺪﺳـﺖ ﺁﻳـﺪ ﻣـﺮﺍ ﺍﺯ ﺑﻴـﺮﺓ ﭘﺎﻧـﺖ‪١‬‬ ‫‪ .١‬ﹺﺑﻴ ‪‬ﺮﻩ‪ :‬ﻟﻘﻤﻪ ﻭ ﻧﻮﺍﻟﻪ ﮐﻪ ﺩﺭ ﺩﻫﺎﻥ ﻣﻲﺧﺎﻳﻨﺪ )ﻧﺎﻇﻢﺍﻻﻃﺒﺎ(‪ .‬ﭘﺎﻥ‪ :‬ﺗﻨﺒﻮﻝ ﺭﺍ ﮔﻮﻳﻨﺪ ﺑﺮ ﻭﺯﻥ ﻣﻘﺒﻮﻝ ﻭ ﺍﻳﻦ ﻭﺍﮊﺓ ﻫﻨﺪﻱ ﺍﺳﺖ‪.‬‬ ‫ﺑﻴﺮﻩ ﺑﺮﺩﺍﺷﺘﻦ‪ :‬ﮐﻨﺎﻳﻪ ﺍﺯ ﺍﺭﺍﺩﻩ ﮐﺮﺩﻥ ﺑﺎﻟﺠﺰﻡ ﭼﻪ ﺩﺭ ﺯﻣﺎﻧﺔ ﺳﺎﺑﻖ ﺩﺭ ﺳﻼﻃﻴﻦ ﻫﻨﺪ ﺭﺳﻢ ﺑﻮﺩ ﮐﻪ ﭘﻴﺶ ﺍﻣﺮﺍ ﺑﺮﺍﻱ ﺍﻧﺼﺮﺍﻡ‬ ‫ﺭﺳﺎﻧﻴﺪﻥ ﻣﻬﻢ ﺑﻴﺮﺓ ﭘﺎﻥ ﻣﻲﺍﻧﺪﺍﺧﺘﻨﺪ ﻫﺮﮐﺴﻲ ﮐﻪ ﺁﻥ ﺭﺍ ﺑﺮﺩﺍﺷﺘﻲ ﺍﻧﺼﺮﺍﻡ ﺁﻥ ﻣﻬﻢ ﺑﻪﺫﻣﺔ ﺍﻭ ﻭﺍﺟﺐ ﺷﺪﻱ )ﻏﻴﺎﺙ‪E .(۱۵۸ ،‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٤٩ //‬‬ ‫ﻗﻴﺎﻣـﺖ ﺑﺮﺳـﺮﹺ ﻏﻮﻏـﺎﻱ ﺧـﻮﺩ ﺑﺴـﻴﺎﺭ ﻣـﻲﻧـﺎﺯﺩ ﻧﻤــﻲﺩﺍﺭﺩ ﺧﺒــﺮ ﺍﺯ ﺗﻮﺗﻴــﺎﻱ ﭼﺸــﻢ ﻓﺘﹼﺎﻧــﺖ‬ ‫ﭘﺮﻳﺸﺎﻥ ﺣﺎﻝ ﺑﺮ ﻣﺎﻝ ﮐﺴـﺎﻥ ﭼﺸـﻢ ﻃﻤـﻊ ﺩﻭﺯﺩ ﺑﻪﺩﺯﺩﻱ ﺑـﺮﺩ ﺍﺯ ﻣـﻦ ﻧﻘـﺪ‪ ‬ﺩﻝ ﺯﻟـ ‪‬ﻒ ﭘﺮﻳﺸـﺎﻧﺖ‬ ‫ﭼﻪ ﺷﺪ ﮔﺮ ﺭﻧﮓ ﺭﻭ ﺍﺯ ﺗﺮﺱ ﺧﻮﻧﺮﻳﺰﻱ ﻧﻤﻲﺑﺎﺯﻱ‪ ١‬ﮔﻮﺍﻫﻲ ﻣﻲﺩﻫﺪ ﺑـﺮ ﮐﺸـﺘﻦ ﻣـﻦ ﺭﻧـﮓ ﺩﺍﻣﺎﻧـﺖ‬ ‫ﺍﮔﺮ ﺑﺮ ﺩﺳﺖ ﮐﺎﻓﺮ ﻣﻲﻓﺮﻭﺷـﻲ ﺳـﺮ ﻧﻤـﻲﭘﻴﭽـﺪ‬ ‫ﺑــﻮﺩ ﺁﺯﺍﺩ ﻣﺴــﮑﻴﻦ ﺑﻨــﺪﺓ ﺳــﺮﻭﹺ ﺧﺮﺍﻣﺎﻧــﺖ‬ ‫»‪«۲۶۲‬‬ ‫ﻣﺮﺍ ﺑﻪﺟﻠﻮﻩﮔﻪ ﻳﺎﺭ ﻣﺸـﮑﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ ﻫﺰﺍﺭ ﺁﻳﻴﻨـﻪ ﺑـﺎ ﺩﻝ ﻣﻘﺎﺑـﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻧﻴﺎﺯﻣﻨــﺪ ﺑــﻪﺧــﻮﺩ ﮐــﺮﺩ ﻧﺎﺯﻧﻴﻨــﺎﻥ ﺭﺍ ﺯ ﺑﺲﮐﻪ ﺟﻮﻫﺮ ﺁﻳﻴﻨﻪ ﻗﺎﺑﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻣﺰﺍﺝ ﮐﺲ ﺑﻪﺷـﮕﻔﺘﻦ ﻧﻤـﻲﺷـﻮﺩ ﻣﺎﻳـﻞ ﮐﺪﺍﻡ ﻏﻤﺰﺩﻩ ﺑﻴﺮﻭﻥ ﻣﺤﻔﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺑﺮﺍﻱ ﺻﻮﺭ‪ ٢‬ﻗﻴﺎﻣﺖ ﮐﺴﻲ ﻧﺨﻮﺍﻫـﺪ ﻣﺎﻧـﺪ ﺯ ﺑﺲﮐﻪ ﺗﻴﻎ ﻧﮕﺎﻩ ﺗﻮ ﻗﺎﺗﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻓﻐﺎﻥ ﮐﻪ ﻟﻴﻠـﻲ ﺭﻋﻨـﺎ ﮔﺬﺷـﺖ ﺑـﻲﭘـﺮﻭﺍ ﻫﺰﺍﺭ ﻗﺎﻓﻠﻪ ﺩﻧﺒـﺎﻝ ﻣﺤﻤـﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻗﻴﺎﺱ ﺣﺎﻟﺖ ﻣﻦ ﺑـﺮ ﻋﻤﺎﻣـﻪ ﺑﻨـﺪ ﻣﮑـﻦ ﻣﺮﺍ ﻧﻪ ﺑﺎﺭ ﺑﺴﺮ ﺑﻠﮑﻪ ﺑﺮ ﺩﻝ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻧﮕﺎﻩ ﻣﺴﺖ ﺗﻮ ﺑﺮ ﻫـﺮﮐﺲ ﺍﻟﺘﻔـﺎﺕ ﮐﻨـﺪ‬ ‫ﻫﻤﻴﻦ ﺑﻪﻧﻮﺑﺖ ﺁﺯﺍﺩ ﮐﺎﻫﻞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫»‪«۲۶۳‬‬ ‫ﻫﻤﻴﻦ ﺧﻴﺎﻝ ﺗﻮ ﻧﻘـﺶ ﺿـﻤﻴﺮ ﺁﮔـﻪ ﻣﺎﺳـﺖ ﺗﻬــﻲ ﺯ ﻏﻴــﺮ ﺗــﻮ ﺁﻳﻴﻨــﺔ ﻣﻨــﺰﻩ ﻣﺎﺳــﺖ‬ ‫ﻫﻤﻴﺸﻪ ﺻﻮﺭﺕ ﺧﻮﺩ ﺭﺍ ﺑﻪﺩﺳﺖ ﺧﻮﺩ ﺩﺍﺭﻱ ﻧﮕــﻴﻦ ﺁﺋﻴﻨــﻪﺍﺕ‪ ٣‬ﺣ ‪‬ﺠــﺖ ﻣﻮﺟ‪‬ــﻪ ﻣﺎﺳــﺖ‬ ‫‪ F‬ﺑﺴﻴﺎﺭﻱ ﺍﺯ ﺷﺎﻋﺮﺍﻥ ﻭﺻﻒ ﭘﺎﻥ ﻧﻤﻮﺩﻩﺍﻧﺪ ﺍﺯ ﺁﻥ ﺟﻤﻠﻪ ﻣﻨﻴﺮ ﻻﻫﻮﺭﻱ ﺩﺭ ﻣﺜﻨﻮﻱ ﺳﺎﺯ ﻭ ﺑﺮﮒ ‪ ۴۰‬ﺑﻴﺖ ﺩﺭ ﻭﺻﻒ ﭘﺎﻥ‬ ‫ﺩﺍﺭﺩ )ﺳﺮﻭﺩﻩﻫﺎ ﻭ ﻧﻮﺷﺘﻪﻫﺎ ﻣﻨﻴﺮ ﻻﻫﻮﺭﻱ‪ .(۱۴۳ ،‬ﻃﺎﻟﺐ ﺁﻣﻠﻲ ﻧﻴﺰ ﺩﺍﺭﺩ‪:‬‬ ‫ﻓﺸﺎﻧﺪﻱ ﻳﮑﻲ ﺩﺭ ﺑﻐﻞ ﻳﺎﺳـﻤﻴﻨﻢ ﻧﻬﺎﺩﻱ ﻳﮑﻲ ﺩﺭ ﺩﻫﺎﻥ ﺑﺮﮒ ﭘـﺎﻧﻢ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻧﻤﻲﺳﺎﺯﻱ‪.‬‬ ‫‪ .٢‬ﺻﻮﺭ ﺁﻧﭽﻪ ﺍﺳﺮﺍﻓﻴﻞ ﺭﻭﺯ ﻗﻴﺎﻣﺖ ﺩﻭ ﺑﺎﺭ ﺩﻣﺪ ﺩﺭ ﺩﻣﻴﺪﻥ ﺍ ‪‬ﻭﻝ ﺧﻠﻘﻲ ﺭﺍ ﻣﻴﺮﺍﻧﺪ ﻭ ﺩﺭ ﺩﻣﻴﺪﻥ ﺛﺎﻧﻲ ﺯﻧﺪﻩ ﺳﺎﺯﺩ ﺑﻪﺍﺫﻥ ﺍﷲ‬ ‫ﺗﻌﺎﻟﻲ‪ ،‬ﺩﺭ ﺑﻴﺖ ﻣﺮﺍﺩ ﺍ ‪‬ﻭﻝ )ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٣‬ﻧﮕﻴﻦ ﺁﻳﻴﻨﻪ ﻧﮕﻴﻨﻲ ﮐﻪ ﺍﺯ ﺁﻳﻴﻨﻪ ﺩﺭ ﺍﻧﮕﺸﺘﺮ ﻧﺸﺎﻧﻨﺪ‪ ،‬ﺩﺍﺭﺍﺏ ﺑﻴﮓ ﺟﻮﻳﺎ ﮔﻮﻳﺪ‪:‬‬ ‫ﻣﻲﻧﻤﺎﻳﺪ ﻋﺎﺭﺿـﺶ ﺩﺭ ﺣﻠﻘـﺔ ﺯﻟـﻒ ﻳﺎ ﻧﺸﺎﻧﻴﺪﻩ ﺍﺳﺖ ﺩﺭ ﺍﻧﮕﺸﺘﺮﻱ ﺁﻳﻴﻨﻪ ﺭﺍ‬ ‫ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪﺳ‪:‬ـــــــــــــــــــــــــــــــﻴﺎﻩ‬ ‫ﮔﻬﺮ ﻣﺒﺮ ﺑﻪ ﺳﺮ ﭼﺎﺭ ﺳﻮﻱ ﺧﻮﺩﺑﻴﻨﺎﻥ ﮐﻪ ﻏﻴﺮ ﺁﻳﻴﻨﻪ ﺁﻧﺠﺎ ﻧﮕـﻴﻦ ﻧﻤـﻲﺑﺎﺷـﺪ‬ ‫)ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬

‫‪ // ٢٥٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﭼﻪ ﺣﺮﻑ ﺧﻮﺏ ﺍﻳﺎﺯ ﺑﺮﻳـﺪﻩ ﮔﻴﺴـﻮ ﮔﻔـﺖ ﺷﺐ ﺑﻬـﺎﺭ ﺑـﻪﺗﺤﻘﻴـﻖ ﺯﻟـﻒ ﮐﻮﺗـﻪ ﻣﺎﺳـﺖ‬ ‫ﻧﻤﻲﺗـﻮﺍﻥ ﺑـﻪﺳـﺮ ﮐـﻮﻱ ﺑـﻲﺩﻣﺎﻏـﺎﻥ ﺭﻓـﺖ ﺩﻟﻲ ﮐﻪ ﺻـﺒﺮ ﻧـﺪﺍﺭﺩ ﺯ ﻧﺎﻟـﻪ ﻫﻤـﺮﻩ ﻣﺎﺳـﺖ‬ ‫ﻧﻤــﻲﺑــﺮﻳﻢ ﺑــﻪﺟــﺎﻱ ﺩﮔــﺮ ﺩﻝ ﺧــﻮﺩ ﺭﺍ ﮐﻪ ﺍﻳﻦ ﻋﻘﻴـﻖ ﭘﺴـﻨﺪﻳﺪﻩ ﻗﺎﺑـﻞ ﺷـﻪ ﻣﺎﺳـﺖ‬ ‫ﺯﺑــﺎﻥ ﺍﺯ ﻋﻬــﺪﺓ ﺷﹸــﮑﺮﹺ ﺗــﻮ ﺑﺮﻧﻤــﻲﺁﻳــﺪ ﺑـﻪﻳﻤـﻦ ﺩﻭﻟـﺖ‪ ‬ﺗـﻮ ﺣﺎﻟـﺖ ﻣﺮﻓﹼـﻪ ﻣﺎﺳـﺖ‬ ‫ﮐﻨﻨــﺪ ﺗﻬﻨﻴــﺖ ﻫــﻢ ﺳــﺘﺎﺭﻩﻫــﺎ‪ ١‬ﺍﻣﺸــﺐ ﺷـﻨﻴﺪﻩﺍﻧـﺪ ﮐـﻪ ﻫﻨﮕـﺎﻡ ﺟﻠـﻮﺓ ﻣـﻪ ﻣﺎﺳـﺖ‬ ‫ﺑﻪﺣﺴﻦ ﺧﻠـﻖ ﺗـﻮ ﺷﺨﺼـﻲ ﻧﺪﻳـﺪﻩﺍﻡ ﺁﺯﺍﺩ‬ ‫ﺩﺭ ﺍﻳﻦ ﺩﻳﺎﺭ ﮐﻪ ﺍﺯ ﺳﺎﻝﻫـﺎ ﮔﺬﺭﮔـﻪ ﻣﺎﺳـﺖ‬ ‫»‪«۲۶۴‬‬ ‫ﺑـﻪﭘﻴﺸـﮕﺎﻩ ﺗـﻮ ﺍﺯ ﺩﻭﺭ ﺣـﺎﻝ ﻣـﺎ ﭘﻴﺪﺍﺳـﺖ ﮐﻪ ﺩﺭ ﺣﻀﻮﺭ ﺗﻮ ﺁﻳﻴﻨﻪ ﻋﺮﺽ ﺑﻴﮕﻲ ﻣﺎﺳﺖ‬ ‫ﺭﻗﻴــﺐ ﺭﺍ ﺯﺩﻩ ﺑﻴــﺮﻭﻥ ﺯ ﺍﻧﺠﻤــﻦ ﮐــﺮﺩﻱ ﺑﺮﻭﻥ ﻧﻤﻮﺩﻥ ﻣﺎﺭ ﺍﺯ ﺑﻬﺸـﺖ ﮐـﺎﺭ ﺑﺠﺎﺳـﺖ‬ ‫ﺯ ﻳﻤﻦ ﻋﺸﻖ ﺩﻫﺪ ﺩﺳﺖ ﺣﺴـﻦ ﺭﺍ ﺩﻭﻟـﺖ ﺑﺮﺍﻱ ﮔـﻞ ﭘـﺮ ﺑﻠﺒـﻞ ﺑﺠـﺎﻱ ﺑـﺎﻝ ﻫﻤﺎﺳـﺖ‬ ‫ﻣﮕـــــﺮ ﺍﺭﺍﺩﺓ ﭘـــــﺎﺑﻮﺱ ﺩﻟﺒـــــﺮﻱ ﺩﺍﺭﺩ ﮐﻪ ﺁﺏ ﺩﻳﺪﺓ ﻣﻦ ﺻﺮﻑ ﺷﺎﺧﺴﺎﺭ ﺣﻨﺎﺳـﺖ‬ ‫ﺯ ﺑﺴـــﺘﻦ ﻣـــﮋﻩ ﺩﺍﺭﻡ ﺑﺨـــﻮﺩ ﺗﻤﺎﺷـــﺎﺋﻲ ﮐﻪ ﺑﺮ ﻣﹶﻨﺼﹼﺔ ﺩﻝ ﻳﺎﺩ ﺩﻭﺳﺖ ﺟﻠـﻮﻩﻧﻤﺎﺳـﺖ‬ ‫ﭼﻨﺎﻧﮑـﻪ ﻣـﺎﺭ ﺳـﻴﻪ ﺭﺍ ﻓـﺮﻭ ﺑـﺮﺩ ﻃـﺎﻭﻭﺱ ﻏﺬﺍﻱ ﺍﻳﻦ ﺩﻝ ﭘ‪‬ـﺮﺩﺍﻍ ﻳـﺎﺩ ﺯﻟـﻒ ﺭﺳﺎﺳـﺖ‬ ‫ﭼــﻪ ﺍﺣﺘﻤــﺎﻝ ﮐــﻪ ﺟــﺎﻳﻲ ﺩﮔــﺮ ﺭ‪‬ﻭﺩ ﺁﺯﺍﺩ‬ ‫ﻏﻼﻡ ﺳﻠﺴﻠﻪ ﺑـﺮ ﭘـﺎﻱ ﺁﻥ ﭘـﺮﻱ ﺳﻴﻤﺎﺳـﺖ‬ ‫»‪«۲۶۵‬‬ ‫ﻣﺪﺍﻥ ﻧﻮﺍﺯﺵ ﺁﻥ ﭼﺸﻢ ﻣـﻲﭘﺮﺳـﺖ ﺩﺭﺳـﺖ ﻧﺪﻳﺪﻩ ﺍﺳﺖ ﮐﺴﻲ ﻗﻮﻝ ﻭ ﻓﻌﻞ ﻣﺴﺖ ﺩﺭﺳﺖ‬ ‫ﺑﻬــﺎﺭ ﺁﻣــﺪ ﻭ ﭘــﻴﺶ ﺟﻨــﻮﻥ ﺧﺠــﻞ ﮔﺸــﺘﻢ ﻧﺪﺍﺭﻡ ﺁﻩ ﮔﺮﻳﺒـﺎﻥ ﺩﺭﺳـﺖ ﻭ ﺩﺳـﺖ ﺩﺭﺳـﺖ‬ ‫ﺳﭙﻨﺪ ﺟﺴـﺖ ﻭ ﺯ ﻣﺠﻤـﺮ ﺑﺠـﺎﻱ ﺩﻭﺭ ﺍﻓﺘـﺎﺩ ﻫﺰﺍﺭ ﺣﻴﻒ ﮐﻪ ﺍﻳﻦ ﻣﻀﻄﺮﺏ ﻧﺠﺴﺖ ﺩﺭﺳﺖ‬ ‫ﻧﺪﻳــﺪ ﭼﺸــﻢ ﮐﺴــﻲ ﺍﺯ ﻣﻴــﺎﻥ ﺍﻭ ﺍﺛــﺮﻱ ﻣﮕﺮ ﺑﮑﺸـﺘﻦ ﻣـﺮﺩﻡ ﭼﮕﻮﻧـﻪ ﺑﺴـﺖ ﺩﺭﺳـﺖ‬ ‫ﺩﻝ ﺗــﺮﺍ ﺍﺛــﺮﻱ ﺍﺯ ﺧــﺮﺍﺵ ﻧﺎﻟــﻪ ﺭﺳــﻴﺪ ﺑﻪﺳﻨﮓ ﺳﺨﺖ ﺗﺮﻱ ﻧﻘﺶ ﻣﺎ ﻧﺸﺴﺖ ﺩﺭﺳﺖ‬ ‫‪ .١‬ﺩﺭﻫﺎﻣﺶ ﻧﺴﺨﺔ ﻣﺠﻠﺲ »ﺳﺘﺎﺭﮔﺎﻥ« ﻧﻴﺰ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٥١ //‬‬ ‫ﺍﮔﺮ ﮔﺪﺍﺳﺖ ﮔﺪﺍﻱ ﺟﻨـﺎﺏ ﺧﻮﺭﺷـﻴﺪ ﺍﺳـﺖ ﮐﻼﻩ ﮔﻮﺷﺔ ﺧﻮﺩ ﻣـﺎﻩ ﻧـﻮ ﺷﮑﺴـﺖ ﺩﺭﺳـﺖ‬ ‫ﺍﮔﺮﭼـــﻪ ﺧـــﺎﻃﺮ ﺁﺯﺍﺩ ﭘﺮﺷﮑﺴـــﺘﻪ ﺑـــﻮﺩ‬ ‫ﻭﻟـﻲ ﺑـﻪﺑﻨـﺪﮔﻲ ﺁﻥ ﺟﻨـﺎﺏ ﻫﺴـﺖ ﺩﺭﺳـﺖ‬ ‫»‪«۲۶۶‬‬ ‫ﭼﻘﺪﺭ ﺑﻠﺒﻞ ﺧﻮﺵ ﺯﻣﺰﻣﻪﺧﻮﺍﻫـﺎﻥ ﮔـﻞ ﺍﺳـﺖ ﮐﻪ ﺯ ﻣﺮﻏﺎﻥ ﭼﻤـﻦ ﺣـﺎﻓﻆ ﻗـﺮﺁﻥ ﮔـﻞ ﺍﺳـﺖ‬ ‫ﺑﺎﻏﺒـــﺎﻥ ﺩﺭ ﭼﻤـــﻦ ﺁﺯﺍﺭ ﻣـــﺪﻩ ﺑﻠﺒـــﻞ ﺭﺍ ﺩﻭ ﺳﻪ ﺭﻭﺯ ﺍﺳﺖ ﮐﻪ ﺍﻳﻦ ﻏﻤﺰﺩﻩ ﻣﻬﻤﺎﻥ ﮔﻞ ﺍﺳﺖ‬ ‫ﻧﻴﺴـﺘﻢ ﺍﻳـﻦ ﻫﻤـﻪ ﻧـﺎﺩﺍﻥ ﮐـﻪ ﺑﻴﻔـﺘﻢ ﺑـﻪﻏﻠـﻂ ﻧﮑﻬــﺖ ﭘﻴﺮﻫﻨــﻲ ﻋﻄــﺮ ﮔﺮﻳﺒــﺎﻥ ﮔــﻞ ﺍﺳــﺖ‬ ‫ﺯﺭ ﮔــﻞ ﺟــﺎﻱ ﺩﮔــﺮ ﺻــﺮﻑ ﻧﺒﺎﻳــﺪ ﮐــﺮﺩﻥ ﮐﻪ ﺣﻖ ﻭﺍﺟـﺐ ﻣﺮﻏـﺎﻥ ﺛﻨـﺎﺧﻮﺍﻥ ﮔـﻞ ﺍﺳـﺖ‬ ‫ﻳـــﺎﺭﺏ ﺍﺯ ﺑـــﺎﺩ ﺧـــﺰﺍﻧﺶ ﻧﺮﺳـــﺪ ﺁﺳـــﻴﺒﻲ ﺧﻮﺏ ﺍﻣﺴﺎﻝ ﺩﺭ ﺍﻳﻦ ﺑﺎﻍ ﭼﺮﺍﻏﺎﻥ ﮔـﻞ ﺍﺳـﺖ‬ ‫ﺁﻩ ﻧﻮﻣﻴـــﺪﻳﻲ ﻋﺸﹼـــﺎﻕ ﭼـــﻪ ﮔﻴـــﺮﺍ ﺑﺎﺷـــﺪ ﺧﺎﺭ ﺧﺎﺭ ﺟﮕـﺮﻱ ﺩﺳـﺖ ﺑـﺪﺍﻣﺎﻥ ﮔـﻞ ﺍﺳـﺖ‬ ‫ﺗــﻮ ﻫــﻢ ﺁﺯﺍﺩ ﮔﺮﻳﺒــﺎﻥ ﻧــﻮﻱ ﭘﻴــﺪﺍ ﮐــﻦ‬ ‫ﻳـﺎﺩ ﻧـﻮﺭﻭﺯ ﺩﮔـﺮ ﺩﺭ ﭘـﻲ ﺳـﺎﻣﺎﻥ ﮔـﻞ ﺍﺳـﺖ‬ ‫»‪«۲۶۷‬‬ ‫ﻋﻴﺐ ﺭﻧﺪﺍﻥ ﺭﺍ ﻧﻤﻲﺩﺍﻧﻢ ﭼﻪ ﺑﺎﻋﺚ ﺑـﻮﺩﻩ ﺍﺳـﺖ ﺭﻳﺶ ﻗﺎﺿﻲ‪ ١‬ﺑﺎﺭﻫﺎ ﺩﻳﺪﻡ ﮐـﻪ ﻣـﻲﺁﻟـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑﺮﮔﻬﺎﻱ ﺷﺎﺥ ﮔـﻞ ﺭﺍ ﻧﻴﺴـﺖ ﺟﻨـﺒﺶ ﺍﺯ ﻧﺴـﻴﻢ ﺩﻭﺭ ﺍﺯ ﻳﺎﺭﻱ ﮐﻒ ﺍﻓﺴﻮﺱ ﺑـﺮﻫﻢ ﺳـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑﻠﺒــﻞﹺ ﺁﺩﺍﺏ ﺩﺍﻥ‪ ‬ﻣــﺎ ﺗﻤﺎﺷــﺎ ﮐﺮﺩﻧــﻲ ﺍﺳــﺖ ﺩﻳﺪﺓ ﻣﺸـﺘﺎﻕ ﺭﺍ ﺑـﺮ ﺭﻭﻱ ﮔـﻞ ﻧﮕﺸـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻣــﺎﻩ ﻧــﻮ ﮔــﺮ ﺩﻳــﺪﻩﺍﻡ ﺩﺭ ﭘﻬﻠــﻮﻱ ﺁﻥ ﺁﻓﺘــﺎﺏ ﺍﺳﺘﺨﻮﺍﻧﻲ ﻣﺎﻧـﺪﻩ ﺑـﺎﻗﻲ ﺍﺯ ﺗـﻦ ﻓﺮﺳـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑــﻲﺩﻣــﺎﻏﻲﻫــﺎﻱ ﻣﺴــﺖ ﺯﻧــﺪﮔﺎﻧﻲ ﺭﺍ ﻣﭙــﺮﺱ ﻭﻗﺖ ﺁﻥ ﮐﺲ ﺧﻮﺵ ﮐﻪ ﺩﺭ ﺧﻮﺍﺏ ﻋﺪﻡ ﺁﺳﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﭼﻮﻥ ﺧﻮﺭﻱ ﻣﻲ ﺟﺎﻡ ﺍﻭ‪‬ﻝ ﻫﻢﻧﺸﻴﻦ ﺭﺍ ﻟﻄﻒ ﮐـﻦ ﺍﻳﻦ ﻧﺼﻴﺤﺖ ﺭﺍ ﺑﻪﻣـﻦ ﭘﻴﺮﻣﻐـﺎﻥ ﻓﺮﻣـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑــﺮ ﺗــﻮ ﻫــﻢ ﻻﺯﻡ ﺑــﻮﺩ ﺍﺯ ﺧﺎﻧــﻪ ﺗــﺎ ﺩﺭﺁﻣــﺪﻥ‬ ‫ﺭﺍﻩ ﺩﻭﺭﻱ ﺗــﺎ ﺩﺭﺕ ﺁﺯﺍﺩ ﻣــﺎ ﭘﻴﻤــﻮﺩﻩ ﺍﺳــﺖ‬ ‫‪ .١‬ﺩﺭ ﺍﺻﻄﻼﺡ ﻣﻲ ﺧﻮﺍﺭﺍﻥ ﻟﺘﺔ ﮐﻪ ﺍﺯ ﺳﺮ ﺷﻴﺸﻪ ﺁﻭﻳﺰﻧﺪ ﺗﺎ ﺷﺮﺍﺏ ﺩﺭ ﭘﻴﺎﻟﻪ ﻗﻄﺮﻩ ﻗﻄﺮﻩ ﺍﺯ ﺁﻥ ﭼﮑﺪ‪ .‬ﺁﺻﻔﻲ ﻫﺮﻭﻱ ﮔﻮﻳﺪ‪:‬‬ ‫ﻧﺪﺍﺭﺩ ﻫﻴﭽﮑﺲ ﭘﺮﻭﺍﻱ ﺭﻳﺶ ﻣﺤﺘﺴـﺐ ﺍ‪‬ﻣـﺎ ﺑﻪ ‪‬ﺩﻭﺭ ﺷﻴﺸﺔ ﻣﻲ ﺭﻳﺶ ﻗﺎﺿﻲ ﺣﺮﻣﺘـﻲ ﺩﺍﺭﺩ‬ ‫)ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬

‫‪ // ٢٥٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۶۸‬‬ ‫ﺧﺎﮐﻲ ﮐﻪ ﺩﻝ ﻓﺸﺎﻧﺪ ﺑﺴﺮ ﺧﺎﮎ ﺭﺍﻩ ﮐﻴﺴﺖ ﭘﺮﺳﻴﺪ ﺍﻳﻦ ﺳـﺘﻢﺯﺩﻩ ﺭﺍ ﺩﺍﺩﺧـﻮﺍﻩ ﮐﻴﺴـﺖ‬ ‫ﭘﻴﺶ ﺗـﻮ ﺍﺯ ﺟﻔـﺎ ﮔﻠـﻪ ﮐـﺮﺩﻥ ﮔﻨـﺎﻩ ﻣـﻦ ﺭﻧﺠﻴـﺪﻥ ﻭ ﺟـﻮﺍﺏ ﻧـﺪﺍﺩﻥ ﮔﻨـﺎﻩ ﮐﻴﺴـﺖ‬ ‫ﺩﻝ ﺯﻟﻒ ﺯﻟﻒ ﮔﻔﺘﻪ ﺑـﺮﻭﻥ ﺭﻓـﺖ ﺍﺯ ﺑـﺮﻡ ﻣﻌﻠﻮﻡ ﻧﻴﺴﺖ ﺩﺭ ﺳـﺮﺯﻟﻒ ﺳـﻴﺎﻩ ﮐﻴﺴـﺖ‬ ‫ﻳﮏ ﮔﻞ ﺑﺨﻮﺑﻲ ﺩﻝ ﻣـﻦ ﮐـﻮ ﺑـﻪﮔﻠﺴـﺘﺎﻥ ﺍﻧﺼﺎﻑ ﺩﻩ ﮐﻪ ﻗﺎﺑﻞ ﻃـﺮﻑ ﮐـﻼﻩ ﮐﻴﺴـﺖ‬ ‫ﺍﻣــﺮﻭﺯ ﮐﺸــﺘﺔ ﺳــﺮﺭﺍﻫﻲ ﻓﺘــﺎﺩﻩ ﺍﺳــﺖ ﻇﺎﻫﺮ ﻧﺸﺪ ﮐﻪ ﺑﺴـﻤﻞ ﺗﻴـﻎ ﻧﮕـﺎﻩ ﮐﻴﺴـﺖ‬ ‫ﭼﺸــﻢ ﮐﺴـــﻲ ﻧﺪﻳــﺪ ﺭﺥ ﺷـــﻬﺮﻳﺎﺭ ﺭﺍ ﺩﻟﻬﺎﻱ ﺑﺮ ﮐﻤـﺮ ﺯﺩﻩ ﺩﺍﻣـﺎﻥ ﺳـﻴﺎﻩ ﮐﻴﺴـﺖ‬ ‫ﻳــﺎﺭﺍﻥ ﺯﻳــﺎﺭﺕ ﺩﻝ ﺁﺯﺍﺩ ﮐﺮﺩﻧــﻲ ﺍﺳــﺖ‬ ‫ﺁﺋﻴﺪ ﻭ ﺑﻨﮕﺮﻳﺪ ﮐﻪ ﺍﻳﻦ ﺟﻠـﻮﻩﮔـﺎﻩ ﮐﻴﺴـﺖ‬ ‫»‪«۲۶۹‬‬ ‫ﻣﻲﺷﻨﺎﺳﺪ ﻫﺮ ﮐﺮﺍ ﺫﻭﻕ ﺻـﺪﺍﻱ ﺩﻟﮑـﺶ ﺍﺳـﺖ ﺩﺭ ﻣﻴـﺎﻥ ﺳـﺎﺯﻫﺎ ﻧـﻲ ﺗﻴـﺮ ﺭﻭﻱ ﺗـﺮﮐﺶ ﺍﺳـﺖ‬ ‫ﺷـﺎﻫﺪ ﻣﻌﻨـﻲ ﮐـﻪ ﺑﺎﺷـﺪ ﺟﺎﻣـﺔ ﻟﻔﻈـﺶ ﮐﻬـﻦ ﻧﮑﺘﻪﺩﺍﻧﻲ ﮔﺮ ﻟﺒﺎﺱ ﺗﺎﺯﻩ ﭘﻮﺷـﺎﻧﺪ ﺧـﻮﺵ ﺍﺳـﺖ‬ ‫ﺗﻮﺑــﻪ ﺍﺯ ﭘﻴﻤﺎﻧــﻪ ﮐــﺮﺩﻥ ﺩﺍﻍ ﻣــﻲﺳــﺎﺯﺩ ﺗــﺮﺍ ﺷﺎﺥﹺ ﺗﺮ ﭼﻮﻥ ﺧﺸﮏ ﻣﻲﮔﺮﺩﺩ ﺳﺰﺍﻱ ﺁﺗﺶ ﺍﺳﺖ‬ ‫ﺟﺎﻥ ﻣـﻦ ﮐـﻮ ﺧﻨـﺪﺓ ﺷـﻴﺮﻳﻦ ﻭ ﺩﺷـﻨﺎﻡ ﺗـﺮﺵ ﻃﺒﻊ ﻣﻦ ﺍﻣـﺮﻭﺯ ﺧﻮﺍﻫـﺎﻥ ﺍﻧـﺎﺭ ﻣﻴﺨـﻮﺵ ﺍﺳـﺖ‬ ‫ﺍﻱ ﮐــﻪ ﻣــﻲﺩﺍﻧــﻲ ﻏﺒــﺎﺭﺁﻟﻮﺩﻩ ﺍﺧــﻼﺹ ﻣــﺮﺍ ﺣﻖ ﺗﻌﺎﻟٰﻲ ﺧﻮﺏ ﻣﻲﺩﺍﻧﺪ ﮐﻪ ﺍﻳﻦ ﻣﻲ ﺑﻴﻐﺶ ﺍﺳﺖ‬ ‫ﺷﻤﻊ ﺍﻣﺸﺐ ﺍﺯ ﻋﺬﺍﺏ ﺳـﻮﺧﺘﻦ ﻣﺤﻔـﻮﻅ ﻣﺎﻧـﺪ ﺧﺎﻧﺔ ﻣﺎ ﺭﻭﺷـﻦ ﺍﺯ ﺭﺧﺴـﺎﺭﺓ ﺁﻥ ﻣﻬـﻮﺵ ﺍﺳـﺖ‬ ‫ﻫﻤ‪‬ـــﺖ ﺁﺯﺍﺩ ﺍﺯ ﺳـــ ‪‬ﺠﺎﺩﺓ ﺷـــﻴﺨﻲ ﮔﺬﺷـــﺖ‬ ‫ﺯﺍﻫﺪ ﺧﻠﻮﺕﻧﺸﻴﻦ ﻭﺍﺑﺴﺘﺔ ﺭﻳﺶ ﻭ ﻓـﺶ ﺍﺳـﺖ‬ ‫»‪«۲۷۰‬‬ ‫ﺧﺎﻝ ﺍﻭ ﺩﺭ ﺧﻂ ﻧﻬﺎﻥ ﮔﺮﺩﻳﺪﻩ ﺍﺳـﺖ ﺩﺭ ﺩﻝ ﺷﺐ ﻓﺘﻨﻪﺍﻱ ﺧﻮﺍﺑﻴـﺪﻩ ﺍﺳـﺖ‬ ‫ﻳﺎﺭ ﮔﺮﺩﻥﮐﺶ ﺗﻤﺎﺷﺎ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ ﻫﺎﺭ‪ ١‬ﮔﻞ ﺍﺯ ﺧﻮﻥ ﻣﻦ ﭘﻮﺷﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﻇــﺎﻟﻤﻲ ﺁﻥ ﺷــﻮﺥ ﺭﺍ ﺩﺭ ﺑﺮﮔﺮﻓــﺖ ﺍﮊﺳﺩـﻫـــﺎـﺑـــﺮـــﺻــﻨــﺪﻟــﻲــﭘﻴــﭽـﻴــــﺪـﻩـﺍـﺳــﺖ‬ ‫ﺩﻳﺪ ﻗﻄـﻊ ﺩﺳـﺖ ﺧـﻮﺩ ﺯﻟـﻒ ﺍﻳـﺎﺯ ﺗــﺎ ﺩﻝ ﻣﺤﻤــﻮﺩ ﺭﺍ ﺩﺯﺩﻳــﺪﻩ ﺍﺳــﺖ‬ ‫‪ .١‬ﮔﺮﺩﻥﺑﻨﺪ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٥٣ //‬‬ ‫ﻭﺟﻪ ﺭﻧﺠﻴﺪﻥ ﻧﻤﻲﺩﺍﻧﻢ ﮐـﻪ ﭼﻴﺴـﺖ ﺍﻳﻦﻗﺪﺭ ﺩﺍﻧـﻢ ﮐـﻪ ﭘﺮﺭﻧﺠﻴـﺪﻩ ﺍﺳـﺖ‬ ‫ﻃﻮﻕ ﮔﺮ ﮐﺮﺩﻧﺪ ﻗﻤـﺮﻱ ﺭﺍ ﺑﺠﺎﺳـﺖ ﺳـﺮﻭ ﺭﺍ ﺑـﺎ ﻗـﺪ‪ ‬ﺍﻭ ﺳـﻨﺠﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﺁﻣـــﺪﻡ ﺁﺯﺍﺩ ﺗـــﺎ ﺳـــﻮﺩﺍ ﮐـــﻨﻢ‬ ‫ﭼﺸﻢ ﺍﻭ ﺍﺯ ﻣﻲ ﺩﮐﺎﻧﻲ ﭼﻴـﺪﻩ ﺍﺳـﺖ‬ ‫»‪«۲۷۱‬‬ ‫ﺍﻣﺮﻭﺯ ﺭﻧﮓ ﺍﺯ ﮔﻞ ﺭﻭﻳﺶ ﭘﺮﻳـﺪﻩ ﺍﺳـﺖ ﺷﺎﻳﺪ ﭘﺮﻱ ﺑـﻪﺧﺎﻧـﺔ ﺁﻳﻴﻨـﻪ ﺩﻳـﺪﻩ ﺍﺳـﺖ‬ ‫ﺑﻲﺟﻠﻮﺓ ﺗﻮ ﻧﻮﺭ ﺑﻪﺳﻴﻤﺎﻱ ﺷـﻤﻊ ﻧﻴﺴـﺖ ﻣﺎﺭ ﺳـﻴﺎﻩ ﮐﺸـﺘﻪ ﺩﻟـﻢ ﺭﺍ ﮔﺰﻳـﺪﻩ ﺍﺳـﺖ‬ ‫ﺗﻤﮑﻴﻦ ﺯ ﺩﺳﺖ ﺧﻮﺩ ﺑﻪﻧﺴﻴﻤﻲ ﻧﻤﻲﺩﻫﺪ ﻧـﺎﺯﮎ ﻧﻬـﺎﻝ ﻣـﺎ ﭼﻘـﺪﺭ ﺁﺭﻣﻴـﺪﻩ ﺍﺳـﺖ‬ ‫ﺑﺮﺩﺍﺷـــﺘﻨﺪ ﺭﻭﺯ ﺍﺯﻝ ﺯﺧـــﻢ ﻋﺸـــﻖ ﺭﺍ ﺑﺎ ﻗﻤﺮﻳـﺎﻥ ﻧﺸـﺎﻥ ﮔﻠـﻮﻱ ﺑﺮﻳـﺪﻩ ﺍﺳـﺖ‬ ‫ﺍﻱ ﭘﻨﺪﮔﻮ ﺯ ﻋﺸﻖﹺ ﺑﺘـﺎﻥ ﻣﻨـﻊ ﻣـﺎ ﻣﮑـﻦ ﻣﺎ ﺭﺍ ﺧـﺪﺍ ﺑـﺮﺍﻱ ﻫﻤـﻴﻦ ﺁﻓﺮﻳـﺪﻩ ﺍﺳـﺖ‬ ‫ﻭﻗـﺖ ﺿـﺮﻭﺭ ﻋﻴـﺐ ﻧﺒﺎﺷـﺪ ﮔـﺮﻳﺨﺘﻦ ﺍﺯ ﺩﺷﻤﻨﺎﻥ ﺭﺳﻮﻝ ﺑﻪﻏﺎﺭﻱ ﺧﺰﻳﺪﻩ ﺍﺳﺖ‬ ‫ﺑﺎ ﺁﻥ ﮐﻪ ﺯﻭﺭ ﺧﻮﺏ ﻧﺪﺍﺭﺩ ﺑﻪﭘـﺎﻱ ﺧـﻮﺩ‬ ‫ﺁﺯﺍﺩ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﺑـﻪﺟـﺎﻳﻲ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ‬ ‫»‪«۲۷۲‬‬ ‫ﭘﺮﻭﺍﻧـﻪ ﺭﺍ ﭼـﻪ ﻗـﻮ‪‬ﺕ ﭘـﺮﻭﺍﺯ ﺩﺭ ﭘـﺮ ﺍﺳـﺖ ﺟﻮﺵ ﻃﭙﺶ ﺑﻪﺍﻧﺠﻤـﻦ ﺷـﻤﻊ ﺭﻫﺒـﺮ ﺍﺳـﺖ‬ ‫ﻭﺟـﻪ ﻏﺒـﺎﺭ ﺧـﺎﻃﺮ ﺷـﻴﺮﻳﻦ ﻧﻬﻔﺘـﻪ ﻧﻴﺴـﺖ ﺑﺎ ﻳﺎﺭ ﺧﻮﻳﺸﺘﻦ ﺷﮑﺮ ﺁﺑـﺶ ﺯ ﺷـﮑﺮ‪ ١‬ﺍﺳـﺖ‬ ‫ﺁﻭﻳﺨـﺖ ﺗـﺎ ﺑـﻪﺯﻟـﻒ ﺗـﻮ ﺩﻟﻬـﺎﻱ ﻋﺎﺷـﻘﺎﻥ ﻣﺮﺩﻡ ﮔﻤﺎﻥ ﮐﻨﻨـﺪ ﮐـﻪ ﺷـﺎﺥ ﺻـﻨﻮﺑﺮ ﺍﺳـﺖ‬ ‫ﺧﻮﺍﻧﻨﺪ ﮔـﺮ ﻏـﻼﻡ ﺗـﻮﺍﻡ ﻣـﻲﺩﻫـﻢ ﺟـﻮﺍﺏ ﻧﺎﻣﻢ ﺍﮔﺮ ﮔﺮﻓﺖ ﮐﺴﻲ ﮔﻮﺵ ﻣﻦ ﮐـﺮ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺑﺲﮐﻪ ﭼﺎﮎ ﭼﺎﮎ ﺯ ﻣﻀـﻤﻮﻥ ﺩﺭﺩ ﺷـﺪ ﻣﮑﺘـﻮﺏ ﻣـﻦ ﺷـﺒﻴﻪ ﺑـﻪﺑـﺎﻝﹺ ﮐﺒـﻮﺗﺮ ﺍﺳـﺖ‬ ‫ﺁﺩﻡ ﺑـﻪﺍﻳـﻦ ﺯﻣـﻴﻦ ﺯ ﺑﻬﺸـﺖ ﺑـﺮﻳﻦ ﺭﺳـﻴﺪ ﺍﻳﻦ ﻫﻨﺪ ﺍﻭﺳﺖ ﻫﻨﺪ‪ ‬ﺟﮕﺮﺧﻮﺍﺭ‪ ٢‬ﺩﻳﮕﺮ ﺍﺳﺖ‬ ‫ﺍﺳـــــــــــــــــــــــــــــــــــ ـﺖ‬ ‫‪ .١‬ﺷﮑﺮ ﻧﺎﻡ ﺯﻧﻲ ﮐﻪ ﺧﺴﺮﻭ ﺑﺮﻏﻢ ﺷﻴﺮﻳﻦ ﺍﻭ ﺭﺍ ﺩﺭ ﺣﺒﺎﻟﻪ ﻧﮑﺎﺡ ﺧﻮﺩ ﺁﺭﻭﺩﻩ ﺑﻮﺩ‪) .‬ﺑﺮﻫﺎﻥ ﻗﺎﻃﻊ؛ ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ‬ ‫ﺳﺎﻻﺭﺟﻨﮓ(‬ ‫‪ .٢‬ﻫﻨﺪ ﻧﺎﻡ ﻣﺎﺩﺭ ﻣﻌﺎﻭﻳﻪ ﮐﻪ ﺩﺭ ﺟﻨﮓ‪ ‬ﺍﹸﺣﺪ ﺟﮕﺮ ﺍﻣﻴﺮ ﺣﻤﺰﻩ ﺷﻬﻴﺪ ﺑﺮﺁﻭﺭﺩ ﺧﻮﺭﺩ‪ ،‬ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺯﺍﺩﺓ ﻫﻨ ‪‬ﺪ ﺟﮕﺮﺧﻮﺍﺭ ﭼﻪ ﺧﻮﺍﻫﺪ ﺑـﻮﺩﻥ ﺷﺐ ﺑﺨﺖ ﺳﻴﻪ ﺁﻥ ﮐﻪ ﺳـﺘﺮﻭﻥ ﺑﺎﺷـﺪ‬ ‫)ﺣﺎﺷﻴﻪ ﻧﺴﺨﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬ ‫ﺳﺘﺮﻭﻥ‪ ،‬ﻋﻘﻴﻢ ﺭﺍ ﮔﻮﻳﻨﺪ‪.‬‬

‫‪ // ٢٥٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺁﺯﺍﺩ ﺩﻭﺭﻣﺎﻧــﺪﺓ ﺧــﻮﺩ ﺭﺍ ﺗــﻮﺍﻥ ﻧﻮﺍﺧــﺖ‬ ‫ﺍﺣﺴـﺎﻥ ﻏﺎﻳﺒﺎﻧـﻪ ﺑـﻪﺣﺴـﻦ ﺁﺷـﻨﺎﺗﺮ ﺍﺳـﺖ‬ ‫»‪«۲۷۳‬‬ ‫ﻏﻴــﺮ ﺭﺍ ﺩﺭ ﺧﺎﻧــﺔ ﺁﻳﻴﻨــﺔ ﻣــﺎ ﺑــﺎﺭ ﻧﻴﺴــﺖ ﺧﻀﺮ ﻣﺎ ﺩﺭ ﻭﺍﺩﻱ ﻭﺣﺪﺕ ﺑﺠﺰ ﺯﻧﮕﺎﺭ ﻧﻴﺴـﺖ‬ ‫ﺑﻲﺧﻮﺩﻱ ﺍﺯ ﻳﺎﺭ ﻣﻲﺧﻮﺍﻫﻢ ﻧﻪ ﺍﺯ ﺟﻮﺵ ﺑﻬـﺎﺭ ﮔﺮ ﻧﺒﺎﺷﺪ ﺁﻥ ﭘﺮﻱ ﺷﻮﺭ ﺟﻨـﻮﻥ ﺑﻴﮑـﺎﺭ ﻧﻴﺴـﺖ‬ ‫ﺑﺲﮐﻪ ﻧﻘﺶ ﮐﻔﺮ ﻫﻤﻮﺍﺭﻱ ﻣﺮﺍ ﺩﺭ ﺩﻝ ﻧﺸﺴـﺖ ﭼـﻮﻥ ﺳـﻠﻴﻤﺎﻧﻲ ﮔـﺮﻩ ﺩﺭ ﺭﺷـﺘﺔ ﺯﻧﹼـﺎﺭ ﻧﻴﺴـﺖ‬ ‫ﺣﺴﻦ ﺑﺎﺷﺪ ﺩﻳﺪﻧﻲ ﺣﺎﺷﺎ ﮐﻪ ﺑﺎﺷـﺪ ﺧـﻮﺭﺩﻧﻲ ﺩﺷﻤﻨﻲ ﭘﺮﻭﺍﻧﻪ ﺭﺍ ﭼﻮﻥ ﻣﺮﻍ ﺁﺗﺶﺧﻮﺍﺭ‪ ١‬ﻧﻴﺴﺖ‬ ‫ﻫﺮﮐﺴــﻲ ﺍﻳﻨﺠــﺎ ﺑﻘــﺪﺭ ﻫــﻮﺵ ﺍﻓﺘــﺪ ﺩﺭ ﺑــﻼ ﻣﺠﻠﺲ ﺗﺼﻮﻳﺮ ﺭﺍ ﻧﺎﺯﻡ ﮐﻪ ﮐﺲ ﻫﺸﻴﺎﺭ ﻧﻴﺴـﺖ‬ ‫ﺣﺎﺻﻞ ﺻﺪ ﻣﺼﺮ ﺩﺍﺭﻡ ﭘﻴﺶ ﺧﻮﺩ ﺍﻣﺎ ﭼﻪ ﺳﻮﺩ ﺗﺎﺟﺮ ﻳﻮﺳﻒ ﻓﺮﻭﺷـﻲ ﺑـﺮ ﺳـﺮ ﺑـﺎﺯﺍﺭ ﻧﻴﺴـﺖ‬ ‫ﺟﻴـﺐ ﮔـﻮﺵ ﺳـﺎﻣﻌﺎﻥ ﺭﺍ ﮐـﺮﺩ ﻟﺒﺮﻳـﺰ ﮔﻬـﺮ‬ ‫ﺧﺎﻣــﺔ ﺁﺯﺍﺩ ﮐــﻢ ﺍﺯ ﺍﺑــﺮ ﮔﻮﻫﺮﺑــﺎﺭ ﻧﻴﺴــﺖ‬ ‫»‪«۲۷۴‬‬ ‫ﻧﻴﺸﮑﺮ ﺑﺎ ﺁﻥ ﺑﺖ ﺷﻴﺮﻳﻦ ﺷـﻤﺎﻳﻞ ﮐـﺎﺭ ﺩﺍﺷـﺖ ﺗــﺎ ﻗــﺪﻡ ﺩﺭ ﻋــﺎﻟﻢ ﺍﻳﺠــﺎﺩ ﺯﺩ ﺯﻧﹼــﺎﺭ ﺩﺍﺷــﺖ‬ ‫ﺷﺐ ﮐﻪ ﺍﺯ ﺩﺯﺩﻳﺪﻥ ﺩﻝ ﺷﻮﺥ ﻣﻦ ﺍﻧﮑﺎﺭ ﺩﺍﺷﺖ ﺧﻨــﺪﺓ ﺯﻳــﺮ ﻟــﺐ ﺍﻭ ﺍﻧــﺪﮐﻲ ﺍﻗــﺮﺍﺭ ﺩﺍﺷــﺖ‬ ‫ﺑــﻲﺯﺑــﺎﻧﻲ ﮐــﺮﺩ ﺷــﻤﻊ ﺍﻧﺠﻤــﻦ ﺭﺍ ﻣﻨﻔﻌــﻞ ﺑﺲﮐﻪ ﺷﻤﻊ ﻣـﻦ ﮔﻬﺮﺍﻓﺸـﺎﻧﻲ ﮔﻔﺘـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﺑﺖﭘﺮﺳـﺘﻲ ﮐـﺮﺩﻥ ﻭ ﺯﻧﹼـﺎﺭ ﺳـﺮ ﺗـﺎ ﭘـﺎ ﺷـﺪﻥ ﮐﺎﻓﺮ ﺯﻟﻒ ﺑﺘﺎﻥ ﺩﻳﺪﻡ ﮐـﻪ ﺍﻳـﻦ ﮐـﺮﺩﺍﺭ ﺩﺍﺷـﺖ‬ ‫ﺑﺮ ﺩﻝ ﮔـﻢ ﮔﺸـﺘﻪ ﻣـﻲﻧﺎﻟﻴـﺪﻡ ﺁﺧـﺮ ﺩﻳـﺪﻣﺶ ﻧﺎﺯﻧﻴﻨﻲ ﺟﺎﻱ ﮔـﻞ ﺑـﺮ ﮔﻮﺷـﺔ ﺩﺳـﺘﺎﺭ ﺩﺍﺷـﺖ‬ ‫‪ .١‬ﻣﺮﻍ ﺁﺗﺸﺨﻮﺍﺭ )ﺁﺗﺸﺨﻮﺍﺭﻩ(‪ :‬ﺳﻤﻨﺪﺭ ﻭ ﺳﻤﻨﺪﻝ ﻭ ﺳﻤﻨﺪﻭﺭ‪ ،‬ﺟﺎﻧﻮﺭﻱ ﺫﻭﺍﻟﺤﻴﺎﺗﻴﻦ ﺷﺒﻴﻪ ﺑﻪﭼﻠﭙﺎﺳﻪ ﻭ ﺑﻪﻭﺯﻍ ﮐﻪ ﺩﺭﺍﺯﻱ‬ ‫ﺁﻥ ﺩﻭﺍﺯﺩﻩ ﺳﺎﻧﺘﻲﻣﺘﺮ ﺍﺳﺖ ﻭ ﺑﻪﻃﻮﺭ ﺍﻓﺴﺎﻧﻪﺍﻱ ﻣﻲﮔﻮﻳﻨﺪ ﺩﺭ ﺁﺗﺶ ﺯﻧﺪﮔﻲ ﻣﻲﮐﻨﺪ ـ ﺟﺎﻧﻮﺭﻱ ﻣﻌﺮﻭﻑ ﺍﺳﺖ ﮐﻪ ﺩﺭ‬ ‫ﺁﺗﺶ ﻧﺴﻮﺯﺩ ﻭ ﺑﻌﻀﻲ ﮔﻔﺘﻪﺍﻧﺪ ﮐﻪ ﺩﺭ ﺁﺗﺶ ﻣﺘﮑﻮﻥ ﻣﻲﺷﻮﺩ ﻭ ﭼﻮﻥ ﺑﻴﺮﻭﻥ ﺁﻳﺪ ﺑﻤﻴﺮﺩ ﻭ ﺑﻌﻀﻲ ﺁﻥ ﺭﺍ ﺑﻪﺗﺮﮐﻴﺐ ﻣﻮﺵ‬ ‫ﺩﺍﻧﺴﺘﻪﺍﻧﺪ ﻭ ﺑﻌﻀﻲ ﻃﺎﻳﺮ ﭘﻨﺪﺍﺷﺘﻪﺍﻧﺪ‪ .‬ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﺍﻫﻞ ﺩﻝ ﺭﺍ ﮔﻔﺘﮕﻮﻱ ﻋﺸﻖ ﺁﻥ ﺯﻧﺪﮔﻴﺴﺖ ﻧﻴﺴﺖ ﻧﻘﻠﻲ ﺑﻪ ﺯ ﺁﺗﺶ ﻣﺮﻍ ﺁﺗﺸﺨﻮﺍﺭﻩ ﺭﺍ‬ ‫*‬ ‫ﺭﻭﻱ ﺁﺗﺸــﻨﺎﮎ ﺧﻮﺑــﺎﻥ ﺁﺏ ﺣﻴــﻮﺍﻥ ﻣﻨﺴــﺖ ﻫﺴﺖ ﺍﺯ ﺁﺗﺶ ﺯﻧﺪﮔﻲ ﭼﻮﻥ ﻣﺮﻍ ﺁﺗﺸﺨﻮﺍﺭﻩﺍﻡ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٦٧٤/٢‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٥٥ //‬‬ ‫ﺟﺎﻱ ﺁﺗﺶ ﮔﺮ ﻏﺬﺍ ﺳﺎﺯﻱ ﻣﺮﺍ ﺍﺣﺴـﺎﻥ ﺗﺴـﺖ ﺍﻳﻦ ﺳﺨﻦ ﭘﺮﻭﺍﻧﻪﺍﻱ ﺑﺎ ﻣﺮﻍ ﺁﺗﺶﺧﻮﺍﺭ ﺩﺍﺷـﺖ‬ ‫ﺷﻴﺸﺔ ﺩﻝ ﺭﺍ ﮐﻪ ﺍﺯ ﭘﻴﺸﻢ ﮐﺴـﻲ ﺩﺯﺩﻳـﺪﻩ ﺑـﺮﺩ ﮐــﻮﺩﮎ ﻣﻴﻨﺎﻓﺮﻭﺷــﻲ ﺑــﺮ ﺳــﺮ ﺑــﺎﺯﺍﺭ ﺩﺍﺷــﺖ‬ ‫ﺍﻳﻦ ﺗﺒﺮﮎ ﺭﺍ ﻣﮕﺮ ﺩﺭ ﺧﺎﮎ ﺑـﺎ ﺧـﻮﺩ ﻣـﻲﺑ‪‬ـﺮ‪‬ﺩ ﺑﺮﮒ ﺳﺒﺰﻱ ﻣﺮﻍ ﮔﻠﺸـﻦ ﺯﺍﺩﺩﺭ ﻣﻨﻘـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﻳﺎﺭ ﺍﮔﺮ ﻧﻨﺸﺴﺖ ﺑﺎ ﺁﺯﺍﺩ ﻭ ﺣـﺎﻓﻆ ﺩﻭﺭ ﻧﻴﺴـﺖ‬ ‫ﭘﺎﺩﺷـﺎﻩ ﮐـﺎﻣﺮﺍﻥ ﺑـﻮﺩ ﺍﺯ ﮔـﺪﺍﻳﺎﻥ ﻋـﺎﺭ ﺩﺍﺷـﺖ‬ ‫»‪«۲۷۵‬‬ ‫ﺩﻝ ﺻﺪ ﭘﺎﺭﺓ ﻣﻦ ﻏﻨﭽـﺔ ﺑـﻲﺧـﺎﺭﻱ ﻫﺴـﺖ ﺑﺨــﺪﺍ ﻗﺎﺑــﻞ ﺁﺭﺍﻳــﺶ ﺩﺳــﺘﺎﺭﻱ ﻫﺴــﺖ‬ ‫ﻭﺟــﻪ ﺟﺎﻧﺒــﺎﺯﻱ ﭘﺮﻭﺍﻧــﻪ ﻧﺪﺍﻧــﺪ ﻫــﺮﮐﺲ ﺷـﻤﻊ ﻭﺍ ﺳـﻮﺧﺘﺔ ﺷـﻌﻠﺔ ﺩﻳـﺪﺍﺭﻱ ﻫﺴـﺖ‬ ‫ﺩﻭﺵ ﺩﺭ ﻋــﺎﻟﻢ ﺭﻭﻳــﺎ ﺑــﻪﺑﺘــﺎﻥ ﺑﺮﺧــﻮﺭﺩﻡ ﺧﻮﺍﺏ ﺳـﻨﮕﻴﻦ ﻣـﺮﺍ ﻃـﺎﻟﻊ ﺑﻴـﺪﺍﺭﻱ ﻫﺴـﺖ‬ ‫ﺑﻨــﺪﻩﺍﻱ ﺭﺍ ﺑــﻪﺑﻬــﺎﻱ ﻧﮕﻬــﻲ ﺯﻭﺩ ﺑﺨــﺮ ﮐﻪ ﺩﺭ ﺍﻳﻦ ﺷﻬﺮ ﺩﮔﺮ ﻧﻴﺰ ﺧﺮﻳـﺪﺍﺭﻱ ﻫﺴـﺖ‬ ‫ﺑﻌﺪ ﺻﺪ ﺳـﺎﻝ ﺑـﻪﻏـﻢ ﺧﺎﻧـﺔ ﻣـﻦ ﺁﻣـﺪﻩﺍﻱ ﺍﻳﻦﻗﺪﺭ ﺯﻭﺩ ﻣﺮﻭ ﺑﺎ ﺗـﻮ ﻣـﺮﺍ ﮐـﺎﺭﻱ ﻫﺴـﺖ‬ ‫ﮔﺮ ﻧﻴﻔﺘـﺎﺩ ﻣـﺮﺍ ﻳﻮﺳـ ‪‬ﻒ ﻣﺼـﺮﻱ ﺩﺭ ﺩﺳـﺖ ﺑﻨـﺪﺓ ﺧـﻮﺏ ﺩﮔـﺮ ﺑﺮﺳـﺮ ﺑـﺎﺯﺍﺭﻱ ﻫﺴـﺖ‬ ‫ﻟـــ ﹼﺬﺕ ﹸﮐـــﻨﺞﹺ ﻗﻨﺎﻋـــﺖ ﻧﮕـــﺬﺍﺭﺩ ﺁﺯﺍﺩ‬ ‫ﺁﺏ ﻣﮋﮔــﺎﻥ ﺗــﺮ ﻭ ﺳــﺎﻳﺔ ﺩﻳــﻮﺍﺭﻱ ﻫﺴــﺖ‬ ‫»‪«۲۷۶‬‬ ‫ﮔﺮ ﺩﻝ ﺷﻮﺭﻳﺪﻩ ﺩﺭ ﺯﻟﻒ ﺭﺳﺎﺋﻲ ﺭﻓـﺖ ﺭﻓـﺖ ﺩﻳـﺪﻩ ﻭ ﺩﺍﻧﺴــﺘﻪ ﺩﺭ ﺩﺍﻡ ﺑﻼﺋـﻲ ﺭﻓــﺖ ﺭﻓــﺖ‬ ‫ﺩﺭ ﺍﺩﺍﻱ ﺧــﺪﻣﺖ ﺍﻭ ﺳــﺎﻝﻫــﺎ ﺑﺴــﺘﻢ ﮐﻤــﺮ ﮔﺮ ﻧﻈﺮ ﺍﺯ ﺣﻖ ﻣﻦ ﭘﻮﺷﻴﺪ ﻭ ﺟﺎﻳﻲ ﺭﻓﺖ ﺭﻓﺖ‬ ‫ﺟﺒﻪ ﺭﺍ ﺗـﺎ ﮐـﻲ ﮐﻨـﻲ ﺁﺯﺭﺩﻩ ﺍﺯ ﭼـﻴﻦﹺ ﻏﻀـﺐ ﺑﻨﺪﺓ ﺍﻳﻦ ﺩﺭﮔﻬﻢ ﺍﺯ ﻣﻦ ﺧﻄـﺎﺋﻲ ﺭﻓـﺖ ﺭﻓـﺖ‬ ‫ﺣـﻖ ﺗﻌـﺎٰﻟﻲ ﺍﻧﺘﻘـﺎﻡ ﺑﻴﮑﺴـﺎﻥ ﺧﻮﺍﻫـﺪ ﮐﺸـﻴﺪ ﮔﺮ ﺍﺯ ﺍﻳﻦ ﻧﻮ ﺩﻭﻟﺘﺎﻥ ﺑﺮ ﻣﻦ ﺟﻔﺎﺋﻲ ﺭﻓﺖ ﺭﻓﺖ‬ ‫ﺑﺎﺩﺷــﺎﻩ ﺑــﺖﺷــﮑﻦ ﺯﻟــﻒ ﺳــﻴﺎﻫﻲ ﺭﺍ ﺑﺮﻳــﺪ ﺳﺮﺯﻧﺶ ﺩﺭ ﺣﻖ ﮐﺎﻓﺮ ﻣـﺎﺟﺮﺍﺋﻲ ﺭﻓـﺖ ﺭﻓـﺖ‬ ‫ﺑﺮ ﻓـﺮﺍﻕ ﺁﺷـﻨﺎﻳﺎﻥ ﻣـﻲﺗـﻮﺍﻥ ﺣﺴـﺮﺕ ﮐﺸـﻴﺪ ﮔﺮ ﺑﺮﻭﻥ ﺍﺯ ﺷـﻬﺮ ﻣـﺎ ﻧﺎﺁﺷـﻨﺎﺋﻲ ﺭﻓـﺖ ﺭﻓـﺖ‬ ‫ﺩﻭﺵ ﻓﺮﻣﻮﺩﻱ ﭼـﺮﺍ ﺁﺯﺍﺩ ﺩﺭ ﺻـﺤﺮﺍ ﻧﺸﺴـﺖ‬ ‫ﺍﺯ ﺳﺮﺍﻱ ﭘﺎﺩﺷـﺎﻫﻲ ﮔـﺮ ﮔـﺪﺍﺋﻲ ﺭﻓـﺖ ﺭﻓـﺖ‬

‫‪ // ٢٥٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۷۷‬‬ ‫ﺩﻫﺎﻥ ﺍﻭ ﮐﻪ ﻋﻴﺎﻥ ﻧﻴﺴﺖ ﺑﺎﺯ ﭼﻴﺰﻱ ﻫﺴﺖ ﺗﻮﺍﻥ ﺷﻨﺎﺧﺖ ﺧﺪﺍﺭﺍ ﺍﮔﺮ ﺗﻤﻴـﺰﻱ ﻫﺴـﺖ‬ ‫ﺧﺰﺍﻥ ﺭﺳﻴﺪ ﻭ ﻧﺸـﺪ ﺷـﻮﺭ ﻋﻨـﺪﻟﻴﺒﺎﻥ ﮐـﻢ ﻣﮕﺮ ﺯ ﺩﺍﻣﻦ ﺭﻧﮕـﻴﻦ ﮔـﻞ ﺗﺮﻳـﺰﻱ ﻫﺴـﺖ‬ ‫ﺍﮔﺮﭼﻪ ﻣﻠﮏ ﺗﻬﻲ ﺷﺪ ﺯ ﺻـﺎﺣﺒﺎﻥ ﮐﻤـﺎﻝ ﺧﺪﺍ ﮔﻮﺍﻩ ﮐﻪ ﺩﺭ ﻣﺼﺮ ﻣﺎ ﻋﺰﻳـﺰﻱ ﻫﺴـﺖ‬ ‫ﺑﺴﺎﻥ ﺷﻤﻊ ﻣﺮﺍ ﻭﻗﺖ ﻋﺮﺽ ﺣﺎﻟﺖ ﺧـﻮﺩ ﺯﺑﺎﻥ ﺳﻮﺧﺘﺔ ﭼﺸـﻢ ﺍﺷـﮏﺭﻳـﺰﻱ ﻫﺴـﺖ‬ ‫ﺑﻪﻧﺮﺥ ﺳﻬﻞﺗـﺮﻱ ﺑﻴـﻊ ﻣـﻲﮐـﻨﻢ ﺧـﻮﺩ ﺭﺍ ﺗﻮﺍﻥ ﺧﺮﻳﺪ ﺑﻪﭘﻴﺶ ﺗﻮ ﮔﺮ ﭘﺸﻴﺰﻱ ﻫﺴـﺖ‬ ‫ﺍﮔﺮﭼﻪ ﺁﻫﻮﻱ ﺍﻳﻦ ﺩﺷﺖ ﺯﺧﻢﮐﺎﺭﻱ ﺧﻮﺭﺩ ﻫﻨﻮﺯ ﺩﺭ ﻗﺪﻣﺶ ﻃﺎﻗـﺖ ﮔﺮﻳـﺰﻱ ﻫﺴـﺖ‬ ‫ﻣﺘﺮﺱ ﮔﺮ ﺩﻝ ﺷـﺐ ﺳـﻴﺮ ﻣـﻲﮐﻨـﻲ ﺗﻨﻬـﺎ‬ ‫ﮐﻪ ﺩﺭ ﺩﻋﺎﻱ ﺗﻮ ﺁﺯﺍﺩ ﺻﺒﺢﺧﻴـﺰﻱ ﻫﺴـﺖ‬ ‫»‪«۲۷۸‬‬ ‫ﺍﻳﻦ ﺧﻮﺩﺁﺭﺍﺋﻲ ﭘﻨﻬﺎﻥ ﺗﻮ ﺑﻲﭼﻴﺰﻱ ﻧﻴﺴﺖ ﺍﻟﻔﺖ ﺁﻳﻴﻨﻪ ﺩﺭ ﺟﺎﻥ ﺗﻮ ﺑﻲﭼﻴـﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﻧﻴﺴﺖ ﻣﻌﻠﻮﻡ ﮐﻪ ﺷﺐ ﺧﻮﻥ ﮐﺮﺍ ﺭﻳﺨﺘﻪﺍﻱ ﺳﺮﺧﻲ ﮔﻮﺷﺔ ﺩﺍﻣﺎﻥ ﺗﻮ ﺑﻲﭼﻴﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﺭﺍﺳﺖ ﻓﺮﻣﺎﺋﻲ ﮐﻪ ﺩﺯﺩﻳـﺪﻩ ﻧﮕـﺎﻫﻲ ﺩﺍﺭﻱ ﻧﻴﻢ ﻭﺍ ﮐﺮﺩﻥ ﻣﮋﮔﺎﻥ ﺗﻮ ﺑﻲﭼﻴﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﻇﺎﻫﺮﺍﹰ ﺗﺎﺯﻩ ﺷﮑﺎﺭﻱ ﺑـﻪﺯﻣـﻴﻦ ﻣـﻲﻏﻠﻄـﺪ ﮔﺮﺩ ﺩﺍﻣﺎﻥ ﺑﻴﺎﺑﺎﻥ ﺗـﻮ ﺑـﻲﭼﻴـﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﻣﻲﻧﻤﺎﻳﺪ ﮐـﻪ ﻧﺸـﺪ ﺯﻭﺭ ﮐـﻢ ﺍﺯ ﺑﻴﻤـﺎﺭﻱ ﺷﻮﺧﻲ ﻧﺮﮔﺲ ﻓﺘﹼﺎﻥ ﺗﻮ ﺑﻲﭼﻴﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﺁﺗـﺶ ﺭﺷـﮏ ﺑـﻪﺩﺍﻣـﺎﻥ ﺩﻝ ﻣـﻦ ﺯﺩﻩﺍﻱ ﻏﻨﭽﺔ ﮔﻞ ﺑﻪﮔﺮﻳﺒﺎﻥ ﺗﻮ ﺑﻲﭼﻴـﺰﻱ ﻧﻴﺴـﺖ‬ ‫ﺩﻝ ﺁﺯﺍﺩ ﮔﺮﻓﺘـــﻲ ﻭ ﻧﻤـــﻮﺩﻱ ﭘﻨﻬـــﺎﻥ‬ ‫ﮔﺮﻩ ﺯﻟﻒ ﭘﺮﻳﺸﺎﻥ ﺗﻮ ﺑـﻲﭼﻴـﺰﻱ ﻧﻴﺴـﺖ‬ ‫»‪«۲۷۹‬‬ ‫ﺍﺯ ﺑﺰﻡ ﺭﻓﺖ ﻭ ﺗﻨﮕﻲ ﺟـﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ ﺑﻴﺮﻭﻥ ﻧﺸﺴﺖ ﻭ ﮐﺴﺐ ﻫﻮﺍ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ‬ ‫ﺁﻥ ﺷــﺎﺥ ﮔــﻞ ﺑــﻪﻣــﻦ ﻧﻔﺮﺳــﺘﺎﺩ ﻧﮑﻬﺘــﻲ ﻧﺎﻳــﺎﺑﻲ ﻧﺴــﻴﻢ ﺻــﺒﺎ ﺭﺍ ﺑﻬﺎﻧــﻪ ﺳــﺎﺧﺖ‬ ‫ﺑﺮﺧﺎﺳــﺖ ﺯﻭﺩ ﺍﺯ ﺳــﺮ ﺑــﺎﻟﻴﻦ ﺩﺭﺩﻣﻨــﺪ ﺑــﻲﺩﺭﺩ ﺟﺴــﺘﺠﻮﻱ ﺩﻭﺍ ﺭﺍ ﺑﻬﺎﻧــﻪ ﺳــﺎﺧﺖ‬ ‫ﻣﺎ ﺭﺍ ﭼـﻮ ﺩﻳـﺪ ﺳـﺮﻭ ﻗـﺪﻱ ﺑـﺮ ﮐﻨـﺎﺭ ﺟـﻮ ﺁﻥ ﺳﻮﻱ ﺁﺏ ﺭﻓﺖ ﻭ ﺷﻨﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‬ ‫ﺁﻣـﺪ ﺑـﺮﻭﻥ ﺯ ﺧﺎﻧـﻪ ﭼـﻮ ﺁﻭﺍﺯ ﻣـﻦ ﺷـﻨﻴﺪ ﺑﺨﺸــﻴﺪﻥ ﻧﻮﺍﻟــﻪ ﮔــﺪﺍ ﺭﺍ ﺑﻬﺎﻧــﻪ ﺳــﺎﺧﺖ‬ ‫ﺍﺭﺷﺎﺩ ﺷﺪ ﮐﻪ ﺷﺐ ﺑﻪﺳـﺮﺍﻱ ﺗـﻮ ﻣـﻲﺭﺳـﻢ ﻓﺮﻣﻮﺩ ﻋﺬﺭ ﻟﻨـﮓ ﻭ ﺣﻨـﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٥٧ //‬‬ ‫ﺭﻓــﺘﻢ ﺑــﻪﺑــﺰﻡ ﺍﺯ ﭘــﻲ ﺗﻌﻈــﻴﻢ ﺑﺮﻧﺨﺎﺳــﺖ ﺑﺴــﻴﺎﺭ ﺩﺭﺩ ﮐــﺮﺩﻥ ﭘــﺎ ﺭﺍ ﺑﻬﺎﻧــﻪ ﺳــﺎﺧﺖ‬ ‫ﮐﺮﺩﻳﻢ ﺷﺮﺡ ﺣﺎﻟـﺖ ﺧـﻮﺩ ﺭﺍ ﻧﮑـﺮﺩ ﮔـﻮﺵ ﺁﻫﺴﺘﻪ ﺣـﺮﻑ ﮔﻔـﺘﻦ ﻣـﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‬ ‫ﺯﺍﻫﺪ ﺑﻪﮐﻮﻱ ﺳـﺎﺩﻩ ﺭﺧـﺎﻥ ﻋﺎﺷـﻘﺎﻧﻪ ﺭﻓـﺖ ﭘﻨـﺪ ﻧﮕـﺎﻩ ﻣﺴـﺖ ﺑﺘـﺎﻥ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‪١‬‬ ‫ﮔﻔـــﺘﻢ ﮐـــﻪ ﮔـــﻮﻫﺮ ﺩﻝ ﺁﺯﺍﺩ ﺭﺍ ﺑﺨـــﺮ‬ ‫ﺩﺳﺖ ﺗﻬـﻲ ﻧﻤـﻮﺩ ﻭ ﺑﻬـﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‬ ‫»‪«۲۸۰‬‬ ‫ﺍﺯ ﺑﺲﮐﻪ ﺑﺎﻍ ﺑـﻲﺗـﻮ ﻏﺒـﺎﺭ ﻣـﻼﻝ ﺩﺍﺷـﺖ ﺑﺎﺭ ﻏﻤﻲ ﺑﻪﺟـﺎﻱ ﺛﻤـﺮ ﻫـﺮ ﻧﻬـﺎﻝ ﺩﺍﺷـﺖ‬ ‫ﺍﺑﻠﻴﺲ ﺩﻳﺪ ﻣﺸـﺖ ﮔﻠـﻲ ﺭﺍ ﺑـﻪﭼﺸـﻢ ﮐـﻢ ﻏﺎﻓﻞ ﺍﺯ ﺍﻳﻦ ﮐﻪ ﺑﻮﺗﺔ ﮔﻞ ﺍﻳﻦ ﺳﻔﺎﻝ ﺩﺍﺷﺖ‬ ‫ﭘﻨﺪﺍﺷﺘﻢ ﮐﻪ ﺻـﻔﺤﺔ ﺗﺼـﻮﻳﺮ ﺑـﻮﺩﻩ ﺍﺳـﺖ ﺁﻳﻴﻨـﻪ ﺭﺍ ﮐـﻪ ﺭﻭﻱ ﺗـﺮﺍ ﺩﺭ ﺧﻴـﺎﻝ ﺩﺍﺷـﺖ‬ ‫ﻳﮏ ﻟﺤﻈـﻪ ﺑـﻲﻓﻨـﺎ ﻭ ﺑﻘـﺎ ﺯﻧـﺪﮔﻲ ﻧﮑـﺮﺩ ﺻﺎﺣﺐ ﺭﻳﺎﺿﺘﻲ ﮐﻪ ﻃﺮﻳـﻖ ﺑـﻼﻝ ﺩﺍﺷـﺖ‬ ‫ﺍﻣﺴـﺎﻝ ﻧﻮﺑﻬـﺎﺭ ﻋﺠـﺐ ﻃـﻮﺭ ﺟﻠـﻮﻩ ﮐـﺮﺩ ﻫﺮ ﺩﺍﻍ ﻻﻟﻪ ﺷﻮﺧﻲ ﭼﺸـﻢ ﻏـﺰﺍﻝ ﺩﺍﺷـﺖ‬ ‫ﻫﺮ ﻏﻨﭽﻪﺍﻱ ﮐﻪ ﻧﺸﻮ ﻭ ﻧﻤﺎ ﮐـﺮﺩ ﺩﺭ ﭼﻤـﻦ ﺩﺭ ﻳﺎﺩ ﻋﻨـﺪﻟﻴﺐ ﺳـﺮﻱ ﺯﻳـﺮ ﺑـﺎﻝ ﺩﺍﺷـﺖ‬ ‫ﺷــﻌﺮ ﺗــﺮﻱ ﮐــﻪ ﺧﺎﻣــﺔ ﺁﺯﺍﺩ ﺁﻓﺮﻳـــﺪ‬ ‫ﻫـﺮ ﺣـﺮﻑ ﺍﻭ ﻟﻄﺎﻓـﺖ ﺁﺏ ﺯﻻﻝ ﺩﺍﺷـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﺑﻴﺖ ﺩﺭ »ﻏﺰﻻﻥﺍﻟﻬﻨﺪ« ﺗﺄﻟﻴﻒ ﺁﺯﺍﺩ ﺁﻣﺪﻩ ﺍﺳﺖ‪ ،‬ﺍ‪‬ﻣﺎ ﺩﺭ ﺩﻳﻮﺍﻧﺶ ﻣﻮﺟﻮﺩ ﻧﻴﺴﺖ‪.‬‬ ‫ﺑﺴﻴﺎﺭﻱ ﺍﺯ ﺷﺎﻋﺮﺍﻥ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﻏﺰﻟﻲ ﺩﺍﺭﻧﺪ ﺍﺯ ﺁﻧﺠﻤﻠﻪ‪:‬‬ ‫ﻣﻴﻠﻲ ﻫﺮﻭﻱ‪:‬‬ ‫ﻏﺎﻓﻞ ﺑﻪﻣﻦ ﺭﺳﻴﺪ ﻭ ﻭﻓﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ ﺍﻓﮕﻨﺪ ﺳﺮ ﺑﻪﭘﻴﺶ ﻭ ﺣﻴﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ‬ ‫ﻣﻴﺮﺯﺍ ﻣﺤ ‪‬ﻤﺪ ﻓﺎﺧﺮ ﻣﮑﻴﻦ‪:‬‬ ‫ﺩﺍﻣﻦ ﻓﺸﺎﻥ ﮔﺬﺷﺖ ﻭ ﺍﺩﺍ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ ﺧﺎﮐﻢ ﺑﻪﺑﺎﺩ ﺩﺍﺩ ﻭ ﺻـﺒﺎ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺳـﺎﺧﺖ‬ ‫ﻣﻴﺮﺯﺍ ﻗﺘﻴﻞ‪:‬‬ ‫ﻣﺎ ﺭﺍ ﺑﻪﻏﻤﺰﻩ ﮐﺸﺖ ﻭ ﻗﻀﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ ﺧﻮﺩ ﺳﻮﻱ ﻣﺎ ﻧﺪﻳﺪ ﻭ ﺣﻴﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳـﺎﺧﺖ‬ ‫ﺛﺎﻗﺐ‪:‬‬ ‫ﻣﺎ ﺭﺍ ﺯ ﺩﺭ ﺑﺮﺍﻧﺪ ﻭ ﻏﻨﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳـﺎﺧﺖ ﻏﻴﺮﻱ ﺑﻪ ﺑﺮﻧﺸﺎﻧﺪ ﻭ ﻋﻨﺎ ﺭﺍ ﺑﻬﺎﻧﻪ ﺳﺎﺧﺖ‬ ‫ﻧﻴﺰ ﺭﮎ ﺑﻪ‪ :‬ﻣﺠﹼﻠﺔ ﺁﺷﻨﺎ‪ ،‬ﺗﻬﺮﺍﻥ‪ ،‬ﺷﻤﺎﺭﺓ ‪ ،۳۲‬ﺳﺎﻝ ‪) ۶‬ﺁﺫﺭ ـ ﺩﻱ ‪ ۱۳۷۵‬ﻫ ﺵ(‪۴۱ ،‬؛ ﻧﺎﻣﻪﻫﺎﻱ ﺩﮐﺘﺮ ﺳ‪‬ﻴﺪ ﻣﺤ ‪‬ﻤﺪ ﻳﻮﻧﺲ‬ ‫ﺟﻌﻔﺮﻱ ﮐﻪ ﺩﺭ ﺁﻥ ﺑﻪﺍﺷﻌﺎﺭ ﺑﺎﻻ ﺍﺷﺎﺭﻩ ﮐﺮﺩﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٥٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۸۱‬‬ ‫ﭼﻪ ﻗﺪﺭ ﻣﺸﮑﻞ ﺍﺳﺖ ﺟﻤﻊ ﺻﻔﺎﺕ ﻧﻴﺴﺖ ﻣﺎﻧﻨـﺪ ﺷـﺎﻡ ﺻـﺒﺢ ﻫـﺮﺍﺕ‪١‬‬ ‫ﻳــﺎﺭ ﺷــﻴﺮﻳﻦ ﻣــﺮﺍ ﮔﺮﻓــﺖ ﺑﺒــﺮ ﺑﻪﺍﺩﺍﻳﻲ ﮐـﻪ ﺳـﻮﺧﺖ ﺷـﺎﺥ ﻧﺒـﺎﺕ‬ ‫ﻧﻴﺴﺖ ﮐﺲ ﺭﺍ ﻧﺼـﻴﺐ ﺧـﻂ ﻟﺒـﺖ ﮐﻪ ﺑﺠﺰ ﺧﻀـﺮ ﺧـﻮﺭﺩ ﺁﺏ ﺣﻴـﺎﺕ‬ ‫ﻳــﺎﺭ ﺑــﺎ ﻣــﺎ ﻧﮑــﺮﺩ ﻭﻋــﺪﻩ ﻭﻓــﺎ ﺑﻬـﺮ ﻣـﺎ ﺑـﺮ ﻫـﻮﺍ ﻧﻮﺷـﺖ ﺑــﺮﺍﺕ‬ ‫ﺑـﺎ ﻣـﻲ ﺯﻧـﺪﮔﻲ ﺧﻤـﺎﺭﻱ ﻫﺴـﺖ ﺍﮐﺜـــﺮﻭﺍ ﺫﮐﺮﻫـــﺎ ﺫﻡ ﺍﻟﻠـــﺬﹼﺍﺕ‪٢‬‬ ‫ﺩﺭ ﺧـــﺰﺍﻥ ﺑﻌـــﺪ ﺭﻓـــﺘﻦ ﻳـــﺎﺭﺍﻥ ﺳــﺮﻭ ﺩﺍﺭﺩ ﭼﮕﻮﻧــﻪ ﭘــﺎﻱ ﺛﺒــﺎﺕ‬ ‫ﺑــﻮﺩ ﻣﺤﺒــﻮﺱ ﭼــﺎﻩ ﻏــﻢ ﺁﺯﺍﺩ‬ ‫ﻳﺎﻓــﺖ ﺯﻟــﻒ ﺗــﺮﺍ ﮐﻤﻨــﺪ ﻧﺠــﺎﺕ‬ ‫»‪«۲۸۲‬‬ ‫ﻧﺴﻴﻢ ﮐﻮﻱ ﺗﻮ ﺑﺴﻴﺎﺭ ﺳﺴـﺖ ﺭﻓﺘـﺎﺭ ﺍﺳـﺖ ﺑﻪﺩﺭﺩ ﻣﻦ ﮐﻪ ﺭﺳﺪ ﺧﻮﺩ ﻣﺴﻴﺢ ﺑﻴﻤﺎﺭ ﺍﺳﺖ‬ ‫ﺑﻪﻧـﻴﻢ ﺑﻮﺳـﺔ ﻟﻌـﻞ ﺗـﻮ ﻣـﻲﺷـﻮﻡ ﺭﺍﺿـﻲ ﻣﺘﺎﺏ ﺭﻭ ﮐﻪ ﺗﻤﻨﹼﺎﻱ ﻣﻦ ﭼﻪ ﻣﻘـﺪﺍﺭ ﺍﺳـﺖ‬ ‫ﻧﻈﺮﮐﻨﻴــﺪ ﺑــﻪﮔﻠﺒــﺮﮒ ﮐــﺮﻡ ﺷــﺐ ﺗــﺎﺑﻲ ﻧﻤﻮﻧـﺔ ﺩﻝ ﺭﻭﺷـﻦ ﺑﺪﺳـﺖ ﺩﻟـﺪﺍﺭ ﺍﺳـﺖ‬ ‫ﻋﺒــﺚ ﻧــﺰﺍﻉ ﮐﻨــﺪ ﺑﺎﻏﺒــﺎﻥ ﺩﻭﻥ ﻫﻤ‪‬ــﺖ ﮐﻪ ﻣﻠﮏ ﻣﺮﻍ ﭼﻤﻦ ﺟﺎﻱ ﺁﺷﻴﺎﻥﻭﺍﺭ ﺍﺳـﺖ‬ ‫ﺑﻪﻣﺤﻔﻞ ﺗﻮ ﻟﺐ ﺍﺯ ﺣﺮﻑ ﻧﻴﮏ ﻭ ﺑﺪ ﺑﺴـﺘﻢ ﻫﻨﻮﺯ ﺑﻮﺩﻥ ﻣﻦ ﺑـﺮ ﺩﻝ ﺗـﻮ ﺩﺷـﻮﺍﺭ ﺍﺳـﺖ‬ ‫ﺩﻟﻲ ﮐـﻪ ﺩﻳـﺪﻩ ﻭ ﺩﺍﻧﺴـﺘﻪ ﺣـﺎﻝ ﺍﻭ ﭘﺮﺳـﻲ ﺑـﻪﺩﺍﻡ ﺯﻟـﻒ ﺗـﻮ ﺍﺯ ﻣـﺪ‪‬ﺗﻲ ﮔﺮﻓﺘـﺎﺭ ﺍﺳـﺖ‬ ‫ﺗـــﻮﺍﻥ ﻧـــﻮﺍﺧﺘﻦ ﺁﺯﺍﺩ ﺭﺍ ﺑـــﻪﻋـــﺎﻃﻔﺘﻲ‬ ‫ﮐﻪ ﺩﺭ ﮐﻤﺎﻝ‪ ٣‬ﻋﻘﻴﺪﺕ ﻏﻼﻡ ﺳـﺮﮐﺎﺭ ﺍﺳـﺖ‬ ‫»‪«۲۸۳‬‬ ‫ﺟﺎﻥ ﺟﺎﻥ ﺭﺍ ﺷـﮑﻨﻲ ﺩﺭ ﺩﻝ ﻫﺴـﺖ ﺑﻲﺩﻣـﺎﻍ ﺍﺳـﺖ ﮐـﻪ ﺁﻳﻴﻨـﻪ ﺷﮑﺴـﺖ‬ ‫ﻳـــﺎﺭ ﺩﺭ ﺍﻧﺠﻤـــﻦ ﺁﻣـــﺪ ﻏﺎﻓـــﻞ ﺩﻳــﺪ ﻧﺰﺩﻳــﮏ ﻣــﺮﺍ ﺩﻭﺭ ﻧﺸﺴــﺖ‬ ‫‪ .١‬ﺷﺎﻡ ﻫﺮﺍﺕ ﺧﻮﺏ ﻣﻲﺑﺎﺷﺪ ﻭ ﺻﺒﺢ ﺑﻴﺸﺎﺑﻮﺭ‪ ،‬ﺷﻮﮐﺖ ﺑﺨﺎﺭﻱ ﺩﺭ ﻣﺪﺡ ﻣﻴﺮﺯﺍ ﺳﻌﺪﺍﻟ ‪‬ﺪﻳﻦ ﻣﺤ ‪‬ﻤﺪ ﮔﻮﻳﺪ‪:‬‬ ‫ﺑﻴــﺎﺽ ﺷــﻌﺮ ﻭ ﺳــﻮﺍﺩ ﺧــﻂ ﺗــﺮﺍ ﻧــﺎﺯﻡ ﮐﻪ ﺑﻪ ﺯ ﺷﺎﻡ ﻫﺮﺍﺕ ﺍﺳﺖ ﻭ ﺻﺒﺢ ﻧﻴﺸـﺎﺑﻮﺭ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬ ‫‪ .٢‬ﺍﻳﻦ ﻣﺼﺮﺍﻉ ﺣﺪﻳﺚ ﺷﺮﻳﻒ ﺍﺳﺖ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﮐﻤﺎﻥ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٥٩ //‬‬ ‫ﻇــﺎﻫﺮﺍﹰ ﮔﺮﻣــﻲ ﺩﻟﺨــﻮﺍﻩ ﻧﻴﺎﻓـــﺖ ﮐـﻪ ﺳـﭙﻨﺪ ﺍﺯ ﺳـﺮ ﺁﺗـﺶ ﺑﺮﺟﺴـﺖ‬ ‫ﺩﻳــﺮ ﺁﻳــﺪ ﻧﮑﻬــﺖ ﺟﺎﻧــﺐ ﻣــﻦ ﺍﻳـﻦ ﭼﻨـﻴﻦ ﺍﺳـﺖ ﺧـﺮﺍﻡ ﺑﺪﻣﺴـﺖ‬ ‫ﻋﻨــﺪﻟﻴﺒﻲ ﮐــﻪ ﻧــﻮﺍ ﻣــﻲﺳــﻨﺠﻴﺪ ﻣـﺪ‪‬ﺗﻲ ﺷـﺪ ﮐـﻪ ﺑـﻪﺟﻨﹼـﺖ ﭘﻴﻮﺳـﺖ‬ ‫ﻫﻤﭽــﻮ ﺷــﻴﺮﻳﻨﻲ ﺷــﻨﺒﻪ‪ ١‬ﻧﺸــﻮﺩ ﮐﺎﺵ ﺷﻴﺮﻳﻦ ﭘﺴﺮﻱ ﺩﺳﺖ ﺑﻪﺩﺳـﺖ‬ ‫ﺩﺍﺭﺩ ﺍﺯ ﮔﺮﻣــــﻲ ﺧﻮﺭﺷــــﻴﺪ ﺁﺯﺍﺩ‬ ‫ﺩﺍﻍ ﺑــﺮ ﺩﻝ ﮔــﻞ ﺧﻮﺭﺷﻴﺪﭘﺮﺳــﺖ‬ ‫»‪«۲۸۴‬‬ ‫ﺯ ﺳﻨﮕﺴﺎﺭ ﮔﺪﺍﻳﺎﻥ ﻫﻤﻴﺸـﻪ ﺩﺭ ﺧﻄـﺮ ﺍﺳـﺖ ﺩﺭ ﺍﻳﻦ ﺣﺪﻳﻘﻪ ﺟﻮﺍﻧﻤﺮﺩ ﻧﺨﻞ ﺑـﺎﺭﻭﺭ ﺍﺳـﺖ‬ ‫ﺍﮔﺮﭼـﻪ ﮐﻌﺒـﻪ ﺑــﻮﺩ ﭘﺴـﺖ ﺑـﻮﻗﹸﺒ‪‬ﻴﺲ ﺑﻠﻨــﺪ ﺷﮑﻮﻩ ﮐﻌﺒﻪ ﺑﻪﭼﺸـﻢ ﺟﻬﺎﻧﻴـﺎﻥ ﺩﮔـﺮ ﺍﺳـﺖ‬ ‫ﺩﻣــﺎﻍ ﮔــﺮ ﻧﺮﺳــﺎﻧﺪ ﭘﻴﺎﻟﻬــﺎ ﻫــﻴﭻ ﺍﺳــﺖ ﺑﺸﺮﻁ ﻧﺸﺌﻪ ﻫﻤﻴﻦ ﻳـﮏ ﭘﻴﺎﻟـﻪ ﻣﻌﺘﺒـﺮ ﺍﺳـﺖ‬ ‫ﮐﺴﻲ ﮐﻪ ﺗﻠﺨﻲ ﺷـﺮﮐﺖ ﭼﺸـﻴﺪﻩ‪ ٢‬ﻣـﻲﺩﺍﻧـﺪ ﮐﻪ ﺗﻠﺦ ﮐﺎﻣﻲ ﺷﻴﺮﻳﻦ ﭼﮕﻮﻧﻪ ﺍﺯ ﺷﮑﺮ ﺍﺳـﺖ‬ ‫ﻓﺮﻳـﺐ ﻣﻬـﺮ ﺗـﻮ ﺩﻳﮕـﺮ ﻧﻤـﻲﺗـﻮﺍﻧﻢ ﺧـﻮﺭﺩ ﺍﺩﺍﻱ ﺧﺎﺭﺝ ﺁﻥ ﭼﺸﻢ ﺷـﻮﺥ ﺩﺭﻧﻈـﺮ ﺍﺳـﺖ‬ ‫ﺍﮔﺮﭼـﻪ ﺳـﺮﻭ ﺗﻬـﻲ ﺩﺳـﺖ ﺍﺯ ﺛﻤـﺮ ﺑﺎﺷـﺪ ﺑﻪﭼﺸﻢ ﻓﺎﺧﺘﻪ ﺑﻬﺘﺮ ﺯ ﻧﺨﻞ ﺧﻮﺵ ﺛﻤﺮ ﺍﺳﺖ‬ ‫ﺑــﻪﺳــﻨﮓ ﻧﺎﻟــﺔ ﺁﺯﺍﺩ ﻣــﻲﮐﻨــﺪ ﺗــﺄﺛﻴﺮ‬ ‫ﻫﺰﺍﺭ ﺣﻴﻒ ﮐﻪ ﺩﺭ ﺧﺎﻃﺮ ﺗـﻮ ﺑـﻲﺍﺛـﺮ ﺍﺳـﺖ‬ ‫»‪«۲۸۵‬‬ ‫ﻳـﺎﺭﹺ ﻣـﺎ ﺍﺯ ﺁﺷـﻨﺎﻳﺎﻥ ﺑـﻲﺳـﺒﺐ ﺑﻴﮕﺎﻧـﻪ ﺍﺳـﺖ ﻣﻲﺗﻮﺍﻥ ﺍﻧﺼﺎﻑ ﺩﺍﺩﻥ ﺍﻳﻦ ﭘﺮﻱ ﺩﻳﻮﺍﻧـﻪ ﺍﺳـﺖ‬ ‫ﺧﻮﺏ ﮐﺮﺩﻱ ﺧﺎﻝ ﺑـﺮ ﺭﻭﻱ ﻣﺰﻟﹼـﻒ ﺳـﺎﺧﺘﻲ ﺩﺍﻡ ﺭﺍ ﺩﺭ ﮐﺎﻣﻴـــﺎﺑﻲ ﺍﺣﺘﻴـــﺎﺝ ﺩﺍﻧـــﻪ ﺍﺳـــﺖ‬ ‫ﻧﻴﺴﺖ ﺑﺎﻗﻲ ﺯﻳـﺮ ﻳـﺎﻗﻮﺕ ﻟـﺒﺶ ﺭﻧـ ‪‬ﮓ ﻣﺴـﻲ ﻣــﻲﺗــﻮﺍﻥ ﺩﺭﻳــﺎﻓﺘﻦ ﺩ‪‬ﺭﺩ ﺗــﻪ ﭘﻴﻤﺎﻧــﻪ ﺍﺳــﺖ‬ ‫ﺑﻮﺩﻥ ﻣﺎ ﻧﻴﺴـﺖ ﺩﺭ ﺩﺍﻣـﺎﻥ ﺻـﺤﺮﺍ ﺑـﻲﺳـﺒﺐ ﺁﺷﻨﺎﻱ ﻣـﺎ ﭘـﺮﻱﺯﺍﺩﻱ ﺩﺭ ﺍﻳـﻦ ﻭﻳﺮﺍﻧـﻪ ﺍﺳـﺖ‬ ‫ﻫﺮ ﮐﺠﺎ ﭘﺮﺧﺎﺵ ﺑﺎ ﺩﺷـﻤﻦ ﻧﺒﺎﺷـﺪ ﻣﺼـﻠﺤﺖ ﺩﺳﺖ ﺍﺯ ﺟﺮﺃﺕ ﮐﺸﻴﺪﻥ ﻫﻤ‪‬ﺖ ﻣﺮﺩﺍﻧـﻪ ﺍﺳـﺖ‬ ‫‪ .١‬ﺷﻴﺮﻳﻦ ﺷﻨﺒﻪ‪ :‬ﺷﻴﺮﻳﻨﻲ ﮐﻪ ﺳﻼﻃﻴﻦ ﺍﻳﺮﺍﻥ ﺭﻭﺯ ﺷﻨﺒﻪ ﺑﻪﺍﻣﺮﺍ ﻭ ﺧﺎﺻﺎﻥ ﺩﺭﮔﺎﻩ ﺗﻘﺴﻴﻢ ﻣﻲﻧﻤﻮﺩﻧﺪ‪ .‬ﺍﺛﺮ ﺷﻴﺮﺍﺯﻱ ﮔﻮﻳﺪ‪:‬‬ ‫ﻣﻌﻠـﻢ ﺩﺍﺭﺩ ﺁﺋـﻴﻦ ﻓﻠـﮏ ﺑـﺎ ﺯﻳـﺮ ﺩﺳـﺘﺎﻧﺶ ﺩﻫﺪ ﺷﻴﺮﻳﻨﻲ ﺷﻨﺒﻪ ﺯ ﭼﻴﻦ ﺟﺒﻬﻪ ﻃﻔـﻼﻥ ﺭﺍ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﮐﺸﻴﺪﻩ‪.‬‬

‫‪ // ٢٦٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑﺮ ﺩﻝ ﺧﻮﻧﻴﻦ ﺯ ﺯﻟﻒ ﺍﻭ ﻧﻤﻲﺩﺍﻧﻢ ﭼـﻪ ﺭﻓـﺖ ﺍﻳﻦﻗﺪﺭ ﺩﺍﻧﻢ ﮐﻪ ﺭﻧﮓ ﻧﻮ ﺑﻪﺩﺳﺖ ﺷﺎﻧﻪ ﺍﺳـﺖ‬ ‫ﺍﻱ ﮐﻪ ﺍﺯ ﺁﺯﺍﺩ ﻣﻲﭘﺮﺳـﻲ ﻧﺸـﺎﻥ ﺍﻭ ﮐﺠﺎﺳـﺖ‬ ‫ﺟﺎﻱ ﺍﻳﻦ ﺑﺪﻣﺴﺖ ﻻﻳﻌﻘﻞ ﻫﻤﻴﻦ ﻣﻴﺨﺎﻧﻪ ﺍﺳﺖ‬ ‫»‪«۲۸۶‬‬ ‫ﻫﻨﺪﻭ ﭘﺴﺮﻱ ﻣـﺮﺍ ﺑـﻪﮐـﺎﻡ ﺍﺳـﺖ ﺷﺎﻫﻲ ﺯ ﺳـﻮﺍﺩ ﻫﻨـﺪ ﺭﺍﻡ ﺍﺳـﺖ‬ ‫ﻳــﺎﺭﺍﻥ ﺭﺥ ﻳــﺎﺭ ﺧــﻂ ﺑــﺮﺁﻭﺭﺩ ﺁﺭﺍﻡ ﮐﻨﻴــﺪ ﻭﻗــﺖ ﺷــﺎﻡ ﺍﺳــﺖ‬ ‫ﺧﻮﺑـــﺎﻥ ﻣﮑﹸﺸـــﻴﺪ ﺑﻴﮑﺴـــﺎﻥ ﺭﺍ ﺍﻳﻦ ﻓﮑﺮ ﮐﻪ ﻣﻲﮐﻨﻴﺪ ﺧـﺎﻡ ﺍﺳـﺖ‬ ‫ﻋﺸﹼــﺎﻕ ﮐــﻪ ﻟﻌــﻞ ﺍﻭ ﻣﮑﻴﺪﻧــﺪ ﺩﺍﻧﻨﺪ ﮐﻪ ﻣﻲ ﭼـﺮﺍ ﺣـﺮﺍﻡ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺧﺎﻧــﻪ ﺑــﺮﺁ ﮐــﻪ ﻣــﻪ ﺑﺮﺁﻣــﺪ ﻫﻨﮕﺎﻡ ﻧﺸﺴﺖ ﭘﺸﺖ ﺑـﺎﻡ ﺍﺳـﺖ‬ ‫ﻫﺮﭼﻨــﺪ ﻫــﻼﻝ ﻧــﺎﺗﻮﺍﻥ ﺍﺳــﺖ ﺩﺭ ﺩﺷــﻤﻨﻲ ﮐﺘــﺎﻥ ﺗﻤــﺎﻡ ﺍﺳــﺖ‬ ‫ﺩﺭ ﻣﻮﺳــﻢ ﺧــﻂ ﻧﻤــﻲﮔﺮﻳــﺰﺩ‬ ‫ﺁﺯﺍﺩ ﺗــﺮﺍ ﻫﻤــﺎﻥ ﻏــﻼﻡ ﺍﺳــﺖ‬ ‫»‪«۲۸۷‬‬ ‫ﺑﻠﺒﻠـﻲ ﮐـﻮ ﮐـﻪ ﺛﻨـﺎﺧﻮﺍﻥ ﮔﻠﺴـﺘﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ ﻭﺍﺻﻔﻲ ﮐﻮ ﮐﻪ ﺳﺘﺎﻳﺶ ﮔـﺮ ﺑﺴـﺘﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﺣــﻖ ﺗﻌــﺎﻟٰﻲ ﺑــﻪﺗــﻮ ﺑﺨﺸــﻴﺪ ﻗﺒــﻮﻝ ﻋﺠﺒــﻲ ﻫﻴﭻ ﮐﺲ ﻧﻴﺴﺖ ﺑﻪﻋﺎﻟﻢ ﮐﻪ ﺛﻨﺎﺧﻮﺍﻥ ﺗﻮ ﻧﻴﺴـﺖ‬ ‫ﻇــﺎﻫﺮﹰﺍ ﺗﻴــﻎ ﺗــﻮ ﺍﻣــﺮﻭﺯ ﮐﺴــﻲ ﺭﺍ ﻧﻨﻮﺍﺧــﺖ ﻗﻄـﺮ‪‬ﺓ ﺧـﻮﻥ ﺷـﻬﻴﺪﻱ ﮔـﻞ ﺩﺍﻣـﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﺭﻓـــﺘﻦ ﺑﻨـــﺪﺓ ﺩﺭﮔـــﺎﻩ ﺩﺭ ﺁﻧﺠـــﺎ ﻣﻌﻠـــﻮﻡ ﮔﺮ ﺑﻪﻓﺮﺩﻭﺱ ﺷﻤﻴﻢ ﮔﻞ ﻭ ﺭﻳﺤـﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﺷــﻮﺧﻲﹺ ﺑــﻮﻱ ﺗــﻮ ﺁﺳــﻮﺩﮔﻲ ﺍﺯ ﻋــﺎﻟﻢ ﺑــﺮﺩ ﻓﺘﻨﻪﺍﻱ ﻧﻴﺴﺖ ﮐﻪ ﺩﺭ ﻋﻄﺮ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﺩﺭ ﺑﻴﺎﺑـــﺎﻥ ﺟﻨـــﻮﻥ ﺁﺑﻠـــﻪ ﭘـــﺎﺋﻲ ﻓﺮﻣـــﻮﺩ ﻟﺬﹼﺗﻲ ﻧﻴﺴﺖ ﮐـﻪ ﺩﺭ ﺧـﺎﺭﹺ ﻣﻐـﻴﻼﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﻫــﻴﭻ ﺍﻧﺪﻳﺸــﻪ ﻫــﻢ ﺍﺯ ﺟﺎﻧــﺐ ﻣــﺮﺩﻡ ﺩﺍﺭﻱ ﻳﮏ ﺩﻝ ﺟﻤﻊ ﻧﺪﻳـﺪﻡ ﮐـﻪ ﭘﺮﻳﺸـﺎﻥ ﺗـﻮ ﻧﻴﺴـﺖ‬ ‫ﻫﺴــﺖ ﺁﻳﻴﻨــﻪ ﺻــﺪ ﺭﻧــﮓ ﺗﺠﻠﹼــﻲ ﻫــﺮ ﺩﻝ ﺷﻴﺸﻪﺍﻱ ﻧﻴﺴﺖ ﮐﻪ ﺭﻭﺷﻦ ﺯ ﭼﺮﺍﻏﺎﻥ ﺗﻮ ﻧﻴﺴﺖ‬ ‫ﻣﺜـــﻞ ﺁﺯﺍﺩ ﺧـــﺪﺍﻳﺶ ﺑـــﻪﺳـــﻼﻣﺖ ﺩﺍﺭﺩ‬ ‫ﻫــﻴﭻ ﺩﻳﻮﺍﻧــﻪ ﺑــﻪﺩﺍﻣــﺎﻥ ﺑﻴﺎﺑــﺎﻥ ﺗــﻮ ﻧﻴﺴــﺖ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٦١ //‬‬ ‫»‪«۲۸۸‬‬ ‫ﻣﻲﺩﺍﻧـﻲ ﺍﻱ ﻧﺴـﻴﻢ ﮐﺠـﺎ ﻣـﻲﻓﺮﺳـﺘﻤﺖ ﭘــﻴﺶ ﻧﻬــﺎﻝ ﺑــﺎﻍ ﻭﻓــﺎ ﻣــﻲﻓﺮﺳــﺘﻤﺖ‬ ‫ﻣﻦ ﻣﻨﺼﺐ ﻧﻴﺎﺑـﺖ ﺧـﻮﺩ ﻣـﻲﺩﻫـﻢ ﺗـﺮﺍ ﺩﺭ ﺧـﺪﻣﺘﺶ ﺑـﺮﺍﻱ ﺩﻋـﺎ ﻣـﻲﻓﺮﺳـﺘﻤﺖ‬ ‫ﺟﺎﻳﻲ ﮐﻪ ﻣﻲﺭﻭﻱ ﻫﻤﻪ ﮔﻠﺰﺍﺭ ﺩﻟﮑﺸﺎﺳﺖ ﺑﻲﻃﺎﻗﺘﻲ ﻣﮑﻦ ﮐـﻪ ﮐﺠـﺎ ﻣـﻲﻓﺮﺳـﺘﻤﺖ‬ ‫ﺑﻴﻤــﺎﺭﻱ ﺗــﺮﺍ ﻧﺘــﻮﺍﻥ ﺩﻳــﺪ ﻧــﺎﮔﺰﻳﺮ ﻧــﺰﺩ ﻃﺒﻴــﺐ ﺑﻬــﺮ ﺷــﻔﺎ ﻣــﻲﻓﺮﺳــﺘﻤﺖ‬ ‫ﺑﺎﻳــﺪ ﺭﺳــﺎﻧﺪ ﻋﻄــﺮ ﺳــﻼﻡ ﻧﻴــﺎﺯ ﺭﺍ ﺩﺭ ﺑـﺰﻡ ﻳـﺎﺭ ﺣـﻮﺭ ﻟﻘـﺎ ﻣـﻲﻓﺮﺳـﺘﻤﺖ‬ ‫ﭼﻮﻥ ﺭﻳﺨﺖ ﺑﺎﻝ ﻫ‪‬ﺪﻫ‪‬ﺪ ﺑﻴﭽﺎﺭﻩ ﺟﺎﻱ ﺍﻭ ﺩﺭ ﭘــﻴﺶ ﻧــﺎﺯﻧﻴﻦ ﺳــﺒﺎ ﻣــﻲﻓﺮﺳــﺘﻤﺖ‬ ‫ﺗــﺎ ﺁﻭﺭﻱ ﺧﺒـــﺮ ﺯ ﻏـــﺰﺍﻝ ﺭﻣﻴـــﺪﻩﺍﻱ ﺩﺭ ﺧﻴــﻞ ﺁﻫــﻮﺍﻥ ﺧﻄــﺎ ﻣــﻲﻓﺮﺳــﺘﻤﺖ‬ ‫ﻫﺮﭼﻨﺪ ﻣﺮﻍ ﻧﺎﻣﻪﺑﺮﻱ ﭘﻴﺶ ﺭﻓﺘـﻪ ﺍﺳـﺖ ﺩﻝ ﺭﺍ ﻗـﺮﺍﺭ ﮐـﻮ ﺯ ﻗﻀـﺎ ﻣـﻲﻓﺮﺳـﺘﻤﺖ‬ ‫ﺁﺯﺍﺩ ﺧﻮﺵ ﺳﺨﻦ ﺑﺴـﻮﻱ ﺑﻨـﺪﻩﭘـﺮﻭﺭﻱ‬ ‫ﺗــﺎ ﻭﺍ ﮐﻨــﻲ ﺯﺑــﺎﻥ ﺛﻨــﺎ ﻣــﻲﻓﺮﺳــﺘﻤﺖ‬ ‫»‪«۲۸۹‬‬ ‫ﮐــﺎﻡ ﻣــﺮﺍ ﺭﻭﺍ ﻧﮑﻨــﻲ ﻣــﻲﺷﻨﺎﺳــﻤﺖ ﺩﺭﺩ ﻣــﺮﺍ ﺩﻭﺍ ﻧﮑﻨــﻲ ﻣــﻲﺷﻨﺎﺳــﻤﺖ‬ ‫ﻃﺒﻊ ﺗﻮ ﺧﻮﻱ ﻭﻋﺪﻩ ﺧﻼﻓﻲ ﮔﺮﻓﺘﻪ ﺍﺳﺖ ﻭﺍﻡ ﮐﺴــﻲ ﺍﺩﺍ ﻧﮑﻨــﻲ ﻣــﻲﺷﻨﺎﺳــﻤﺖ‬ ‫ﺩﺭ ﭼﺎﺭ ﻣﻮﺝ ﺣﺎﺩﺛﻪ ﮔﺮ ﻫﻮﺵ ﮔـﻢ ﮐﻨـﺪ ﭘــﺮﻭﺍﻱ ﺁﺷــﻨﺎ ﻧﮑﻨــﻲ ﻣــﻲﺷﻨﺎﺳــﻤﺖ‬ ‫ﺁﻧﻲ ﮐﻪ ﮔﺮ ﺑﻪﺭﺍﻩ ﻭﻓـﺎﻱ ﺗـﻮ ﺟـﺎﻥ ﺩﻫـﻢ ﻳﮏ ﻟﺤﻈﻪ ﻫﻢ ﻋﺰﺍ ﻧﮑﻨﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫ﺑﺮ ﺧﺎﻃﺮ ﺷﺮﻳﻒ ﻏﺒـﺎﺭﻱ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ ﺑﺎ ﻣﺨﻠﺼﺎﻥ ﺻـﻔﺎ ﻧﮑﻨـﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫ﺑﺎ ﻫﺮﮐﻪ ﺑﺮ ﺧﻮﺭﻱ ﺩﻝ ﺍﻭ ﺭﺍ ﺯ ﺟﺎ ﺑـﺮﻱ ﻳﮏ ﮐﺎﺭ ﻫﻢ ﺑﺠـﺎ ﻧﮑﻨـﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫ﻫﺮﭼﻨﺪ ﻣﻲﮐﺸﻲ ﺑﻪﭼﻪ ﺍﺧﻼﺹ ﻧﺎﺯ ﻣـﻦ ﺁﺧـﺮ ﺑﺠـﺰ ﺟﻔـﺎ ﻧﮑﻨـﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫ﮔﻮﺋﻲ ﺩﻝ ﺗﺮﺍ ﺑـﻪﺗـﻮ ﻣـﻦ ﺑـﺎﺯ ﻣـﻲﺩﻫـﻢ ﺍﻣ‪‬ﺎ ﺯ ﺧـﻮﺩ ﺟـﺪﺍ ﻧﮑﻨـﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﮐـﻪ ﺍﻳـﻦ ﻫﻤـﻪ ﺑـﻲﻃـﺎﻗﺘﻲ ﮐﻨـﺪ‬ ‫ﺍﺯ ﺩﺍﻡ ﺧـﻮﺩ ﺭﻫـﺎ ﻧﮑﻨـﻲ ﻣـﻲﺷﻨﺎﺳـﻤﺖ‬ ‫»‪«۲۹۰‬‬ ‫ﻋﻨـﺪﻟﻴﺐ ﻧﻮﺟـﻮﺍﻧﻲ ﺩﻝ ﺑـﻪﮔﻠـﺒﻦ ﺩﺍﺩﻩ ﺍﺳـﺖ ﻧﻴﺴﺖ ﺍﻳﻦ ﻣﻌﻨﻲ ﺍﺯﻭ ﻧﺎﺩﺭ ﮐﻪ ﻋﺎﺷﻖﺯﺍﺩﻩ ﺍﺳﺖ‬ ‫ﺁﺳﻤﺎﻥ ﺩﺭ ﺧﺎﻧﻪ ﺳـﻮﺯﻱ ﺑﻴﻘـﺮﺍﺭ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ ﺩﺭ ﮐﻨــﺎﺭﺵ ﺁﺗــﺶ ﭘﻮﺷــﻴﺪﻩﺍﻱ ﺁﻣــﺎﺩﻩ ﺍﺳــﺖ‬

‫‪ // ٢٦٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﭼﻮﻥ ﻃﻠﺐ ﮐﺮﺩﻡ ﺍﺯﻭ ﺩﻝ ﺭﺍ ﺯ ﺭﻭﻱ ﻧﺎﺯ ﮔﻔﺖ ﻫﻴﭻ ﺩﻟﺒﺮ ﺑﺎﺯ ﭘﺲ ﺩﻝ ﺭﺍ ﺑﻪﻋﺎﺷـﻖ ﺩﺍﺩﻩ ﺍﺳـﺖ‬ ‫ﮐﻮﻩ ﺯﺭ ﺭﺍ ﮔﺮ ﺑﻪﻣـﻦ ﺑﺨﺸـﻨﺪ ﺩﺳـﺖ ﺭﻭ ﺯﻧـﻢ ﮐﺎﻩ ﺳﻬﻠﻲ ﺭﺍ ﮔـﺮﻓﺘﻦ ﻫﻤ‪‬ـﺖ ﺑـﻲﺟـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺍﻳـﻦﻗـﺪﺭ ﺷـﻮﺧﻲ ﻧﺒﺎﻳـﺪ ﺩﺭ ﻧﻈـﺮ ﺍﺯ ﻋﺎﺷـﻘﻲ ﻣﻲﻧﺸﻴﻨﺪ ﺑﺮ ﺳﺮﺵ ﻗﻤﺮﻱ ﻭ ﺳﺮﻭ ﺍﺳﺘﺎﺩﻩ ﺍﺳﺖ‬ ‫ﭼﺸﻢ ﺍﻭ ﺑﻴﻤﺎﺭ ﺧﻮﺩ ﺭﺍ ﻣـﻲﺗﻮﺍﻧـﺪ ﭼـﺎﺭﻩ ﮐـﺮﺩ ﭼﻮﻥ ﺧﻤﺎﺭ ﺑﺎﺩﻩ ﺯﻭﺭ ﺁﺭﺩ ﻋﻼﺟﺶ ﺑﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺍﺷــﮏﻫــﺎ ﺁﺯﺍﺩ ﻧﮕﺬﺍﺭﻧــﺪ ﺗــﺎ ﺧــﻮﺍﺑﻲ ﮐــﻨﻢ‬ ‫ﺁﻩ ﺑﺎ ﻃﻔﻼﻥ ﺑـﺎﺯﻱ ﮔـﻮﺵ ﮐـﺎﺭ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫»‪«۲۹۱‬‬ ‫ﺩﻝ ﮔﺮﻓﺘــﺎﺭ ﺩﺍﻡ ﻣﺤﻨــﺖ ﺍﻭﺳــﺖ ﮔﺮ ﺩﻫﺪ ﺑﺎﺯ ﭘـﺲ ﻣـﺮﻭ‪‬ﺕ ﺍﻭﺳـﺖ‬ ‫ﺗﻮ ﻭ ﮐﻮﺛﺮ‪ ،‬ﻣـﻦ ﻭ ﺷـﺮﺍﺏ‪ ،‬ﻟـﺒﺶ ﺭﺯﻕ ﻫﺮﮐﺲ ﺑﻘﺪﺭ ﻗﺴﻤﺖ ﺍﻭﺳـﺖ‬ ‫ﻧﺘـــﻮﺍﻥ ﺩﺍﺩ ﺩﻝ ﺑـــﻪﻳـــﺎﺭﹺ ﺩﮔـــﺮ ﺍﻳﻦ ﮔﻬﺮ ﭘﻴﺶ ﻣﻦ ﻭﺩﻳﻌﺖ ﺍﻭﺳﺖ‬ ‫ﺁﺳـــﻤﺎﻧﻬﺎ ﺯﻣـــﻴﻦ ﻣـــﺎ ﺑﻮﺳـــﻨﺪ ﺍﻳﻦ ﻫﻤﻪ ﺷﺄﻥ ﻣﺎ ﺑـﺪﻭﻟﺖ ﺍﻭﺳـﺖ‬ ‫ﻗﺒﻠـــﺔ ﻧﹸـــﻪ ﺳـــﭙﻬﺮ ﺑـــﺎﺭﮔﻬﺶ ﺷــﺮﻑ ﺁﻓﺘــﺎﺏ ﺧــﺪﻣﺖ ﺍﻭﺳــﺖ‬ ‫ﻣـــﻲﮐـــﻨﻢ ﺑﻴـــﻊ ﮔـــﻮﻫﺮ ﺩﻝ ﺭﺍ ﮔﺮ ﺧﺮﺩ ﻳﺎﺭ ﻣﻔـﺖ ﻣﻨﹼـﺖ ﺍﻭﺳـﺖ‬ ‫ﺑــﺮ ﺳــﺮ ﮔــﻮﺭ ﹸﮐﺸــﺘﻪﺍﻱ ﺁﻣــﺪ ﭼﻘﺪﺭ ﺧﻮﺵ ﻧﺼﻴﺐ ﺗﺮﺑﺖ ﺍﻭﺳﺖ‬ ‫ﻧﺘــﻮﺍﻥ ﺩﺭ ﺣﻀــﻮﺭ ﺣــﺮﻑ ﺯﺩﻥ ﻟﺐ ﻣﻦ ﺯﻳﺮ ﻣﻬﺮ ﻋﻈﻤـﺖ ﺍﻭﺳـﺖ‬ ‫ﺷـــﺎﺩﻡ ﺍﺯ ﺟ‪‬ـــﻮﺭ ﻇـــﺎﻟﻤﻲ ﺁﺯﺍﺩ‬ ‫ﻣــﺪ‪‬ﻋﺎﻱ ﻏــﻼﻡ ﺑﻬﺠــﺖ ﺍﻭﺳــﺖ‬ ‫»‪«۲۹۲‬‬ ‫ﺑﻪﭘﺎﻱ ﺁﻥ ﺑﺖ ﺭﻧﮕﻴﻦ ﻧﮕﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ ﮐﻪ ﺭﻧ ‪‬ﮓ ﺳﺎﺧﺘﻪ ﺑﺮ ﻧﻮﺑﻬﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﭼﮕﻮﻧـﻪ ﮔـﻮﻫﺮ ﻣﻌﻴـﻮﺏ ﺭﺍ ﭘﺴـﻨﺪ ﮐﻨـﺪ ﺩﻝ ﺷﮑﺴﺘﺔ ﺧﻮﺩ ﺭﺍ ﺑﻪﻳـﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﺑﺮﺁﻳﺪ ﺍﺯ ﻗﻔ ﹺﺲ ﺟﺴـﻢ‪ ،‬ﺟـﺎﻥ ﺑـﻪﺁﺳـﺎﻧﻲ ﮐﻪ ﺭﺍﻩ ﺳﻴﻞ ﺑﻪﻣﺸﺖ ﻏﺒﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﺑﺨـﻮﺍﺏ ﺩﻳــﺪﺓ ﻣــﻦ ﺁﺷـﻨﺎ ﻧﻤــﻲﮔــﺮﺩﺩ ﮐﻪ ﺩﺭ ﺭﻫﺶ ﻣـﮋﺓ ﺍﻧﺘﻈـﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﮐﻨـﺪ ﺑﺨـﺪﻣﺖ ﺻـﻴ‪‬ﺎﺩ ﺷـﮑﻮﻩ ﻓﺘـﺮﺍﮐﺶ ﺯ ﺗﻴﺰﮔﺎﻣﻲ ﺗﻮﺳـﻦ ﺷـﮑﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﻣﭙﻮﺵ ﻋﺸﻖ ﮐﻪ ﺍﻧﺠﺎﻡ ﮐـﺎﺭ ﺭﺳﻮﺍﺋﻴﺴـﺖ ﺑﻪﻗﻔـﻞ ﺣﻴﻠـﻪ ﺩﺭﹺ ﺍﺷـﺘﻬﺎﺭ ﻧﺘـﻮﺍﻥ ﺑﺴـﺖ‬ ‫ﻧﻈـﺎﻡ ﺩﺭ ﭼﻤـﻦ ﺁﺯﺍﺩ ﺭﺍ ﭼﻨـﻴﻦ ﻓﺮﻣـﻮﺩ‬ ‫ﺷﮑﻮﻓﻪ ﺑﺮﺳﺮ ﺷﺎﺥ ﺍﺳﺖ ﺑﺎﺭ ﻧﺘﻮﺍﻥ ﺑﺴﺖ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٦٣ //‬‬ ‫»‪«۲۹۳‬‬ ‫ﻣﻦ ﺑﻨﺪﺓ ﮐﺴﻲ ﮐﻪ ﻣﺰﺍﺟﺶ ﺭﻡ ﺁﺷﻨﺎﺳـﺖ ﺑـﺎ ﻣـﺮﺩﻡ ﺯﻣﺎﻧـﻪ ﻧﻬﺎﻳـﺖ ﮐـﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺁﺧﺮ ﺳﺮﻱ ﺑﺠﺎﻧـﺐ ﺧﻮﺭﺷـﻴﺪ ﻣـﻲﮐﺸـﺪ ﺑﺎ ﮔﻞ ﺑﻘﺪﺭ ﭼﺸـﻢ ﺯﺩﻥ ﺷـﺒﻨﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺷــﺮﻣﻨﺪﺓ ﻧــﻮﺍﺯﺵ ﺳــﺎﻗﻲ ﻧﻤــﻲﺷــﻮﺩ ﺭﻧﺪ ﺷﺮﺍﺏ ﺧﺎﻧـﺔ ﻣـﺎ ﺑـﺎ ﺟـﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺻﺪ ﺣﻴﻒ ﻗﺪﺭ ﻧﮕﻬﺖ ﺯﻟﻒ ﺗـﺮﺍ ﻧﻴﺎﻓـﺖ ﺁﻥ ﺯﺧﻢ ﻧﺎﺷﮑﻴﺐ ﮐﻪ ﺑﺎ ﻣﺮﻫﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﻣﻤﺴﮏ ﺧﺠﻞ ﺯ ﺧﻮﻳﺶ ﮔﺪﺍ ﺭﺍ ﻧﻤﻲﮐﻨـﺪ ﺑﻲﺑﻬـﺮﻩ ﺍﺯ ﻧـﻮﺍﺯﺵ ﺍﻭ ﺣـﺎﺗﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺑـﺎ ﻧﻮﺭﺳـﺎﻥ ﺑـﺎﻍ ﭼـﺮﺍ ﻫـﻢ ﻧﺸـﻴﻦ ﺑـﻮﺩ ﮔﺮ ﻋﻨﺪﻟﻴﺐ ﺍﺯ ﺗـﻪ ﺩﻝ ﺑـﺎ ﻏـﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﮔﺰﻳــﺪ ﺍﻧﻴﺴــﻲ ﺑــﻪﺍﻳــﻦ ﺳــﻨﺪ‬ ‫ﻳﮏ ﺁﺷﻨﺎﻱ ﺑﺎ ﻣﺰﻩ ﻳـﮏ ﻋـﺎﻟﻢ ﺁﺷﻨﺎﺳـﺖ‬ ‫»‪«۲۹۴‬‬ ‫ﺩﻳﺪﺓ ﻣـﻦ ﮔﺮﻳـﺔ ﻏـﻢ ﺭﻭﺯ ﻭﺻـﻞ ﻳـﺎﺭ ﺩﺍﺷـﺖ ﺁﻓﺘـﺎﺏ ﺭﻭﻱ ﺍﻭ ﺍﻳـﻦ ﺷـﻴﻮﻩ ﺭﺍ ﺩﺭﮐـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﻗـﺎﺗﻠﻲ ﻣـﻲﺷﺴـﺖ ﺩﺍﻍ ﺁﺳـﺘﻴﻦ ﺍﺯ ﺁﺏ ﭼﺸـﻢ ﺧﻮﻥ ﻧـﺎﺣﻖ ﮐﺸـﺘﺔ ﺍﻭ ﺭﺍ ﺩﺭ ﺍﻳـﻦ ﺁﺯﺍﺭ ﺩﺍﺷـﺖ‬ ‫ﮔﻔﺖ ﭘﻨﻬﺎﻥ ﺑﺎ ﮐﺴـﻲ ﺍﻳـﻦ ﺭﺍ ﺑـﻪﺗﻘﺮﻳﺒـﻲ ﺑـﺮﺁﺭ ﺑـﻮﺩﻥ ﻣـﻦ ﻳـﺎﺭ ﺭﺍ ﺩﺭ ﺍﻧﺠﻤـﻦ ﺑﻴـﺰﺍﺭ ﺩﺍﺷـﺖ‬ ‫ﺳـﺮﻣﻪ ﺳـﺎ ﭼﺸـﻤﻲ ﺯﺑـﺎﻥ ﮔﻔﺘﮕـﻮ ﺭﺍ ﻣﻬـﺮ ﺯﺩ ﻭﺭﻧﻪ ﺍﻳﻦ ﮔﺴﺘﺎﺥ ﺩﺭ ﺧﺎﻃﺮ ﺳﺨﻦ ﺑﺴﻴﺎﺭ ﺩﺍﺷﺖ‬ ‫ﺧﻮﻱ ﻧﻴﮏ ﻭ ﺧﻮﻱ ﺑﺪ ﺑﺎ ﻫﻢ ﺻﻼﺡ ﻋﺎﻟﻢ ﺍﺳﺖ ﺷﻴﻮﺓ ﮔﻠﺒﻦ ﺗﻤﺎﺷﺎ ﮐﻦ ﮐﻪ ﮔﻞ ﺑـﺎ ﺧـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﻣﻦ ﮐﻪ ﮔﻢ ﮐﺮﺩﻡ ﺩﻝ ﺻﺪ ﭘـﺎﺭﺓ ﺧـﻮﺩ ﺭﺍ ﮐﺴـﻲ ﮔﻔﺖ ﻃﻔﻞﹺ ﮔﻠﻔﺮﻭﺷـﻲ ﺑـﺮ ﺳـﺮﹺ ﺑـﺎﺯﺍﺭ ﺩﺍﺷـﺖ‬ ‫ﺻﺒﺢ ﻣﺤﺸﺮ ﺭﺍ ﺯ ﺭﺷﮏ ﺟﻠﻮﺓ ﺧـﻮﺩ ﺩﺍﻍ ﮐـﺮﺩ ﻣﻴﺮﺯﺍ ﻃﻔﻠﻲ ﮐﻪ ﺑﺮ ﺳـﺮ ﭼﻬـﺮﺓ ﺯﺭ ﺗـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﺍﺯ ﭘــﻲ ﺑﻴﻤــﺎﺭ ﭘﺮﺳــﻲ ﺁﻣــﺪﻩ ﺣﺮﻓــﻲ ﻧﮕﻔــﺖ ﺑﻲﺩﻣـﺎﻏﻲ ﺗـﺎ ﮐﺠـﺎ ﺁﻥ ﻧـﺮﮔﺲ ﺑﻴﻤـﺎﺭ ﺩﺍﺷـﺖ‬ ‫ﺗــﺎ ﺑــﺮﺩ ﺍﺯ ﺑــﺎﻍﹺ ﺣــﺎﻓﻆ ﺗﺤﻔــﻪﺍﻱ ﺁﺯﺍﺩ ﺭﺍ‬ ‫»ﺑﻠﺒﻠﻲ ﺑﺮﮒ ﮔﻠﻲ ﺧﻮﺵ ﺭﻧﮓ ﺩﺭ ﻣﻨﻘﺎﺭ ﺩﺍﺷـﺖ‪«١‬‬ ‫»‪«۲۹۵‬‬ ‫ﺩﺭ ﮐﻒ ﻃﻔﻞ ﭼﻤﻦ ﺁﺭﺍ ﻧـﻪ ﺑـﺮﮒ ﻻﻟـﻪ ﺍﺳـﺖ ﺍﺯ ﺷـﻬﻴﺪ ﺧﻨﺠـﺮ ﻧـﺎﺯﮎ ﺟﮕـﺮ ﭘﺮﮐﺎﻟـﻪ ﺍﺳـﺖ‬ ‫ﺳﺮﺯﻣﻴﻦ ﻫﻨـﺪ ﺩﺍﺭﺩ ﺯﻳﻨـﺖ ﺍﻓـﺰﻭﻥ ﺍﺯ ﺑﻬﺸـﺖ ﺑﻬﺘﺮ ﺍﺯ ﻃـﺎﻭﻭﺱ ﺗـﺎﺝ ﻃـﻮﻃﻲﹺ ﺑﻨﮕﺎﻟـﻪ ﺍﺳـﺖ‬ ‫‪ .١‬ﺩﻳﻮﺍﻥ ﺣﺎﻓﻆ‪ :‬ﻣﺼﺮﺍﻉ ﺛﺎﻧﻲ‪ :‬ﻭ ﺍﻧﺪﺭﺍﻥ ﺑﺮﮒ ﻭ ﻧﻮﺍ ﺧﻮﺵ ﻧﺎﻟﻪﻫﺎﻱ ﺯﺍﺭ ﺩﺍﺷﺖ‪.‬‬

‫‪ // ٢٦٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺗﺎ ﺗـﻮﺍﻧﻲ ﺩﺭ ﺳـﺮﺍﻱ ﺧـﻮﻳﺶ ﺩﻧﻴـﺎ ﺭﺍ ﻣﺨـﻮﺍﻥ ﮐﺎﻳﻦ ﻋﺮﻭﺱ ﺑـﺪ ﻗـﺪﻡ ﺩﺍﻣـﺎﺩ ﺭﺍ ﻗﺘﹼﺎﻟـﻪ ﺍﺳـﺖ‬ ‫ﻣﻲﻧﺸـﻴﻨﺪ ﺩﺭ ﮐﻨـﺎﺭ ﻣـﻦ ﺍﮔـﺮ ﮐﻤﺘـﺮ ﺑﺠﺎﺳـﺖ ﮔﺎﻩﮔـﺎﻫﻲ ﺟﻠـﻮﻩﮔـﺎﻩ ﻣـﺎﻩ ﺗﺎﺑـﺎﻥ ﻫﺎﻟـﻪ ﺍﺳـﺖ‬ ‫ﺣﺴﻦ ﭼﻮﻥ ﺩﺭ ﺟﻠﻮﻩ ﺁﻳﺪ ﻋﺸﻖ ﺍﺯ ﺧﻮﺩ ﻣﻲﺭﻭﺩ ﻧﺴﺒﺖ ﻣﻌﺸﻮﻕ ﻭ ﻋﺎﺷﻖ ﺁﻓﺘﺎﺏ ﻭ ﮊﺍﻟـﻪ ﺍﺳـﺖ‬ ‫ﺑﺲﮐﻪ ﺍﻣﺸﺐ ﺑﻲﺷـﺮﺍﺏ ﺁﺗﺸـﻴﻦ ﻭﺍ ﺳـﻮﺧﺘﻨﺪ ﺣﻠﻘــﺔ ﻳــﺎﺭﺍﻥ ﻣﺤﻔــﻞ ﺷــﻌﻠﺔ ﺟﻮ‪‬ﺍﻟــﻪ ﺍﺳــﺖ‬ ‫ﺍﺯ ﺩﻝ ﻧـــﺎﻻﻥ ﺷـــﺪﻡ ﺁﺯﺍﺩ ﻣﺸـــﻬﻮﺭ ﺟﻬـــﺎﻥ‬ ‫ﮐﺲ ﻧﻤﻲﭘﺮﺳﺪ ﺟﺮﺱ ﺭﺍ ﮔﺮ ﺗﻬﻲ ﺍﺯ ﻧﺎﻟﻪ ﺍﺳﺖ‬ ‫»‪«۲۹۶‬‬ ‫ﺩﻳﺪﺓ ﮔﺮﻳـﺎﻥ ﻣـﻦ ﺍﺷـﮏ ﻓﺸـﺎﻥ ﺍﺯ ﮐﺠﺎﺳـﺖ ﺣﻠﻘــﺔ ﭼﺸــﻢ ﺗــﺮﻡ ﺩﺍﻳــﺮﺓ‪ ١‬ﺑﺤﺮﻫﺎﺳــﺖ‬ ‫ﻧﮑﻬـﺖ ﮔـﻞ ﺭﺍ ﮐﻨـﺪ ﻓـﺎﺵ ﺑـﻪﻫـﺮ ﺍﻧﺠﻤـﻦ ﻣــﺮﻍ ﻏﻴــﻮﺭ ﭼﻤــﻦ ﺩﺷــﻤﻦ ﺑــﺎﺩ ﺻﺒﺎﺳــﺖ‬ ‫ﺭﻳﺨـﺖ ﺧـﺪﺍﻱ ﻏﻨـﻲ ﺧـﻮﻥ ﺣﺒﻴـﺐ ﺣﺒﻴـﺐ ﺷـــﺎﻫﺪ ﺍﻳـــﻦ ﻣـــﺪ‪‬ﻋﺎ ﻭﺍﻗﻌـــﺔ ﮐﺮﺑﻼﺳـــﺖ‬ ‫ﻳــﺎﺭ ﺩﺭ ﺁﺗــﺶ ﻣــﺮﺍ ﮔــﺮ ﻓﮕﻨــﺪ ﺭﺍﺿــﻴﻢ ﺑﺮ ﺳﺮ ﻣﻦ ﻫﺮ ﻧﻔﺲ ﺭﻧﺠﺶ ﺑـﻲﺟـﺎ ﺑﻼﺳـﺖ‬ ‫ﺑــﻮﺩ ﮔﻤــﺎﻥ ﻏﻠــﻂ ﺍﻟﻔــﺖ ﺗﻨﻬــﺎ ﺑــﻪﻣــﻦ ﺁﻥ ﺑ‪‬ـﺖ ﺑـﺪﺧﻮ ﻧﻬـﺎﻥ ﺑـﺎ ﺩﮔـﺮﻱ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺭﻳﺨــﺖ ﺯ ﭼﺸــﻢ ﺗــﺮﻡ ﺁﺏ ﺑــﻪﻣ‪‬ﻠــﮏ ﺩﮐــﻦ ﻫﺮﮐﻪ ﻧﮕﺎﻫﻲ ﻓﮕﻨﺪ ﮔﻔﺖ ﻋﺠﺐ ﻣﺎﺟﺮﺍ‪٢‬ﺳـﺖ‬ ‫ﺑﻨـــﺪﺓ ﺁﺯﺍﺩ ﺭﺍ ﺑـــﺎﺭ ﺩﮔـــﺮ ﺑﻨـــﺪﻩ ﮐـــﻦ‬ ‫ﺍﻳـﻦ ﺭﻭﺵ ﺗـﺎﺯﻩ ﺩﺭ ﺷـﺮﻉ ﻣﺤﺒ‪‬ـﺖ ﺭﻭﺍﺳـﺖ‬ ‫»‪«۲۹۷‬‬ ‫ﺑﺮﻫﻤﻦ ﺭﺍ ﻧﻈﺮ ﺑﻪﺳـﻮﻱ ﺧﺪﺍﺳـﺖ ﺟﻬﺖ ﺳﺠﺪﻩ ﺳﻨﮓ ﻗﺒﻠـﻪﻧﻤﺎﺳـﺖ‬ ‫ﺩﺧﺘــﺮ ﺭﺯ ﮔﺮﻓــﺖ ﻣﻠــﮏ ﺧــﺮﺩ ﺷﺎﻩ ﭼﻮﻥ ﺯﻥ ﺷﻮﺩ ﺧﺮﺍﺑﻲﻫﺎﺳـﺖ‬ ‫ﺩﻝ ﺯ ﺯﻟـــﻒ ﺗـــﻮ ﺑﺮﻧﻤـــﻲﺁﻳـــﺪ ﺻـﻴﺪ ﺁﺳـﻮﺩﻩ ﺩﺭ ﮐﻤﻨـﺪ ﻭﻓﺎﺳـﺖ‬ ‫ﮔـﺮ ﻓﺸـﺎﺭﻱ ﺗﻤـﺎﻡ ﺧـﻮﻥ ﺑﭽﮑـﺪ ﺗﻴــﻎ ﺑﻴــﺪﺍﺩ ﻳــﺎﺭ ﺑــﺮﮒ ﺣﻨﺎﺳــﺖ‬ ‫ﻧﻴﺴــﺖ ﻭﻳﺮﺍﻧــﻪ ﮐــﺮﺩ ﺑــﻲﺳــﺒﺒﻲ ﮔﻮﺵ ﺩﻳﻮﺍﻧﻪ ﺑﺮ ﺻـﺪﺍﻱ ﺩﺭﺍﺳـﺖ‬ ‫ﻳــﮏ ﻗﻠــﻢ ﺭﻳــﺰ ﺧــﻮﻥ ﻣــﺮﺩﻡ ﺭﺍ ﺩﺭ ﺭﻩ ﻋﺸـﻖ ﻗﺘـﻞ ﻋـﺎﻡ ﺭﻭﺍﺳـﺖ‬ ‫‪ .١‬ﻳﻌﻨﻲ ﺍﺯ ﺣﻠﻘﺔ ﭼﺸﻢ ﻣﻦ ﺁﺏ ﺑﺴﻴﺎﺭ ﺑﺮﻣﻲﺁﻳﺪ ﭼﻨﺎﻧﭽﻪ ﺍﺯ ﺩﺍﻳﺮﺓ ﻋﺮﻭﺽ ﺑﺤﺮﻫﺎ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﻣﺎﺟﺮﺍ‪ :‬ﺩﺭﻳﺎﻳﻲ ﺍﺳﺖ ﺩﺭ ﺩﮐﻦ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٦٥ //‬‬ ‫ﻗــﺪﺭ ﺁﺯﺍﺩ ﺧــﻮﻳﺶ ﺭﺍ ﺧﻮﺑــﺎﻥ‬ ‫ﺑﺸﻨﺎﺳــﻴﺪ ﺍﻳــﻦ ﻏــﻼﻡﹺ ﺷﻤﺎﺳــﺖ‬ ‫»‪«۲۹۸‬‬ ‫ﻣﺮﺍ ﻧﺼـﻴﺐ ﺯ ﺧـﻮﺍﻥ ﺟﻨـﺎﺏ ﻋـﺎﻟﻲ ﻧﻴﺴـﺖ ﮐﻪ ﺯﻧﺪﮔﺎﻧﻲ ﻣـﻦ ﺻـﺮﻑ ﺁﺵ ﻣـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫ﻇﻬﻮﺭ ﻏﻴﺐ ﺑﺰﺭﮔـﺎﻥ ﮐـﻢ ﺍﺳـﺖ ﺑـﺮ ﻣـﺮﺩﻡ ﻭﮔﺮﻧﻪ ﻣﻬﺮ ﺩﻣﻲ ﺍﺯ ﮐﺴـﻮﻑ‪ ١‬ﺧـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫ﺗـــﻼﺵ ﮐـــﺎﻡ ﺯ ﺁﺳـــﻮﺩﮔﺎﻥ ﻧﻤـــﻲﺁﻳـــﺪ ﺑﻪﺻﻴﺪ ﭘﻨﺠـﻪ ﺯﺩﻥ ﮐـﺎﺭ ﺷـﻴﺮ ﻗـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫ﻫــﺰﺍﺭ ﻧﻐﻤــﺔ ﺭﻧﮕــﻴﻦ ﺑــﻪﺍﻣﺘﺤــﺎﻥ ﺁﻣــﺪ ﮐﻪ ﺩﺭﮐﺸﻴﺪﻥ ﺩﻝ ﻣﺜـﻞ ﺷـﻌﺮ ﺣـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫ﻧﮑـــﺮﺩ ﻧﺎﻟـــﻪﺍﻱ ﭘﺮﻭﺍﻧـــﻪ ﺑﺮﺳـــﺮ ﺁﺗـــﺶ ﺑﻠﻨﺪﺣﻮﺻــﻠﻪ ﻣﻐﻠــﻮﺏ ﺯﺍﺭ ﻧــﺎﻟﻲ ﻧﻴﺴــﺖ‬ ‫ﺑﻪﺻﺤﺒﺖ‪ ٢‬ﮐﻪ ﺩﻝ ﺧﻮﻳﺶ ﺭﺍ ﺗﻮﺍﻥ ﺧﻮﺵ ﮐﺮﺩ ﺩﺭ ﺍﻳﻦ ﺩﻳﺎﺭ ﮐـﻪ ﻳـﮏ ﺭﻧـﺪ ﻻﺍﺑـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫ﮐــــــــــــــــــــــﺑــﻪــﭼـﺎــﺭـﺑـــﺎﻟـــﺶـــﺷﺮـﺎﺩﻫﺎﻥ ﻣـﺮﺍ ﭼـﻪ ﮐـﺎﺭ ﺁﺯﺍﺩ‬ ‫ﺧﺪﺍ ﮔـﻮﺍﻩ ﮐـﻪ ﭼـﻮﻥ ﺑﻮﺭﻳـﺎ ﻧﻬـﺎﻟﻲ ﻧﻴﺴـﺖ‬ ‫»‪«۲۹۹‬‬ ‫ﺩﻝ ﻣﻦ ﺧـﻮﺵ ﺯ ﺁﺭﻣﻴـﺪﻥ ﻧﻴﺴـﺖ ﺷــﻴﻮﺓ ﺍﻭ ﺑﺠــﺰ ﻃﭙﻴــﺪﻥ ﻧﻴﺴــﺖ‬ ‫ﺭﻓـــﺘﻦ ﭼﺸـــﻢ ﻣﻔـــﺖ ﻧﺎﺑﻴﻨـــﺎ ﺭﻭﻱ ﺩﻧﻴــﺎ ﺳــﺰﺍﻱ ﺩﻳــﺪﻥ ﻧﻴﺴــﺖ‬ ‫ﮔــﻞ ﺑــﺎﻍ ﺟﻬــﺎﻥ ﻧﻤــﻲﭼﻴــﻨﻢ ﺑــﻮﻱ ﺍﻭ ﻗﺎﺑــﻞ ﺷــﻨﻴﺪﻥ ﻧﻴﺴــﺖ‬ ‫ﺑـﺎ ﺳـﻴﻪﮐـﺎﺭ‪ ،‬ﺯﺷـﺖﺧـﻮ‪ ،‬ﻣﻨﺸـﻴﻦ ﮐﻪ ﮐﻢ ﺍﺯ ﺳﺎﺱ‪ ٣‬ﺩﺭ ﮔﺰﻳﺪﻥ ﻧﻴﺴﺖ‬ ‫ﺷـــﮑﻨﺪ ﺑـــﺎﻝ ﺭﺍ ﭼـــﺮﺍ ﺻـــﻴ‪‬ﺎﺩ ﻧﻣﻴــﺴﺮــﻍــﺭﺍـــﻃـﺎﻗــــــﺖ‪‬ـﭘـﺮـﻳـــــﺪــﻥـﻧـﻴــﺴــﺖ‬ ‫ﺳـــﻔﺮ ﺩﺭ ﻭﻃـــﻦ ﺯ ﻣـــﻲﺁﻣـــﻮﺯ ﮐـﻪ ﺧﺮﺍﻣﻨـﺪﻩ ﺩﺭ ﺭﺳـﻴﺪﻥ ﻧﻴﺴـﺖ‬ ‫ﮐــــﺮﺩ ﺁﺯﺍﺩ ﺭﺍ ﭼــــﺮﺍ ﺯﻧﺠﻴــــﺮ‬ ‫ﭘــﺎﻱ ﺍﻭ ﺭﺍ ﺳــﺮ ﺭﻣﻴــﺪﻥ ﻧﻴﺴــﺖ‬ ‫‪ .١‬ﮐﺴﻮﻑ ﻣﻬﺮ ﺍﺯ ﺣﻴﻠﻮﻟﺖ ﻣﺎﻩ ﻣﻲﺷﻮﺩ ﻭ ﺣﻴﻠﻮﻟﺖ ﺍﻭ ﺩﺭ ﺟﺎﻳﻲ ﺍﺯ ﺟﺎﻫﺎﻱ ﻋﺎﻟﻢ ﻫﻤﻴﺸﻪ ﻣﻮﺟﻮﺩ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ‬ ‫ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺑﺼﺤﺒﺖ ﮔﻪ ﺩﻝ ﺧﻮﻳﺶ ﺭﺍ ﺗﻮﺍﻥ ﻫﻮﺱ ﮐﺮﺩ‪.‬‬ ‫‪ .٣‬ﺳﺎﺱ‪ :‬ﮐﺮﻡ ﺳﻴﺎﻩ ﻣﻮﺫﻱ ﺑﺪﺑﻮﺩﺍﺭ ﮐﻪ ﺁﻥ ﺭﺍ ﺩﺭ ﻫﻨﺪﻱ ﮐﻬﺘﻤﻞ )‪ (Khatmal‬ﮔﻮﻳﻨﺪ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ‬ ‫ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬

‫‪ // ٢٦٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۰۰‬‬ ‫ﻭﻗﺖ ﻣﺎ ﺧﻮﺵ ﺍﺯ ﺷﺮﺍﺏﹺ ﺩﻳﮕﺮ ﺍﺳﺖ ﺻــﺒﺢ ﻣــﺎ ﺭﺍ ﺁﻓﺘــﺎﺏﹺ ﺩﻳﮕــﺮ ﺍﺳــﺖ‬ ‫ﺑـﻲﺯﺑــﺎﻥ ﺭﺍ ﺣــﺎﻝ ﮔﻮﻳــﺎ ﻣــﻲﺷــﻮﺩ ﺧﺎﻣﺸﻲ ﻓﺼﻞﺍﻟﺨﻄـﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﻳﺎﺭ ﻭ ﻣـﻦ ﺍﻣﺸـﺐ ﺑﻬـﻢ ﺩﺭ ﺳـﺎﺧﺘﻴﻢ ﺍﻳـﻦ ﮐﺘـﺎﻥ ﺭﺍ ﻣﺎﻫﺘـﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺻﻨﻢ ﻳﮏ ﻧﺎﺯ ﻭ ﺍﺯ ﻣـﻦ ﺻـﺪ ﻧﻴـﺎﺯ ﺩﺭ ﻣﻴـﺎﻥ ﻣـﺎ ﺣﺴــﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳــﺖ‬ ‫ﭘـــﻴﺶ ﺭﻭ ﺩﺍﺭﺩ ﺩﻝ ﺻـــﺪ ﭘـــﺎﺭﻩﺍﻱ ﻃﻔﻞ ﺷﻮﺧﻲ ﺭﺍ ﮐﺘـﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﮔـﺮ ﭘـﺮﻱ ﺭﻭﻳـﻲ ﻧﻘـﺎﺏ ﺍﺯ ﺭﻭﮐﺸـﻴﺪ ﺷﺮﻡ ﭼﺸﻢ ﻣـﻦ ﻧﻘـﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺳـﺮﮔﺮﺍﻧﻢ ﮐـﺰ ﺳـﺮ ﺧـﻮﻧﻢ ﮔﺬﺷـﺖ ﻏﻴـﺮ ﺭﺍ ﮐﺸـﺘﻦ ﻋـﺬﺍﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﻣـﻲﺩﻫـﻢ ﺩﻝ ﺭﺍ ﺯ ﻣـﻦ ﺑﺎﻳـﺪ ﺧﺮﻳـﺪ ﺍﻳﻦ ﮔﻬﺮ ﺭﺍ ﺁﺏ ﻭ ﺗﺎﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺑﻮﺳـــﻪﺍﻱ ﺁﺯﺍﺩ ﺧﻮﺍﻫـــﺪ ﻻ ﻣﮕـــﻮ‬ ‫ﺣﺮﻑ ﺳﺎﻳﻞ ﺭﺍ ﺟـﻮﺍﺏﹺ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫»‪«۳۰۱‬‬ ‫ﭼﺸﻢ ﺑﺪ ﺩﻭﺭ ﻫﻤﻪ ﺧﻮﺑﻲ ﻋﺎﻟﻢ ﺑـﺎ ﺍﻭﺳـﺖ ﺍﻳﻦﻗﺪﺭ ﻫﺴﺖ ﮐﻪ ﺁﺋﻴﻦ ﻭﻓﺎ ﮐـﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﻣـﻲﺗﻮﺍﻧـﺪ ﮐـﻪ ﮐﻨـﺪ ﭼـﺎﺭﺓ ﺯﺧـﻢ ﺩﻝ ﻣـﺎ ﻻﻱ ﻣﻴﺨﺎﻧﻪ ﮐﻪ ﺧﺎﺻﻴ‪‬ﺖ ﻣـﺮﻫﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﻧﺘﻮﺍﻧــﺪ ﮐــﻪ ﺑــﺮﺩ ﺗــﺎﺝ ﻧﺒــﻮ‪‬ﺕ ﺍﺯ ﺟــﻢ ﺩﻳﻮ ﻧﺎﺩﺍﻥ ﭼﻪ ﮐﻨﺪ ﻧﺎﺯ ﮐﻪ ﺧﺎﺗﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﺑﻌﺪ ﻋﻤﺮﻱ ﮐﻪ ﻣﺮﺍ ﻳﺎﺭ ﺑﻪﻳﮏ ﺑﻮﺳﻪ ﻧﻮﺍﺧﺖ ﻣﻲﺷﻨﺎﺳﻢ ﮐﻪ ﺟﻮﺍﻧﻤﺮﺩﻱ ﺣﺎﺗﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﺭﻭﺯ ﻣﻴﺜـﺎﻕ ﭼـﻪ ﺗﻘﺴـﻴﻢ ﺷـﮑﺮ ﻣـﻲﮐﺮﺩﻧـﺪ ﺩﻝ ﻭﺍﺳﻮﺧﺘﻪ ﺑﺎ ﻣﻦ ﺩﻝ ﺧـﻮﺭﻡ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﮐﺎﺵ ﺟﺎﻥ ﺍﺯ ﺳﺮ ﻧﻮ ﮐﺸﺘﻪﺍﻱ ﺭﺍ ﻟﻄﻒ ﮐﻨـﺪ ﻧـﺎﺯﻧﻴﻨﻲ ﮐـﻪ ﺩﻡ ﻋﻴﺴٰـﻲ ﻣـﺮﻳﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﺳـﺮﻭ ﺭﺍ ﻭﻗـﺖ ﺧـﺰﺍﻥ ﭘﻴـﺮﻫﻦ ﺳـﻴﺮ ﺑﺒـﻴﻦ ﺩﺭ ﻏﻢ ﻻﻟﻪ ﻭ ﮔﻞ ﺟﺎﻣـﺔ ﻣـﺎﺗﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﺩﻝ ﻭﺍﺳـﻮﺧﺘﻪ ﺭﺍ ﮔـﺮ ﺑـﻪﻃـﺮﺍﻭﺕ ﺑﺨﺸـﺪ ﻣﻲﺗﻮﺍﻥ ﻳﺎﻓﺖ ﺍﺯ ﺁﻥ ﻻﻟﻪ ﮐﻪ ﺷﺒﻨﻢ ﺑﺎ ﺍﻭﺳﺖ‬ ‫ﻧﺪﻫـﺪ ﻋﺸــﻖ ﭘﺴــﻨﺪﻳﺪﻩ ﺑـﻪﺭﺳــﻮﺍﺋﻲ ﺗــﻦ ﻫﺮﮐﻪ ﺍﻳﻦ ﺭﺍﻩ ﺭﻭﺩ ﺟﺎﺩﺓ ﺍﺳـﻠﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﻧﺘـﻮﺍﻥ ﻳﺎﻓـﺖ ﺑﺠـﺰ ﻧـﺮﮔﺲ ﺳـﻴ‪‬ﺎﻑ ﮐﺴـﻲ ﻧﺎﺗﻮﺍﻧﻲ ﮐﻪ ﺳﻠﺤﺸـﻮﺭﻱ ﺭﺳـﺘﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﺩﻝ ﺷــﻴﺪﺍﻱ ﻣــﺮﺍ ﺍﺯ ﺳــﺮ ﺁﻥ ﺯﻟــﻒ ﺟــﺪﺍ ﻧﺘﻮﺍﻥ ﮐﺮﺩ ﮐﻪ ﺳﺮﺭﺷـﺘﺔ ﻣﺤﮑـﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬ ‫ﻫﺴـﺖ ﺩﻳـﻮﺍﻥ ﺳـﺨﻦ ﮔﺴـﺘﺮ ﺷـﻴﺮﺍﺯ ﺁﺯﺍﺩ‬ ‫ﺁﻥ ﺳﻴﻪ ﺟﺮﺩﻩ ﮐﻪ ﺷﻴﺮﻳﻨﻲ ﻋﺎﻟﻢ ﺑـﺎ ﺍﻭﺳـﺖ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٦٧ //‬‬ ‫»‪«۳۰۲‬‬ ‫ﺧـﺮﺍﺏ ﺍﻟﻔــﺖ ﺁﻥ ﺗﻨــﺪﺧﻮ ﺑـﻪﻳــﺎﺭﺍﻥ ﮔﻔــﺖ ﺷﮑﺎﻳﺖ ﺍﺳﺖ ﮐﻪ ﻣﺮﺍ ﺍﺯ ﮐﺴﻲ ﮐﻪ ﻧﺘﻮﺍﻥ ﮔﻔﺖ‬ ‫ﺩﻣﻲ ﮐﻪ ﺧﻮﺵ ﮔﺬﺭﺩ ﺍﺯ ﺣﻴﺎﺕ ﻣﻐﺘـﻨﻢ ﺍﺳـﺖ ﺑـﻪﻧﻮﺭﺳـﺎﻥ ﭼﻤـﻦ ﻣـﺮﻍ ﺑـﺎﻝ ﺍﻓﺸـﺎﻥ ﮔﻔـﺖ‬ ‫ﺯﻫــﻲ ﺷــﻬﻴﺪ ﮐــﻪ ﺧﻮﺍﻫــﺪ ﺑــﻪﺩﻳــﺪﺓ ﻗﺎﺗــﻞ ﺑﻪﺷـﻌﻠﻪﻭﺭ ﺷـﺪﻩ ﭘﺮﻭﺍﻧـﻪﺍﻱ ﺑـﻪﻳـﺎﺭﺍﻥ ﮔﻔـﺖ‬ ‫ﻧﺨﻮﺍﺳﺖ ﻳـﺎﺭ ﮐـﻪ ﺣـﺮﻑ ﻣـﺮﺍ ﮐﺴـﻲ ﺷـﻨﻮﺩ ﺯ‪ ١‬ﺭﺍﻩ ﺑﻨـﺪﻩﻧـﻮﺍﺯﻱ ﺑـﻪﮔـﻮﺵ ﭘﻨﻬـﺎﻥ ﮔﻔـﺖ‬ ‫ﺑﺠﺰ ﺗﻮ ﮐﻴﺴﺖ ﮐﻪ ﻣﻨﹼﺖ ﮔﺬﺍﺷـﺖ ﺑﺮﺳـﺮﹺ ﻣـﻦ ﺑﺮﻫﻨـﻪ ﭘـﺎﻳﻲ ﺭﻩ ﺩﻭﺳـﺖ ﺑـﺎ ﻣﻐـﻴﻼﻥ ﮔﻔـﺖ‬ ‫ﺯ ﺗﺨــﺖ‪ ‬ﺳــﻠﻄﻨﺖ‪ ‬ﻣﺼــﺮ ﺑﹺــﻪ ﭼ‪‬ــﻪ‪ ‬ﮐﻨﻌــﺎﻥ ﺑﻪﻳﺎﺩ‪ ‬ﺷﻬﺮ ﺧﻮﺩ ﺍﻳﻦ ﺣﺮﻑ ﻣﺎ‪‬ﻩ ﮐﻨﻌـﺎﻥ ﮔﻔـﺖ‬ ‫ﭘﺮﻳــﺪ ﺭﻧــﮓ ﺯ ﺭﻭﻱ ﭼﻤــﻦ ﻧﻤــﻲﺩﺍﻧــﻢ ﺧﺰﺍﻥ ﭼﻪ ﺣﺮﻑ ﺩﻝ ﺁﺷﻮﺏ ﺑﺎ ﮔﻠﺴﺘﺎﻥ ﮔﻔـﺖ‬ ‫ﻣﮕـــﺮ ﺻـــﺒﺎ ﺯ ﺳـــﺮﺯﻟﻒ ﻳـــﺎﺭ ﻣـــﻲﺁﻳـــﺪ ﮐﻪ ﻫﺮﭼﻪ ﮔﻔﺖ ﺯ ﺍﺣﻮﺍﻝ ﺧﻮﺩ ﭘﺮﻳﺸﺎﻥ ﮔﻔـﺖ‬ ‫ﺑﺤﮑــــﻢ ﻣﺮﺷــــﺪ ﺷــــﻴﺮﺍﺯ ﺑﻨــــﺪﺓ ﺁﺯﺍﺩ‬ ‫ﻗﺒﻮﻝ ﮐﺮﺩ ﺯ ﺟﺎﻥ ﻫﺮ ﺳﺨﻦ ﮐﻪ ﺟﺎﻧـﺎﻥ ﮔﻔـﺖ‬ ‫»‪«۳۰۳‬‬ ‫ﺩﻝ ﻣﻦ ﺩﺭ ﺧﻴﺎﻝ ﺣﻀﺮﺕ ﺍﻭﺳﺖ ﻟﺐ ﻣﻦ ﺩﺭ ﺩﻋﺎﻱ ﺩﻭﻟـﺖ ﺍﻭﺳـﺖ‬ ‫ﻳــﺎﺭ ﮔــﻮﺭﹺ ﻣــﺮﺍ ﺯﻳــﺎﺭﺕ ﮐــﺮﺩ ﻣﺸﺖ ﺧﺎﮐﻢ ﺭﻫﻴﻦﹺ ﻣﻨﹼـﺖ ﺍﻭﺳـﺖ‬ ‫ﺩﺭ ﺗﻐﺎﻓــﻞ ﺑﻬﺎﻧــﻪ ﻣــﻲﺟﻮﻳــﺪ ﺍﻳﻦ ﻫﻢ ﺍﺯ ﻋـﺎﻟﻢﹺ ﻣـﺮﻭ‪‬ﺕ ﺍﻭﺳـﺖ‬ ‫ﻣـﻲﻓﺮﻭﺷـﻢ ﻣﺘـﺎﻉ ﻫـﺮﺩﻭ ﺟﻬـﺎﻥ ﮐﺮﺩ ﻧﻌﻠﻴﻦ ﺩﻭﺳﺖ ﻗﻴﻤﺖ ﺍﻭﺳـﺖ‬ ‫ﺧﻀﺮ ﻭ ﺁﺏ ﺑﻘﺎ ﻣـﻦ ﻭ ﻟـﺐ ﻳـﺎﺭ ﻫﺮﮐﺴﻲ ﺑﺮﺩ ﺁﻧﭽﻪ ﻗﺴﻤﺖ ﺍﻭﺳﺖ‬ ‫ﺑﻨــﺪﺓ ﺩﺭﮔﻬــﺶ ﭼــﺮﺍ ﻧﺸــﻮﻡ ﺁﺑــﺮﻭﻱ ﻏــﻼﻡ ﻧﺴــﺒﺖ ﺍﻭﺳــﺖ‬ ‫ﮐـــﺮﺩ ﺩﻳـــﺪﺍﺩ‪ ‬ﺍﻭ ﻣـــﺮﺍ ﭘﺎﻣـــﺎﻝ ﺍﻳﻦ ﻧﻮﺍﺯﺵ ﺟﺰﺍﻱ ﺧﺪﻣﺖ‪ ‬ﺍﻭﺳﺖ‬ ‫ﻫﺮﮐــﻪ ﺑﺎﺷــﺪ ﺑﺒﻮﺳــﺘﺎﻥ ﺟﻬــﺎﻥ ﻣﻴﻮﺓ ﭼـﻴﻦ ﻧﻬـﺎﻝ ﻫﻤ‪‬ـﺖ ﺍﻭﺳـﺖ‬ ‫ﺩﻝ ﺧـــﻮﻧﻴﻦ ﺑـــﻪﺳـــﻴﻨﺔ ﺁﺯﺍﺩ‬ ‫ﻟﻌــﻞ ﮔﻨﺠﻴﻨــﺔ ﻣﺤﺒ‪‬ــﺖ ﺍﻭﺳــﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﺯ ﺁﻩ‪.‬‬

‫‪ // ٢٦٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۰۴‬‬ ‫ﺩﺭ ﺩﻝ ﺩﺍﻏــﺪﺍﺭ ﻧﮑﻬــﺖ ﺍﻭﺳــﺖ ﭼﺸﻢ ﺑﺪ ﺩﻭﺭ ﻻﻟﺔ ﮔـﻞ‪ ١‬ﺑﻮﺳـﺖ‬ ‫ﺑﺪ ﻣـﻦ ﮔـﻮﺵ ﮐـﺮﺩﻥ ﺍﺯ ﻣـﺮﺩﻡ ﻳﺎﺭ ﺭﺍ ﮔﺮ ﭘﺴـﻨﺪ ﺷـﺪ ﻧﻴﮑﻮﺳـﺖ‬ ‫ﺑــﺎ ﮐﺴــﻲ ﺩﻝ ﻧﻤﺎﻧــﺪ ﺩﺭ ﻋــﺎﻟﻢ ﺳﺮﺯﻟﻒ ﺗﻮ ﺗـﺎ ﮐﺠـﺎ ﺩﻟﺠﻮﺳـﺖ‬ ‫ﺁﺧـــﺮ ﺍﻭ ﺭﺍ ﺯ ﭘـــﺎ ﺩﺭﺍﻧـــﺪﺍﺯﺩ ﭼﻪ ﻏﻠﻂ ﺳﺮﻭ ﺑﺮ ﮐﻨﺎﺭﺓ ﺟﻮﺳـﺖ‬ ‫ﻣـﻲﺯﻧـﺪ ﻭﻗـﺖ ﺩﻳـﺪﻩ ﺗﻴـﻎ ﻣـﺮﺍ ﻧﮕــﻪ ﻳــﺎﺭ ﺑــﺮ ﺳــﺮ ﻗﺎﺑﻮﺳــﺖ‬ ‫ﭼﺸﻢ ﺍﻭ ﺑـﻲﺳـﺒﺐ ﻧﺸـﺪ ﺑﻴﻤـﺎﺭ ﺯﻳﺮ ﺷﻤﺸﻴﺮ ﺟﺎﻱ ﺍﻳـﻦ ﺁﻫﻮﺳـﺖ‬ ‫ﺑﻨـــﺪﺓ ﻋﺸــــﻖ ﻗﻤــــﺮﻳﻢ ﺁﺯﺍﺩ‬ ‫ﻃﻮﻕ ﺍﺯ ﺭﻭﺯ ﺯﺍﺩﻧﺶ ﺑﻪﮔﻠﻮﺳـﺖ‬ ‫»‪«۳۰۵‬‬ ‫ﺳــﻴﺮﮐﻦ ﺩﺭ ﺩﻝ ﻣــﻦ ﺩﺍﻍ ﻓــﺮﺍﻭﺍﻥ‪ ٢‬ﺍﻳﻨﺠﺎﺳــﺖ ﭼﺸﻢ ﺑﺪ ﺩﻭﺭ ﮐﻪ ﻳﮏ ﺷﻬﺮ ﭼﺮﺍﻏﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺑـــﺮﻭ ﺍﻱ ﺟـــﺎﻥ ﮔﺮﺍﻣـــﻲ ﺯ ﮐﻨـــﺎﺭﹺ ﺩﻝﹺ ﻣـــﻦ ﻧﻴﺴﺖ ﺟﺎﻱ ﺗﻮ ﺩﺭ ﺍﻳﻦ ﺧﺎﻧﻪ ﮐﻪ ﺟﺎﻧﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﻧﺘــﻮﺍﻥ ﺭﻓــﺖ ﺯ ﺻــﺤﺮﺍ ﺑــﻪﺳــﻮﻱ ﺁﺑــﺎﺩﻱ ﻗــﺪﺭﺩﺍﻥ ﮐــﻒ ﭘــﺎ ﺧــﺎﺭﹺ ﻣﻐــﻴﻼﻥ ﺍﻳﻨﺠﺎﺳــﺖ‬ ‫ﺧﺴــﺘﻪﺍﻱ ﺭﺍ ﺯ ﺩﺭ ﺧــﻮﻳﺶ ﮐﺠــﺎ ﻣــﻲﺭﺍﻧــﻲ ﺟﺎﻱ ﺩﻳﮕﺮ ﻧﺘﻮﺍﻥ ﺭﻓﺖ ﮐـﻪ ﺩﺭﻣـﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺩﺭﺩﻣﻨــﺪﺍﻥ ﺯ ﻣﺼــﻴﺒﺖﮐــﺪﻩ ﺑﻴــﺮﻭﻥ ﻧﺮﻭﻧــﺪ ﺩﻭﻟﺖ ﭼﺸـﻢ ﺗـﺮ ﺍﻳﻨﺠـﺎ ﺩﻝ ﺑﺮﻳـﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺧﻮﺵ ﻧﺼﻴﺒﻲ ﮐﻪ ﺑﻪﺧﺎﮎ ﺳﺮ ﮐﻮﻱ ﺗﻮ ﻧﺸﺴﺖ ﻧﺮﻭﺩ ﺳـﻮﻱ ﮔﻠﺴـﺘﺎﻥ ﮐـﻪ ﮔﻠﺴـﺘﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺩﻝ ﻣـــﻦ ﻣﻌﺘﻘـــﺪ ﮐـــﺎﻓﺮ ﺯﻟـــﻒ ﺗـــﻮ ﺑـــﻮﺩ ﺧﻮﺏ ﻓﻬﻤﻴﺪ ﮐـﻪ ﺳﺮﺭﺷـﺘﺔ ﺍﻳﻤـﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﮔــﺮ ﮐﻤﺮﺑﺴــﺖ ﺑــﻪﺑــﺪﺧﻮﺍﻫﻲ ﻣــﻦ ﺍﻫﺮﻣﻨــﻲ ﺟﺎﻱ ﺍﻧﺪﻳﺸـﻪ ﻧﺒﺎﺷـﺪ ﮐـﻪ ﺳـﻠﻴﻤﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﮔﻔــﺖ ﺁﺯﺍﺩ ﺑﻴــﺎ ﺩﺭ ﺩﻝ ﻣــﻦ ﺑﻨﺸــﻴﻦ‪ ،‬ﮔﻔــﺖ‬ ‫ﭼـﻪ ﻧﺸـﻴﻨﻢ ﮐـﻪ ﺧﻴـﺎﻻﺕ ﭘﺮﻳﺸـﺎﻥ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫‪ .١‬ﺩﺭ »ﻭﺍﻗﻌﺎﺕ ﺑﺎﺑﺮﻱ« ﺁﻣﺪﻩ ﮐﻪ ﺩﺭ ﮐﺎﺑﻞ ﻻﻟﻪﺍﻱﺳﺖ ﺧﻮﺷﺒﻮﺩﺍﺭ؛ ﺍﺯ ﻋﺎﻟﻢ ﮔﻞ ﺳﻮﺭﻱ ﮐﻪ ﺁﻥ ﻻﻟﻪ ﺭﺍ »ﮔﻠﺒﻮ« ﻧﺎﻣﻨﺪ‪.‬‬ ‫)ﺣﺎﺷﻴﺔ ﻫﻤﺎﻥ(‬ ‫‪ .٢‬ﮔﻨﺞ ﺑﺨﺶ‪ :‬ﻧﻤﺎﻳﺎﻥ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٦٩ //‬‬ ‫»‪«۳۰۶‬‬ ‫ﺷﻮﻡ ﻓـﺪﺍﻱ ﺩﻝ ﺧـﻮﺩ ﮐـﻪ ﺁﺷـﻨﺎ ﺍﻳﻨﺠﺎﺳـﺖ ﺑﻪﺳﻨﮓ ﮐﻌﺒﻪ ﭼﺮﺍ ﺳـﺮﺯﻧﻢ ﺧـﺪﺍ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺑﻪﺷﻬﺮ ﺧﻮﺵ ﻧﮕﻬﺎﻥ ﺭﻓﺘـﻪ ﻣـﻲﻓﺮﻭﺷـﻢ ﺩﻝ ﮐﻪ ﺍﻳـﻦ ﻋﻘﻴـﻖ ﮔﺮﺍﻧﻤﺎﻳـﻪ ﺭﺍ ﺑﻬـﺎ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﭼﮕﻮﻧـﻪ ﺩﺍﻣـﻦ ﻣﻄﻠـﺐ ﺑﺪﺳـﺖ ﻣـﻦ ﺍﻓﺘـﺪ ﮐﻪ ﺩﺍﻣﻨﺖ ﺑﻪﮐﻤـﺮ ﺩﺳـﺖ ﻧﺎﺭﺳـﺎ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﻣﻴﺎﻥ ﺣﺴﻦ ﻭ ﻣﺤﺒ‪‬ﺖ ﭼﻪ ﺧﻮﺏ ﻗﺴﻤﺖ ﺷﺪ ﺟﻔﺎ ﺑﻪﭘـﻴﺶ ﭘـﺮﻱ ﻃﻠﻌﺘـﺎﻥ ﻭﻓـﺎ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺍﮔﺮﭼﻪ ﻧﻴﺴﺖ ﺑﻪﺷـﻬﺮ ﺗـﻮ ﺟـﺰ ﺭﻭﺍﺝ ﺳـﺘﻢ ﺧﺪﺍ ﮔـﻮﺍﻩ ﮐـﻪ ﺗﺴـﮑﻴﻦ ﺩﻝ ﻣـﺮﺍ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﭼــﺮﺍ ﺑــﻪﺟــﺎﻱ ﺩﮔــﺮ ﺍﺯ ﺩﺭ ﺑﺘــﺎﻥ ﺑــﺮﻭﻡ ﮐﻪ ﺣﺎﺟﺖ ﺩﻝ ﺧﻮﺩ ﮐﺎﻡ ﻣﻦ ﺭﻭﺍ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﺍﮔـﺮ ﺗـﺮﺍ ﺑﻬـﻲ ﺭﻭﺯ ﺣﺴـﻦ ﺩﺭﮐـﺎﺭ ﺍﺳـﺖ ﺑﻴـﺎ ﺑـﻪﻏﻤﮑـﺪﺓ ﺧﺴـﺘﮕﺎﻥ ﺩﻋـﺎ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫ﻣــﺮﺍ ﺍﺭﺍﺩﺓ ﺗﺴــﺨﻴﺮ ﻋــﺎﻟﻢ ﻣﺴــﺘﻲ ﺍﺳــﺖ ﺑـﻪﺯﻳــﺮ ﺗــﺎﮎ ﺭﻭﻡ ﺳــﺎﻳﺔ ﻫﻤــﺎ ﺍﻳﻨﺠﺎﺳــﺖ‬ ‫ﺑــﻪﺳــﻴﺮ ﺑــﺎﻍ ﻧﻤــﻲﺁﻳــﺪ ﺁﻥ ﺑ‪‬ــﺖ‪ ‬ﺭﻋﻨــﺎ‬ ‫ﺧﺒـﺮ ﮐـﻪ ﮐـﺮﺩ ﮐـﻪ ﺁﺯﺍﺩ ﺑﻴﻨـﻮﺍ ﺍﻳﻨﺠﺎﺳـﺖ‬ ‫»‪«۳۰۷‬‬ ‫ﺳﺎﻝﻫﺎ ﺷﺪ ﺑﻴﮑﺴﻲ ﺍﻓﺘﺎﺩﻩ ﺩﺭ ﺯﻧﺪﺍﻥ ﺍﻭﺳـﺖ ﮔـﺮ ﮐﻨـﺪ ﺁﺯﺍﺩ ﺍﺯ ﺩﺍﻡ ﺑـﻼ ﺍﺣﺴـﺎﻥ ﺍﻭﺳـﺖ‬ ‫ﺁﻓــﺖ ﺁﺭﺍﻡ ﻣــﺮﺩﻡ ﮔــﺮﺩﺵ ﺍﻳ‪‬ــﺎﻡ ﻧﻴﺴــﺖ ﮔﺮﺩﺵ ﭼﺸﻢ ﮐﺴﻲ ﻳﺎ ﮔﺮﺩﺵ ﺩﺍﻣﺎﻥ ﺍﻭﺳﺖ‬ ‫ﻣﻲ ﺍﮔﺮ ﺍﺯ ﭼﺸﻢ ﺳﺎﻗﻲ ﻣﻲﮐﺸﻲ ﻫﺸﻴﺎﺭ ﺑﺎﺵ ﺻﺎﻑ ﺍﻳﻦ ﻣﻴﺨﺎﻧﻪ ﺁﺏ ﺧﻨﺠﺮ ﻣﮋﮔﺎﻥ ﺍﻭﺳـﺖ‬ ‫ﮐﻴﺴـﺖ ﺗـﺎ ﺁﮔـﺎﻩ ﺳـﺎﺯﺩ ﮔﻠـﺒﻦ ﻣﻐـﺮﻭﺭ ﺭﺍ ﻣﺮﻍ ﺑﻲﺑﺎﻝ ﻭ ﭘﺮﻱ ﺩﺭ ﮔﻮﺷﺔ ﺑﺴﺘﺎﻥ ﺍﻭﺳـﺖ‬ ‫ﺩﺭ ﻣﺤﺒ‪‬ــﺖ ﺷــﻴﻮﺓ ﺍﻧﺼــﺎﻑ ﻧﺘــﻮﺍﻥ ﻳــﺎﻓﺘﻦ ﺩﻝ ﮐﻪ ﺑﺎﺷﺪ ﺩﺭ ﺑ‪‬ﺮﹺ ﻣﻦ ﺗـﺎﺑﻊ ﻓﺮﻣـﺎﻥ ﺍﻭﺳـﺖ‬ ‫ﻣـﻲﮐـﻨﻢ ﻓﺮﻳـﺎﺩ ﺍﺯ ﺩﺳـﺖ‪ ‬ﺑـﺮﻫﻤﻦ ﺯﺍﺩﻩﺍﻱ ﺟ‪‬ﻮﺭ ﮐﺮﺩﻥ ﺑﺮ ﻣﺴﻠﻤﺎﻥ ﺩﻳﻦ ﺍﻭ ﺍﻳﻤﺎﻥ ﺍﻭﺳﺖ‬ ‫ﻧﻴﺴﺖ ﭘﺮﻭﺍ ﺍﺯ ﻣﻼﻣـﺖ ﮔـﺮ ﺩﻝ ﺷـﻮﺭﻳﺪﻩ ﺭﺍ ﺷﻴﺸـﺔ ﮔﺴـﺘﺎﺥ ﻣـﺎ ﺩﻳﻮﺍﻧـﺔ ﺳـﻨﺪﺍﻥ ﺍﻭﺳـﺖ‬ ‫ﺗﺮ ﺯﺑـﺎﻧﻲ ﺩﺭ ﺍﺩﺍﻱ ﺷـﮑﺮ ﺍﺣﺴـﺎﻥ ﻣـﻲﮐـﻨﻢ ﺩﺍﻣﻦ ﻣﻦ ﭘ‪‬ﺮﮔﻬـﺮ ﺍﺯ ﺭﻳـﺰﺵ ﻧﻴﺴـﺎﻥ ﺍﻭﺳـﺖ‬ ‫ﻫـﺮ ﻗـﺪﺭ ﺧﻮﺍﻫـﺪ ﺩﻟـﺖ ﺁﺯﺍﺩ ﺭﺍ ﺩﺷـﻨﺎﻡ ﺩﻩ‬ ‫ﺍﺯ ﻟﺒﺖ ﺍﻳﻦ ﭼﺎﺷﻨﻲ ﺑﺮﺩﺍﺷﺘﻦ ﺍﺭﻣﺎﻥ ﺍﻭﺳـﺖ‬

‫‪ // ٢٧٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۰۸‬‬ ‫ﺷـﻴﻮﺓ ﺑﻴـﺪﺍﺩ ﮐـﺎﺭ ﭼﺸـﻢ ﭘﺮﻧﻴﺮﻧـﮓ ﺍﻭﺳـﺖ ﻋﺎﻟﻤﻲ ﻣﻘﺘﻮﻝ ﺁﻫﻮﻱ ﻏﻀـﻨﻔﺮ ﺟﻨـﮓ ﺍﻭﺳـﺖ‬ ‫ﺷﻴﺸـﺔ ﮔﻠـﺰﺍﺭ‪ ١‬ﻣـﻲﺳـﺎﺯﺩ ﺗـﺮﺍ ﺧﺎﻃﺮﻧﺸـﻴﻦ ﺭﻧﮕﻬﺎﻱ ﻣﺨﺘﻠـﻒ ﺩﺭ ﺟﻠـﻮﺓ ﺑﻴﺮﻧـﮓ ﺍﻭﺳـﺖ‬ ‫ﻳﺎﺭ ﺑﺪﺧﻮ ﻣﻲﺩﻫﺪ ﺩﺷـﻨﺎﻡ ﺷـﻴﺮﻳﻦ ﻫـﺮ ﻧﻔـﺲ ﺗﺎ ﮐﺠﺎ ﺳﺎﻣﺎﻥ ﺷـﮑﺮ ﺩﺭ ﺩﻫـﺎﻥ ﺗﻨـﮓ ﺍﻭﺳـﺖ‬ ‫ﺩﻟﺒﺮ ﻧﻮ ﺧﻂ ﺯ ﺣﺪ‪ ‬ﺷﺮﻡ ﭘـﺎ ﺑﻴـﺮﻭﻥ ﮔﺬﺍﺷـﺖ ﺧﻨﺪﻩﻫﺎ ﺩﺍﺭﺩ ﮐﻪ ﻫﻨﮕﺎﻡ ﻃﻠـﻮﻉ ﺑﻨـﮓ ﺍﻭﺳـﺖ‬ ‫ﻧﺎﻗــﺔ ﻟﻴﻠــﻲ ﻣﮕــﺮ ﺩﺭ ﺩﺍﻣــﻦ ﺻــﺤﺮﺍ ﺭﺳــﻴﺪ ﺷﻮﺭﺵ ﻣﺠﻨﻮﻥ ﺩﻭﺑﺎﻻ ﺍﺯ ﺻﺪﺍﻱ ﺯﻧﮓ ﺍﻭﺳﺖ‬ ‫ﺗﺮﮎ ﭼﺸﻢ ﺍﻭ ﻋﺠﺐ ﻇﺎﻟﻢ ﻣﺰﺍﺝ ﺍﻓﺘﺎﺩﻩ ﺍﺳـﺖ ﺑﻬﺮ ﻗﺘﻞ ﺑﻴﮑﺴﻲ ﺷﻤﺸﻴﺮﻫﺎ ﺩﺭ ﺟﻨـﮓ ﺍﻭﺳـﺖ‬ ‫ﻟﻄﻒ ﻓﺮﻣﺎ ﺩﺭ ﺯﮐﺎﺕ ﺳـﻴﻢ ﻋـﺎﺭﺽ ﺑﻮﺳـﻪﺍﻱ ﭘﺎﺩﺷﺎﻩ ﮐﺎﻣﺮﺍﻥ ﭼﻮﻥ ﺑ‪‬ﺨﻞ ﻭﺭﺯﺩ ﻧﻨﮓ ﺍﻭﺳـﺖ‬ ‫ﮐـﻴﻦ ﺑﺴـﻴﺎﺭﻱ ﺯ ﻣـﺎ ﺩﺍﺭﺩ ﺩﻝ ﺳـﺨﺖ ﮐﺴـﻲ ﺷﻌﻠﺔ ﺟﻮ‪‬ﺍﻟﻪﺍﻱ ﺟﺎﻱ ﺷﺮﺭ ﺩﺭ ﺳـﻨﮓ ﺍﻭﺳـﺖ‬ ‫ﺍﻳﻦﻗﺪﺭ ﺑﻴﺪﺍﺩ ﺑـﺮ ﺁﺯﺍﺩ ﮐـﺮﺩﻥ ﺧـﻮﺏ ﻧﻴﺴـﺖ‬ ‫ﺭﻓﺘﻦ ﺍﺯ ﮐﻮﻱ ﺗﻮ ﺩﺭ ﺟﺎﻱ ﺩﮔﺮ ﺁﻫﻨﮓ ﺍﻭﺳﺖ‬ ‫»‪«۳۰۹‬‬ ‫ﻋﺮﺽ ﮐﺮﺩﻡ ﮐﻪ ﭼﺮﺍ ﭼﺸﻢ ﺗﻮ ﮐﻢ ﮔﻔﺘﺎﺭ ﺍﺳﺖ ﮔﻔــﺖ ﮔﻮﻳــﺎﻳﻲ ﮐــﻢ ﻻﺯﻣــﺔ ﺑﻴﻤــﺎﺭ ﺍﺳــﺖ‬ ‫ﺗﻮ ﺯ ﻣﻦ ﺩﻭﺭﻱ ﻭ ﻳﺎﺩ ﺗﻮ ﻣﺮﺍ ﻏﻤﺨـﻮﺍﺭ ﺍﺳـﺖ ﺍﻳﻦﻗﺪﺭ ﻟﻄﻒ ﺗـﻮ ﺩﺭﺑـﺎﺭﺓ ﻣـﻦ ﺑﺴـﻴﺎﺭ ﺍﺳـﺖ‬ ‫ﻧﺪﻫــﺪ ﺳــﻮﺩ ﻣــﺪﺩﮔﺎﺭ ﻣﮕــﺮ ﺩﺭ ﺟــﺎﻳﺶ ﻣﺮﻍ ﺭﺍ ﭘﺮ ﺑﻪﺯﻣـﻴﻦ ﭘـﺎ ﺑـﻪﻫـﻮﺍ ﺑﻴﮑـﺎﺭ ﺍﺳـﺖ‬ ‫ﮔﻔﺘﮕــﻮ ﻣــﻲﮐــﻨﻢ ﺍﺯ ﻳــﺎﺭﻱ ﮔﻮﻳــﺎﻱ ﺍﺯﻝ ﺁﻧﭽﻪ ﺳـﺎﺯﻧﺪﻩ ﺭﺳـﺎﻧﻴﺪ ﻫﻤـﺎﻥ ﺩﺭ ﺗـﺎﺭ ﺍﺳـﺖ‬ ‫ﻗﺪ ﺧﻢ ﮔﺸﺘﻪ ﻧﺸـﺎﻧﻲ ﺍﺳـﺖ ﺯ ﺗﺼـﻮﻳﺮ ﺍﺟـﻞ ﮐــﺮﺩﺓ ﻧﻘــﺶ ﻓﺘــﺎﺩﻥ ﮐﺠــﻲﹺ ﺩﻳــﻮﺍﺭ ﺍﺳــﺖ‬ ‫ﻳــــﺎﺭ ﺯﺭﺩﺍﺭ ﻣــــﺮﺍ ﻧﻴﺴــــﺖ ﺳــــﺮ ﺁﺯﺭﺩﻥ ﭼﺸﻢ ﺑﺪ ﺩﻭﺭ ﮔﻞ ﮔﻠﺸﻦ ﻣﻦ ﺑـﻲﺧـﺎﺭ ﺍﺳـﺖ‬ ‫ﻫﺮﮐﺴــﻲ ﺭﺍ ﺑــﺮﺩ ﺍﺯ ﮐــﺎﺭ ﺑــﻪﺍﻧــﺪﺍﺯ ﻧــﻮﻱ ﻧﺮﮔﺲ ﻣﺴﺖ ﺗﻮ ﺩﺭ ﺷﻴﻮﺓ ﺧﻮﺩ ﻫﺸﻴﺎﺭ ﺍﺳـﺖ‬ ‫‪ .١‬ﺷﻴﺸﺔ ﮔﻠﺰﺍﺭ ﺷﻴﺸﻪﺍﻱﺳﺖ ﮐﻪ ﺑﺮ ﺍﻭﺭﺍﻕ ﺗﺼﺎﻭﻳﺮ ﻏﻴﺮ ﺫﻭﻱﺍﻟﺮﻭﺡ ﮔﺬﺍﺭﻧﺪ ﺗﺎ ﺁﺳﻴﺐ ﻧﻢ ﻭ ﻏﻴﺮﻩ ﺑﻪﺁﻥ ﻧﺮﺳﺪ‪ ،‬ﺗﺎﺛﻴﺮ ﮔﻮﻳﺪ‪:‬‬ ‫ﮔﻮﻳﺪ‪:‬‬ ‫ﺑــﻪﺭﻧــﮓ ﺷﻴﺸــﺔ ﮔﻠــﺰﺍﺭ ﺍﺯ ﻟﻄﺎﻓــﺖ ﺗــﻦ ﺑﻮﺩ ﻋﻴﺎﻥ ﺯ ﺭﺧﺶ ﺩﻝ ﺟﻮ ﺩﺭ ﺧﻴﺎﻝ ﺧﻮﺩ ﺍﺳﺖ‬ ‫ﻭ ﺷﻴﺸﻪﺍﻱ ﮐﻪ ﺑﺮ ﺗﺼﺎﻭﻳﺮ ﺫﻭﻱﺍﻟﺮﻭﺡ ﮔﺬﺍﺭﻧﺪ‪ ،‬ﺁﻥ ﺭﺍ ﺁﺋﻴﻨﺔ ﺗﺼﻮﻳﺮ ﺧﻮﺍﻧﻨﺪ‪ ،‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺍﺯ ﺗﻤﺎﺷـﺎﻱ ﭘﺮﻳﺸـﺎﻥ ﺟﻬـﺎﻥ ﺩﻟﮕﻴـﺮ ﺑـﺎﺵ ﻭﺍﻟﺔ ﻳﮏ ﻧﻔﺲ ﭼـﻮﻥ ﺁﺋﻴﻨـﺔ ﺗﺼـﻮﻳﺮ ﺑـﺎﺵ‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٧١ //‬‬ ‫ﺗــﺎ ﺩﻡﹺ ﺑــﺎﺯ ﭘﺴــﻴﻦ ﺯﻟــﻒ ﺗــﺮﺍ ﻧﮕــﺬﺍﺭﻡ ﺩﻝ ﺍﮔﺮ ﺭﻓﺖ ﺑﻪﺯﻟـﻒ ﺩﮔـﺮﻱ ﻣﺨﺘـﺎﺭ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺗﻮ ﺑﺎ ﻭﺻﻒ ﺟﻔـﺎﻱ ﺗـﻮ ﻧﮕـﺮﺩﺩ ﻧـﺎﺧﻮﺵ‬ ‫ﻭﺭﻧـﻪ ﺁﺯﺍﺩ ﺯ ﻫـﺮ ﭼﻴـﺰ ﺟﻬـﺎﻥ ﺑﻴـﺰﺍﺭ ﺍﺳـﺖ‬ ‫»‪«۳۱۰‬‬ ‫ﮔﺮﺩ ﺳﺮ ﮔﺸـﺘﻦ ﺑـﻪﺁﺩﺍﺑـﻲ ﮐـﻪ ﺑﺎﻳـﺪ ﻣﺪ‪‬ﻋﺎﺳـﺖ ﺩﺭ ﺟﻨــﺎﺏ ﻗﺒﻠــﺔ ﻋــﺎﻟﻢ ﻣــﺮﺍ ﺍﻳــﻦ ﺍﻟﺘﺠﺎﺳــﺖ‬ ‫ﺑﻬـﺮ ﺣﺎﺻـﻞ ﮐـﺮﺩﻥ ﺭﻭﺯﻱ ﺩﮐـﺎﻧﻲ ﭼﻴـﺪﻩﺍﻧـﺪ ﻫﺮ ﮐﺮﺍ ﺩﻳﺪﻡ ﺍﺯ ﺍﻳﻦ ﺍﻗﻄـﺎﺏ ﻗﻄـﺐ‪ ١‬ﺁﺳﻴﺎﺳـﺖ‬ ‫ﺑــﺎ ﻓﺸــﺎﺭ ﮔــﻮﺭ ﻧﺘــﻮﺍﻥ ﺳــﺎﺧﺘﻦ ﺩﺭ ﺯﻧــﺪﮔﻲ ﭼﻮﻥ ﺷﻮﺩ ﺟﺎ ﺗﻨﮓ ﺩﺭ ﻣﺠﻠﺲ ﺑﺮﻭﻥ ﺭﻓﺘﻦ ﺑﺠﺎﺳـﺖ‬ ‫ﭘﺴــﺖ ﻧﺘﻮﺍﻧــﺪ ﮐــﻪ ﻃــﻲ ﺳــﺎﺯﺩ ﺭﻩ ﺩﺷــﻮﺍﺭ ﺭﺍ ﻗﻄــﻊ ﺭﺍﻩ ﺁﺏ ﮐــﺎﺭ ﺻــﺪﺭ ﻫﻨﮕــﺎﻡ ﺷﻨﺎﺳــﺖ‬ ‫ﺩﺭ ﺗــﻼﺵ ﮐﻴﻤﻴــﺎ ﺿــﺎﻳﻊ ﻣﮑــﻦ ﺍﻭﻗــﺎﺕ ﺭﺍ ﺁﻧﭽﻪ ﺩﺭ ﺩﺳﺖ ﺗـﻮ ﺑﺎﺷـﺪ ﺍﺯ ﻫﻨﺮﻫـﺎ ﮐﻴﻤﻴﺎﺳـﺖ‬ ‫ﺗــﺎ ﺩﻡ ﻣــﺮﺩﻥ‪ ٢‬ﻧﻤــﻲﮔــﺮﺩﺩ ﺩﻭﭼــﺎﺭ ﺁﻓﺘــﺎﺏ ﻋﺎﺷــﻖ ﺩﻭﺭ ﺍﺯ ﺭﺧــﺖ ﻧﻴﻠــﻮﻓﺮ ﺁﺏ ﺑﻘﺎﺳــﺖ‬ ‫ﻧﺜــﺮ ﺭﻧﮕــﻴﻦ ﻣــﻲﺩﻫــﺪ ﺗﺮﺗﻴــﺐ ﺍﺯ ﺩﺷــﻨﺎﻡﻫــﺎ ﻫﺮﭼﻪ ﻓﺮﻣﺎﻳﺪ ﺑﻪﺟﺎﻥ ﻣﻨﹼـﺖ ﮐـﻪ ﻳـﺎﺭ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﻋﺸـﻖ ﻣـﻲﺑﺨﺸـﺪ ﺷـﮑﻮﻩ ﭘﺎﺩﺷـﺎﻫﻲ ﺣﺴـﻦ ﺭﺍ ﺑﺮﺳـﺮ ﮔـﻞ ﺳـﺎﻳﺔ ﻣـﺮﻍ ﭼﻤـﻦ ﻇـﻞﱢ ﻫﻤﺎﺳـﺖ‬ ‫ﺑﺮﻧﻤــﻲﺧﻴــﺰﺩ ﺯ ﺟــﺎ ﻫﺮﭼﻨــﺪ ﻣــﻲﺑﻴﻨــﺪ ﺟﻔــﺎ‬ ‫ﺑﺮﺳـــﺮ ﮐـــﻮﻱ ﺷـــﻤﺎ ﺁﺯﺍﺩ ﭘﺎﺑﻨـــﺪ ﻭﻓﺎﺳـــﺖ‬ ‫»‪«۳۱۱‬‬ ‫ﺩﺭ ﺳﺮﺯﻟﻒ ﺗﻮ ﻋـﺎﻟﻢﻫـﺎ ﻓـﺮﺍﻫﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ ﺩﺭ ﻧﻈﺮ ﻫﺮ ﺣﻠﻘﺔ ﺍﻭ ﺳـﺎﻏﺮ ﺟـﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻧﺴﺒﺖ ﻫﺮ ﭼﻴﺰ ﻣـﻲﺳـﺎﺯﺩ ﻧﮑـﻮ ﻫـﺮ ﭼﻴـﺰ ﺭﺍ ﺑﺎ ﻧﻤﮏ ﺷـﻴﺮﻳﻨﻴﻲ ﺩﺭ ﺁﺏ ﺯﻣـﺰﻡ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﮔﻮﺷـﺔ ﭼﺸـﻢ ﺗـﻮ ﺑﺎﺷـﺪ ﺑﻴﺸـﺘﺮ ﺑـﺎ ﺩﻳﮕـﺮﺍﻥ ﺍﻟﺘﻔﺎﺕ ﺍﻭ ﭼﺮﺍ ﺑﺮ ﻣﺨﻠﺼـﺎﻥ ﮐـﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻣﻲﺷﻮﺩ ﻫﺮ ﺭﻭﺯ ﺑﺮ ﺭﺧﺴﺎﺭ ﺳﻴﻤﻴﻦ ﺗـﻮ ﭘﻬـﻦ ﻟﺸﮑﺮ ﺧﻂ ﺩﺭ ﺷﮑﺴﺖ ﻣﺎ ﭘﻲﹺ ﻫﻢ ﺑﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑـﺎ ﮔﺮﻓﺘـﺎﺭ ﺗـﻮ ﻧﺎﺻـﺢ ﭘﻬـﺮﻩ ﻧﺘﻮﺍﻧـﺪ ﺷـﺪﻥ ﻣﺜﺒﺖ ﻋﺸﻖ ﺗﻮ ﺑﺮ ﻧـﺎﻓﻲ ﻣﻘـﺪ‪‬ﻡ‪ ٣‬ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﭼﻨﺪ ﺭﻭﺯﻱ ﺩﺭ ﮔﻠﺴﺘﺎﻥ ﺩﺍﺩ ﻋﺸﺮﺕ ﻣـﻲﺩﻫـﺪ ﮔﻞ ﺯ ﺗﺎﺭﺍﺝ ﺧﺰﺍﻥ ﺩﺍﻧﺴﺘﻪ ﺑـﻴﻐﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫‪ .١‬ﻗﻄﺐ‪ :‬ﺻﺎﺣﺐ ﻣﺮﺗﺒﺔ ﺧﺎﺹ ﻭ ﻣﻴﺨﻲ ﮐﻪ ﺑﺮ ﺁﻥ ﺁﺳﻴﺎ ﻣﻲﮔﺮﺩﺩ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻣﺮﺩﻡ‪.‬‬ ‫‪ .٣‬ﻧﺰﺩ ﻋﻠﻤﺎﻱ ﺍﺻﻮﻝ ﻓﻘﻪ ﺭﺍﻭﻱ ﺍﺛﺒﺎﺕ ﺑﺮ ﺭﺍﻭﻱ ﻧﻔﻲ ﻣﻘ ‪‬ﺪﻡ ﺍﺳﺖ‪) .‬ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬

‫‪ // ٢٧٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻭﻗﺖ ﺷﺐ ﺗﺎ ﺻﺒﺢ ﺩﺭ ﺁﻏﻮﺵ ﮔـﻞ ﺁﺭﺍﻡ ﮐـﺮﺩ ﺑﻠﺒﻞ ﻣﺤﺮﻭﻡ ﺩﺍﻍ ﺍﺯ ﺩﺳﺖ ﺷﺒﻨﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺑﺎﻏﺒﺎﻥ ﺍﻣﺮﻭﺯ ﻣﺎ ﺭﺍ ﺧـﻮﺭﺩﺓ ﮔـﻞ ﻟﻄـﻒ ﮐـﺮﺩ ﺩﺭ ﺯﻣﺎﻥ ﻣﺎ ﻣﮕﺮ ﺍﻳﻦ ﻣﺮﺩ ﺣـﺎﺗﻢ ﺑـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻳﺎﺭ ﺑﺎ ﺁﺯﺍﺩ ﮔﺮ ﻧﻨﺸﺴﺖ ﻋﺬﺭﺵ ﻇـﺎﻫﺮ ﺍﺳـﺖ‬ ‫ﺍﻳﻦ ﺳﻴﻪ ﻣﺴﺖ ﺟﻨﻮﻥ ﺭﺳﻮﺍﻱ ﻋﺎﻟﻢ ﺑﻮﺩﻩ ﺍﺳﺖ‬ ‫»‪«۳۱۲‬‬ ‫ﺧـﺎﻟﻲ ﺑـﻪﮔﻮﺷـﺔ ﻟـﺐ ﺩﻟﺒـﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ ﺩﺯﺩﻱ ﺑــﺮﺍﻱ ﺩﺯﺩﻱ ﺷــﮑﺮ ﻧﺸﺴــﺘﻪ ﺍﺳــﺖ‬ ‫ﺟــﺎ ﻣــﻲﺩﻫﻨــﺪ ﮔــﺎﻩ ﺑــﻪﭘــﺎﺋﻴﻦ ﺑﻠﻨــﺪ ﺭﺍ ﺑـﺎﻗﻲ ﺗـﻪ ﺣﺴـﺎﺏ ﺑـﻪﺩﻓﺘـﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﻣـﺮﺩﺍﻥ ﻏـﺮﻭﺭ ﻧﻔـﺲ ﺩﻧـﻲ‪ ١‬ﺭﺍ ﺷﮑﺴـﺘﻪﺍﻧـﺪ ﺍﻧﮕﺸـﺖ ﻧـﺮ ﺯ ﭼـﺎﺭ ﻓﺮﻭﺗـﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺍﻳﻦ ﺁﺳﺘﺎﻥ ﭘﺮﺳﺖ ﭼﻮ ﺗﺼـﻮﻳﺮ ﺭﻭﻱ ﺳـﻨﮓ ﺩﺭ ﺷﻮﻕ ﭘﺎﻱ ﺑﻮﺱ ﺗﻮ ﺑﺮ ﺩﺭ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺳـﺎﺯﺩ ﻧﺼـﻴﺐ ﺣﻀـﺮﺕ ﺣـﻖ ﻫـﺮ ﻳﺘـﻴﻢ ﺭﺍ ﮔـﺮﺩ ﻳﺘﻴﻤﻴـﻲ ﮐـﻪ ﺑـﻪﮔـﻮﻫﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺩﻝ ﺭﻓﺘـﻪ ﺭﻓﺘـﻪ ﺑـﺮ ﺳـﺮ ﻣﮋﮔـﺎﻥ ﺍﻭ ﺭﺳـﻴﺪ ﺍﻳﻦ ﺧﻮﻥ ﮔﺮﻓﺘﻪ ﺑﺮﺳﺮ ﺧﻨﺠﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺣــﻖ ﺩﺍﺭ ﺭﺍ ﭼــﺮﺍ ﺗــﻪ ﭘــﺎ ﺟــﺎ ﻧﻤــﻲﺩﻫــﻲ ﮔﻞ ﻫﻴﭻ ﺣﻖ ﻧﺪﺍﺷﺘﻪ ﺑﺮﺳـﺮ ﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺻﺪ ﺣﻴﻒ ﺩﻝ ﺳﻠﻴﻘﺔ ﻫـﻢﺻـﺤﺒﺘﻲ ﻧﺪﺍﺷـﺖ ﺁﻳﻴﻨـﻪ ﺑـﺎ ﺗـﻮ ﺳـﺎﺧﺘﻪ ﺩﺭ ﺑﺮﻧﺸﺴـﺘﻪ ﺍﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﻣــﺎ ﮐــﻪ ﺁﺏ ﺧﻀــﺮ ﺭﺍ ﻧﻤــﻲﭼﺸــﺪ‬ ‫ﺍﻣﻴــﺪﻭﺍﺭ ﺳــﺎﻗﻲ ﮐــﻮﺛﺮ ﻧﺸﺴــﺘﻪ ﺍﺳــﺖ‬ ‫»‪«۳۱۳‬‬ ‫ﻫﺠﺮ ﺗﻮ ﻣﺮﺍ ﺗﺎ ﺑﻪﮐﺠﺎ ﮐﺎﻫﺶ ﺟﺎﻥ ﺍﺳﺖ ﺍﺯ ﺳﻴﻨﻪ ﻭ ﺍﺯ ﺩﻳﺪﺓ ﻣﻦ ﻧﺎﻟﺔ‪ ٢‬ﺭﻭﺍﻥ ﺍﺳـﺖ‬ ‫ﺑـﻲﺧـﻮﻥ ﺟﮕـﺮ ﭼﺎﺷـﻨﻲ ﺍﻭ ﻧﭽﺸـﻴﺪﻡ ﻳﺎﻗﻮﺕ ﻣﺴﻲ ﻣﺎﻝ ﺗﻮ ﺷﺎﻡ ﺭﻣﻀﺎﻥ ﺍﺳـﺖ‬ ‫ﺧﻮﺭﺷــﻴﺪ ﻧﺴــﻮﺯﺩ ﻧﮕــﻪ ﺩﻳــﺪﺓ ﺣﺮﺑــﺎ ﮐﺎﻳﻦ ﺳﻮﺧﺘﻪ ﺍﺯ ﺭﺍﻩ ﻣﺤﺒ‪‬ﺖ ﻧﮕﺮﺍﻥ ﺍﺳﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ .:‬ﺣﺮﻭﻥ‪ :‬ﺗﻮﺳﻦ ﻭ ﺳﺮﮐﺶ؛ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺍﺯ ﻏـﺎﻓﻼﻥ ﺯﺑـﺎﻥ ﻧﺼـﻴﺤﺖ ﮐﺸـﻴﺪﻩ ﺩﺍﺭ ﺿﺎﻳﻊ ﻣﮑﻦ ﺑﻪﺍﺳـﺐ ﺣـﺮﻭﻥ ﺗﺎﺯﻳﺎﻧـﻪ ﺭﺍ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٢٢٤/١‬‬ ‫‪ .٢‬ﻧﺎﻟﻪ ﻣﻌﺮﻭﻑ ﻭ ﺭﻭﺩﺧﺎﻧﺔ ﮐﻮﭼﮏ ﭼﻨﺎﻧﭽﻪ ﺩﺭ ﺑﺮﻫﺎﻥ ﻗﺎﻃﻊ ﺍﺳﺖ‪ .‬ﻣﻌﻨﻲ ﺍ ‪‬ﻭﻝ ﺭﺍﺟﻊ ﺑﻪﺳﻴﻨﻪ ﻭ ﻣﻌﻨﻲ ﺛﺎﻧﻲ ﺭﺍﺟﻊ ﺑﻪﺩﻳﺪﻩ‪.‬‬ ‫)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٧٣ //‬‬ ‫ﻣﻮﺟﻲ ﺭﻭﺩ ﻭ ﻣﻮﺝ ﺩﮔﺮ ﺍﺯ ﭘﻴﺶ ﺑﺮﺁﻳـﺪ‪ ١‬ﺩﺭ ﺁﺏ ﺭﻭﺍﻥ ﻋﮑﺲ ﺟﻬﺎﻥ ﮔﺬﺭﺍﻥ ﺍﺳﺖ‬ ‫ﺑﺩﺮﺭﺁﻳـﮔﻠــﺸـــــﻦـ ﺍـﻳ‪‬ـــــﺎـﻡـ ﻧـﺒـﺎــﺷـــﺪـ ﺑــــﺪــﻣـﻄـﻠــــﺪﻖ‪ ١‬ﺳﺮﻣﺎﻳﺔ ﺷﺎﺩﺍﺑﻲ ﻧـﺮﮔﺲ ﺯ ﺧـﺰﺍﻥ ﺍﺳـﺖ‬ ‫ﺍﻣﻴـﺪ ﺳـﻼﻣﺖ ﻧﺘـﻮﺍﻥ ﺩﺍﺷـﺖ ﺯ ﺁﺗـﺶ ﭘﺮﻭﺍﻧﻪ ﻏﻠﻂ ﺑﺮﺳﺮ ﺍﻭ ﺑـﺎﻝ ﻓﺸـﺎﻥ ﺍﺳـﺖ‬ ‫ﺍﻓﺴﻮﺱ ﮐﻪ ﻣـﺎ ﺯﻭﺩ ﺭﺳـﻴﺪﻳﻢ ﺑـﻪﭘﻴـﺮﻱ ﺗﺎ ﺭﻭﺯ ﻗﻴﺎﻣﺖ ﻓﻠـﮏ ﭘﻴـﺮ ﺟـﻮﺍﻥ ﺍﺳـﺖ‬ ‫ﺣﺎﺷﺎ ﮐﻪ ﺑﻪﭘﻴﺶ ﮐﺴﻲ ﺍﺯ ﺟ‪‬ﻮﺭﹺ ﺗـﻮ ﻧـﺎﻟﻢ ﺳﺮ ﮐﺮﺩﻥ ﺣﺮﻑ ﮔﻠﻪ ﻃﻮﺭ ﺩﮔﺮﺍﻥ ﺍﺳـﺖ‬ ‫ﺳﺮﻭﻱ ﻭ ﻫﻢﺁﻏﻮﺷـﻲ ﻫـﺮ ﻓﺎﺧﺘـﻪ ﺩﺍﺭﻱ‬ ‫ﺍﻳﻦﻃﻮﺭ ﺗﻮ ﺑﺮ ﺧـﺎﻃﺮ ﺁﺯﺍﺩ ﮔـﺮﺍﻥ ﺍﺳـﺖ‬ ‫»‪«۳۱۴‬‬ ‫ﺍﻣﺮﻭﺯ ﺍﺯ ﻋﺘـﺎﺏ ﺗـﺮﺍ ﺣـﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ ﺩﺳﺘﺎﺭ ﺑﺴـﺘﻦ ﺗـﻮ ﺑـﻪﻣﻨـﻮﺍﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺭﻳﺰﺩ ﺩﻭﺑﺎﺭﻩ ﺧﻮﻥ‪ ‬ﺷـﻬﻴﺪﺍﻥ ﺑـﺮﻭﺯﹺ ﺣﺸـﺮ ﺷﻤﺸﻴﺮﺑﻨﺪ ﭼﺸﻢ ﺗـﻮ ﻗﺘـﺎﹼﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺳﺎﻗﻲ ﻣﮑﻦ ﻣﻀﺎﻳﻘﻪ ﮔﺮ ﺑﺎﺩﻩ ﮐﻬﻨﻪ ﻧﻴﺴـﺖ ﭼﺸﻢ ﺑﻘﺎﻱ ﺧﻮﻳﺶ ﮐﺮﺍ ﺳﺎﻝ ﺩﻳﮕﺮ ﺍﺳـﺖ‬ ‫ﺣﺴﻦ ﺗﻮ ﺑﺲﮐﻪ ﺟﻠـﻮﻩ ﻣﮑـﺮ‪‬ﺭ ﻧﻤـﻲﮐﻨـﺪ ﻫﺮ ﺩﻡ ﺗـﺮﺍ ﻣﻌﺎﻳﻨـﻪ‪ ٢‬ﺗﻤﺜـﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺟﺎﻥ ﺩﺭ ﺑﻬـﺎﻱ ﺑﻮﺳـﻪ ﻓﺸـﺎﻧﺪﻳﻢ ﭘـﻴﺶ ﺍﻭ ﺑﻴﻊ ﻭ ﺷﺮﺍﻱ ﻣﺎ ﺑـﺰﺭ ﻭ ﻣـﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﮔﺮ ﺁﺳﻤﺎﻥ ﺷﮑﺴﺖ ﭘﺮ ﻭ ﺑﺎﻝ ﻣﺎ ﭼﻪ ﺑـﺎﮎ ﭘﺮﻭﺍﺯ ﻣـﺎ ﺑـﺰﻭﺭ ﭘـﺮ ﻭ ﺑـﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺧﻮﺩ ﺭﻣﻴـﺪﻩﺍﻧـﺪ ﺑـﻪﺟـﺎﻳﻲ ﺭﺳـﻴﺪﻩﺍﻧـﺪ ﺍﺩﺑـﺎﺭ ﺩﻭﺳـﺘﺎﻥ ﺗـﻮ ﺍﻗﺒـﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﺩﺭ ﺧﻮﺍﺏ ﻧـﺎﺯ ﺭﻓﺘـﻪ ﺭﻩ ﻫـﻮﺵ ﻣـﻲﺯﻧـﺪ ﺗﺮﺳﻢ ﺯ ﻧﺮﮔﺲ ﺗﻮ ﮐﻪ ﺣﺒ‪‬ﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫ﮔﻮﻳﻨـــﺪ ﺑﻠـــﺒﻼﻥ ﻧﻮﺍﺳـــﻨﺞ ﺩﺭ ﭼﻤـــﻦ‬ ‫ﺁﺯﺍﺩ ﺧﻮﺵ ﻣﺤﺎﻭﺭﻩ ﺭﺍ ﻗﺎﻝ ﺩﻳﮕـﺮ ﺍﺳـﺖ‬ ‫»‪«۳۱۵‬‬ ‫ﺻﺤﺒﺖ ﺁﻥ ﻃﻔﻞ ﺭﻋﻨﺎ ﮔـﺮﻡ ﺑـﺎ ﺑﻴﮕﺎﻧـﻪ ﺍﺳـﺖ ﻗﺪﺭ ﺣﺴﻦ ﺧﻮﺩ ﻧﻤﻲﺩﺍﻧﺪ ﮐﻪ ﻧﻮ ﺟﺎﻧﺎﻧـﻪ ﺍﺳـﺖ‬ ‫ﻳﮑﹼﻪ ﺧـﻮﺩ ﺭﺍ ﺑﺮﺳـﺮ ﻓـﻮﺝ ﭼﺮﺍﻏـﺎﻥ ﻣـﻲﺯﻧـﺪ ﭘﺮﺩﻻﻥ ﻋﺸﻖ ﺭﺍ ﺷـﺮ ﺑـﺎ ﺷـﺮﻥ ﭘﺮﻭﺍﻧـﻪ ﺍﺳـﺖ‬ ‫ﺑـﺎ ﺍﺩﺏ ﺍﺯ ﮔﻮﺷـﺔ ﺩﺍﻣـﺎﻥ ﺍﻳـﻦ ﺻـﺤﺮﺍ ﮔـﺬﺭ ﺧﻮﺍﺑﮕﺎﻩ ﺣﻀﺮﺕ ﻣﺠﻨﻮﻥ ﺩﺭ ﺍﻳﻦ ﻭﻳﺮﺍﻧﻪ ﺍﺳـﺖ‬ ‫‪ .١‬ﺳﺎﻻﺭ ﺟﻨﮓ ﻭ ﻧﺪﻭﻩ‪ :‬ﺁﻳﺪ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺩﺭ ﺁﻳﻨﻪ‪.‬‬

‫‪ // ٢٧٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺗــﺎ ﮐﺠــﺎ ﺟﻤﻌﻴ‪‬ــﺖ ﺯﻟــﻒ ﺗــﺮﺍ ﺑــﺮ ﺑــﺎﺩ ﺩﺍﺩ ﺑﻨﺪﻩ ﻣﻌﺬﻭﺭﻡ ﮐـﻪ ﺍﻳـﻦ ﮐـﺎﺭ ﺩﻝ ﺩﻳﻮﺍﻧـﻪ ﺍﺳـﺖ‬ ‫ﺗﺸــﻨﺔ ﺻــﻬﺒﺎ ﺯ ﺭﺳــﻮﺍﺋﻲ ﻧــﺪﺍﺭﺩ ﺁﮔﻬـــﻲ ﺁﺑﺮﻭﻱ ﺧﻮﻳﺶ ﻣﻲﻧﻮﺷﺪ ﮐﻪ ﺩﺭ ﭘﻴﻤﺎﻧـﻪ ﺍﺳـﺖ‬ ‫ﺩﻝ ﺑﺴـــﺎﻥ‪ ‬ﭘـــﺮﺩﺓ ﺑـــﺎﺩﺍﻡ ﺩﺍﺭﺩ ﺭﺧﻨـــﻪﻫـــﺎ ﺍﻳﻦ ﺧﺮﺍﺑﻲ ﺩﺭ ﺳﺮﺯﻟﻔﺖ ﺯ ﺯﺧـﻢ ﺷـﺎﻧﻪ ﺍﺳـﺖ‬ ‫ﺍﻳﻦ ﺗﻮﻗﹼﻊ ﮐﻮ ﮐﻪ ﺩﻝ ﺍﺯ ﺩﺳﺖ‪ ‬ﺍﻭ ﻣﺎﻧﺪ ﺩﺭﺳـﺖ ﺁﻓـﺖ ﮐﺎﺷـﺎﻧﻪ ﺍﻳﻨﺠـﺎ ﺻـﺎﺣ ﹺﺐ ﮐﺎﺷـﺎﻧﻪ ﺍﺳـﺖ‬ ‫ﺩﻝ ﭼﺴـﺎﻥ ﺁﺭﺩ ﺷـﺮﺍﺏ ﻧـﺮﮔﺲ ﺍﻭ ﺭﺍ ﺑﺪﺳـﺖ ﺣﻠﻘﻪ ﺯﻥ ﻓﻮﺝ ﺳﭙﺎﻫﺎﻥ ﮔﺮﺩ ﺍﻳﻦ ﻣﻴﺨﺎﻧﻪ ﺍﺳـﺖ‬ ‫ﻧﻴﺴـﺖ ﺍﺯ ﺷﻤﺸـﻴﺮ ﺑـﺪﺧﻮﺍﻫﺎﻥ ﺧﻄـﺮ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﺑﺮﺳـﺮﹺ ﮐـﻮﻱ ﺑﺘـﺎﻥ ﺍﻳـﻦ ﺳـﻴ‪‬ﺪ ﻣﺮﺩﺍﻧـﻪ ﺍﺳـﺖ‬ ‫»‪«۳۱۶‬‬ ‫ﺗﺎﺯﻩ ﺧﺎﻟﻲ ﺍﺯ ﺳﻴﺎﻫﻲ ﺑﺮ ﮐﻨـﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ ﻳـﺎ ﻏـﻼﻡ ﻧﻮﺭﺳـﻲ ﺑﻴﻤـﺎﺭﺩﺍﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﺑــﻲﺳــﺒﺐ ﺩﻳﻮﺍﻧــﺔ ﺩﺍﻣــﺎﻥ ﺻــﺤﺮﺍ ﻧﻴﺴــﺘﻢ ﻫﺮ ﻏﺰﺍﻝ ﺷﻮﺥ ﺟﻮﻻﻥ ﻳﺎﺩﮔﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﺗﻴﺮ ﮐﺞ ﺭﺍ ﺑـﻲﺧﻄـﺮ ﺩﺭ ﺣﺎﻟـﺖ ﻣﺴـﺘﻲ ﺯﺩﻥ ﮐﺎﺭ ﺗﻴﺮ ﺍﻧﺪﺍﺯ ﺩﻳﮕﺮ ﻧﻴﺴﺖ ﮐﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﺑﺎ ﺗﻮ ﮔﺸﺘﻦ ﺭﻭﺑـﻪﺭﻭ ﺑﺴـﻴﺎﺭ ﮔﺴـﺘﺎﺧﻲ ﺑـﻮﺩ ﻧﺮﮔﺲ ﺑﻲﺷﺮﻡ ﺍﺯ ﮐﻮﺭﻱ ﺩﻭﭼﺎﺭ ﭼﺸﻢ ﺗﺴﺖ‬ ‫ﺑﻲﺗﻮ ﺍﻣﺸﺐ ﻧﻴﺴـﺖ ﻧـﻮﺭﻱ ﺩﻳـﺪﺓ ﭘﻴﻤﺎﻧـﻪ ﺭﺍ ﻫﺮ ﻳﮑﻲ ﺍﺯ ﻣﻴﮑﺸﺎﻥ ﺩﺭ ﺍﻧﺘﻈﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﺷﻮﺧﻲ ﺧﺎﻟﻲ ﺯ ﻧﺎﺯ ﻭ ﻋﺸﻮﻩ ﺑﺎﺷﺪ ﺑـﻲﻧﻤـﮏ ﺑﺎ ﻏـﺰﺍﻻﻥ ﺧـﺘﻦ ﺗﺸـﺒﻴﻪ ﻋـﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﻧﻴﺴﺖ ﺑﺎ ﻣﺎ ﮔﻮﺷـﺔ ﭼﺸـﻤﻲ ﺩﻝ ﺷـﻮﺭﻳﺪﻩ ﺭﺍ ﺑـﻲﻭﻓـﺎ ﺍﺯ ﻣـﺪ‪‬ﺗﻲ ﺩﺭ ﺍﺧﺘﻴـﺎﺭ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫ﺻﺒﺤﺪﻡ ﭘﻴﺶ ﺗﻮ ﮐﺎﺭ ﻣﻦ ﻫﻤﻴﻦ ﻟﺐ ﺑﺴﺘﻦ ﺍﺳﺖ ﺣﺮﻑ ﻧﺘﻮﺍﻥ ﺯﺩ ﮐﻪ ﻫﻨﮕﺎﻡ ﺧﻤﺎﺭ ﭼﺸﻢ ﺗﺴﺖ‬ ‫ﻣﺴـﺖ ﺍﺯ ﭘﻴﻤﺎﻧـﺔ ﻣـﻲ ﮐـﺮﺩﻩ ﮐﺸـﺖ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﺁﺷـﻨﺎﻳﺎﻥ ﺭﺍ ﺩﻏـﺎ ﺩﺍﺩﻥ ﺷـﻌﺎﺭﹺ ﭼﺸـﻢ ﺗﺴـﺖ‬ ‫»‪«۳۱۷‬‬ ‫ﮐﺎﺭ ﺭﻧﺪﺍﻥ ﺍﺯ ﺳﺮ ﺷﺐ ﺗﺎ ﺳﺤﺮ ﺑﻲﺧﻮﺍﺑﻲ ﺍﺳـﺖ ﺩﺧﺘـﺮ ﺭﺯ ﺟﻠـﻮﻩﮔـﺮ ﺩﺭ ﺟﺎﻣـﺔ ﻣﻬﺘـﺎﺑﻲ ﺍﺳـﺖ‬ ‫ﻣﺎﻳــﺔ ﺟﻤﻌﻴ‪‬ــﺖ ﻭﺍﺭﺳــﺘﻪ ﺑــﻲﺍﺳــﺒﺎﺑﻲ ﺍﺳــﺖ ﺩﺍﻣﻦ ﺍﻓﺸﺎﻥ ﺑـﺮ ﺗـﻼﺵ ﺧـﺎﻧﻲ ﻭ ﻧـﻮ‪‬ﺍﺑﻲ ﺍﺳـﺖ‬ ‫ﻭﻗﺖ ﺳﺎﻋﺖ ﭼﻮﻥ ﺯ ﺟﻨﺒﺶ ﺑﺎﺯ ﻣﺎﻧﺪ ﺑﺎﻃﻞ ﺍﺳﺖ ﺭﻭﺯ ﻭ ﺷﺐ ﺁﺭﺍﻡ ﺍﺑﻦﺍﻟﻮﻗﺖ ﺩﺭ ﺑـﻲﺗـﺎﺑﻲ ﺍﺳـﺖ‬ ‫ﺧﻮﺏ ﻣﻲﺩﺍﻧﻢ ﮐﻪ ﻣـﻲﺳـﺎﺯﺩ ﺟـﺪﺍ ﺳـﺮ ﺍﺯ ﺗـﻨﻢ ﻳﺎﺭ ﺑـﺎ ﻭﺻـﻒ ﺷـﺮﺍﻓﺖ ﺑﺮﺳـﺮ ﻗﺼﹼـﺎﺑﻲ ﺍﺳـﺖ‬ ‫ﻧﻴﺴﺖ ﮔـﺮ ﻣﻌﺸـﻮﻕﹺ ﺍﻋـﻼ ﺩﻟﺒـﺮﹺ ﺍﻭﺳـﻂ ﮔـﺰﻳﻦ ﺑﻴﺶ ﻗﻴﻤﺖ ﺳﺎﺯ ﺟﻨﺲ ﮐـﻢ ﺑﻬـﺎ ﻧﺎﻳـﺎﺑﻲ ﺍﺳـﺖ‬ ‫ﺯﻟﻒ ﮐﺞ ﺩﻝ ﺭﺍ ﺯ ﺯﻟﻒ ﺭﺍﺳﺖ ﺍﻓـﺰﻭﻥ ﻣـﻲﺑـﺮﺩ ﺩﺳﺖ ﭼﻮﮔﺎﻥ ﭼﻴﺮﻩﺗﺮ ﺑﺮ ﮔﻮﻱ ﺍﺯ ﺳﺮﺗﺎﺑﻲ ﺍﺳﺖ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٧٥ //‬‬ ‫ﺑﺎﻏﺒﺎﻥ ﺭﻧﮓ ﺑﺪ ﻣﻄﻠﻖ ﺩﺭ ﺍﻳـﻦ ﮔﻠﺸـﻦ ﻧﺮﻳﺨـﺖ ﻗﺴﻤﺖ ﻧﺮﮔﺲ ﺯ ﻫﻨﮕﺎﻡ ﺧـﺰﺍﻥ ﺷـﺎﺩﺍﺑﻲ ﺍﺳـﺖ‬ ‫ﮐـﺮﺩ ﮔﺮﻳـﺎﻥ ﺳـﺒﺰﺓ ﺧـﻂ ﻧـﺮﮔﺲ ﺷـﻮﺥ ﺗـﺮﺍ ﺧﻀﺮ ﺭﺍ ﺍﺯ ﺣﻖ ﺗﻌـﺎﻟٰﻲ ﺧـﺪﻣﺖ ﻣﻴﺮﺍﺑـﻲ ﺍﺳـﺖ‬ ‫ﻣـﻲﺯﺩﻥ ﺩﺭ ﻃـﺎﻕ ﺍﺑـﺮﻭﻱ ﺑﺘـﺎﻥ ﺁﻳـﻴﻦ ﻣﺎﺳـﺖ ﺳﺮ ﺯﺩﻥ ﺑﺮ ﺳـﻨﮓ ﮐـﺎﺭ ﺯﺍﻫـﺪ ﻣﺤﺮﺍﺑـﻲ ﺍﺳـﺖ‬ ‫ﻣﻲﺗﻮﺍﻥ ﮐـﺮﺩﻥ ﻣـﺮﺍ ﻣﻤﻨـﻮﻥ ﺧـﻮﺩ ﺍﺯ ﺑﻮﺳـﻪﺍﻱ ﭼــﺎﺭﺓ ﺩﺭﺩ ﺩﻝ ﻣــﻦ ﺩﺭ ﻟــﺐ ﻋﻨﹼــﺎﺑﻲ ﺍﺳــﺖ‬ ‫ﺑﺲﮐـﻪ ﺭﻧـﮓ ﺣﮑﻤـﺖ ﻳﻮﻧﺎﻧﻴـﺎﻥ ﺁﺯﺍﺩ ﺭﻳﺨـﺖ‬ ‫ﭘــﻴﺶ ﺩﺍﻧﺎﻳــﺎﻥ ﻣﻨﺼــﻒ ﺛــﺎﻧﻲ ﻓــﺎﺭﺍﺑﻲ ﺍﺳــﺖ‬ ‫»‪«۳۱۸‬‬ ‫ﺣ‪‬ﻘﹼﻪ ﺁﻓﺖ ﺩﺭ ﺟﻬـﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳـﺖ ﺩﻭﺩ ﻣﻨﺼﻮﺹ ﺁﺳﻤﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳﺖ‬ ‫ﻳـﺎﺭ ﺍﮔـﺮ ﺭﻧﺠﻴـﺪ ﻣـﺎ ﺩﺍﻧـﻴﻢ ﻭ ﺍﻭ ﺩﻝ ﭼﺮﺍ ﭘـﺎ ﺩﺭ ﻣﻴـﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳـﺖ‬ ‫ﺩﺭ ﮔﻠﺴــﺘﺎﻥ ﺍﺣﺘﺴــﺎﺏ ﺑﺎﻏﺒــﺎﻥ ﻋﻨــﺪﻟﻴﺒﺎﻥ ﺭﺍ ﺑﺠــﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳــﺖ‬ ‫ﺁﺗــﺶ ﺩﻝ ﺷــﺪ ﺩﻭﺑــﺎﻻ ﺍﺯ ﻟــﺒﺶ ﺍﻳﻦ ﻗﻴﺎﻣﺖ ﺭﻧﮓ ﭘﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳـﺖ‬ ‫ﺑﻠﺒــﻞ ﺷــﻮﺭﻳﺪﻩﺍﻱ ﺍﺯ ﺑــﺮﮒ‪ ‬ﮔــﻞ ﺁﺗﺸــﻲ ﺩﺭ ﺁﺷــﻴﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳــﺖ‬ ‫ﺩﻳـــﺪﺓ ﺗـــﺮ ﺍﺯ ﺑـــﺮﺍﻱ ﭘـــﺎﻱ ﺍﻭ ﻣﺸﺖ ﮔﻮﻫﺮ ﺍﺭﻣﻐـﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳـﺖ‬ ‫ﺷﺎﺥ ﮔﻞ ﺑﺎ ﻭﺻﻒ ﮐﻢ ﻋﻤﺮﻱ ﭼﺮﺍ ﺑﻠـﺒﻼﻥ ﺭﺍ ﺩﺭ ﻓﻐـﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳــﺖ‬ ‫ﺷــﻤﻊ ﺭﺍ ﺗــﺎﺏ ﺷــﮑﻴﺒﺎﺋﻲ ﮐﺠــﺎ ﺳﻮﺯ ﺩﻝ ﺭﺍ ﺑﺮ ﺯﺑـﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳـﺖ‬ ‫ﻭﺻﻞ ﻫـﻢ ﺁﺯﺍﺩ ﺭﺍ ﺗﺴـﮑﻴﻦ ﻧـﺪﺍﺩ‬ ‫ﺑﺎﺭﻫــﺎ ﺩﺭ ﺍﻣﺘﺤــﺎﻥ ﺁﻭﺭﺩﻩ ﺍﺳــﺖ‬ ‫»‪«۳۱۹‬‬ ‫ﻫﻤﻴﺸـﻪ ﺩﺭ ﺩﻝ ﺷـﻴﺮﻳﻦ ﻏـﻢ ﺩﻭ ﺑﻴـﺪﺍﺩ ﺍﺳـﺖ ﮐﻪ ﮐﻮﻫﮑﻦ ﺯ ﺻﻨﻢ ﺧﺴﺮﻭ ﺍﺯ ﺷﮑﺮ ﺷﺎﺩ ﺍﺳـﺖ‬ ‫ﺯﻣﺎﻧـــﻪ ﺑﺮﺳـــﺮﹺ ﺁﺗـــﺶ ﻧﺸـــﺎﻳﺪ ﻗﻤـــﺮﻱ ﺭﺍ ﮐـﻪ ﺁﺷـﻴﺎﻧﺔ ﺯﺍﻏـﻲ ﺑـﻪﺷـﺎﺥ ﺷﻤﺸـﺎﺩ ﺍﺳـﺖ‬ ‫ﻋﻨــﺎﺩ‪ ‬ﻫــﺮﺯﻩ ﺩﺭﺍﻳــﺎﻥ‪ ١‬ﺳــﺒﺐ ﻧﻤــﻲﺧﻮﺍﻫــﺪ ﭼﻪ ﮐﺮﺩ ﺷﻤﻊ ﮐﻪ ﺩﺭ ﻓﮑﺮ ﮐﺸﺘﻨﺶ ﺑـﺎﺩ ﺍﺳـﺖ‬ ‫‪ .١‬ﻫﺮﺯﻩ ﺩﺭﺍﻱ‪ :‬ﮐﻨﺎﻳﻪ ﺍﺯ ﭘﻮﭺﮔﻮﻱ‪ ،‬ﻫﺮﺯﻩﮔﻮﻱ‪ ،‬ﻳﺎﻭﻩﮔﻮﻱ‪ ،‬ﺑﻴﻬﻮﺩﻩﮔﻮﻱ‪ ،‬ﺑﻲﺻﺮﻓﻪﮔﻮﻱ‪ .‬ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﺩﺭ ﮐﺎﺭﻭﺍﻥ ﻣﺎ ﺟﺮﺱ ﻗﺎﻝ ﻭ ﻗﻴﻞ ﻧﻴﺴـﺖ ﺭﺍﻩ ﺳﺨﻦ ﺑﻪﻫـﺮﺯﻩ ﺩﺭﺍﻳـﺎﻥ ﻧﻤـﻲﺩﻫـﻴﻢ‬ ‫ﺍﺯ ﺣﺮﻑ ﻟﺐ ﻫﺮﺯﻩ ﺩﺭﺍﻳﺎﻥ ﻧﺘﻮﺍﻥ ﺑﺴـﺖ ﺧﺎﻣﻮﺵ ﮐﻨﺪ ﮔﻮﺵ ﮔـﺮﺍﻥ ﺑﻬـﺪﻩﮔـﻮ ﺭﺍ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٧٦٦/٢‬‬

‫‪ // ٢٧٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑـﺮﻭﻥ ﻧﻤــﻲﻓﮕـﻨﻢ ﺍﺷــﮏ ﺭﺍ ﺯ ﺧﺎﻧـﺔ ﭼﺸــﻢ ﮐﻪ ﻫﺮﺯﻩ ﮐـﺮﺩﻱ ﺍﻃﻔـﺎﻝ ﻧﻘـﺺ ﺍﹸﺳـﺘﺎﺩ ﺍﺳـﺖ‬ ‫ﻧﺪﻳــﺪ ﺭﻭﻱ ﮔــﻞ ﻭ ﻻﻟــﻪ ﻭ ﺳــﻤﻦ ﮔــﺎﻫﻲ ﺑﻬــﺎﺭ ﻣــﺮﻍ ﻗﻔــﺲ ﺯﺍﺩ ﺭﻭﻱ ﺻــﻴ‪‬ﺎﺩ ﺍﺳــﺖ‬ ‫ﺗــﻼﺵ ﺷــﻴﺮ ﺯ ﺷــﻴﺮﻳﻦ ﺧﻴــﺎﻝ ﻓﺎﺳــﺪ ﺑــﻮﺩ ﮐـﻪ ﺁﺏ ﺩﻳـﺪﻩ ﺳـﺰﺍﻭﺍﺭ ﺟـﻮﻱ ﻓﺮﻫـﺎﺩ ﺍﺳـﺖ‬ ‫ﺟﻨــﻮﻥ ﻣــﺎ ﺑــﻪﻋــﻼﺝ ﻃﺒﻴــﺐ ﺑﹺــﻪ ﻧﺸــﻮﺩ ﮐــﻪ ﺩﺍﻣــﻦ ﺩﻝ ﻣــﺎ ﺩﺭ ﮐــﻒ ﭘــﺮﻱﺯﺍﺩ ﺍﺳــﺖ‬ ‫ﺑﭙــﺎﻱ ﺩﻳــﺪﻩ ﻭ ﺩﻝ ﻭﺍ ﺭﺳــﻴﺪﻩﺍﻳــﻢ ﺍﻳﻨﺠــﺎ ﮐـﻪ ﻳﺎﺩﮔـﺎﺭ ﻧﺠـﻒ ﺧـﺎﮎ ﺣﻴـﺪﺭﺁﺑﺎﺩ ﺍﺳـﺖ‬ ‫ﺑــﻪﻗــﻮﻝ ﺣــﺎﻓﻆ ﺷــﻴﺮﺍﺯ ﻣــﺮﺩ ﺣــﺮﻑ ﺑﺸــﻨﻮ‬ ‫»ﺯ ﻫﺮﭼــﻪ ﺭﻧــﮓ ﺗﻌﻠﹼــﻖ ﭘــﺬﻳﺮ ﺁﺯﺍﺩ ﺍﺳــﺖ«‬ ‫»‪«۳۲۰‬‬ ‫ﺩﺭ ﻧﺸﺌﺔ ﻣﻲ ﺩﻳﺪﻥ‪ ‬ﺗـﻮ ﭼﺸـﻢ ﻋﻤـﻴﻢ ﺍﺳـﺖ ﺍﺯ ﺧﻮﺭﺩﻥ ﭘﻴﻤﺎﻧـﻪ ﺳـﻴﻪ ﮐﺎﺳـﻪ ﮐـﺮﻳﻢ ﺍﺳـﺖ‬ ‫ﺧﻴﺮ ﺗـﻮ ﺩﺭ ﺍﻳـﻦ ﺍﺳـﺖ ﮐـﻪ ﺑﺮﻗـﻊ ﺑﮕﺸـﺎﺋﻲ ﺣﺴﻨﻲ ﮐﻪ ﺑﻪﮐﺲ ﺭﻭ ﻧﺪﻫﺪ ﺷﮑﻞ ﻋﻘـﻴﻢ ﺍﺳـﺖ‬ ‫ﺑﻴﻤــﺎﺭﻱ ﭼﺸــﻢ ﺗــﻮ ﻧﺒﻴﻨــﺪ ﺭﺥ ﺻــ ‪‬ﺤﺖ ﺗــﺎ ﻓﺘﻨــﺔ ﺍﻭ ﮐــﻢ ﺷــﻮﺩ ﺍﷲ ﺣﮑــﻴﻢ ﺍﺳــﺖ‬ ‫ﮔﺮ ﺣﮑـﻢ ﺷـﻮﺩ ﺷـﻤ‪‬ﻪﺍﻱ ﻣـﻦ ﻫـﻢ ﺑﺴـﺘﺎﻧﻢ ﺑﻮﻱ ﺳﺮ ﮔﻴﺴﻮﻱ ﺗﻮ ﺩﺭ ﺩﺳﺖ‪ ‬ﻧﺴـﻴﻢ ﺍﺳـﺖ‬ ‫ﻫـﺮ ﺟـﺎ ﮐـﻪ ﮐﻨـﺪ ﺟﻠـﻮﻩ ﭘـﺮﻱﺯﺍﺩ ﻣﺨﻄﹼـﻂ ﻻﺣﻮﻝ ﺑﺨﻮﺍﻧﻴـﺪ ﮐـﻪ ﺷـﻴﻄﺎﻥ ﺭﺟـﻴﻢ ﺍﺳـﺖ‬ ‫ﻳﺎﺭﺏ ﻧﻈـﺮ ﺭﺣـﻢ ﺑـﻪﻣـﺎ ﮐـﻦ ﮐـﻪ ﺑـﻪﻗـﺮﺁﻥ ﺗﺎﺝ ﻫﻤﻪ ﺍﻭ ﺻﺎﻑ ﺗﻮ ﺭﺣ ٰﻤﻦ ﻭ ﺭﺣﻴﻢ ﺍﺳـﺖ‬ ‫ﻳﮑﺒـــﺎﺭ ﮐـــﺮﻡ ﮐـــﻦ ﺑﺴـــﺮﹺ ﻣﺸـــﻬﺪ‪ ‬ﺁﺯﺍﺩ‬ ‫ﺩﺭ ﻃـﻮﻑ‪ ‬ﻣــﺰﺍﺭِﹺ ﻏﺮﺑــﺎ ﺍﺟــﺮﹺ ﻋﻈــﻴﻢ ﺍﺳــﺖ‬ ‫»‪«۳۲۱‬‬ ‫ﻣﺮﺍ ﻣﻌﺎﻣﻠـﺔ ﺍﻣـﺮﻭﺯ ﺑـﺎ ﺍﺑـﻮﺍﻟﻌﺠﺒﻲ ﺍﺳـﺖ ﮐﻪ ﺑﻲﺩﻣﺎﻏﻲ ﺁﻥ ﻧﺎﺯﻧﻴﻦ ﺯ ﺑﻲﺳﺒﺒﻲ ﺍﺳـﺖ‬ ‫ﺑﻪﭘﻴﺶ ﺩﻝ ﺷﮑﻨﺎﻥ ﺩﺳﺖ ﺑﺴﺘﻪ ﺣﺎﺿﺮ ﺑﺎﺵ ﺯﺑﺎﻥ ﺑﻪﺷﮑﻮﻩ ﻣﮑﻦ ﺁﺷﻨﺎ ﮐﻪ ﺑﻲﺍﺩﺑﻲ ﺍﺳﺖ‬ ‫ﻣﺮﺍ ﺍﺯ ﺁﻥ ﻟﺐ ﺷﻴﺮﻳﻦ ﻭ ﭼﺸﻢ ﺑﺎﺩﻩﭘﺮﺳـﺖ ﺣﻼﻭﺕ‪ ‬ﻣ‪‬ﻲ ﻗﻨﺪﻱ ﻭ ﺑـﺎﺩﺓ ﻋﻨﺒـﻲ‪ ١‬ﺍﺳـﺖ‬ ‫ﺩﻟﻴﺮ ﺭﻓـﺘﻦ ﭘﺮﻭﺍﻧـﻪ ﭘـﻴﺶﹺ ﺍﻭ ﻏﻠـﻂ ﺍﺳـﺖ ﮐﻪ ﺷﻤﻊ ﺑﺮ ﺳـﺮﹺ ﻫﻨﮕﺎﻣـﺔ ﺍﺑـﻮﻟﻬﺒﻲ ﺍﺳـﺖ‬ ‫ﺧﻴــﺎﻝ ﻭﺻــﻞ ﮐﻨــﺪ ﺧــﺎﻡ ﺑﻠﺒــﻞ ﻣﻔﻠــﺲ ﮐﻪ ﻧﻮﺟﻮﺍﻥ ﭼﻤﻦ ﺭﺍ ﻫﻮﺍﻱ ﺯﺭﻃﻠﺒﻲ ﺍﺳﺖ‬ ‫‪ .١‬ﻋﹶﻨﺒﻲ‪ :‬ﻧﺎﻡ ﻃﺒﻘﻪﺍﻱ ﺍﺯ ﻫﻔﺖ ﻃﺒﻘﺔ ﭼﺸﻢ)ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪ .‬ﻋﻨﺒﻴﻪ‪ :‬ﻧﺎﻡ ﻃﺒﻘﺔ ﺳﻮﻡ ﺍﺯ ﻫﻔﺖ ﻃﺒﻘﺎﺕ‬ ‫ﭼﺸﻢ ﻟﻮﻥ ﺁﻥ ﻣﺨﺘﻠﻒ ﻣﻲﺑﺎﺷﺪ ﺩﺭ ﺑﻌﻀﻲ ﺍﺷﺨﺎﺹ ﺳﻴﺎﻩ ﻭ ﺩﺭ ﺑﻌﻀﻲ ﺍﺷﻬﻞ ﻭ ﺑﻌﻀﻲ ﺍﺭﺯﻕ‪) .‬ﻏﻴﺎﺙ‪.(٦١٥ ،‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٧٧ //‬‬ ‫ﺷﮑﹼﻲ ﺑﻪﺣﺴﻦ ﺳﻴﺎﻫﺎﻥ ﻧﻤـﻲﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﮐﻪ ﻣﻬﺮ ﻣﺤﻀﺮ ﻣﺎ ﺣﺴﻦ ﻟﻴﻠﻲ ﻋﺮﺑﻲ ﺍﺳﺖ‬ ‫ﺟﺪﺍ ﺯ ﻳﺎﺭ ﻫﻤﺎﻥ ﺑﹺﻪ ﮐـﻪ ﺟـﺎﻥ ﺩﻫـﻢ ﺁﺯﺍﺩ‬ ‫ﺑﻪﺧﺎﮎ ﺭﻓﺘﻦ ﻟﺐ ﺗﺸﻨﻪ ﺑﹺﻪ ﺯ ﺗﺸﻨﻪ ﻟﺒﻲ ﺍﺳﺖ‬ ‫»‪«۳۲۲‬‬ ‫ﺍﮔـﺮ ﺯﻻﻝ ﺑﻘـﺎ ﺭﺍ ﻧﻴﺎﻓـﺖ ﺟـﻢﹺ ﻏـﻢ ﻧﻴﺴـﺖ ﮐـﻪ ﺁﺏ ﺁﻳﻴﻨـﻪ ﺍﺯ ﺁﺏ ﺯﻧـﺪﮔﻲ ﮐـﻢ ﻧﻴﺴـﺖ‬ ‫ﻧﻤـﻲﺩﻫﻨـﺪ ﺑـﻪﺷـﺎﻫﺎﻥ ﺣﻀـﻮﺭ ﺩﺭﻭﻳﺸـﺎﻥ ﺩﻝ ﻟﺒﺎﻟــﺐ ﺍﺳــﺮﺍﺭ ﺳــﺎﻏﺮ ﺟــﻢ ﻧﻴﺴــﺖ‬ ‫ﻧﮕـﺎﺭ ﻃﺎﻟـﺐ ﺯﺭ ﮔﻔـﺖ ﮔـﺮ ﻧـﺪﺍﺭﻱ ﻣـﺎﻝ ﺑﻴﺎﺭ ﮔﻮﻫﺮ ﺩﻝ ﻋﺮﺽ ﮐﺮﺩﻡ ﺁﻥ ﻫـﻢ ﻧﻴﺴـﺖ‬ ‫ﻫـﺰﺍﺭ ﺩﻟﺒـﺮ ﺭﻋﻨﺎﺳـﺖ ﺟﻠـﻮﻩﮔـﺮ ﻫـﺮ ﺳـﻮ ﺍﮔﺮ ﺗﻮ ﺑﺮ ﻧﺨﻮﺭﻱ ﮐﺎﺭﹺ ﻋﺸـﻖ ﺑـﺮﻫﻢ ﻧﻴﺴـﺖ‬ ‫ﺑﮕﻔـﺘﻤﺶ ﮐـﻪ ﭼـﺮﺍ ﺩﺭ ﺗـﻮ ﺁﺩﻣﻴ‪‬ـﺖ ﻧﻴﺴـﺖ ﺟﻮﺍﺏ ﺩﺍﺩ ﮐﻪ ﺍﻳﻦ ﮐﺲ ﭘ‪‬ﺮﻱ ﺍﺳﺖ ﺁﺩﻡ ﻧﻴﺴﺖ‬ ‫ﺑﻬـﺎﺭ ﻭﺳــﻤﺔ ﺍﺑـﺮﻭﻱ ﻳــﺎﺭ ﻫـﻮﺵﺭﺑﺎﺳــﺖ ﺧـﺪﻧﮓ ﻓﺘﻨـﺔ ﺍﻭ ﺩﺭ ﮐﻤـﺎﻥ ﺭﺳـﺘﻢ‪ ١‬ﻧﻴﺴـﺖ‬ ‫ﻋﺠـﺐ ﻗﺼـﻴﺪﺓ ﺣ‪‬ﺴـﻨﻴﻪ ﮔﻔـﺖ ﺩﺭ ﻋﺮﺑـﻲ‪٢‬‬ ‫ﻧﻈﻴــﺮﹺ ﺳــﻴ‪‬ﺪ‪ ‬ﺁﺯﺍﺩ ﻣــﺎ ﺑــﻪﻋــﺎﻟﻢ ﻧﻴﺴــﺖ‬ ‫»‪«۳۲۳‬‬ ‫ﻫﻤﻴﺸﻪ ﺩﺭ ﺩﻝ ﻣﻦ ﻳﺎﺩ ﻧﻮﺟﻮﺍﻥ ﺷـﺒﻲ ﺍﺳـﺖ ﭼــﺮﺍﻍ ﻻﺯﻡ ﺍﻳــﻦ ﺁﺑﮕﻴﻨــﺔ ﺣﻠﺒــﻲ ﺍﺳــﺖ‬ ‫ﺷﺮﺍﺏ ﺧﻮﺭﺩﻥ ﻣﻦ ﮔﺮ ﺭﺿﺎﻱ ﺳﺎﻗﻲ ﻧﻴﺴـﺖ ﻫﺰﺍﺭ ﺑﺎﺩﺓ ﺭﻧﮕـﻴﻦ ﻓـﺪﺍﻱ ﺗﺸـﻨﻪ ﻟﺒـﻲ ﺍﺳـﺖ‬ ‫ﻭﺿـﻮ ﺯ ﮔﺮﻳـﻪ ﻧﮑـﺮﺩﻱ ﻭ ﺑـﺮ ﺩﺭﺵ ﺭﻓﺘـﻲ ﻃﻮﺍﻑ‪ ‬ﮐﻌﺒﻪ ﻣﮑﻦ ﺑﻲﻭﺿﻮ ﮐﻪ ﺑﻲﺍﺩﺑﻲ ﺍﺳﺖ‬ ‫ﺗــﻮ ﻗــﺪﺭ ﺩﻟﺒــﺮ ﻫﻨــﺪﻱ ﭼــﺮﺍ ﻧﻤــﻲﺩﺍﻧــﻲ ﺳﻴﺎﻩ ﺟـﺮﺩﺓ ﻫـﻢ ﺭﻧـﮓ ﻟﻴﻠـﻲ ﻋﺮﺑـﻲ ﺍﺳـﺖ‬ ‫ﻧﺒﻮﺩﻩ ﺍﺳﺖ ﺩﺭ ﺍﻳﻦ ﺩﻭﺩﻣﺎﻥ ﻳﮑﻲ ﺑـﻲﻋﺸـﻖ ﺑﺠﺎ ﺯ ﺑﻠﺒﻞ ﺷﻮﺭﻳﺪﻩ ﻧﺎﺯ ﺧﻮﺵ ﻧﺴﺒﻲ ﺍﺳـﺖ‬ ‫ﮔــﻞ ﺑﺨﻴــﻞ ﻧﺴــﺎﺯﺩ ﺟــﺪﺍ ﺯ ﺧــﻮﺩ ﺯﺭ ﺭﺍ ﭼـﺮﺍ ﺯ ﺑﻠﺒـﻞ ﻣــﺪ‪‬ﺍﺡ ﺩﺭ ﺛﻨـﺎ ﻃﻠﺒـﻲ ﺍﺳــﺖ‬ ‫ﺯ ﺧــﻮﻱ ﻧــﺎﺯﮎ ﺁﻥ ﻧــﺎﺯﻧﻴﻦ ﺑﺘــﺮﺱ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﺑﻲﺩﻣـﺎﻏﻲ ﺍﻭ ﺭﺍ ﺑﻬﺎﻧـﻪ ﺑـﻲﺳـﺒﺒﻲ ﺍﺳـﺖ‬ ‫‪ .١‬ﮐﻤﺎﻥ ﺭﺳﺘﻢ ﻗﻮﺱ ﻗﺰﺡ )ﺣﺎﺷﻴﺔ ﻣﺠﻠﺲ‪ ،‬ﺁﺻﻔﻴﻪ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﺑﻪﺍﺣﺘﻤﺎﻝ ﻗﻮﻱ ﺍﺷﺎﺭﻩ ﺩﺍﺭﺩ ﺑﻪﻗﺼﻴﺪﻩ »ﻣﺮﺁﺓﺍﻟﺠﻤﺎ ﹺﻝ« ﺧﻮﺩ ﮐﻪ ﺑﻪﻋﺮﺑﻲ ﻭ ﺑﻪﻓﺎﺭﺳﻲ ﺑﻪﺻﻮﺭﺕ ﻣﺜﻨﻮﻱ ﺳﺮﻭﺩﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٧٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۲۴‬‬ ‫ﺧﺮﺍﻡ ﻗﺎﻣﺖ ﺍﻭ ﻫﺮﮐﻪ ﺩﻳـﺪ ﮔﺮﻳـﺎﻥ ﮔﻔـﺖ ﻗﻴﺎﻣﺘﻲ ﮔﺬﺭﺩ ﺑـﺮ ﺳـﺮﻡ ﮐـﻪ ﻧﺘـﻮﺍﻥ ﮔﻔـﺖ‬ ‫ﮔـــﻞ ﺑﺨﻴـــﻞ ﻧﻴﻔﺸـــﺎﻧﺪ ﭘـــﺎﺭﻩﺍﻱ ﺍﺯ ﺯﺭ ﺍﮔﺮﭼﻪ ﻣﺮﻍ ﭼﻤﻦ ﻣﺪﺡ ﺍﻭ ﻓـﺮﺍﻭﺍﻥ ﮔﻔـﺖ‬ ‫ﺑــﻪﺭﻭﺯ ﺭﻳﺨــﺘﻦ ﺍﺷــﮏ ﻣﻴﮑﻨــﻲ ﻳــﺎﺩﻡ ﻟﻄﻴﻔـﺔ ﻋﺠﺒـﻲ ﺁﺳـﺘﻴﻦ ﺑـﻪﻣﮋﮔـﺎﻥ ﮔﻔـﺖ‬ ‫ﭼﻪ ﺭﻓﺖ‪ ١‬ﺑﺮ ﺳﺮﹺ ﮔﻞ ﻧﻴﻢ ﺷﺐ ﺧﺪﺍ ﺩﺍﻧـﺪ ﮐﻪ ﺻﺒﺢ ﺑﺎﺩ ﺻﺒﺎ ﺣﺮﻓﻬـﺎ ﭘﺮﻳﺸـﺎﻥ ﮔﻔـﺖ‬ ‫ﻗﺼﺎﺹﹺ ﻣﻦ ﻧﻔـ ﹺﺲ ﺻـﺒﺢ ﺯﻭﺩ ﻣـﻲﮔﻴـﺮﺩ ﺯﺑﺎﻥ ﺟـﺮﺃﺕ ﭘﺮﻭﺍﻧـﻪ ﺑـﺎ ﭼﺮﺍﻏـﺎﻥ ﮔﻔـﺖ‬ ‫ﺗـﻮ ﻧﻴـﺰ ﻣـﻲﻧﮕـﺮﻱ ﺁﻓـﺖ ﺧـﺰﺍﻥ ﺁﺧـﺮ ﮔﻠﻲ ﺑﻪﺳﺮﻭ ﺳـﺮﺍﭘﺎ ﻏـﺮﻭﺭ ﺧﻨـﺪﺍﻥ ﮔﻔـﺖ‬ ‫ﺑــﻪﻳــﺎﺩ ﺩﺍﺩ ﻣــﺮﺍ ﻓﺘﻨــﻪ ﺯﻟــ ‪‬ﻒ ﻳــﺎﺭﹺ ﺷــﻤﺎ ﺣﺪﻳﺚ ﻣﻌﺬﺭﺗﻲ ﺷـﺎﻡ ﺑـﺎ ﻏﺮﻳﺒـﺎﻥ ﮔﻔـﺖ‬ ‫ﻏﺒﺎﺭ ﺗﺴﺖ ﮐﻪ ﺑﺮ ﭘﺸﺖ ﻧﻴﺴﺖ ﺍﺯ ﺩﮔـﺮﻱ ﺧــﺮﺍﻡ ﻗﺎﻓﻠــﻪ ﺑــﺎ ﺩﺍﻣــﻦﹺ ﺑﻴﺎﺑــﺎﻥ ﮔﻔــﺖ‬ ‫ﮐﺮﺍ ﺧﺒﺮ ﮐﻪ ﭼـﻪ ﻓﺮﻣـﻮﺩ ﺍﻳـﻦﻗـﺪﺭ ﺛﺎﺑـﺖ‬ ‫ﮐﻪ ﻳﺎﺭ ﺩﺭ ﺣﻖ ﺁﺯﺍﺩ ﺣـﺮﻑ‪ ‬ﭘﻨﻬـﺎﻥ ﮔﻔـﺖ‬ ‫»‪«۳۲۵‬‬ ‫ﺧﻔﺘﻪ ﺩﺍﻧﺪ ﮐـﻪ ﺩﻡﹺ ﺧـﻮﺍﺏ ﺗﻤﺎﺷـﺎﺋﻲ ﻫﺴـﺖ‪ ٢‬ﻣﻲﺗﻮﺍﻥ ﻳﺎﻓﺖ ﮐﻪ ﺍﺯ ﺧﻮﻳﺶ ﺑﺮﻭﻥ ﺟﺎﻳﻲ ﻫﺴﺖ‬ ‫ﭼﻪ ﻣﻨﺎﺳـﺐ ﮐـﻪ ﮐﻨـﻲ ﺗـﺮﮎ ﻭﻓـﺎ ﺗـﺎ ﺍﻳﻨﺠـﺎ ﮔﺮ ﺳﺮ ﮐـﺎﻡ ﺩﻫـﻲ ﻧﻴﺴـﺖ ﺩﻻﺳـﺎﺋﻲ ﻫﺴـﺖ‬ ‫ﭘــﻴﺶﹺ ﺍﻭ ﺣﺎﻟــﺖ‪ ‬ﺩﻝ ﺑــﺎﺯ ﻧﻤــﻮﺩﻡ ﺗــﺎ ﺩﻳــﺮ ﮔﻔﺖ ﺑﺮﺧﻴﺰ ﮐﻪ ﺩﺭ ﻣﻐﺰﹺ ﺗـﻮ ﺳـﻮﺩﺍﺋﻲ ﻫﺴـﺖ‬ ‫ﺑـــﻮﻱ ﻭﺍﺳـــﻮﺧﺘﮕﻲ ﺍﺯ ﻧﻔﺴـــﻢ ﻣـــﻲﺁﻳـــﺪ ﮐـــﻪ ﺩﺭﻭﻥ ﺩﻝﹺ ﻣـــﻦ ﺩﺍﻍﹺ ﺗﻤﻨﹼـــﺎﺋﻲ ﻫﺴـــﺖ‬ ‫ﮔﺮﭼــﻪ ﭘﻴــﺮﺍﻣﻦﹺ ﺧــﻮﺩ ﺭﺍﻩ ﮐﺴــﻲ ﺭﺍ ﻧــﺪﻫﻢ ﺩﺭ ﻧﻬــﺎﻥ ﺧﺎﻧــﺔ ﺩﻝ ﺍﻧﺠﻤــﻦﺁﺭﺍﺋــﻲ ﻫﺴــﺖ‬ ‫ﺯﻟــﻒ‪ ‬ﺍﻭ ﺑــﺮ ﺩﻝ ﺁﺷــﻔﺘﺔ ﻣــﻦ ﺳــﺎﻳﻪ ﻓﮕﻨــﺪ ﺁﺧـﺮ ﺍﻳـﻦ ﮐـﺎﻓﺮ ﮐـﺞ ﻗﺪﺭﺷﻨﺎﺳـﺎﺋﻲ ﻫﺴـﺖ‬ ‫ﺑـــﺎﺩﺓ ﺻـــﺎﻑ ﺍﮔـــﺮ ﻧﻴﺴـــﺖ ﻣﻴﺴ‪‬ـــﺮ ﺁﺯﺍﺩ‬ ‫ﺟﺎﻱ ﻏﻢ ﻧﻴﺴﺖ ﮐـﻪ ﺩ‪‬ﺭﺩ ﺗـﻪ ﻣﻴﻨـﺎﺋﻲ ﻫﺴـﺖ‬ ‫»‪«۳۲۶‬‬ ‫ﺧﺴﺘﮕﺎﻥ ﺭﺍ ﺭﻭﺯﹺ ﺷﺎﺩﻱ ﺳﻮﺭ ﻧﻴﺴـﺖ ﻋﻴﺪ‪ ‬ﺑﻴﻤﺎﺭﺍﻥ ﮐـﻢ ﺍﺯ ﻋﺎﺷـﻮﺭ ﻧﻴﺴـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺁﻓﺖ‪.‬‬ ‫‪ .٢‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﻣﺠﻠﺲ ﭘﺲ ﺍﺯ ﻏﺰﻝ »ﭘﺴﺘﺎﻥ ﺧﻮﺭﺩ ﺩﺭ ﺑﺮ ﻳﺎﺭﻱ ﻏﻨﻴﻤﺖ ﺍﺳﺖ«‪ ،‬ﺁﻣﺪﻩ ﻭ ﺩﺭ ﺟﺎﻱ ﺍﻳﻦ ﻏﺰﻝ‪،‬‬ ‫ﺧﺴﺘﮕﺎﻥ ﺭﺍ ﺭﻭﺯ ﺷﺎﺩﻱ ﺳﻮﺭ ﻧﻴﺴﺖ‪ ،‬ﺁﻣﺪﻩ ﺍﺳﺖ؛ ﺩﺭ ﻧﺴﺨﺔ ﻧﺪﻭﻩ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٧٩ //‬‬ ‫ﻣﻲﮐﺸﻢ ﭼـﻮﻥ ﺑـﺎﺭﹺ ﻣﻨﹼـﺖ ﺍﺯ ﮐﺴـﻲ ﺭﻭﺑﻪﺭﻭ ﮔﺸﺘﻦ ﺑـﻪﺍﻭ ﻣﻘـﺪﻭﺭ ﻧﻴﺴـﺖ‬ ‫ﭘﻴــــﺮﹺ ﺯﻥ ﺁﺯﺭﺩ ﻣــــﺎﻩ ﻣﺼــــﺮ ﺭﺍ ﻣﺮﺩ ﺭﺍ ﺩﺭ ﻋﺸﻖ ﺍﻳﻦ ﺩﺳـﺘﻮﺭ ﻧﻴﺴـﺖ‬ ‫ﻣﻔﺖ ﺭﺳﻮﺍ ﻣـﻲﺷـﻮﺩ ﺑـﺎ ﻣـﻦ ﺑﺴـﺎﺯ ﻋﺸ ﹺﻖ ﻣﻦ ﺗﺎ ﺍﻳﻦ ﺯﻣﺎﻥ ﻣﺸﻬﻮﺭ ﻧﻴﺴﺖ‬ ‫ﺿـﻌﻒ ﻧﮕـﺬﺍﺭﺩ ﮐـﻪ ﺁﻧﺠـﺎ ﻭﺍ ﺭﺳـﻢ ﮔﺮ ﺗﻮ ﻧﺰﺩﻳﮏ‪ ‬ﻣﻦ ﺁﺋـﻲ ﺩﻭﺭ ﻧﻴﺴـﺖ‬ ‫ﺩﻭﺵ ﻋﻴ‪‬ــﺎﺭﻱ ﻣﮕــﺮ ﺩﺯﺩﻳــﺪﻩ ﺑــﺮﺩ ﺗﻮﺗﻴــﺎ ﺩﺭ ﻧــﺮﮔﺲ ﻣﺨﻤــﻮﺭ ﻧﻴﺴــﺖ‬ ‫ﺭﺍﻡ ﮐـــــــﺮﺩﻥ ﻣـــــــﺮﺩﻡ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﮐــﺎﺭﹺ ﺩﻟﺪﺍﺭﻳﺴــﺖ ﮐــﺎﺭﹺ ﺯﻭﺭ ﻧﻴﺴــﺖ‬ ‫»‪«۳۲۷‬‬ ‫ﭘﺴﺘﺎﻥ‪ ‬ﺧﻮﺭﺩ ﺩﺭ ﺑﺮ ﻳـﺎﺭﻱ ﻏﻨﻴﻤـﺖ ﺍﺳـﺖ‪ ١‬ﮔﺮ ﺳﻴﺐ ﻧﻴﺴﺖ ﺗﺎﺯﻩ ﹸﮐﻨﺎﺭﻱ ﻏﻨﻴﻤﺖ ﺍﺳـﺖ‬ ‫ﻧﺘـﻮﺍﻥ ﮔﺬﺍﺷـﺖ ﺁﻧﭽـﻪ ﺭﺳـﺎﻧﺪ ﺑـﻪﺩﻭﻟﺘـﻲ ﮔﺮ ﮔﻨﺞ ﻧﻴﺴﺖ ﻣﻬﺮﺓ ﻣﺎﺭﻱ ﻏﻨﻴﻤـﺖ ﺍﺳـﺖ‬ ‫ﺯﻧﻬﺎﺭ ﺩﺳـﺖ‪ ‬ﺧـﻮﺩ ﺑـﻪﻓﻀـﻮﻟﻲ ﻧﻤـﻲﺯﻧـﻢ ﺍﻧﺪﮎ ﻃﻼﻱ ﺩﺳﺖ‪ ‬ﻓﺸﺎﺭﻱ ﻏﻨﻴﻤـﺖ ﺍﺳـﺖ‬ ‫ﭼﻮﻥ ﺣﻘﹼﻪ ﻧﻴﺴﺖ ﻣﻬﺮﻩ ﺑﺒـﺎﺯﻱ ﮔﺮﻓﺘـﻪ ﺷـﺪ ﺩﺭ ﺩﺳﺖ ﺁﻧﭽﻪ ﺁﻣﺪﻩ ﺑـﺎﺭﻱ ﻏﻨﻴﻤـﺖ ﺍﺳـﺖ‬ ‫ﮔــﺮ ﺧــﺮﻣﻦ ﮔﻠــﻲ ﻧﺮﺳــﺪ ﺍﺯ ﭼﻤــﻦ ﻣــﺮﺍ‬ ‫ﺁﺯﺍﺩ ﻏﻨﭽــﻪﺍﻱ ﺯ ﺑﻬــﺎﺭﻱ ﻏﻨﻴﻤــﺖ ﺍﺳــﺖ‬ ‫»ﺙ«‬ ‫»‪«۳۲۸‬‬ ‫ﻣـﻲﺧﺮﺍﻣـﺪ ﻳـﺎﺭﹺ ﺑـﺪﺧﻮ ﺍﻟﻐﻴـﺎﺙ ﻣـﻲﺭﺳـﺪ ﺷـﻴﺮﺍﻧﻪ ﺁﻫـﻮ ﺍﻟﻐﻴـﺎﺙ‬ ‫ﻧﻮﻧﻬﺎﻟﻲ ﺭﺍ ﮐـﻪ ﭘـﺮﻭﺭﺩﻡ ﺯ ﺧـﻮﻥ ﻳـﺎﻓﺘﻢ ﻣﺎﻳـﻞ ﺑﻬـﺮ ﺳـﻮ ﺍﻟﻐﻴـﺎﺙ‬ ‫ﻳـﺎﺭ ﺑـﺎ ﻣـﻦ ﺁﺷـﻨﺎﺋﻲ ﮔـﺮﻡ ﮐـﺮﺩ ﮔﺸﺖ ﺁﺧﺮ ﻭﻗـﺖ ﻗـﺎﺑﻮ ﺍﻟﻐﻴـﺎﺙ‬ ‫ﺩﻝ ﺑﺪﺳﺖ‪ ‬ﻫﻴﭻ ﮐﺲ ﺑﺎﻗﻲ ﻧﻤﺎﻧﺪ ﺍﻟﻐﻴﺎﺙ ﺍﺯ ﺯﻟـﻒ‪ ‬ﺩﻟﺠـﻮ ﺍﻟﻐﻴـﺎﺙ‬ ‫ﺷﺎﻧﻪ ﺁﺧﺮ ﮐﺎﺭ ﺍﺯ ﻣﻦ ﭘـﻴﺶ ﺑـﺮﺩ ﺩﺳﺖ ﭼﺮﺃﺕ ﺯﺩ ﺑﻪﮔﻴﺴﻮ ﺍﻟﻐﻴﺎﺙ‬ ‫ﺗـﺎ ﺩﻫـﺪ ﺯﺧـﻢ ﺩﻟـﻢ ﺭﺍ ﺗـﺎﺯﮔﻲ ﭘﻴﺮﻫﻦ ﺭﺍ ﮐـﺮﺩ ﮔـﻞ ﺑـﻮ ﺍﻟﻐﻴـﺎﺙ‬ ‫ﺳــﺮﻭ ﺑــﺎﻻﻱ ﺗــﻮ ﺍﺯ ﺁﺯﺍﺩ ﺩﻭﺭ‬ ‫ﻏﻴﺮ ﺧﻮﺵ ﺩﺭ ﺳـﺎﻳﺔ ﺍﻭ ﺍﻟﻐﻴـﺎﺙ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﻧﺪﺍﺭﺩ‪ ،‬ﻭ ﺩﺭ ﻧﺴﺨﺔ ﺳﺎﻻﺭﺟﻨﮓ ﺑﺎ ﻋﻨﻮﺍﻥ »ﻓﺮﻣﺎﻳﺶ ﺁﺷﻨﺎﻳﻲ« ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٨٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۲۹‬‬ ‫ﺁﺳــﺘﺎﻥ‪ ‬ﺗــﻮ ﮔﺰﻳــﺪﻳﻢ ﻋﺒــﺚ ﺭﻧـﺞ ﺑﺴـﻴﺎﺭ ﮐﺸـﻴﺪﻳﻢ ﻋﺒـﺚ‬ ‫ﻣﺎ ﺩﺭ ﺍﻳﻦ ﺑﺎﻍ ﺑـﻪﺍﻣﻴـﺪ ﺑﻬـﻲ ﭼﻮﻥ ﺑﺮ ﺧﺎﻡ ﺭﺳﻴﺪﻳﻢ ﻋﺒـﺚ‬ ‫ﺑﻮﺩﻩﺍﻱ ﺁﻫـﻮﻱ ﺻﻴ‪‬ﺎﺩﺷـﻨﺎﺱ ﺩﺍﻡ ﺩﺭ ﺭﺍﻩ ﺗﻮ ﭼﻴـﺪﻳﻢ ﻋﺒـﺚ‬ ‫ﻗﺪﺭﹺ ﻣﺎ ﺍﺯ ﺭ‪‬ﻩ ﻃﻔﻠﻲ ﻧﺸﻨﺎﺧﺖ ﺭﺷـﺘﺔ ﺭﺑــﻂ ﺑﺮﻳـﺪﻳﻢ ﻋﺒــﺚ‬ ‫ﻧﻴﺴﺖ ﺩﺭ ﺧﻴﻞ ﺑﺘﺎﻥ ﺩﺍﺩﺭﺳﻲ ﺟﺎﻣـﺔ ﺻـﺒﺮ ﺩﺭﻳـﺪﻳﻢ ﻋﺒـﺚ‬ ‫ﺭﻓﺖ ﺁﻥ ﺷﻮﺥ ﺑﻪﮔﺮﻣـﻲ ﺁﺯﺍﺩ‬ ‫ﺩﺭ ﭘﻲ ﺑـﺮﻕ ﺩﻭﻳـﺪﻳﻢ ﻋﺒـﺚ‬ ‫»‪«۳۳۰‬‬ ‫ﻣﻲﮐﺸﻲ ﺑﺎ ﻧـﺎﺯﮐﻲﻫـﺎ ﺳـﺨﺘﻲ ﺩﻭﺭﺍﻥ‪ ‬ﻋﺒـﺚ ﻣﻲﺯﻧﻲ ﺑﺮ ﺷﻴﺸﺔ ﻧﺎﻣﻮﺱ ﺧﻮﺩ ﺳﻨﺪﺍﻥ‪ ‬ﻋﺒـﺚ‬ ‫ﻋﻘﻞ ﺭﺍ ﺩﺭ ﺍﺧﺘﻴﺎﺭﹺ ﻧﻔﺲ ﺳـﺮﮐﺶ ﻣـﻲﺩﻫـﻲ ﺑﺮ ﭼﺮﺍﻍ ﺩﻭﻟﺖ ﺧﻮﺩ ﻣﻲﺯﻧـﻲ ﺩﺍﻣـﺎﻥ‪ ‬ﻋﺒـﺚ‬ ‫ﹸﺧﻠﻖ ﺍﺑﻨﺎﻱ ﺯﻣﺎﻥ ﺑﺴـﻴﺎﺭ ﮐـﺞ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ ﻣﻲﺷﻮﻱ ﺍﺯ ﻫﺮﺯﻩ ﮔﺮﺩﻱ ﮔﻮﻱ ﺍﻳﻦ ﭼﻮﮔﺎﻥ‪ ‬ﻋﺒﺚ‬ ‫ﺻﻴﺪ ﺍﮔﺮ ﺍﺯ ﺗﺴﺖ ﺍﺯ ﺧﻮﺩ ﺭﺍﻡ ﻣﻲﮔﺮﺩﺩ ﺗـﺮﺍ ﻣﻲﺩﻭﺍﻧﻲ ﺭﺧﺶ ﺑﻲﺗﺎﺑﻲ ﺩﺭ ﺍﻳﻦ ﻣﻴﺪﺍﻥ ﻋﺒﺚ‬ ‫ﺟﻠـﻮﺓ ﺑﻴﺮﻧـﮓ ﺍﻭ ﺁﻳﻴﻨـﻪ ﺭﺍ ﺑﻴﮑـﺎﺭ ﺳـﺎﺧﺖ ﻣﺎﻧﺪﻩﺍﻱ ﺩﺭ ﺍﻧﺘﻈـﺎﺭ ﺁﻥ ﭘـﺮﻱ ﺣﻴـﺮﺍﻥ ﻋﺒـﺚ‬ ‫ﻣﻲﮐﻨـﺪ ﺯﻧﺒـﻮﺭ ﺭﺍ ﺧـﺪﻣﺖ‪ ‬ﺧﺮﻳـﺪﺍﺭﹺ ﻋﺴـﻞ ﻧﻴﺴﺖ ﺑﺎ ﺑﻴﮕﺎﻧﮕﺎﻥ ﻫﻢ ﺷﻴﻮﺓ ﺍﺣﺴـﺎﻥ‪ ‬ﻋﺒـﺚ‬ ‫ﻧﻴﺴـﺘﻨﺪ ﺁﺯﺍﺩ ﺍﻳـﻦ ﻗـﻮﻡ ﺁﺷـﻨﺎﻱ ﻫـﻴﭻﮐـﺲ‬ ‫ﻣﻲﮐﺸﻲ ﻣﺤﻨﺖ ﺑﻪﺗﺴـﺨﻴﺮ ﭘﺮﻳﺮﻭﻳـﺎﻥ ﻋﺒـﺚ‬ ‫»ﺝ«‬ ‫»‪«۳۳۱‬‬ ‫ﺍﻱ ﺷﻴﻮﺓ ﺗـﻮ ﺭﺳـﻢ ﺟﻔـﺎ ﺭﺍ ﺩﻫـﺪ ﺭﻭﺍﺝ ﺁﻳــﻴﻦ ﺑﺴــﻤﻞ ﺗــﻮ ﻭﻓــﺎ ﺭﺍ ﺩﻫــﺪ ﺭﻭﺍﺝ‬ ‫ﺭﻭﺷﻦ ﺿﻤﻴﺮ ﺭﺍ ﺑﻪﺩﻡ ﺻﺒﺢ ﻧﺴﺒﺘﻲ ﺍﺳﺖ ﺩﺭ ﺷﺮﻕ ﻭ ﻏﺮﺏ ﺻﺪﻕ ﻭ ﺻﻔﺎ ﺭﺍ ﺩﻫﺪ ﺭﻭﺍﺝ‬ ‫ﺩﻳﮕـﺮ ﮐـﺮﺍ ﻗﺒـﻮﻝ ﺷـﻮﺩ ﻋﻤـﺮ ﺟـﺎﻭﺩﺍﻥ ﺷﻤﺸــﻴﺮ ﺁﻥ ﻧﮕــﺎﻩ ﻓﻨــﺎ ﺭﺍ ﺩﻫــﺪ ﺭﻭﺍﺝ‬ ‫ﺍﺯ ﭼﺸـﻤﺔ ﺣﻴـﺎﺕ ﺍﹶﺑـﺪ ﺳـﻴﺮ ﻣـﻲﺷـﻮﺩ ﺷـﺎﻫﻲ ﮐـﻪ ﺁﺑـﺮﻭﻱ ﮔـﺪﺍ ﺭﺍ ﺩﻫـﺪ ﺭﻭﺍﺝ‬ ‫ﺁﻥ ﻃﻔﻞ ﺷﻮﺥ ﮔـﺮ ﻧﺪﻫـﺪ ﺩﺭﺱ ﺩﻟﺒـﺮﻱ ﺩﺭ ﺷﻬﺮ ﮔﻠﺮﺧـﺎﻥ ﮐـﻪ ﺍﺩﺍ ﺭﺍ ﺩﻫـﺪ ﺭﻭﺍﺝ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٨١ //‬‬ ‫ﻫﺮﮐﺲ ﮐﻪ ﺩﺭ ﻗﻤﻠﺮﻭ ﺩﻝ ﺳـﻴﺮ ﻣـﻲﮐﻨـﺪ ﺩﺭ ﮔﻮﺷﻪﺍﻱ ﺷﮑﺴﺘﻦ ﭘـﺎ ﺭﺍ ﺩﻫـﺪ ﺭﻭﺍﺝ‬ ‫ﺁﺯﺍﺩ ﺍﻳــﻦ ﺟﻔــﺎ ﻧﺸــﻨﻴﺪﻡ ﺯ ﻇـــﺎﻟﻤﻲ‬ ‫ﺧﻮﻧﻢ ﺳـﺒﻴﻞ ﮐـﺮﺩﻩ ﺣﻨـﺎ ﺭﺍ ﺩﻫـﺪ ﺭﻭﺍﺝ‬ ‫»‪«۳۳۲‬‬ ‫ﺷﺮﺍﺏ ﺧﻮﺭﺩﻩ ﺯ ﻣﻴﺨﺎﻧﻪ ﺷﺪ ﺭﻭﺍﻥ ﮐﺞ ﻣﺞ ﮐﻼﻩ ﮔﻮﺷﻪ ﺑﺴﺮ ﺣﺮﻑ ﺑﺮ ﺯﺑﺎﻥ ﮐﺞ ﻣـﺞ‬ ‫ﻣﻌﺎﺷﺮﺍﻥ ﺳﺒﺐ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﻣـﻦ ﭘﺮﺳـﻨﺪ ﻧﺪﻳﺪﻩﺍﻧﺪ ﻣﮕﺮ ﺯﻟﻒ ﺟﺎﻥ ﺟﺎﻥ ﮐـﺞ ﻣـﺞ‬ ‫ﻫـﺰﺍﺭ ﺳــﺎﻝ ﺍﮔــﺮ ﻣــﺎﺭ ﺭﺍ ﮐﻨــﻲ ﺗﻌﻠــﻴﻢ ﻃﺮﻳﻖ ﺭﺍﺳﺖ ﺭﻭﻱﻫﺎ ﺭﻭﺩ ﻫﻤﺎﻥ ﮐﺞ ﻣﺞ‬ ‫ﻳﻘﻴﻦ ﺷﻨﺎﺱ ﮐﻪ ﺍﺯ ﺍﻧﻔﻌﺎﻝ ﺑﻲﺛﻤﺮﻱ ﺍﺳﺖ ﻧﮕﺸﺘﻪ ﭘﻴـﺮ ﻗـﺪ ﺑﻴـﺪ ﻧﻮﺟـﻮﺍﻥ ﮐـﺞ ﻣـﺞ‬ ‫ﻏﺒﺎﺭ ﺟﺴﻢ ﺗﻮ ﺍﺯ ﻫﻢ ﺷـﺘﺎﺏ ﻣـﻲﭘﺎﺷـﺪ ﭼﻮ ﮔﺮﺩ ﺑﺎﺩ ﺧﺪﺍ ﺭﺍ ﻣﺸﻮ ﺭﻭﺍﻥ ﮐﺞ ﻣـﺞ‬ ‫ﺍﮔﺮ ﺑـﻪﻣﻨـﺰﻝ ﻣﻘﺼـﺪ ﺭﺳـﻴﺪﻧﻲ ﺧـﻮﺍﻫﻲ ﻗـﺪﻡ ﻣﻨـﻪ ﺑﮕـﺬﺭﮔﺎﻩ ﺭﺍﺳـﺘﺎﻥ ﮐـﺞ ﻣـﺞ‬ ‫ﺷﮑﻨﺞ ﺳﻨﺒﻞ ﭘﻴﭽﻴﺪﻩ ﻋﻴﻦ ﺧﻮﺑﻲ ﺍﻭﺳﺖ‬ ‫ﭼﻪ ﺑﺎﮎ ﮔﺮ ﺑﻮﺩ ﺁﺯﺍﺩ ﺭﺍ ﺑﻴـﺎﻥ ﮐـﺞ ﻣـﺞ‬ ‫»‪«۳۳۳‬‬ ‫ﺟﻮﺍﻫﺮ ﺳﺨﻦﹺ ﻣﺎ ﺑﺪﺳـﺖ ﻓﮑـﺮ ﺑﺴـﻨﺞ ﮐﻪ ﺷﻌﺮ ﺳﺎﺩﺓ ﻣﺎ ﻫﺴﺖ ﻗﻔﻞ ﺍﺑﺠﺪ ﮔـﻨﺞ‬ ‫ﻋﺮﻭﺝ ﺑﻴﺨﺒﺮﺍﻥ ﺍﺳـﺖ ﻣﺎﻳـﺔ ﻭﺣﺸـﺖ ﻧﻤﻲﺭﺳﻨﺪ ﺑﻬﻢ ﻫﺮﺩﻭ ﺷﺎﻩ ﺩﺭ ﺷـﻄﺮﻧﺞ‬ ‫ﺍﺳــﻴﺮ ﮐــﺮﺩ ﺩﻟــﻢ ﺭﺍ ﺷــﮑﻨﺞ ﻃــﺮ‪‬ﺓ ﺍﻭ ﺑﺪﺳﺖ ﮐﻴﺴﺖ ﻧﺪﺍﻧﻢ ﻋﻼﺝ ﻗﻴﺪ ﻓـﺮﻧﺞ‬ ‫ﺑﻘﺪﺭ ﺣﻮﺻﻠﺔ ﻫﺮﮐﺴﻲ ﺷـﺮﺍﺏ ﺩﻫﻨـﺪ ﮐﺸﻴﺪ ﺩﺳﺖ ﺍﮔﺮ ﭘﻴﺮ ﻣﻲﻓﺮﻭﺵ ﻣـﺮﻧﺞ‬ ‫ﻫﻮﺍﻱ ﻋﺎﻟﹶﻢ ﺍﻣﮑﺎﻥ ﺑﻪﻃﺒﻊ ﻧﺎﺳﺎﺯ ﺍﺳـﺖ‬ ‫ﭼﻮ ﺑﺮﻕ ﺯﻭﺩ ﺭ‪‬ﻭ ﺁﺯﺍﺩ ﺯﻳﻦ ﺳﺮﺍﻱ ﺳﭙﻨﺞ‬ ‫»ﺡ«‬ ‫»‪«۳۳۴‬‬ ‫ﻣﻲﭘﺮﺳﺖ ﻣـﻦ ﻧـﻪ ﺍﺯ ﭘﻴﺮﹺﻣﻐـﺎﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ ﺍﺯ ﮐــﻒ ﺁﻥ ﻧﻮﺟــﻮﺍﻥ ﻣﻬﺮﺑــﺎﻥ ﮔﻴــﺮﺩ ﻗــﺪﺡ‬ ‫ﮐﺎﺭ ﺩﺍﻧﺎ ﻧﻴﺴﺖ ﺩﺭ ﺍﻳ‪‬ﺎﻡﹺ ﻏـﻢ ﻧـﺎﺧﻮﺵ ﺷـﺪﻥ ﻭﻗﺖ ﻧﺮﮔﺲ ﺧﻮﺵ ﮐﻪ ﺩﺭ ﻓﺼﻞ ﺧﺰﺍﻥ ﮔﻴﺮﺩ ﻗﺪﺡ‬ ‫ﺧﻮﺵﻗﺪﺍﻥ ﺳﺎﻏﺮ ﺑﮑﻒ ﭼﻮﻥ ﺷﺎﺥ ﮔﻞ ﺍﺳﺘﺎﺩﻩﺍﻧﺪ ﺷﺎﻳﺪ ﺍﺯ ﺩﺳﺖ ﮐﺴﻲ ﺁﻥ ﺩﻟﺴﺘﺎﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ‬ ‫ﻧﺎﺗﻮﺍﻧــﺎﻥ ﮐﺎﺭﻫــﺎ ﺍﺯ ﺑــﺎﺯﻭﻱ ﻫﻤ‪‬ــﺖ ﮐﻨﻨــﺪ ﺷـﺒﻨﻢ ﻋـﺎﺟﺰ ﺯ ﺩﺳـﺖ‪ ‬ﺁﺳـﻤﺎﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ‬

‫‪ // ٢٨٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻫﺮﮐﻪ ﺩﺍﺭﺩ ﻣﺸﺮﺏ ﺻـﺎﺣﺐﹺ ﺩﻝ ﻣﻠـﮏ ﻳﻤـﻦ ﺍﻧﺠﻤﻦ ﻧﺎﺩﻳـﺪﻩ ﺍﺯ ﺳـﺎﻗﻲ ﻧﻬـﺎﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ‬ ‫ﻣﺤﺘﺴﺐ ﻧﺎﺧﻮﺭﺩﻩ ﺻﻬﺒﺎ ﺭﺍ ﻣـﺬﻣ‪‬ﺖ ﻣـﻲﮐﻨـﺪ ﮐـﺎﺵ ﻳﮑﺒـﺎﺭ ﺍﺯ ﺑـﺮﺍﻱ ﺍﻣﺘﺤـﺎﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ‬ ‫ﺩﻝﻧﺸــﻴﻦﹺ ﻣــﺎ ﺑــﻮﺩ ﺁﺯﺍﺩ ﺁﻳــﻴﻦ ﺣﺒــﺎﺏ‬ ‫ﺗﺎ ﻧﻔﺲ ﺑﺎﻗﻲﺳﺖ ﺑـﺮ ﺁﺏ ﺭﻭﺍﻥ ﮔﻴـﺮﺩ ﻗـﺪﺡ‬ ‫»‪«۳۳۵‬‬ ‫ﺍﺯ ﺑﺎﺩﺓ ﺧﹸـﻢ‪ ١‬ﺗـﻮ ﺑﮑـﻢ ﻣـﻲﮐﻨـﻴﻢ ﺻـﻠﺢ ﺳﻮﮔﻨﺪ ﭘﺎﻱ ﺧﻢ ﮐﻪ ﺑﻪﻧﻢ ﻣﻲﮐﻨﻴﻢ ﺻـﻠﺢ‬ ‫ﺧﺎﻟﻲ ﮐﻪ ﺑﺮ ﻋﻘﻴـﻖ ﺗـﻮ ﺍﻓﺘـﺎﺩﻩ ﺟﻠـﻮﻩ ﺩﻩ ﺑﺎ ﻧﻘﻄﻪﺍﻱ ﺯ ﺧﺎﺗﻢ ﺟﻢ ﻣـﻲﮐﻨـﻴﻢ ﺻـﻠﺢ‬ ‫ﻳﮑﺒﺎﺭ ﭘـﺎ ﺑـﻪﺧـﺎﮎ‪ ‬ﻏﺮﻳﺒـﺎﻥ ﻓﺸـﺮﺩﻩ ﺭﻭ ﺍﺯ ﺟﻠﻮﻩﺍﺕ ﺑﻪﻧﻘﺶﹺ ﻗﺪﻡ ﻣﻲﮐﻨـﻴﻢ ﺻـﻠﺢ‬ ‫ﺍﺯ ﻏﻨﭽـﺔ ﺩﻫـﻦ ﺩﻝ ﻣـﺎ ﺭﺍ ﺷـﮕﻔﺘﻪ ﺳـﺎﺯ ﺑﺎ ﮔﻮﺷﻪﺍﻱ ﺯ ﻣﻠﮏ‪ ‬ﻋﺪﻡ ﻣﻲﮐﻨﻴﻢ ﺻـﻠﺢ‬ ‫ﺗﺴﺨﻴﺮﹺ ﻣﺎ ﺑـﻪﺟﻠـﻮﺓ ﺍﻧـﺪﮎ ﺗـﻮﺍﻥ ﻧﻤـﻮﺩ ﺍﺯ ﺩﺍﻡ ﻃﺮ‪‬ﺓ ﺗﻮ ﺑـﻪﺧـﻢ ﻣـﻲﮐﻨـﻴﻢ ﺻـﻠﺢ‬ ‫ﮐﻮ ﻃﺎﻟﻌﻲ ﮐﻪ ﺑﻮﺳﻪ ﺑﻪﺭﺧﺴـﺎﺭﹺ ﺍﻭ ﺯﻧـﻴﻢ ﺑﺎ ﺑﻮﺳﻪﺍﻱ ﺯﻣﻴﻦ ﺻـﻨﻢ ﻣـﻲﮐﻨـﻴﻢ ﺻـﻠﺢ‬ ‫ﺁﺯﺍﺩ ﺍﺯ ﻧﺘــﺎﺋﺞﹺ ﺧــﻮﺩ ﻣﺼــﺮﻋﻲ ﺑﺨــﻮﺍﻥ‬ ‫ﺑﺎ ﺭﺷﺤﻪﺍﻱ ﺯ ﻧﻮﮎ ﻗﻠﻢ ﻣﻲﮐﻨـﻴﻢ ﺻـﻠﺢ‬ ‫»ﺥ«‬ ‫»‪«۳۳۶‬‬ ‫ﺗﺮﺍ ﺯ ﭘﺮﺗـﻮ ﺭﺧﺴـﺎﺭ ﺧـﻮﺩ‪ ٢‬ﮔﺮﻳﺒـﺎﻥ ﺳـﺮﺥ ﻣــﺮﺍ ﺯ ﺩﻳــﺪﺓ ﺗــﺮ ﺁﺳــﺘﻴﻦ ﻭ ﺩﺍﻣــﺎﻥ ﺳــﺮﺥ‬ ‫ﻓﺘــﺎﺩﻩ ﺍﺳــﺖ ﺑــﻪﺯﻧﺠﻴــﺮ ﺁﺗﺸــﻴﻦ ﮐــﺎﺭﻡ ﮐﻪ ﺯﻟﻒ ﺍﻭ ﺷﺪﻩ ﺍﺯ ﭼﻬـﺮﺓ ﺩﺭﺧﺸـﺎﻥ ﺳـﺮﺥ‬ ‫ﻧــﺪﺍﺩ ﺗــﺎ ﮔــﻞ ﺯﺧﻤــﻲ ﺑﺪﺳــﺖ ﻣــﺪ‪‬ﻋﻴﺎﻥ ﻧﮑـﺮﺩ ﭼﻬـﺮﺓ ﺧـﻮﺩ ﻧـﺎﺯﻧﻴﻦ ﮐﻨﻌـﺎﻥ ﺳـﺮﺥ‬ ‫ﻭﺟﻮﺩ ﺍﻫﻞﹺ ﮐﻤـﺎﻝ ﺍﺳـﺖ ﺯﻳﻨـﺖ ﻫـﺮ ﺷـﻬﺮ ﺯ ﻓﻴﺾ ﻟﻌـﻞ ﺑـﻮﺩ ﭼﻬـﺮﺓ ﺑﺪﺧﺸـﺎﻥ ﺳـﺮﺥ‬ ‫ﺑﻬــﺎﺭ ﺧــﻂ ﺷــﮑﺮ ﮔــﻮﻥ‪ ٣‬ﺍﻭ ﺗﻤﺎﺷــﺎ ﮐــﻦ ﮐﻪ ﺟﻠﻮﻩ ﮐﺮﺩ ﺯ ﺍﻋﺠﺎﺯ ﺣﺴﻦ ﺭﻳﺤﺎﻥ ﺳـﺮﺥ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺟﺎﻡ ﻭ ﺷﻴﺸﻪ…‬ ‫‪ .٢‬ﺩﺭ ﺗﻤﺎﻣﻲ ﻧﺴﺨﻪ ﮐﻪ ﺩﺭ ﺩﺳﺖ ﺩﺍﺭﻡ ﮐﻠﻤﺔ ﺧﻮﺩ‪ ,‬ﺁﻣﺪﻩ ﻭ ﺩﺭ ﻧﺴﺨﺔ ﮔﻨﺞ ﺑﺨﺶ ﻫﻢ »ﺧﻮﺩ« ﺑﻮﺩ‪ ،‬ﺍ‪‬ﻣﺎ ﮐﺲﹺ ﺍﻳﻦ ﻭﺍﮊﻩ ﺭﺍ‬ ‫ﺧﻂ ﮐﺸﻴﺪﻩ ﻭ ﮐﻠﻤﺔ »ﺷﺪ« ﺭﺍ ﺍﺯ »ﺧﻮﺩ« ﺗﺼﺤﻴﺢ ﮐﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٣‬ﺭﻧﮓ ﺷﮑﺮﻱ ﺯﺭﺩ ﻧﻴﻢ ﺭﻧﮓ‪ .‬ﻣﻴﺮﺯﺍ ﻣﺤﺴﻦ ﺗﺎﺛﻴﺮ ﺍﺻﻔﻬﺎﻧﻲ ﮔﻮﻳﺪ‪:‬‬ ‫ﺗﻨﮓ ﮐﺮﺩﻩ ﺍﺳﺖ ﺑﺴﻲ ﺣﻮﺻﻠﺔ ﺗﻨﮓ ﺷﮑﺮ ﺍﺯ ﻟﺐ ﭘﺴﺘﻲ ﺁﻥ ﻣﻬﻮﺵ ﻭ ﺭﻧﮓ ﺷـﮑﺮﻱ‬ ‫)ﺣﺎﺷﻴﺔ‪ ،‬ﻫﻤﺎﻥ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٨٣ //‬‬ ‫ﮐﺒــﺎﺏ ﮐــﺮﺩ ﻣــﺮﺍ ﺑﻮﺳــﺔ ﮔﻠــﻮ ﺳــﻮﺯﻱ ﮐﻪ ﺷﺪ ﺯ ﺁﺗﺶ ﻣﻲ ﻟﻌﻞ ﺍﻭ ﺩﻭ ﭼﻨﺪﺍﻥ ﺳـﺮﺥ‬ ‫ﮐﺴﻲ ﭼﻪ ﺭﻧﮓ ﺍﻗﺎﻣﺖ ﺩﺭ ﺍﻳـﻦ ﺯﻣـﻴﻦ ﺭﻳـﺰﺩ ﻧﺸــﺪ ﺯ ﺁﺑﻠــﺔ ﺧــﺎﺭ ﺍﻳــﻦ ﺑﻴﺎﺑــﺎﻥ ﺳــﺮﺥ‬ ‫ﺳــﭙﻬﺮ ﻣﺎﻳــﺔ ﺩﻭﻟــﺖ ﺑــﻪﺗﻠــﺦ ﺭﻭ ﺑﺨﺸــﺪ ﺭﺥ ﻣﺤـﻴﻂ ﻧﻤﺎﻳـﺪ ﺯ ﺷـﺎﺥ ﻣﺮﺟـﺎﻥ ﺳـﺮﺥ‬ ‫ﺣﺮﻳﻒ ﺣﻀﺮﺕ ﺻﺎﺋﺐ ﭼﻪ ﻣﻲﺷـﻮﻱ ﺁﺯﺍﺩ‬ ‫ﺑﻪﭘﺸﺖ ﺩﺳﺖ ﻧﺪﺍﻣﺖ ﻣﺴـﺎﺯ ﺩﻧـﺪﺍﻥ ﺳـﺮﺥ‬ ‫»‪«۳۳۷‬‬ ‫ﺍﺯ ﻳﺎﺩ ﺳﺨﺖ ﺟﺎﻥ ﻧـﺮﻭﺩ ﺁﺭﺯﻭﻱ ﮐـﺎﺥ ﮔﻴﺮﺩ ﻗﺮﺍﺭ ﺑﻴﺶ ﻋﻤﺎﺭﺕ ﺑـﻪﺳـﻨﮓ ﻻﺥ‬ ‫ﺍﺣﻮﺍﻝﹺ ﮐﺲ ﺯ ﻧﺎﺻﻴﺔ ﺍﻭ ﺗﻮﺍﻥ ﺷـﻨﺎﺧﺖ ﺩﺍﺭﺩ ﻓــﺮﺍﺥ ﺣﻮﺻــﻠﻪ ﭘﻴﺸــﺎﻧﻲ ﻓــﺮﺍﺥ‬ ‫ﻇﺎﻫﺮ ﺍﮔﺮ ﺑﺪ ﺍﺳﺖ ﺑﻪﺑـﺎﻃﻦ ﻧﮕـﺎﻩ ﮐـﻦ ﺁﻳﺪ ﺑﺮﻭﻥ ﭼﻪ ﺗﺎﺯﻩ ﮔﻞ ﺍﺯ ﺁﺳﺘﻴﻦ ﺷـﺎﺥ‬ ‫ﮐـﺎﺭ ﻗـﻮﻱ ﻣﮕـﻮ ﮐـﻪ ﻧﻴﺎﻳـﺪ ﺯ ﻧـﺎﺗﻮﺍﻥ ﻳﮏ ﺧﺎﻧﻪ ﺻﺪ ﮐﺘﺎﺏ ﺩﺭ ﺁﺭﺩ ﺑﻪﺍﻧﺘﺴـﺎﺥ‬ ‫ﺩﻝ ﺭﺍ ﺑــﻪﺁﺳــﻤﺎﻥ ﻣــﻨﻘﹼﺶ ﻧﺒﺴــﺘﻪﺍﻡ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﭼﻪ ﮐﺎﺭ ﺑﻪﻧﻘـﺶ ﻭ ﻧﮕـﺎﺭ ﮐـﺎﺥ‬ ‫»‪«۳۳۸‬‬ ‫ﭼﮕﻮﻧﻪ ﻣﺮﻍ ﭼﻤﻦ ﺷـﺪ ﺑـﻪﺑﺎﻏﺒـﺎﻥ ﮔﺴـﺘﺎﺥ ﮐﻪ ﻣﻲﮐﻨﺪ ﺷﺮ ﻭ ﺷﻮﺭﻱ ﺑﻪﺑﻮﺳﺘﺎﻥ ﮔﺴـﺘﺎﺥ‬ ‫ﻧﻤﻲﺗـﻮﺍﻥ ﭘـﺮ ﻭ ﺑـﺎﻟﻲ ﺑـﻪﮐـﺎﻡ ﺩﻝ ﺍﻓﺸـﺎﻧﺪ ﺩﺭ ﺍﻳﻦ ﭼﻤﻦ ﮐﻪ ﺷﺐ ﺧﻮﻥ ﺯﻧﺪ ﺧﺰﺍﻥ ﮔﺴﺘﺎﺥ‬ ‫ﺗــﺮﺍ ﺑــﻪﺧﺎﻧــﺔ ﺯﻳــﻦ ﺧﺸــﻤﻨﺎﮎ ﻣــﻲﺑﻴــﻨﻢ ﺑﺮﺍﻱ ﻗﺘـﻞ ﮐـﻪ ﮔﺮﺩﺍﻧـﺪﻩﺍﻱ ﻋ‪‬ﻨـﺎﻥ ﮔﺴـﺘﺎﺥ‬ ‫ﻧﺪﺍﺷــﺘﻢ ﺳــﺮﻭﮐﺎﺭﻱ ﺑــﻪﺍﻟﻔــﺖ ﺧﻮﺑــﺎﻥ ﺭﺳﻴﺪ ﺑﺮ ﺳﺮﹺ ﻭﻗﺖ ﻣـﻦ ﺁﻥ ﺟـﻮﺍﻥ ﮔﺴـﺘﺎﺥ‬ ‫ﺑﺠﺎﺳـﺖ ﺑﻠﺒـﻞ ﺷـﻮﺭﻳﺪﻩ ﺭﺍ ﻗﻔـﺲ ﮐـﺮﺩﻥ ﻫﻤﻴﺸـﻪ ﺑـﺎﻝ ﻓﺸـﺎﻧﺪ ﺑـﻪﮔﻠﺴـﺘﺎﻥ ﮔﺴـﺘﺎﺥ‬ ‫ﻣﮕﺮ ﺯ ﺗﻴﻎ ﺳـﺮ ﺷـﻤﻊ ﺭﺍ ﻣﻼﺣﻈـﻪ ﻧﻴﺴـﺖ ﭼﺮﺍ ﺑﻪﺣﻠﻘـﺔ ﻣﺤﻔـﻞ ﮐﺸـﺪ ﺯﺑـﺎﻥ ﮔﺴـﺘﺎﺥ‬ ‫ﺑــﻪﻫــﻴﭻ ﻣــﺎﻩ ﺭﺧــﻲ ﺑﺮﻧﻤــﻲﺧــﻮﺭﺩ ﺁﺯﺍﺩ‬ ‫ﭼـﺮﺍ ﺑـﻪﺗﻬﻤـﺖ ﺍﻭ ﺑﺴـﺘﻪﺍﻱ ﻣﻴـﺎﻥ ﮔﺴـﺘﺎﺥ‬ ‫»‪«۳۳۹‬‬ ‫ﺗــﺮﺍ ﺯ ﺑــﺎﺩﺓ ﮔﻠﺮﻧــﮓ ﺭﻭﻱ ﺗﺎﺑــﺎﻥ ﺳــﺮﺥ ﮐﻔﺖ ﺯ ﺑﺮﮒ ﺣﻨﺎ ﻟـﺐ ﺯ ﺑﻴـﺮﺓ ﭘـﺎﻥ ﺳـﺮﺥ‬ ‫ﭘﺴﻨﺪ ﺧﺎﻃﺮ ﺍﻃﻔـﺎﻝ ﺟـﺎﻱ ﺭﻧﮕـﻴﻦ ﺍﺳـﺖ ﭼﺮﺍ ﻧﻤﻲﮐﻨﺪ ﺍﺯ ﺧـﻮﻥ‪ ‬ﻣـﺎ ﺩﺑﺴـﺘﺎﻥ ﺳـﺮﺥ‬

‫‪ // ٢٨٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻣﻘﻴﻢ ﺑـﺎﻍ ﺟﻬـﺎﻥ ﺍﺳـﺖ ﺩﺭ ﺟﮕـﺮ ﺟـﺎﻳﻲ ﺍﻧﺎﺭ ﺭﺍ ﺑﻮﺩ ﺍﺯ ﺧﻮﻥ ﺧﻮﻳﺶ ﺩﻧـﺪﺍﻥ ﺳـﺮﺥ‬ ‫ﺭﺳﻴﺪ ﺧﻮﻥ ﻣﺮﺍ ﺁﻧﭽﻪ ﺍﺯ ﺧﺪﺍ ﻣﻲﺧﻮﺍﺳـﺖ ﮐﻪ ﮐﺮﺩ ﻗﺎﺗﻞ ﻣـﻦ ﺁﺳـﺘﻴﻦ ﻭ ﺩﺍﻣـﺎﻥ ﺳـﺮﺥ‬ ‫ﺯﻭﺍﻝ ﻣﺮﺗﺒـﻪ ﺩﺭ ﺭﻧـﮓ ﺷـﺮﻡ ﻏﻮﻃـﻪ ﺩﻫـﺪ ﻗﺮﻳـﺐ ﺷـﺎﻡ ﺷـﻮﺩ ﺁﻓﺘـﺎﺏ ﺗﺎﺑـﺎﻥ ﺳــﺮﺥ‬ ‫ﺭﺳﺪ ﺑﻪﻣﻮﺳﻢ ﺧـﻮﺩ ﻓـﻴﺾ ﻣﺒـﺪﺀ ﻓﻴـﺎﺽ ﮐﻪ ﺩﺭ ﺑﻬـﺎﺭ ﺷـﻮﺩ ﭼﻬـﺮﺓ ﮔﻠﺴـﺘﺎﻥ ﺳـﺮﺥ‬ ‫ﻣــﻲ ﺩﻭ ﺁﺗﺸــﻪ ﺍﻣــﺮﻭﺯ ﻣــﻲﮐﺸــﺪ ﺁﺯﺍﺩ‬ ‫ﺯ ﻟﻌﻞ ﺍﻭ ﮐﻪ ﺷﺪ ﺍﺯ ﺭﻧﮓ ﭘﺎﻥ ﺩﻭ ﭼﻨﺪﺍﻥ ﺳﺮﺥ‬ ‫»ﺩ«‬ ‫»‪«۳۴۰‬‬ ‫ﺧﻂ‪ ‬ﻣﺸﮑﻴﻦﹺ ﺧﺎﻝﹺ ﺭﺧﺴﺎﺭﹺ ﺗﺮﺍ ﺑﺮ ﺳﺮ ﺭﺳـﻴﺪ ﻓﻮﺝ ﻫﻨﺪﻭﺳﺘﺎﻥ ﺑﻪﺗﺴﺨﻴﺮ ﻣ‪‬ﻠﮏ‪ ‬ﻋﻨﺒﺮ‪ ١‬ﺭﺳـﻴﺪ‬ ‫ﺍﺯ ﺳﺨﻦ ﻣﻌﻨﻲ ﻃﺮﺍﺯﺍﻥ ﺻﺎﺣ ﹺﺐ ﺩﺭﺩ ﺩﻝﺍﻧـﺪ ﺭﺧﺎﺳﻣـﻪـ ﺍــﺯـﻓـﻴـــﺾــﺳــﺨــﻦـ‪٢‬ــﺳـﻨــﺠـﻲــﺑـﻪـﭼــﺸــﻢـﺗـﺮــﺭــﺳﻴﺪ‬ ‫ﺳﺎﻗﻴﺎ ﮔـﺮ ﺑـﻲﺩﻣـﺎﻏﻲ ﻣـﻲﮐـﻨﻢ ﻣﻌـﺬﻭﺭ ﺩﺍﺭ ﺭﺟﺎﺳـﻡـﺍــﺣــﺴﺎـﻧـــﺖـﺑـﻪـﻣــﻦــﺍـﺯــﺩـﻳـﮕــﺮﺍــﻥــﮐـﻤـﺘـﺮــﺭــﺳـﻴﺪ‬ ‫ﭘﻴﺶ ﮔﻞ ﺑﻲﺭﺗﺒـﻪ ﻣـﻲﮔـﺮﺩﺩ ﺑﻬـﺎﺭ ﻳﺎﺳـﻤﻦ ﻗﺪﺭ ﻣﻔﻠﺲ ﻧﻴﺴﺖ ﺩﺭ ﺑﺰﻣﻲ ﮐﻪ ﺻﺎﺣ ﹺﺐ ﺯﺭ ﺭﺳﻴﺪ‬ ‫ﺍﺯ ﻭﻃﻦ ﺁﻭﺭﺩﻩ ﺑﻴﺮﻭﻥ ﺩﺭ ﺟﮕـﺮ ﻧﺸـﺘﺮ ﺯﻧﻨـﺪ ﺁﻓﺖ ﺍﺯ ﺑﺮ ﺧﻮﻳﺶ ﭼﻴﺪﻥ ﺑﺮ ﺳﺮ ﮔﻮﻫﺮ ﺭﺳﻴﺪ‬ ‫ﺧﻂ ﻋﻨﺒﺮ ﻓﺎﻡ ﮔﺮﺩ ﻟﻌﻞ ﻧﻮﺷـﻴﻦ ﺗـﻮ ﻧﻴﺴـﺖ ﺳﺒﺰ ﺑﺨﺘـﻲ ﺑـﺮ ﮐﻨـﺎﺭ ﭼﺸـﻤﺔ ﮐـﻮﺛﺮ ﺭﺳـﻴﺪ‬ ‫ﻣﻲﮐﻨﺪ ﺻﺮﻑ ﻋﺰﻳﺰﺍﻥ ﮔﺮ ﻓﺘﻮﺣﻲ ﻣـﻲﺭﺳـﺪ‬ ‫ﺍﻳﻦ ﺭﻭﺵ ﺁﺯﺍﺩ ﺭﺍ ﺍﺯ ﺧﺪﻣﺖ ﺳـﺎﻏﺮ ﺭﺳـﻴﺪ‬ ‫»‪«۳۴۱‬‬ ‫ﺳﺮﮐﺸﻲ ﺳـﺮﻣﺎﻳﺔ ﻧﻘﺼـﺎﻥ‪ ‬ﺩﻭﻟـﺖ ﻣـﻲﺷـﻮﺩ ﻧﻴﺸﮑﺮ ﺭﺍ ﺑﻨﺪ ﺑـﺎﻻ ﮐـﻢ ﺣـﻼﻭﺕ ﻣـﻲﺷـﻮﺩ‬ ‫ﺗﺎ ﺗﻮﺍﻧﻲ ﺧﻠﻖ ﺧﻮﺵ ﺭﺍ ﺑﺎ ﻋﺒﺎﺩﺕ ﺟﻤﻊ ﮐﻦ ﺳﺒﺤﺔ ﺻﻨﺪﻝ ﺯ ﺻﻨﺪﻝ ﺑﻴﺶ ﻗﻴﻤﺖ ﻣﻲﺷـﻮﺩ‬ ‫ﺟﺒﻪ ﺳﺎﺋﻲ ﭘﻴﺸﻪ ﮐﻦ ﺩﺭ ﺧﺪﻣﺖ ﺭﻭﺷﻦ ﺩﻟﻲ ﻣﺎﻩ ﻧﻮ ﮐﺎﻣﻞ ﺯ ﮐﺴﺐ ﺍﻳﻦ ﺳﻌﺎﺩﺕ ﻣـﻲﺷـﻮﺩ‬ ‫ﺯﻣﺰﻣﻪ ﺍﺷﺮﺍﻑ ﺭﺍ ﮐﺴﺐ ﻓﻀﺎﻳﻞ ﻭﺍﺟﺐ ﺍﺳﺖ ﺑـﻲﮐﻤـﺎﻟﻲ ﺩﺍﻍ ﺳـﻴﻤﺎﻱ ﻧﺠﺎﺑـﺖ ﻣـﻲﺷـﻮﺩ‬ ‫ﺩﺭ ﺑﻴﺎﺑﺎﻧﻲ ﮐﻪ ﻫﺮ ﺳﻮ ﺧﺎﺭ ﺳﺮ ﺑﺮ ﻣـﻲﮐﺸـﺪ ﮔﺮ ﮔﻞ ﺧﺸﮑﻲ ﺑﺪﺳﺖ ﺍﻓﺘﺪ ﻏﻨﻴﻤﺖ ﻣﻲﺷﻮﺩ‬ ‫‪ .١‬ﻣﻠﮏ ﻋﻨﺒﺮ ﺣﺒﺸﻲ ﺍﻣﻴﺮ ﺩﻭﻟ ‪‬ﺖ ﻧﻈﺎﻡﺷﺎﻫﻴﻪ ﺩﮐﻦ ﮐﻪ ﺑﺎﺭﻫﺎ ﻓﻮﺝﹺ ﺳﻼﻃﻴ ﹺﻦ ﺩﻫﻠﻲ ﺑﻪﺗﻨﺒﻴﻪ ﺍﻭ ﺭﺳﻴﺪ‪) .‬ﺣﺎﺷﻴﻪ‪ ،‬ﻫﻤﺎﻥ(‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﻧﺪﺍﺭﺩ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٨٥ //‬‬ ‫ﺩﺳﺖ ﺭﺍ ﺍﺯ ﮔﻮﺷﻤﺎﻝ ﺑﻲﺍﺩﺏ ﻧﺘـﻮﺍﻥ ﮐﺸـﻴﺪ ﺑﺮﺩﺑﺎﺭﻱ ﺩﺭ ﻣﻘـﺎﻡﹺ ﺧﺸـﻢ ﺧﻔﹼـﺖ ﻣـﻲﺷـﻮﺩ‬ ‫ﮐـﻲ ﺑﺮﺁﻳـﺪ ﮐـﺎﻡ ﺁﺯﺍﺩ ﺍﺯ ﻟﺒـﺖ ﺍﻱ ﺑـﻲﻭﻓـﺎ‬ ‫ﺗﺎ ﺗﺒﺴ‪‬ﻢ ﻣـﻲﮐﻨـﻲ ﺻـﺒﺢ ﻗﻴﺎﻣـﺖ ﻣـﻲﺷـﻮﺩ‬ ‫»‪«۳۴۲‬‬ ‫ﺍﮔﺮ ﺗﻮ ﻗﺘﻞ ﮐﻨﻲ ﺑـﺎ ﺍﻣـﺎﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ ﺩﻣﻲ ﮐﻪ ﺗﻴﻎ ﺑﺮﺁﺭﻱ ﺑﺠـﺎﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ‬ ‫ﭼﻮ ﺫﺭ‪‬ﻩ ﺑﻲﺗﻮ ﻋﺠﺐ ﺷﺎﻡ ﻏﺮﺑﺘـﻲ ﺩﺍﺭﻡ ﺩﮔﺮ ﺑﻪﺣـﺎﻝﹺ ﻣـﻦ ﻧـﺎﺗﻮﺍﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ‬ ‫ﮐﺴﻲ ﮐﻪ ﮐﺎﺭﹺ ﺟﻬﺎﻥ ﺳﺎﺧﺘﻲ ﺯ ﭘﺎ ﺍﻓﺘـﺎﺩ ﺑﻪﺩﺳـﺘﮕﻴﺮﻱ ﻣـﺎ ﺑﻴﮑﺴـﺎﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ‬ ‫ﭼـﻪ ﮐـﺮﺩ ﺣﺎﺩﺛـﻪ ﺑـﺎ ﺑﺎﻏﺒـﺎﻥ ﺩﺭﻳـﺎﺩﻝ ﺩﮔـﺮ ﺑـﻪﺗﺮﺑﻴـﺖ ﮔﻠﺴـﺘﺎﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ‬ ‫ﺯ ﺩﺳﺖ ﺩﻳﻮ ﺳﻠﻴﻤﺎﻥ ﮐﺸـﻴﺪ ﺻـﺪ ﺁﺯﺍﺭ ﺑــﻪﺩﺭﺩ ﻣﻮﺭﭼــﺔ ﺑﻴﺰﺑــﺎﻥ ﮐــﻪ ﭘــﺮﺩﺍﺯﺩ‬ ‫ﺩﮐﺎﻥ ﺳﺮﻣﻪ ﻓﺮﻭﺷﻲﺳﺖ ﻋﺮﺻـﺔ ﻋـﺎﻟﻢ ﺑﺪﻭﺭ ﭼﺸﻢ ﺗﻮ ﺑﺎ ﺍﺻﻔﻬﺎﻥ ﮐـﻪ ﭘـﺮﺩﺍﺯﺩ‬ ‫ﻧﻤــﻲﺭﻭﺩ ﺯ ﻧﻈــﺮ ﺣﺎﻟــﺖ ﺧــﺰﺍﻥ ﺁﺯﺍﺩ‬ ‫ﺩﺭ ﺍﻳﻦ ﭼﻤﻦ ﺑﻪﮔﻞ ﻭ ﺍﺭﻏﻮﺍﻥ ﮐﻪ ﭘﺮﺩﺍﺯﺩ‬ ‫»‪«۳۴۳‬‬ ‫ﻧﮑﻬﺖ ﻋﻄـﺮ ﺯ ﺑﺎﻧـﮓ ﺟﺮﺳـﻲ ﻣـﻲﺁﻳـﺪ ﻃﺮﻓﻪ ﺧﻮﺵ ﻣﻘﺪﻡ ﻣﺸﮑﻴﻦ ﻧﻔﺴﻲ ﻣﻲﺁﻳﺪ‬ ‫ﮔﻠﻪ ﺍﺯ ﻗﺒﺾ ﻃﺒﻴﻌﺖ ﻣﮑﻦ ﺍﻱ ﻏﻨﭽﺔ ﮔﻞ ﮐــﻪ ﻧﺴــﻴﻢ ﻋﺠﺒــﻲ ﺩﺍﺩﺭﺳــﻲ ﻣــﻲﺁﻳــﺪ‬ ‫ﻣﻲﺯﻧﺪ ﻏﻮﻃﻪ ﺑﻪﺩﺭﻳﺎﻱ ﺣﻘﻴﻘـﺖ ﻋـﺎﺭﻑ ﻏﺮﻕ ﺩﺭ ﺷﻬﺪ ﺷﺪﻥ ﺍﺯ ﻣﮕﺴـﻲ ﻣـﻲﺁﻳـﺪ‬ ‫ﺧﺸﺖ ﺑﺎﻻﻱ ﺧﻢ ﺑﺎﺩﻩ ﮔﺮﻓﺘﻢ ﺩﺭ ﺩﺳـﺖ ﺧﺒﺮﻱ ﻫﺴﺖ ﮐﻪ ﺍﻣﺸﺐ ﻋﺴﺴﻲ ﻣﻲﺁﻳـﺪ‬ ‫ﺑﻠﺒـﻞ ﺳـﻮﺧﺘﻪ ﺭﺍ ﻧﻴﺴـﺖ ﻧﺸـﺎﻧﻲ ﭘﻴــﺪﺍ ﺍﻳﻦﻗﺪﺭ ﻫﺴﺖ ﮐﻪ ﺩﻭﺩ ﺍﺯ ﻗﻔﺴﻲ ﻣﻲﺁﻳـﺪ‬ ‫ﺁﺷﻴﺎﻥ ﺳﺎﺧﺘﻦ ﻭ ﮔﺮﺩ ﺳـﺮ ﮔـﻞ ﮔﺸـﺘﻦ ﺍﻳﻦ ﭼﻨﻴﻦ ﻋﺸﻖ ﺯ ﻫﺮ ﺑﻮﺍﻟﻬﻮﺳﻲ ﻣﻲﺁﻳﺪ‬ ‫ﺁﻣــﺪ ﺁﺯﺍﺩ ﺯ ﺷــﻴﺮﺍﺯ ﻧﺴــﻴﻤﻲ ﻋﺠﺒــﻲ‬ ‫ﮐﻪ ﺯ ﺍﻧﻔﺎﺱ ﺧﻮﺷﺶ ﺑﻮﻱ ﮐﺴﻲ ﻣﻲﺁﻳـﺪ‬ ‫»‪«۳۴۴‬‬ ‫ﺷﮑﻮﻩ ﺧﺎﻝ ﺑـﻪﺭﻭﻱ ﺣﺒﻴـﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ ﺳﺘﺎﺭﻩ ﺳﻮﺧﺘﺔ ﺧﻮﺵ ﻧﺼﻴﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ‬ ‫ﻓﺸــﺎﺭ ﭘﻴــﺮﻫﻦ ﺗﻨــﮓ ﺑﺮﻧﻤــﻲﺗﺎﺑــﺪ ﻧﺰﺍﮐـﺖ ﺑـﺪﻥ ﺟﺎﻣـﻪ ﺯﻳـﺐ ﺑﺎﻳـﺪ ﺩﻳــﺪ‬

‫‪ // ٢٨٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑﻪﺁﻥ ﺑﻬﺸﺖ ﺗﻤﻨﹼﺎ ﺭﺳﻴﺪﻥ ﺁﺳـﺎﻥ ﻧﻴﺴـﺖ ﻋﺬﺍﺏ ﻧﻘـﺪ ﺯ ﺩﺳـﺖ ﺭﻗﻴـﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ‬ ‫ﻣﺮﻳﺾ ﺭﺍ ﻏﻢ ﺑﺎﻻﺗﺮ ﺍﺯ ﻣﺮﺽ ﺍﻳﻦ ﺍﺳﺖ ﮐﻪ ﺻﺒﺢ ﺻﻮﺭﺕ ﻧﺤﺲ ﻃﺒﻴﺐ ﺑﺎﻳﺪ ﺩﻳﺪ‬ ‫ﭼﻮ ﺧﺎﻝ ﮔﻮﺷﺔ ﻟﺐ ﻋﺎﺷﻘﺎﻥ ﺳـﻮﺧﺘﻪ ﺭﺍ ﺯ ﺁﺏ ﭼﺸﻤﺔ ﺭﺣﻤﺖ ﻗﺮﻳـﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ‬ ‫ﺑــﻪﺩﻟﻨــﻮﺍﺯﻱﹺ ﻣــﻦ ﺷــﺎﻩ ﮐــﺎﻣﺮﺍﻥ ﺁﻣــﺪ ﻋـﺮﻭﺝ ﻣﺮﺗﺒـﺔ ﺍﻳـﻦ ﻏﺮﻳـﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ‬ ‫ﮔﺮﻓﺖ ﺩﺍﻣـﻦ ﺁﻥ ﺷـﻮﺥ ﺩﻝ ﺷـﮑﻦ ﺁﺯﺍﺩ‬ ‫ﺩﺭﺍﺯ ﺩﺳـﺘﻲ ﺍﻳـﻦ ﻧﺎﺷـﮑﻴﺐ ﺑﺎﻳـﺪ ﺩﻳـﺪ‬ ‫»‪«۳۴۵‬‬ ‫ﺻﺎﺣﺒﺪﻻﻥ ﺯ ﺟﻠـﻮﺓ ﺩﻧﻴـﺎ ﺑﺮﻳـﺪﻩﺍﻧـﺪ ﻧﻈﹼﺎﺭﻩ ﺭﺍ ﺷﮑﻨﺠﺔ ﻣﮋﮔﺎﻥ ﮐﺸـﻴﺪﻩﺍﻧـﺪ‬ ‫ﺩﻟﻬﺎ ﺯ ﺯﻟﻒ ﺳﺮ ﺑﻪ ﺯﻧﺨﺪﺍﻥ ﮐﺸﻴﺪﻩﺍﻧـﺪ ﺭﺍﻩ ﺩﺭﺍﺯ ﺭﻓﺘﻪ ﺑـﻪﭼـﺎﻫﻲ ﺭﺳـﻴﺪﻩﺍﻧـﺪ‬ ‫ﺍﻳﻦ ﺁﻫﻮﺍﻥ ﮐﻪ ﺗﻬﻨﻴﺖ ﻳﮑـﺪﮔﺮ ﮐﻨﻨـﺪ ﺷﺎﻳﺪ ﻏﺒـﺎﺭ ﺗﻮﺳـﻦ ﺻـﻴ‪‬ﺎﺩ ﺩﻳـﺪﻩﺍﻧـﺪ‬ ‫ﮐﺮﺩﻧﺪ ﮐﺎﺭ ﺧﻮﺏ ﺗﻬﻲ ﻗﺎﻟﺒﺎﻥ ﻋﺸـﻖ ﻧﻌﻠﻴﻦ ﮔﺸـﺘﻪ ﺩﺭ ﻗـﺪﻣﻲ ﺁﺭﻣﻴـﺪﻩﺍﻧـﺪ‬ ‫ﺷﻴﺮﻳﻦ ﻟﺒﺎﻥ ﺷﻬﺮ ﺗﺒﺴ‪‬ـﻢ ﻗﻴﺎﻣـﺖﺍﻧـﺪ ﺩﻝ ﺭﺍ ﺑﻪﻧﺮﺥ ﻣﻬﺮﺓ ﻣﻮﻣﻲ ﺧﺮﻳـﺪﻩﺍﻧـﺪ‬ ‫ﮐﺎﺭﻱ ﮐﻪ ﮐﺮﺩﻧﻲ ﺍﺳﺖ ﻧﻴﺎﻳﺪ ﺯ ﺩﺳﺖ ﻣﻦ ﺩﺭ ﺣﻴﺮﺗﻢ ﻣﺮﺍ ﺑﻪﭼﻪ ﮐﺎﺭ ﺁﻓﺮﻳﺪﻩﺍﻧـﺪ‪١‬‬ ‫ﺁﺯﺍﺩ‪ ،‬ﺧـﺪﻣﺖ ﺳـﺨﻦ ﺻـﺎﺋﺒﺎ ﮐﻨﻨـﺪ‬ ‫ﺟﻤﻌﻲ ﮐﻪ ﺩﺭ ﻧﺰﺍﮐﺖ ﻣﻌﻨﻲ ﺭﺳﻴﺪﻩﺍﻧﺪ‬ ‫»‪«۳۴۶‬‬ ‫ﺍﺯ ﭘــﺮﺩﻩ ﺑــﺎﺭﹺ ﺩﻳﮕــﺮﹺ ﺩﻟــﺪﺍﺭ ﺑﺮﻧﻴﺎﻳــﺪ ﺧﻮﺭﺷـﻴﺪ ﺣﺸـﺮ ﺑـﻴﺶ ﺍﺯ ﻳﮑﺒـﺎﺭ ﺑﺮﻧﻴﺎﻳـﺪ‬ ‫ﺩﺍﺭﻡ ﺯ ﭘﺎﻱ ﺗﺎ ﺳﺮ ﭼﻮﻥ ﺷﻤﻊ ﻃﺮﻓﻪ ﺧﺎﺭﻱ ﺟـﺰ ﺍﺯ ﮔﻠـﻮ ﺑﺮﻳـﺪﻥ ﺍﻳـﻦ ﺧـﺎﺭ ﺑﺮﻧﻴﺎﻳـﺪ‬ ‫ﻫــﺮ ﺻــﺒﺢ ﺁﻓﺘــﺎﺑﻲ ﭘﻴــﺮ ﻓﻠــﮏ ﺑــﺮﺁﺭﺩ ﺍﺯ ﺩﺳــﺖ ﻧﻮﺟﻮﺍﻧــﺎﻥ ﺍﻳــﻦ ﮐــﺎﺭ ﺑﺮﻧﻴﺎﻳــﺪ‬ ‫ﺩﺭ ﺩﻝ ﺧﻴﺎﻝ ﺯﻟﻔﺶ ﻋﻤﺮﻱﺳﺖ ﺁﺷﻴﺎﻥ ﮐﺮﺩ ﺧﻮﺵ ﮐﺮﺩ ﺑﺲﮐﻪ ﺟﺎ ﺭﺍ ﺍﻳﻦ ﻣﺎﺭ ﺑﺮﻧﻴﺎﻳـﺪ‬ ‫ﺩﺍﻧﻲ ﭼـﺮﺍ ﻧﮕـﺎﻫﺶ ﺑـﺮ ﻣﺨﻠﺼـﺎﻥ ﻧﻴﻔﺘـﺪ ﺍﺯ ﺧﺎﻧـــﻪ ﺍﺣﺘﻴﺎﻃـــﺎﹰ ﺑﻴﻤـــﺎﺭ ﺑﺮﻧﻴﺎﻳـــﺪ‬ ‫ﮔـﺮ ﻣـﺮﺩﻡ ﺟﻬـﺎﻥ ﺭﺍ ﺩﺭ ﺍﻣﺘﺤـﺎﻥ ﺭﺳـﺎﻧﻲ ﻳﮏ ﮐﺲ ﭼﻨﺎﻧﮑﻪ ﺑﺎﻳـﺪ ﻏﻤﺨـﻮﺍﺭ ﺑﺮﻧﻴﺎﻳـﺪ‬ ‫ﺁﺯﺍﺩ ﻣﻲﺭﻭﻡ ﻣﻦ ﺯﻳﻦ ﺷـﻬﺮ ﺟـﺎﻱ ﺩﻳﮕـﺮ‬ ‫ﺑــﻮﺩﻥ ﭼــﻪ ﻧﻔــﻊ ﺩﺍﺭﺩ ﮔــﺮ ﻳــﺎﺭ ﺑﺮﻧﻴﺎﻳــﺪ‬ ‫‪ .١‬ﺍﻳﻦ ﺑﻴﺖ ﺩﺭ ﻧﺴﺨﺔ ﻧﺪﻭﻩ ﻧﻴﺴﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٨٧ //‬‬ ‫»‪«۳۴۷‬‬ ‫ﮐﺴـﻲ ﮐـﻪ ﺷـﻴﻔﺘﺔ ﮔﻔـﺘﻦ ﺳـﺨﻦ ﺑﺎﺷـﺪ ﺯﺑﺎﻥ‪ ‬ﺍﻭ ﭼﻮ ﻗﻠـﻢ ﭘـﻴﺶ ﺍﺯ ﺩﻫـﻦ ﺑﺎﺷـﺪ‬ ‫ﺳـﭙﻬﺮ ﺩﺍﻣـﻦ ﻋﻤـﺮ ﺍﺑـﺪ ﺑـﻪﺩﺳـﺖ ﺁﻭﺭﺩ ﺑﻘــﺎ ﻧﺼــﻴﺒﺔ ﺳــﻴ‪‬ﺎﺭ ﺩﺭ ﻭﻃــﻦ ﺑﺎﺷــﺪ‬ ‫ﻋﻘﻴـﻖ‪ ١‬ﻓــﻴﺾﺭﺳــﺎﻥ ﻣﺪﻳﻨــﻪ ﺍﺯ ﺭﻩ ﺩﻭﺭ ﺑــﻪﺁﺑﻴــﺎﺭﻱ ﻟــﺐ ﺗﺸــﻨﺔ ﺩﻫــﻦ ﺑﺎﺷــﺪ‬ ‫ﮐﻨـﺪ ﻣﺤﺒ‪‬ـﺖ ﻣـﺎ ﻧﻘـﺶ ﺩﺭ ﺩﻝ ﺳـﻨﮕﻴﻦ ﺑﻪﺳﻨﮓ ﺗﻴﺸﻪ ﺯﺩﻥ ﮐـﺎﺭ ﮐـﻮﻫﮑﻦ ﺑﺎﺷـﺪ‬ ‫ﺍﻃﺎﻋﺖ ﺣﻤﻘﺎ ﻧـﺰﺩ‪ ‬ﻋـﺎﻗﻼﻥ ﮐﻔـﺮ ﺍﺳـﺖ ﻣﺮﻳـﺪ ﮔـﺎﻭ ﺷـﺪﻥ ﺩﻳـﻦ ﺑـﺮﻫﻤﻦ ﺑﺎﺷـﺪ‬ ‫ﺻـﺪﺍﻱ ﻧﺎﻟـﻪ ﺑﻠﺒـﻞ ﺷـﻨﻴﺪﻩ ﮔـﻞ ﻓﺮﻣـﻮﺩ ﮐﻪ ﮔﻔﺘﻪ ﺍﺳﺖ ﮐﻪ ﺍﻳﻦ ﺷﻮﺥ ﺩﺭ ﭼﻤﻦ ﺑﺎﺷﺪ‬ ‫ﺯ ﻫﻨﺪ ﺁﻣﺪﻩ ﺑﺎ ﻓﻘـﺮ ﻭ ﺷـﺎﻋﺮﻱ ﺑـﻪﺩﮐـﻦ‬ ‫ﻋﺠـﺐ ﺗﺸــﺎﺑﻪ ﺁﺯﺍﺩ ﺑــﺎ ﺣ‪‬ﺴــﻦ‪ ٢‬ﺑﺎﺷــﺪ‬ ‫»‪«۳۴۸‬‬ ‫ﺧﺪﺍ ﻳـﺎﺭ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﺑﺎﺷـﺪ ﮐﻪ ﮔﻞ ﺧﺎﺭ ﮔﺮﻳﺒﺎﻥ ﺗﻮ ﺑﺎﺷـﺪ‬ ‫ﺑﻴﺎﺽ ﮔﺮﺩﻧﺖ ﺭﺍ ﺑﻮﺳﻪ ﺩﺍﺩﻥ ﻣﮕﺮ ﮐـﺎﺭ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﺑﺎﺷـﺪ‬ ‫ﻫﻤﻴﻦ ﺍﺳﺖ ﺁﺭﺯﻭﻱ ﺭﺷﺘﺔ ﺟﺎﻥ ﮐﻪ ﺍﻭ ﺗﺎﺭ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﺑﺎﺷـﺪ‬ ‫ﻧﺴﻴﻢ ﻧﺎﺗﻮﺍﻥ ﺭﺍ ﺻـﺒﺢ ﺩﻳـﺪﻡ ﮐﻪ ﺑﻴﻤـﺎﺭ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﺑﺎﺷـﺪ‬ ‫ﮐﻨﺪ ﺭﺍﺯ ﺗﻮ ﮔﻞ ﺁﺯﺍﺩ ﺍﺯ ﭼﺎﮎ‬ ‫ﺟﻨﻮﻥ ﺑﺎﺭ ﮔﺮﻳﺒـﺎﻥ ﺗـﻮ ﺑﺎﺷـﺪ‬ ‫»‪«۳۴۹‬‬ ‫ﭼﺸﻢﹺ ﺑﻲﺑﺎﮎ ﺗﻮ ﺑﺴـﻴﺎﺭ ﺳـﻴﻪﮐـﺎﺭ ﺍﻓﺘـﺎﺩ ﺁﻥﻗﺪﺭ ﺑﺎﺩﻩﮐﺸﻲ ﮐـﺮﺩ ﮐـﻪ ﺑﻴﻤـﺎﺭ ﺍﻓﺘـﺎﺩ‪٣‬‬ ‫‪ .١‬ﻧﺎﻡ ﻭﺍﺩﻱ ﻣﹼﺘﺼﻞ ﺑﻪﻣﺪﻳﻨﺔ ﻣﻨ ‪‬ﻮﺭﻩ )ﻧﺪﻭﻩ‪ ،‬ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٢‬ﻣﺮﺍﺩ ﺍﻣﻴﺮ ﺣﺴﻦ ﺳﺠﺰﻱ ﺩﻫﻠﻮﻱ )ﻡ‪ ٧٢٧ :‬ﻳﺎ ‪ ٧٣٨‬ﻫ( ﺷﺎﻋ ﹺﺮ ﺷﻬﻴ ﹺﺮ ﻓﺎﺭﺳﻲﮔﻮ ﹺﻱ ﻫﻨﺪ ﮐﻪ ﺑﺎ ﺍﻣﻴﺮ ﺧﺴﺮﻭ ﺩﻫﻠﻮﻱ ﻣﻌﺎﺻﺮ‬ ‫ﻭ ﺩﻭﺳﺖ ﻭ ﺻﺎﺣﺐ ﺩﻳﻮﺍﻥ ﺑﻮﺩ‪ .‬ﺭﮎ‪ :‬ﺑﻪ ﺗﺬﮐﺮﺓ ﺣﺴﻴﻨﻲ‪٩٣ ،‬؛ ﺷﻤﻊ ﺍﻧﺠﻤﻦ‪٢١٠ ،‬؛ ﻧﺘﺎﺋﺞﺍﻻﻓﮑﺎﺭ‪١٦٧ ،‬؛ ﺑﺎﻍ ﻣﻌﺎﻧﻲ‪٥٤ ،‬؛‬ ‫ﻓﺮﻫﻨﮓ ﺍﺩﺑﻴﺎﺕ ﻓﺎﺭﺳﻲ‪ ،‬ﻣﺤ ‪‬ﻤﺪ ﺷﺮﻳﻔﻲ‪٢٠٤ ،‬؛ ﺗﺎﺭﻳﺦ ﺍﺩﺑﻴﺎﺕ‪ ،‬ﺻﻔﺎ‪ ،‬ﺝ ‪ ٣‬ﻕ ‪ ،٢‬ﺹ ‪١٢٤٥‬؛ ﻣﺮﺁﺓﺍﻟﺨﻴﺎﻝ‪٢٨ ،‬؛‬ ‫ﺳﻴﺮﺍﻻﻭﻟﻴﺎ‪٣٠٨ ،‬؛ ﻧﻔﺤﺎﺕ‪٦١٠ ،‬؛ ﺩﻳﻮﺍﻥ ﺍﻣﻴﺮ ﺣﺴﻦ‪ ،‬ﺑﻪ ﮐﻮﺷﺶ ﻧﺮﮔﺲ ﺟﻬﺎﻥ‪ ،‬ﺩﻫﻠﻲ‪.‬‬ ‫‪ .٣‬ﺩﺭ ﺩﻳﻮﺍﻥ ﻧﺎﺻﺮ ﺟﻨﮓ ﺷﻬﻴﺪ ﮐﻪ ﺷﺎﮔﺮﺩ ﺁﺯﺍﺩ ﺑﻮﺩ‪ ،‬ﺩﺭ ﺗﻘﻠﻴﺪ ﻏﺰﻝ ﻣﺰﺑﻮﺭ‪ ،‬ﻏﺰﻟﻲ ﺁﻣﺪﻩ ﺍﺳﺖ ﺑﻪﺍﻳﻦ ﻣﻄﻠﻊ‪:‬‬ ‫ﺗـﺎ ﺟـﺪﺍ ﺍﺯ ﺳـﺮ ﮐـﻮﻱ ﺗـﻮ ﺩﻝ ﺯﺍﺭ ﺍﻓﺘـﺎﺩ ﺁﻥ ﻗﺪﺭ ﺁﻩ ﻭ ﻓﻐﺎﻥ ﮐﺮﺩ ﮐـﻪ ﺍﺯ ﮐـﺎﺭ ﺍﻓﺘـﺎﺩ‬ ‫)ﺩﻳﻮﺍﻥ ‪(٢٤٨/٢‬‬

‫‪ // ٢٨٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﻣﻲﺷﻨﺎﺳﺪ ﻧﮕﻬﺶ ﺑﺴﻤﻞ ﺧﻮﺩ ﺭﺍ ﺍﺯ ﺩﻭﺭ ﺣﻴﺮﺗﻢ ﮔﺸﺖ ﮐﻪ ﺍﻳﻦ ﻣﺴﺖ ﭼﻪ ﻫﺸﻴﺎﺭ ﺍﻓﺘﺎﺩ‬ ‫ﻳــﺎﺩ ﭘــﺮﻭﺍﺯ ﺑﮕــﺮﺩ ﺩﻝ ﺍﻭ ﭘــﺮ ﻧﺰﻧــﺪ ﻋﻨـﺪﻟﻴﺒﻲ ﮐـﻪ ﺑـﻪﺩﺍﻡﹺ ﺗـﻮ ﮔﺮﻓﺘـﺎﺭ ﺍﻓﺘـﺎﺩ‬ ‫ﮐـﻢ ﻧﮕﺮﺩﻳـﺪ ﭘﺮﻳﺸـﺎﻧﻲ ﺯﻟﻔـﺖ ﻫﺮﭼﻨـﺪ ﺩﺭ ﮐﻔﺶ ﺍﺯ ﺩﻝ ﻣﻦ ﮔﻮﻫﺮ ﺷـﻬﻮﺍﺭ ﺍﻓﺘـﺎﺩ‬ ‫ﺯﻫﺮﺓ ﺷﻴﺮ ﮐﻨﺪ ﺁﺏ‪ ،‬ﺑﻪﻳـﮏ ﺩﻳـﺪﻥ ﮔـﺮﻡ ﮐـﺎﺭ ﺑـﺎ ﺁﻫـﻮﻱ ﺑﻴﻤـﺎﺭ ﺗـﻮ ﺑﺴـﻴﺎﺭ ﺍﻓﺘـﺎﺩ‬ ‫ﺳﺎﻏﺮ ﻣﻲ ﺯﻥ ﻭ ﺑﺮ ﺑﺎﻡ ﻭ ﺩﺭ ﺧﺎﻧﻪ ﺑﻪﻏﻠﻂ ﭘﺮﺗـﻮ ﻣـﺎﻩ ﭼﻬـﺎ ﺑـﺮ ﺩﺭ ﻭ ﺩﻳـﻮﺍﺭ ﺍﻓﺘـﺎﺩ‬ ‫ﺳـﺮ ﻣـﻦ ﺑــﺎﺩ ﻓـﺪﺍﻱ ﻗـﺪﻡ ﺧــﻮﺩ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﮔـﺬﺍﺭﺵ ﺑـﻪﺭﻩ ﺍﺣﻤـﺪ‪ ‬ﻣﺨﺘـﺎﺭ ﺍﻓﺘـﺎﺩ‬ ‫»‪«۳۵۰‬‬ ‫ﮐﺴﻲ ﭼﻪ ﺑﻬﺮﻩ ﺍﺯ ﺍﻳﻦ ﺻﺒﺢ ﻭ ﺷﺎﻡ ﺑﺮﺩﺍﺭﺩ ﺯ ﺩﺳـﺖ ﺍﻳـﻦ ﻣﺘﻠـﻮﻥ ﭼـﻪ ﮐـﺎﻡ ﺑـﺮﺩﺍﺭﺩ‬ ‫ﺩﻭﺑﺎﺭﻩ ﺁﻳﻴﻨـﻪ ﺁﻥ ﻣﺴـﺖ ﺧـﻮﺩ ﻧﻤـﻲﺑﻴﻨـﺪ ﺑــﻪﺧــﻮﺩ ﺳــﺘﻢ ﮐﻨــﺪ ﻭ ﺍ‪‬ﺗﹼﻬــﺎﻡ ﺑــﺮﺩﺍﺭﺩ‬ ‫ﺗﻮ ﭘﻴﺸﻮﺍﺋﻲ ﻭ ﮐﺎﺭ ﺗﻮ ﻣﺤﻮ ﻟﻐﺰﺵ ﻣﺎﺳـﺖ ﮐــﻪ ﺳــﻬﻮ ﻣﻘﺘــﺪﻳﺎﻥ ﺭﺍ ﺍﻣــﺎﻡ ﺑــﺮﺩﺍﺭﺩ‬ ‫ﺩﺭ ﺍﻳـﻦ ﺑﻬـﺎﺭ ﺳـﻌﺎﺩﺕ ﻧﺼـﻴﺐ ﺗﺮﺩﺳـﺘﻲ ﮐﻪ ﻫﻤﭽﻮ ﺷﺎﺥ ﮔﻞ ﺍﺯ ﺧﺎﮎ ﺟﺎﻡ ﺑـﺮﺩﺍﺭﺩ‬ ‫ﭼﻪ ﻣﻲﺭﻭﺩ ﺯ ﺗﻮ ﮔﺮ ﺑﻲﻧـﻮﺍﻱ ﺗﺸـﻨﻪ ﻟﺒـﻲ ﻧﻤــﻲ ﺯ ﭼﺸــﻤﺔ ﺍﺣﺴــﺎﻥ ﻋــﺎﻡ ﺑــﺮﺩﺍﺭﺩ‬ ‫ﺯ ﮐــﻮﻱ ﺍﻭ ﺩﻝ ﺩﻳﻮﺍﻧــﻪ ﺑﺮﻧﻤــﻲﺧﻴــﺰﺩ ﻣﮕــﺮ ﺯ ﺳﻠﺴــﻠﺔ ﻣﺸــﮏ ﻓــﺎﻡ ﺑــﺮﺩﺍﺭﺩ‬ ‫ﺯ ﺁﺳـــﺘﺎﻥ‪ ‬ﺧـــﻮﺩ ﺁﺯﺍﺩ ﺭﺍ ﻧﺒﺎﻳـــﺪ ﺭﺍﻧـــﺪ‬ ‫ﮐـﻪ ﻧـﺎﺯﹺ ﺣﺴـﻦ ﺗـﺮﺍ ﺍﻳـﻦ ﻏـﻼﻡ ﺑـﺮﺩﺍﺭﺩ‬ ‫»‪«۳۵۱‬‬ ‫ﺷﺐ ﮐﻪ ﺳﺎﻗﻲ ﻣﺠﻠﺲ ﺁﺭﺍ ﺑﺮ ﮐﻨﺎﺭﹺ ﺁﺏ ﺑـﻮﺩ ﺩﺧﺘﺮﹺ ﺭﺯ ﺟﻠـﻮﻩﮔـﺮ ﺩﺭ ﭼـﺎﺩﺭﹺ ﻣﻬﺘـﺎﺏ ﺑـﻮﺩ‬ ‫ﺗﺎ ﭼﻪ ﺷﻮﺭ ﺍﻓﮕﻨـﺪ ﺩﺭ ﻋـﺎﻟﻢﹺ ﻧﻤﮑـﺪﺍﻥ ﻗﻤـﺮ ﺧﻮﺍﺏ ﺭﺍ ﺩﺭ ﺩﻳـﺪﺓ ﻣـﺮﺩﻡ ﺭﻡ ﺳـﻴﻤﺎﺏ ﺑـﻮﺩ‬ ‫ﻋﮑﺲ ﻣﻪ ﺭﺍ ﺩﺭ ﻗﺪﺡ ﺩﻳﺪﻳﻢ ﻭ ﺣﻴﺮﺕ ﺭﻭﻧﻤﻮﺩ ﺷﻤﻊ ﺩﺭ ﺁﻏﻮﺵﹺ ﺍﻳﻦ ﭘﺮﻭﺍﻧـﺔ ﺑـﻲﺗـﺎﺏ ﺑـﻮﺩ‬ ‫ﺑﺲﮐﻪ ﺟﻮﺷﻴﺪ ﺍﺯ ﺗﻨﻮﺭ ﺁﺳﻤﺎﻥ ﻃﻮﻓـﺎﻥ ﻧـﻮﺭ ﮐﺸﺘﻲ ﻣﻲ ﺗﺎ ﺳﺤﺮ ﺩﺭ ﺣﻠﻘـﺔ ﮔـﺮﺩﺍﺏ ﺑـﻮﺩ‬ ‫ﻣ‪‬ﻲﮐﺸﺎﻥ ﭼﻴﺪﻧﺪ ﺑﺰﻣـﻲ ﺑـﺮ ﺑﺴـﺎﻁ ﻳﺎﺳـﻤﻦ ﺩﻳﺪﻫﺎ ﻏﻴﺮ ﺍﺯ ﭼﺮﺍﻍ ﺍﻧﺠﻤﻦ ﺑﻲﺧـﻮﺍﺏ ﺑـﻮﺩ‬ ‫ﺭﻧ ‪‬ﮓ ﻇﻠﻤﺖ ﺑﺲ ﮐﻪ ﺍﺯ ﺟﻮﺵﹺ ﺻﻔﺎ ﭘﺮﻭﺍﺯ ﮐﺮﺩ ﺧﺎﻝ ﻫﻢ ﺑﺮ ﻋﺎﺭ ﹺﺽ ﻣﻪ ﻃﻠﻌﺘﺎﻥ ﻧﺎﻳـﺎﺏ ﺑـﻮﺩ‬ ‫ﺷﺐ ﮐﻪ ﻣﻲﮐﺮﺩﻡ ﺭﻗﻢ ﺁﺯﺍﺩ ﻭﺻ ‪‬ﻒ ﻣﺎﻫﺘـﺎﺏ‬ ‫ﺧﺎﻣﻪ ﺭﺍ ﺧﻴﻠﻲ ﭼﻮ ﻧﺨﻞ ﻃﻮﺭ ﺁﺏ ﻭ ﺗﺎﺏ ﺑﻮﺩ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٨٩ //‬‬ ‫»‪«۳۵۲‬‬ ‫ﺍﮔﺮ‪ ١‬ﺭﻳﺎﺳـﺖ‪ ‬ﻣﻠـﮏ ﺍﺯ ﺍﻣﻴـﺮ ﻣـﻲﺁﻳـﺪ ﺭﻳﺎﺳـﺖ ﺩﻭ ﺟﻬـﺎﻥ ﺍﺯ ﻓﻘﻴـﺮ ﻣـﻲﺁﻳـﺪ‬ ‫ﺻﻔﺎﻱ ﻭﻗﺖ ﺩﻡ ﺻﺒﺢ ﮐـﺮﺩ ﺷـﺎﻡ ﻣـﺮﺍ ﮐﺪﺍﻡ ﻣﺮﺷـﺪ ﺭﻭﺷـﻦ ﺿـﻤﻴﺮ ﻣـﻲﺁﻳـﺪ‬ ‫ﻣﺮﺍ ﺯ ﺩﻭﻟﺖ‪ ‬ﻓﻘﺮ ﺍﻳﻦ ﺳﺨﻦ ﻳﻘﻴﻦ ﮔﺮﺩﻳﺪ ﮐﻪ ﮐﺎﺭﹺ ﻣﺴﻨﺪ ﺟﻢ ﺍﺯ ﺣﺼـﻴﺮ ﻣـﻲﺁﻳـﺪ‬ ‫ﺑﻪﭼﺎﺭﺓ ﻣﺮﺽ ﺧﻮﻳﺶ ﺳﺨﺖ ﺣﻴـﺮﺍﻧﻢ ﻃﺒﻴﺐ ﻧﺎﺯ ﻓﺮﻭﺵ ﺍﺳﺖ ﺩﻳـﺮ ﻣـﻲﺁﻳـﺪ‬ ‫ﺑﻴـﺎﻥ ﺟـﻮﻫﺮ ﺁﺯﺍﺩ ﻣـﻲﮐﻨـﺪ ﺳـﺨﻨﺶ‬ ‫ﮐﻪ ﺍﺯ ﻧﻲ ﻗﻠﻤﺶ ﺑﺎﻧـﮓ ﺷـﻴﺮ ﻣـﻲﺁﻳـﺪ‬ ‫»‪«۳۵۳‬‬ ‫ﺑـﻪﺳـﺎﻳﺔ ﺗـﻮ ﺩﻝﹺ ﻣـﻦ ﭘﻨـﺎﻩ ﻣـﻲﮔﻴـﺮﺩ ﺳـﻮﺍﺩ ﺍﻋﻈـﻢ ﺯﻟـﻒ ﺳـﻴﺎﻩ ﻣـﻲﮔﻴـﺮﺩ‬ ‫ﺣﺬﺭ ﺯ ﺁﻓﺖ ﻣﻤﻨﻮﻥ ﺧﻮﻳﺶ ﺑﺎﻳﺪ ﮐـﺮﺩ ﮐـﻪ ﺁﻓﺘـﺎﺏ ﺯ ﺑﻴـﺪﺍﺩ ﻣـﺎﻩ‪ ٢‬ﻣـﻲﮔﻴـﺮﺩ‬ ‫ﺑﻪﻫﺮﮐﻪ ﻫﺮﭼﻪ ﻣﻨﺎﺳﺐ ﺑﻮﺩ ﻋﻄﺎ ﮐﺮﺩﻧﺪ ﺯ ﻣﺎﻩ ﻧﻮ ﺳﺮ ﮔـﺮﺩﻭﻥ ﮐـﻼﻩ ﻣـﻲﮔﻴـﺮﺩ‬ ‫ﺩﻝ ﺳﻴﺎﻩ ﺷﻮﺩ ﺭﻭﺷـﻦ ﺍﺯ ﺳـﺤﺮﺧﻴﺰﻱ ﭼـﺮﺍﻍ ﻣـﺎ ﺯ ﺩﻡ ﺻـﺒﺤﮕﺎﻩ ﻣـﻲﮔﻴـﺮﺩ‬ ‫ﺯ ﺁﺳــﺘﺎﻥ ﺧــﻮﺩ ﺁﺯﺍﺩ ﺭﺍ ﻧﺒﺎﻳــﺪ ﺭﺍﻧــﺪ‬ ‫ﺩﻣﻲ ﺟﻤـﺎﻝ ﺗـﺮﺍ ﺩﻳـﺪﻩ ﺭﺍﻩ ﻣـﻲﮔﻴـﺮﺩ‬ ‫»‪«۳۵۴‬‬ ‫ﻣﻴﺮﺯﺍﻳـﺎﻥ ﭼﻤـﻦ ﻻﻟـﻪ ﻭ ﮔـﻞ ﺷـﺎﺩﺍﺏﺍﻧـﺪ ﻣﻲﺑﻴﺎﺭﻳـﺪ ﮐـﻪ ﭘﻴﻤﺎﻧـﻪ ﮐﺸـﺎﻥ ﺑـﻲﺗـﺎﺏﺍﻧـﺪ‬ ‫ﺑﻠـﺒﻼﻥ ﺍﻳـﻦ ﻫﻤـﻪ ﻓﺮﻳـﺎﺩ ﺧـﺪﺍ ﺭﺍ ﻣﮑﻨﻴـﺪ‪ ٣‬ﻣﺎﻧﻌﻲ ﭼﻨﺪ ﺯ ﮔﻠﮕﺸﺖ ﭼﻤﻦ ﺩﺭ ﺧﻮﺍﺏﺍﻧـﺪ‬ ‫ﺣـﻖ ﺗﻌـﺎٰﻟﻲ ﻣﮕـﺮ ﺍﺯ ﻏﻴـﺐ ﺭﺳـﺎﻧﺪ ﻣـﺪﺩﻱ ﻣـﺎ ﮐﺘـﺎﻧﻴﻢ ﻭ ﻋـﺪﺍﻭﺕ ﻣﻨﺸـﺎﻥ ﻣﻬﺘـﺎﺏﺍﻧـﺪ‬ ‫ﺗﻴﺰﮔﺎﻣﻲ ﮐﻪ ﺯ ﭘﺎ ﻟﻐﺰ ﺩﻭﺋـﻲ ﭘـﻴﺶ ﮔﺬﺷـﺖ ﮐﻌﺒﻪ ﻭ ﺑﺘﮑﺪﻩ ﺭﺍ ﻳﺎﻓﺖ ﮐﻪ ﺍﺯ ﻳـﮏ ﺑـﺎﺏﺍﻧـﺪ‬ ‫ﻫــﻴﭻ ﺍﺳــﻠﻮﺏ ﻣﻼﻗــﺎﺕ ﻧﻴﺎﻳــﺪ ﺑــﻪﻧﻈــﺮ ﺁﺗﺶ ﻋﺸﻘﻢ ﻭ ﺷـﻮﺧﺎﻥ ﺩﮐـﻦ ﺳـﻴﻤﺎﺏﺍﻧـﺪ‬ ‫ﭘـــﺪﺭﺍﻥ ﻓﻠﮑـــﻲ ﺷـــﻴﻮﺓ ﮐﺸـــﺘﻦ ﺩﺍﺭﻧـــﺪ ﺟﺎﻱ ﺭﺣﻢ ﺍﺳﺖ ﮐﻪ ﺍﺑﻨﺎﻱ ﺯﻣﺎﻥ ﺳﻬﺮﺍﺏﺍﻧـﺪ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﻳﻦ ﻏﺰﻝ ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻣﺎﻩ ﺍﺯ ﺁﻓﺘﺎﺏ ﺍﻗﺘﺒﺎﺱ ﻧﻮﺭ ﮐﻨﺪ ﻭ ﮐﺴﻮﻑ ﺁﻓﺘﺎﺏ ﺍﺯ ﺣﻴﻠﻮﻟﺖ ﻣﺎﻩ ﻣﻲﺷﻮﺩ‪) .‬ﺣﺎﺷﻴﻪ ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﻲﮐﻨﻴﺪ‪.‬‬

‫‪ // ٢٩٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺷــﻤﻊ ﺍﻳــﻦ ﺍﻧﺠﻤــﻦ ﺁﺯﺍﺩ ﺳــﻼﻣﺖ ﺑﺎﺷــﺪ‬ ‫ﺩﺭ ﭼﻨﻴﻦ ﻋﺼﺮ ﮐﻪ ﺭﻭﺷﻦ ﮔﻬﺮﺍﻥ ﮐﻤﻴﺎﺏﺍﻧﺪ‬ ‫»‪«۳۵۵‬‬ ‫ﻧﮑﺘﻪﭘﺮﺩﺍﺯﻱ ﮐـﻪ ﺧﻮﺍﻫـﺪ ﻣﻌﻨـﻲ ﺍﻧﺸـﺎ ﮐﻨـﺪ ﭼﻮﻥ ﻧﮕـﺎﻩ ﻳـﺎﺭ ﺑﺎﻳـﺪ ﮔﻮﺷـﻪﺍﻱ ﭘﻴـﺪﺍ ﮐﻨـﺪ‬ ‫ﺑـﻲﺗﺄﻣ‪‬ـﻞ ﺩﺍﻣـﻦ ﻣﻌﻨـﻲ ﻧﻤـﻲﺁﻳـﺪ ﺑﺪﺳـﺖ ﺑﺎﺯ ﻣﺎﻧﺪ ﺍﺯ ﺳﺨﻦ ﭼﻮﻥ ﺧﺎﻣﻪ ﺳﺮ ﺑـﺎﻻ ﮐﻨـﺪ‬ ‫ﻫﻴﭻ ﻏﻴﺮﺕ ﻧﻴﺴﺖ ﺷﻴﻄﺎﻥ ﺭﺍ ﺯ ﺩﺷﻤﻦ ﺯﺍﺩﮔﺎﻥ ﺧﻮﻳﺶ ﺭﺍ ﺩﺭ ﺯﻳـﺮﹺ ﺭﺍﻥ ﻣﺤـﺘﻠﻢ ﺭﺳـﻮﺍ ﮐﻨـﺪ‬ ‫ﻣﻲﺗﻮﺍﻥ ﺩﺭ ﺗﻨﮕﻨﺎﻱ ﺩﻝ ﻓﻠﮏ ﺭﺍ ﺗﻨﮓ ﺳﺎﺧﺖ ﺑﻴﻀﻪ ﺭﺍ ﺻﺎﺣﺐ ﻫﻨـﺮ ﺩﺭ ﺗﻨﮕـﻲ ﻣﻴﻨـﺎ ﮐﻨـﺪ‬ ‫ﻣﻴﺮﺯﺍ ﻃﻔﻠـﻲ ﮐـﻪ ﻧﻨﺸـﻴﻨﺪ ﺑـﻪﺩﺍﻣـﺎﻧﺶ ﻏﺒـﺎﺭ ﺁﻩ ﻣﻲﺧﻮﺍﻫﺪ ﮐﻪ ﺩﺍﻣﻦ ﺗﺮ ﺑـﻪﺧـﻮﻥ‪ ‬ﻣـﺎ ﮐﻨـﺪ‬ ‫ﺟﺎﻥ ﺳـﺘﺎﻧﻲ ﻧﻴﺴـﺖ ﺗﻨﻬـﺎ ﺷـﻴﻮﺓ ﺻـﻴ‪‬ﺎﺩ ﻣـﺎ ﻫــﻢ ﻏــﺰﺍﻻﻥ ﺑﻴﺎﺑــﺎﻥ ﻣــﺮﮒ ﺭﺍ ﺍﺣﻴــﺎ ﮐﻨــﺪ‬ ‫ﮐـﺎﻡ ﺩﻝ ﺯﺍﻥ ﺑـﻲﻭﻓــﺎ ﺁﺯﺍﺩ ﻧﺘﻮﺍﻧـﺪ ﮔﺮﻓــﺖ‬ ‫ﺍﻳﻦ ﭘﺮﻳﺸﺎﻥ ﺣﺎﻝ ﺭﺍ ﭼﻮﻥ ﺯﻟﻒ ﺍﺯ ﺳﺮ ﻭﺍ ﮐﻨﺪ‬ ‫»‪«۳۵۶‬‬ ‫ﺟﻤﻌﻲ ﮐﻪ ﮐﺎﻡﹺ ﺧﻮﺩ ﺯ ﻟﺐﹺ ﺍﻭ ﺭﻭﺍ ﮐﻨﻨﺪ ﺟﺎﻥ ﻣﻲﺩﻫﻨﺪ ﻭ ﺣﻖ‪ ‬ﻧﻤﮏ ﺭﺍ ﺍﺩﺍ ﮐﻨﻨﺪ‬ ‫ﺍﻱ ﻭﺍﻱ ﺑﺮﺩﻩﺍﻧﺪ ﺑﺘﺎﻥ ﺩﻝ ﺯ ﺩﺳﺖ‪ ‬ﻣـﻦ ﺑﺎ ﺍﻳﻦ ﺍﺳـﻴﺮ ﺗـﺎﺯﻩ ﻧـﺪﺍﻧﻢ ﭼﻬـﺎ ﮐﻨﻨـﺪ‬ ‫ﻳﺎﺭﺍﻥ ﺍﻳـﻦ ﺯﻣﺎﻧـﻪ ﭘـﺲ ﺍﺯ ﻗﺘـﻞ ﺁﺷـﻨﺎ ﻧﻴﻠﻲ ﻟﺒﺎﺱ ﺧﻮﻳﺶ ﺑﻪﺭﺳﻢ ﻋـﺰﺍ ﮐﻨﻨـﺪ‬ ‫ﺁﻧﺎﻥ ﮐـﻪ ﺳـﺎﺧﺘﻨﺪ ﻏﻨـﺎ ﺭﺍ ﻏـﻼﻡ ﻓﻘـﺮ ﺟﺎﺭﻭﺏ ﮐﻠﺒﻪ ﺍﺯ ﭘﺮ ﻭ ﺑـﺎﻝ ﻫﻤـﺎ ﮐﻨﻨـﺪ‬ ‫ﻣﻨﻊ ﺧﻼﻳﻖ ﺍﺯ ﺩﺭﹺ ﺧﻮﺩ ﻧﺎﻣﻨﺎﺳﺐ ﺍﺳﺖ ﻟﺐﹺ ﺗﺸﻨﮕﺎﻥ ﺑـﻪﺁﺏ ﺯﻻﻝ ﺍﻟﺘﺠـﺎ ﮐﻨﻨـﺪ‬ ‫ﺧﻮﺑﺎﻥ ﺑﻪﺯﺍﺭﹺ ﻧﺎﻟﻲﹺ ﻣﻦ ﮐﺎﺵ ﻭﺍ ﺭﺳـﻨﺪ ﻳﺎ ﺗﻴﻎ ﺑﺮﮐﺸﻨﺪ ﻭ ﺳﺮ ﺍﺯ ﺗﻦ ﺟﺪﺍ ﮐﻨﻨـﺪ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﺑﺘــﺎﻥ ﺑــﻪﺍﺳــﻴﺮﻱ ﮔﺮﻓﺘــﻪﺍﻧــﺪ‬ ‫ﺩﺭ ﺣﺸﺮ ﻫﻢ ﺍﻣﻴـﺪ ﻧـﺪﺍﺭﺩ ﺭﻫـﺎ ﮐﻨﻨـﺪ‬ ‫»‪«۳۵۷‬‬ ‫ﺍﮔﺮ ﺳﻨﮓ ﺍﺳﺖ ﺁﻥ ﻫﻢ ﺑﺎ ﻣﺤﺒ‪‬ﺖ ﻧﺴﺒﺘﻲ ﺩﺍﺭﺩ ﮐﻪ ﻣﻘﻨﺎﻃﻴﺲ ﺑﺎ ﻗﻄـﺐ ﺷـﻤﺎﻟﻲ‪ ١‬ﺍﻟﻔﺘـﻲ ﺩﺍﺭﺩ‬ ‫‪ .١‬ﻣﻘﻨﺎﻃﻴﺲ ﺑﺎ ﻗﻄﺐ ﺷﻤﺎﻟﻲ ﻋﺸﻖ ﺩﺍﺭﺩ ﻭ ﻣﺪﺍ ﹺﺭ ﻗﺒﻠﻪ ﻧﻤﺎ ﺑﺮ ﻋﺸﻖ ﻣﻘﻨﺎﻃﻴﺲ ﺍﺳﺖ ﭼﻪ ﻣﻘﻨﺎﻃﻴﺲ ﺭﺍ ﺑﺮ ﺑﺎﺯﻭ ﺭﺍﺳﺖ ﻣﺮﻍ‬ ‫ﺁﻫﻨﻴﻦ ﻗﺒﻠﻪ ﻧﻤﺎ ﻣﻲﺯﻧﻨﺪ ﻭ ﺍﺛﺮﻱ ﺍﺯ ﻣﻘﻨﺎﻃﻴﺲ ﺩﺭ ﺍﻭ ﻣﻲﻣﺎﻧﺪ ﺑﻌﺪ ﺍﺯ ﭼﺮﺥ ﺯﺩﻥ ﺑﺎﺯﻭ ﺭﺍﺳﺖ ﻣﺮﻍ ﺧﻮﺍﻩ ﻣﺨﻮﺍﻩ ﺑﻪﻃﺮﻑ‬ ‫ﻗﻄﺐ ﺷﻤﺎﻟﻲ ﻣﻲﺍﻳﺴﺘﺪ‪ .‬ﺑﻨﺎﺑﺮ ﻋﺸﻘﻲ ﮐﻪ ﺑﻪﺍﻭ ﺩﺍﺭﺩ ﭘﺲ ﺿﺮﻭﺭ ﺷﺪ ﮐﻪ ﻣﻨﻘﺎ ﹺﺭ ﻣﺮﻍ ﺟﺎﻧ ﹺﺐ ﻗﺒﻠﻪ ﺍﻳﺴﺘﺪ ﻭ ﺯﺩﻥ ﻣﻘﻨﺎﻃﻴﺲ‬ ‫ﺑﺮ ﺑﺎﺯﻭﻱ ﺭﺍﺳﺖ ﺩﺭ ﻗﻠﻪ ﻧﻤﺎﻱ ﺍﻫ ﹺﻞ ﻣﺸﺮﻕ ﺍﺳﺖ ﺩﺭ ﻗﺒﻠﻪ ﻧﻤﺎﻱ ﺟﻮﺍﻧﺐﹺ ﺩﻳﮕﺮ ﺟﺎﻱ ﻣﻘﻨﺎﻃﻴﺲ ﺭﺍ ﻣﻲﺯﻧﻨﺪ ﮐﻪ ﺳﻤﺖ‪‬‬ ‫ﻗﺒﻠﻪ ﺭﺍﺳﺖ ﺁﻳﺪ‪) .‬ﺣﺎﺷﻴﻪ‪ ،‬ﻫﻤﺎﻥ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٩١ //‬‬ ‫ﺑﺪﺳﺖ ﺍﻓﺘﺎﺩﻥ ﻣﻌﺸﻮﻕ ﺯﺭﺩﺍﺭ ﺍﺳﺖ ﺑﺲ ﻣﺸﮑﻞ ﺯ ﺑﻠﺒﻞ ﺩﻭﺭ ﭼﺸﻢ ﺑﺪ ﮐﻪ ﺗـﺎ ﺩﺭ ﺩﻭﻟﺘـﻲ ﺩﺍﺭﺩ‬ ‫ﺑﻪﺍﻭ ﮔﻔﺘﻢ ﺑﻪﻧﺮﺥ ﻫﻴﭻ ﺳﻮﺩﺍ ﻣـﻲﮐﻨـﻲ ﺩﻝ ﺭﺍ ﺟـﻮﺍﺑﻢ ﺩﺍﺩ ﻣـﻦ ﻫﺮﮔـﺰ ﻧﮕﻴـﺮﻡ ﻗﻴﻤﺘـﻲ ﺩﺍﺭﺩ‬ ‫ﺑﻪﺳﺮ ﺯﺩ ﻻﻟﻪﺍﻱ ﺭﺍ ﺩﺭ ﭼﻤﻦ ﺁﻥ ﻭﻗﺖ ﺩﺍﻧﺴﺘﻢ ﮐﻪ ﺩﺍﻍ ﻋﺸﻖ ﭘـﻴﺶ ﺧﻮﺑﺮﻭﻳـﺎﻥ ﻋﺰﹼﺗـﻲ ﺩﺍﺭﺩ‬ ‫ﻣﺮﺍﻥ ﺍﺯ ﺁﺳﺘﺎﻥ ﺧﻮﻳﺶ ﺍﻳﻦ ﺩﺭﻭﻳﺶ ﺭﺍ ﺟﺎﻧﺎﻥ ﺩﻋﺎﮔﻮﻱ ﺟﻨﺎﺏ ﺗﺴـﺖ ﺣـﻖ ﺧـﺪﻣﺘﻲ ﺩﺍﺭﺩ‬ ‫ﻧﻤﻲﺁﻳﺪ ﺑﺮﻭﻥ ﻭﻗﺘﻲ ﮐﻪ ﺑﺎﺷﺪ ﻣﺤﺘﺴﺐ ﺣﺎﺿﺮ ﺑﻪﺧﻠﻮﺕ ﺧﺎﻧﺔ ﺧﻢ ﺩﺧﺘﺮﹺ ﺭﺯ ﻋﺼـﻤﺘﻲ ﺩﺍﺭﺩ‬ ‫ﻣﺘﺎﻉ ﻫﺮﺩﻭ ﻋﺎﻟﻢ ﻋﺮﺽ ﮐﺮﺩﻡ ﺁﺳﺘﻴﻦ ﺍﻓﺸﺎﻧﺪ‬ ‫ﻏــﻼﻡ ﻣﻴــﺮ ﺁﺯﺍﺩﻡ ﮐــﻪ ﻋــﺎﻟﻲ ﻫﻤ‪‬ﺘــﻲ ﺩﺍﺭﺩ‬ ‫»‪«۳۵۸‬‬ ‫ﻗـﺪﺭ ﺗـﺮﺍ ﺩﻝ ﻭﺍ ﻣﺎﻧـﺪﻩﺍﻡ ﺑﺠـﺎ ﺧﻮﺍﻫـﺪ ﮐﺴﻲ ﮐﻪ ﺿﻌﻒ ﺭﺳﺎﻧﺪ ﺑﻬﻢ ﻋﺼﺎ ﺧﻮﺍﻫﺪ‬ ‫ﻣﺮﺍ ﺯ ﻗﺒﻠﻪﻧﻤﺎ ﺍﻳﻦ ﺳـﺨﻦ ﻳﻘـﻴﻦ ﮔﺮﺩﻳـﺪ ﮐﻪ ﺧﻀﺮﹺ ﺭﺍﻩ ﺷﻮﺩ ﺳﻨﮓ ﮔﺮ ﺧﺪﺍ ﺧﻮﺍﻫﺪ‬ ‫ﺑﻪﺟﺴﻢ ﻻﻏﺮﹺ ﻣﻦ ﺗﻴـﻎ ﻣـﻲﺯﻧـﺪ ﻫـﺮ ﻣـﻮ ﮐﺪﺍﻡ ﺳﻨﮕﺪﻝ ﺍﺯ ﺧﻮﻥ‪ ‬ﻣﻦ ﺣﻨـﺎ ﺧﻮﺍﻫـﺪ‬ ‫ﺑﻪﻧﻴﮏ ﻭ ﺑﺪ ﻧﮑﻨـﺪ ﻓـﺮﻕ ﺩﻳـﺪﺓ ﻭﺣـﺪﺕ ﺯ ﺯﻧــﮓ ﺁﻳﻴﻨــﺔ ﻋﺎﺭﻓــﺎﻥ ﺟــﻼ ﺧﻮﺍﻫــﺪ‬ ‫ﻧﺸﺴﺘﻪ ﺍﺳﺖ ﺑـﻪﺻـﺤﺮﺍﻱ ﺑﻴﮑﺴـﻲ ﺁﺯﺍﺩ‬ ‫ﺯ ﮐــﺎﺭﻭﺍﻥ ﮐﺴــﻲ ﻧﺎﻟــﺔ ﺩﺭﺍ ﺧﻮﺍﻫــﺪ‬ ‫»‪«۳۵۹‬‬ ‫ﻓﺮﺍﻭﺍﻥ ﺷﮑﺮ ﺍﻳﺰﺩ ﺭﺍ ﮐﻪ ﺁﻥ ﺭﻭﺷﻦ ﮔﻬﺮ ﺁﻣﺪ ﻫﻼﻝ ﺍﺑﺮﻭﻱ ﺍﻭ ﺑﻌﺪ ﻣـﺎﻫﻲ ﺩﺭ ﻧﻈـﺮ ﺁﻣـﺪ‬ ‫ﻧﻪ ﺗﻨﻬﺎ ﺍﻭ ﮐﺮﻡ ﻓﺮﻣﻮﺩ ﺩﺭ ﻏﻤﺨﺎﻧﺔ ﻣﺨﻠﺺ ﺩﻝ ﺑﻲﺗﺎﺏ ﻣﻦ ﻫﻢ ﺩﺭ ﺭﮐﺎﺑﺶ ﺍﺯ ﺳﻔﺮ ﺁﻣﺪ‬ ‫ﺗﻮﺍﻧﻢ ﻳﺎﻓﺖ ﺍﮐﻨﻮﻥ ﺍﺯ ﺣﻴﺎ ‪‬ﺕ ﺧﻮﺩ ﺣﻼﻭﺗﻬﺎ ﺑﻪﺩﻓﻊ ﺗﻠﺦ ﮐﺎﻣﻲﻫﺎﻱﹺ ﻣﻦ ﺗﻨﮓ ﺷﮑﺮ ﺁﻣـﺪ‬ ‫ﻋﻨﺎﻳﺎﺕ ﺍﻟٰﻬـﻲ ﺭﺍ ﺗﻤﺎﺷـﺎ ﻣـﻲﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﺑﺪﺳﺖ ﻣﻔﻠﺴﻲ ﺩﺭ ﻋﻴﻦ ﻧﻮﻣﻴﺪﻱ ﮔﻬﺮ ﺁﻣـﺪ‬ ‫ﻣﻦ ﺍﺯ ﺷﮑﺮ ﮐﺪﺍﻣﻴﻦ ﻧﻌﻤﺖ ﺍﻳﺰﺩ ﺑﺮﻭﻥ ﺁﻳﻢ ﺑﻬـﺎﺭ ﺁﻣـﺪ ﻧﻬـﺎﻝ ﺗـﺎﺯﻩﺍﻱ ﺁﻣـﺪ ﺛﻤـﺮ ﺁﻣـﺪ‬ ‫ﺳﺮﺵ ﮔـﺮﺩﻡ ﺑﺠـﺎ ﺁﻭﺭﺩ ﺁﻳـﻴﻦ ﻣـﺮﻭ‪‬ﺕ ﺭﺍ ﮐﻪ ﺻﺒﺤﻲ ﻧﮑﻬﺖ ﭘﻴﺮﺍﻫﻦ ﺍﻭ ﺑﻴﺸـﺘﺮ ﺁﻣـﺪ‬ ‫ﺑﻪﻣﮋﮔﺎﻥ ﺧﺎﮎ ﺭﺍﻩ ﺍﻧﺘﻈـﺎﺭ ﺁﺯﺍﺩ ﻣـﻲﺭ‪‬ﻭﺑ‪‬ـﻢ‬ ‫ﮐﻪ ﭼﺸﻤﻢ ﺭﺍ ﻧﻮﻳﺪ ﻣﻘﺪﻡ ﻧـﻮﺭﹺ ﺑﺼـﺮ ﺁﻣـﺪ‬

‫‪ // ٢٩٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۳۶۰‬‬ ‫ﺩﻟــﻲ ﮐــﻪ ﺩﺍﻍﹺ ﻣﺤﺒ‪‬ــﺖ ﻧﮕــﺎﻩ ﻣــﻲﺩﺍﺭﺩ ﺑـﻪﺟﻴـﺐ ﻧﻘـﺪ ﺳـﻌﺎﺩﺕ ﻧﮕـﺎﻩ ﻣـﻲﺩﺍﺭﺩ‬ ‫ﻣﻴﺎﻥ ﺷـﮑﹼﺮ ﻭ ﺣﻨﻈـﻞ ﺑﻬـﻢ ﺭﺳـﺎﻥ ﻣـﺰﻩ ﮐــﻪ ﺍﻋﺘــﺪﺍﻝ ﺯ ﺁﻓــﺖ ﻧﮕــﺎﻩ ﻣــﻲﺩﺍﺭﺩ‬ ‫ﺑﻪﺧﺎﻧﺔ ﺗﻮ ﻣﺘﺎﻋﻲ ﮐﻪ ﻫﺴﺖ ﻋﺎﺭﻳﺘﻲ ﺍﺳﺖ ﮐــﺪﺍﻡ ﺁﻳﻴﻨــﻪ ﺻــﻮﺭﺕ ﻧﮕــﺎﻩ ﻣــﻲﺩﺍﺭﺩ‬ ‫ﺗﻮﺍﻥ ﮔﺮﻓﺖ ﺑﻪﺍﻣﺪﺍﺩ‪ ‬ﺗـﻮ ﺑـﻪﺭﺧﻨـﺔ ﺩﻳـﻦ ﺷﮑﺴـﺖ ﺧﺎﻧـﻪ ﻣﺮﻣ‪‬ـﺖ ﻧﮕـﺎﻩ ﻣـﻲﺩﺍﺭﺩ‬ ‫ﻧﻮﻳــﺪ ﺍﻣــﻦ ﺩﻫــﺪ ﺷــﻤﻊ ﺯﻧــﺪﮔﺎﻧﻲ ﺭﺍ ﮐﺴﻲ ﮐـﻪ ﺩﺍﻣـﻦ ﻋﺰﻟـﺖ ﻧﮕـﺎﻩ ﻣـﻲﺩﺍﺭﺩ‬ ‫ﺳﺘﻢﮐﺸﻲ ﮐﻪ ﮐﻨﺪ ﺿـﺒﻂ ﺁﻩ ﺣﺴـﺮﺕ ﺭﺍ ﺑـﻪﺳـﻴﻨﻪ ﺷـﻮﺭ ﻗﻴﺎﻣـﺖ ﻧﮕـﺎﻩ ﻣـﻲﺩﺍﺭﺩ‬ ‫ﮐــﺪﺍﻡ ﺣﻮﺻــﻠﻪ ﺩﺭ ﺟﻠــﻮﻩﮔــﺎﻩ‪ ‬ﺍﻭ ﺁﺯﺍﺩ‬ ‫ﻋ‪‬ﻨــﺎﻥ ﺗﻮﺳــﻦ ﻃﺎﻗــﺖ ﻧﮕــﺎﻩ ﻣــﻲﺩﺍﺭﺩ‬ ‫»‪«۳۶۱‬‬ ‫ﺑﻪﭘـﻴﺶ ﭘـﺎﻱﹺ ﻗﺎﺻـﺪ ﻧﺎﻣـﻪ ﺍﻓﮕﻨـﺪﻥ ﺍﺩﺍ ﺩﺍﺭﺩ ﮐﻪ ﺩﺳﺖ ﺧﺎﮐﺴﺎﺭﻱ ﺩﺭ ﻭﺻﻮﻝﹺ ﻣـﺪ‪‬ﻋﺎ ﺩﺍﺭﺩ‬ ‫ﭼﻮ ﺳﻴ‪‬ﺎﺣﻲ ﮐﻪ ﺍﺯ ﺍﻳﺮﺍﻥ ﺑﻪﺳﻴﺮ ﻫﻨـﺪ ﺭﻭ ﺁﺭﺩ ﺩﻟﻢ ﺍﺯ ﻋﺎﺭ ﹺﺽ ﺍﻭ ﻋﺰﻡ ﺯﻟﻒ ﻣﺸﮏ ﺳـﺎ ﺩﺍﺭﺩ‬ ‫ﺧﻄﺎﺋﻲ ﺩﺭ ﺍﺩﺍﻱ ﺑﻨﺪﮔﻲ ﺍﺯ ﻣـﻦ ﻧﺸـﺪ ﻇـﺎﻫﺮ ﺑﻪﻣﻦ ﺁﻥ ﺑﻲﻣﺮﻭ‪‬ﺕ ﺳـﺮﮔﺮﺍﻧﻲﻫـﺎ ﭼـﺮﺍ ﺩﺍﺭﺩ‬ ‫ﮐﻨﺪ ﺑﺮ ﺧﻮﻳﺶ ﺻﺎﺣﺐ ﻣﺎﻝ ﺗﻨﮕﻲ ﭼﻮﻥ ﺑﺨﻴﻞ ﺍﻓﺘﺪ ﻫﻤﻴﻦ ﻳﮏ ﭘﻴﺮﻫﻦ ﻫﺮ ﺳﺎﻝ ﺑﺮ ﺧﻮﺩ ﺍﮊﺩﻫﺎ ﺩﺍﺭﺩ‬ ‫ﻧﺒﺎﺷـﺪ ﮐـﺎﺭ ﺑـﺎ ﺁﺭﺍﻳـﺶ ﻣﺸـﺎﻃﻪ ﻣـﺮﺩﺍﻥ ﺭﺍ ﺯ ﺧﻮﻥ ﺻﻴﺪ ﺑﺴﻤﻞ ﭘﻨﺠﺔ ﺷـﻴﺮﺍﻥ ﺣﻨـﺎ ﺩﺍﺭﺩ‬ ‫ﻣﺮﺍ ﺍﻣﺸﺐ ﺑﻪﺣﺎﻝ ﺷﻤﻊ ﺳﻮﺯﺍﻥ ﮔﺮﻳﻪ ﻣﻲﺁﻳﺪ ﻗﺪﻡ ﺩﺭ ﺭﺍﻩ ﻫﺴﺘﻲ ﺳﺮ ﺩﺭ ﺁﻏـﻮﺵ ﻓﻨـﺎ ﺩﺍﺭﺩ‬ ‫ﺻﺒﺎ ﭘﺎﻱ ﺗﻮ ﺑﻮﺳﻢ ﺯﻭﺩ ﺭﻭ ﺩﺭ ﺧﺪﻣﺖ ﺟﺎﻧﺎﻥ‬ ‫ﺑﮕﻮ ﺁﺯﺍﺩ ﻣﺴﮑﻴﻦ ﺍﺯ ﺷـﻤﺎ ﭼﺸـﻢ ﻭﻓـﺎ ﺩﺍﺭﺩ‬ ‫»‪«۳۶۲‬‬ ‫ﺯ ﺭﻭﻱ ﺍﻭ ﮐــﻪ ﺗﻮﺍﻧــﺪ ﻧﻘــﺎﺏ ﺑــﺮﺩﺍﺭﺩ ﺯ ﻣﺎ‪‬ﻩ ﻋﻴﺪ ﻣﮕﺮ ﺣـﻖ ﺳـﺤﺎﺏ ﺑـﺮﺩﺍﺭﺩ‬ ‫ﺗﻮﺍﻥ ﺑﻪﻣﺸﻬﺪ ﺑﻠﺒﻞ ﻓﺸﺎﻧﺪ ﺑـﺮﮒ ﮔﻠـﻲ ﺑﻬﺸﺖ ﻭﻗﻒ ﮐﺴﻲ ﮐﻴﻦ ﺛﻮﺍﺏ ﺑـﺮﺩﺍﺭﺩ‬ ‫ﻋﺪﺍﻭﺗﻲ ﺍﺳﺖ ﺑﻪﺳﺎﻣﺎﻥ‪ ‬ﻋﻠﻢ ﺟﺎﻫـﻞ ﺭﺍ ﻣﮕﺲ ﺳﻴﺎﻫﻲ ﺣﺮﻑ ﺍﺯ ﮐﺘﺎﺏ ﺑـﺮﺩﺍﺭﺩ‬ ‫ﺍﮔـﺮ ﻧـﻪ ﻳـﺎﺭ ﮐﻨـﺪ ﺧـﺎﻃﺮ ﻣـﺮﺍ ﺁﺑـﺎﺩ ﺧـﺪﺍ ﻣــﺮﺍ ﺯ ﺟﻬــﺎﻥ ﺧــﺮﺍﺏ ﺑــﺮﺩﺍﺭﺩ‬ ‫ﺷﮑﺴﺘﻪ ﭘﺎﺋﻲ ﺍﻳﻦ ﺫﺭ‪‬ﻩ ﺭﺍ ﻧﻬﺎﻳﺖ ﻧﻴﺴﺖ ﻣﮕــﺮ ﻋﻨﺎﻳــﺖ ﺁﻥ ﺁﻓﺘــﺎﺏ ﺑــﺮﺩﺍﺭﺩ‬