Kulliat Azad Bilgerami

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٩٣ //‬‬ ‫ﺑـﺎ ﺩﻳـﻮ ﺍﺭﺗﺒـﺎﻁ ﺗـﻮ ﺁﺧـﺮ ﺯﻳـﺎﻥ ﮐﻨـﺪ ﺍﺟـﺮﺍﺝ ﮐـﻦ ﺯ ﺍﻧﺠﻤـﻦ ﺧـﻮﺩ ﺭﻗﻴـﺐ ﺭﺍ‬ ‫ﭘﻴــﺮﺍﻫﻦ ﺯ ﻣــﺮﺩﻱ ﺧــﻮﻳﺶ ﭘــﺎﺭﻩ ﮐــﺮﺩ ﺗﺎ ﻏﻨﭽـﻪ ﺩﻳـﺪ ﺁﻥ ﺑـﺪﻥ ﺟﺎﻣـﻪ ﺯﻳـﺐ ﺭﺍ‬ ‫ﺩﻋﻮﺍﻱ ﺳﺮﻭ ﻧـﺎﺯ ﺩﮔـﺮ ﻃـﻮﻝ ﻣـﻲﮐﺸـﺪ ﺩﺭ ﺟﻠــﻮﻩ ﺁﺭ ﻧﺨــﻞ ﻗــﺪ ﺩﻟﻔﺮﻳــﺐ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﺟﻨـــﺎﺏ ﺗـــﻮ ﺁﻣـــﺪ ﺯ ﺭﺍﻩ‪ ‬ﺩﻭﺭ‬ ‫ﻻﺯﻡ ﮐــﻪ ﺷــﻬﺮﻳﺎﺭ ﻧــﻮﺍﺯﺩ ﻏﺮﻳــﺐ ﺭﺍ‬ ‫»‪«۱۳۶‬‬ ‫ﺍﻳﻦﻗﺪﺭ ﺑﺮ ﺧﻮﻳﺶ ﭼﻴﺪﻥ ﻧﻴﺴﺖ ﺷﺎﻳﺎﻥ ﻏﻨﭽﻪ ﺭﺍ ﻧﺎﻟــﺔ ﺑﻠﺒــﻞ ﮐﻨــﺪ ﺁﺧــﺮ ﭘﺮﻳﺸــﺎﻥ ﻏﻨﭽــﻪ ﺭﺍ‬ ‫ﺑﻠﺒﻠﻲ ﻣﻲﮔﻔﺖ ﻳﺎﺭﺏ ﻋﻤﺮ ﺍﻳﻦ ﻣﺤﺴـﻦ ﺩﺭﺍﺯ ﺩﻳﺪ ﺗﺎ ﺩﺭ ﺩﺳﺖ ﺭﻧﮕﻴﻦ ﺗﻮ ﺧﻨـﺪﺍﻥ ﻏﻨﭽـﻪ ﺭﺍ‬ ‫ﻧﮑﻬــﺖ ﮔــﻞ ﺭﺍ ﺗﻤﻨﹼــﺎ ﻣــﻲﮐﻨــﺪ ﺩﻳﻮﺍﻧــﻪﺍﻱ ﻣﻲﺗﻮﺍﻥ ﺑﺮﺩﻥ ﺯ ﮔﻠﺸـﻦ ﺩﺭ ﺑﻴﺎﺑـﺎﻥ ﻏﻨﭽـﻪ ﺭﺍ‬ ‫ﺧﺎﺭ ﺧﻮﺩ ﺭﺍ ﻭﻗﻒ ﭘﺎﻱ ﺩﺷﺖ ﭘﻴﻤﺎﺋﻲ ﻧﮑـﺮﺩ ﺳﺮﺯﻧﺶﻫﺎ ﻣـﻲﮐﻨـﺪ ﺧـﺎﺭﹺ ﻣﻐـﻴﻼﻥ ﻏﻨﭽـﻪ ﺭﺍ‬ ‫ﻟﻌﻞ ﻟﺐ ﺭﺍ ﺍﺯ ﺗﺒﺴ‪‬ـﻢ ﻣـﻲﮐﻨـﺪ ﺷـﻴﺮﻳﻦ ﺑﺠـﺎ ﺣﻖ ﺗﻌﺎٰﻟﻲ ﺭﻳﺨﺖ ﻣﺸﺖ ﺯﺭ ﺑﺪﺍﻣﺎﻥ ﻏﻨﭽﻪ ﺭﺍ‬ ‫ﺑــﺮ ﺯﻣــﻴﻦ ﺭﻳــﺰﺩ ﺗﮑﻠﹼــﻒ ﺁﺑــﺮﻭﻱ ﺷــﺮﻡ ﺭﺍ ﮐﺮﺩ ﺭﺳﻮﺍ ﺩﺭ ﭼﻤﻦ ﻋﻄـﺮ ﮔﺮﻳﺒـﺎﻥ ﻏﻨﭽـﻪ ﺭﺍ‬ ‫ﺩﺭ ﮔﻠﺴـﺘﺎﻥ ﺳـﻴﺮﮐﻦ ﺁﺯﺍﺩ ﺭﻧﮕـﻴﻦ ﺻـﺤﺒﺘﻲ‬ ‫ﺑﻠﺒـﻞ ﻧـﻮ ﻭﺍﺭﺩﻱ ﮔﺮﺩﻳـﺪ ﻣﻬﻤـﺎﻥ ﻏﻨﭽـﻪ ﺭﺍ‬ ‫»‪«۱۳۷‬‬ ‫ﺭﺧﺴــﺎﺭﺓ ﺁﻥ ﺳــﺎﺩﻩ ﺭﻭ ﺩﺍﺭﺩ ﻧﻘــﺎﻁ‪ ‬ﺧــﺎﻝﻫــﺎ ﺧﻮﺍﻫﻢ ﺿﻤﻴﺮ ﻣـﻦ ﺍﺯﻭ ﮔﻴﺮﻧـﺪ ﺍﻳـﻦ ﺭﻣ‪‬ـﺎﻝﻫـﺎ‬ ‫ﺷﻤﺸﻴﺮﺩﺍﺭﻱ ﺩﺭ ﮐﻤﺮ ﻣﻦ ﻫﻢ ﺑﻪﺧﺪﻣﺖ ﺣﺎﺿﺮﻡ ﮔﺮﺩ ﺳﺮﺕ ﮔﺮﺩﻡ ﭼﺮﺍ ﺩﺭ ﻗﺘﻞ ﻣـﻦ ﺍﻫﻤـﺎﻝﻫـﺎ‬ ‫ﮐﺮﺩﻡ ﺑﻴﺎﻥ ﻣ‪‬ﺨﺘﺼﺮ ﺍﺯ ﺣـﺎﻝ ﺧـﻮﺩ ﺩﺭ ﺍﻧﺠﻤـﻦ ﻫﻨﮕﺎﻡ ﺧﻠﻮﺕ ﻣﻲﮐﻨﻢ ﺗﻔﺼﻴﻞ ﺍﻳـﻦ ﺍﺟﻤـﺎﻝﻫـﺎ‬ ‫ﺑﺮﺧﺎﺳﺖ ﺍﺑﺮ ﻓﺼﻞ ﮔﻞ ﺩﺍﻣﺎﻥ ﻫﻤ‪‬ﺖ ﺑـﺮ ﻣﻴـﺎﻥ ﻧـﻮﻭﺍﺭﺩﺍﻥ‪ ‬ﺑــﺎﻍ ﺭﺍ ﺑﺨﺸــﻴﺪ ﺭﻧﮕــﻴﻦ ﺷــﺎﻝﻫــﺎ‬ ‫ﺩﺭ ﻭﻗﺖ ﺭﻓﺘﻦ ﺍﺯ ﺟﻬﺎﻥ ﻭﺍ ﻣﻲﮔﺬﺍﺭﻱ ﺧﺎﻧﻪ ﺭﺍ ﺑﺎ ﺧـﻮﺩ ﻧﺨﻮﺍﻫـﺪ ﺩﺍﺷـﺘﻦ ﺁﺋﻴﻨـﻪ ﺭﺍ ﺗﻤﺜـﺎﻝﻫـﺎ‬ ‫ﭼﺸﻤﻲ ﮐﻪ ﺩﺍﺭﻱ ﺍﺯ ﻓﻠﮏ ﻣﻲﺳﺎﺯﺩ ﺁﺧﺮ ﺭﻭﺷﻨﻲ ﺑﺎﻻﻱ ﻋـﺎﻟﻢ ﺧـﺎﮎﻫـﺎ ﺑﻴﺰﻧـﺪ ﺍﻳـﻦ ﻏﺮﺑـﺎﻝﻫـﺎ‬ ‫ﺩﺍﻧﻨﺪ ﺍﺯ ﺧﻮﺩ ﻏﺎﻓﻼﻥ ﻫﺮ ﺭﻭﺯ ﻋﻤﺮ ﺧﻮﺩ ﻓﺰﻭﻥ ﺍﻣ‪‬ﺎ ﺑﻪﭼﺸﻢ ﻋﺎﻗﻼﻥ ﮐـﻢ ﻣـﻲﺷـﻮﺩ ﺍﺯ ﺳـﺎﻝﻫـﺎ‬ ‫ﺩﺭ ﮐﻮﮐﺐ ﺭﺍﺟﻊ ﻧﮕﺮ ﻭﻗﺘﻲ ﮐﻪ ﻃﺎﻟﻊ ﻣـﻲﺷـﻮﺩ ﺍﺩﺑﺎﺭﻫــﺎ ﭘﻨﻬــﺎﻥ ﺑــﻮﺩ ﺩﺭ ﭘــﺮﺩﺓ ﺍﻗﺒــﺎﻝﻫــﺎ‬ ‫ﮔﺎﻫﻲ ﺑﻪﭘﺎ ﺳﺮ ﻣﻲﻧﻬﺪ ﮔﺎﻫﻲ ﺑﻪﻗﺮﺑـﺎﻥ ﻣـﻲﺭﻭﺩ‬ ‫ﺁﺯﺍﺩ ﺩﺍﺭﺩ ﺑــﺎ ﺑﺘــﺎﻥ ﺩﺭ ﺑﻨــﺪﮔﻲ ﻣﻨــﻮﺍﻝﻫــﺎ‬

‫‪ // ١٩٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۳۸‬‬ ‫ﺷﮑﺴﺖ ﺭﻧﮓ ﺭﺥ ﻋﻴﺶ ﻣﺎ ﺷـﺮﺍﺏ ﮐﺠـﺎ ﻧﺸﺴــﺘﻪﺍﻳــﻢ ﺳــﻴﻪ ﺭﻭﺯ ﺁﻓﺘــﺎﺏ ﮐﺠــﺎ‬ ‫ﺩﻣﺎﻍ ﻋﺸﻖ ﻫﻢ ﺍﮐﻨﻮﻥ ﻧﻤﺎﻧﺪﻩ ﺍﺳـﺖ ﻣـﺮﺍ ﺧﻴـﺎﻝﹺ ﻳـﺎﺭ ﮐﺠـﺎ ﺍﻳـﻦ ﺩﻝﹺ ﺧـﺮﺍﺏ ﮐﺠـﺎ‬ ‫ﺩﻭ ﺭﻭﺯ ﺷـﺪ ﮐــﻪ ﺗــﺮﺍ ﺁﺷــﻨﺎ ﻧﻤــﻲﻳــﺎﺑﻢ ﺯﻻﻝﹺ ﻟﻄــﻒ ﮐﺠــﺎ ﺁﺗــﺶﹺ ﻋﺘــﺎﺏ ﮐﺠــﺎ‬ ‫ﺑﺮﻭﺯ ﺣﺸﺮ ﮐﻪ ﺍﺯ ﻣﻦ ﺣﺴـﺎﺏ ﻣـﻲﮔﻴـﺮﺩ ﺩﻝ ﻭ ﺩﻣــﺎﻍ ﮐﺠــﺎ ﺩﺍﺩﻥ ﺣﺴــﺎﺏ ﮐﺠــﺎ‬ ‫ﮔﺬﺷﺖ ﮐﺎﺭﹺ ﻣـﻦ ﺍﺯ ﺍﺧـﺘﻼﻁ ﻫـﻢﻧﻔﺴـﺎﻥ ﺳـﺮ ﺷـﺮﺍﺏ ﮐﺠـﺎ ﺭﻏﺒـﺖ ﮐﺒـﺎﺏ ﮐﺠـﺎ‬ ‫ﮐﺘﺎﻥ ﺯ ﻫﺴﺘﻲ ﺧﻮﺩ ﺗﺎ ﮐﺠﺎ ﺑـﻪﺗﻨـﮓ ﺁﻣـﺪ ﺳــﻮﺍﺩ‪ ‬ﺷــﺎﻡ ﮐﺠــﺎ ﻧــﺎﺯﹺ ﻣﺎﻫﺘــﺎﺏ ﮐﺠــﺎ‬ ‫ﭼــﺮﺍ ﻣﻄﺎﻟﻌــﻪ ﺍﮐﻨــﻮﻥ ﻧﻤــﻲﮐﻨــﻲ ﺁﺯﺍﺩ‬ ‫ﺑﮕﻮ ﮐﻪ ﺁﻥ ﺩﻝ ﻭ ﺁﻥ ﺷﻮﻕ ﻭ ﺁﻥ‪ ١‬ﮐﺘﺎﺏ ﮐﺠﺎ‬ ‫ﮐﺠـــــــــــــــــــــــــــــــــــﺎ‬ ‫»‪«۱۳۹‬‬ ‫ﺩﺍﺩﻧـــﺪ ﺟﻠـــﻮﻩ ﺁﻥ ﮔـــﻞﹺ ﻭﺍﻻﻧـــﮋﺍﺩ ﺭﺍ ﺧﻮﺍﻧﺪﻧــﺪ ﺑﻠــﺒﻼﻥ‪ ‬ﭼﻤــﻦ ﺁﻥ ﻳﮑــﺎﺩ ﺭﺍ‬ ‫ﺯﺍﻫﺪ ﺑﺸﻤﻠﻪ ﺍﺯ ﻫﻤﻪ ﻣﺮﺩﻡ ﺯﻳـﺎﺩﻩ ﺍﺳـﺖ ﺩﻧﺒﺎﻟــﻪ ﻗــﺪﺭ ﺑــﻴﺶ ﮐﻨــﺪ ﻣﺴــﺘﺰﺍﺩ ﺭﺍ‬ ‫ﮔﻞ ﺭﺍ ﭼﻪ ﺷﺪ ﮐﻪ ﺑﺮ ﺳﺮ ﺑﻠﺒﻞ ﺟﻔﺎ ﮐﻨـﺪ ﺣﺮﻣـــﺖ ﮐﻨﻨـــﺪ ﻣﻌﺘﻘـــﺪ ﺧﺎﻧـــﻪﺯﺍﺩ ﺭﺍ‬ ‫ﺩﺭ ﮐﻮﻱ ﻳﺎﺭ ﺑﺎﻋﺚ‪ ‬ﻫﻨﮕﺎﻣـﻪ ﺷـﺪ ﺭﻗﻴـﺐ ﺍﻱ ﮐــﺎﺵ ﺑﺸــﮑﻨﻨﺪ ﺑﻨــﺎﻱ ﻓﺴــﺎﺩ ﺭﺍ‬ ‫ﺳﺎﻗﻲ ﻣﺮﺍ ﻫﻤﻴﻦ ﺩﻭ ﺳﻪ ﭘﻴﻤﺎﻧﻪ ﻟﻄﻒ ﮐﻦ ﺑﮕﺬﺍﺷــﺘﻢ ﺑـــﺮﺍﻱ ﺣﺮﻳﻔـــﺎﻥ ﺯﻳـــﺎﺩ ﺭﺍ‬ ‫ﻣﻦ ﺧﻮﺩ ﺗﻤﺎﻡ ﻋﻤـﺮ ﻗﺼـﻮﺭﻱ ﻧﮑـﺮﺩﻩﺍﻡ ﺩﺍﺭﻱ ﭼــﺮﺍ ﺑﺨــﺎﻃﺮﹺ ﻋــﺎﻃﺮ ﻋ‪‬ﻨــﺎﺩ ﺭﺍ‬ ‫ﮐـﺮﺩﻱ ﮐـﺮﻡ ﺑـﻪﺧﺎﻧـﺔ ﺁﺯﺍﺩ ﻭﻗـﺖ‪ ‬ﺷـﺎﻡ‬ ‫ﺍﻓﺮﻭﺧﺘــﻲ ﺑــﻪﺟﻠــﻮﻩ ﭼــﺮﺍﻍ ﻣــﺮﺍﺩ ﺭﺍ‪٢‬‬ ‫»‪«۱۴۰‬‬ ‫ﭼﺸــﻢﹺ ﺗــﻮ ﭼــﺮﺍ ﻭﺍ ﻧﮑﻨــﺪ ﺭﺍ‪‬ﻩ ﺳــﺘﻢ ﺭﺍ ﻭﺳـﻮﺍﺱ ﺳـﺰﺍ ﻧﻴﺴـﺖ ﻏـﺰﺍﻻﻥ‪ ‬ﺣـﺮﻡ ﺭﺍ‬ ‫ﺭﻣﺰﻱ ﺍﺳﺖ ﮐﻪ ﺑﺎﺷﺪ ﺳﺨﻦ ﺍﺯ ﺑﻬﺮﹺ ﺷﻨﻴﺪﻥ ﺟــﺎ ﺩﺍﺩﻥ ﮐﺎﺗــﺐ ﺯﻳــﺮ ﮔــﻮﺵ ﻗﻠــﻢ ﺭﺍ‬ ‫ﺁﺳـﺎﻥ ﻧﭙﺬﻳﺮﻧـﺪ ﺳـﺨﻦ ﺳـﺨﺖ ﻣﺰﺍﺟـﺎﻥ ﭘﻲ ﺿـﺮﺏ ﭼﺴـﺎﻥ ﻧﻘـﺶ ﻧﺸـﺎﻧﻨﺪ ﺩﺭﻡ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺁﻥ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺑﻪﺟﺎﻱ »ﺭﺍ«‪» ،‬ﻣﺎ« ﺩﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٩٥ //‬‬ ‫ﺑﻴــﺪﺍﺭ ﻧﺴــﺎﺯﻧﺪ ﻣــﺮﺍ ﮔــﺮ ﺩ‪‬ﻡﹺ ﻣﺤﺸــﺮ ﻭﺍﷲ ﮐﻪ ﺍﺯ ﮐـﻒ ﻧـﺪﻫﻢ ﺧـﻮﺍﺏﹺ ﻋـﺪﻡ ﺭﺍ‬ ‫ﻫﺮﭼﻨﺪ ﮐﻪ ﺧـﻮﺩ ﺭﺍﻫﻨﻤـﺎ ﭘـﻴﺶ ﺧﺮﺍﻣﻴـﺪ ﺑﮕﺬﺍﺷﺖ‪ ١‬ﺑـﺮﺍﻱ ﺗـﻮ ﺑﻠـﺪ ﻧﻘـﺶ ﻗـﺪﻡ ﺭﺍ‬ ‫ﺑﻠﺒــﻞ ﺑــﻪﺩﻝ ﮔــﻞ ﺍﺛــﺮ ﻧﺎﻟــﻪ ﺷﻨﺎﺳــﺪ ﺁﻥ ﺯﺧــﻢ ﻧﺒﺎﺷــﺪ ﮐــﻪ ﻧﺪﺍﻧﺴــﺖ ﹶﺍﻟﹶــﻢ ﺭﺍ‬ ‫ﻫﺮﮐﺲ ﺯ ﺧﻂ ﺩﺳﺖ ﺑـﻪﺍﺳـﺮﺍﺭ ﺑ‪‬ـﺮﺩ ﭘـﻲ ﺑﺮ ﺗﺎﺭﮎ ﺟـﻢ ﻣـﻲﺷـﮑﻨﺪ ﺳـﺎﻏﺮﹺ ﺟ‪‬ـﻢ ﺭﺍ‬ ‫ﺑﺮ ﻣﺠﻠﺴـﻴﺎﻥ ﺗﻨـﮓ ﮐﻨـﺪ ﺟـﺎﻱ ﻧﺸﺴـﺘﻦ ﺩﻝ ﻣﺠﻠﺲ ﺧﻮﺩ ﺟﺎﻱ ﻣﺪﻩ ﻗﺒـﻪ ﺷـﮑﻢ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﮐـــﻪ ﺗﻌﻘﻴـــﺪ ﺳـــﺨﻦ ﺭﺍ ﻧﭙﺴـــﻨﺪﺩ‬ ‫ﮐﻮﺗــﺎﻩ ﻧﺴــﺎﺯﺩ ﺑــﻪﮔــﺮﻩ ﺯﻟــﻒ ﺭﻗــﻢ ﺭﺍ‬ ‫»‪«۱۴۱‬‬ ‫ﺧﺒﺮ ﺯ ﺣﺎﻟﺖ ﻣـﻦ ﻧﻴﺴـﺖ ﺩﻟﺮﺑـﺎﻱ ﻣـﺮﺍ ﺩﻣﺎﻍ ﮐﻮ ﮐﻪ ﮐﻨﺪ ﮔﻮﺵ ﻫﺎﻱ ﻫـﺎﻱ ﻣـﺮﺍ‪٢‬‬ ‫ﺍﺷﺎﺭﻩ ﮐﺮﺩ ﺑﻪﺧﺎﺩﻡ ﮐـﻪ ﺯﻭﺩ ﺩ‪‬ﺭ ﺑ‪‬ـﺮ ﺑﻨـﺪ ﺷﻨﻴﺪ ﺍﺯ ﭘﺲ ﺩﻳـﻮﺍﺭ ﭼـﻮﻥ ﺻـﺪﺍﻱ ﻣـﺮﺍ‬ ‫ﺑــﺮﺍﻱ ﺁﻧﮑــﻪ ﺑﻤﻴــﺮﻡ ﺯ ﮐﺜــﺮ ‪‬ﺕ ﺷــﺎﺩﻱ ﺑﻪﭘﻴﺶ ﻫﻤـﺪﻡ ﻣـﻦ ﻣـﻲﮐﻨـﺪ ﺛﻨـﺎﻱ ﻣـﺮﺍ‬ ‫ﺭﻭﺩ ﭼﮕﻮﻧﻪ ﮔﻤـﺎﻥ‪ ‬ﮐﺴـﻲ ﺑـﻪﺟﺎﻧـﺐ ﺍﻭ ﮔﺮﻓــﺖ ﻗﺎﺗــﻞ ﻋﻴ‪‬ــﺎﺭ ﻣــﻦ ﻋــﺰﺍﻱ ﻣــﺮﺍ‬ ‫ﭘﻨﺎﻩ ﭼﻬﺮﺓ ﺧﻮﺩ ﮐـﺮﺩ ﺷـﺎﺥ ﻭ ﺑﺮﮔـﻲ ﺭﺍ ﺷــﻨﺎﺧﺖ ﺁﻥ ﮔــﻞ ﻧﺎﺁﺷــﻨﺎ ﻫــﻮﺍﻱ ﻣــﺮﺍ‬ ‫ﺳــﭙﻨﺪ ﺑــﺮ ﺳــﺮ ﺁﺗــﺶ ﻧﺸﺴــﺘﻪﺍﻡ ﺍﻣ‪‬ــﺎ ﻫﺰﺍﺭ ﺣﻴﻒ ﮐﻪ ﮐﺲ ﻧﺸـﻨﻮﺩ ﻧـﻮﺍﻱ ﻣـﺮﺍ‬ ‫ﻃﺒﻴﺐ ﻣﻦ ﮐـﻪ ﻧـﺪﺍﺭﺩ ﻃﺒﻴﻌـﺖ‪ ‬ﺍﻧﺼـﺎﻑ ﺑـﻪﺩﺭﺩﻣﻨـﺪ ﺩ‪‬ﮔــﺮ ﻣـﻲﺩﻫـﺪ ﺩﻭﺍﻱ ﻣــﺮﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﻌﺎﻣﻠﻪ ﺑﺮ ﻣﻦ ﮔﻨﺎﻩ ﻧﺘـﻮﺍﻥ ﺑ‪‬ﺴـﺖ ﮐﻪ ﺑﺮﺩ ﺯﻧـﮓ‪ ‬ﺩﻝﹺ ﺩﺷـﻤﻨﺎﻥ ﺻـﻔﺎﻱ ﻣـﺮﺍ‬ ‫ﻧــﻮﺍﺯﺵ ﻋﺠﺒــﻲ ﮐــﺮﺩ ﻳــﺎﺭ ﺑﻨــﺪﻩﻧــﻮﺍﺯ ﮐﻪ ﻣﻦ ﮔﺬﺷﺘﻢ ﻭ ﺍﻭ ﺑﺮﮔﺮﻓﺖ ﺟﺎﻱ ﻣـﺮﺍ‬ ‫ﻧﮑــﺮﺩ ﮔﺮﭼــﻪ ﺍﺩﺍ ﺣــﻖ ﺁﺷــﻨﺎﺋﻲ ﻣــﻦ ﺧــﺪﺍ ﺯﻳــﺎﺩﻩ ﮐﻨــﺪ ﻋﻤــﺮ ﺁﺷــﻨﺎﻱ ﻣــﺮﺍ‬ ‫ﺧﺮﻳﺪ ﺗﺎﺟﺮ ﺷـﻮﺧﻲ ﻣـﺮﺍ ﺑـﻪﻫـﻴﭻ ﺁﺯﺍﺩ‬ ‫ﺷـﻨﺎﺧﺖ ﺩﻳـﺪﺓ ﺍﻧﺼـﺎﻑ ﺍﻭ ﺑﻬـﺎﻱ ﻣـﺮﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﮕﺬﺷﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺭﺍ‪.‬‬

‫‪ // ١٩٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۴۲‬‬ ‫ﺩﺭ ﺍﻳﻦ ﺧﺮﺍﺑﻪ ﻧﺸﺴـﺘﻢ ﺯ ﺭﻫـﺮﻭﺍﻥ ﺗﻨﻬـﺎ ﮐﻪ ﻭﺍ ﮔﺬﺍﺷـﺖ ﻣـﺮﺍ ﭘﻴـﺮﹺ ﮐـﺎﺭﻭﺍﻥ ﺗﻨﻬـﺎ‬ ‫ﻧﺨﺴﺖ ﺧﻮﻥ ﭼﻤﻦ ﺭﻳﺨﺘﻨﺪ ﮔـﻞﭼﻴﻨـﺎﻥ ﻧﺮﻓﺖ ﺑﺮ ﺳﺮ ﮔـﻞ ﺟـﻮﺭ ﺍﺯ ﺧـﺰﺍﻥ ﺗﻨﻬـﺎ‬ ‫ﺍﮔﺮ ﺑﻪﺻﻮﺭﺕ ﺑﺎﻍ ﺑﻬﺸـﺖ ﺟﻠـﻮﻩ ﺩﻫﻨـﺪ ﻣــﺮﻭ ﺑــﺮﺍﻱ ﺗﻤﺎﺷــﺎﻱ ﺑﻮﺳــﺘﺎﻥ ﺗﻨﻬــﺎ‬ ‫ﻧﻤﻲﺗﻮﺍﻥ ﺑﻪﮔﻠﺴـﺘﺎﻥ ﻧﺸﺴـﺖ ﺑـﻲﻳـﺎﺭﺍﻥ ﭼﻪ ﺫﻭﻕ ﻣـﻲﮐﻨـﺪ ﺍﺯ ﺑـﺎﻍ ﺑﺎﻏﺒـﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺩﺭ ﺍﻳﻦ ﺑﻬﺎﺭ ﻧﮕﺮ‪ ١‬ﻣﺮﻍﹺ ﮔﻠﺴﺘﺎﻥ ﺟـﺎﻥ ﺩﺍﺩ ﮐﻪ ﺑﺮ ﺩﺭﺧـﺖ ﮔﻠـﻲ ﻣﺎﻧـﺪ ﺁﺷـﻴﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺷﺒﻲ ﺑﻪﺧﺎﻧﺔ ﻣﻦ ﮐﺮﺩ ﻟﻄﻒ‪ ،‬ﮔﻔﺘﻢ ﺑـﺎﺵ ﺑﻪﻧﺎﺯ ﮔﻔﺖ ﻧﺒﺎﺷـﻢ ﺩﺭ ﺍﻳـﻦ ﻣﮑـﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺧـﺪﺍ ﺯ ﭼﺸـﻢ ﺑـﺪ‪ ‬ﺣﺎﺳـﺪﺍﻥ ﻧﮕﻬـﺪﺍﺭﺩ ﮐﻪ ﻣﺎﻧﺪ ﺩﺭ ﭼﻤﻦ ﺁﻥ ﺳﺮﻭﹺ ﻧﻮﺟﻮﺍﻥ ﺗﻨﻬـﺎ‬ ‫ﺑﻪﺧﺎﻧﺔ ﺩﻝ ﻣﻦ ﻳﺎﺭ ﻳـﺎﺭ ﺧـﻮﺩ ﺭﺍ ﺧﻮﺍﻧـﺪ ﻧﺪﺍﺷﺖ ﺧﺎﻃﺮ ﺧﻮﺭﺳـﻨﺪ‪ ٢‬ﻣﻴﻬﻤـﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺭﺳـﻴﺪ ﺑـﺮ ﺭﻣـﺔ ﻣـﺎ ﺑـﻼ ﺧـﺪﺍ ﺣـﺎﻓﻆ ﻫــﺰﺍﺭ ﮔــﺮﮒ ﺑﻬــﻢ ﻣﺘﻔــﻖ ﺷــﺒﺎﻥ ﺗﻨﻬــﺎ‬ ‫ﺩﻣﻲ ﮐﻪ ﺷﻴﺸﻪﺍﻱ ﺑﺎﻻﻱ ﺷﻴﺸـﻪﺍﻱ ﺍﻓﺘـﺪ ﻣﮕﻮ ﺑﻪﺷﻴﺸـﺔ ﭘـﺎﺋﻴﻦ ﺭﺳـﺪ ﺯﻳـﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺩﺭ ﺁﻥ ﺯﻣﺎﻥ ﮐﻪ ﺑﻼﺋﻲ ﺑﻪﺧﺎﻧﺔ ﺗـﻮ ﺭﺳـﻴﺪ ﮐﻪ ﻣﺎﻧﺪﻩ ﺑﻮﺩ ﺑﺠﺰ ﻣـﻦ ﺑـﺮ ﺁﺳـﺘﺎﻥ ﺗﻨﻬـﺎ‬ ‫ﺯ ﺟﻤﻊ ﻣﺎﻝ ﺩ‪‬ﻡ ﻣﺮﮒ ﺻﺮﻓﻪ ﻧﺘﻮﺍﻥ ﮐـﺮﺩ‪٣‬‬ ‫ﮐـﻪ ﻫﺮﮐﺴـﻲ ﺭﻭﺩ ﺁﺯﺍﺩ ﺍﺯ ﺟﻬـﺎﻥ ﺗﻨﻬـﺎ‬ ‫»‪«۱۴۳‬‬ ‫ﮐﻪ ﻣﻲﺩﺍﻧﺴﺖ ﺁﺗﺸﭙﺎﺭﻩﺍﻱ ﺯﻳﻨﺴـﺎﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ ﭘـﺮﻱﺯﺍﺩ ﻗﻴﺎﻣـﺖ ﮐـﺎﺭ ﺩﺭ ﺍﻧﺴـﺎﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺑﻪﺑﺰﻡ ﻣـﻲ ﻧﻤـﻲﺭﻓـﺘﻢ ﺧﺮﺍﺑـﻲﻫـﺎ ﻧﻤـﻲﺩﻳـﺪﻡ ﺍﮔﺮ ﺁﮔﺎﻩ ﻣﻲﮔﺸﺘﻢ ﮐﻪ ﺍﻳﻦ ﻃﻮﻓـﺎﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺑﻪﮐﺎﻡ ﺗﺸﻨﺔ ﻣـﻦ ﻫـﻴﭻ ﮐـﺲ ﺁﺑـﻲ ﻧﻤـﻲﺭﻳـﺰﺩ ﻣﮕﺮ ﺍﺯ ﺁﺳﻤﺎﻥ ﻟﻄـﻒ ﺣـﻖ ﺑـﺎﺭﺍﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻏﺰﺍﻟﻲ ﺩﺭ ﺣﺮﻡ ﺩﻳﺪﻡ ﮐﻪ ﺑ‪‬ﺮﺩ ﺍﺯ ﻣﻦ ﺩﻝ ﻭ ﺩﻳﻦ ﺭﺍ ﻧﺪﺍﻧﺴـﺘﻢ ﮐـﻪ ﺁﻧﺠـﺎ ﺭﻫـﺰﻥ‪ ‬ﺍﻳﻤـﺎﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻧﻤﻲﺁﻳﺪ ﺯ ﻫﺮﮐﺲ ﻭﻗﺖ ﻣﺴﺘﻲ ﺧﻮﻳﺸﺘﻦ ﺩﺍﺭﻱ ﺑــﺮﻭﺯ ﻣﻴﮑﺸــﻲ ﮐﻴﻔﻴ‪‬ــﺖ ﻳــﺎﺭﺍﻥ ﺷــﻮﺩ ﭘﻴــﺪﺍ‬ ‫ﺯﻧﺪ ﮔﺮ ﮐﺎﺭﻭﺍﻥ ﺩﺍﻣﺎﻥ ﮐﻮﺷﺶ ﺑﺮ ﮐﻤﺮ ﭼﻨـﺪﻱ ﻳﻘﻴﻦ ﺍﺳﺖ ﺍﻳﻦ ﮐﻪ ﻳﻮﺳﻒ ﺍﺯ ﭼﻪ ﮐﻨﻌﺎﻥ ﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﺗﺴـــﻠﹼﻲ ﺩﺍﺩ ﺧـــﻮﻥ ﺧﻔﺘـــﺔ ﺁﺯﺍﺩ ﻗﺎﺗـــﻞ ﺭﺍ‬ ‫ﻧﺸﺪ ﮐﺰ ﺁﺳـﺘﻴﻦ ﻳـﺎ ﮔﻮﺷـﺔ ﺩﺍﻣـﺎﻥ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫‪ .١‬ﮔﻨﺞ ﺑﺨﺶ ﻭ ﻣﺠﻠﺲ‪ :‬ﻣﮕﺮ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺧﻮﺭﺷﻴﺪ‪.‬‬ ‫‪ .٣‬ﮔﻨﺞ ﺑﺨﺶ ﻭ ﻣﺠﻠﺲ‪ :‬ﺑﺮﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٩٧ //‬‬ ‫»‪«۱۴۴‬‬ ‫ﺍﮔـﺮ ﺍﻳﻨﺠـﺎ ﻣﺴـﻴﺤﺎ ﺩ‪‬ﻡ ﺳـﺨﻨﺪﺍﻧﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ ﺑﺮﺍﻱ ﺍﻭ ﺯ ﻫﻔـﺘﻢ ﺁﺳـﻤﺎﻥ ﺧـﻮﺍﻧﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻧﻤﻲﺩﺍﻧﻢ ﭼﺮﺍ ﮔﻞ ﺭﻳﺨﺖ ﻧﺎﺣﻖ ﺧﻮﻥ ﺑﻠﺒـﻞ ﺭﺍ ﻣﺤﺎﻝ ﺍﺳﺖ ﺍﻳﻦ ﮐﻪ ﭼﻮﻥ ﺍﻭ ﺑﺎﻝ ﺍﻓﺸﺎﻧﻲ ﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﺗﺠﻠﹼﻲ ﻧﻴﺴـﺖ ﮐـﻢ ﺍﻣ‪‬ـﺎ ﻧﺒﺎﺷـﺪ ﭼﺸـﻢ ﺑﻴﻨـﺎﺋﻲ ﺍﮔـﺮ ﭘﺮﻭﺍﻧـﻪﺍﻱ ﺧﻴـﺰﺩ ﭼﺮﺍﻏـﺎﻧﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺧﺒﺮﮔﻴــﺮﺍﻥ ﻧﺒﺎﺷــﺪ ﺁﺑﻴــﺎﺭﻱ ﺍﻳــﻦ ﮔﻠﺴــﺘﺎﻥ ﺭﺍ ﻣﮕـﺮ ﺍﺯ ﺁﺳـﻤﺎﻥ ﺍﺑـﺮﻱ ﻭ ﺑـﺎﺭﺍﻧﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺩﻝ ﮔﻢ ﮔﺸﺘﺔ ﺭﺍ ﺑﺴـﻴﺎﺭ ﻣـﻲﺟـﻮﻳﻢ ﻧﻤـﻲﻳـﺎﺑﻢ ﮔﻤﺎﻥ ﺩﺍﺭﻡ ﮐـﻪ ﺍﺯ ﭼـﺎﻩ‪ ‬ﺯﻧﺨـﺪﺍﻧﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﭘﺮﻱﺯﺍﺩﻱ ﮐﻪ ﺭﺍﻡﹺ ﮐﺲ ﻧﻤﻲﺷﺪ ﮔﺸﺖ ﺭﺍﻡﹺ ﻣﻦ ﻧﻤﻲﺩﺍﻧﺴﺖ ﻫﻤﭽﻮﻥ ﻣﻦ ﭘ‪‬ﺮﻱ ﺧﻮﺍﻧﻲ ﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﮐﺴـﻲ ﺁﺯﺍﺩ ﺍﻳﻨﺠـﺎ ﺟـﻮﻫﺮﹺ ﻣـﺎ ﺭﺍ ﻧﻤـﻲﺳـﻨﺠﺪ‬ ‫ﻣﮕﺮ ﺭﻭﺯﹺ ﻗﻴﺎﻣﺖ ﺳـﻨﮓ ﻭ ﻣﻴﺰﺍﻧـﻲ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫»‪«۱۴۵‬‬ ‫ﮔــﺮ ﺭﺳــﺎﻧﺪ ﺧﺒــﺮ ﺁﻥ ﮐــﻮ ﺭﺍ ﺁﻭﺭﺩ ﺗﺤﻔــــﺔ ﻋﻨﺒــــﺮ ﺑــــﻮ ﺭﺍ‬ ‫ﭼﺎﺭ ﺩﻧﺪﺍﻥ ﺗﻮ ﮔﺮ ﻧﻴﺴﺖ ﭼﻪ ﻏﻢ ﭼـــﺎﺭ ﺩﻧـــﺪﺍﻥ ﻧﺒـــﻮﺩ ﺁﻫـــﻮ ﺭﺍ‬ ‫ﻋﺎﺷﻘﺎﻥ ﺑـﺮ ﺳـﺮﹺ ﺭﺍﻫـﺖ ﮔﺮﻳﻨـﺪ ﺍﻱ ﺑــﺖ‪ ‬ﻫﻨــﺪ ﻧﮕــﺮ ﺁﻧﺴــﻮ‪ ١‬ﺭﺍ‬ ‫ﺧﻮﻥ ﻣﻦ ﺭﻳـﺰ ﮐـﻪ ﺯﻭﺭﻱ ﺩﺍﺭﻱ ﻧـــﺎﺗﻮﺍﻥ ﻣـــﻲﻃﻠﺒـــﺪ ﻗـــﺎﺑﻮ ﺭﺍ‬ ‫ﺍﻋﺘﻘــﺎﺩﻱ ﮐــﻪ ﺭﺳــﺎﻧﻴﺪ ﺑﻬــﻢ ﺑ‪‬ﺴــﺖ ﺗﻌﻮﻳــﺬ ﺩﻟــﻲ ﺑــﺎﺯﻭ ﺭﺍ‬ ‫ﻃﻮﻃﻴــﺎﻥ ﻃﺎﻟــﺐﹺ ﮔﻔﺘــﺎﺭ ﺗﻮﺍﻧــﺪ ﺑﺎﺯ ﮐـﻦ ﺁﻥ ﻟـﺐ ﺷـﻴﺮﻳﻦ ﮔـﻮ ﺭﺍ‬ ‫ﻧﺎﺗﺮﺍﺷـــﻴﺪﻩ ﺧﻄـــﻲ ﺭﺍ ﮔﻔـــﺘﻢ ﻭﻗﺖ ﺁﻧﺴـﺖ ﮐـﻪ ﺳـﺎﺯﻱ ﺭﻭ‪ ٢‬ﺭﺍ‬ ‫ﺑﺮﻧـــﺪﺍﺭﻱ ﻧﻔﺴـــﻲ ﺁﺋﻴﻨـــﻪ ﺭﺍ ﺍﻳـﻦﻗـﺪﺭ ﺭﻧﺠـﻪ ﻣﮑـﻦ ﺯﺍﻧـﻮ ﺭﺍ‬ ‫ﺧﻮﺍﻫـﺪ ﺁﺯﺍﺩ ﮐـﻪ ﺑﻮﺳـﺪ ﻳﮑﺒـﺎﺭ‬ ‫ﭘــﺎﻱ ﺁﻥ ﺳــﺮﻭ ﻗــﺪ‪ ‬ﺩ‪‬ﻟﺠــﻮ ﺭﺍ‬ ‫»‪«۱۴۶‬‬ ‫ﺧﻮﺍﻫــﺪ ﺩﻝ ﻓﺴــﺮﺩﻩ ﺭﺥ ﺁﻥ ﺟﻨــﺎﺏ ﺭﺍ ﺣﺎﺟـﺖ ﺑـﻪﺁﻓﺘـﺎﺏ ﺑـﻮﺩ ﺍﻳـﻦ ﮐﺘـﺎﺏ ﺭﺍ‬ ‫ﻫﺮﮐﺲ ﮐﻪ ﺩﻳـﺪ ﻓﺘﻨـﺔ ﺻـﻬﺒﺎﻱ ﻧـﺎﺏ ﺭﺍ ﺩﺍﻧــﺪ ﺯﻣﺎﻧــﻪ ﮔــﺮﺩﺵ ﺟــﺎﻡ ﺷــﺮﺍﺏ ﺭﺍ‬ ‫‪ .١‬ﺩﺭ ﺯﺑﺎﻥ ﻫﻨﺪﻱ ﺍﺷﮏ ﺭﺍ ﮔﻮﻳﻨﺪ ﻭ ﺩﺭ ﺍﻳﻦ ﻟﻔﻆ ﺍﻳﻬﺎﻡ ﺍﺳﺖ‪) .‬ﺁﻥ ﻃﺮﻑ(‬ ‫‪ .٢‬ﺭﻭ ﺳﺎﺧﺘﻦ‪ ،‬ﺷﺮﻣﻨﺪﻩ ﺷﺪﻥ‪ .‬ﺩﺭ ﺍﻳﻨﺠﺎ ﻧﻴﺰ ﺍﻳﻬﺎﻡ ﺍﺳﺖ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬

‫‪ // ١٩٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑﺮ ﮔﻮﺭ ﻣﻦ ﺭﺳﻴﺪ ﻭ ﻓﺮﻭ ﺧﻮﺍﻧﺪ ﺳﻮﺭﻩﺍﻱ ﺍﻧﺪﻭﺧﺖ ﻃﻔـﻞ ﺣـﺎﻓﻆ ﻗـﺮﺁﻥ ﺛـﻮﺍﺏ ﺭﺍ‬ ‫ﻋﺮﺽ ﻏﻼﻡ ﺑﺲﮐﻪ ﮔﺮﺍﻥ ﺍﺳﺖ ﺑﺮ ﺩﻟﺶ ﻫــﺮ ﺑــﺎﺭ ﻣــﻲﺩﻫــﺪ ﺑﺘﺄﻣ‪‬ــﻞ ﺟــﻮﺍﺏ ﺭﺍ‬ ‫ﺗﺎ ﻟﻄﻒ ﺍﻭ ﺑﻪﻣﻦ ﻧﺸﻮﺩ ﻓـﺎﺵ ﺑـﺮ ﮐﺴـﻲ ﺁﻏــﺎﺯ ﮐــﺮﺩ ﺍﺯ ﻟــﺐ ﺷــﻴﺮﻳﻦ ﻋﺘــﺎﺏ ﺭﺍ‬ ‫ﺧــﻂﱢ ﺳــﻴﺎﻩ ﻋــﺎﺭﺽ ﺍﻭ ﺭﺍ ﻓﺮﻭﮔﺮﻓــﺖ ﭘﻮﺷــــﻴﺪ ﺑــــﺎﻝ ﺷــــﭙﺮﺓ ﺁﻓﺘــــﺎﺏ ﺭﺍ‬ ‫ﺍﻫــﻞﹺ ﻫــﻮﺍ ﺯ ﻣﻐــﺰ ﻧﺪﺍﺭﻧــﺪ ﺑﻬــﺮﻩﺍﻱ ﺟﺰ ﭘﻮﺳﺖ ﻧﻴﺴﺖ ﻣﺎﻳﺔ ﻫﺴﺘﻲ ﺣﺒﺎﺏ ﺭﺍ‬ ‫ﮔﻨﺠـﺎﻳﺶ ﺩﻭﺋـﻲ ﻧﺒـﻮﺩ ﺩﺭ ﻭﺟـﻮﺩ‪ ‬ﺣـﻖ ﺍﺧﮕﺮ ﺯ ﺣﺴﻦ ﺧﻮﻳﺶ ﺑـﺮﺁﺭﺩ ﻧﻘـﺎﺏ ﺭﺍ‬ ‫ﺑــﺮ ﺧــﺎﻃﺮ ﺷﮑﺴــﺘﺔ ﺁﺯﺍﺩ ﮐﹸــﻦ ﮔــﺬﺭ‬ ‫ﺁﺑـﺎﺩ ﺳـﺎﺯ ﺍﺯ ﺳـﺮﹺ ﻧـﻮ ﺍﻳـﻦ ﺧـﺮﺍﺏ ﺭﺍ‬ ‫»‪«۱۴۷‬‬ ‫ﺍﺯ ﮐﺴﻲ ﻃﺮﻓﻪ ﺷﻤﻴﻢ ﺍﺳﺖ ﺍﻳﻨﺠـﺎ ﭼﻘﺪﺭ ﻟﻄﻒ ﻧﺴـﻴﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺧــﻂ ﺳــﺒﺰ ﻭ ﻟــ ﹺﺐ ﮔﻮﻳــﺎ ﺑﻨﮕــﺮ ﺻﺤﺒﺖ ﺧﻀﺮ ﻭ ﮐﻠﻴﻢ ﺍﺳﺖ ﺍﻳﻨﺠﺎ‬ ‫ﮐــﺲ ﺑــﻪﻓﺮﻳــﺎﺩ‪ ‬ﻏﺮﻳﺒــﺎﻥ ﻧﺮﺳــﺪ ﻧﺎﻡ ﺍﻧﺼـﺎﻑ ﻋـﺪﻳﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺭﻓـﺖ ﭘﺮﻭﺍﻧـﻪ ﺩﺭ ﺁﺗـﺶ ﺧﻨـﺪﺍﻥ ﺳﻮﺧﺘﻦ ﻓﻮﺯ ﻋﻈﻴﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﮔﻠـــﺔ‪ ١‬ﻳـــﺎﺭﹺ ﻧـــﻮﻱ ﺭﺍ ﻧﮑـــﻨﻢ ﺷـﮑﻮﺓ ﻳـﺎﺭﹺ ﻗـﺪﻳﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻧﮑﻨــﺪ ﻣﻨﻔﻌــﻞ ﺍﺯ ﺧــﻮﻳﺶ ﻣــﺮﺍ ﻫﺮ ﺳﻴﻪ ﮐﺎﺳﻪ ﮐﺮﻳﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﻧﻴﺴﺖ ﺭﻭﻱ ﺳﺨﻨﻢ ﺑـﺎ ﮐـﺞ ﻓﻬـﻢ ﮐﺎﺭ ﺑـﺎ ﻃﺒـﻊ ﺳـﻠﻴﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺳﺮﮔﺬﺷــﺖ‪ ‬ﺩﻝﹺ ﺑﻴﻤــﺎﺭ ﻣﭙــﺮﺱ ﻧﺮﮔﺲﹺ ﻳـﺎﺭ ﺣﮑـﻴﻢ ﺍﺳـﺖ ﺍﻳﻨﺠـﺎ‬ ‫ﺩﺭ ﺑﻴﺎﺑـــﺎﻥ‪ ‬ﺩﮔـــﺮ ﺭﻭ ﻣﺠﻨـــﻮﻥ‬ ‫ﺑﻨــﺪﻩ ﺁﺯﺍﺩ ﻣﻘــﻴﻢ ﺍﺳــﺖ ﺍﻳﻨﺠــﺎ‬ ‫»‪«۱۴۸‬‬ ‫ﺗﺎ ﺑـﻪﻋـﺮﺽ ﺍﻭ ﺭﺳـﺎﻧﻢ ﺯﻭﺩﺗـﺮ ﻣﻄﻠـﻮﺏ ﺭﺍ ﻣـﻲﻓﺮﺳـﺘﻢ ﺑـﻲﻟﻔﺎﻓـﻪ‪ ٢‬ﭘـﻴﺶ ﺍﻭ ﻣﮑﺘـﻮﺏ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﮐﻠﻤﺔ ﻳﺎﺭ ﺗﻮﻱ…‬ ‫‪ .٢‬ﭘﺎﮐﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪١٩٩ //‬‬ ‫ﺣﮑﻤﺖ‪ ‬ﻋﺸﻖ ﺍﺳﺖ ﺩ‪‬ﻭﺭ ﺍﺯ ﺣﮑﻤﺖ‪ ‬ﻳﻮﻧﺎﻧﻴﺎﻥ ﭘﻴــﺮﻫﻦ‪ ١‬ﮔﺮﺩﺍﻧــﺪ ﺑﻴﻨــﺎ ﺩﻳــﺪﺓ ﻳﻌﻘــﻮﺏ ﺭﺍ‬ ‫ﭘــﻴﺶﹺ ﺍﻭ ﺑ‪‬ــﺮﺩﻡ ﺩﻝﹺ ﺗﹶﻔــﺪﺍﺭ‪ ٢‬ﺭﺍ ﺁﺯﺭﺩﻩ ﺷــﺪ ﮔﻔﺖ ﻣﻲﺧﻮﺍﻫﻲ ﮐﻪ ﮔﻴﺮﻡ ﮔﻮﻫﺮﹺ ﻣﻌﻴـﻮﺏ ﺭﺍ‬ ‫ﺑﺨﺖ ﻗﻤﺮﻱ ﺩﺭ ﺧﺰﺍﻥ ﺳﺮﺳﺒﺰ ﺍﺯ ﺩﻳﺪﺍﺭ ﺳﺮﻭ ﺑﻠﺒـﻞﹺ ﺑﻴﭽـﺎﺭﻩ ﺑﻴﻨـﺪ ﻳـﮏ ﺟﻬـﺎﻥ ﺁﺷـﻮﺏ ﺭﺍ‬ ‫ﺑﻲﮔﺮﻓﺖ ﻭ ﮔﻴﺮ ﻧﺘﻮﺍﻥ ﮐﺎﺭ ﺍﺯ ﺩﻭ ﻧﺎﻥ ﮔﺮﻓـﺖ ﺭﻳﺴـﻤﺎﻥ ﺩﺭ ﮐـﺎﺭ ﺑﺎﺷـﺪ ﺩﺳـﺘﺔ ﺟـﺎﺭﻭﺏ ﺭﺍ‬ ‫ﻗﺎﺑــﻞ ﺗﻌﺰﻳــﺮ ﺑﺎﺷــﺪ ﻋﻨــﺪﻟﻴﺐ ﺑــﻲﺍﺩﺏ ﻫﺮ ﻧﻔﺲ ﺍﺯ ﻧﺎﻟـﻪ ﺩﺭﺩﺳـﺮ ﺩﻫـﺪ ﻣﺤﺒـﻮﺏ ﺭﺍ‬ ‫ﺣـﺮﻑ ﺩﻭﻟـﺖ ﺧـﻮﺍﻫﻲ ﺁﺯﺍﺩ ﺭﺍ ﺑﺎﻳـﺪ ﺷـﻨﻴﺪ‬ ‫ﮔﻮﺵ ﺧﻮﺑﺎﻥ ﻣـﻲﭘـﺬﻳﺮﺩ ﺍﻟﺘﻤـﺎﺱ ﺧـﻮﺏ ﺭﺍ‬ ‫»‪«۱۴۹‬‬ ‫ﻣﺸـﺮﺏ ﺍﺷـﺮﺍﻗﻴﺎﻥ ﺩﺍﺭﻧـﺪ ﺍﻳـﻦ ﺍﺳـﺘﺎﺩﻫﺎ ﻃﻮﻃﻴﺎﻥ ﺭﺍ ﺍﺯ ﭘﺲ ﺣﺎﻳﻞ ﮐﻨﻨـﺪ ﺍﺭﺷـﺎﺩﻫﺎ‬ ‫ﺍﺧــﺘﻼﻁ ﺗﻴﺰﭘــﺮﻭﺍﺯﺍﻥ ﻧﺒﺎﺷــﺪ ﻣﺼــﻠﺤﺖ ﭼﻮﻥ ﺑﻬﻢ ﺁﻳﻨﺪ ﻣـﻲﺟﻨﮕﻨـﺪ ﮐﺎﻏـﺬ ﺑﺎﺩﻫـﺎ‬ ‫ﺍﺯ ﺗﻮﺍﻧﺎ ﺷﻮﺧﻲ ﺍﻳﻦ ﻧﺎﺗﻮﺍﻥ ﺍﻓﺰﻭﻥﺗﺮ ﺍﺳﺖ ﭼﺸﻢ ﺑﻴﻤﺎﺭ ﺗﻮ ﺑـﺮ ﺁﻫـﻮ ﮔﺮﻓـﺖ ﺍﻳﺮﺍﺩﻫـﺎ‬ ‫ﮐﺎﺵ ﺗﺼﻮﻳﺮ ﺗﻮ ﺑﺮ ﻟﻮﺡ ﻣﺰﺍﺭﹺ ﻣـﻦ ﮐﺸـﻨﺪ ﭼﺸﻢ ﺩﺍﺭﻡ ﺍﻳﻦﻗﺪﺭ ﺍﺯ ﻟﻄﻒ ﺍﻳﻦ‪ ٣‬ﺑﻬﺰﺍﺩﻫﺎ‬ ‫ﻣﺎ ﺑﻪﺑﻨﺪ‪ ‬ﺍﻟﻔﺖ‪ ‬ﺍﻳﺸﺎﻥ ﺯ ﺧـﻮﺩ ﺍﻓﺘـﺎﺩﻩﺍﻳـﻢ‪ ٤‬ﺑﺩﺍﻬﻣﺰﺍﻬﺩـﺎﻫـﺩـﺭــﺭـﻩـــﭼــﺮـﺍــﭼـﻴـﺪـﻧــﺪــﺍﻳـــﻦـــﺻـــﻴ‪‬ـﺎـﺩـﻫـﺎ‬ ‫ﺁﻧﮑﻪ ﺍﺯ ﺩﺭﮔﺎﻩ ﺍﻭ ﭼﺸـﻢ ﻧـﻮﺍﺯﺵ ﺩﺍﺷـﺘﻢ ﮐﺮﺩ ﻭﺍ ﺑـﺮ ﺭﻭﻱ ﻣـﻦ ﻧـﺎﺣﻖ ﺩﺭﹺ ﺑﻴـﺪﺍﺩﻫﺎ‬ ‫ﮐـﺎﺭ ﺑـﺎ ﻧﺎﻣﻨﺼـﻔﺎﻥ ﺁﺯﺍﺩ ﺭﺍ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻫﺴﺖ ﮔﺮ ﻗﺪﺭﺕ ﺗﺮﺍ ﺑﺎﻳﺪ ﻧﻤـﻮﺩ ﺍﻣـﺪﺍﺩﻫﺎ‬ ‫»‪«۱۵۰‬‬ ‫ﺧﺪﺍ ﻳﮑﺴـﺎﻥ ﻧﮕﻬﺒـﺎﻧﻲ ﮐﻨـﺪ ﭘـﺎﻳﻴﻦ ﻭ ﺑﺮﺗـﺮ ﺭﺍ ﻧﻤـﻲﺳـﻮﺯﺩ ﺑﺴـﺎﻥ ﺁﺳـﻤﺎﻥ ﺁﺗـﺶ ﺳـﻤﻨﺪﺭ ﺭﺍ‬ ‫ﻧﻤﻴﺮﺩ ﻓﻴﺾ ﺭﻭﺷﻦ ﻃﻴﻨﺘﺎﻥ ﺍﺯ ﺧـﺎﮎ ﮔﺮﺩﻳـﺪﻥ ﺟﻼﻱ ﺩﻳﺪﻩﻫﺎ ﺩﺭ ﺗﻮﺗﻴﺎ ﺑـﺎﻗﻲ ﺍﺳـﺖ ﮔـﻮﻫﺮ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﭘﻴﺮﺍﻫﻦ‪.‬‬ ‫‪ .٢‬ﺗﹶﻒ ﺑﺎﻟﻔﺘﺢ‪ ،‬ﮔﺮﻣﻲ ﻭ ﻋﻴﺒﻲ ﺍﺳﺖ ﺩﺭ ﮔﻮﻫﺮ‪ ،‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺗﻤﺎﻡ ﺭﺱ ﻧﺸﻮﺩ ﺑـﺎﺩﻩﺍﻱ ﮐـﻪ ﮐـﻒ ﺩﺍﺭﺩ ﮐﻪ ﻋﻴﺐﺩﺍﺭ ﺑﻮﺩ ﮔﻮﻫﺮﻱ ﮐـﻪ ﺗـﻒ ﺩﺍﺭﺩ‬ ‫)ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٣‬ﮔﻨﺞ ﺑﺨﺶ‪ :‬ﺁﻥ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪ :‬ﺍﻓﺘﺎﺩﻩﺍﻡ‪.‬‬

‫‪ // ٢٠٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺭﺳـﺎﻧﺪ ﻏﻴـﺮﺕ ﺍﻳـﺰﺩ ﺑـﻪﭘـﺎﺩﺍﺵ ﻋﻤـﻞ ﺁﺧـﺮ ﺍﮔـﺮ ﺣﺠـﺎﺝ ﻧﺎﻫﻨﺠـﺎﺭ ﻧـﺎﺣﻖ ﮐﺸـﺖ ﻗﻨﺒـﺮ ﺭﺍ‬ ‫ﻧﻤﻲﺳﺎﺯﻧﺪ ﻣﺮﺩﺍﻥ ﻫﺮ ﻧﻔﺲ ﻇﺎﻫﺮ ﮐﻤـﺎﻝ ﺧـﻮﺩ ﮐﻪ ﭼﻮﻥ ﻫﻨﮕﺎﻡ ﺁﻳﺪ ﻣﻲﻧﻤﺎﻳـﺪ ﺗﻴـﻎ ﺟـﻮﻫﺮ ﺭﺍ‬ ‫ﺣﻀﻮﺭ ﺍﺯ ﺭﺍﻩ ﻏﻴﺮﺕ ﻣﻲﻓﺸﺎﻧﺪ ﺁﺳـﺘﻴﻦ ﺑـﺮ ﺯﻥ ﮐﻪ ﺧﺎﺗﻮﻥ ﻣﻲﮐﻨﺪ ﻣﺰﺩﻭﺭ ﺧﻮﺩ ﭘﻴﻮﺳﺘﻪ ﺷﻮﻫﺮ ﺭﺍ‬ ‫ﻧﺒﺎﻳﺪ ﺷﺪ ﺑـﻪ‪١‬ﭘـﺮﻭﺍﺯ ﺑﻠﻨـﺪ ﺍﻳـﻦ ﺟﻬـﺎﻥ ﻧـﺎﺯﺍﻥ ﮐﻪ ﺁﺧﺮ ﻣﺮﺩﻡ ﺩﻭﻥ ﺩﺭ ﻗﻔﺲ ﮐﺮﺩﻧـﺪ ﺳـﻨﺠﺮ ﺭﺍ‬ ‫ﮔﻮﺍﺭﺍ ﻧﻴﺴﺖ ﺷـﻴﺮﻳﻦ ﮔـﻮﺋﻲ ﺁﺯﺍﺩ ﺑـﺮ ﺣﺎﺳـﺪ‬ ‫ﮐﻪ ﮐﺎﻡ ﺗﻠـﺦ ﺻـﻔﺮﺍﺋﻲ ﺷﻨﺎﺳـﺪ ﺯﻫـﺮ ﺷـﮑﺮ ﺭﺍ‬ ‫»‪«۱۵۱‬‬ ‫ﭼﻪ ﻧﺎﺩﺍﻧﻢ ﮐﻪ ﻣﻲﺧـﻮﺍﻫﻢ ﻧﺸـﺎﻁ ﺯﻧـﺪﮔﺎﻧﻲ ﺭﺍ ﺑﻪﭘﻴﺮﻱ ﮔﺸﺘﻪ ﺧﻢ ﺩﺭ ﺧﺎﮎ ﻣﻲﺟﻮﻳﻢ ﺟﻮﺍﻧﻲ ﺭﺍ‬ ‫ﻓﺮﻭ ﻣﺎﻧﺪﻡ ﺑﺨﻮﺩ ﺩﺭ ﻋﺸﻖ ﺁﺑﻲ ﺟﺎﻣﻪ ﺭﻋﻨـﺎﺋﻲ ﮐﻪ ﻧﺘـﻮﺍﻥ ﮐـﺮﺩ ﺍﺯ ﺳـﺮ ﻭﺍ ﺑـﻼﻱ ﺁﺳـﻤﺎﻧﻲ ﺭﺍ‬ ‫ﺯ ﻳﺎﻗﻮﺕ ﻟﺐ ﺍﻭ ﻫﺮ ﻧﻔـﺲ ﺩﺷـﻨﺎﻡ ﻣـﻲﺭﻳـﺰﺩ ﻧﺪﺍﻧﻢ ﺍﺯ ﮐﺠـﺎ ﺁﻣﻮﺧـﺖ ﺍﻳـﻦ ﮔﻮﻫﺮﻓﺸـﺎﻧﻲ ﺭﺍ‬ ‫ﻏﺬﺍﻱ ﺗﻴﻎ ﻗﺎﺗﻞ ﻣﺸﺖ ﺧﻮﻥ ﺧﻮﻳﺶ ﻣﻲﺳﺎﺯﻡ ﮐﺮﻳﻤﺎﻥ ﻓﺮﺽ ﻣﻲﺩﺍﻧﻨﺪ ﺑﺮ ﺧـﻮﺩ ﻣﻴﻬﻤـﺎﻧﻲ ﺭﺍ‬ ‫ﺳﺮﺍﭘﺎ ﺳﺮﻭ ﺩﺭ ﻳﺎﺭﺍﻥ ﻫﻤﺠﻨﺲ ﺍﺳﺖ ﺑﻲﻫﻤ‪‬ﺖ ﻧﺴﺎﺯﺩ ﮐﺎﻣﻴﺎﺏ ﺍﺯ ﺑـﺮﮒ ﺧـﻮﺩ ﺑـﺎﺩ ﺧﺰﺍﻧـﻲ ﺭﺍ‬ ‫ﺍﮔﺮ ﮐﺴﺐ ﻫﻨﺮ ﺧـﻮﺍﻫﻲ ﺑـﺮﻭ ﺍﺳـﺘﺎﺩ ﭘﻴـﺪﺍﮐﻦ ﮐﻪ ﻃﻮﻃﻲ ﻳﺎﺩ ﺍﺯ ﺍﺳﺘﺎﺩ ﮔﻴﺮﺩ ﺧـﻮﺵﺯﺑـﺎﻧﻲ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﺟﺰﻭ ﺯﻣﺎﻥ‪ ٢‬ﺑـﺮ ﻫﻤ‪‬ـﺖ ﺁﺯﺍﺩ ﻣـﻲﻧـﺎﺯﻡ‬ ‫ﮐﻪ ﺑﻲﺍﻧﺪﻳﺸﻪ ﭘﺸﺖ ﺩﺳﺖ ﺯﺩ ﺟﻨﮕﻲ ﻭ ﺧﺎﻧﻲ ﺭﺍ‬ ‫»‪«۱۵۲‬‬ ‫ﺑــﺮﺍﻱ ﺧــﻮﺵ ﻧﮕﻬــﺎﻥ ﺩﺍﻡ ﺳــﺎﺧﺘﻢ ﺍﻭ ﺭﺍ ﮐــﻪ ﻣــﻲﮐﻨﻨــﺪ ﺑــﻪﺁﻫــﻮ ﺷــﮑﺎﺭ ﺁﻫــﻮ ﺭﺍ‬ ‫ﺩﻝ ﺷﮑﺴـــﺘﺔ ﻣـــﺎ ﺭﺍ ﭼـــﺮﺍ ﺩﻫـــﺪ ﺁﺯﺍﺭ ﺑــﺪﻩ ﺑــﺮﺍﻱ ﺧــﺪﺍ ﭘﻨــﺪ ﺯﻟــﻒ ﺩﻟﺠــﻮ ﺭﺍ‬ ‫ﻓﺘــﺎﺩ ﺁﻫــﻮﻱ ﻣﺸــﮑﻴﻦ ﭼﺸــﻢ ﺍﻭ ﺑﻴﻤــﺎﺭ ﺑﺮﻫﻨـﻪ ﺑـﺮ ﺳـﺮ ﺧـﻮﺩ ﺩﻳـﺪﻩ ﺗﻴـﻎ ﺍﺑـﺮﻭ ﺭﺍ‬ ‫ﺧﺪﺍﺵ ﺧﻴﺮ ﺩﻫـﺪ ﺑـﺎ ﺩﻟـﻢ ﺭﻋﺎﻳـﺖ ﮐـﺮﺩ ﺑﻬـﻢ ﻧﻤـﻲﺯﻧــﺪ ﺍﺯ ﺷـﺎﻧﻪ ﻋﻨﺒـﺮﻳﻦ ﻣــﻮ ﺭﺍ‬ ‫ﺧﺒﺮ ﺯ ﻣﺤﻨﺖ ﺧﻮﺩ ﻧﻴﺴﺖ ﻳﺎﺭ ﺧﻮﺩ ﺑﻴﻦ ﺭﺍ ﮐــﻪ ﺑــﺎﺭ ﺁﻳﻴﻨــﻪ ﺁﺯﺭﺩﻩ ﺳــﺎﺧﺖ ﺯﺍﻧــﻮ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺑﻪ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺯﺑﺎﻥ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٠١ //‬‬ ‫ﺑـﻪﻳـﮏ ﻧﮕـﺎﻩ ﺗـﻮﺍﻥ ﮐـﺮﺩ ﮐـﺎﺭﹺ ﻣـﺎ ﺁﺧـﺮ ﻣﮑـﻦ ﺑـﺮﺍﻱ ﺧـﺪﺍ ﺭﻧﺠـﻪ ﺗﻴـﻎ ﻭ ﺑـﺎﺯﻭ ﺭﺍ‬ ‫ﺧـﺪﺍ ﮔـﻮﺍﻩ ﮐـﻪ ﺁﺯﺍﺩ ﭘـﺎﮎ ﺍﺯ ﮔﻨـﻪ ﺍﺳـﺖ‬ ‫ﺑﮕﻮﺵ ﺧﻮﻳﺶ ﻣـﺪﻩ ﺭﺍﻩ ﺣـﺮﻑ‪ ‬ﺑـﺪﮔﻮ ﺭﺍ‬ ‫»‪«۱۵۳‬‬ ‫ﺳـﺮﮔﺮﺍﻥ ﺩﻳـﺪﻡ ﻧﮕـﺎﺭ ﺧـﻮﻳﺶ ﺭﺍ ﺑ‪‬ﺮﺩﻡ ﺍﺯ ﮐـﻮﻳﺶ ﻏﺒـﺎﺭ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﺷــﻴﻮﺓ ﻓﺮﻫــﺎﺩ ﺧــﻮﺵ ﺁﻣــﺪ ﻣــﺮﺍ ﻣﻲﭘﺮﺳـﺘﻢ ﻧﻘـﺶ ﻳـﺎﺭ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻭﺍ ﻧﻤــﻮﺩﻡ ﮔــﻮﺵ ﺭﺍ ﺑﺴــﻴﺎﺭ ﮐــﺮ ﺗﺎ ﺑﻪﺣـﺮﻑ ﺁﺭﻡ ﻧﮕـﺎﺭﹺ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﺍﻳﻦ ﻫﻤﺎﻥ ﺁﻫﻮﺳﺖ ﮐﺰ ﺩﺍﻣﻢ ﺭﻣﻴـﺪ ﺧﻮﺏ ﻣﻲﺩﺍﻧﻢ ﺷـﮑﺎﺭ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫ﻫــﺮ ﻗــﺪﺭ ﺩﺭ ﺩﻭﺭﻱ ﺍﻭ ﮐﺎﺳــﺘﻢ ﺑــﻴﺶ ﮐــﺮﺩﻡ ﺍﻋﺘﺒــﺎﺭ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﺩﺍﻣــﻦ ﺍﻭ ﺭﺍ ﺯ ﮐــﻒ ﻧﮕﺬﺍﺷــﺘﻢ ﻭﺍ ﻧﻤـــﻮﺩﻡ ﺍﻗﺘـــﺪﺍﺭ ﺧـــﻮﻳﺶ ﺭﺍ‬ ‫ﺍﻓﮕﻨﺪ ﺩﺭ ﺷﺶ ﺟﻬﺖ ﺷﻮﺭﹺ ﺟﻨﻮﻥ ﻳــﺎﻓﺘﻢ ﺭﻧــﮓ‪ ‬ﺑﻬــﺎﺭﹺ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﻧﻴﺴــﺖ ﺍﺯ ﻣــﻦ ﺑﻴﺨﺒــﺮ ﭘﻴﺮﹺﻣﻐــﺎﻥ ﺑﺸـﮑﻨﻢ ﺁﺧـﺮ ﺧﻤـﺎﺭ ﺧــﻮﻳﺶ ﺭﺍ‬ ‫ﺗــﺎ ﮐﺠــﺎ ﺁﺯﺍﺩ ﺩﺭ ﮐــﻮﻱ ﻏﻤــﺖ‬ ‫ﹶﺻﺮﻑ ﺳﺎﺯﺩ ﺭﻭﺯﮔـﺎﺭﹺ ﺧـﻮﻳﺶ ﺭﺍ‬ ‫»‪«۱۵۴‬‬ ‫ﺍﮔﺮ ﻣﺮﺩﻱ ﺳﻼﻣﺖ ﺑﺮﺩ ﺑﺎ ﺧﻮﺩ ﺷﻤﻊ ﺍﻳﻤـﺎﻥ ﺭﺍ ﭼﻪ ﺣﺎﺟﺖ ﺗﺎ ﺑﺮﺍﻓﺮﻭﺯﻧﺪ ﺑﺮ ﺧﺎﮐﺶ ﭼﺮﺍﻏﺎﻥ ﺭﺍ‬ ‫ﺑــﺮﺩ ﻃﻔــﻞ ﻣﺤــﺪ‪‬ﺙﺯﺍﺩﻩﺍﻱ ﺍﺟــﺮ ﻓــﺮﺍﻭﺍﻥ ﺭﺍ ﺯﻳﺎﺭﺕ ﮔﺮ ﮐﻨﺪ ﻳﮏ ﺟﻤﻌﻪ ﻫﻢ ﮔﻮﺭ ﻏﺮﻳﺒﺎﻥ ﺭﺍ‪١‬‬ ‫ﺍﻟٰﻬﻲ ﺩﺳﺖ ﻣـﻦ ﮐﻮﺗـﺎﻩ ﺑـﺎﺩ ﺍﺯ ﺩﺍﻣـﻦ ﻣﻄﻠـﺐ ﺍﺭﺍﮔ‪١‬ــﺮ ﻧﺸﻨﺎﺳــﺪ ﺍﻳــﻦ ﺁﺭﺍﻡ ﺟــﻮ ﺭﺍﻩ ﮔﺮﻳﺒــﺎﻥ ﺭﺍ‬ ‫ﻧﺒﺎﺷـﺪ ﻗـﺪﺭﺩﺍﻧﻲ ﺩﺭ ﭘ‪‬ـﺮﻱ ﺭﻭﻳـﺎﻥ ﻣﺤﺒ‪‬ـﺖ ﺭﺍ ﮐﺮﺍ ﺑﻨﻤﺎﻳﻢ ﺍﻳﻦ ﭼﺸﻢ ﻭ ﺩﻝ ﮔﺮﻳﺎﻥ ﻭ ﺑﺮﻳـﺎﻥ ﺭﺍ‬ ‫ﭼـﻮ ﺁﻫـﻮﻳﻲ ﻧﻤـﻲﻳـﺎﺑﻢ ﺑـﺮﺍﻱ ﺭﻓـﻊ ﺗﻨﻬـﺎﻳﻲ ﻏﻨﻴﻤﺖ ﻣـﻲﺷـﻤﺎﺭﻡ ﺻـﺤﺒﺖ ﻏـﻮﻝ ﺑﻴﺎﺑـﺎﻥ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﺻﺤﺮﺍ ﮐﻒ‪ ‬ﭘﺎﻱ ﻣﺮﺍ ﻧﻨﻮﺍﺧﺖ ﺍﺯ ﺯﺧﻤﻲ ﺗﻬــﻲ ﺍﺯ ﺩﺭﺩﻣﻨــﺪﻱ ﻳــﺎﻓﺘﻢ ﺧــﺎﺭﹺ ﻣﻐــﻴﻼﻥ ﺭﺍ‬ ‫ﺳﺮﺕ ﮐﺮﺩﻡ ﺍﮔـﺮ ﺟﻤﻌﻴ‪‬ـﺖ ﺁﺯﺍﺩ ﻣـﻲﺧـﻮﺍﻫﻲ‬ ‫ﻣﮕﻴﺮ ﺍﺯ ﺩﺳﺖ‪ ‬ﺍﻭ ﺳﺮﺭﺷـﺘﺔ ﺯﻟـ ‪‬ﻒ ﭘﺮﻳﺸـﺎﻥ ﺭﺍ‬ ‫‪ .١‬ﺩﺭ ﺣﺪﻳﺚ ﺷﺮﻳﻒ ﺯﻳﺎﺭﺕ ﻗﺒﻮﺭ ﺩﺭ ﺭﻭﺯ ﺟﻤﻌﻪ ﺁﻣﺪﻩ ﺍﺳﺖ‪) .‬ﺍﺻﻐﺮ(‬

‫‪ // ٢٠٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۵۵‬‬ ‫ﺩﺭ ﺗﻤﺎﺷـــﺎﺧﺎﻧﺔ ﺁﻳﻴﻨـــﻪ ﺩﻳـــﺪﻡ ﺑﺎﺭﻫـــﺎ ﺍﺯ ﺻﻔﺎﻱ‪ ١‬ﺳﻴﻨﻪ ﺻﻮﺭﺕ ﻣـﻲﭘـﺬﻳﺮﺩ ﮐﺎﺭﻫـﺎ‬ ‫ﺑﺲﮐﻪ ﺭﻧﮕﻴﻦ ﻣﻲﺗـﺮﺍﻭﺩ ﺍﺯ ﺯﺑـﺎﻥ‪ ٢‬ﮔﻔﺘﺎﺭﻫـﺎ ﻃﻮﻃﻴــﺎﻥ ﺳــﺒﺰ ﺭﺍ ﮔﻠﮕــﻮﻥ ﺑــﻮﺩ ﻣﻨﻘﺎﺭﻫــﺎ‬ ‫ﺁﺷـﻨﺎﻳﺎﻥ ﺭﺍ ﺑــﻪﺷﻤﺸــﻴﺮ ﺗﺒﺴ‪‬ــﻢ ﻣــﻲﮐﺸــﻨﺪ ﺷــﻴﻮﺓ ﺧﻮﺑــﺎﻥ ﺷــﻴﺮﻳﻦ ﺁﺯﻣــﻮﺩﻡ ﺑﺎﺭﻫــﺎ‬ ‫ﺍﺣﺘﻴـﺎﻃﻲ ﻫﺴـﺖ ﺩﺭ ﻃﺒـﻊ ﺟﻮﺍﻧـﺎﻥ‪ ‬ﭼﻤـﻦ ﺧـﻮﺭﺩﻩ ﺭﺍ ﮔـﻞﻫـﺎ ﻧﮕﻬﺪﺍﺭﻧـﺪ ﺩﺭ ﺩﺳـﺘﺎﺭﻫﺎ‬ ‫ﺑﺎﺭﻫـﺎ ﺳـﻮﮔﻨﺪ ﻧـﺎﻡ ﺣﻀـﺮﺕ ﺁﻳﻴﻨـﻪ ﺧـﻮﺭﺩ ﺁﻧﮑﻪ ﻣـﻲﺩﺍﺭﺩ ﺯ ﺩﺭﺩ ﻋﺸـﻖ ﺧـﻮﺩ ﺍﻧﮑﺎﺭﻫـﺎ‬ ‫ﮐــﺎﻓﺮﻱ ﻣﺎﻧﻨــﺪ ﺍﻭ ﺩﺭ ﮐﻔــﺮ ﻧﺘﻮﺍﻧــﺪ ﺷــﺪﻥ ﺧﻠﻘــﺖ ﺯﻟــﻒ‪ ‬ﺑﺘــﺎﻥ ﮐﺮﺩﻧــﺪ ﺍﺯ ﺯﹸﻧﹼﺎﺭﻫــﺎ‬ ‫ﺩﺍﻍ ﻋﺸﻖ ﺍﻭ ﺑﺼﺪ ﺧﻮﻥ‪ ‬ﺟﮕﺮ ﺁﻣـﺪ ﺑﺪﺳـﺖ ﺍﻳﻦ ﮔﻞﹺ ﺷـﺎﺩﺍﺏ ﻧﺘـﻮﺍﻥ ﻳﺎﻓـﺖ ﺩﺭ ﮔﻠﺰﺍﺭﻫـﺎ‬ ‫ﺩﺷﻤﻨﻲ ﺑﺎ ﻧﮑﺘﻪﺳﻨﺠﺎﻥ ﮐﻬﻨﻪ ﺭﺳﻤﻲ ﺑﻮﺩﻩ ﺍﺳﺖ ﻣﻴـﺮ ﺧﺴـﺮﻭ ﺩﻳـﺪ ﺍﺯ ﺩﺳـﺖ ﻋﺒﻴـﺪ‪ ٣‬ﺁﺯﺍﺭﻫـﺎ‬ ‫ﺻﺎﺣﺒﺎ ﺁﺯﺍﺩ ﺭﺍ ﺑـﻲﺳـﻴﻢ ﻭ ﺯﺭ ﺑﺎﻳـﺪ ﺧﺮﻳـﺪ‬ ‫ﻫﻤﭽﻮ ﺍﻭ ﻳﮏ ﺑﻨﺪﻩ ﻧﺘﻮﺍﻥ ﻳﺎﻓـﺖ ﺩﺭ ﺑﺎﺯﺍﺭﻫـﺎ‬ ‫»‪«۱۵۶‬‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﻌﻤﻮﺭﻩ ﺩﺷﻮﺍﺭ ﺍﺳﺖ ﺩﻟﺠﻮﻱ ﺷﻮﺩ ﭘﻴـﺪﺍ ﺑﻪﺻﺤﺮﺍ ﻣﻲﺭﻭﻡ ﺷـﺎﻳﺪ ﮐـﻪ ﺁﻫـﻮﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻧﮕـﺎﻩ ﻣـﻦ ﺑـﻪﻳـﺎﺭﺍﻥ ﺩﻭ ﺳـﻮ ﻣﺎﻳـﻞ ﻧﻤـﻲﮔـﺮﺩﺩ ﮐﻪ ﭼﻮﻥ ﺁﺋﻴﻨﻪ ﺧﻮﺍﻫﻢ ﻳﺎﺭ ﻳﮑﺴـﻮﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺟﺒـﻴﻦ ﺑﺮﭘـﺎﻱ ﺁﻥ ﺳـﺮﻭﹺ ﺧﺮﺍﻣـﺎﻥ ﺁﻥﻗـﺪﺭ ﻣـﺎﻟﻢ ﮐﻪ ﺍﺯ ﭼﺸـﻢ ﺗـﺮﻡ ﺩﺭ ﺭﺍ‪‬ﻩ ﺍﻭ ﺟـﻮﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺩﻝﹺ ﺩﻳﻮﺍﻧــﺔ ﻣــﺎ ﮔــﻮﺵ ﺑــﺮ ﺁﻭﺍﺯ ﻣــﻲﺑﺎﺷــﺪ ﻧﻤﻲﺩﺍﻧﺪ ﮐـﻪ ﮐـﻲ ﺍﺯ ﺟـﺎﻧﺒﻲ ﻫـﻮﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻧﺴــﻴﻢ ﺭﺍﻫــﺰﻥ ﻣــﻲﺁﻳــﺪ ﻭ ﺗــﺎﺭﺍﺝ ﻣــﻲﺳــﺎﺯﺩ ﭼﻪ ﺣﺎﺻﻞ ﮔﺮ ﺍﺯ ﺁﻥ ﮔﻞ ﺍﻳﻦ ﻃﺮﻑ ﺑﻮﻱ ﺷﻮﺩ ﭘﻴﺪﺍ‬ ‫ﺗﻮ ﻫﺮ ﺟﻮﺭﻱ ﮐﻪ ﻣﻲﺧﻮﺍﻫﻲ ﺑﻔﺮﻣﺎ ﺍﻳﻦ ﺯﻣﺎﻥ ﻇـﺎﻟﻢ ﮐﻪ ﻣﻲﻓﻬﻤﻢ ﺩﺭ ﺁﻥ ﺳﺎﻋﺖ ﮐﻪ ﻗﺎﺑﻮﻱ ﺷﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﺩﻭ ﺻـﺪ ﭘﺮﻭﺍﻧـﺔ ﺟﺎﻧﺒـﺎﺯ ﺑﺮﮔـﺮﺩ‪ ‬ﺳـﺮﺵ ﮔـﺮﺩﺩ ﺍﮔﺮ ﭼﻮﻥ ﺷﻤﻊ ﺍﻳﻨﺠـﺎ ﺁﺗﺸـﻴﻦ ﺭﻭﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﻣﺤﺎﻝ ﺍﺳﺖ ﺍﻳﻨﮑﻪ ﺍﻳﻨﺠﺎ ﻳﺎﺭ ﺧﻮﺵ ﺧﻮﻱ ﺑﺪﺳﺖ ﺁﻳﺪ ﻫﻮﺱ ﺩﺍﺭﻡ ﮐﻪ ﺑﺎﺭﻱ ﻳـﺎﺭ ﺑـﺪﺧﻮﻱ ﺷـﻮﺩ ﭘﻴـﺪﺍ‬ ‫ﮐﻨــﺪ ﺁﻭﺍﺯ ﺧــﻮﺩ ﺗﺒــﺪﻳﻞ ﭼــﻮﻥ ﺁﺯﺍﺩ ﺭﺍ ﺑﻴﻨــﺪ‬ ‫ﺍﮔﺮ ﺩﺭ ﻭﻗﺖ ﺷﺐ ﺁﻥ ﺷﻮﺥ ﺩﺭ ﮐﻮﻱ ﺷﻮﺩ ﭘﻴـﺪﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﻲﺻﻔﺎﻱ ﺳﻴﻨﻪ ﮐﻲ ﺻﻮﺭﺕ ﭘﺬﻳﺮﺩ ﮐﺎﺭﻫﺎ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺯﻣﻴﻦ‪.‬‬ ‫‪ .٣‬ﻋﺒﻴﺪ‪ :‬ﺷﺎﻋﺮ ﻣﻔﺘﻦ ﻣﻌﺎﺭﺽ ﺍﻣﻴﺮ ﺧﺴﺮﻭ ﺑﻮﺩ‪ .‬ﺍﻣﻴﺮ ﺩﺭ ﺗﺼﺎﻧﻴﻒ ﺧﻮﺩ ﺍﺯ ﺩﺳﺖ ﺍﻭ ﻭ ﺳﻌﺪ ﻓﻠﺴﻔﻲ ﺷﮑﺎﻳﺖﻫﺎ ﮐﺮﺩﻩ‪.‬‬ ‫)ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٠٣ //‬‬ ‫»‪«۱۵۷‬‬ ‫ﺭﺍﺣــﺖ ﺍﻳﻨﺠــﺎ ﻧﻤــﻲﺷــﻮﺩ ﭘﻴــﺪﺍ ﻳـــﮏ ﺩﻝﹺ ﻭﺍ ﻧﻤـــﻲﺷـــﻮﺩ ﭘﻴـــﺪﺍ‬ ‫ﻣﻲﺗﻮﺍﻥ ﮐﺮﺩ ﺧﻮﺍﺏ ﺧﻮﺵ ﺩﺭ ﺳ‪‬ـﻨﺪ ﺳــﺎﺱ‪ ١‬ﺍﻳﻨﺠــﺎ ﻧﻤــﻲﺷــﻮﺩ ﭘﻴــﺪﺍ‬ ‫ﺩﺭ ﮔﻠﺴﺘﺎﻥ ﻣﺎ ﮐﻪ ﻳﮏ ﺭﻧﮕـﻲ ﺍﺳـﺖ ﮔـــﻞﹺ ﺭﻋﻨـــﺎ ﻧﻤـــﻲﺷـــﻮﺩ ﭘﻴـــﺪﺍ‬ ‫ﻧﺘـــﻮﺍﻥ ﻳﺎﻓـــﺖ ﻧﮑﺘـــﺔ ﺩﻫـــﻨﺶ ﺍﻳـــﻦ ﻣﻌﻤ‪‬ـــﺎ ﻧﻤـــﻲﺷـــﻮﺩ ﭘﻴـــﺪﺍ‬ ‫ﮐـــﺎﻓﺘﻢ ﺷـــﻬﺮ ﺗـــﺮﮎ ﻇـــﺎﻟﻢ ﺭﺍ ﺩﻝ ﻳﻐﻤــــﺎ ﻧﻤــــﻲﺷــــﻮﺩ ﭘﻴــــﺪﺍ‬ ‫ﺁﻫـــﻮﺍﻥ‪ ‬ﺣــــﺮﻡ ﮐﺠــــﺎ ﺭﻓﺘﻨــــﺪ ﮔــﺮﺩ‪ ‬ﺻــﺤﺮﺍ ﻧﻤــﻲﺷــﻮﺩ ﭘﻴــﺪﺍ‬ ‫ﺷﻴﺸـــﺔ ﻣـــﺎ ﺷﮑﺴـــﺘﻨﻲ ﺧﻮﺍﻫـــﺪ ﺳــﻨ ‪‬ﮓ ﺧــﺎﺭﺍ ﻧﻤــﻲﺷــﻮﺩ ﭘﻴــﺪﺍ‬ ‫ﻣــﺎ ﭼــﻪ ﺗﻘﺼــﻴﺮ ﺁﺳــﻤﺎﻥ ﮐــﺮﺩﻳﻢ ﺍﺧﺘـــﺮ ﻣـــﺎ ﻧﻤـــﻲﺷـــﻮﺩ ﭘﻴـــﺪﺍ‬ ‫ﭼﺸــﻢﹺ ﻳــﺎﺭﺍﻥ ﺳــﻔﻴﺪ ﺷــﺪ ﺁﺯﺍﺩ‬ ‫ﻣﺠﻠـــﺲ ﺁﺭﺍ ﻧﻤـــﻲﺷـــﻮﺩ ﭘﻴـــﺪﺍ‬ ‫»‪«۱۵۸‬‬ ‫ﺩﺭ ﺑﺎﺭﮔــﺎﻩ ﺗــﻮ ﻧــﺮﻭﺩ ﭘــﻴﺶ ﺣﻴﻠــﻪﻫــﺎ ﺑﺴــﺘﻲ ﺩﺭ ﺗــﻼﺵ ﺑــﺮ ﻭﻱ ﻭﺳــﻴﻠﻪﻫــﺎ‬ ‫ﺑﺎﺷﺪ ﺑﻨـﻮﮎ ﻫـﺮ ﻣـﮋﻩﺍﻡ ﺍﺷـﮏ ﺁﺗﺸـﻴﻦ ﻣﺎﻧﻨــﺪ ﺁﻥ ﭼــﺮﺍﻍ ﮐــﻪ ﺩﺍﺭﺩ ﻓﺘﻴﻠــﻪﻫــﺎ‬ ‫ﻟﻴﻠﻲ ﮐﺪﺍﻡ ﺧﺎﻃﺮﹺ ﻋـﺎﻃﺮ ﺷﮑﺴـﺘﻪ ﺍﺳـﺖ ﺑﺴــﻴﺎﺭ ﻣــﻲﺭﻭﺩ ﮔﻠــﻪﺍﺵ ﺩﺭ ﻗﺒﻴﻠــﻪﻫــﺎ‬ ‫ﺗﺎ ﺑـﺮ ﺟﻤـﺎﻝ ﻟﻴﻠـﻲ ﻣـﺎ ﭼﺸـﻢ ﺩﻭﺧﺘﻨـﺪ ﺁﺋﻴﻨــﻪ ﺭﺍ ﺯﺩﻧــﺪ ﺑــﻪﺧــﺎﺭﺍ ﺷــﮑﻴﻠﻪﻫــﺎ‬ ‫ﺑﺮ ﺧﻮﺩ ﻧﺸﺎﻁ ﻫﺮﺩﻭ ﺟﻬﺎﻥ ﺭﺍ ﮐﻨﺪ ﺣﺮﺍﻡ ﻣــﺮﺩﻱ ﮐــﻪ ﺍﺧﺘﻴــﺎﺭ ﻧﻤﺎﻳــﺪ ﺣﻠﻴﻠــﻪﻫــﺎ‬ ‫ﺍﻧﺠﺎﻡ ﮐﺎﺭ ﻃﻮﻝ ﺍﻣﻞ ﻧﻴﺴﺖ ﺟـﺰ ﻫـﻼﮎ ﺑـﺮ ﺧـﻮﺩ ﺗﻨﻨـﺪ ﺩﺍﻡ ﺍﺟـﻞ ﮐـﺮﻡ ﭘﻴﻠـﻪﻫـﺎ‬ ‫ﺁﺯﺍﺩ ﺣﺴـﻦ ﺩﻭﺳــﺖ ﻧــﺪﺍﺭﺩ ﻧﮕــﺎﻩ ﺑــﺪ‬ ‫ﻣﺴﺘﺤﺴﻦ ﺍﺳﺖ ﺷﻮﺧﻲ ﺍﻭ ﺑﺎ ﺟﻤﻴﻠـﻪﻫـﺎ‬ ‫»‪«۱۵۹‬‬ ‫ﺣــﺮﻑ ﺯﻳــﺎﺩﻩﺍﻱ ﻧﺒــﻮﺩ ﺩﺭ ﺑﻴــﺎﻥ‪ ‬ﻣــﺎ ﺍﺯ ﺗﮑﻴـــﺔ ﮐـــﻼﻡ ﮔﺮﻳـــﺰﺩ ﺯﺑـــﺎﻥ‪ ‬ﻣـــﺎ‬ ‫ﺭﺍﻫﻲ ﮐﻪ ﺩﺍﺷﺖ ﭘﻴﺶ ﺑﻪﺟﺎﻳﻲ ﻧﻤﻲﺭﺳـﻴﺪ ﺁﺧـﺮ ﮔﺬﺷـﺖ ﺍﺯ ﺳـﺮﹺ ﺧـﻮﺩ ﮐـﺎﺭﻭﺍﻥ‪ ‬ﻣـﺎ‬ ‫‪ .١‬ﺳﺎﺱ ﮐﻪ ﺁﻥ ﺭﺍ ﺩﺭ ﻫﻨﺪ ﮐﻬﺘﻤﻞ )‪ (Khatmal‬ﮔﻮﻳﻨﺪ ﺩﺭ ‪‬ﺳﻨﺪ ﭘﻴﺪﺍ ﻧﻤﻲﺷﻮﺩ ﻭ ﺍﮔﺮ ﺁﻧﺠﺎ ﻣﻲﺭﻭﺩ ﻣﻲﻣﻴﺮﺩ‪ .‬ﺁﺯﺍﺩ ﻣ ‪‬ﺪﺗﻲ ﺩﺭ‬ ‫‪‬ﺳﻨﺪ ﻫﻢ ﺑﺴﺮﺑﺮﺩﻩ ﺑﻮﺩ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬

‫‪ // ٢٠٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑﻴـــﺪﺍﺩ ﻳـــﺎﺭ ﺭﺍ ﻧﺸﻨﺎﺳـــﻴﻢ ﺟـــﺰ ﮐـــﺮﻡ ﻧــﺎﺧﻮﺵ ﺯ ﻣﺎﻫﺘــﺎﺏ ﻧﮕــﺮﺩﺩ ﮐﺘــﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﻣ‪‬ﺮﺩﻳﻢ ﻭ ﻳﺎﺭ ﮔﻔﺖ ﻓﻼﻥ ﻣ‪‬ﺮﺩ ﺧـﻮﺏ ﺑـﻮﺩ ﺍﻳﻨﺴــــﺖ ﻣﻬﺮﺑــــﺎﻧﻲ ﻧﺎﻣﻬﺮﺑــــﺎﻥ‪ ‬ﻣــــﺎ‬ ‫ﺧــﺎﺭﻱ ﺧﻠﻴــﺪ ﺩﺭ ﺟﮕــﺮ ﺑﺎﻏﺒــﺎﻥ ﭼــﺮﺍ ﺑﻴــﺮﻭﻥ ﺑــﻮﺩ ﺯ ﮔﻠﺸــﻦ ﺍﻭ ﺁﺷــﻴﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﻳﺎﺭﺍﻥ ﭼﺮﺍ ﺧـﺪﻧﮓ ﺯ ﺗـﺮﮐﺶ ﮐﺸـﻴﺪﻩﺍﻧـﺪ ﺗﻴــﺮ ﺧﺼــﻮﻣﺘﻲ ﻧﺒــﻮﺩ ﺩﺭ ﮐﻤــﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﮔﺮ ﻫﻴﭻ ﻧﻴﺴﺖ ﭼﺎﺷﻨﻲ ﺣﺮﻑ ﻋﺬﺭ ﻧﻴﺴﺖ ﺧــﺎﻟﻲ ﺯ ﻧﻌﻤﺘــﻲ ﻧــﺮﻭﺩ ﻣﻴﻬﻤــﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﺑــﻲﺳــﺎﻳﮕﺎﻥ ﺑــﻪﺳــﺎﻳﺔ ﻣــﺎ ﺁﺭﻣﻴــﺪﻩﺍﻧــﺪ ﺻــﺪ ﺁﻓــﺮﻳﻦ ﺑــﻪﺗﺮﺑﻴــﺖ ﺑﺎﻏﺒــﺎﻥ‪ ‬ﻣــﺎ‬ ‫ﺁﺯﺍﺩ ﺩﺭ ﺯﻣــﺎﻥ ﺩ‪‬ﮔــﺮ ﻣــﻲﺭﺳــﺪ ﺑﻬــﻢ‬ ‫ﮔﺮ ﻧﻴﺴـﺖ ﻗـﺪﺭﺩﺍﻥ ﺳـﺨﻦ ﺩﺭ ﺯﻣـﺎﻥ‪ ‬ﻣـﺎ‬ ‫»‪«۱۶۰‬‬ ‫ﺳﺮﺕ ﮐﺮﺩﻡ ﻣﺴﻲ ﻣﺎﻟﻴﺪﻩ ﻟﺐ ﺭﺍ ﭘﻴﺶ ﻣـﺎ ﺑﮕﺸـﺎ ﻋــﻼﺝ ﺭﻭﺡ ﮐــﻦ ﺩﺭﺝ ﺩﻭﺍﺀﺍﻟﻤﺴــﮏ ﺭﺍ ﺑﮕﺸــﺎ‬ ‫ﺗﺴﻠﹼﻲ ﻣﻲﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﻣـﺮﺍ ﺍﺯ ﮔﻮﺷـﺔ ﭼﺸـﻤﻲ ﺩﻭ ﻣﺼﺮﻉ ﺭﺍ ﺍﺯ ﺍﻳﻦ ﺩﺭ ﺍﻧـﺪﮐﻲ ﺑـﺮ ﺁﺷـﻨﺎ ﺑﮕﺸـﺎ‬ ‫ﮔﺬﺷﺘﻲ ﺑـﺮ ﺳـﺮ ﺑـﺎﺯﺍﺭ ﻣـﺎ ﮔـﺮﺩ ﺳـﺮﺕ ﮔـﺮﺩﻡ ﻣﺘﺎﻉ ﺩﻳـﻦ ﻭ ﺩﻝ ﺣﺎﺿـﺮ ﮔـﺮﻩ ﺭﺍ ﺍﺯ ﺑﻬـﺎ ﺑﮕﺸـﺎ‬ ‫ﭘﺲ ﺍﺯ ﻋﻤﺮﻱ ﮐﻪ ﺗﻨﻬﺎ ﭘﻴﺶ ﻣﻦ ﺍﻣﺸﺐ ﮐﺮﻡ ﮐﺮﺩﻱ ﺗﮑﻠﹼﻒ ﺑﺮﻃﺮﻑ ﻣﻲ ﻧـﻮﺵ ﮐـﻦ ﺑﻨـﺪ ﻗﺒـﺎ ﺑﮕﺸـﺎ‬ ‫ﮐﺴﻲ ﺭﺍ ﻧﻴﺴﺖ ﻃﺎﻗﺖ ﺗﺎ ﺑﻪﺭﻭﻳﺖ ﺩﻡ ﺗﻮﺍﻧـﺪ ﺯﺩ ﺑﻬﺮ ﻃﻮﺭﻱ ﮐﻪ ﻣﻲﺧﻮﺍﻫﺪ ﺩﻟﺖ ﺩﺳﺖ ﺟﻔﺎ ﺑﮕﺸﺎ‬ ‫ﺍﮔـﺮ ﺗﺤﺼـﻴﻞ ﺍﺟـﺮ ﺗـﺎﺯﻩ ﻣﻨﻈـﻮﺭ ﻧﻈـﺮ ﺑﺎﺷـﺪ ﺑـﻪﻃـﻮﻑ ﻣﺸـﻬﺪ ﻧـﻮ ﮐﺸـﺘﺔ ﮐـﺎﻡ ﻭﻓـﺎ ﺑﮕﺸـﺎ‬ ‫ﺑـﻪﺍﻣﻴـﺪ ﮔـﺪﺍﺋﻲ ﺑـﺮ ﺳـﺮ ﮐـﻮﻱ ﺗـﻮ ﻣـﻲﺁﻳـﺪ ﺧــﺪﺍ ﺭﺍ ﺯﻟــﻒ ﻋﻨﺒــﺮ ﻓــﺎﻡ ﺑﺮﺑــﺎﺩ ﺻــﺒﺎ ﺑﮕﺸــﺎ‬ ‫ﺑﻬﺎﺭ ﺩﺳﺖ ﮔﻠﮕﻮﻥ ﺭﺍ ﺯ ﻣـﺎ ﺗـﺎ ﭼﻨـﺪ ﭘﻮﺷـﻴﺪﻥ ﺑﻴـﺎ ﺍﺯ ﻧـﺎﺧﻦ ﺭﻧﮕـﻴﻦ ﮔـﺮﻩ ﺍﺯ ﮐـﺎﺭ ﻣـﺎ ﺑﮕﺸـﺎ‬ ‫ﻋـﻼﺝ ﻧﺎﻟـﺔ ﺍﻭ ﮐـﺮﺩﻥ ﺍﺯ ﺩﺳـﺖ ﺗـﻮ ﻣـﻲﺁﻳـﺪ‬ ‫ﺯﻣـﺎﻧﻲ ﺑـﺮ ﺳـﺮ ﺁﺯﺍﺩ ﭼﺸـﻢ ﺳـﺮﻣﻪ ﺳـﺎ ﺑﮕﺸـﺎ‬ ‫»‪«۱۶۱‬‬ ‫ﺑـﺮﺩ ﺧـﻂ ﺁﺧـﺮ ﺍﺩﺍﻱ ﭼﺸـﻢ ﭘﺮﮐـﺎﺭ ﺗـﺮﺍ ﻧﻘﺶ ﺗﮑﺴﻴﺮﻱ ﺷـﻔﺎ ﺑﺨﺸـﻴﺪ ﺑﻴﻤـﺎﺭ ﺗـﺮﺍ‬ ‫ﻫﺮﮐﻪ ﻣﻲﺁﻳﺪ ﺑﻪﺩﺭﮔﺎﻩ ﺗﻮ ﺍﻭ ﺭﺍ ﺑﺎﺭ ﻧﻴﺴـﺖ ﻣﻲﮐﻨﺪ ﺑـﺪﻧﺎﻡ ﺍﻳـﻦ ﺍﺳـﻠﻮﺏ ﺳـﺮﮐﺎﺭ ﺗـﺮﺍ‬ ‫ﻧﻴﺴﺘﻢ ﻧﺎﺩﺍﻥ ﮐﻪ ﮔﺸـﺘﺎﺧﺎﻧﻪ ﺁﻳـﻢ ﺭﻭﺑـﻪﺭﻭ ﺩﻳـﺪﻩﺍﻡ ﺍﺯ ﺩﻭﺭ ﮐـﺞ ﺍﻣـﺮﻭﺯ ﺩﺳـﺘﺎﺭ ﺗـﺮﺍ‬ ‫ﻣﻲﮐﻨـﻲ ﺍﻇﻬـﺎﺭ ﺑـﺎ ﺁﺷـﻔﺘﮕﺎﻥ ﺍﻓﺴـﺮﺩﮔﻲ ﻣﻲﮐﻨﺪ ﺍﻳﻦ ﻃـﻮﺭ ﺁﺧـﺮ ﺳـﺮﺩ ﺑـﺎﺯﺍﺭ ﺗـﺮﺍ‬ ‫ﺩﻝ ﻧﻤﻲﺧﻮﺍﻫﺪ ﮐﻪ ﻧﺎﺩﻡ ﺍﺯ ﮔﻨﻪ ﺑﻴـﻨﻢ ﺗـﺮﺍ ﻭﺭﻧـﻪ ﺑﺎﻃـﻞ ﻣـﻲﺗﻮﺍﻧـﺪ ﮐـﺮﺩ ﺍﻧﮑـﺎﺭ ﺗـﺮﺍ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٠٥ //‬‬ ‫ﺍﻳﻦﻗﺪﺭ ﮔﺴﺘﺎﺥ ﺑﺎﺩ‪ ‬ﺻﺒﺢ ﺭﺍ ﺑﺎ ﺧﻮﺩ ﻣﮑﻦ ﻣﻲﺭﺳﺎﻧﺪ ﺩﺭ ﭼﻤﻦ ﻫـﺮ ﺭﻭﺯ ﺍﺧﺒـﺎﺭ ﺗـﺮﺍ‬ ‫ﮐﺮﺩ ﺭﻭﺷﻦ ﺁﻥ ﻣ‪‬ﺴﻲ ﻣﺎﻟﻴﺪﻩ ﻟﺐ ﭼﺸﻢ ﻣﺮﺍ ﺑﺎ ﺷﺐ ﻣﻬﺘﺎﺏ ﻣﻲﺟﺴﺘﻢ ﺷـﺐ ﺗـﺎﺭ ﺗـﺮﺍ‬ ‫ﻇﺎﻫﺮﹰﺍ ﺷﻮﺭﻳﺪﺓ ﺑﻲﺗﺎﺏ ﺳﺮ ﺑـﺮ ﺳـﻨﮓ ﺯﺩ ﻏﺎﺯﺓ ﺧﻮﻥ ﺍﺳـﺖ ﭘﻴـﺪﺍ ﺭﻭﻱ ﺩﻳـﻮﺍﺭ ﺗـﺮﺍ‬ ‫ﺧﺎﻃﺮ ﺁﺯﺍﺩ ﺭﺍ ﺍﻣﺸﺐ ﺑﻪﺣﺮﻓﻲ ﺷـﺎﺩ ﮐـﺮﺩ‬ ‫ﻣـﻲﺗـﻮﺍﻥ ﺑﻮﺳـﻴﺪ ﻳـﺎﻗﻮﺕ ﮔﻬﺮﺑـﺎﺭ ﺗـﺮﺍ‬ ‫»‪«۱۶۲‬‬ ‫ﮐـﻨﻢ ﺑـﺎ ﭘـﺎﻱ ﻋﺮﻳـﺎﻥ ﻗﻄـﻊ ﺭﺍﻩ ﺍﻳـﻦ ﺑﻴﺎﺑـﺎﻥ ﺭﺍ ﮐﻪ ﻣﻲﺧﻮﺍﻫﻢ ﺯ ﺧﻮﺩ ﺭﺍﺿﻲ ﮐﻨﻢ ﺧﺎﺭﹺ ﻣﻐﻴﻼﻥ ﺭﺍ‬ ‫ﺗﻮ ﺳﺮﺧﻴﻞ ﻧﮑﻮﻳـﺎﻧﻲ ﺑـﻪﻏﻤﻨﺎﮐـﺎﻥ ﻧﮑـﻮﺋﻲ ﮐـﻦ ﭼﻪﺧﻮﺵﺑﺎﺷﺪﮐﻪﺑﺎﻫﻢﺟﻤﻊﺳﺎﺯﻱﺣﺴﻦﻭﺍﺣﺴـﺎﻥﺭﺍ‬ ‫ﺩﻝ ﮔﻢ ﮔﺸﺘﻪ ﺭﺍ ﻣﻲﺟـﻮﻳﻢ ﻭ ﺟـﺎﻳﻲ ﻧﻤـﻲﻳـﺎﺑﻢ ﺑﺪﻩ ﺭﺧﺼﺖ ﮐﻪ ﺑﻴﻨﻢ ﻳﮏ ﻧﻈﺮ ﭼـﺎﻩ ﺯﻧﺨـﺪﺍﻥ ﺭﺍ‬ ‫ﺩﺭ ﺍﻳﻦ ﻋﺎﻟﻢ ﺑﻮﺩ ﺁﺋﻴﻦ ﺭﻭﺷـﻦ ﻃﻴﻨﺘـﺎﻥ ﻳﮑﺴـﺎﻥ ﻧﺒﺎﺷــﺪ ﺍﻣﺘﻴــﺎﺯ ﺍﺯ ﻳﮑــﺪﮔﺮ ﻧــﻮﺭ ﭼﺮﺍﻏــﺎﻥ ﺭﺍ‬ ‫ﻣﮑﺶ ﺗﺎ ﻣﻲﺗـﻮﺍﻧﻲ ﺑـﺮ ﺣﺮﻳـﻒ ﻣﻨﻔﻌـﻞ ﺧﻨﺠـﺮ ﻧﺒﺎﺷـﺪ ﮐـﺎﺭﹺ ﻣ‪‬ـﺮﺩﺍﻥ ﺭﻳﺨـﺘﻦ ﺧـﻮﻥ ﭘﺸـﻴﻤﺎﻥ ﺭﺍ‬ ‫ﻧﻤﻲﺩﺍﻧﻢ ﮐﺪﺍﻣﻴﻦ ﺑﺪ ﺟﻨﻮﻥ ﺍﺯ ﺟـﻮﺵ ﺑـﻲﺗـﺎﺑﻲ ﮐﺸــﻴﺪ ﺍﺯ ﺯﻳــﺮ ﭘــﺎﻱ ﮐــﻮﻩ ﺩﺍﻣــﺎﻥ ﺑﻴﺎﺑــﺎﻥ ﺭﺍ‬ ‫ﺳــﺮﺕ ﮔــﺮﺩﻡ ﺩﻝ ﺁﺯﺍﺩ ﺭﺍ ﻣﺸــﮑﻦ ﺑﻨﻮﻣﻴــﺪﻱ‬ ‫ﺑــﻴﻔﮕﻦ ﺑــﺮ ﺳــﺮ ﺍﻭ ﺳــﺎﻳﺔ ﺯﻟــﻒ ﭘﺮﻳﺸــﺎﻥ ﺭﺍ‬ ‫»‪«۱۶۳‬‬ ‫ﻧﻤﻲﮔﻮﻳﻢ ﺗـﺮﺍ ﺍﺯ ﺩﺳـﺖ ﺩﻩ ﺩﺍﻣـﺎﻥ ﺗﻘـﻮٰﻱ ﺭﺍ ﺑﺒﻴﻦ ﺩﺭ ﮔﻮﺷﺔ ﻣﻴﺨﺎﻧﻪ ﻫـﻢ ﮔـﺎﻫﻲ ﺗﺠﻠﹼـﻲ ﺭﺍ‬ ‫ﺍﮔﺮ ﺩﺭ ﻓﺼﻞ ﮐﻮﺷﺪ ﺑﺎﺯ ﺩﻝ ﺩﺭ ﻭﺻﻞ ﻫﻢ ﺑﻨﺪﺩ ﭼــﻪ ﺁﺋــﻴﻦ ﺑﻬﻴﻨــﻲ ﺍﺧﺘﻴــﺎﺭ ﺍﻓﺘــﺎﺩ ﺩﺭﺯﻱ ﺭﺍ‬ ‫ﺭﺳﺎﻧﺪ ﺗﺸﻨﻪ ﺭﺍ ﺍﺯ ﺳـﻨﮓ ﺧـﺎﺭﺍ ﺁﺏ ﺷـﻴﺮﻳﻨﻲ ﺑﺒﻴﻦ ﺩﺭ ﺣﻴـﺪﺭﺁﺑﺎﺩ‪ ‬ﺩﮐـﻦ ﺍﻋﺠـﺎﺯﹺ ﻣﻮﺳٰـﻲ‪ ١‬ﺭﺍ‬ ‫ﭼﻪ ﻏﻢ ﮔﺮ ﺳـﺎﻳﺔ ﻭﺍﻟـﺪ ﻧـﺪﺍﺭﺩ ﺟـﻮﻫﺮﹺ ﻗﺎﺑـﻞ ﺑـﻮﺩ ﺍﺯ ﺟـﻮﻫﺮ ﺫﺍﺗـﻲ ﭘ‪‬ـﺮﹺ ﭘـﺮﻭﺍﺯ ﻋﻴ ٰﺴـﻲ ﺭﺍ‬ ‫ﮐﺴﻲ ﭘﺮﺳﻴﺪ ﺍﺯ ﻣﺠﻨﻮﻥ ﮐﻪ ﺑﻌﺪ ﺍﺯ ﻓﻮ ‪‬ﺕ ﭘﻴﻐﻤﺮ ﮐﺮﺍ ﮐﺎﺭ ﺧﻼﻓـﺖ ﺑـﻮﺩ ﺣـﻖ ﻓﺮﻣـﻮﺩ ﻟﻴٰﻠـﻲ ﺭﺍ‬ ‫ﺍﮔﺮ ﭼﻮﻥ ﺧﻀﺮ ﻣﻲﺧﻮﺍﻫﻲ ﮐﻪ ﻋﻤﺮ ﺟﺎﻭﺩﺍﻥ ﻳﺎﺑﻲ ﻣﺪﻩ ﺍﺯ ﺩﺳـﺖ‪ ‬ﻫﻤ‪‬ـﺖ ﺩﺍﻣـﻦ ﺗﻨﻬـﺎ ﻧﺸـﻴﻨﻲ ﺭﺍ‬ ‫ﻧــﺪﺍﺭﻡ ﺁﺭﺯﻭﻱ ﻫــﻴﭻ ﭼﻴــﺰ ﺁﺯﺍﺩ ﺩﺭ ﺩﻧﻴــﺎ‬ ‫ﺧﺪﺍ ﺷﺎﻫﺪ ﮐﻪ ﭘﺸـﺖ ﭘـﺎ ﺯﺩﻡ ﺭﻭﻱ ﺗﻤﻨﹼـﻲ ﺭﺍ‬ ‫‪ .١‬ﻣﻮﺳٰﻲ‪ :‬ﻧﺎﻡ ﺩﺭﻳﺎﺋﻲ ﮐﻪ ﺍﺯ ﺯﻳﺮ ﺷﻬﺮ ﺣﻴﺪﺭﺁﺑﺎﺩ ﻣﻲﮔﺬﺭﺩ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬

‫‪ // ٢٠٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۶۴‬‬ ‫ﺑﺮﻧﺨﻴﺰﺩ ﺧﻮﻥ ﻣﻦ ﺍﺯ ﺧﻮﺍﺏ ﺗﺮﺳـﻴﺪﻥ ﭼـﺮﺍ ﺩﺳﺖ ﺭﻧﮕﻴﻦ ﺭﺍ ﺗـﻪ ﺭﻭﻣـﺎﻝ ﭘﻮﺷـﻴﺪﻥ ﭼـﺮﺍ‬ ‫ﺑﻲﺳـﻔﺎﺭﺵ ﻣـﻲﺗـﻮﺍﻧﻲ ﮐـﺮﺩ ﮐـﺎﺭ ﻣـﻦ ﺭﻭﺍ ﺷـﺮﮐﺖ ﺍﻏﻴـﺎﺭ ﺩﺭ ﺍﺣﺴـﺎﻥ ﭘﺴـﻨﺪﻳﺪﻥ ﭼـﺮﺍ‬ ‫ﺣﺮﻑ ﺷﻮﻗﻲ‪ ١‬ﺍﺗﹼﻔﺎﻗﹰﺎ ﺑﺮ ﺯﺑـﺎﻥ ﻣـﻦ ﮔﺬﺷـﺖ ﻣﻲﺷﻮﺩ ﺍﻳﻦ ﻧﻮﻉ ﺩﺭ ﺍﺧﻼﺹ ﺭﻧﺠﻴﺪﻥ ﭼـﺮﺍ‬ ‫ﮔﺮ ﺗﺮﺍ ﺍﻳﺮﺍﺩ ﺑﺮ ﺍﻭﺿﺎﻉ ﻣـﻦ ﻣﻨﻈـﻮﺭ ﻧﻴﺴـﺖ ﺑﺎ ﺣﺮﻳﻔﺎﻥ ﺯﻳﺮ ﻟـﺐ ﺁﻫﺴـﺘﻪ ﺧﻨﺪﻳـﺪﻥ ﭼـﺮﺍ‬ ‫ﺍﻳﻦ ﻧﻤﻲﮔﻮﻳﻢ ﮐﻪ ﺷﺐ ﺑﻴﺪﺍﺭ ﺑﻮﺩﻱ ﺑﺎ ﮐﺴـﻲ ﺑﻨﺪﻩﭘﺮﻭﺭ ﺍﺯ ﺳـﺤﺮ ﺗـﺎ ﺷـﺎﻡ ﺧﻮﺍﺑﻴـﺪﻥ ﭼـﺮﺍ‬ ‫ﮐﻮﻫﮑﻦ ﺁﺋﻴﻨﻪ ﺩﻝ ﺩﺍﺷـﺖ ﺩﺭ ﺁﻏـﻮﺵ ﺧـﻮﺩ ﺻـﻮﺭﺕ ﻣﻌﺸـﻮﻕ ﺍﺯ ﺧـﺎﺭﺍ ﺗﺮﺍﺷـﻴﺪﻥ ﭼـﺮﺍ‬ ‫ﺟﺎﻧﻔﺸـﺎﻧﻲ ﮐـﺮﺩﻡ ﺍﻣ‪‬ـﺎ ﻗـﺪﺭ ﻣـﻦ ﻧﺸـﻨﺎﺧﺘﻲ ﻗﺪﺭﺩﺍﻧﻲ ﻳﮏ ﻃﺮﻑ ﺑﻲﻫـﻴﭻ ﮐﺎﻫﻴـﺪﻥ ﭼـﺮﺍ‬ ‫ﺍﺯ ﺑﺮﺍﻱ ﺗـﺎﺏ ﺩﻝ ﭘﻴﭽـﻲ ﮐﻔﺎﻳـﺖ ﻣـﻲﮐﻨـﺪ ﺯﻟـﻒ ﻋﻨﺒـﺮ ﻓـﺎﻡ ﺭﺍ ﺑﺴـﻴﺎﺭ ﭘﻴﭽﻴـﺪﻥ ﭼـﺮﺍ‬ ‫ﻣﻲﺗﻮﺍﻧﺪ ﮔﻔﺖ ﺧﻮﺩ ﻫﻢ ﺑﺎ ﺗﻮ ﺣﺮﻑ ﺧﻮﻳﺶ ﺭﺍ‬ ‫ﻣﻄﻠــﺐ ﺁﺯﺍﺩ ﺭﺍ ﺍﺯ ﻏﻴــﺮ ﭘﺮﺳــﻴﺪﻥ ﭼــﺮﺍ‬ ‫»‪«۱۶۵‬‬ ‫ﻭﺍﺭﺳﺘﻪ ﮐﻨﺪ ﻳـﺎﺩ ﭘـﺲ ﺍﺯ ﺩﻳـﺮ ﻭﻃـﻦ ﺭﺍ ﺟــﺎﻥ ﺭﻭﺯ ﻗﻴﺎﻣــﺖ ﻧﮑــﺮﺩ ﺑــﺎﺭ ﺑــﺪﻥ ﺭﺍ‬ ‫ﭼﻮﻥ ﺁﻓﺖ ﻫﻤﺠﻨﺲ ﺑﻼﻱ ﻧﺘـﻮﺍﻥ ﻳﺎﻓـﺖ ﺍﻟﻤــﺎﺱ ﺧﺮﺍﺷــﺪ ﺟﮕــﺮ ﻟﻌــﻞ ﻳﻤــﻦ ﺭﺍ‬ ‫ﭼﻴﺰﻱ ﮐﻪ ﺗﻠﻒ ﺷﺪ ﻋﻮﺽ ﺧﻮﻳﺶ ﻧﺪﺍﺭﺩ ﻧﺮﮔﺲ ﻧﺒﺮﺩ ﺣﺴـﺮﺕ ﻣﺮﻏـﺎﻥ ﭼﻤـﻦ ﺭﺍ‬ ‫ﺍﻱ ﺑﺎﺩ‪ ‬ﺻﺒﺎ ﺭﺍﻩ‪ ‬ﺗـﻮ ﮔـﺮ ﺁﻥ ﻃـﺮﻑ ﺍﹸﻓﺘـﺪ ﺍﺯ ﻣـﻦ ﺑﺮﺳـﺎﻥ ﻋﺸـﻖ ﻏـﺰﺍﻻﻥ ﺧـﺘﻦ ﺭﺍ‬ ‫ﭘﺮﻭﺍﻧــﻪ ﺭﺳــﺎﻧﻴﺪ ﮐﺠــﺎ ﺭﺳــﻢ ﻭﻓــﺎ ﺭﺍ ﺧﺎﮐﺴـﺘﺮ ﺍﻭ ﺑﻮﺳـﻪ ﺯﻧـﺪ ﭘـﺎﻱ ﻟﮕـﻦ ﺭﺍ‬ ‫ﺳﻮﮔﻨﺪ ﭼـﺮﺍ ﻳـﺎﺩ ﮐﻨـﻲ ﺑـﺮ ﺳـﺮ ﭘﻴﻤـﺎﻥ ﻓﺮﻣـﻮﺩﻱ ﻭ ﻣـﻦ ﻳـﺎﻓﺘﻢ ﺍﻧـﺪﺍﺯﹺ ﺳـﺨﻦ ﺭﺍ‬ ‫ﻫﺮ ﭼﻴﺰ ﮐﻪ ﺍﺯ ﺣﺪ ﮔﺬﺭﺩ ﻧﻴﺴﺖ ﻣﻨﺎﺳﺐ ﺩﻳﮕــﺮ ﻣﺸــﮑﻦ ﻃــﺮ‪‬ﺓ ﻟﺒﺮﻳــﺰ ﺷــﮑﻦ ﺭﺍ‬ ‫ﺩﻳﻮﺍﻧﮕﻲ ﻣﺎ ﺯ ﺑﻬـﺎﺭ ﺗـﻮ ﻋﺠـﺐ ﻧﻴﺴـﺖ ﮐﺰ ﺑﻮﻱ ﺗﻮ ﺻﺪ ﭘﺎﺭﻩ ﮐﻨﺪ ﻣـﺮﺩﻩ ﮐﻔـﻦ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺳـــﺮ ﮐـــﻮﻱ ﺗـــﺮﺍ ﻭﺍ ﻧﮕـــﺬﺍﺭﺩ‬ ‫ﺍﺯ ﺟﻠﻤﺔ ﺍﻳﻤـﺎﻥ ﺷـﻤﺮﺩ ﺣ‪‬ـ ‪‬ﺐ ﻭﻃـﻦ ﺭﺍ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺷﻮﺧﻲ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٠٧ //‬‬ ‫»‪«۱۶۶‬‬ ‫ﺑﺨﺸﺪ ﺯﻣﺎﻧﻪ ﺩﻭﻟﺖ‪ ‬ﺳـﺮﻣﺪ ﻃﻮﻳـﻞ ﺭﺍ ﺑﺎﺷـﺪ ﻫﻤﻴﺸـﻪ ﻣﻴـﻮﺓ ﺗـﺮ ﻧﺎﺭﺟﻴـﻞ ﺭﺍ‬ ‫ﭼﺸﻢ ﺳﻴﺎﻩ ﻣﺴﺖ ﺗﻮ ﺯﺩ ﺑﺮ ﺯﻣﻴﻦ ﻣـﺮﺍ ﻣـﻲﺩﺍﺩ ﻗـﻮ‪‬ﺕ ﻋﺠﺒـﻲ ﺍﻳـﻦ ﻋﻠﻴـﻞ ﺭﺍ‬ ‫ﺩﻝ ﺭﺍ ﻧﻤﻮﺩ ﺩﻳـﺪﺓ ﺑﻴﻨـﺎ ﻧﺸـﺎﻥ ﻋﺸـﻖ ﻳﺎﺭﺏ ﻫﻤﻴﺸﻪ ﺩﺍﺭ ﺧﻨﮏ ﺍﻳﻦ ﺩﻟﻴـﻞ ﺭﺍ‬ ‫ﻗﺎﺗﻞ ﺭﺳﺎﻧﺪ ﺗﺎ ﺑﻪﮐﺠﺎ ﮐـﺎﺭ ﻧﺎﺧﻮﺷـﻲ ﺑﺮﺑــﺎﺩ ﺩﺍﺩ ﻣﺸــﺖ ﻏﺒــﺎﺭ ﻗﺘﻴــﻞ ﺭﺍ‬ ‫ﺁﻥ ﺳﺮﻭ ﻗﺪ ﺯ ﭼﺸﻢ ﺗﺮ ﻣﻦ ﻣﺒـﺎﺩ ﺩﻭﺭ ﻣﻘﻴﺎﺱ‪ ١‬ﭘﺮ ﺿـﺮﻭﺭ ﺑـﻮﺩ ﺭﻭﺩ ﻧﻴـﻞ ﺭﺍ‬ ‫ﻣﮋﮔﺎﻥ ﺍﻭ ﺯ ﮐﺸﺘﻦ ﻋﺸﹼـﺎﻕ ﺑﺮﻧﮕﺸـﺖ ﺑﺮﮔﺸــﺘﮕﻲ ﮐﺠــﺎ ﺩ‪‬ﻡ ﺗﻴــﻎ ﺍﺻــﻴﻞ ﺭﺍ‬ ‫ﺍﺑﻠــﻴﺲ ﻣﺎﻧــﺪ ﺍﺯ ﺩﻝ ﺁﮔــﺎﻩ ﺩﻭﺭ ﺗــﺮ ﺩﺭ ﺧﺎﻧــﺔ ﺧــﺪﺍ ﻧﺒــﻮﺩ ﺭﺍﻩ ﻓﻴــﻞ ﺭﺍ‬ ‫ﺑﻲﺍﺷﺘﻬﺎ ﺯ ﺑـﻮﺩﻥ ﻧﻌﻤـﺖ ﭼـﻪ ﻓﺎﻳـﺪﻩ ﮔﺮ ﺳﺪﺭﻩ‪ ٢‬ﺑﺎﺭ ﺩﺍﺩ ﭼﻪ ﺣﻆ ﺟﺒﺮﺋﻴﻞ ﺭﺍ‬ ‫ﺁﺯﺍﺩ ﺑﻴﺰﺑﺎﻥ ﺑﻪﭼﻪ‪ ٣‬ﻋﻨـﺭﺍﻮﺍﻥ ﺑﻴـﺎﻥ ﮐﻨـﺪ‬ ‫ﺍﻟﻄــﺎﻑ ﻣﻴــﺮ ﺳــﻴ‪‬ﺪ ﻋﺒــﺪﺍﻟﺠﻠﻴﻞ‪ ٤‬ﺭﺍ‬ ‫»‪«۱۶۷‬‬ ‫ﻏﺒـﺎﺭ ﮐﻴﻨـﻪ ﺑﺎﺷـﺪ ﺗـﺎ ﮐﺠـﺎ ﺩﺭ ﺳـﻴﻨﻪ ﻗﺎﺗـﻞ ﺭﺍ ﮐﻪ ﺑﺮ ﺭﻭﻱ ﺯﻣﻴﻦ ﻧﮕﺬﺍﺷﺖ ﻇﺎﻟﻢ ﮔﻮﺭ ﺑﺴﻤﻞ ﺭﺍ‬ ‫ﻃﻠﺐ ﮐﺮﺩﻱ ﺯ ﻣـﻦ ﺁﺭﺍﻣﮕـﺎﻫﻲ‪ ٥‬ﺍﺯ ﮐﺠـﺎ ﻳـﺎﺑﻢ ﻧﻤﻲﺩﺍﻧﻲ ﮐﻪ ﺧﻮﺩ ﻧﺎﺣﻖ ﺷﮑﺴـﺘﻲ ﺧﺎﻧـﺔ ﺩﻝ ﺭﺍ‬ ‫ﻧﻤﻲﺳﺎﺯﻧﺪ ﺷـﺎﻫﺎﻥ ﮔﻮﺷـﻮﺍﺭ ﺍﺯ ﮔـﻮﻫﺮ ﮐـﺎﺫﺏ ﺗﺮﺍ ﻻﻳﻖ ﻧﺒﺎﺷﺪ ﮔـﻮﺵ ﮐـﺮﺩﻥ ﺣـﺮﻑ‪ ‬ﺑﺎﻃـﻞ ﺭﺍ‬ ‫ﻏﺒــﺎﺭ ﻧــﺎﺗﻮﺍﻥ ﮐــﺎﺭﻭﺍﻧﻢ ﺁﻓــﺮﻳﻦ ﺑــﺮ ﻣــﻦ ﮐﻪ ﺍﺯ ﭘـﻲ ﺭﻓـﺘﻢ ﻭ ﻧﮕﺬﺷـﺘﻢ ﺩﻧﺒـﺎﻝ ﻣﺤﻤـﻞ ﺭﺍ‬ ‫ﻧﻤـﻲﺩﺍﻧـﻢ ﮐـﺮﺍ ﺩﺭ ﺩﻳـﺪﺓ ﺍﻭ ﺟـﺎ ﺗﻮﺍﻧـﺪ ﺷـﺪ ﻗﺒـﻮﻝ ﺗﻮﺗﻴـﺎ ﺑﺎﺷـﺪ ﮔـﺮﺍﻥ ﺁﻥ ﭼﺸـﻢ ﮐﺎﻣـﻞ ﺭﺍ‬ ‫ﺳﺮﺕ ﮐﺮﺩﻡ ﺍﮔﺮ ﺍﺯ ﺧﻮﻥ ﻣﻦ ﺭﻧﮕﻴﻦ ﻧﻤﻲﺳﺎﺯﻱ ﭼـﺮﺍ ﺑﺮﺩﺍﺷـﺘﻲ ﺑــﺮﺩﻭﺵ ﺷﻤﺸـﻴﺮ ﺣﻤﺎﻳــﻞ ﺭﺍ‬ ‫ﺑــﻪﮔــﺮﺩﺍﺏ ﺑﻼﻳــﻲ ﺩﻳــﺪﻩ ﻭ ﺩﺍﻧﺴــﺘﻪ ﺍﻓﺘــﺎﺩﻡ ﻣﺒــﺎﺭﮎ ﺑــﺎﺩ ﺫﻭﻕ ﻋﺎﻓﻴ‪‬ــﺖ ﻳــﺎﺭﺍﻥ ﺳــﺎﺣﻞ ﺭﺍ‬ ‫ﺳﺨﻲ ﺗﺎ ﺯﺭ ﻧﭙﺎﺷﺪ ﺑﺮ ﮔـﺪﺍ ﺗﺴـﮑﻴﻦ ﻧﻤـﻲﻳﺎﺑـﺪ ﮐﻨﺪ ﺑﻲﻃﺎﻗﺘﻲ ﭼـﻮﻥ ﺑﻨﮕـﺮﺩ ﺗﺼـﻮﻳﺮ ﺳـﺎﻳﻞ ﺭﺍ‬ ‫ﻣﺰﻥ ﺁﺯﺍﺩ ﺩ‪‬ﻡ ﮔﺮ ﺍﺯ ﮐﺴﻲ ﺣـﺮﻑ ﺧﻄـﺎ ﺳـﺮﺯﺩ‬ ‫ﭼﺮﺍ ﺁﺯﺭﺩﻩ ﺍﺯ ﺧﻮﺩ ﻣـﻲﮐﻨـﻲ ﻳـﺎﺭﺍﻥ ﻣﺤﻔـﻞ ﺭﺍ‬ ‫‪ .١‬ﻣﻴﻠﻲ ﮐﻪ ﺩﺭ ﻣﺼﺮ ﮐﻨﺎﺭ ﺭﻭﺩ ﻧﻴﻞ ﺑﺮﺍﻱ ﺩﺍﻧﺴﺘﻦ ﺯﻳﺎﺩﺕ ﻭ ﻧﻘﺼﺎﻥ ﺁﺏ ﺳﺎﺧﺘﻪﺍﻧﺪ‪) .‬ﻧﺴﺨﺔ ﻧﺪﻭﻩ(‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﮔﺮ ﺑﺎﺭ ﺩﺍﺩ ﺳﺪﺭﻩ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪» :‬ﺑﻪﭼﻪ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٤‬ﻣﻴﺮ ﺳ‪‬ﻴﺪ ﻋﺒﺪﺍﻟﺠﻠﻴﻞ ﺑﻠﮕﺮﺍﻣﻲ‪ ،‬ﺟ ‪‬ﺪ ﻣﺎﺩﺭﻱ ﻭ ﺍﺳﺘﺎ ‪‬ﺩ ﺁﺯﺍﺩ‪.‬‬ ‫‪ .٥‬ﻧﺪﻭﻩ‪ :‬ﺁﺭﺍﻣﮕﺎﻩ‪.‬‬

‫‪ // ٢٠٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۶۸‬‬ ‫ﺿــﺎﻳﻊ ﻣﺴــﺎﺯ ﺑــﺮ ﺩﺭ ﻣﻤﺴــﮏ ﺗــﻼﺵ ﺭﺍ ﺍﻣﻴــﺪ ﻧﻴﺴــﺖ ﺍﺯ ﺳــﺮ ﮔــﻞ ﻣــﻮ ﺗــﺮﺍﺵ ﺭﺍ‬ ‫ﭘﻴــﺪﺍ ﮐﻨــﺪ ﻃﺒﻴﻌــﺖ ﻣﻬﻤــﺎﻥ ﻫــﺰﺍﺭ ﻗــﺒﺾ ﺍﺯ ﺧــﻮﺍﻥ ﻣﻤﺴــﮑﺎﻥ ﻧﺘــﻮﺍﻥ ﺧــﻮﺭﺩ ﺁﺵ ﺭﺍ‬ ‫ﺷــﺎﻫﺎﻥ‪ ‬ﻋﺼــﺮ ﻗﺎﺑــﻞ ﺑ‪‬ﺮﺧــﻮﺭﺩ ﻧﻴﺴــﺘﻨﺪ ﺩﺍﺭﻧــﺪ ﭘــﻴﺶ ﭘــﻴﺶ ﺑﺠــﺎ ﺩﻭﺭﺑــﺎﺵ‪ ١‬ﺭﺍ‬ ‫ﺣﺴـﻦ ﺗـﻮ ﺯﻭﺩ ﺭﻧـ ‪‬ﮓ ﻭﻓـﺎ ﺭﺍ ﺯ ﺩﺳـﺖ ﺩﺍﺩ ﻧﺸـــﻨﺎﺧﺘﻴﻢ ﺧـــﺎﻣﺊ ﺭﻧـــﮓ ﻗﻤـــﺎﺵ ﺭﺍ‬ ‫ﻣﺮﻍ ﭼﻤﻦ ﺑﻪﻣﺬﻫﺐ ﻋﺸﹼـﺎﻕ ﮐﹸﺸـﺘﻨﻲ ﺍﺳـﺖ ﺑــﺮ ﺭﻭﻱ ﮔــﻞ ﮐﺸــﺪ ﻧﻔــﺲ ﺩﻟﺨــﺮﺍﺵ ﺭﺍ‬ ‫ﮔﻔﺘﻲ ﮐﻪ ﺩﺭﺩ ﺩﻝ ﭼﻪ ﺷﻨﺎﺳـﻢ ﻧﻬﻔﺘـﻪ ﺍﺳـﺖ ﺑــﺎﺭﻱ ﻧﮕــﺎﻩ ﮐــﻦ ﻣــﮋﺓ ﺍﺷــﮏ ﭘــﺎﺵ ﺭﺍ‬ ‫ﺧﻮﺍﻫﻨﺪ ﺑﻨـﺪﻫﺎﻱ ﺗـﻮ ﻧـﺎﺣﻖ ﺷﮑﺴـﺖ ﻣـﻦ ﻻﺯﻡ ﮐــﻪ ﻧﺸــﮑﻨﻨﺪ ﺩﻝ ﺧﻮﺍﺟــﻪ ﺗــﺎﺵ ﺭﺍ‬ ‫ﻳﺎﺭﺍﻥ ﻭﺻﻴ‪‬ﺘﻲ ﺍﺳﺖ ﮐﻪ ﭼﻮﻥ ﺑﻨﺪﻩ ﺟﺎﻥ ﺩﻫﺪ ﺩﺭ ﺧــﺎﮎ‪ ‬ﮐـــﻮﻱ ﻳــﺎﺭ ﺳـــﭙﺎﺭﻧﺪ ﻻﺵ ﺭﺍ‬ ‫ﺑـﺎ ﺳـﺮﻭ ﺑـﻲﺛﻤـﺮ ﮔﻠـﻪﺍﻱ ﺳـﺮ ﻧﻤـﻲﮐﻨـﺪ‬ ‫ﺁﺯﺍﺩ ﻳـــــﺎﺩﮔﻴﺮ ﺯ ﻗﻤـــــﺮﻱ ﻣﻌـــــﺎﺵ ﺭﺍ‬ ‫»‪«۱۶۹‬‬ ‫ﮔﻔـﺘﻤﺶ ﺍﻱ ﻣـﺎﻩ ﺑﺮﮔـﺮﺩﺍﻥ ﺑـﻪﺳـﻮﻳﻢ ﺭﺍﻩ ﺭﺍ ﮔﻔﺖ ﺍﻱ ﻧﺎﺩﺍﻥ ﻧﺒﺎﺷـﺪ ﺳـﻴﺮ ﺭﺟﻌـﺖ‪ ٢‬ﻣـﺎﻩ ﺭﺍ‬ ‫ﺭﺍﻩ ﻫﻔﺘﺎﺩ ﻭ ﺩﻭ ﻣﻠﹼﺖ ﻏﻴﺮ ﻳﮏ ﺩﺭﻭﺍﺯﻩ ﻧﻴﺴـﺖ ﺑﺎﺭﻫــــﺎ ﮐــــﺮﺩﻡ ﺯﻳــــﺎﺭﺕ ﺧﺎﻧــــﺔ ﺍﷲ ﺭﺍ‬ ‫ﺍﺯ ﻓﺮﻳـﺐ ﺷـﻴﺦ ﮐـﺰ ﺁﮔـﻪ ﻧـﻪﺍﻱ ﺁﮔـﺎﻩ ﺑـﺎﺵ ﺷــﻤﻠﺔ ﺍﻭ ﻣــﻲﻧﺸــﺎﻧﺪ‪ ٣‬ﭘــﺲ ﺩ‪‬ﻡ ﺭﻭﺑــﺎﻩ ﺭﺍ‬ ‫ﮐﻮﻫﮑﻦ ﺧﻮﺩ ﺭﺍ ﭼﺮﺍ ﻣﻲﮐﺸﺖ ﺍﺯ ﺑﺎﺯﻭﻱ ﺧﻮﺩ ﺩﺍﺷــﺘﻲ ﮔــﺮ ﺭﻭﺯ ﮐﺸــﺘﻦ ﺷــﺎﻩ ﻋﺎﻟﻴﺠــﺎﻩ ﺭﺍ‬ ‫ﺍﺯ ﺳـﺘﻢ ﭘﺮﻫﻴـﺰ ﮐـﺮﺩﻥ ﭘﺎﺩﺷـﺎﻫﺎﻥ ﺭﺍ ﺿـﺮﻭﺭ ﮐﺸــﺖ ﺁﺧــﺮ ﺷــﻴﻮﺓ ﺑﻴــﺪﺍﺩ ﻧــﺎﺩﺭ ﺷــﺎﻩ ﺭﺍ‬ ‫ﺣﻴﺮﺗﻲ ﺩﺍﺭﻡ ﮐﻪ ﺧﻮﺑﺎﻥ ﺑﺎ ﻭﺟﻮﺩ ﻓﻬﻢ ﺧـﻮﺵ ﭘﻴﺶ ﻣـﻲﺁﺭﻧـﺪ ﺩﺭ ﺳـﺮﮐﺎﺭ ﺧـﻮﺩ ﺑـﺪﺧﻮﺍﻩ ﺭﺍ‬ ‫ﺩﻝ ﺯﻧﺨــﺪﺍﻥ ﺗــﺮﺍ ﺑﺴــﻴﺎﺭ ﻣــﻲﺩﺍﺭﺩ ﻋﺰﻳــﺰ ﻳﺎﻓﺖ ﻣﺴﺘﺴـﻘﻲ ﺑﺼـﺪ ﻣﺤﻨـﺖ ﮐﻨـﺎﺭ ﭼـﺎﻩ ﺭﺍ‬ ‫ﻏﻴﺮ ﻋﺎﺷﻖ ﻗﻴﻤـﺖ ﻣﻌﺸـﻮﻕ ﻧﺘﻮﺍﻧـﺪ ﺷـﻨﺎﺧﺖ ﮐﻬﺮﺑــﺎ ﺑﺎﻳــﺪ ﮐــﻪ ﺑﺸﻨﺎﺳــﺪ ﺑﻬــﺎﻱ ﮐــﺎﻩ ﺭﺍ‬ ‫‪ .١‬ﺩﻭﺭﺑﺎﺵ‪ :‬ﻧﻴﺰﻩﺍﻱ ﮐﻪ ﺩﻭ ﺷﺎﺧﻪ ﺑﺎﺷﺪ‪ ،‬ﺩﺭ ﺯﻣﺎﻥ ﻗﺪﻳﻢ ﺁﻥ ﺭﺍ ﻣﺮ ﹼﺻﻊ ﻣﻲﮐﺮﺩﻧﺪ ﻭ ﭘﻴﺶ ﭘﻴﺶ ﺑﺎﺩﺷﺎﻫﺎﻥ ﻣﻲ‪‬ﺑﺮﺩﻧﺪ ﺗﺎ ﻣﺮﺩﻡ‬ ‫ﺳﻮﺍﺭﻱ ﺑﺎﺩﺷﺎﻩ ﺷﻨﺎﺧﺘﻪ ﮐﻨﺎﺭ ﮐﻨﻨﺪ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٢‬ﺭﺟﻌﺖ‪ :‬ﺩﺭ ﺳﻴﺎﺭﻩﻫﺎ ﻣﺎﻩ ﻭ ﺁﻓﺘﺎﺏ ﺭﺍ ﺭﺟﻌﺖ ﻧﻴﺴﺖ ﺑﺎﻗﻲ ﺭﺍ ﺭﺟﻌﺖ ﺍﺳﺖ‪) .‬ﻧﺴﺨﺔ ﻣﺠﻠﺲ(‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﻲﻧﺸﺎﻳﺪ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٠٩ //‬‬ ‫ﭼﺸــﻢ ﻣﺴــﺖ ﻳــﺎﺭ ﺩﺍﺭﺩ ﺩﺭ ﻧﻈــﺮ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﻣــﻲ ﻧﺴــﺎﺯﺩ ﺑﻴﺨﺒــﺮ ﺁﻥ ﻧــﺮﮔﺲ ﺁﮔــﺎﻩ‪ ١‬ﺭﺍ‬ ‫»‪«۱۷۰‬‬ ‫ﻣــﺮﺩﻡ ﺁﺯﺍﺭﻳﺴــﺖ ﻣــﺎﻧﻊ ﺍﺯ ﺷــﻔﺎ ﺑﻴﻤــﺎﺭ ﺭﺍ ﻧــﺮﮔﺲ ﺍﻭ ﺩﻭﺳــﺖ ﻣــﻲﺩﺍﺭﺩ ﭼــﺮﺍ ﺁﺯﺍﺭ ﺭﺍ‬ ‫ﭼﺸﻢ ﺭﺍ ﻭﺍ ﮐﻦ ﺑﺴﻮﻱ ﻣﻦ ﺑﮕـﺮﺩﺍﻥ ﺍﺯ ﺭﻗﻴـﺐ ﻣــﻲﺩﻫــﺪ ﮔﺮﺩﺍﻧــﺪﻥ ﺟــﺎ ﺭﺍﺣﺘــﻲ ﺑﻴﻤــﺎﺭ ﺭﺍ‬ ‫ﺭﻓــﺖ ﺍﺯ ﺁﺭﺍﻣﮕــﺎﻩ ﺗــﻦ ﺩﻝ ﺑــﻲﺗــﺎﺏ ﻣــﻦ ﺧــﻮﺵ ﻧﻴﺎﻳــﺪ ﺧﺎﻧــﺔ ﻣــﺎﻧﻮﺱ ﻫــﻢ ﺑﻴــﺰﺍﺭ ﺭﺍ‬ ‫ﻧﻴﺴـﺖ ﺍﻣـﺮﻭﺯ ﺍﺯ ﺗـﻮ ﺍﻣﻴـﺪ ﺳـﻼﻣﺖ ﻣﺎﻧـﺪﻧﻢ ﺭﺍﺳﺖ ﻣـﻲﺁﺋـﻲ ﻭ ﮐـﺞ ﭘﻴﭽﻴـﺪﻩﺍﻱ ﺩﺳـﺘﺎﺭ ﺭﺍ‬ ‫ﺧﻮﺏ ﻣﻲﺩﺍﻧﻢ ﮐﻪ ﺷﺐ ﺑﻮﺩﻱ ﻫﻢﺁﻏﻮﺵ ﮐﺴﻲ ﻣﻲﮐﻨـﻲ ﭘﻨﻬـﺎﻥ ﭼـﺮﺍ ﺑـﺮ ﺗـﻦ ﻧﺸـﺎﻥ‪ ‬ﻫـﺎﺭ‪ ٢‬ﺭﺍ‬ ‫ﺧـﻮﻥ ﻣﻈﻠﻮﻣـﺎﻥ ﺑﺮﻳـﺰﺩ ﻋـﺬﺭ ﺑ‪‬ﺪﻣﺴـﺘﻲ ﮐﻨـﺪ ﻣــﻲﺷﻨﺎﺳــﻢ ﺷــﻴﻮﺓ ﺁﻥ ﻧــﺮﮔﺲ ﻫﺸــﻴﺎﺭ ﺭﺍ‬ ‫ﺍﻳﻦ ﻫﻤﻪ ﺍﻱ ﮔﻞ ﻧﺴﻴﻢ ﺻـﺒﺢ ﺭﺍ ﻣﺤـﺮﻡ ﻣﮑـﻦ ﻣــﻲﺭﺳــﺎﻧﺪ ﺍﺯ ﺗــﻮ ﺩﺭ ﺑﺎﺯﺍﺭﻫــﺎ ﺍﺧﺒــﺎﺭ ﺭﺍ‬ ‫ﺷﻤﻊ ﻣﻦ ﭘﺮﻭﺍﻧـﻪﻫـﺎ ﺭﺍ ﺍﻳـﻦﻗـﺪﺭ ﺁﺗـﺶ ﻣـﺰﻥ ﺻــﺒﺢ ﺁﺧــﺮ ﺳــﺮﺩ ﺳــﺎﺯﺩ ﮔﺮﻣــﻲﹺ ﺑــﺎﺯﺍﺭ ﺭﺍ‬ ‫ﺯﻳﻨﻬــﺎﺭ ﺁﺯﺍﺩ ﺍﺯ ﹸﮐــﻨﺞ ﻭﻃــﻦ ﺑﻴــﺮﻭﻥ ﻣﻴــﺎ‬ ‫ﻣﻐﺘــﻨﻢ ﺩﺍﻥ ﺍﻳــﻦ ﻧﺴــﻴﻢ ﻭ ﺳــﺎﻳﺔ ﺩﻳــﻮﺍﺭ ﺭﺍ‬ ‫»‪«۱۷۱‬‬ ‫ﺩﻝ ﺷﮑﺴــﺘﻪ ﺳــﺰﺍﻭﺍﺭ ﺁﻥ ﺟﻨــﺎﺏ ﮐﺠــﺎ ﺍﻣﻴــﺮﺯﺍﺩﻩ ﮐﺠــﺎ ﺧﺎﻧــﺔ ﺧــﺮﺍﺏ ﮐﺠــﺎ‬ ‫ﻫﻤﻴﺸـﻪ ﺣﺎﺿـﺮ ﺩﺭﮔـﺎﻩ ﺁﺳـﻤﺎﻥ ﺟـﺎﻫﻢ ﻭﻓــﺎﻱ ﻭﻋــﺪﺓ ﻧــﻮ‪‬ﺍﺏ ﻣﺴــﺘﻄﺎﺏ ﮐﺠــﺎ‬ ‫ﺑـﺮﺍﻱ ﺟﺴـﺘﻦ ﺁﺏ ﺣﻴـﺎﺕ ﺩﺭ ﻇﻠﻤـﺎﺕ ﻫــﺰﺍﺭ ﺗﺸــﻨﻪ ﻓــﺮﻭ ﻣﺎﻧــﺪ ﺁﻓﺘــﺎﺏ ﮐﺠــﺎ‬ ‫ﺍﮔﺮ ﻭﺻﺎﻝ ﮐﺸـﺪ ﺑـﻪ ﺯ ﮐﺸـﺘﻦ ﻫﺠـﺮﺍﻥ ﺷﺐ ﮐﺘﺎﻥ ﮔﺬﺭﺩ ﺳـﺨﺖ ﻣﺎﻫﺘـﺎﺏ ﮐﺠـﺎ‬ ‫ﻣﻦ ﺍﺯ ﺯﺑﺎﻥ ﺗﻮ ﮔﺮ ﭘﻮﭺ ﻧﺸﻨﻮﻡ ﭼﻪ ﮐـﻨﻢ ﺯ ﻫﻴﺒﺖ‪ ‬ﺗـﻮ ﻣـﺮﺍ ﺟـﺮﺃﺕ ﺟـﻮﺍﺏ ﮐﺠـﺎ‬ ‫ﺻﺒﺎﺡ ﻋﺸﺮﺕ ﺷﺐ ﻳﺎﺩ ﮐـﺮﺩﻩ ﻣـﻲﻧـﺎﻟﻢ ﮐﻪ ﻣﺎﻫﺘـﺎﺏ ﮐﺠـﺎ ﺷﻴﺸـﺔ ﺷـﺮﺍﺏ ﮐﺠـﺎ‬ ‫ﮐﺸــﻴﺪ ﻧﻌــﺮﻩ ﺯ ﺑﻴــﺪﺍﺩ ﺩﺷــﻤﻨﺎﻥ ﺁﺯﺍﺩ‬ ‫ﮐﻪ ﺫﻭﺍﻟﻔﻘﺎﺭ ﮐﺠـﺎ ﺩﺳـﺖ‪ ‬ﺑـﻮﺗﺮﺍﺏ ﮐﺠـﺎ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﻪﺟﺎﻱ »ﺁﮔﺎﻩ«‪» ،‬ﺑﻴﻤﺎﺭ«‪ ،‬ﺩﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﮔﺮﺩﻥﺑﻨﺪ‪.‬‬

‫‪ // ٢١٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۷۲‬‬ ‫ﺍﻱ ﺑﺎﻏﺒﺎﻥ ﻳﮏ ﺻﺒﺤﺪﻡ ﻣﻤﻨﻮﻥ ﺍﺣﺴﺎﻥ ﮐﻦ ﻣـﺮﺍ ﺩﺭ ﮔﻠﺴﺘﺎﻥ ﺧﻮﺩ ﺑﺨﻮﺍﻥ ﮔﻞ ﺩﺭ ﮔﺮﻳﺒﺎﻥ ﮐﻦ ﻣـﺮﺍ‬ ‫ﺍﻱ ﻋﺸﻖ ﻣﻨﺸﻴﻦ ﺳﺮﮔﺮﺍﻥ ﺧﻮﺩ ﺭﺍ ﺑﻪﭘﻴﺶ ﻣﻦ ﺭﺳﺎﻥ ﭼﻮﻥ ﺷﻤﻊ ﺁﺗﺶ ﺯﻥ ﺑﻪﺟﺎﻥ ﮔﺮﻳﺎﻥ ﻭ ﺑﺮﻳﺎﻥ ﮐﻦ ﻣﺮﺍ‬ ‫ﺩﺷـﻤﻦ ﺩﺭﺁﻣـﺪ ﺍﺯ ﺩﺭﻡ ﺍﺳـﺘﺎﺩﻩ ﺑﺎﺷـﺪ ﺑـﺮ ﺳـﺮﻡ ﻣﻦ ﺷﻤﻊ ﺭﺍﻩ ﺻﺮﺻﺮﻡ ﺩﺭ ﺯﻳـﺮ ﺩﺍﻣـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺟﻮﺭ ﺗـﻮ ﺑـﺮ ﻣـﻦ ﺍﻳـﻦﻗـﺪﺭ ﺍﺯ ﺁﺩﻣﻴـﺖ ﺩ‪‬ﻭﺭﺗـﺮ ﺍﻇﻬﺎﺭ ﻣﻦ ﺑﺎﺷﺪ ﺍﮔﺮ ﺑـﻲﺟـﺎ ﭘﺸـﻴﻤﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﻃﺐ‪ ‬ﻣﺤﺒ‪‬ﺖ ﺧﻮﺍﻧﺪﻩﺍﻱ ﭼﻨﺪﻳﻦ ﻭﺭﻕ ﮔﺮﺩﺍﻧﺪﻩﺍﻱ ﺑﺎﺭﻱ ﭼﺮﺍ ﻭﺍ ﻣﺎﻧﺪﻩﺍﻱ ﺑـﻲﺩﺭﺩ ﺩﺭﻣـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﻳﺎﺭﺏ ﻣﺮﺍ ﺍﺯ ﺧﻮﻳﺶ ﮐﻦ ﻗﺪﺭﻡ ﺯ ﻳﺎﺭﺍﻥ ﺑﻴﺶ ﮐﻦ ﺍﺯ ﻫﺮﮐﻪ ﺑﺎﺷﺪ ﺑﻴﺶ ﮐﻦ ﺷﻤﻊ ﭼﺮﺍﻏﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺗــﺎ ﻣــﻲﺗــﻮﺍﻧﻲ ﮐــﺎﻡ ﺩﻩ ﮐــﺎﺭ ﻣــﺮﺍ ﺍﻧﺠــﺎﻡ ﺩﻩ ﻳﺎ ﺑﻮﺳﻪ ﻳﺎ ﺩﺷﻨﺎﻡ ﺩﻩ ﺑﺮ ﺧﻮﺩ ﺛﻨﺎﺧﻮﺍﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺍﻧـﺪﻭﺧﺘﻢ ﺩﺭ ﮐـﻮﻱ ﺗـﻮ ﺟﻤﻌﻴ‪‬ﺘـﻲ ﺍﺯ ﺭﻭﻱ ﺗـﻮ ﺧﻮﺍﻫﺪ ﺍﮔﺮ ﮔﻴﺴﻮﻱ ﺗﻮ ﺍﺯ ﺳﺮ ﭘﺮﻳﺸﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫ﺁﺯﺍﺩﻡ ﺍﺯ ﺩﺍﻡﹺ ﻫــــﻮﺍ ﺑــــﺎ ﺩﻟﺒــــﺮﺍﻥ ﻧﺎﺁﺷــــﻨﺎ‬ ‫ﺍﻣ‪‬ﺎ ﺗـﻮ ﺍﺯ ﺣﺴـﻦ ﺍﺩﺍ ﻣﺤﮑـﻮﻡ ﻓﺮﻣـﺎﻥ ﮐـﻦ ﻣـﺮﺍ‬ ‫»‪«۱۷۳‬‬ ‫ﻣﺮﺍ‪ ١‬ﺍﺯ ﺩﻳﺪﻥ‪ ‬ﺧﹶـﻂﱢ ﺑ‪‬ﺘـﺎﻥ ﭘﻴـﺪﺍ ﺷـﻮﺩ ﹶﺗـﺐﻫـﺎ ﮐﻪ ﻭﺣﺸﺘﻨﺎﮎ ﮔﺮﺩﺩ ﺑﺎﻍ ﺩﺭ ﺗـﺎﺭﻳﮑﻲ ﺷـﺐﻫـﺎ‬ ‫ﺳﻴﻪ ﻧﺎﺏ ﺍﺳﺖ ﺧﻮﺵ ﺁﻳﻨﺪ ﺷﻤﺸـﻴﺮ ﺗﺒﺴ‪‬ـﻢ ﺭﺍ ﺯ ﺑﺲ ﺭﻧﮓ ﻣﺴﻲ ﺗﺎﺑﻨﺪﮔﻲ ﺩﺍﺭﺩ ﺑﺮ ﺁﻥ ﻟـﺐﻫـﺎ‬ ‫ﺩﺭ ﺍﻳﻦ ﻋﺎﻟﻢ ﻣﺰﺍﺝ ﻫﺮﮐﺴﻲ ﺧﻮﺵ ﮐﺮﺩ ﺁﻭﺍﺯﻱ ﺯﻧـﺪ ﻧـﺎﺧﻦ ﺑـﻪﺩﻝ ﺩﻳﻮﺍﻧـﻪ ﺭﺍ ﺁﻭﺍﺯ ﻣﮑﺘـﺐﻫـﺎ‬ ‫ﻧﻤﻲﺩﺍﻧﻢ ﺧﻴﺎﻝ ﮐﻴﺴﺖ ﺷـﺐ ﺑـﻲﻃـﺎﻗﺘﻲ ﻓﺮﻣـﺎ ﻧﻤـﮏ ﺩﺭ ﺩﻳـﺪﺓ ﺑﻴـﺪﺍﺭ ﻣـﻲﺭﻳﺰﻧـﺪ ﮐﻮﮐـﺐﻫـﺎ‬ ‫ﺭﺳـﺎﻧﺪ ﺭﻭﺑــﻪﺭﻭ ﺁﺯﺍﺭ ﻣـﺮﺩﻡ ﺭﺍ ﺯ ﺑــﻲﺷــﺮﻣﻲ ﺯﺑﺎﻥ ﻧﻴﺶ ﺯﻥ ﺑﺮﺗـﺮ ﺑـﻮﺩ ﺍﺯ ﻧـﻴﺶ ﻋﻘـﺮﺏﻫـﺎ‬ ‫ﺟﻬﺎﻧﻲ ﺭﺍ ﻓﺮﻭ ﺩﺭ ﺧﺎﮎ ﻣﻲﺳﺎﺯﻧﺪ ﭘﻴﺶ ﺍﺯ ﺧﻮﺩ ﻣﭙﻨـﺪﺍﺭ ﺁﺳـﻤﺎﻥﻫـﺎ ﺭﺍ ﺗﻬـﻲ ﮐﺮﺩﻧـﺪ ﻗﺎﻟـﺐﻫـﺎ‬ ‫ﮔﻴﺎﻩ ﺗﺸﻨﻪ ﺭﺍ ﺳـﻴﺮﺍﺏ ﺳـﺎﺯﺩ ﺑﺎﻏﺒـﺎﻥ ﺍﺯ ﺧـﻮﺩ ﺯﺑﺎﻥ ﺑﻲﺣﺮﻑ ﺑﻬﺘﺮ ﻣﻲﮐﻨـﺪ ﺍﻇﻬـﺎﺭ ﻣﻄﻠـﺐﻫـﺎ‬ ‫ﮔﺬﺷﺘﻦ ﺍﺯ ﺳﺮ ﺟﺎﻥ ﺳﻬﻞ ﺍﺯ ﺁﻳﻴﻦ ﺧﻮﺩ ﻣﺸﮑﻞ ﺯ ﺑﺮ ﺯﻧﺠﻴﺮ ﺑﺎﺷﺪ ﺗﻨـﮓﺗـﺮ ﺯﻧﺠﻴـﺮ ﻣـﺬﻫﺐﻫـﺎ‬ ‫ﺧـﺪﺍ ﺭﺍ ﻳـﺎﺩ ﮐـﻦ ﺁﺯﺍﺩ ﺍﺯ ﺩﻝ ﺩﺭ ﺩﻝ ﺷـﺐﻫـﺎ‬ ‫ﻣﮑـﻦ ﻫﻤﺴـﺎﻳﻪ ﺭﺍ ﺑﻴـﺪﺍﺭ ﺍﺯ ﻓﺮﻳـﺎﺩ ﻳـﺎﺭﺏﻫـﺎ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﻪﻫﺎﻱ ﮔﻨﺞ ﺑﺨﺶ ﻭ ﻣﺠﻠﺲ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪ ،‬ﺍ‪‬ﻣﺎ ﺩﺭ ﻧﺴﺨﺔ ﻧﺪﻭﻩ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢١١ //‬‬ ‫»‪«۱۷۴‬‬ ‫ﺍﻱ‪ ١‬ﻭﺍﻱ ﺁﻥ ﺯﻣﺎﻧــﺔ ﻭ ﺁﻥ ﺍﻧﺠﻤــﻦ ﮐﺠــﺎ ﻳـﺎﺭﺍﻥ ﻧﻮﺟـﻮﺍﻥ ﻭ ﺷـﺮﺍﺏ ﮐﻬـﻦ ﮐﺠــﺎ‬ ‫ﻣﻲﮔﻔﺖ ﺑﺎﻏﺒـﺎﻥ ﺩﻝ ﺍﻓﺴـﺮﺩﻩ ﺩﺭ ﺧـﺰﺍﻥ ﺳﻨﺒﻞ ﮐﺠـﺎ ﺑﻨﻔﺸـﻪ ﮐﺠـﺎ ﻳﺎﺳـﻤﻦ ﮐﺠـﺎ‬ ‫ﺁﻳﺪ ﺻﺪﺍ ﺑـﻪﮔـﻮﺵ ﺧﻼﻳـﻖ ﺯ ﺁﺏ ﻧﻴـﻞ ﻳﻮﺳﻒ ﮐﺠﺎ ﻭ ﻋﻄﺴﻪ ﮐﺠﺎ ﭘﻴـﺮﻫﻦ ﮐﺠـﺎ‬ ‫ﺯﺧﻢ ﺩﻝ ﺷﮑﺴﺘﺔ ﻣﻦ ﺗﺎﺯﻩ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ ﺑـﺎﺩ ﭼﻤـﻦ ﮐﺠـﺎ ﻭ ﻧﺴـﻴﻢ ﺧـﺘﻦ ﮐﺠـﺎ‬ ‫ﺗﻌﺮﻳﻒ ﻣﺼﺮ ﭘﻴﺶ ﭘﺪﺭ ﮐـﺮﺩ ﻣـﺎ‪‬ﻩ ﻣﺼـﺮ ﺍﻭ ﮔﻔــﺖ ﺁﻩ ﻟــ ﹼﺬﺕ ﺑﻴــﺖﺍﻟﺤــﺰﻥ ﮐﺠــﺎ‬ ‫ﻣﻦ ﺷﻬﺮ ﺧﻮﺩ ﺑـﻪﻋـﺎﻟﻢ ﺑـﺎﻻ ﻧﻤـﻲﺩﻫـﻢ ﻧـﻪ ﺁﺳـﻤﺎﻥ ﮐﺠـﺎ ﻭ ﺯﻣـﻴﻦ ﻭﻃـﻦ ﮐﺠـﺎ‬ ‫ﺁﺯﺍﺩ ﮔﻔﺖ ﺯﻟﻒ ﺗﻮ ﻣﺎﻧﺪ ﺑﻪﻣﺸـﮏ ﻧـﺎﺏ‬ ‫ﻓﺮﻣﻮﺩ ﻣﺸﮏﻧﺎﺏ ﮐﺠﺎ ﺯﻟـﻒ ﻣـﻦ ﮐﺠـﺎ‬ ‫»ﺏ«‬ ‫»‪«۱۷۵‬‬ ‫ﺩﺍﺭﺩ ﺑــﻪﺑــﺎﻍ ﻧﺎﻟــﺔ ﻣﺴــﺘﺎﻧﻪ ﻋﻨــﺪﻟﻴﺐ ﺍﺯ ﺩﺳﺖ ﺷﺎﺥ ﮔﻞ ﺯﺩﻩ ﭘﻴﻤﺎﻧـﻪ ﻋﻨـﺪﻟﻴﺐ‬ ‫ﻫﺮ ﻏﻨﭽﻪ ﺧﻮﺍﺑﮕﺎﻩ ﭘﺮﻱﺯﺍﺩ ﻧﮑﻬﺖ ﺍﺳﺖ ﺩﻳﻮﺍﻧﻪ ﺷﺪ ﺯ ﺟﻮﺵ ﭘﺮﻱﺧﺎﻧـﻪ ﻋﻨـﺪﻟﻴﺐ‬ ‫ﺍﻱ ﺳﺮﻭ ﻧﺎﺯ ﺟﻠﻮﻩ ﺑﻪﭘﻬﻠـﻮﻱ ﮔـﻞ ﻣﮑـﻦ ﮐﻲ ﺩﻝ ﺩﻫـﺪ ﺑـﻪﺩﻟﺒـﺮ ﺑﻴﮕﺎﻧـﻪ ﻋﻨـﺪﻟﻴﺐ‬ ‫ﻣﺴﺖ ﺷﺮﺍﺏ ﺍﺯ ﺧﻢ ﻫﺮ ﻏﻨﭽﺔ ﮔﻞ ﺍﺳﺖ ﺩﺍﺭﺩ ﻣــﺪﺍﻡ ﻣﺸــﺮﺏ ﺭﻧﺪﺍﻧــﻪ ﻋﻨــﺪﻟﻴﺐ‬ ‫ﺁﺯﺍﺩ ﺟﺎﻱ ﻋﺸـﻖ ﺑ‪‬ـﻮ‪‬ﺩ ﺩﺭ ﮐﻨـﺎﺭﹺ ﺣ‪‬ﺴـﻦ‬ ‫ﺑﺮ ﺷﺎﺥ ﮔﻞ ﮔﺰﻳﺪ ﭼﻪ ﺧﺴﺨﺎﻧﻪ ﻋﻨﺪﻟﻴﺐ‬ ‫»‪«۱۷۶‬‬ ‫ﺑﻪﻣﺤﻔﻞ ﺁﻣﺪ ﻭ ﻧﻨﺸﺴﺖ ﺁﻥ ﺳﺮﻭ ﺭﻭﺍﻥ ﺍﻣﺸـﺐ ﻧﻬﺎﻝ ﺷﻤﻊ ﺭﻳﺰﺩ ﺷﻌﻠﻪ ﭼﻮﻥ ﺑﺮﮒ ﺧﺰﺍﻥ ﺍﻣﺸﺐ‬ ‫ﮔﺬﺷﺖ ﺍﺯ ﻣﻨﺰﻝ ﻣﻦ ﺳﺮﮔﺮﺍﻥ ﺁﻥ ﻣﺎﻩ ﺑـﻲﭘـﺮﻭﺍ ﻧﻤﮏ ﭘﺎﺷﻴﺪ ﺑﻲﺭﺣﻤﺎﻧﻪ ﺑﺮ ﺯﺧﻢ ﮐﺘـﺎﻥ ﺍﻣﺸـﺐ‬ ‫ﺳﺘﻢﻫـﺎ ﮐـﺮﺩ ﺍﻳـﻦ ﺁﻭﺍﺯ ﭘـﺎ ﺩﺯﺩﻳـﺪﻩ ﺭﻓـﺘﻦﻫـﺎ ﮐﻪ ﺑﺨﺖ ﻣﻦ ﻧﺸﺪ ﺑﻴﺪﺍﺭ ﺍﺯ ﺧﻮﺍﺏ ﮔﺮﺍﻥ ﺍﻣﺸﺐ‬ ‫ﺷﮑﺎﻳﺖﻫﺎﺳﺖ ﺑﺎ ﺗﻮ ﺍﻧﺪﮐﻲ ﺍﻱ ﺑـﻲﻭﻓـﺎ ﺑﺸـﻨﻮ ﮐﻪ ﻫﻤﭽﻮﻥ ﺷﻤﻊ ﺩﺍﺭﻡ ﺁﺗﺶ ﺩﻝ ﺑﺮ ﺯﺑﺎﻥ ﺍﻣﺸﺐ‬ ‫ﺑـﻪﻳـﺎﺩ ﻇـﺎﻟﻤﻲ ﺁﺯﺍﺩ ﻫـﺮ ﺷـﺐ ﻧﺎﻟـﻪﺍﻱ ﺩﺍﺭﻡ‬ ‫ﺭﺳﺪ ﺩﺭ ﮔﻮﺵ ﺁﻥ ﻧﺎﻣﻬﺮﺑﺎﻥ ﺷﺎﻳﺪ ﻓﻐﺎﻥ ﺍﻣﺸﺐ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﻧﺴﺨﺔ ﻧﺪﻭﻩ ﺩﺍﺭﺩ‪ ،‬ﺍ‪‬ﻣﺎ ﺩﺭ ﻧﺴﺨﻪﻫﺎﻱ ﮔﻨﺞ ﺑﺨﺶ ﻭ ﻣﺠﻠﺲ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢١٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۷۷‬‬ ‫ﺑﺮﻭﻥ ﺁﻣﺪ ﭼﺮﺍﻍ ﺧﻠﻮﺕ ﺧﻢ ﺍﺯ ﻧﻘـﺎﺏ ﺍﻣﺸـﺐ ﮔﺬﺷﺖ ﺍﺯ ﺷﻴﺸﺔ ﹸﻧﻪ ﺁﺳﻤﺎﻥ ﻧﻮﺭ ﺷﺮﺍﺏ ﺍﻣﺸﺐ‬ ‫ﮔﻞ ﺭﺧﺴﺎﺭ ﺳﺎﻗﻲ ﭘﺮﺗﻮﻳﻲ ﺍﻧﺪﺍﺧﺖ ﺩﺭ ﺟـﺎﻣﻢ ﮐﻪ ﺁﻳﺪ ﺍﺯ ﻟﺐ ﭘﻴﻤﺎﻧـﻪﺍﻡ ﺑـﻮﻱ ﮔـﻼﺏ ﺍﻣﺸـﺐ‬ ‫ﺗﺠﻠﹼــﻲ ﮐــﺮﺩ ﺩﺭ ﻭﻳﺮﺍﻧــﻪﺍﻡ ﺻــﺒﺢ ﺑﻨﺎﮔﻮﺷــﻲ ﭘﺮﺩ ﭼﻮﻥ ﺭﻧﮓ ﺍﺯ ﺭﺧﺴﺎﺭ ﺻﺤﺮﺍ ﻣﺎﻫﺘﺎﺏ ﺍﻣﺸﺐ‬ ‫ﮐﻮﺍﮐﺐ ﮔﺮﺩ ﻣﻦ ﺗﺎ ﺻﺒﺢ ﭼﻮﻥ ﭘﺮﻭﺍﻧﻪ ﻣﻲﮔﺮﺩﺩ ﮐﻪ ﺷﻤﻊ ﻃﻠﻌﺖ‪ ‬ﺁﻥ ﻣﺎﻩ ﺭﺍ ﺩﻳﺪﻡ ﺑﺨﻮﺍﺏ ﺍﻣﺸﺐ‬ ‫ﺯ ﻳــﺎﺭﺍﻥ ﻣﻌﻨــﻲ ﻭﺍ ﺳــﻮﺧﺘﻦ ﺁﺯﺍﺩ ﭘﺮﺳــﻴﺪﻡ‬ ‫ﺯﺑﺎﻥ ﺷﻤﻊ ﻣﺤﻔﻞ ﻳﺎﻓﺘﻢ ﺣﺎﺿﺮ ﺟﻮﺍﺏ ﺍﻣﺸـﺐ‬ ‫»‪«۱۷۸‬‬ ‫ﺑـﺮﻭﻱ ﻳــﺎﺭ ﻋﻘﻴــﻖ ﺩﻫـﻦ‪ ١‬ﺑــﻮﺩ ﻧﺎﻳــﺎﺏ ﺯ ﺧﺎﻣـﻪ ﻣﺎﻧـﺪ ﺩﺭ ﺍﻳـﻦ ﻧﺴـﺨﻪ ﺳـﺮﺧﻲ‬ ‫ﻣــﻦ ﺍﺯ ﺣــﻼﻭﺕ‪ ‬ﺩﺷــﻨﺎﻡ ﻳــﺎﺭ ﺩﺍﻧﺴــﺘﻢ ﮐﺳﻪــﻧـﺎـﻡـﺗـﻠــﺨــﻲــﺭـﻧـﺠـــﺶـــﭼـﺮـﺍـﺑـــﻮـﺩــﺷـــﮑﺮﺑﺮﺍﺎﺏ‬ ‫ﻣــﺪﺍﺭ ﭼﺸــﻢ ﺑﻬــﻲ ﺍﺯ ﺗﻮﺍﺿــﻊ ﺩﺷــﻤﻦ ﺯ ﮔﺮﻣﺠﻮﺷﻲ ﺁﺗﺶ ﭼﻪ ﻣﻲﺭﺳﺪ ﺑﻪﮐﺒـﺎﺏ‬ ‫ﺧـﺪﺍ ﭘﻨـﺎﻩ ﺩﻫـﺪ ﺍﺯ ﻋـﺪﺍﻭﺕ‪ ‬ﻫﻤﺠــﻨﺲ ﺯ ﺩﺳﺖ ﻣﻮﺝ ﺷﻮﺩ ﺧﺎﻧﺔ ﺣﺒـﺎﺏ ﺧـﺮﺍﺏ‬ ‫ﻋـﻼﺝ ﺗﺸـﻨﮕﻲ ﻣﺎﺳـﺖ ﺳـﺎﻗﻴﺎﻥ ﺁﺳـﺎﻥ ﺑـﻪﻧـﻴﻢ ﻗﻄـﺮ‪‬ﺓ ﭘﻴﻤﺎﻧـﻪ ﻣـﻲﺷـﻮﻡ ﺳـﻴﺮﺍﺏ‬ ‫ﻣـﻦ ﺍﺯ ﺗﻐﺎﻓـﻞ ﭼﺸـﻤﺖ ﻓﺴـﺮﺩﮔﻲ ﺩﺍﺭﻡ ﺗﻮﺍﻥ ﻧﻮﺍﺧـﺖ ﻣـﺮﺍ ﺍﺯ ﻧﮕـﺎﻩ ﮔـﺮﻡ ﻋﺘـﺎﺏ‬ ‫ﻓـــﺰﻭﺩ ﻋﺸـــﺮﺕ ﺁﺯﺍﺩ ﻣﻮﺳـــﻢﹺ ﭘﻴـــﺮﻱ‬ ‫ﻧﺸﺎﻁ ﻃﺒﻊ ﺑـﻮﺩ ﭘـﻴﺶ ﺩﺭ ﺷـﺐ ﻣﻬﺘـﺎﺏ‬ ‫»‪«۱۷۹‬‬ ‫ﮔﻞ ﺑﻪﺑﻠﺒﻞ ﺳﺮﻭ ﺑﺎ ﻗﻤﺮﻱ ﻧﺸـﻴﻨﺪ ﺑـﻲﺣﺠـﺎﺏ ﻣﻦ ﭼﻪ ﮐﺮﺩﻡ ﺗـﺎ ﻧﮕـﺮﺩﺩ ﺩﻟﺒـﺮ ﻣـﻦ ﺑـﻲﻧﻘـﺎﺏ‬ ‫ﺍﻧـﺪﮐﻲ ﺭﻭﻱ ﺗـﺮﺍ ﻣـﻲﺑﻴـﻨﻢ ﻭ ﺟـﺎﻥ ﻣـﻲﺩﻫـﻢ ﭼﻴﺴﺖ ﺑﺎﺭﻱ ﺍﻳﻦﻗﺪﺭ ﺩﺭ ﺟﺎﻥ ﮔﺮﻓﺘﻦ ﺍﺿﻄﺮﺍﺏ‬ ‫ﺩﺍﻍ ﺷﺪ ﻣـﺮﻍ ﭼﻤـﻦ ﺍﺯ ﺩﺳـﺖ ﺑﻴـﺪﺍﺩ ﺧـﺰﺍﻥ ﮐﻴﺴﺖ ﺗﺎ ﺑﺮ ﺳﻮﺯ ﺍﻳﻦ ﺷﻮﺭﻳﺪﻩ ﺍﻓﺸﺎﻧﺪ ﮔـﻼﺏ‬ ‫ﺍﺯ ﺑﻬــﺎﺭ ﺟﻠــﻮﺓ ﺍﻭ ﮐﺎﻣﻴــﺎﺑﻲ ﻣﺸــﮑﻞ ﺍﺳــﺖ ﺳــﺎﻳﺔ ﺳــﺮﻭ ﺭﻭﺍﻧــﺶ ﺭﺍ ﻧﻤــﻲﺑﻴــﻨﻢ ﺑﺨــﻮﺍﺏ‬ ‫ﻫـﻴﭻ ﺩﺍﻧـﻲ ﭼﻴﺴـﺖ ﺧـﺎﻝ ﮔﻮﺷـﺔ ﺍﺑـﺮﻭﻱ ﺍﻭ ﻧﻘﻄـﻪﺍﻱ ﺩﺍﺭﺩ ﺯ ﻣﺸـﮏ ﺗـﺎﺯﻩ ﺑﻴـﺖ ﺍﻧﺘﺨـﺎﺏ‬ ‫‪ .١‬ﺩﻫﻦ ﺭﺍ ﻋﻘﻴﻖ ﮔﻔﺘﻪﺍﻧﺪ‪ ،‬ﭼﻨﺎﻧﭽﻪ ﻟﺐ ﺭﺍ ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺍﮔـﺮ ﻧـﻪ ﻓﮑـﺮ ﻋﻘﻴـﻖ ﺩﻫـﺎﻥ ﺍﻭ ﺑﺎﺷـﺪ ﮐﺴﻲ ﻋﻼﺝ ﺟﮕﺮﻫﺎﻱ ﺁﺗﺸﻴﻦ ﭼﻪ ﮐﻨﺪ‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢١٣ //‬‬ ‫ﺷﺒﻨﻢ ﻭ ﺣﺮﺑﺎ‪ ١‬ﻭ ﻧﻴﻠـﻮﻓﺮ‪ ،‬ﮔـﻞ ﺧﻮﺭﺷـﻴﺪ ﻫـﻢ ﺩﺍﻏــﺪﺍﺭ ﻋﺸــﻖ ﺧــﻮﺩ ﺑﺴــﻴﺎﺭ ﺩﺍﺭﺩ ﺁﻓﺘــﺎﺏ‬ ‫ﺻـــﺎﺣﺒﺎ ﺑﺸـــﻨﺎﺱ ﻗـــﺪﺭﹺ ﺟـــﻮﻫﺮﹺ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﺍﻋﺘﻘــﺎﺩ ﺧــﺎﺹ ﺩﺍﺭﺩ ﺑــﺎ ﺟﻨــﺎﺏ ﻣﺴــﺘﻄﺎﺏ‬ ‫»‪«۱۸۰‬‬ ‫ﺑﮕﺮﺩ ﮔﺮﺩ ﺟﻬﺎﻥ ﻓـﻴﺾ ﺁﻥ ﺟﻨـﺎﺏ ﻃﻠـﺐ ﺑﺴــﺎﻥ ﻣــﺎﻩ ﻓﺮﻭﻏــﻲ ﺯ ﺁﻓﺘــﺎﺏ ﻃﻠــﺐ‬ ‫ﭼــﻪ ﺍﺟﺮﻫــﺎ ﮐــﻪ ﻧــﺪﺍﺭﺩ ﺯﻳــﺎﺭﺕ ﺷــﻬﺪﺍ ﺑﻴﺎ ﺑـﻪﻣﺸـﻬﺪ ﻣﻘﺘـﻮﻝ ﺧـﻮﺩ ﺛـﻮﺍﺏ ﻃﻠـﺐ‬ ‫ﺍﺩﺍﻱ ﻣﻄﻠــﻊ ﺍﺑــﺮﻭﻱ ﺍﻭ ﻣﻼﺣﻈــﻪ ﮐــﻦ ﺯ ﻧﺴــﺨﺔ ﺭﺥ ﺍﻭ ﺷــﻌﺮﹺ ﺍﻧﺘﺨــﺎﺏ ﻃﻠــﺐ‬ ‫ﺯ ﺳﻠﺴــﺒﻴﻞ ﺗﺴــﻠﹼﻲ ﻧﻤــﻲﺗﻮﺍﻧــﺪ ﺷــﺪ ﻋــﻼﺝ ﺗﺸــﻨﮕﻲ ﺑﻠﺒــﻞ ﺍﺯ ﮔــﻼﺏ ﻃﻠــﺐ‬ ‫ﺑﺒﻴﻦ ﮐﻪ ﺑﺮ ﺳﺮ ﺁﺗـﺶ ﭼﮕﻮﻧـﻪ ﻣـﻲﺭﻗﺼـﺪ ﺑـﺮﺍﻱ ﺩﺍﻍ ﺷـﺪﻥ ﻫﻤ‪‬ـﺖ ﺍﺯ ﮐﺒـﺎﺏ ﻃﻠـﺐ‬ ‫ﺍﮔﺮ ﻣﺼـﺎﺣﺐ ﺧـﺎﻃﺮ ﭘﺴـﻨﺪ ﻣـﻲﺧـﻮﺍﻫﻲ ﻧــﺪﻳﻢ ﻧــﺎﺩﺭﻩ ﮔﻔﺘــﺎﺭ ﺍﺯ ﮐﺘــﺎﺏ ﻃﻠــﺐ‬ ‫ﭼــﺮﺍ ﺑــﻪﮔﻮﺷــﺔ ﻋﺰﻟــﺖ ﻧﺸﺴــﺘﻪﺍﻱ ﺁﺯﺍﺩ‬ ‫ﺑﻪﻣﻠﮏ ﭼﻴﻦ ﻭ ﺧﺘﻦ ﺭﻓﺘﻪ ﻣﺸﮏ‪‬ﻧﺎﺏ ﻃﻠﺐ‬ ‫»‪«۱۸۱‬‬ ‫ﺑـﺮ ﺁﺳـﺘﺎﻥ ﻋﺸـﻖ ﺗـﻮ ﺩﺍﺭﺩ ﺳـﺮ ﺁﻓﺘـﺎﺏ ﺑﻴﻨــﺪ ﺗــﺮﺍ ﺑــﻪﺩﻳــﺪﺓ ﻧﻴﻠــﻮﻓﺮ ﺁﻓﺘــﺎﺏ‬ ‫ﺭﻭﻱ ﺗــﺮﺍ ﭼﮕﻮﻧــﻪ ﺗﻤﺎﺷــﺎ ﮐﻨــﺪ ﮐﺴــﻲ ﺩﺍﺭﺩ ﺑﻪﺟﻠـﻮﻩﮔـﺎﻩ ﺗـﻮ ﭼﺸـﻢ ﺗـﺮ ﺁﻓﺘـﺎﺏ‬ ‫ﭼﻮﻥ ﺁﻓﺘﺎﺏ ﮔﻨﺠﻔـﻪ ﺍﻓﺘـﺪ ﺑـﺮﻭﻱ ﺧـﺎﮎ ﻳﮏ ﺻﺒﺤﺪﻡ ﺟﻤﺎﻝ ﺗﻮ ﺑﻴﻨـﺪ ﮔـﺮ ﺁﻓﺘـﺎﺏ‬ ‫ﺩﺍﺭﺩ ﺯ ﮔﻠﺨـﻦ ﺗـﻮ ﻃﻤـﻊ ﺩﻭﻟـﺖ ﺟـﻼ‪ ٢‬ﺧﻮﺍﻫــﺪ ﺑﺴــﺎﻥ ﺁﻳﻴﻨــﻪ ﺧﺎﮐﺴــﺘﺮ ﺁﻓﺘــﺎﺏ‬ ‫ﺁﻧﺠﺎ ﮐﻪ ﭼﻬﺮﺓ ﺗـﻮ ﺑـﺮﻭﻥ ﺁﻳـﺪ ﺍﺯ ﻧﻘـﺎﺏ ﮔﻴﺮﺩ ﺭﻩ ﻧﻬـﺎﻥ ﮐـﺪﻩ ﭼـﻮﻥ ﺷـ‪‬ﭙﺮ ﺁﻓﺘـﺎﺏ‬ ‫ﮔﺮ ﺑـﺎﺩﻩﺍﻱ ﺯ ﺳـﺎﻏﺮ ﻋﺸـﻖ ﺗـﻮ ﺩﺭﮐﺸـﺪ ﺍﻓـﺰﻭﻥﺗـﺮ ﺍﺯ ﻫـﻼﻝ ﺷـﻮﺩ ﻻﻏـﺮ ﺁﻓﺘـﺎﺏ‬ ‫ﻳﮏ ﻟﺤﻈﻪ ﺍﺯ ﺣﻀﻮﺭ ﺗﻮ ﻧﺘﻮﺍﻥ ﻓﺮﺍﻍ ﻳﺎﻓﺖ‬ ‫ﺁﺯﺍﺩ ﻭ ﺍﻳﺴــــﺘﺎﺩﻥ ﺩﺍﻳــــﻢ ﺩﺭ ﺁﻓﺘــــﺎﺏ‬ ‫‪ .١‬ﻧﻮﻋﻲ ﺍﺯ ﺳﻮﺳﻤﺎﺭ ﻭ ﺁﻥ ﺭﺍ ﺑﻪﻓﺎﺭﺳﻲ ﺁﻓﺘﺎﺏﭘﺮﺳﺖ ﮔﻮﻳﻨﺪ‪) .‬ﺑﺮﻫﺎﻥ ﻗﺎﻃﻊ(‬ ‫ﺻﺎﺋﺐ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺯﻫﻲ ﺑﻪﺳﺎﻋﺪ ﺳﻴﻤﻴﻦ ﺷﮑﻮﻓﺔ ﻳـﺪ ﺑﻴﻀـﺎ ﻧﻈﺮ ﺑﻪﻧﻮﺭ ﺟﻤﺎﻝ ﺗﻮ ﻣﻬـﺮ‪ ،‬ﺩﻳـﺪﺓ ﺣﺮﺑـﺎ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٢٢٢/١‬‬ ‫‪ .٢‬ﮔﻨﺞ ﺑﺨﺶ‪ :‬ﺧﻼ‪.‬‬

‫‪ // ٢١٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«١٨٢‬‬ ‫ﮔﺮ ﻫﻨﺪﻭﻳﻲ ﻧﺸﺴﺖ ﻣﻘﺪ‪‬ﻡ ﺍﺯ ﺁﻥ ﺟﻨـﺎﺏ ﺍﻭﺝ ﺯﺣــﻞ ﻧﻤــﻲﺷــﮑﻨﺪ ﺷــﺄﻥ ﺁﻓﺘــﺎﺏ‬ ‫ﺗﻘـﺪﻳﻢ ﻏﻴـﺮ ﻗـﺪﺭ ﺗـﺮﺍ ﮐـﻢ ﻧﻤـﻲﮐﻨـﺪ ﭘﻴﺪﺍﺳﺖ ﺍﺯ ﺳـﺆﺍﻝ ﻓـﺰﻭﻥ ﺭﺗﺒـﺔ ﺟـﻮﺍﺏ‬ ‫ﺑﺎ ﻣﻐﺰ ﺭﺍ ﺻﺪﺍﺭﺕ ﺑﻲﻣﻐﺰ ﻧﻘﺺ ﻧﻴﺴـﺖ ﻗـﺪﺭ ﮔﻬــﺮ ﻧﮑﺎﺳـﺖ ﺯ ﻓﻮﻗﻴ‪‬ــﺖ ﺣﺒــﺎﺏ‬ ‫ﺍﺯ ﻣﻘـﺪﻡ ﺗـﻮ ﺑـﺰﻡ ﺳـﺰﺍﻭﺍﺭ ﻓـﻴﺾ ﺷـﺪ ﺷﺎﻳﺴـﺘﺔ ﺯﮐــﺎﺕ ﺷــﻮﺩ ﻣــﺎﻝ ﺍﺯ ﻧﺼــﺎﺏ‬ ‫ﮔﺮ ﺍﻭﺝ ﻳﺎﻓﺖ ﻣﻄﻠﻊ ﭘﺴﺖ ﺍﻋﺘﺒﺎﺭ ﻧﻴﺴﺖ ﺑﺎﻻﺳﺖ ﺩﺭ ﻗﺼﻴﺪﻩ ﻫﻤﺎﻥ ﺑﻴـﺖ ﺍﻧﺘﺨـﺎﺏ‬ ‫ﺑﺴﻴﺎﺭ ﺁﺧﺮ ﺍﺳﺖ ﮐﻪ ﺑﺮﺗـﺮ ﺯ ﺍﻭ‪‬ﻝ ﺍﺳـﺖ ﻓﻮﻕ ﺍﺳﺖ ﺩﺭ ﮐﻼﻡ ﻗﺪﻳﻢ ﺁﺧـﺮﻳﻦ ﮐﺘـﺎﺏ‬ ‫ﺍﻱ ﺑﺎﺩ ﺧـﻮﺵ ﺧـﺮﺍﻡ ﺯ ﺁﺯﺍﺩ ﻣـﺎ ﺭﺳـﺎﻥ‬ ‫ﺍﻳﻦ ﮔﻔﺘﮕﻮ ﺑﻪﺧﺪﻣﺖ ﺁﻥ ﻳﺎﺭ ﻧﮑﺘـﻪ ﻳـﺎﺏ‬ ‫»‪«۱۸۳‬‬ ‫ﺭﻭﺯﺍﻓﺰﻭﻥ ﺍﺳﺖ ﺷﺐ ﺩﺭ ﻫﺠﺮ ﺁﻥ ﻋﺎﻟﻲ ﺟﻨﺎﺏ ﺳـﺎﻳﻪ ﻃـﻮﻻﻧﻲ ﺷـﻮﺩ ﻫﻨﮕـﺎﻡ ﺑ‪‬ﻌـﺪ ﺁﻓﺘـﺎﺏ‬ ‫ﺑﺎ ﺗﻮﺍﻧـﺎ ﻧﻴﺴـﺖ ﺯﻭﺭ ﻧـﺎﺗﻮﺍﻥ ﺭﻭﺷـﻦ ﺷـﻮﺩ ﮔـﺮ ﮐﺘـﺎﻥ ﺭﺍ ﺍﻓﮕﻨـﻲ ﺩﺭ ﺁﻓﺘـﺎﺏ ﻭ ﻣﺎﻫﺘـﺎﺏ‬ ‫ﻓﻴﺾ ﺣﻖ ﺍﻓـﺰﻭﻥ ﺯ ﺍﺳـﺘﻌﺪﺍﺩ ﻧﺘـﻮﺍﻥ ﻳـﺎﻓﺘﻦ ﻣﻲﺑﺮﺩ ﻫﺮﮐﺲ ﺑﻘﺪﺭ ﻇﺮﻑ ﺧﻮﺩ ﺍﺯ ﺑﺤﺮ ﺁﺏ‬ ‫ﻣـﺎﻧﻊ ﺑﻴﺮﻧﮕـﻲ ﺍﻭ ﻧﻴﺴـﺖ ﻋﮑـﺲ ﺭﻧـﮓﻫـﺎ ﮐــﺮﺩﻩﺍﻡ ﺁﻳﻴﻨــﻪ ﺭﺍ ﺍﺯ ﺍﻫــﻞ ﺑﻴــﻨﺶ ﺍﻧﺘﺨــﺎﺏ‬ ‫ﻧﻴﺴﺖ ﺑﻲﺷﻴﻮﻥ ﺑﻪﺣﺎﻝ ﻣﺮﮒ ﻫﻢ ﺳﺮﮔﺮﻡ ﻋﺸﻖ ﮔﻮﺵ ﮐﻦ ﺑﺮ ﺭﻭﻱ ﺁﺗـﺶ ﻧﺎﻟـﺔ ﻣـﺮﻍ ﮐﺒـﺎﺏ‬ ‫ﺍﺯ ﻧﺴﻴﻢ ﺻﺒﺢ ﺩﺭ ﮐﻮﺷﺶ ﻧﺪﺍﺭﻡ‪ ١‬ﭘـﺎﻱ ﮐـﻢ ﺍﻱ ﮔﻞ ﺑﻮﺋﻲ ﺗﻮﺍﻥ ﮐﺮﺩﻥ ﻣـﺮﺍ ﻫـﻢ ﮐﺎﻣﻴـﺎﺏ‬ ‫ﭘﺎﺩﺷـــﺎﻫﺎ ﺧـــﺎﻃﺮﹺ ﺁﺯﺍﺩ ﺭﺍ ﺁﺑـــﺎﺩ ﮐـــﻦ‬ ‫ﻧﻨ ‪‬ﮓ ﺳﻠﻄﺎﻥ ﺍﺳﺖ ﺩﺭ ﺍﻗﻠﻴﻢ ﺍﻭ ﺷﻬﺮﹺ ﺧـﺮﺍﺏ‬ ‫»‪«۱۸۴‬‬ ‫ﻣﻲﺗﻮﺍﻧـﺪ ﮔـﺮﺩ ﻏـﻢ ﺭﺍ ﭼـﺎﺭﻩ ﺗـﺮﮎ ﺍﺿـﻄﺮﺍﺏ ﺻﺎﻑ ﮔﺮﺩﺩ ﭼﻮﻥ ﮔﺬﺍﺭﺩ ﺟﻮﺵ ﮔﺮﺩﺁﻟـﻮﺩﻩ ﺁﺏ‬ ‫ﺭﻳﺨﺖ ﺍﺯ ﻟﻌﻞ ﻟﺒﺶ ﺩﺭ ﺣﻖ ﻣﻦ ﺣـﺮﻑ ﻋﺘـﺎﺏ ﻣﻐﺘـــﻨﻢ ﺑﺎﺷـــﺪ ﺧﻤـــﺎﺭﺁﻟﻮﺩﻩ ﺭﺍ ﺩ‪‬ﺭﺩ ﺷـــﺮﺍﺏ‬ ‫ﺗــﺎ ﻧﺴــﺎﺯﺩ ﺑــﺎﺩ ﻧﺎﺍﻧﺼــﺎﻑ ﺑﻴــﺮﻭﻥ ﺍﺯ ﭼﻤــﻦ ﮐــﺎﺵ ﺍﻓﺸــﺎﻧﻨﺪ ﺑــﺮ ﺧﺎﮐﺴــﺘﺮ ﺑﻠﺒــﻞ ﮔــﻼﺏ‬ ‫ﺯﺍﻫــﺪ ﺍﻭ ﺭﺍ ﺩﻳــﺪ ﻭ ﻭﺍ ﻣﺎﻧــﺪ ﺍﺯ ﻧﻤــﺎﺯﹺ ﺑﺎﻣــﺪﺍﺩ ﺳـﺠﺪﻩ ﻣﻤﻨـﻮﻉ ﺍﺳـﺖ ﻫﻨﮕـﺎﻡﹺ ﻃﻠـﻮﻉ ﺁﻓﺘــﺎﺏ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﻧﺪﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢١٥ //‬‬ ‫ﺷـﻬﺮﻳﺎﻥ ﺯﻧﺠﻴـﺮ ﺩﺭ ﻓﺼـﻞﹺ ﺟﻨـﻮﻧﻢ ﮐـﺮﺩﻩﺍﻧــﺪ ﻣﻦ ﺯ ﮔﻞ ﻣﺤﺮﻭﻡ ﻭ ﻣﺮﻏﺎﻥ ﺍﺯ ﮔﻠﺴﺘﺎﻥ ﮐﺎﻣﻴـﺎﺏ‬ ‫ﺧــﻮﺑﺮﻭ ﺿــﺎﻳﻊ ﻧﺴــﺎﺯﺩ ﻧــﺎﺯ ﺭﺍ ﺑــﺮ ﺑﻮﺍﻟﻬــﻮﺱ ﮐــﻲ ﺩﻫــﺪ ﺁﺯﺍﺭ ﺗﺼــﻮﻳﺮ ﮐﺘــﺎﻥ ﺭﺍ ﻣﺎﻫﺘــﺎﺏ‬ ‫ﺩﺭ ﺩﻝ ﻏﻤﮕــﻴﻦ ﻣــﻦ ﮔــﺎﻫﻲ ﻧﻤــﻲﺁﺋــﻲ ﭼــﺮﺍ ﻣـﻲﺗــﻮﺍﻧﻲ ﺳـﺎﺧﺘﻦ ﺁﺑــﺎﺩ ﺍﻳـﻦ ﺷــﻬﺮ ﺧــﺮﺍﺏ‬ ‫ﺧﺎﻝ ﻣﻮﺯﻭﻧﻲ ﺑﺮ ﺁﻥ ﮔﺮﺩﻥ ﭼﻪ ﺧﻮﺏ ﺍﻓﺘﺎﺩﻩ ﺍﺳﺖ ﺍﻳﻦ ﺑﻴﺎﺽ ﺧﻮﺵ ﻫﻤﻴﻦ ﻳﮏ ﻧﻘﻄﻪ ﺩﺍﺭﺩ ﺍﻧﺘﺨﺎﺏ‬ ‫ﺧﺎﮐﺴــــﺎﺭﻱ ﺷــــﻴﻮﺓ ﺁﺯﺍﺩ ﺑﺎﺷـــــﺪ ﺍﺯ ﺍﺯﻝ‬ ‫ﻣﻲﺗﻮﺍﻧـﺪ ﺷـﺪ ﺍﺯ ﺍﻳـﻦ ﺭﻩ ﻧـﺎﻡ ﺣﻴـﺪﺭ ﺑـﻮﺗﺮﺍﺏ‬ ‫»ﺕ«‬ ‫»‪«۱۸۵‬‬ ‫ﺍﻱ ﻋﺰﻳﺰﺍﻥ ﻧﺮﮔﺲ ﺧﻮﺑﺎﻥ ﺯﻳﺎﺭﺕ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ ﺣـﺎﻟﺘﻲ ﺩﺍﺭﺩ ﺯ ﺑﻴﻤـﺎﺭﻱ ﻋﻴـﺎﺩﺕ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﺁﺭﺯﻭ ﺩﺍﺭﻡ ﮐــﻪ ﺩﺭ ﺁﻏــﻮﺵ ﮔﻴــﺮﻡ ﺁﻥ ﮐﻤــﺮ ﮔﺮ ﺭﺳﺪ ﺍﻳﻦ ﻧﻌﻤﺖ ﻏﻴﺒﻲ ﻗﻨﺎﻋﺖ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ‬ ‫ﺑﺮﻧﻤــﻲﺩﺍﺭﻡ ﻧﻈــﺮ ﻳــﮏ ﻟﺤﻈــﻪ ﺍﺯ ﻟﻌــﻞﹺ ﻟﺒــﺖ ﺁﻧﭽﻪ ﻣﻲﺧﻮﺍﻫﻢ ﺗﻮ ﻣﻲﺩﺍﻧﻲ ﻋﻨﺎﻳﺖ ﮐﺮﺩﻧﻲ ﺍﺳﺖ‬ ‫ﺩﺭ ﺣﻀﻮﺭ ﺍﻧﺠﻤﻦ ﮔـﺮ ﻧﻴﺴـﺖ ﻭﻗـﺖ‪ ‬ﺍﺧـﺘﻼﻁ ﺍﺯ ﻧﮕﺎﻩ ﮔﻮﺷﺔ ﭼﺸـﻤﻲ ﺍ‪‬ﺷـﺎﺭﺕ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﻳﮏ ﺩﻭ ﺳﺎﻏﺮ ﺑﻲﺩﻣﺎﻏﻲﻫـﺎﻱ ﻣـﻦ ﺯﺍﻳـﻞ ﻧﮑـﺮﺩ ﺳﺎﻗﻴﺎ ﮔﺮﺩ ﺳﺮﺕ ﮔﺮﺩﻡ ﺯﻳـﺎﺩﺕ‪ ١‬ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﺩﺭ ﺗﺠﻠﹼـﻲﮔـﺎﻩ ﺣـﻖ ﭘـﺎﺱ ﻣﺮﺍﺗـﺐ ﻻﺯﻡ ﺍﺳـﺖ ﻫﺮ ﭼﺮﺍﻏﻲ ﺯﻳﺮ ﻓﺎﻧﻮﺳﻲ ﺣﻤﺎﻳﺖ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﻫﺴــﺖ ﺍﺳــﺘﻐﻨﺎﻱ ﻣــﻦ ﺩﻳﻮﺍﻧــﺔ ﺯﺭ ﺳــﻮﺧﺘﻦ ﺍﺯ ﻃﻼﻱ ﮐﺸﺘﻪ ﺑﺮ ﮔﻮﺭﻡ ﻋﻤﺎﺭﺕ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﺳﺮ ﺯﻧـﺪ ﮔـﺮ ﻟﻐـﺰﺵ ﭘـﺎﻱ ﺯ ﺍﻭﻻﺩ‪ ‬ﺭﺳـﻮﻝ)ﺹ( ﺣﻖﺷﻨﺎﺳﺎﻥ ﺭﺍ ﻣﺮﺍﻋﺎﺕ ﺳـﻴﺎﺩﺕ ﮐﺮﺩﻧـﻲ ﺍﺳـﺖ‬ ‫ﮐﺎﻣﮕـــﺎﺭﺍ ﺍﺯ ﺟﻨـــﺎﺏ ﺧـــﻮﺩ ﻣـــﺮﺍﻥ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﮐﺮﺩ ﺻﺮﻑ ﺑﻨﺪﮔﻲ ﻋﻤﺮﻱ ﺭﻋﺎﻳﺖ ﮐﺮﺩﻧﻲ ﺍﺳـﺖ‬ ‫»‪«۱۸۶‬‬ ‫ﺣﺎﻝ ﻣﺎ ﺁﺷﻔﺘﮕﺎﻥ ﺗﻘﺮﻳـﺮ ﮐـﺮﺩﻥ ﺧـﻮﺏ ﻧﻴﺴـﺖ ﺍﻳﻦ ﭘﺮﻳﺸﺎﻥ ﺧﻮﺍﺏ ﺭﺍ ﺗﻌﺒﻴﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴﺖ‬ ‫ﺩﻭﺭ ﺑﺎﻳــﺪ ﺩﺍﺷــﺖ ﺍﺯ ﭼﻴﻨﻬــﺎ ﮐﺸــﺎﺩ ﺟﺒﻬــﻪ ﺭﺍ ﺑﺎﺏ ﺣﺴﻦ ﺧﻠﻖ ﺭﺍ ﺯﻧﺠﻴﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴـﺖ‬ ‫ﺑــﺎﺭ ﺩﻟﻬــﺎ ﺑــﺮ ﺯﻣــﻴﻦ ﺍﻓﮕﻨــﺪ ﮔﻴﺴــﻮﻱ ﺗــﺮﺍ ﺍﻳﻦﻗﺪﺭ ﻫﻢ ﺯﻟﻒ ﺭﺍ ﺩﻟﮕﻴﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴـﺖ‬ ‫ﻏﻴــﺮﺕ ﻳﮑﺘــﺎﻳﻲ ﺍﻭ ﺑــﺲ ﺑﻠﻨــﺪ ﺍﻓﺘــﺎﺩﻩ ﺍﺳــﺖ ﺻﻮﺭﺕ ﻣﻌﺸﻮﻕ ﺭﺍ ﺗﺼﻮﻳﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺯﻳﺎﺭﺕ‪.‬‬

‫‪ // ٢١٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺭﺷـﺘﻪﺍﻱ ﺩﺭ ﮔﺮﺩﻧـﺖ ﺍﻓﮕﻨـﺪﻩ ﺭﺳـﻮﺍ ﻣـﻲﮐﻨـﺪ ﺳﺒﺤﻪ ﺭﺍ ﺳﺮﻣﺎﻳﺔ ﺗﺰﻭﻳـﺮ ﮐـﺮﺩﻥ ﺧـﻮﺏ ﻧﻴﺴـﺖ‬ ‫ﺧــﻂ ﺑــﺮﺁﻭﺭﺩﻱ ﺩﮔــﺮ ﺑﻴــﺪﺍﺩ ﺑــﺮ ﺩﻟﻬــﺎ ﻣﮑــﻦ ﺻﻴﺪ ﺷﺐ ﺁﺳﻮﺩﻩ ﺭﺍ ﻧﺨﭽﻴﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴﺖ‬ ‫ﻣــﻲﻃﭙــﺪ ﺩﻝ ﺩﺭ ﺑــﺮ ﺁﺯﺍﺩ ﺍﺯ ﺷــﻮﻕ ﺷــﻤﺎ‬ ‫ﺧﻮﺵ ﺧﺮﺍﻣﺎﻥ ﺍﻳﻦﻗﺪﺭ ﻫﻢ ﺩﻳﺮ ﮐﺮﺩﻥ ﺧﻮﺏ ﻧﻴﺴﺖ‬ ‫»‪«۱۸۷‬‬ ‫ﺍﮔﺮﭼﻪ ﺧﺎﮎ ﺷﺪﻡ ﺍﺿﻄﺮﺍﺏ ﻣﻦ ﺑـﺎﻗﻲﺳـﺖ ﮐﻪ ﭘﻴﭻ ﻭ ﺗﺎﺏ ﺭﺳﻦ ﺑﻌﺪ‪ ‬ﺳﻮﺧﺘﻦ ﺑﺎﻗﻲﺳﺖ‬ ‫ﺑﺮﻧــﮓ ﺁﻳﻴﻨــﻪ ﺩﺭ ﮐــﺎﺭ ﺧــﻮﻳﺶ ﺣﻴــﺮﺍﻧﻢ ﮐﻪ ﻳـﺎﺭ ﺩﺭ ﺑﻐـﻞ ﻭ ﺍﻧﺘﻈـﺎﺭﹺ ﻣـﻦ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺯ ﺫﻭﻕ ﺑﺎﻧﮓ ﹶﺍﻟﺴـﺖﺍﻧـﺪ ﻋﺎﺭﻓـﺎﻥ ﺩﺭ ﻭﺟـﺪ ﺳﺨﻦ ﺗﻤﺎﻡ ﺷﺪ ﻭ ﻟـﺬﹼ ‪‬ﺕ ﺳـﺨﻦ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺍﮔــﺮ ﻋﻘﻴــﻖ ﺗــﻮ ﺩﺭ ﻣﻌــﺮﺽﹺ ﺗﻠــﻒ ﺁﻣــﺪ ﭼﺮﺍ ﺯ ﻏ ﹼﺼﻪ ﺧﻮﺭﻱ ﺧﻮﻥ ﺩﻝ ﻳﻤﻦ ﺑﺎﻗﻲﺳﺖ‬ ‫ﺍﮔﺮﭼـﻪ ﺑـﺎﺩ ﺧـﺰﺍﻥ ﺭﻳﺨـﺖ ﻻﻟـﻪ ﻭ ﮔـﻞ ﺭﺍ ﻫﻨﻮﺯ ﻧﮕ ﹺﺲ ﺷﻬﻼﻱ ﺍﻳـﻦ ﭼﻤـﻦ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺍﮔﺮﭼﻪ ﭘﻴﮑـﺮ ﻣـﻦ ﺩﺭ ﻏـﻢ ﻣﺤﺒ‪‬ـﺖ ﺭﻳﺨـﺖ ﺩﻝ ﺷﮑﺴﺘﻪ ﺩﺭ ﺁﻥ ﺯﻟﻒ ﭘ‪‬ﺮﺷﮑﻦ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﻏﻤـﻴﻦ ﻣﺸــﻮ ﮐــﻪ ﮔﺬﺷــﺘﻨﺪ ﻋﺮﻓــﻲ ﻭ ﺁﺯﺍﺩ‬ ‫ﻫﺰﺍﺭ ﺷـﻤﻊ ﺑﮑﺸـﺘﻨﺪ ﻭ ﺍﻧﺠﻤـﻦ ﺑـﺎﻗﻲﺳـﺖ‬ ‫»‪«۱۸۸‬‬ ‫ﺑﻴﺎ ﮐﻪ ﭼﻮﻥ ﮔﻬﺮﻡ ﺑﻲﺗﻮ ﭼﺸﻢ ﺗﺮ ﺑﺎﻗﻲﺳـﺖ ﺗﻤﺎﻡ ﺧﺸﮏ ﺷﺪﻡ ﻻﮐﻦ ﺍﻳﻦﻗﺪﺭ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﻧﻴﻢ ﭼـﻮ ﺁﻳﻴﻨـﻪ ﺩﺭ ﻭﻗـﺖ ﻫﺠـﺮ ﻓـﺎﺭﻍ ﺑـﺎﻝ ﺯ ﺩﻳﺪﻩ ﺭﻓﺘﻲ ﻭ ﺷﮑﻞ ﺗﻮ ﺩﺭ ﻧﻈﺮ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺗــﻮﺍﻥ ﺭﺳــﺎﻧﺪ ﺑﺒــﺎﻟﻴﻦﹺ ﺣﻀــﺮ ‪‬ﺕ ﺻــﻴ‪‬ﺎﺩ ﺯ ﻣﺮﻍ ﺑﺴﻤﻞ ﺍﻭ ﻣﺸﺖ ﺑﺎﻝ ﻭ ﭘ‪‬ﺮ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺗﻮ ﻗﺘﻞ ﮐﺮﺩﻱ ﻭ ﻣﻦ ﺳﺮﺧﻮﺷﻢ ﺯ ﺳـﻮﺩﺍﻳﺖ ﭼﻮ ﺷﻤﻊ ﮐﺸﺘﻪ ﻣﺮﺍ ﺩﺍﻍ ﻣﻐﺰ ﺳﺮ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺟـﺪﺍ ﺯ ﺑــﺰﻡ ﺗــﻮ ﻫﺮﭼﻨـﺪ ﺳــﺎﺯ ﺧﺎﻣﻮﺷــﻢ ﺗﻮﺍﻥ ﻧﻮﺍﺧـﺖ ﻣـﺮﺍ ﺁﻩ ﺩﺭ ﺟﮕـﺮ ﺑـﺎﻗﻲﺳـﺖ‬ ‫ﺑﺠﺎﺳــﺖ ﺑﻌــﺪ ﻓﻨــﺎ ﮔﻔﺘﮕــﻮﻱ ﺷــﻴﺮﻳﻨﻢ ﺍﮔﺮﭼﻪ ﺗﻨﮓ ﺷﮑﺮ ﺧﺎﮎ ﺷﺪ‪ ١‬ﺷﮑﺮ ﺑﺎﻗﻲﺳﺖ‬ ‫ﭼــﻪ ﺷــﺪ ﮐــﻪ ﺧﺎﻣــﺔ ﺁﺑﺯـﺍـﺩــﻣـﺎﻧــــﺪـﺍـﺯـــﺭﻓـﺘــــﺎﺎﺭﻗﻲﺳـــــــــــــــــﺖ‬ ‫ﺑﺴـﺮﺯﻣﻴﻦ ﺳـﺨﻦ ﺍﺯ ﻗـﺪﻡ ﺍﺛـﺮ ﺑـﺎﻗﻲﺳـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺷﺪ« ﻧﺪﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢١٧ //‬‬ ‫»‪«۱۸۹‬‬ ‫ﺑــﺎ ﺟــﻮﺍﻧﻲ ﮐــﻪ ﻣﻴﺮﺯﺍﺋــﻲ ﻧﻴﺴــﺖ ﻭﺍﻗـــﻒ ﻃـــﺮﺯ ﺩﻟﺮﺑـــﺎﺋﻲ ﻧﻴﺴـــﺖ‬ ‫ﺯﺩﻩﺍﻡ ﺑـــﺮ ﺳـــﺮ ﺟﻬـــﺎﻥ ﭘـــﺎﭘﻮﺵ ﺑﻲﺳـﺒﺐ ﺍﻳـﻦ ﺑﺮﻫﻨـﻪ ﭘـﺎﺋﻲ ﻧﻴﺴـﺖ‬ ‫ﺁﻩ ﺗـــﺎ ﺩﺍﻣـــﻦ ﺭﺳـــﺎﻱ ﮐﺴـــﻲ ﺩﺳــﺖ ﮐﻮﺗــﺎﻩ ﺭﺍ ﺭﺳــﺎﺋﻲ ﻧﻴﺴــﺖ‬ ‫ﺩ‪‬ﺭ‪ ‬ﻏﻠﻄﺎﻥ ﻳﺘﻴﻢ ﺧﻮﺵ ﻭﺿـﻌﻲﺳـﺖ ﻏﺎﻓﻞ ﺍﺯ ﺷـﻐﻞ ﺟﺒﻬـﻪﺳـﺎﺋﻲ ﻧﻴﺴـﺖ‬ ‫ﺩﺭ ﻧﮕـــﺎﻩ ﻏـــﺰﺍﻝ ﺟﻠـــﻮﻩ ﻣﮑـــﻦ ﺑـﺎﺏ ﺣﺴـﻦ ﺗـﻮ ﺭﻭﺳـﺘﺎﺋﻲ ﻧﻴﺴـﺖ‬ ‫ﺧﻮﺑﺮﻭﻳــﺎﻥ ﻣﮕــﺮ ﺑــﻪﺷــﻬﺮ ﺷــﻤﺎ ﺭﺳــﻢ ﻭ ﺁﺋــﻴﻦ ﺁﺷــﻨﺎﺋﻲ ﻧﻴﺴــﺖ‬ ‫ﻣــﻲﺩﻫــﺪ ﻧﺴــﺨﻪ ﺩﺭﺩﻣﻨـــﺪﺍﻥ ﺭﺍ ﻗﻠــﻢ ﻣــﺎ ﮐــﻢ ﺍﺯ ﺷــﻔﺎﺋﻲ ﻧﻴﺴــﺖ‬ ‫ﺷــﺎﻩ ﺍﺯ ﻣﻠــﮏ ﺑــﺎﺝ ﻣــﻲﮔﻴــﺮﺩ ﭘﺎﺩﺷــﺎﻫﻲ ﮐــﻢ ﺍﺯ ﮔــﺪﺍﺋﻲ ﻧﻴﺴــﺖ‬ ‫ﻣﻮﺳــﻢ ﺧــﻂ ﻫﻤــﺎﻥ ﻏــﻼﻡ ﺗــﻮﺍﻡ‬ ‫ﻃـــﻮﺭ ﺁﺯﺍﺩ ﺑـــﻲﻭﻓـــﺎﺋﻲ ﻧﻴﺴـــﺖ‬ ‫»‪«۱۹۰‬‬ ‫ﺑﻠﻨﺪﺣﻮﺻــﻠﻪ ﻣﻴــﺰﺍﻥﺷــﺎﻥ ﺗﻤﮑــﻴﻦ ﺍﺳــﺖ ﺳﺰﺍﻱ ﺩﻭﺵ ﺗﻮﺍﻧﺎﺳﺖ ﺁﻧﭽﻪ ﺳـﻨﮕﻴﻦ ﺍﺳـﺖ‬ ‫ﺍﺯ ﺁﻥ ﺩﻭ ﭼﺸﻢ ﻭ ﺩﻫﻦ ﮐﻴﻒ‪ ‬ﻣﺎ ﺩﻭﺑﺎﻻ ﺷـﺪ ﻣﺜﻠﺜـﻲ ﮐـﻪ ﺩﻫـﺪ ﻧﺸـﺌﻪ ﺭﺳـﺎ ﺍﻳـﻦ ﺍﺳــﺖ‬ ‫ﭼــﺮﺍ ﻧــﻪ ﻣﻬــﺮ ﺯ ﻣﻨﻘــﺎﺭ ﻭﺍ ﮐﻨــﺪ ﺑﻠﺒــﻞ ﺳﺨﻨﻮﺭ ﺍﺳﺖ ﻭ ﻣﺼﺎﺣﺐ ﺑﻴﺎﺭ ﺭﻧﮕﻴﻦ ﺍﺳـﺖ‬ ‫ﻧﺠــﺎﺕ ﻣــﺮﺩﻡ ﺁﻟــﻮﺩﻩ ﻧﻴﺴــﺖ ﺍﺯ ﺷــﻴﻄﺎﻥ ﮐﻪ ﺍﻳﻦ ﮐﻬﻦ ﻣﮕﺲ ﺑﻲﺣﻴﺎ ﺷـﻼﻳﻴﻦ‪ ١‬ﺍﺳـﺖ‬ ‫ﮐــﺮﺍ ﺑــﻪﺩﻭﻟــﺖ ﺑﻴــﺪﺍﺩ ﺧــﻮﺩ ﻧﻮﺍﺧﺘــﻪﺍﻱ ﮐﻪ ﺩﺳﺖ ﻭ ﺗﻴﻎ ﺗﻮ ﺍﺯ ﺧﻮﻥ ﺗﺎﺯﻩ ﺭﻧﮕﻴﻦ ﺍﺳﺖ‬ ‫ﺑــﻪﭼــﻴﻦ ﺟﺒــﺔ ﺍﻭ ﻫﺴــﺖ ﻋﻨﺒــﺮﻳﻦ ﺧــﺎﻟﻲ ﮐـﻪ ﺍﺯ ﻣﻼﺣـﺖ ﺁﻥ ﺩﺍﻍ ﻧﺎﻓـﺔ ﭼـﻴﻦ ﺍﺳـﺖ‬ ‫ﺭﺳـــﻴﺪ ﺑـــﺎﺩﺓ ﺧـــﺎﻟﺺ ﺩﺭ ﺍﻧﺠﻤـــﻦ ﺁﺯﺍﺩ‬ ‫ﺳﭙﻨﺪ ﺁﺗﺶ ﻣﻲﺷﻮ ﭼﻪ ﻭﻗﺖ ﺗﻤﮑـﻴﻦ ﺍﺳـﺖ‬ ‫‪ .١‬ﺷﻼﻳﻦ ﻭ ﺷﻼﻳﻴﻦ‪ :‬ﻣﺒﺮﻡ ﻭ ﺳﺨﺖ ﺩﺭﮔﻴﺮﻧﺪﻩ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﺧﺎﺭ ﺍﻳﻦ ﻭﺍﺩﻱ ﺷﻼﻳﻦﺗﺮ ﺯ ﺧﻮﻥ ﻧﺎﺣﻖﺳـﺖ ﺍﺯ ﻋﻼﻳﻖ ﭼﻴﺪﻥ ﺩﺍﻣﺎﻥ ﺭﻏﺒﺖ ﺳـﻬﻞ ﻧﻴﺴـﺖ‬ ‫ﮔﺮﻳﺰﻱ ﺍﺯ ﻋﻼﻳﻖ ﻧﻴﺴﺖ ﺯﻳﺮ ﭼﺮﺥ ﻳﮏ ﺗﻦ ﺭﺍ ﺭﻫﺎﻳﻲ ﻧﻴﺴﺖ ﺯﻳﻦ ﺧﺎﺭ ﺷﻼﻳﻴﻦ ﻫﻴﭻ ﺩﺍﻣﻦ ﺭﺍ‬ ‫ﻫﻴﭻ ﺧﺎﺭﻱ ﺩﺭ ﺑﺴﺎﻁ ﻫﺴـﺘﻲ ﺍﺯ ﺍﺧـﻼﻕ ﺑـﺪ ﺩﺍﻣﻦ ﺟﺎﻥ ﺭﺍ ﺷﻼﻳﻦﺗﺮ ﺯ ﺣﺐ‪ ‬ﺟـﺎﻩ ﻧﻴﺴـﺖ‬ ‫ﺣـﺮﺹ ﺩﻧﻴـﺎ ﺷـﻮﺩ ﺍﻓـﺰﻭﻥ ﺯ ﮐﻬﻨﺴـﺎﻟﻲﻫـﺎ ﺧﺎﺭ ﻫﺮ ﭼﻨﺪ ﺷﻮﺩ ﺧﺸـﮏ‪ ،‬ﺷـﻼﻳﻴﻦ ﮔـﺮﺩﺩ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٤٨٠/٢‬‬

‫‪ // ٢١٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۱۹۱‬‬ ‫ﺩﻝ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﭘﺎﻱ ﻃﻠﺐ ﺩﺭ ﺟﻨﻮﻥ ﮔﺬﺍﺷـﺖ ﺍﻭ‪‬ﻝ ﻗـﺪﻡ ﻣﮕـﺮ ﺑـﻪﺯﻣـﻴﻦ ﺷـﮕﻮﻥ ﮔﺬﺍﺷـﺖ‬ ‫ﺩﻳﻮﺍﻧﻪﻫـﺎﻱ ﭼﺸـﻢ ﺗـﺮﺍ ﻃﺮﻓـﻪ ﻃﻮﺭﻫﺎﺳـﺖ ﻧﺮﮔﺲ ﮐﻼﻩ ﺑﺮ ﺳﺮ ﺧﻮﺩ ﻭﺍﮊﮔـﻮﻥ ﮔﺬﺍﺷـﺖ‬ ‫ﺍﺯ ﮐﻮﻩﮐﻦ ﺯ ﺳﺨﺘﻲ ﺷـﻴﺮﻳﻦ ﺍﺷـﺎﺭﻩﺍﻱﺳـﺖ ﺍﻳﻦ ﻧﻘﺶ ﺩﻝ ﻓﺮﻳﺐ ﮐﻪ ﺩﺭ ﺑﻴﺴ‪‬ﺘﻮﻥ ﮔﺬﺍﺷﺖ‬ ‫ﺩﺭ ﻫـﺮ ﺩﻣـﺎﻍ ﺷـﻮﺭ ﺟـﺪﺍﺋﻲﺳـﺖ ﺑـﺎﺩﻩ ﺭﺍ ﺟﻤﺸﻴﺪ ﺧﻮﺩ ﻋﺠﺐ ﺧﻠﻒ ﺫﻭﻓﻨﻮﻥ ﮔﺬﺍﺷﺖ‬ ‫ﺑــﺎ ﻋﻠــﻢ ﻭ ﻓﻀــﻞ ﺩﺭ ﻫﻨــﺮ ﺷــﺎﻋﺮﻱ ﻓﺘــﺎﺩ‬ ‫ﺁﺯﺍﺩ ﭘــﺎ ﺑــﻪﺭﺗﺒــﺔ ﺑﺴــﻴﺎﺭ ﺩﻭﻥ ﮔﺬﺍﺷــﺖ‬ ‫»‪«۱۹۲‬‬ ‫ﻓﺼﻞ ﺑﻬﺎﺭ ﺑـﺎﺯ ﺑـﻪﺳـﺎﻣﺎﻥ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ ﻃﺎﻭﺱ ﺳﺒﺰﻩ ﺑﺎﻝ ﻭ ﭘ‪‬ﺮ ﺍﻓﺸﺎﻥ ﺭﺳﻴﺪﻩ ﺍﺳﺖ‬ ‫ﺍﻣـﺮﻭﺯ ﺑـﻮﻱ ﺗـﺎﺯﺓ ﮔـﻞ ﻣـﻲﺩﻫـﺪ ﻧﺴـﻴﻢ ﻣﻌﻠﻮﻡ ﺷﺪ ﮐﻪ ﭘﻴﮏ ﺑﻬﺎﺭﺍﻥ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﻳﺎﺭﺍﻥ ﻃﻮﺍﻑ ﺑﺎﻍ ﺩﺭ ﺍﻳﻦ ﻓﺼﻞ ﻻﺯﻡ ﺍﺳﺖ ﮔﻞﻫﺎ ﺑﺮﺍﻱ ﻣﺎ ﺑـﻪﮔﻠﺴـﺘﺎﻥ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﺳـﺎﻗﻲ ﺩﻣـﺎﻍﻫـﺎ ﺯ ﻣـﻲ ﮐﻬﻨـﻪ ﺗـﺎﺯﻩ ﮐـﻦ ﺍﺑﺮ ﺧﻮﺷﻲ ﺯ ﮐﻮﻩ ﻭ ﺑﻴﺎﺑﺎﻥ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﻧـﺎﺯﻡ ﺑـﻪﺟﺬﺑـﺔ ﮔـﻞ ﻧـﻮﺧﻴﺰ ﺍﻳـﻦ ﺑﻬـﺎﺭ ﺑﻠﺒﻞ ﻗﻔﺲ ﺷﮑﺴﺘﻪ ﺑﻪﺑﺴﺘﺎﻥ ﺭﺳﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﻣﺠﻨــﻮﻥ ﺧﻴــﺎﻝ ﻟﻴﻠــﻲ ﺭﻋﻨــﺎ ﻧﻤــﻲﮐﻨــﺪ ﺗﺎ ﺩﺭ ﺟﻨﺎﺏ ﻻﻟﻪ ﻭ ﺭﻳﺤﺎﻥ ﺭﺳـﻴﺪﻩ ﺍﺳـﺖ‬ ‫ﺍﺯ ﻓﻴﺾ ﺍﻳﻦ ﺑﻬﺎﺭ ﮐﻪ ﻳـﺎﺭﺏ ﻫﻤﻴﺸـﻪ ﺑـﺎﺩ‬ ‫ﺁﺯﺍﺩ ﺩﺭﺩﻣﻨــﺪ ﺑــﻪﺩﺭﻣــﺎﻥ ﺭﺳــﻴﺪﻩ ﺍﺳــﺖ‬ ‫»‪«۱۹۳‬‬ ‫ﺳﺎﻗﻲ ﻗﺪﺣﻲ ﺩﻩ ﮐﻪ ﺩﮔﺮ ﻓﺼﻞ ﺭﺑﻴﻌﻲ ﺍﺳـﺖ ﻣﻴﻞ ﻣـﻦ ﻣﺨﻤـﻮﺭ ﺑـﻪﭘﻴﻤﺎﻧـﻪ ﻃﺒﻴﻌـﻲ ﺍﺳـﺖ‬ ‫ﺍﺑــﺮﻭﻱ ﺑﻠﻨــﺪ ﺗــﻮ ﺑــﻮﺩ ﺑﻴــﺖ‪ ‬ﻫﻼﻟــﻲ‪ ١‬ﺳﺮ ﻭ ﻗﺪ ﻣﻮﺯﻭﻥ ﺗﻮ ﻣﺼـﺮﺍﻉ ﺑـﺪﻳﻌﻲ‪ ٢‬ﺍﺳـﺖ‬ ‫ﺩﺭ ﻭﺳﻌﺖ‪ ‬ﻣﺸﺮﺏ ﻧﺘﻮﺍﻥ ﻳﺎﻓـﺖ ﺑﺠـﺰ ﺻـﻠﺢ ﺁﺋــﻴﻦ ﺗﻨــﺎﺯﻉ ﺭﻭﺵ ﺳ‪‬ــﻨﹼﻲ ﻭ ﺷــﻴﻌﻲ ﺍﺳــﺖ‬ ‫ﺁﻥ ﺷﺎﻋﺮ ﺧﻮﺵ ﻓﮑﺮ ﮐﻪ ﺩﺭ ﺑﺰﻡ ﺗﻮ ﺟﺎ ﻳﺎﻓﺖ ﺷﮏ ﻧﻴﺴﺖ ﮐﻪ ﻣﻌﻨﺎﹰ ﻣﺘﺨﻠﹼﺺ ﺑﻪﺭﻓﻴﻌﻲ‪ ٣‬ﺍﺳﺖ‬ ‫ﺁﺯﺍﺩ ﺗــﺮﺍ ﻣــﻲﺩﻫــﺪ ﺍﺍﺯﺳـﻏﻴـــــﺐــﺑـﺸــــﺎـﺭــﺕـــــــــــــــــــــﺖ‬ ‫ﻋﻤﺮﹺ ﺗﻮ ﻃﺒﻴﻌـﻲ ﻭ ﺯﻣـﺎﻥ‪ ‬ﺗـﻮ ﺭﺑﻴﻌـﻲ ﺍﺳـﺖ‬ ‫‪ .١‬ﻧﺎﻡ ﺷﺎﻋﺮ‪.‬‬ ‫‪ .٢‬ﻧﺎﻡ ﺷﺎﻋﺮ‪.‬‬ ‫‪ .٣‬ﻧﺎﻡ ﺷﺎﻋﺮ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢١٩ //‬‬ ‫»‪«۱۹۴‬‬ ‫ﻫﺰﺍﺭ ﺷﮑﺮ ﮐﻪ ﮐﺎﺭﻡ ﺑـﻪﺧـﻮﺑﻲ ﺁﻣـﺪ ﺭﺍﺳـﺖ ﺯ ﺩﻭﺭ ﻳﺎﺭ ﻣـﺮﺍ ﺩﻳـﺪﻩ ﺳـﺮ ﻭ ﻗـﺪ ﺑﺮﺧﺎﺳـﺖ‬ ‫ﺗﻮ ﺧﻮﺩ ﺑﻪ ﺑﻲﺩﻫﻨﻲ ﺷـﻬﺮﺓ ﺟﻬـﺎﻥ ﺷـﺪﻩﺍﻱ ﺑﮕﻮ ﮐﻪ ﺍﻳﻦ ﻫﻤﻪ ﺩ‪‬ﺭﺭﻳﺰﻱ ﺳﺨﻦ ﺯ ﮐﺠﺎﺳﺖ‬ ‫ﺭﺳــﻴﺪﻩ ﺩﺭ ﺭﻩ ﺍﻭ ﺁﻩ ﺟــﺎﻥ ﻣــﻦ ﺑــﺮ ﻟــﺐ ﻧﺴﻴﻢ ﺁﻥ ﮔﻞ ﻧﻮﺭﺱ ﻫﻨـﻮﺯ ﭘـﺎ ﺑـﻪﺣﻨﺎﺳـﺖ‬ ‫ﮐﺠـﺎ ﺭﻭﻡ ﭼـﻪ ﮐـﻨﻢ ﻳـﺎ ﮐـﻪ ﻧﺎﻣـﻪ ﺑﻔﺮﺳـﺘﻢ ﺑﻪﮐﺸﻮﺭﻱ ﮐﻪ ﻣﻨﻢ ﻣـﺮﻍ ﻧﺎﻣـﻪ ﺑـﺮ ﻋﻨﻘﺎﺳـﺖ‬ ‫ﻗﻴﺎﻣــﺖ ﺁﻣــﺪ ﻭ ﺑــﺎﻡ ﻓﻠــﮏ ﺑــﻪﺳــﺮ ﺍﻓﺘــﺎﺩ ﺳـﻴﺎﻩ ﻣﺴـﺖ ﻧﮕﺎﻫـﺖ ﻫﻨـﻮﺯ ﺑـﻲﭘﺮﻭﺍﺳـﺖ‬ ‫ﺷــﺪﻳﻢ ﭘﻴــﺮﻭ‪ ١‬ﺯ ﺩﺳــﺖ ﻧــﻮﺍﺯﺵ ﮔــﺮﺩﻭﻥ ﻓﺮﻭﺗﻨﻲ ﮐﻪ ﺑـﻪﻣـﺎ ﺩﺳـﺖ ﺩﺍﺩ ﻗـﺪ ﺩﻭﺗﺎﺳـﺖ‬ ‫ﺑﺘﺎﻥ ﺟﻨـﺎﺏ ﺷـﻤﺎ ﻣﻈﻬـﺮ ﺟﻤـﺎﻝ ﺧﺪﺍﺳـﺖ‬ ‫ﮐــﺮﻡ ﮐﻨﻴــﺪ ﺑــﻪﺁﺯﺍﺩ ﺍﻳــﻦ ﻏــﻼﻡ ﺷﻤﺎﺳــﺖ‬ ‫»‪«۱۹۵‬‬ ‫ﺑﻴﺪ ﺍﺯ ﺳـﺎﻳﺔ ﮔﻴﺴـﻮﻱ ﮐﺴـﻲ ﻣﺠﻨـﻮﻥ ﺍﺳـﺖ ﺳـﺮﻭ ﺍﺯ ﻧﺴـﺒﺖ ﻭﺍﻻﻱ ﻗـﺪﻱ ﻣـﻮﺯﻭﻥ ﺍﺳـﺖ‬ ‫ﺳــﺎﻳﻞ ﻓــﻴﺾﺭﺳــﺎﻥ ﺳــﻴﺮﺕ ﺯﻳﺒــﺎ ﺩﺍﺭﺩ ﻣﺎﻩ ﭘﺮﺗـﻮ ﻓﮕـﻦ ﺍﺯ ﻣﻬـﺮ ﺑﺠـﺎ ﻣﻤﻨـﻮﻥ ﺍﺳـﺖ‬ ‫ﻋﻤﺪﺓ ﭘﻴﺶ ﺍﺯ ﻫﻤﻪ ﺩﺭ ﮐﺎﺭ ﺟﻬﺎﻥ ﺳﻌﻲ ﮐﻨﻴـﺪ ﺳـﺮﻋﺖ ﻣﻨﻄﻘـﻪ ﺍﺯ ﺩﺍﻳـﺮﻩﻫـﺎ ﺍﻓـﺰﻭﻥ ﺍﺳـﺖ‬ ‫ﺁﻫـﻮﺍﻧﻲ ﮐـﻪ ﺑـﻪﺍﻳـﻦ ﻧـﺎﺯ ﻭ ﺍﺩﺍ ﺟﻠـﻮﻩ ﮐﻨﻨـﺪ ﺳﺎﻳﺔ ﺣﻀﺮﺕ ﻟﻴٰﻠﻲ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﻫﺎﻣﻮﻥ ﺍﺳﺖ‬ ‫ﻫﺴــﺖ ﺁﺋــﻴﻦ ﺧﻮﺷــﻲ ﺗﻘﻮﻳــﺖ ﻳﮑــﺪﻳﮕﺮ ﺩﺍﺩﻥ ﺗﮑﻴـﻪ ﺑــﻪﻳـﺎﺭﺍﻥ ﻋﻤــﻞ ﻣﺴـﻨﻮﻥ ﺍﺳــﺖ‬ ‫ﺑﺮﺳــﺎﻧﺪ ﺧﺒــﺮﻱ ﺍﺯ ﺩﻝ ﮔــﻢ ﮔﺸــﺘﺔ ﻣــﻦ ﻣﺼﺮﻉ ﻣﻨﺘﺨﺐ ﺯﻟﻒ ﺗﻮ ﺧﻮﺵ ﻣﻀﻤﻮﻥ ﺍﺳﺖ‬ ‫ﻋﺸـــﻖ ﺩﺍﺭﺩ ﺍﺛـــﺮﻱ ﺩﺭ ﺩﻝ ﻣﻌﺸـــﻮﻕ ﺁﺯﺍﺩ‬ ‫ﺟﮕـﺮ ﻏﻨﭽـﻪ ﺯ ﺑـﻲﺗـﺎﺑﻲﹺ ﺑﻠﺒـﻞ ﺧـﻮﻥ ﺍﺳـﺖ‬ ‫»‪«۱۹۶‬‬ ‫ﺟﻬﺎﻥ ﺷﺎﻳﺴﺘﻪ ﺑﺎﺯﺍﺭ ﺍﺳﺖ ﻭ ﻫﻴﭻ ﺍﺳـﺖ ﺗﻤﻨﹼـﺎﻱ ﺧﺮﻳـﺪﺍﺭ ﺍﺳـﺖ ﻭ ﻫـﻴﭻ ﺍﺳـﺖ‬ ‫ﺯ ﺗﺼــﻮﻳﺮ ﻣﺠﺴ‪‬ــﻢ ﻣــﻲﺗــﻮﺍﻥ ﻳﺎﻓــﺖ ﮐﻪ ﺍﻳﻦ ﻋﺎﻟﻢ ﻧﻤﻮﺩﺍﺭ ﺍﺳﺖ ﻭ ﻫﻴﭻ ﺍﺳـﺖ‬ ‫ﻗﻤــﺎﺵ ﺷــﻬﺮ ﺍﻣﮑــﺎﻥ ﺧــﻮﺏ ﺩﻳــﺪﻡ ﻣﺘﺎﻉ ﺳﺨﺖ ﺩﺭﮐﺎﺭ ﺍﺳﺖ ﻭ ﻫـﻴﭻ ﺍﺳـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺑﺎ ﺳﺮ ﻭ…‬

‫‪ // ٢٢٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺟﻤـــﺎﻝ ﻧـــﻮ ﻋـــﺮﻭﺱ ﮐﻬﻨـــﻪ ﻋـــﺎﻟﻢ ﻧﺸﺎﻁﺍﻓﺰﺍﻱ ﺩﻳﺪﺍﺭ ﺍﺳـﺖ ﻭ ﻫـﻴﭻ ﺍﺳـﺖ‬ ‫ﺗﻤﺎﺷـــﺎﻱ ﺟﻬـــﺎﻥ ﺁﺯﺍﺩ‪ ١‬ﮐـــﻢ ﮔﻴـــﺮ‬ ‫ﮐﻪ ﻫﺮ ﺳﻮ ﺟﻮﺵ ﮔﻠﺰﺍﺭ ﺍﺳﺖ ﻭ ﻫﻴﭻ ﺍﺳﺖ‬ ‫»‪«۱۹۷‬‬ ‫ﻫﺴﺖ ﻇﺎﻫﺮ ﮐﻪ ﺧﻮﺩﺁﺭﺍﺋﻲ ﻧﺎﻗﺺ ﺑﻲﺟﺎﺳـﺖ ﺳــﺮﻣﻪ ﺩﺭ ﺩﻳــﺪﻩ ﺍﻋــﻮﺭ ﭼﻘــﺪﺭ ﻧﺎﺯﻳﺒﺎﺳــﺖ‬ ‫ﻣــﺪ‪‬ﺗﻲ ﺷــﺪ ﮐــﻪ ﻧﻴــﺎﻭﺭﺩ ﺻــﺒﺎ ﺑــﻮﻱ ﮔﻠــﻲ ﺩﺭ ﭼﻤـﻦ ﺭﻓﺘـﻪ ﺑﺒﻴﻨﻴـﺪ ﻣﮕـﺮ ﭘـﺎ ﺑـﻪﺣﻨﺎﺳـﺖ‬ ‫ﺳﺮﮐﺸـﺎﻥ ﺭﺍ ﺑـﻪﺩﻝ ﺻـﺎﻑ ﺗـﻮﺍﻥ ﮐـﺮﺩﻥ ﺭﺍﻡ ﺩﻳﻮ ﺭﺍ ﻫﺴﺖ ﺍﮔﺮ ﺣﺼـﻦ ﺣﺼـﻴﻨﻲ ﻣﻴﻨﺎﺳـﺖ‬ ‫ﺑــﺮ ﺳــﺮﻡ ﻓﻘــﺮ ﺧــﺪﺍﺩﺍﺩ ﺳــﻼﻣﺖ ﺑﺎﺷــﺪ ﺍﻳﻦ ﺳﻮﺍﺩﻱﺳﺖ ﮐﻪ ﺑﺎ ﻳﻤﻦ ﺗﺮﺍ ﺯ ﻇﻞﹼ ﻫﻤﺎﺳﺖ‬ ‫ﻣﻲﺭﻭﺩ ﺫﮐﺮ ﺯ ﺍﺣﺒـﺎﺏ ﺩﺭ ﺁﻥ ﻣﺤﻔـﻞ ﺧـﺎﺹ ﺩﺭﺩﻣﻨﺪﻱ ﮐـﻪ ﺩﻫـﺪ ﻧـﺎﻡ ﻣـﺮﺍ ﻳـﺎﺩ ﮐﺠﺎﺳـﺖ‬ ‫ﺑﺮﻧـــﺪﺍﺭﺩ ﺩﻝ ﻭﺍ ﻣﺎﻧـــﺪﺓ ﻣـــﺎ ﺭﺍ ﺍﺯ ﺧـــﺎﮎ ﺍﻳﻦ ﻫﻤﻪ ﻏﺒﻦ ﺯ ﮐﻮﺗﺎﻫﻲ ﺁﻥ ﺯﻟـﻒ ﺭﺳﺎﺳـﺖ‬ ‫ﺁﺑﺮﻭﺋــﻲ ﻋﺠﺒــﻲ ﺩﺭ ﺩﻭ ﺟﻬــﺎﻥ ﻣــﻲﺑﺨﺸــﺪ‬ ‫ﺍﻳﻦﻗﺪﺭ ﮔﻮﻳـﺪ ﺍﮔـﺮ ﻳـﺎﺭ ﮐـﻪ ﺁﺯﺍﺩ ﺍﺯ ﻣﺎﺳـﺖ‬ ‫»‪«۱۹۸‬‬ ‫ﺁﻩ ﺁﻥ ﻧﺎﻣﻬﺮﺑــﺎﻥ ﺑــﻲﺍﻋﺘــﺪﺍﻟﻲ ﮐــﺮﺩ ﻭ ﺭﻓــﺖ ﺣﺎﺿﺮﺍﻥ ﺍﻧﺠﻤﻦ ﺭﺍ ﻧﻘﺶ ﻗﺎﻟﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺩﺍﺩ ﺍﺯ ﻃﻔﻠﻲ ﮐـﻪ ﺭﻭﺯﻱ ﺑـﺮ ﺳـﺮ ﻣﺠﻨـﻮﻥ ﻣـﺎ ﺁﺳﺘﻴﻦ ﻭ ﺩﺳﺖ ﺭﺍ ﺍﺯ ﺳﻨﮓ ﺧﺎﻟﻲ ﮐﺮﺩ ﻭ ﺭﻓﺖ‬ ‫ﮐﻲ ﺭﻭﺩ ﺍﺯ ﺧﺎﻃﺮ ﻣﻦ ﺳﺎﻗﻲ ﺧـﻮﺵ ﻧﺮﮔﺴـﻲ ﺍﻭ ﻣﺮﺍ ﻣﺴﺖ ﺷـﺮﺍﺏ ﭘﺮﺗﮕـﺎﻟﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺷﺎﺩﻱ ﻭ ﻏﻢ ﻫﺮﭼﻪ ﺁﻳﺪ ﭘﻴﺶ ﺍﻳﻦ ﮐﺲ ﺑﮕﺬﺭﺩ ﻏﻨﭽﺔ ﮔﻞ ﺧﻨﺪﻩ ﺑﻠﺒﻞ ﻋﺠﺰ ﻧﺎﻟﻲ ﮐﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺩﻭﺵ ﺩﺭ ﺑﺰﻣﻲ ﮐﻪ ﮔﺮﻡ ﺣـﺮﻑ ﺑـﻮﺩ ﺁﺯﺍﺩ ﻣـﺎ‬ ‫ﺳﺎﻣﻌﺎﻥ ﺭﺍ ﮐﺎﻣﻴﺎﺏ ﺍﺯ ﻓﮑﺮ ﻋﺎﻟﻲ ﮐﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫»‪«۱۹۹‬‬ ‫ﻣﺎ ﻧﻲﹺ ﻧﺎﺯﮎ ﻗﻠﻢ ﻧﻘﺸﻲ ﺯ ﭼﺸـﻢﹺ ﻣ‪‬ﺴـﺖ ﺑ‪‬ﺴـﺖ ﭼﻮﻥ ﻧﻈﺮ ﺍﻓﮑﻨﺪ ﺑﺮ ﻣﺤﺮﺍﺏﹺ ﺍﺑﺮﻭ ﺩﺳـﺖ ﺑ‪‬ﺴـﺖ‬ ‫ﺧــﺎﻃﺮ ﻭﺍﺭﺳــﺘﮕﺎﻥ ﺩﻭﺭ ﺍﺳــﺖ ﺍﺯ ﻳــﺎﺩ ﻭﻃــﻦ ﮐﺎﺭﻭﺍﻥ ﺑﻮﻱ ﮔﻞ ﭼﻮﻥ ﺭﺧﺖ ﺭﺍ ﺑﺮﺑﺴﺖ ﺑ‪‬ﺴﺖ‪٢‬‬ ‫ﺑ‪‬ﺴـــــــــــــــــــــــــــــــــــــــﺖ‪٢‬‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﺗﻤﺎﺷﺎﻱ ﺟﻬﺎﻥ ﮐﻢ ﮔﻴﺮ ﺁﺯﺍﺩ«‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪» :‬ﺑﺴﺖ« ﻧﺪﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٢١ //‬‬ ‫ﺍﺯ ﺭﻣــﻮﺯﹺ ﮐﻠــﮏ ﻧﻘﹼــﺎﺵﹺ ﺍﺯﻝ ﻭﺍﻗــﻒ ﻧــﻪﺍﻱ ﻭﺭﻧﻪ ﻧﻘﺶ ﮐﻌﺒـﻪ ﻭ ﺑﺘﺨﺎﻧـﻪ ﺭﺍ ﻳﮑﺪﺳـﺖ ﺑ‪‬ﺴـﺖ‬ ‫ﻧــﺎﺯﭘ‪‬ﺮﻭﺭ ﻃﻔــﻞ ﻣــﻦ ﻣﺸــﻖ ﮐﻤﺎﻧــﺪﺍﺭﻱ ﻧﮑــﺮﺩ ﺣﻴﺮﺗﻲ ﺩﺍﺭﻡ ﭼﺴﺎﻥ ﺍﺯ ﺗﻴﺮ ﻣﮋﮔﺎﻥ ﺷﺴﺖ ﺑ‪‬ﺴـﺖ‬ ‫ﮐﺮﺩ ﺣﺎﺻﻞ ﺭﻧﮓ ﻭ ﺑﻮﻱ ﻋﺎﻓﻴﺖ ﺯﻳـﻦ ﮔﻠﺴـﺘﺎﻥ ﻫﺮﮐﻪ ﻟﺐ ﭼﻮﻥ ﻏﻨﭽﻪ ﺍﺯ ﺣﺮﻑ ﺑﻠﻨﺪ ﻭ ﭘ‪‬ﺴﺖ ﺑ‪‬ﺴﺖ‬ ‫ﺍﺯ ﮐﺠـــﺎ ﺁﻣﻮﺧـــﺖ ﺁﻥ ﻧﺎﺁﺷـــﻨﺎ ﺭﺳـــﻢﹺ ﻭﻓـــﺎ ﻋﻬﺪ ﻭ ﭘﻴﻤﺎﻧﻲ ﮐﻪ ﺑﺎ ﻣـﻦ ﭘـﻴﺶ ﺍﺯ ﺍﻳـﻦ ﺑﺸﮑﺴـﺖ‬ ‫ﻧﻴﺴـﺖ ﺁﺯﺍﺩ ﺍﺯ ﮐﻤﻨـﺪ‪ ‬ﺯﻟـ ﺑ‪‬ﺴ‪‬ﻒـﺍـﻭـــﺻــﻴـﺪـــﻱـﺑـــﺮـﻭـــﻱــــــــــــــــــــــﺖ‬ ‫ﻭﺣﺸﻲ ﮐﺰ ﺩﺍﻣﻦ ﺍﻳﻦ ﺩﺷﺖ ﺍﻣﮑﺎﻥ ﺟﺴﺖ ﺑ‪‬ﺴﺖ‬ ‫»‪«۲۰۰‬‬ ‫ﺩﺭ ﺟﻬﺎﻥ ﺍﻳﻦ ﻃﻮﺭ ﮐﺎﻓﺮ ﭼﺸﻢ ﮐﻢ ﺍﻓﺘﺎﺩﻩ ﺍﺳﺖ ﺗﺸــﻨﺔ ﺧــﻮﻥ ﻏــﺰﺍﻻﻥ ﺣــﺮﻡ ﺍﻓﺘــﺎﺩﻩ ﺍﺳــﺖ‬ ‫ﺧﻮﺍﺏ ﺭﺍﺣﺖ ﮐﻮ ﭘﺲ ﺍﺯ ﻣﺮﺩﻥ ﺷـﻬﻴﺪﺍﻥ ﺗـﺮﺍ ﮐﺰ ﻟﺐ ﻟﻌﻞ ﺗﻮ ﺷﻮﺭﻱ ﺩﺭ ﻋﺪﻡ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻣــﻲﮐﺸــﺪ ﺳــﺎﻳﻞ ﺯ ﺭﻭﻱ ﺍﻏﻨﻴــﺎ ﺷــﺮﻣﻨﺪﮔﻲ ﻣﺎﻩ ﻧﻮ ﺩﺭ ﭘﻬﻠﻮﻱ ﺧﻮﺭﺷﻴﺪ ﺧﻢ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺧﺎﻧﻤــﺎﻥ ﺁﻭﺍﺭﻩ ﺳــﺎﺯﺩ ﻡ‪۷‬ﺭﺩ ﺭﺍ ﮐﺴــﺐ ﻫــﻮﺍ ﮐﺰ ﻧﻴﺴﺘﺎﻥ ﻧﻲ ﺟﺪﺍ ﺩﺭ ﻓﮑـﺮ ﺩﻡ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻧﺮﮔﺲ ﻋﻴﺎﺭ ﺍﻭ ﻳـﺎﺭﺏ ﺑـﻪﻓﮑـﺮ ﻗﺘـﻞ ﮐﻴﺴـﺖ ﮐﺰ ﺣﻴﺎ ﺩﺯﺩﻳﺪﻩ ﺩﺭ ﻣﺸـﻖ ﺳـﺘﻢ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻣـﻲﺭﺳـﺎﻧﺪ ﺑﻴﺰﺑـﺎﻥ ﻭ ﮔـﻮﺵ ﺭﺍ ﺯ‪ ١‬ﺩﻝ ﺑـﻪﺩﻝ ﻗﺮﻋـﺔ ﺍﻳـﻦ ﮐـﺎﺭ ﺑـﺮ ﻧـﺎﻡ ﻗﻠـﻢ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﺑــﺲﮐــﻪ ﺑــﻲﺗــﺎﺑﻲ ﮐﻨــﺪ ﺁﺯﺍﺩ ﺩﺭ ﺭﺍ‪‬ﻩ ﻃﻠــﺐ‬ ‫ﺍﺯ ﻗﻴﺎﻣﺖ ﺁﻥ ﻃـﺮﻑ ﺯﻳـﺮ ﻗـﺪﻡ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‬ ‫»‪«۲۰۱‬‬ ‫ﺷﺮﺍﺏ ﺍﺯ ﺧﹸﻢ ﻧﻪ ﺁﺳﻤﺎﻥ ﭼـﻪ ﺧﻮﺍﻫـﺪ ﺭﻳﺨـﺖ ﺯ ﺷﻴﺸﻪﺍﻱ ﮐﻪ ﻧﺪﺍﺭﺩ ﺩﻫﺎﻥ ﭼﻪ ﺧﻮﺍﻫﺪ ﺭﻳﺨـﺖ‬ ‫ﺯ ﺧــﺎﺭ ﻭ ﺳــﻨﺒﻞ ﺍﻳــﻦ ﺑﻮﺳــﺘﺎﻥ ﻧﻤــﻲﺩﺍﻧــﻢ ﺑﻪﺟﻴﺐ ﻭ ﺩﺍﻣﻦ ﻣﻦ ﺑﺎﻏﺒﺎﻥ ﭼﻪ ﺧﻮﺍﻫﺪ ﺭﻳﺨـﺖ‬ ‫ﺧﺰﺍﻧــﺔ ﺩﻝ ﻣــﺮﺩﻡ ﺯ ﺍﺷــﮏ ﺧــﺎﻟﻲ‪ ٢‬ﺷــﺪ ﮐﺴﻲ ﺑﻪﻣﺮﮒ ﺗﻬﻲ ﻗﺴﻤﺘﺎﻥ ﭼﻪ ﺧﻮﺍﻫﺪ ﺭﻳﺨـﺖ‬ ‫ﺩﺭ ﺍﻳــﻦ ﺣﺪﻳﻘــﺔ ﺣﺴــﺮﺕ ﻧﻬــﺎﻝ ﺑــﻲﺑــﺮﮔﻢ‪ ٣‬ﺭﺳﺪ ﺑﻪﻏﺎﺭﺕ ﻣﻦ ﮔﺮ ﺧﺰﺍﻥ ﭼﻪ ﺧﻮﺍﻫﺪ ﺭﻳﺨﺖ‬ ‫ﺷﮑﺴـــﺖ ﺭﻧـــﮓ ﺑﻴﺎﻧﻬـــﺎ ﺯ ﺩﺭﺩ ﻣـــﻦ ﺁﺯﺍﺩ‬ ‫ﺯ ﻧﻮﮎ ﺍﻳﻦ ﻗﻠـﻢ ﺑﻴﺰﺑـﺎﻥ ﭼـﻪ ﺧﻮﺍﻫـﺪ ﺭﻳﺨـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺍﺯ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺟﺎﻧﻲ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺑﻲﺗﺮﮐﻢ‪.‬‬

‫‪ // ٢٢٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۰۲‬‬ ‫ﺩﻟﻲ ﮐـﻪ ﺁﻳﻴﻨـﺔ ﻣﻬـﺮ ﺍﺣﻤـﺪ ﻋﺮﺑـﻲ ﺍﺳـﺖ ﺩﺭﻭﻥ‪ ١‬ﺧﺎﻧﻪ ﭼﺮﺍﻏﻲ ﻭ ﺷﻴﺸﺔ ﺣﻠﺒﻲ ﺍﺳـﺖ‬ ‫ﺭﻳﺎﺿـﺘﻲ ﮐـﺶ ﻭ ﺩﺭﻳـﺎﺏ ﻟـﺬﹼﺕ ﻋﺮﻓـﺎﻥ ﺍﮐﺳﻪـﺁـــﺏــﺭﺍــﻣـﺰـﺓـــﺧـﻮـــﺵــﺑـﻘـﺪـﺭــﺗــﺸﻨـﻪــﻟﺒــﻲــﺍــﺳﺖ‬ ‫ﻋﺬﺍﺏ ﻓﺎﺧﺘﺔ ﺑﻮﺍﻟﻬﻮﺱ ﺯ ﻃـﻮﻕ ﺑﺠﺎﺳـﺖ ﺑﺸﺎﺥ ﺳﺮﻭ ﻧﺸﺴﺘﻦ ﮐﻤﺎﻝ ﺑـﻲﺍﺩﺑـﻲ ﺍﺳـﺖ‬ ‫ﺑﮕـﺮﺩ ﺍﻳـﻦ ﻫﻤـﻪ ﭘﻴـﺮﺍﻫﻦ‪ ٢‬ﻃﺒﻴﻌـﺖ ﮔـﺮﻡ ﺑﻪﺷﻌﻠﻪ ﺩﺳﺖ ﺯﺩﻥ ﺷـﻴﻮﺓ ﺍﺑـﻮﻟﻬﺒﻲ ﺍﺳـﺖ‬ ‫ﺍﺩﺍﻱ ﻃﺎﻋﺖ ﺭﻭﺷﻦ ﺩﻻﻥ ﺑﻪﺳﻤﺖ ﻓﻨﺎﺳـﺖ ﮐﻪ ﻗﺒﻠﻪ ﻣﺸﺮﻗﻴﺎﻥ ﺭﺍ ﺑﻪﺟﺎﻧﺐ ﻏﺮﺑـﻲ ﺍﺳـﺖ‬ ‫ﭼﻤﻦ ﻧﺸﺴﺘﻪ ﺑﺨـﻮﻥ ﻋﻨـﺪﻟﻴﺐ ﻓـﺎﺭﻍ ﺑـﺎﻝ ﻧﮕﺎﻩ ﺩﻳﺪﺓ ﻋﺒـﺮﺕ ﺑﺴـﻴﺮ ﺑـﻮﺍﻟﻌﺠﺒﻲ ﺍﺳـﺖ‬ ‫ﺯﺩﻡ ﺑــﻪﻫــﺮ ﺩﻭ ﺟﻬــﺎﻥ ﺁﺳــﺘﻴﻦ ﺍﺳــﺘﻐﻨﺎ‬ ‫ﺧــﻼﻑ ﺷــﻴﻮﺓ ﺁﺯﺍﺩ ﻣــﺪ‪‬ﻋﺎﻃﻠﺒﻲ ﺍﺳــﺖ‬ ‫»‪«۲۰۳‬‬ ‫ﺟـﺰ ﺟﻨـﺎﺏ ﺗـﻮ ﺩﺭ ﺍﻳـﻦ ﻏﻤﮑـﺪﻩ ﻏﻤﺨـﻮﺍﺭﻡ ﮔـﺮ ﻧﺒﺎﺷـﻲ ﺗـﻮ ﺧﺮﻳـﺪﺍﺭ ﺧﺮﻳـﺪﺍﺭﻡ ﮐﻴﺴـﺖ‬ ‫ﻣﮐﻴــﺴﻲـﺗــــﻮﺍــﻥـﻳـﺎـﻓــــﺖــﺯـﺑـﻴـﻤــــﺎـﺭـﻧــﮕﺎــﻫـــﺎـﻥـــﺧـﺒـــﺮﺖﻱ ﮐﻪ ﺩﺭ ﺍﻳﻦ ﺷـﻬﺮ ﻃﺒﻴـﺐ ﺩﻝ ﺑﻴﻤـﺎﺭﻡ ﮐﻴﺴـﺖ‬ ‫ﺷﻤﻊ ﻓﺎﻧﻮﺱ ﺑـﻪﭘﺮﻭﺍﻧـﻪ ﻧﮕـﺎﻫﻲ ﺯﺩ ﻭ ﮔﻔـﺖ ﮐـﻪ ﻣﻬﻴ‪‬ـﺎﻱ ﺍﺟـﻞ ﺩﺭ ﭘـﺲ ﺩﻳـﻮﺍﺭﻡ ﮐﻴﺴـﺖ‬ ‫ﻣﻬﺮﺓ ﺳﻨﮓ ﻭ ﮔﻞ ﺍﺯ ﻣﻦ ﺑـﻪﮔﻬـﺮ ﻣـﻲﮔﻴﺮﻧـﺪ ﻣــﻦ ﻧــﺪﺍﻧﻢ ﺳــﺒﺐ ﮔﺮﻣــﻲ ﺑــﺎﺯﺍﺭﻡ ﮐﻴﺴــﺖ‬ ‫ﺩﺍﺩ ﺍﻧﺼـــﺎﻑ ﮐـــﻪ ﺍﺯ ﺭﺍﻩ ﻋﻨﺎﻳـــﺖ ﻓﺮﻣـــﻮﺩ‬ ‫ﻏﻴـــﺮ ﺁﺯﺍﺩ ﺩﮔـــﺮ ﻳـــﺎﺭ ﻭﻓـــﺎﺩﺍﺭﻡ ﮐﻴﺴـــﺖ‬ ‫»‪«۲۰۴‬‬ ‫ﺩﺭ ﻭﻗﺖ ﻣﺮﺽ ﺻﺎﺣﺐ ﺳﺮﻣﺎﻳﻪ ﮐﺮﻳﻢ ﺍﺳﺖ ﺑﻴﻤــﺎﺭﻱ ﺍﺭﺑــﺎﺏ ﺩﻭﻝ ﻋﻴــﺪ ﺣﮑــﻴﻢ ﺍﺳــﺖ‬ ‫ﺻــﻴ‪‬ﺎﺩ ﮔﻠــﻲ ﺯﺩ ﺑــﻪﻗﻔــﺲ ﺍﺯ ﭘــﻲ ﺯﻳﻨــﺖ ﻣﺸﻨﺎﺱ ﮐﻪ ﺑـﺮ ﺑﻠﺒـﻞ ﺑﻴﭽـﺎﺭﻩ ﺭﺣـﻴﻢ ﺍﺳـﺖ‬ ‫ﺁﺳــﻮﺩﮔﻲ ﻭ ﻋﺸــﻖ ﺑﻬــﻢ ﺳــﺎﺯ ﻧــﺪﺍﺭﺩ ﺍﺯ ﮐﺸـﺘﻦ ﻋﺸﹼـﺎﻕ ﺗـﺮﺍ ﺍﺟـﺮ ﻋﻈـﻴﻢ ﺍﺳـﺖ‬ ‫ﺍﺯ ﻣﺤﻔــﻞ ﺁﺗــﺶ ﻧﻔﺴــﺎﻥ ﺣــﺮﻑ ﺭﺑــﻮﺩﻥ ﺑﮕﺬﺍﺭ ﮐﻪ ﺍﻳﻦ ﺷـﻴﻮﺓ ﺷـﻴﻄﺎﻥ ﺭﺟـﻴﻢ ﺍﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﻧــﻪ ﺍﻣــﺮﻭﺯ ﺑــﻪﺩﺍﻣــﺎﻥ ﺗــﻮ ﺯﺩ ﺩﺳــﺖ‬ ‫ﻳﮏ ﺭﻧﮕﻲ ﺍﻳﻦ ﻣﺨﻠﺺ ﺑﻲﻣﺜﻞ ﻗـﺪﻳﻢ ﺍﺳـﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺩﺭﻭﻥ ﺧﺎﻧﻪ ﺧﺮﺍﻏﻲﺳﺖ ﺣﻠﺒﻲﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﭘﺮﺍﻣﻦ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٢٣ //‬‬ ‫»‪«۲۰۵‬‬ ‫ﺍٰﻟﻬــﻲ ﺑــﺮ ﺷــﮑﻴﺐ ﻣــﺎ ﭼﻬــﺎ ﺭﻓــﺖ ﮐﻪ ﮐﻮﻫﻲ ﺑﻮﺩ ﻭ ﺩﺭ ﻳﮑﺪﻡ ﺯ ﺟﺎ ﺭﻓﺖ‬ ‫ﻧﻤﺎﻧـــﺪ ﺍﮐﻨـــﻮﻥ ﺍﻣﻴـــﺪ ﺯﻧـــﺪﮔﺎﻧﻲ ﮐــﻪ ﺩﺭﺩ ﻗﺎﺗــﻞ ﻣــﺎ ﺭﺍ ﺩﻭﺍ ﺭﻓــﺖ‬ ‫ﺑﻴــﺎ ﺑﻠﺒــﻞ ﺑــﻪﻗﻤــﺮﻱ ﺗﻌﺰﻳــﺖ ﮐــﻦ ﮐــﻪ ﺳــﺮﻭ ﺍﻭ ﺑــﻪﺗــﺎﺭﺍﺝ ﻓﻨــﺎ ﺭﻓــﺖ‬ ‫ﻋﺰﻳــﺰ ﻣﺼــﺮ ﻣﻌﻨــﻲ ﻣﻴــﺮ ﻳﻮﺳــﻒ‪ ١‬ﺍﺯ ﺍﻳـﻦ ﻋـﺎﻟﻢ ﺳـﻮﻱ ﺩﺍﺭﺍﻟﺒﻘـﺎ ﺭﻓـﺖ‬ ‫ﻓﻐــﺎﻥ ﻣــﻦ ﺑــﻪﻫﻤﺮﺍﻫــﻲ ﺭﻭﺍﻥ ﺷــﺪ ﭼﻮ ﺭﻭﺡ ﺍﻭ ﺑﻪﮔﻠﮕﺸـﺖ ﺳـﻤﺎ ﺭﻓـﺖ‬ ‫ﺑﺪﺧﺸﺎﻥ ﺭﺍ ﻧﻤﺎﻧـﺪ ﺁﻥﻗـﺪﺭ ﻭ ﻗﻴﻤـﺖ ﺯ ﺩﺳﺘﺶ ﻃﺮﻓـﻪ ﻟﻌـﻞ ﺑـﻲﺑﻬـﺎ ﺭﻓـﺖ‬ ‫ﺍﮔـﺮ ﻓـﺮﺩﻭﺱ ﺑﺎﺷـﺪ ﺧـﻮﺵ ﻧـﺪﺍﺭﻡ ﮐـﺰﻳﻦ ﮔﻠﺸـﻦ ﻧﺴـﻴﻢ ﺟـﺎﻧﻔﺰﺍ ﺭﻓـﺖ‬ ‫ﮐــﺪﻭﺭﺕ ﺁﻥﻗــﺪﺭﻫﺎ ﮔــﺮﺩ ﺍﻓﺸــﺎﻧﺪ ﮐﻪ ﺍﺯ ﺳﻴﻤﺎﻱ ﻭﻗﺖ ﻣـﻦ ﺻـﻔﺎ ﺭﻓـﺖ‬ ‫ﻧﻤـﻲﺩﺍﻧـﻢ ﭼـﻪ ﺍﺯ ﻣـﻦ ﺩﻳـﺪ ﺗﻘﺼـﻴﺮ ﮐــﻪ ﺑــﺎ ﺁﻥ ﺩﻭﺳــﺘﻲ ﻧﺎﺁﺷــﻨﺎ ﺭﻓــﺖ‬ ‫ﺷﮑﻮﻩ ﺳﻠﻄﻨﺖ ﺍﺯ ﺩﺳـﺖ ﻣـﻦ ﺭﻓـﺖ ﺗﻮ ﮔـﻮﺋﻲ ﺍﺯ ﺳـﺮﻡ ﻇـﻞﹼ ﻫﻤـﺎ ﺭﻓـﺖ‬ ‫ﻧﻮﺷــــﺖ ﺁﺯﺍﺩ ﺗــــﺎﺭﻳﺦ ﻭﻓــــﺎﺗﺶ‬ ‫»ﺟﻮﺍﻥ ﻳﺎﺭ ﻣـﺎ ﻳﻮﺳـﻒ ﮐﺠـﺎ ﺭﻓـﺖ«‬ ‫)‪ ۱۱۷۲‬ﻫ(‬ ‫»‪«۲۰۶‬‬ ‫ﮐﺮﺩ ﺭﺧﺴﺎﺭ ﺑﺘﺎﻥ ﭼﻮﻥ ﺯﻟﻒ ﮐﺸﺘﻦﹺ ﻋﺎﺭﹺ ﻣﺎﺳﺖ ﮔﺮﺩ ﺧﻮﺩ ﮔﺸﺘﻦ ﺑﺮﻧﮓ ﭼﺸﻢ ﺍﻳﺸﺎﻥ ﮐﺎﺭﹺ ﻣﺎﺳﺖ‬ ‫ﺩﺭﺩﻣﻨـﺪﺍﻥ ﺭﺍ ﺩﻭﺍ ﮐـﺮﺩﻥ‪ ‬ﺑﻬﺸـﺖ ﺩﻳﮕـﺮ ﺍﺳـﺖ ﺧﺎﺭ ﺍﺯ ﭘـﺎﺋﻲ ﺑـﺮﺁﻭﺭﺩﻥ ﮔـﻞ ﺑـﻲﺧـﺎﺭﹺ ﻣﺎﺳـﺖ‬ ‫ﻣﺴﺘﻲ ﻣﺎ ﺩﺳﺖ ﻭ ﺩﺍﻣﻦ ﺍﺯ ﺟﻬﺎﻥ ﺍﻓﺸﺎﻧﺪﻥ ﺍﺳﺖ ﻧﺮﮔﺲ ﺳﺎﻗﻲ ﺧﺪﺍ ﺧﻴﺮﺵ ﺩﻫﺪ ﺧﻤ‪‬ـﺎﺭﹺ ﻣﺎﺳـﺖ‬ ‫ﮔﺮﭼﻪ ﻣﺎ ﺭﺍ ﭼﻮﻥ ﺣﺮﻳﻢ ﺑﺎﻍ ﻇﺎﻫﺮ ﺳﺎﺩﻩ ﺍﺳـﺖ ﻧﻮﺑﻬــﺎﺭ ﺩﻝﻧﺸــﻴﻨﻲ ﺩﺭ ﭘــﺲ ﺩﻳــﻮﺍﺭﹺ ﻣﺎﺳــﺖ‬ ‫ﻭﺿﻊ ﻣﺎ ﻭ ﺳﺎﻏﺮ ﻣﻲﻧﻮﺷﻲ ﺧﻮﺑﺎﻥ ﻳﮑﻲ ﺍﺳـﺖ ﺑﺎ ﻓـﺮﺍﻭﺍﻥ ﺫﻭﻕ ﺭﻓـﺘﻦ ﺩﺭ ﻋـﺪﻡ ﺭﻓﺘـﺎﺭﹺ ﻣﺎﺳـﺖ‬ ‫ﺷﻴﺦ ﺩﺭ ﺗﻠﻘﻴﻦ ﻣـﺎ ﺗﺼـﺪﻳﻊ ﺑـﻲﺟـﺎ ﻣـﻲﮐﺸـﺪ ﺳــﺮﻣﺔ ﺁﻥ ﭼﺸــﻢ ﮐــﺎﻓﺮ ﺣﻠﻘــﺔ ﺯﻧﹼــﺎﺭﹺ ﻣﺎﺳــﺖ‬ ‫ﺧﻮﺑﺮﻭﻳــﺎﻥ ﻣــﻲﺗــﻮﺍﻥ ﺁﺯﺍﺩ ﺭﺍ ﺁﺳــﺎﻥ ﺧﺮﻳــﺪ‬ ‫ﺑﻴــﻊ ﮐــﺮﺩﻥ ﻣﻔــﺖ ﺭﺍ ﺭﺍﻳــﺞﹺ ﺑــﺎﺯﺍﺭﹺ ﻣﺎﺳــﺖ‬ ‫‪ .١‬ﻣﻴﺮ ﻣﺤ ‪‬ﻤﺪ ﻳﻮﺳﻒ ﺑﻠﮕﺮﺍﻣﻲ‪ ،‬ﺩﻭﺳﺖ ﻭ ﻫﻢﺷﻬﺮﻱ ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ ﺑﻮﺩ‪.‬‬

‫‪ // ٢٢٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۰۷‬‬ ‫ﺧﻴــﺎﻝ ﺯﻟــﻒ ﮔــﺮﻩﮔﻴــﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳــﺖ ﭼــﻮ ﺩﻭﺩ ﺷــﻌﻠﺔ ﺗﺼــﻮﻳﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳــﺖ‬ ‫ﭼــﻪ ﻓﻴﻀــﻬﺎ ﮐــﻪ ﺯ ﺑﻴــﺪﺍﺭﻱ ﺳــﺤﺮ ﺩﻳــﺪﻡ ﺩﻋــﺎﻱ ﺩﻭﻟــﺖ ﺍﻳــﻦ ﭘﻴــﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳــﺖ‬ ‫ﺭﺳﺪ ﺻﺪﺍﻱ ﻃﭙﻴـﺪﻥ ﺑـﻪﮔـﻮﺵ ﺍﺯ ﭘـﻲ ﻫـﻢ ﺯ ﺩﺭﺩ ﻭ ﺩﺍﻍ ﺗــﻮ ﺗﻘﺮﻳــﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳــﺖ‬ ‫ﻧﺪﻳــﺪ ﮔــﺮﺩﺵ ﺳــﻴ‪‬ﺎﺭﻩ ﻳــﮏ ﻧﻔــﺲ ﺁﺭﺍﻡ ﺑﻪﺟﺴﺖ ﻭ ﺟﻮﻱ ﺗﻮ ﺷﺒﮕﻴﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳﺖ‬ ‫ﺯ ﺑﺲﮐﻪ ﻃﺮﺡ ﺟﻨﻮﻥ ﺭﻳﺨﺖ ﺯﻟـﻒ ﺍﻭ ﺁﺯﺍﺩ‬ ‫ﮔـــﺮﻓﺘﻦ ﺳـــﺮ ﺯﻧﺠﻴـــﺮ ﻻﺯﻡ ﺩﻝ ﻣﺎﺳـــﺖ‬ ‫»‪«۲۰۸‬‬ ‫ﻗﻴﺎﻣـﺖ‪ ١‬ﺑـﺮ ﺳـﺮ ﺍﻳـﻦ ﺑﻮﺳـﺘﺎﻥ ﺭﻓـﺖ ﮐﻪ ﻳﮏ ﮔﻞ ﺩﺍﺷﺖ ﺁﻥ ﻫﻢ ﻧﻮﺟﻮﺍﻥ ﺭﻓﺖ‬ ‫ﻣﻘﻴﻤــﺎﻥ‪ ‬ﭼﻤــﻦ ﺑــﻲﺳــﺎﻳﻪ ﻣﺎﻧﺪﻧــﺪ ﮐـﻪ ﺷﻤﺸـﺎﺩﻱ ﺑـﻪﺗـﺎﺭﺍﺝ ﺧـﺰ ﺍﻥ ﺭﻓـﺖ‬ ‫ﮔﺮﻳﺒـــﺎﻥ ﭼـــﺎﮎ ﺯﺩ ﺩﺳـــﺖ ﺗﺤﻤ‪‬ـــﻞ ﮐـﻪ ﺁﻥ ﺟـﺎﻥ‪ ‬ﭘـﺪﺭ ﺩﺍﻣـﻦ ﻓﺸـﺎﻥ ﺭﻓـﺖ‬ ‫ﺍٰﻟﻬــــﻲ ﻣــــﻦ ﺑــــﻪﺭﻭﺯﹺ ﺍﻭ ﻧﺸــــﻴﻨﻢ ﭼﻪ ﻭﺍﻗﻊ ﺷﺪ ﮐﻪ ﺍﻣﺸﺐ ﺳـﺮﮔﺮﺍﻥ ﺭﻓـﺖ‬ ‫ﻋﺼـﺎ ﻣــﻲﺧﻮﺍﺳـﺘﻢ ﺩﻭﺭ ﻭﻗــﺖ‪ ‬ﭘﻴــﺮﻱ ﺑـﻪﺩﺳـﺖ ﺁﻣـﺪ ﻭ ﻟـﻴﮑﻦ ﻧﺎﮔﻬـﺎﻥ ﺭﻓـﺖ‬ ‫ﺯ ﺁﻏــﻮﺵﹺ ﭘــﺪﺭ ﭘﻬﻠــﻮ ﺗﻬــﻲ ﮐــﺮﺩ ﺧـﺪﻧﮕﻲ ﺑــﻮﺩ ﺍﺯ ﺩﺳــﺖ‪ ‬ﮐﻤــﺎﻥ ﺭﻓــﺖ‬ ‫ﻧـــﺪﺍﺭﺩ ﻟﻄـــﻒ‪ ‬ﺳـــﻴﺮﹺ ﺑـــﺎﻍ ﺗﻨﻬـــﺎ ﭼﺮﺍ ﺑـﻲﻣـﻦ ﺑـﻪﮔﻠﮕﺸـﺖ‪ ‬ﺟﻨـﺎﻥ ﺭﻓـﺖ‬ ‫ﺳــﺮﺵ ﮔــﺮﺩﻡ ﺑــﻪﻗﺮﺑﺎﻧــﺖ ﺭﻭﻡ ﻣــﻦ ﺩﻟــﻢ ﺭﺍ ﺑ‪‬ــﺮﺩ ﻭ ﺁﺧــﺮ ﺍﺯ ﻣﻴــﺎﻥ ﺭﻓــﺖ‬ ‫ﺍﮔــﺮ ﺍﻭ ﺟــﺎ ﺩﺭ ﺁﻏــﻮﺵ ﺯﻣــﻴﻦ ﮐــﺮﺩ ﻓﻐــﺎﻥ ﻣــﻦ ﺑــﻪﻫﻔــﺘﻢ ﺁﺳــﻤﺎﻥ ﺭﻓــﺖ‬ ‫ﺑــﻮﺩ ﺩﺳــﺖ ﺧــﺰﺍﻥ ﺍﺯ ﺳــﺮﻭ ﮐﻮﺗــﺎﻩ ﻧﻤﻲﺩﺍﻧـﻢ ﮐـﻪ ﺳـﺮﻭ ﻣـﻦ ﭼﺴـﺎﻥ ﺭﻓـﺖ‬ ‫ﺷـــﺒﻲ ﺁﻭﺭﺩ ﺭﻭ ﺍﻳـــﻦ ﺩﻭﻟـــﺖ ﺗﻴـــﺰ ﺳﺤﺮ ﺑﺎ ﻧﮑﻬـﺖ ﮔـﻞ ﻫـﻢ ﻋ‪‬ﻨـﺎﻥ ﺭﻓـﺖ‬ ‫ﭼﻪ ﺳـﺎﺯﻡ ﮔـﺮ ﻧﻤـﺎﻟﻢ ﺩﺳـﺖ‪ ‬ﺍﻓﺴـﻮﺱ ﮐـﻪ ﻟﻌﻠـﻲ ﺍﺯ ﮐـﻒ ﻣـﻦ ﺭﺍﻳﮕـﺎﻥ ﺭﻓـﺖ‬ ‫ﻧﺸـــﺪ ﺍﺯ ﻧﮑﻬـــﺖ ﻣﻘﺼـــﻮﺩ ﻓـــﺎﻳﺰ ﺳـــﺘﻤﻬﺎ ﺑـــﺮ ﻧﺴـــﻴﻢ ﻧـــﺎﺗﻮﺍﻥ ﺭﻓـــﺖ‬ ‫ﺯ ﭼﺸــﻢ ﺑﺎﻏﺒــﺎﻥ ﺧــﻮﻥ ﻣــﻲﺗــﺮﺍﻭﺩ ﭼﻤــﻦ ﺭﺍ ﻏــﺎﺯﺓ ﺭﻭ ﺍﺭﻏــﻮﺍﻥ ﺭﻓــﺖ‬ ‫ﭼـﻪ ﺳـﻮﺩ ﺍﻟﺤـﺎﻝ ﺳـﻮﻱ ﻣﺼـﺮ ﺭﻓـﺘﻦ ﻋﺰﻳــﺰﺍﻥ ﻳﻮﺳــﻔﻲ ﺍﺯ ﮐــﺎﺭﻭﺍﻥ ﺭﻓــﺖ‬ ‫ﺧــﺪﺍ ﺩﺍﻧــﺪ ﭼــﻪ ﺁﻣــﺪ ﺑــﺮ ﺳــﺮ ﺩﻝ ﮐــﻪ ﺍﺯ ﺍﻧﺪﻳﺸــﺔ ﺳــﻮﺩ ﻭ ﺯﻳــﺎﻥ ﺭﻓــﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﺭﺛﺎﻱ ﻓﺮﺯﻧﺪﺵ ﻧﻮﺭﺍﻟﺤﺴﻴﻦ ﮔﻔﺘﻪ ﮐﻪ ﺩﺭ ﻋﻴﻦ ﺟﻮﺍﻧﻲ ﻓﻮﺕ ﮐﺮﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٢٥ //‬‬ ‫ﺷﮑﺴـــــﺖ ﺁﺋﻴﻨـــــﻪ ﺩﻝ ﺭﺍ ﻣﻌﻠﹼـــــﻢ ﺯ ﻣﺤﻔـﻞ ﻃـﻮﻃﻲ ﺷـﻴﺮﻳﻦ ﺑﻴـﺎﻥ ﺭﻓـﺖ‬ ‫ﺗﺒﺴ‪‬ــﻢ ﺑــﺮ ﻟــﺐ ﺍﺣﺒــﺎﺏ ﺧــﻮﻥ ﺷــﺪ ﮐـﻪ ﺍﺯ ﮐﺸـﻤﻴﺮ ﻋﺸـﺮﺕ ﺯﻋﻔـﺮﺍﻥ ﺭﻓـﺖ‬ ‫ﮐﺠـــﺎ ﺻـــﺤﺮﺍ ﻭ ﺻـــﻴﺪ ﮐﺎﻣﻴـــﺎﺑﻲ ﮐــﻪ ﺑــﺎﺯ ﺍﺷــﻬﺒﻲ ﺍﺯ ﺁﺷــﻴﺎﻥ ﺭﻓــﺖ‬ ‫ﺩﻡ ﺁﺧــــﺮ ﻧﺸــــﺪ ﺩﻳــــﺪﻥ ﻣﻴﺴ‪‬ــــﺮ ﻧـــﺪﺍﻧﻢ ﺷـــﺎﺩ ﻳـــﺎ ﻧﺎﻣﻬﺮﺑـــﺎﻥ ﺭﻓـــﺖ‬ ‫ﻧﻤــﻲﺧــﻮﺍﻫﻢ ﮐــﻪ ﺩﻝ ﺩﺭ ﺳــﻴﻨﻪ ﺑﺎﺷــﺪ ﭼﻪ ﮐﺎﺭ ﺁﻳـﺪ ﻣـﺮﺍ ﭼـﻮﻥ ﺩﻟﺴـﺘﺎﻥ ﺭﻓـﺖ‬ ‫ﺩﮔـــﺮ ﺍﻱ ﻏـــﻢ ﻣﮑـــﻦ ﺯﻭﺭﺁﺯﻣـــﺎﺋﻲ ﮐــﻪ ﮐــﺎﺭ ﻃــﺎﻗﺘﻢ ﺍﺯ ﺍﻣﺘﺤــﺎﻥ ﺭﻓــﺖ‬ ‫ﻧﺒـــﻲ ﮐـــﺮﺩ ﺍﺯ ﻏـــﻢ ﻓﺮﺯﻧـــﺪ ﺭﻗﹼـــﺖ ﻣــﺮﺍ ﻫــﻢ ﺁﺗــﺶ ﺩﻝ ﺑــﺮ ﺯﺑــﺎﻥ ﺭﻓــﺖ‬ ‫ﺑﺼـــﺪ ﺧـــﻮﻥ ﺩﻟـــﺶ ﭘـــﺮﻭﺭﺩ ﺁﺯﺍﺩ ﭼـﻪ ﺑـﻲﺭﺣﻤﺎﻧـﻪ ﺁﻥ ﺳـﺮﻭ ﺭﻭﺍﻥ ﺭﻓـﺖ‬ ‫ﺍﮔــــﺮ ﭘﺮﺳــــﻨﺪ ﺗــــﺎﺭﻳﺦ ﻭﻓــــﺎﺗﺶ‬ ‫ﺑﮕـﻮ »ﻧﻮﺭﺍﻟﺤﺴـﻴﻦ ﺁﻩ ﺍﺯ ﺟﻬـﺎﻥ ﺭﻓـﺖ«‬ ‫)‪ ۱۱۶۸‬ﻫ(‬ ‫»‪«۲۰۹‬‬ ‫ﻳﺎﺭ ﺑـﺎ ﻣـﺎ ﺑـﻲﻭﻓـﺎﺋﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ ﺁﺷـــﻨﺎ ﻧﺎﺁﺷـــﻨﺎﺋﻲ ﮐـــﺮﺩ ﻭ ﺭﻓـــﺖ‬ ‫ﺁﻩ ﻗـــﺮﺁﻥ‪ ‬ﺩﻟـــﻢ ﺭﺍ ﭘـــﺎﺭﻩ ﮐـــﺮﺩ ﺳﺨﺖ ﮐﺎﻓﺮ ﻣﺎﺟﺮﺍﺋﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﮐﺸــﺖ ﻧــﺎﺣﻖ ﻧﺎﺧﺪﺍﺗﺮﺳــﻲ ﻣــﺮﺍ ﺩﺳﺖ ﺭﺍ ﺍﺯ ﺧﻮﻥ ﺣﻨﺎﺋﻲ ﮐﺮﺩ ﻭ ﺭﻓﺖ‬ ‫ﺟﺎﻥ ﻭ ﺍﻳﻤـﺎﻥ ﺭﺍ ﺭﺑـﻮﺩ ﺍﺯ ﻏﻤـﺰﻩﺍﻱ ﺍﻳﻦﻗﺪﺭ ﻗﺪﺭﺕﻧﻤـﺎﺋﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺁﺗﺸــﻲ ﺍﺯ ﺟﻠــﻮﻩ ﺩﺭ ﺟــﺎﻧﻢ ﻓﮕﻨــﺪ ﺳـﺎﻋﺘﻲ ﺻـﺒﺮﺁﺯﻣﺎﺋﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺑ‪‬ــــﺮﺩ ﺍﻭ‪‬ﻝ ﺍﺯ ﺍﺩﺍﻫــــﺎ ﺩﻝ ﺯ ﻣــــﻦ ﻋﺎﻗﺒـﺖ ﭘﺮﺑـﻲﺍﺩﺍﺋـﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﮐـــﺮﺩ ﻋﻤـــﺮﻱ ﺑﻨـــﺪﮔﻲ ﺁﺯﺍﺩ ﻣـــﺎ‬ ‫ﺳـﻨﮕﺪﻝ ﺑـﻲﺍﻋﺘﻨـﺎﺋﻲ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫»‪«۲۱۰‬‬ ‫ﺣﺮﻑ‪ ‬ﺩﻧﻴﺎ ﺩﺭ ﮐﺘﺎﺏ ﺳﻴﻨﻪ ﺷـﺎﻳﺎﻥ ﺣـﮏ‪ ‬ﺍﺳـﺖ ﮔﺮ ﮐﻨﻲ ﺍﻟﺤﺎﻕ ﺩﺭ ﻗﺮﺁﻥ ﺳﺰﺍﻱ ﮐـﺰ ﻟـﮏ ﺍﺳـﺖ‬ ‫ﻣﺤﻨﺖ ﻫﻤﺴﺎﻳﻪﻫﺎ ﺑﺮ ﺧﻮﺩ ﮔﺮﻓﺘﻦ ﺧﻮﺷﻨﻤﺎﺳـﺖ ﺍﺯ ﺑـﺮﺍﻱ ﭼﺸـﻢ ﺑﻴﻨـﻲ ﺯﻳـﺮ ﺑـﺎﺭ ﻋﻴﻨـﮏ ﺍﺳـﺖ‬ ‫ﺍﻟﺘﻔﺎﺕ ﻏﻨﭽـﻪﻫـﺎ ﺑـﺮ ﺑﻠـﺒﻼﻥ ﺑـﻲﻭﺟـﻪ ﻧﻴﺴـﺖ ﮐﺞ ﮐﻼﻫﺎﻥ‪ ‬ﭼﻤﻦ ﺭﺍ ﺩﻳﺪﻩﺍﻡ ﺩﻝ ﮐﻮﭼﮏ ﺍﺳـﺖ‬

‫‪ // ٢٢٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺣﻴــﻒ ﺍﺯ ﺑــﻲﺍﻋﺘﻨــﺎﻳﻲ ﻗــﺪﺭ ﻣــﺎ ﻧﺸــﻨﺎﺧﺘﻲ ﺩﺍﻣﻦ ﺍﺧﻼﺹ ﻣﺎ ﻣﺤﻔﻮﻅ ﺍﺯ ﮔـﺮﺩ ﺷـﮏ ﺍﺳـﺖ‬ ‫ﺁﺭﺯﻭﻱ ﺧـــﺎﻃﺮ ﺁﺯﺍﺩ ﻣـــﺎ ﺑﺴـــﻴﺎﺭ ﻧﻴﺴـــﺖ‬ ‫ﺑﻮﺳﻪﺍﻱ ﮔﺮ ﻟﻄﻒ ﻓﺮﻣﺎﻳﻲ ﺍﺯ ﺁﻥ ﻟﺐ ﺧﻮﺑﮏ ﺍﺳﺖ‬ ‫»‪«۲۱۱‬‬ ‫ﺗﺠﺮﻳـﺪ ﺩﻭﺳـﺖ ﺭﺍﻩ ﺑـﻪﺁﻥ ﺁﺳـﺘﺎﻧﻪ ﻳﺎﻓـﺖ ﺗﻴﺮﻱ ﮐﻪ ﮐﻨـﺪ ﺟﺎﻣـﺔ ﻧـﺎﻭﮎ ﻧﺸـﺎﻧﻪ ﻳﺎﻓـﺖ‬ ‫ﺑﻠﺒــﻞ ﺑــﻪﺩﻭﻟــﺖ‪ ‬ﺯﺭﹺ ﮔــﻞ ﻧــﺎﺯ ﻣــﻲﮐﻨــﺪ ﭼﻮﻥ ﻣﻔﻠﺴﻲ ﮐﻪ ﻣﻔﺖ ﺯ ﺟﺎﻳﻲ ﺧﺰﺍﻧﻪ ﻳﺎﻓﺖ‬ ‫ﻭﺍﻋﻆ ﺑﻪﮐﻮﻱ ﺳﺎﺩﻩ ﺭﺧـﺎﻥ ﻋﺎﺷـﻘﺎﻧﻪ ﺭﻓـﺖ ﭘﻨــﺪ‪ ‬ﻧﮕــﺎ‪‬ﻩ ﻣﺴــﺖ‪ ‬ﺑﺘــﺎﻥ ﺭﺍ ﺑﻬﺎﻧــﻪ ﻳﺎﻓــﺖ‬ ‫ﻣﺸﹼﺎﻃﻪ ﺑﺮ ﻋﺬﺍﺭ ﺗﻮ ﺍﺯ ﺳﺮﻣﻪ ﺧـﺎﻝ ﺳـﺎﺧﺖ ﮔـﻞ ﺩﺍﻡ ﻃـﺮ‪‬ﺓ ﺗـﻮ ﺗﻬـﻲ ﺑـﻮﺩ ﺩﺍﻧـﻪ ﻳﺎﻓـﺖ‬ ‫ﻓﻐﻔــﻮﺭ ﺭﺍ ﺯ ﻧــﺎﻑ ﻏــﺰﺍﻻﻥ ﻧــﺪﺍﺩ ﺩﺳــﺖ ﺳﺎﻣﺎﻥ ﻧﮑﻬﺘﻲ ﮐﻪ ﺯ ﺯﻟﻒ ﺗـﻮ ﺷـﺎﻧﻪ ﻳﺎﻓـﺖ‬ ‫ﺷﺪ ﻣﻮﺳﻤﻲ ﮐﻪ ﺭﺧﺶ ﺟﻨـﻮﻥ ﭘـﺮ ﺑـﺮﺁﻭﺭﺩ ﺩﺳﺖ ﮔـﻞ ﺍﺯ ﻧﺴـﻴﻢ ﺳـﺤﺮ ﺗﺎﺯﻳﺎﻧـﻪ ﻳﺎﻓـﺖ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﺩﻣـــﺎﻍ ﻣﻼﻗـــﺎﺕ ﮐـــﺲ ﻧﻤﺎﻧـــﺪ‬ ‫ﺑـﻮﻱ ﻧﻔـﺎﻕ ﺑـﺲﮐـﻪ ﺯ ﺍﻫـﻞ ﺯﻣﺎﻧـﻪ ﻳﺎﻓـﺖ‬ ‫»‪«۲۱۲‬‬ ‫ﺧــﺎﻃﺮ ﺁﺑــﺎﺩ ﻭﻳــﺮﺍﻥ ﮐــﺮﺩ ﻭ ﺭﻓــﺖ ﺷﻬﺮ ﺭﺍ ﺑﺮ ﻣـﻦ ﺑﻴﺎﺑـﺎﻥ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‪١‬‬ ‫ﭼـﻮﻥ ﺻـﺒﺎ ﮐـﺰ ﻏﻨﭽـﻪ ﺯﺍﺭﻱ ﺑﮕـﺬﺭﺩ ﻳﮏ ﺟﻬﺎﻥ ﺩﻝ ﺭﺍ ﭘﺮﻳﺸﺎﻥ ﮐﺮﺩ ﻭ ﺭﻓﺖ‬ ‫ﻧﺎﺻـﺒﻮﺭﻱ ﺭﺍ ﺑـﻪﺳـﺨﺘﻲ ﻭﺍ ﮔﺬﺍﺷـﺖ ﺷﻴﺸﻪ ﺭﺍ ﺗﺴﻠﻴﻢ ﺳﻨﺪﺍﻥ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺟــﺎﻥ ﻭ ﺩﻝ ﺭﺍ ﺑ‪‬ــﺮﺩ ﺩﺭ ﻭﺍﻻ ﺭﮐــﺎﺏ ﮔﺮﺩ ﺍﻭ ﮔﺮﺩﻡ ﮐﻪ ﺍﺣﺴﺎﻥ ﮐﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺑﺮﻕ ﺟـﻮﻻﻧﻲ ﮐـﻪ ﺑـﻲﭘـﺮﻭﺍ ﮔﺬﺷـﺖ ﺁﺭﺯﻭ ﺭﺍ ﺩﺍﻍ ﺣﺮﻣــﺎﻥ ﮐــﺮﺩ ﻭ ﺭﻓــﺖ‬ ‫ﭼﺸـﻢ ﻣـﺎ ﺭﺍ ﺁﺷـﻨﺎﻱ ﮔﺮﻳـﻪ ﺳـﺎﺧﺖ ﺩﺳﺖ ﺭﺍ ﻭﻗﻒ ﮔﺮﻳﺒﺎﻥ ﮐـﺮﺩ ﻭ ﺭﻓـﺖ‬ ‫ﺑﻨـــــﺪﺓ ﺁﺯﺍﺩ ﺑـــــﺎ ﺍﺧـــــﻼﺹ ﺭﺍ‬ ‫ﺍﺯ ﭼﻪ ﺩﺭ ﺯﻧﺠﻴﺮ ﻭ ﺯﻧﺪﺍﻥ ﮐﺮﺩ ﻭ ﺭﻓﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٢٧ //‬‬ ‫»‪«۲۱۳‬‬ ‫ﺧﺎﮐﻢ ﺗﻤﺎﻡ ﺳﻮﺧﺖ ﺑﻪﺟﺎﻳﻲ ﺭﺳﺎﻧﺪﻧﻲ ﺍﺳﺖ ﺍﻳﻦ ﻣﺸﺖ ﺗﺨﻢ ﻻﻟﻪ ﺑﻪﺑﺎﻏﻲ ﻓﺸﺎﻧﺪﻧﻲ ﺍﺳﺖ‪١‬‬ ‫ﻧﻘﺶ ﺟﻬﺎﻥ ﺯ ﺻﻔﺤﺔ ﺩﻝ ﺑﺎﺏ ﺷﺴﺘﻦ ﺍﺳﺖ ﺍﻳﺳـﻦـﻧـﻘـــﺶـــﺧـﻮـــﺏـﺑـﺮـــﻭـﺭــﻕــﺩـﻝــﻧـﺸـﺎـﻧـﺪـﻧــﻲـﺍــﺳﺖﺖ‪١‬‬ ‫ﺩﺭ ﺧﺎﮎ‪ ‬ﻣﻦ ﮐﻪ ﻧﻢﺯﺩﺓ ﺍﺷﮏ‪ ‬ﺣﺴﺮﺕ ﺍﺳﺖ ﺍﻱ ﻧﻮﻧﻬـﺎﻝ ﺭﻳﺸـﺔ ﺍﻟﻔـﺖ ﺩﻭﺍﻧـﺪﻧﻲ ﺍﺳــﺖ‬ ‫ﺯﻧﹼـــﺎﺭ ﺑﻨـــﺪ ﺳـــﺎﺧﺘﻪ ﺍﺯ ﻫﺎﻟـــﻪ ﻣـــﺎﻩ ﺭﺍ ﻫﻨﺪﻭ ﺑﺘﻲ ﮐﻪ ﻣﺎﻳﻞ ﮔﻠﮕﺸﺖ ﭼﺎﻧﺪﻧﻲ‪ ٢‬ﺍﺳﺖ‬ ‫ﺁﺯﺍﺩ ﺭﻓﺖ ﺍﺷﺮﻑ‪ ‬ﺧﻮﺷ ﺍـﮕﺳـﻮـ ﺍــﺯـﺍـﻳـــﻦــﺟـﻬــﺎــﻥــــــــــــــــــــﺖ‬ ‫ﻃﻔﻠﻲ ﮐﻪ ﺧﻮﺵ ﻣﺤﺎﻭﺭﻩ ﺍﻓﺘﺪ ﻧﻤﺎﻧﺪﻧﻲ ﺍﺳﺖ‬ ‫»‪«۲۱۴‬‬ ‫ﺧﻂ ﮔـﺮﺩ‪ ‬ﺩﻫـﺎﻥ‪ ‬ﻳـﺎﺭ ﻧـﺎﻣﻲ ﺍﺳـﺖ‪ ٣‬ﻧﻈﺮ ﻭﺍﮐﻦ ﺑﺪﻗﹼﺖ ﺷﺮﺡ ﺟﺎﻣﻲ‪ ٤‬ﺍﺳﺖ‬ ‫ﻧﺒﺎﺷــﺪ ﻓﻬــﻢ ﻋﻠــﻢ ﺭﻗــﺺ ﺁﺳــﺎﻥ ﺍﺳﺻـﻮــﻝــﻗﺎـﻣـــﺖـــﺧـﻮﺑـﺎــﻥــﺣــﺴـــﺎـﻣــﻲـﺍــﺳـﺖ‬ ‫ﻣﮕﻴـﺮ ﺍﻱ ﺳـﺮﻭ ﺭﻋﻨـﺎ ﺳـﺎﻳﻪ ﺍﺯ ﻣـﻦ ﻣـﺮﺍ ﺩﺭ ﺧـﺪﻣﺖ ﻭﺍﻻ ﻏﻼﻣـﻲ ﺍﺳـﺖ‬ ‫ﻋ‪‬ﻨـﺎﻥ ﺩﺍﺭﻳﺴـﺖ ﮐـﺎﺭﹺ ﻇـﺮﻑ ﻋـﺎﻟﻲ ﺩﺭ ﺁﺗﺶ ﺭﻓﺘﻦ ﭘﺮﻭﺍﻧﻪ ﺧـﺎﻣﻲ ﺍﺳـﺖ‬ ‫ﺗــﻮﺍﻥ ﮐــﺮﺩﻥ ﻧﮕــﺎﻫﻲ ﺍﺯ ﻋﻨﺎﻳــﺖ ﺩﻝ ﻣﺎ ﻃﺎﻟﺐ ﻳﮏ ﻟﻄﻒ ﺳﺎﻣﻲ ﺍﺳـﺖ‬ ‫ﺍﮔــــﺮ ﺍﺯ ﻧﺴــــﺒﺖ ﺁﺯﺍﺩ ﭘ‪‬ﺮﺳــــﻲ‬ ‫ﺣﺴﻴﻨﻲ ﻭﺍﺳـﻄﻲ ﻭ ﺑﹺﻠﮕﺮﺍﻣـﻲ ﺍﺳـﺖ‬ ‫»‪«۲۱۵‬‬ ‫ﺯﺭ ﻣـﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩ ‪‬ﺕ ﻣﺎﺳـﺖ ﺳﺮ ﻣﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩ ‪‬ﺕ ﻣﺎﺳـﺖ‪٥‬‬ ‫ﺻـﻴ‪‬ﺎﺩ ﻗﻔـﺲ ﭼـﻪ ﻣـﻲﻃـﺮﺍﺯﻱ ﭘـﺮ ﻣـﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩ ‪‬ﺕ ﻣﺎﺳـﺖ‬ ‫ﮔﺮ ﺟﺎﻥ ﺑﺨﺸـﻲ ﺭﻋﺎﻳـﺖ ﺗﺴـﺖ ﻭﺭ ﻣـﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩﺕ‪ ‬ﻣﺎﺳـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻣﻬﺘﺎﺑﻲ‪.‬‬ ‫‪ .٣‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٤‬ﻓﻮﺍﺋﺪﺍﻟﻀﻴﺎﺋﻴﻪ ﻣﻌﺮﻭﻑ ﺑﻪﺷﺮﺡ ﻣﻼ ﺟﺎﻣﻲ ﺩﺭ ﻧﺤﻮ‪.‬‬ ‫‪ .٥‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٢٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺑــﺮ ﮔﻮﺷــﺔ ﺑــﺎﻍ ﻣــﺎ ﮔﺬﺷــﺘﻲ ﺑـﺮ ﻣـﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩ ‪‬ﺕ ﻣﺎﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﻣﺘــــﺎﻉ ﻫــــﺮ ﺩﻭ ﻋــــﺎﻟﻢ‬ ‫ﮔﺮ ﻣـﻲﻃﻠﺒـﻲ ﺳـﻌﺎﺩ ‪‬ﺕ ﻣﺎﺳـﺖ‬ ‫»‪«۲۱۶‬‬ ‫ﺩﺭ ﮔﻠﺴﺘﺎﻥ ﺟﻬﺎﻥ ﻫﺮﮐﺲ ﮐـﻪ ﺭﻭ ﺁﺭﻧـﺪﻩ ﺍﺳـﺖ ﭼﻮﻥ ﮔﻞ ﺧﻮﺭﺷﻴﺪ‪ ١‬ﺩﺍﻳﻢ ﺳﺮ ﺑﻪﭘﻴﺶ ﺍﻓﮕﻨﺪﻩ ﺍﺳﺖ‬ ‫ﺳــﺮﻓﺮﺍﺯ ﺁﻥ ﺟﻬــﺎﻥ ﺑﺎﺷــﺪ ﺩﻟﻴــﻞ ﺍﻳــﻦ ﺟﻬــﺎﻥ ﺍﺣﺳـﺮــﻑـــﺧﺘــﻢـــﺻــﻔــﺤـﻪـﺗــﺎــﺝـــﺻـــﻔــﺤـﺔــﺁﻳـﻨـــﺪـﻩــﺍـﺳــﺖ‬ ‫ﺳﺮﻭ ﺭﺍ ﺗﻌﻈﻴﻢ ﻗﻤﺮﻱ ﺳـﺎﺧﺖ ﺍﻳﻤـﻦ ﺍﺯ ﺧـﺰﺍﻥ ﻳﺎﺭ ﻋﺎﺷﻖ ﺩﻭﺳﺖ ﺻﺎﺣﺐ ﺩﻭﻟﺖ ﭘﺎﻳﻨﺪﻩ ﺍﺳـﺖ‬ ‫ﺑﺎﻝ ﻭ ﭘﺮ ﺍﻓﺸﺎﻧﺪﻥ ﭘﺮﻭﺍﻧـﻪ ﺑـﺮ ﺁﺗـﺶ ﺧﻄﺎﺳـﺖ ﻳﺎﺭ ﺭﺍ ﺷﻮﺧﻲ ﻭ ﻋﺎﺷـﻖ ﺭﺍ ﺍﺩﺏ ﺯﻳﺒﻨـﺪﻩ ﺍﺳـﺖ‬ ‫ﻣــﻲﺗــﻮﺍﻥ ﺁﺯﺍﺩ ﺭﺍ ﺍﺯ ﺳــﺎﻏﺮ ﻣــﻲ ﺷــﺎﺩ ﮐــﺮﺩ‬ ‫ﮔﺮﺩ‪ ‬ﻏﻢ ﺍﻳـﻦ ﺁﺏ ﺍﺯ ﺩﺍﻣـﺎﻥ ﺩﻝ ﺷـﻮﻳﻨﺪﻩ ﺍﺳـﺖ‬ ‫»‪«۲۱۷‬‬ ‫ﺷﺐ ﮐﻪ ﻳﺎﺩ ﻣـﺎﻩ ﺳـﻴﻤﺎﻱ ﺩﻟـﻢ ﺍﻧﺪﻳﺸـﻪ ﺩﺍﺷـﺖ ﺭﻳﺨﺖ ﻫﺮ ﺍﺷﮑﻲ ﮐﻪ ﺍﺯ ﭼﺸﻤﻢ ﭘﺮﻱ ﺩﺭ ﺷﻴﺸﻪ ﺩﺍﺷـﺖ‬ ‫ﮐﻴﺴﺖ ﺗﺎ ﺳﺎﻟﻢ ﺑﺮﻭﻥ ﺁﻣـﺪ ﺯ ﺁﻓـﺖ ﮔـﺎﻩ‪ ‬ﻋﺸـﻖ ﺷﻴﺮﻫﺎ ﺍﺯ ﺁﻫﻮﻱ ﭼﺸﻢ ﺑﺘﺎﻥ ﺍﻳـﻦ ﺑﻴﺸـﻪ ﺩﺍﺷـﺖ‬ ‫ﺭﺗﺒــﺔ ﺍﻧﺠــﺎﻡ ﺍﺯ‪ ٢‬ﺁﻏــﺎﺯ ﺣﺎﺻــﻞ ﮐــﺮﺩﻩﺍﻳــﻢ ﮔﻠﺒﻦ ﺑﺴﺘﺎﻥ ﻣﺎ ﭼﻮﻥ ﺷﻤﻊ ﮔﻞ ﺩﺭ ﺭﻳﺸﻪ ﺩﺍﺷﺖ‬ ‫ﻟـ ﹼﺬﺕ ﺧﺎﺻﹼـﻲ ﺑـﻮﺩ ﻋﺸﹼـﺎﻕ ﺭﺍ ﺍﺯ ﺯﺧـﻢ ﻋﺸـﻖ ﮐﻮﻫﮑﻦ ﺩﺍﻧﺪ ﮐﻪ ﺁﺏ ﻟﻌﻞ ﺷﻴﺮﻳﻦ ﺗﻴﺸـﻪ ﺩﺍﺷـﺖ‬ ‫ﺩﺭ ﮔﻠﺴـــﺘﺎﻥ ﺟﻬـــﺎﻥ ﺁﺯﺍﺩ ﺍﺯ ﺁﻏـــﺎﺯ ﻋﺸـــﻖ‬ ‫ﺳﺮ ﺑﻪﭘﻴﺶ ﺍﻧﺪﺍﺧﺘﻦ ﭼﻮﻥ ﺑﻴﺪ ﻣﺠﻨﻮﻥ ﭘﻴﺸﻪ ﺩﺍﺷﺖ‬ ‫‪ .١‬ﮔﻞ ﺧﻮﺭﺷﻴﺪ‪ :‬ﮐﻨﺎﻳﻪ ﺍﺯ ﻃﻠﻮﻉ ﺧﻮﺭﺷﻴﺪ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪:‬‬ ‫ﺷﺒﻨﻤﻴﻢ ﺍ‪‬ﻣﺎ ﺯ ﻓﻴﺾ ﺷﻮﺥ ﭼﺸﻤﻴﻬﺎﻱ ﻋﺸـﻖ ﺑﺎ ﮔﻞ ﺧﻮﺭﺷﻴﺪ ﻣﮋﮔﺎﻥ ﺭﺍ ﺑﻪﻣﮋﮔﺎﻥ ﺑﺴﺘﻪﺍﻳـﻢ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٦٣٩/٢‬‬ ‫ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺩﺭ‪ .‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٢٩ //‬‬ ‫»‪«۲۱۸‬‬ ‫ﺍﻱ ﭘﺮﻱ ﺑﺎ ﺩﻝ ﻣﻦ ﺳـﺎﺯ ﮐـﻪ ﺩﻳﻮﺍﻧـﺔ ﺗﺴـﺖ ﺻﺤﺒﺘﻲ ﮔﺮﻡﮐﻦ ﺍﻱ ﺷﻤﻊ ﮐﻪ ﭘﺮﻭﺍﻧﺔ ﺗﺴـﺖ‪١‬‬ ‫ﮔﺮ ﻧﺪﺍﺭﻱ ﻧﻈﺮ ﺭﺣﻢ ﺑـﻪﻣـﻦ ﺑـﺮ ﺧـﻮﺩ ﮐـﻦ ﺗﻣﺴﺸـﮑــﻦــﺍــﻱــﺟـﺎــﻥــﺩـﻝــﺁـﺑﺎــﺩــﮐـﻪـﺍـﻳــﻦــﺧـﺎـﻧـﺔــﺗـﺴﺖﺖ‪١‬‬ ‫ﺳــﺎﻗﻴﺎ ﺁﻧﭽــﻪ ﮐﻨــﺪ ﺻــﺒﺢ ﺍﻣﻴــﺪﻡ ﺭﻭﺷــﻦ ﺁﻓﺘﺎﺑﻲ ﺍﺳـﺖ ﮐـﻪ ﺩﺭ ﻣﺸـﺮﻕ ﭘﻴﻤﺎﻧـﺔ ﺗﺴـﺖ‬ ‫ﮔﻞ ﻧﺎﺯﮎ ﭼﻪ ﮐﻨﺪ ﺑﺎ ﺳﺘﻢ ﻳﮏ ﺻـﻒ ﺧـﺎﺭ ﺩﺭ ﺳﺮﺯﻟﻒ ﺗﻮ ﺩﻝ ﺧﻮﺩ ﺷـﺪﺓ ﺷـﺎﻧﺔ ﺗﺴـﺖ‬ ‫ﺑــﺎ ﺗــﻮ ﺩﺍﺭﻡ ﭼﻘــﺪﺭ ﻣﻬــﺮ ﻭ ﻣﺤﺒ‪‬ــﺖ ﺁﺯﺍﺩ‬ ‫ﮐــﻪ ﺩﻟــﻢ ﺷــﻴﻔﺘﺔ ﻭﺿــﻊ ﻏﺮﻳﺒﺎﻧــﺔ ﺗﺴــﺖ‬ ‫»‪«۲۱۹‬‬ ‫ﻣﺴﺖ ﻏﺮﻭﺭ ﺁﻣﺪ ﻭ ﺍﺯ ﭘﻴﺶ ﻣﺎ ﮔﺬﺷـﺖ‪ ٢‬ﭘﺮﻭﺍﻱ ﺍﻳﻦ ﮐﺠﺎ ﭼـﻪ ﺑـﺮ ﺁﺷـﻨﺎ ﮔﺬﺷـﺖ‬ ‫ﺑﮔﺮﺬﺟﺷﺎـﺳـــﺖــﺭـﺳــﻢــﮐـﺎـﻓﺘــﻦــﺍـﺯـــﺣﺎــﺟـــﺖــﺷــﻬﺎﺖﻥ‪ ٢‬ﻧﺸﻨﻴﺪﻩﺍﻱ ﮐﻪ ﺑﺮ ﺳﺮﹺ ﻋﻴ ٰﺴﻲ ﭼﻬﺎ ﮔﺬﺷﺖ‬ ‫ﻣ‪‬ــﺮﺩﻳﻢ ﻭ ﺣــ ‪‬ﻖ ﺗﻌﺰﻳــﺖ‪ ‬ﻣــﺎ ﺍﺩﺍ ﻧﮑــﺮﺩ ﺩﺭ ﻣـﺎﺗﻢﹺ ﺭﻗﻴـﺐ ﺯ ﺭﻧـﮓ ﺣﻨـﺎ ﮔﺬﺷـﺖ‬ ‫ﺁﻥ ﺷﻮﺥ ﻣﻲﮐﻨﺪ ﺑﻪﻣـﺪﺍﻭﺍﻱ ﻣـﻦ ﺗـﻼﺵ ﺍﮐﻨﻮﻥ ﮐﻪ ﮐﺎﺭ ﻣﻦ ﺯ ﺣﮑﻴﻢ ﻭ ﺩﻭﺍ ﮔﺬﺷﺖ‬ ‫ﻣﺎﻧﻨـﺪ ﻏﻨﭽـﻪ ﺟﻤﻌﻴ‪‬ـﺖ ﻣـﻦ ﺑـﻪﺑـﺎﺩ ﺩﺍﺩ ﺻﺒﺤﻲ ﮐﻪ ﺑﺎ ﺷﻤﻴﻢ ﺗﻮ ﺑﺎﺩ ﺻﺒﺎ ﮔﺬﺷـﺖ‬ ‫ﺩﺭ ﺭﻭﺯ ﺣﺸﺮ ﺳﺎﻳﺔ ﺧـﻮﺑﻲ ﺑﻬـﻢ ﺭﺳـﺎﻧﺪ ﺑﺎ ﻫﻤ‪‬ﺘﻲ ﮐﻪ ﺍﺯ ﺳـﺮﹺ ﺑـﺎﻝ ﻫﻤـﺎ ﮔﺬﺷـﺖ‬ ‫ﺁﺯﺍﺩ ﮔـﻮﻫﺮ ﺩﻝ ﺧـﻮﺩ ﻋـﺮﺽ ﻣـﻲﮐﻨـﺪ‬ ‫ﻭﺍﷲ ﮔﺮ ﭘﺴﻨﺪ ﺗـﻮ ﺷـﺪ ﺍﺯ ﺑﻬـﺎ ﮔﺬﺷـﺖ‬ ‫»‪«۲۲۰‬‬ ‫ﺳﺮﻣﻪﺁﻟﻮﺩﻩ ﻧﮕﺎﻩ ﺗﻮ ﻋﺠﺐ ﻋﺮﺑﺪﻩﺟﻮ‪ ٣‬ﺍﺳـﺖ ﺗﺸــﻨﺔ ﺧــﻮﻥ ﺩﻝ ﺷــﻴﺮ ﺯﺑــﺎﻥ ﺁﻫــﻮ ﺍﺳــﺖ‬ ‫ﺍﺭﺳﻭـﺯـ ﺑـــﺪـــﺣﺎــﺟـــــﺖـﺍــﺷــﺮـﺍــﻑـ ﺑـــﻪـﺩـﻭــﻧـﺎــﻥـﺍـﻓﺘــﺖﺪ ﺗﮑﻴــﻪﮔــﺎﻩ ﺳــﺮ ﻟﺒﺮﻳــﺰ ﺗﻔﮑﹼــﺮ ﺯﺍﻧــﻮ ﺍﺳــﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺑﮕﺬﺷﺖ‪ .‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٣‬ﻋﺮﺑﺪﻩﺟﻮ‪ :‬ﻋﺮﺑﺪﻩﺟﻮﻱ‪ ،‬ﺟﻨﮕﺠﻮﻱ‪ ،‬ﺳﺘﻴﺰﻩﺟﻮﻱ‪ ،‬ﻫﻨﮕﺎﻣﻪﺟﻮﻱ‪ ،‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻔﺘﻪ‪:‬‬ ‫ﺑﺮ ﺧﺎﻃﺮ ﺩﺭﻳﺎﺳﺖ ﮔﺮﺍﻥ ﺑﺎﺩ ﻣﺨﺎﻟﻒ ﺩﺭ ﻣﺠﻠﺲ ﻣﻲ ﺭﺍﻩ ﻣﺪﻩ ﻋﺮﺑﺪﻩﺟﻮ ﺭﺍ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٥٢٥/٢‬‬ ‫ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٣٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺁﺏ ﺍﺯ ﺷﺮﻡ ﺷﺪﻥ ﻃﺮﻓﻪ ﻋﻼﺟﻲﺳـﺖ ﻣﻔﻴـﺪ ﺩﺷﻤﻦ ﺗﺸﻨﺔ ﺧﻮﻥ ﺗﻮ ﺍﮔﺮ ﺁﺗﺶ ﺧـﻮ ﺍﺳـﺖ‬ ‫ﻫﺴــﺖ ﺩﺭ ﺩﻓــﻊ ﺑــﻼ ﻧــﺎﻡﹺ ﺧــﺪﺍ ﺗﻌﻮﻳــﺬﻱ ﻧﻘﺶ ﭘﺮﮐﺎﺭ ﺣﺼﻴﺮﻱ ﮐﻪ ﻣﺮﺍ ﺑﺮ ﺑـﺎﺯﻭ ﺍﺳـﺖ‬ ‫ﺩﺭ ﺩﻟـﻢ ﻳـﺎﺩ ﺗـﻮ ﺍﺯ ﭼـﺎﺭ ﻃـﺮﻑ ﻣـﻲﺁﻳـﺪ ﺭﺍﻩ ﺁﻥ ﺧﺎﻧﻪ ﮐﻪ ﺍﻓﺘﺎﺩ ﺯ ﭘﺎ ﺍﺯ ﻫﺮ ﺳـﻮ ﺍﺳـﺖ‬ ‫ﭼﺸـﻢ ﺭﺍ ﻣـﻲﮐﻨـﺪ ﺍﺯ ﻧـﻮﺭ ﺳـﻴﺎﻫﻲ ﺭﻭﺷـﻦ ﺍﻳﻦ ﺍﺩﺍﺋﻴﺴﺖ ﮐﻪ ﻣﺨﺼﻮﺹ ﻫﻼﻝ ﺍﺑﺮﻭ ﺍﺳﺖ‬ ‫ﻳﺎﺩ ﺯﻟﻔﺶ ﭼﻘـﺪﺭ ﻋﻄـﺮ ﻓﺸـﺎﻥ ﺍﺳـﺖ ﺁﺯﺍﺩ‬ ‫ﺳـﻨﺒﻞ ﻧﺎﻟــﺔ ﺁﺷــﻔﺘﺔ ﻣــﻦ ﻋﺒﻨــﺮ ﺑــﻮ ﺍﺳــﺖ‬ ‫»‪«۲۲۱‬‬ ‫ﺗﺎ ﮐﻤﺮ ﺑﺴﺘﻪﺍﻱ ﺍﻱ ﺳﺮﻭ ﻣﻴﺎﻥ ﺻﻮﺭﺕ ﺑﺴﺖ ﺑﻪﺗﻦ ﭘﻴﺮﻫﻦ ﺍﺯ ﺟﺴﻢ ﺗﻮ ﺟﺎﻥ ﺻﻮﺭﺕ ﺑﺴـﺖ‪١‬‬ ‫ﺷــﻤﻊ ﻭ ﭘﺮﻭﺍﻧــﺔ ﺗﺼــﻮﻳﺮ ﺩﺭﹺ ﺻــﻠﺢ ﺯﺩﻧــﺪ ﺑﺣﺴﻴـﺮـــﺕـﺁـﻧــﺠﺎــﮐـﻪــﻣــﺪـﺩــﮐـﺮـﺩـ ﺍـﻣـﺎــﻥـــﺻـﻮـﺭـــﺕـﺑــﺴﺖﺖ‪١‬‬ ‫ﻧﻴﺴـﺖ ﺍﻱ ﮔـﻮﻫﺮ ﻧﺎﻳـﺎﺏ ﺑـﻪﺩﺭﻳـﺎ ﮔـﺮﺩﺍﺏ ﺩﺭ ﺗﻤﻨﹼﺎﻱ ﺗﻮ ﭼﺸﻢ ﻧﮕـﺮﺍﻥ ﺻـﻮﺭﺕ ﺑﺴـﺖ‬ ‫ﻣﻌﻨــﻲ ﺁﻥ ﺭﻭﺯ ﮐــﻪ ﺩﺭ ﺩﺍﻡ ﻋﺒــﺎﺭﺕ ﺁﻣــﺪ ﻫﺮ ﭼﻪ ﺁﻧﺴﻮﻱ ﻋﺪﻡ ﺑﻮﺩ ﻧﻬﺎﻥ ﺻﻮﺭﺕ ﺑﺴﺖ‬ ‫ﻏﻨﭽﺔ ﺗﻨـﮓ ﺩﻫـﺎﻧﺶ ﺑـﻪﻧﻈـﺮ ﺟﻠـﻮﻩ ﻧﻤـﻮﺩ‬ ‫ﮔﺸﺖ ﺁﺯﺍﺩ ﻳﻘﻴﻨﻢ ﮐﻪ ﮔﻤﺎﻥ ﺻـﻮﺭﺕ ﺑﺴـﺖ‬ ‫»‪«۲۲۲‬‬ ‫ﺷﺐ ﮐﻪ ﺣﺮﻑ ﺻﻠﺢ ﺁﻥ ﺑﺪﺧﻮ ﻧﻤﻲﺁﻣﺪ ﺩﺭﺳﺖ ﻣﻲﻧﺸﺎﻧﺪﻡ ﻧﻘﺶ ﺧﻮﺩ ﺑﺎ ﺍﻭ ﻧﻤﻲﺁﻣـﺪ ﺩﺭﺳـﺖ‪٢‬‬ ‫ﺩﻭﺵ ﻣــﺎ ﺭﺍ ﮐــﺮﺩ ﺑﺴــﻤﻞ ﭼــﺎﺩﺭ ﮐﻮﺗــﺎﻩ ﺍﻭ ﻣﻲﮐﺸﻴﺪﻱ ﺍﺯ ﺣﻴﺎ ﻫﺮ ﺳـﻮ ﻧﻤـﻲﺁﻣـﺪ ﺩﺭﺳـﺖ‬ ‫ﺑﺲﮐـﻪ ﺩﺭ ﺷﻤﺸـﻴﺮ ﺭﺍﻧـﻲ ﺑﻴﻘـﺮﺍﺭ ﺍﻓﺘـﺎﺩﻩ ﺑـﻮﺩ ﺍﺯ ﻣﺼـﻮ‪‬ﺭ ﻧﻘـﺶ ﺁﻥ ﺑـﺎﺯﻭ ﻧﻤـﻲﺁﻣـﺪ ﺩﺭﺳـﺖ‬ ‫ﺑﺮ ﺳﺮ ﺭﺍﻫﻲ ﺩﻭﭼﺎﺭﻡ ﮔﺸﺖ ﻭ ﺍﺯ ﺷﺮﻡ ﺣﻀﻮﺭ ﺷـﮑﻮﺓ ﺁﻥ ﺑـﻲﻭﻓـﺎ ﺑـﺮ ﺭﻭ ﻧﻤـﻲﺁﻣـﺪ ﺩﺭﺳـﺖ‬ ‫ﻋﻤﺮﻫـــــﺎ ﺁﺯﺍﺩ ﺩﺭ ﺗﺴـــــﺨﻴﺮ ﺁﻥ ﻧﺎﺁﺷـــــﻨﺎ‬ ‫ﻣـﻲﻧﺸﺴـﺘﻢ ﺑـﺮ ﺳـﺮ ﻗـﺎﺑﻮ ﻧﻤـﻲﺁﻣـﺪ ﺩﺭﺳـﺖ‬ ‫»‪«۲۲۳‬‬ ‫ﺣﺮﻓﻲ ﮐﻪ ﺁﺷﻨﺎﻱ ﻗﻠﻢ ﺷﺪ ﺟﻬﺎﻥ ﮔﺮﻓـﺖ ﺍﻳﻦ ﻃﻔﻞ ﻧﻲﺳﻮﺍﺭ‪ ٣‬ﺯﻣﻴﻦ ﻭ ﺯﻣﺎﻥ ﮔﺮﻓﺖ‬ ‫ﮔﺮﻓــــــــــــــــــــــــــــــــﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٣‬ﻧﻲﺳﻮﺍﺭ‪ :‬ﻃﻔﻠﻲ ﮐﻪ ﺍﺯ ﻧﻲ ﻣﺮﮐﺐ ﮐﻨﺪ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻮﻳﺪ‪E :‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٣١ //‬‬ ‫ﺧﻠﻘﻲ ﺯ ﺧﺎﻝ ﮔﻮﺷﺔ ﺍﺑﺮﻭﻱ ﺍﻭ ﮔﺮﻳﺴـﺖ ﻧﺎﺣﻖ ﺳﺮﻱ‪ ١‬ﺑﺮﻳﺪﻩ ﺯ ﺗﻦ ﺗﺎ ﮐﻤﺎﻥ ﮔﺮﻓﺖ‬ ‫ﺑــﺎﻻ ﻧﺸﺴــﺖ ﺍﺯ ﻫﻤــﻪ ﺩﺭ ﺑــﺰﻡ ﺍﻧﺒﻴــﺎ ﮔﭼﺮﻮﻓـﻥــﺷـﺎـﻩـــﺳـﺮـﺑﻠـﻨــﺪــﻋـﺮـــﺏـﺁــﺳــﺘﺎــﻥــﮔـﺮـﻓــﺖ‬ ‫ﺩﻧﻴـﺎ ﺍﮔـﺮ ﺑﻬﺸـﺖ ﺑ‪‬ـﻮ‪‬ﺩ ﻗﺎﺑـﻞ ﻓﻨﺎﺳـﺖ ﺷﺒﻨﻢ ﭼﻪ ﺧﻮﺏ ﮐﺮﺩ ﺭﻩ‪ ‬ﺁﺳﻤﺎﻥ ﮔﺮﻓـﺖ‬ ‫ﺍﺯ ﺍﺧـﺘﻼﻁ ﺩﺧﺘـﺮ ﺭﺯ ﻣـﻲﺷـﻮﺩ ﺟـﻮﺍﻥ ﺻﺪ ﺳﺎﻟﻪﺍﻱ ﮐﻪ ﺩﺍﻣـﻦ ﭘﻴﺮﻣﻐـﺎﻥ ﮔﺮﻓـﺖ‬ ‫ﺁﻳﻴﻨـﻪ ﺭﺍ ﭼﮕﻮﻧـﻪ ﺩﻫـﺪ ﺭﺧﺼـﺖ ﻧﻈـﺮ ﺷﺮﻣﺖ ﻧﮕﺎﻩ ﺷﻮﺥ ﺗﺮﺍ ﻫﻢ ﻋ‪‬ﻨـﺎﻥ ﮔﺮﻓـﺖ‬ ‫ﻳﮏ ﺳﻴﻨﻪ ﺭﺍ ﺯ ﮔﺮﺩ ﮐﺪﻭﺭﺕ ﺗﻬﻲ ﻧﻴﺎﻓﺖ‬ ‫ﺁﺯﺍﺩ ﺭﻓﺖ ﻭ ﮔﻮﺷﻪ ﺍﺯ ﺍﻳﻦ ﺧﺎﮐﺪﺍﻥ ﮔﺮﻓﺖ‬ ‫»‪«۲۲۴‬‬ ‫ﺁﻥ ﻣﺴﻲ ﻣﺎﻟﻴﺪﻩ‪ ٢‬ﺩﻧﺪﺍﻥ ﺁﻓﺖ ﺟـﺎﻥ ﺑـﻮﺩﻩ ﺍﺳـﺖ ﺩﺭ ﺗﺒﺴ‪‬ﻢ ﺑﺮﺳﺮﹺ ﺩﺍﻏـﻢ ﻧﻤـﮏﻫـﺎ ﺳـﻮﺩﻩ ﺍﺳـﺖ‪٣‬‬ ‫ﺍﺯ ﻧﮕــﺎﻩ ﺳــﺮﻣﻪﺁﻟــﻮﺩﺵ ﮐﺴــﻲ ﺁﮔــﻪ ﻧﺸــﺪ ﺗﻴﻎ ﺑﻴﺪﺍﺩ ﺍﺳـﺖ ﻭ ﺍﺯ ﺧـﻮﻥ ﺳـﻴﻪﺁﻟـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﺫﺭ‪‬ﺓ ﻧـــﺎﭼﻴﺰ ﻣـــﺎ ﺑـــﺮ ﺁﺳـــﻤﺎﻥ ﺩﺍﺭﺩ ﺩﻣـــﺎﻍ ﺩﺭ ﺗـﻼﺵ ﺁﻓﺘـﺎﺑﻲ ﺧـﻮﻳﺶ ﺭﺍ ﻓﺮﺳـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻏﻨﭽــﺔ ﻣﺤﺠــﻮﺏ ﻣــﺎ ﺑﻨــﺪ ﻗﺒــﺎ ﺭﺍ ﻭﺍ ﻧﻤــﻮﺩ ﺑﺎﻏﺒــﺎﻥ ﺳــﺪ‪ ‬ﺭﺍﻩ ﺧﻴــﺮ ﺩﺭ ﻧﮕﺸــﻮﺩﻩ ﺍﺳــﺖ‬ ‫ﺟﻠــﻮﺓ ﺭﻭﺷــﻦ ﺩﻻﻥ ﭘﻴﺪﺍﺳــﺖ ﺍﺯ ﮐــﻨﺞ ﻟﺤــﺪ ﻫﻴﭻ ﮐﺲ ﺧﻮﺭﺷﻴﺪ ﺭﺍ ﺍﺯ ﻣﺸﺖ‪ ‬ﮔﻞ ﺍﻧﺪﻭﺩﻩ ﺍﺳﺖ‬ ‫ﻧﻴﺴﺘﻢ ﻭﺍﻗـﻒ ﺯ ﺍﺳـﺮﺍﺭﻱ ﮐـﻪ ﺩﺍﺭﺩ ﺑـﺎﺩﻩ ﻧـﻮﺵ ﺍﻳﻦﻗﺪﺭ ﺩﺍﻧﻢ ﮐﻪ ﺍﺯ ﻓﮑـﺮ ﺟﻬـﺎﻥ ﺁﺳـﻮﺩﻩ ﺍﺳـﺖ‬ ‫ﻧﻴﺴـﺖ ﺭﻧﮕــﻲ ﺍﺯ ﻭﻓـﺎ ﺁﺯﺍﺩ ﺩﺭ ﺳــﻴﻤﺎﻱ‪ ٤‬ﮔــﻞ‬ ‫ﻋﻨﺪﻟﻴﺒﻲ ﺍﻳﻦ ﻧﺼﻴﺤﺖ ﺭﺍ ﺑﻪﻣـﻦ ﻓﺮﻣـﻮﺩﻩ ﺍﺳـﺖ‬ ‫‪ F‬ﺑﺮ ﺁﺳﻤﺎﻥ ﺭﺳﺎﻧﺪ ﻣﺮﺍ ﺑﻮﺭﻳـﺎﻱ ﻓﻘـﺮ ﺍﻳﻦ ﻃﻔﻞ ﻧﻲﺳﻮﺍﺭ ﺑﺒﻴﻦ ﺗﺎ ﮐﺠﺎ ﺭﺳﺪ‬ ‫*‬ ‫ﺧﺎﻣﺔ ﻣـﻦ ﭘﻴﺸـﺘﺮ ﺍﺯ ﻧﺎﻣـﻪ ﻣـﻲﮔـﺮﺩﺩ ﺗﻤـﺎﻡ ﻧﻲﺳﻮﺍﺭ ﺍﺯ ﺩﺳﺖ ﭘﺮﺁﺗﺶ ﭼﺴﺎﻥ ﺁﻳﺪ ﺑـﺮﻭﻥ‬ ‫*‬ ‫ﺟﻤﻌﻲ ﮐﻪ ﭼﻮﻥ ﻗﻠﻢ ﭘﻲ ﮔﻔﺘﺎﺭ ﻣﻲﺭﻭﻧﺪ ﭼﻮﻥ ﻃﻔﻞ ﻧﻲﺳﻮﺍﺭ ﺑﻪﺟﺎﻳﻲ ﻧﻤـﻲﺭﺳـﺪ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(۷۵۵/۲‬‬ ‫ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .١‬ﻧﺪﻭﻩ‪ :‬ﺳﺰﺍﻱ‪.‬‬ ‫‪ .٢‬ﻧﺴﺨﺔ ﮔﻨﺞ ﺑﺨﺶ‪ :‬ﺁﻟﻮﺩﻩ‪.‬‬ ‫‪ .٣‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪ :‬ﺳﻴﺎﻫﻲ‪.‬‬

‫‪ // ٢٣٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۲۵‬‬ ‫ﺩﻝ ﺑﺎ ﻋﻠﻮ‪ ‬ﻫﻤ‪‬ﺖ‪ ‬ﺧﻮﺩ ﺍﺯ ﺟﻬـﺎﻥ ﮔﺬﺷـﺖ ﺑﺮ ﭘﺸﺖ ﺍﻳﻦ ﺑﺮﺍﻕ ﺯ ﻧﹸﻪ ﺁﺳـﻤﺎﻥ ﮔﺬﺷـﺖ‪١‬‬ ‫ﮐﺮﺩﻡ ﺑﺴﺎﻥ ﺳﻨﮓ ﻓﺴﺎﻥ‪ ٢‬ﻃﺮﻓﻪ‪ ،‬ﺭﻗـﺺﻫـﺎ ﺭﻭﺯﻱ ﮐﻪ ﺗﻴﻎ ﻗﺎﺗﻞ ﻣﻦ ﺑﺮ ﻓﺴـﺎﻥ ﮔﺬﺷـﺖ‬ ‫ﺷــﻮﻕ ﮐﺒــﻮﺗﺮ ﺩﻝ ﺩﻳﻮﺍﻧــﻪ ﺩﻳــﺪﻧﻲ ﺍﺳــﺖ ﺗﺎ ﮐﻮﻱ ﻳـﺎﺭ ﻃﺮﻓـﻪ ﻣﻌﻠﹼـﻖ ﺯﻧـﺎﻥ ﮔﺬﺷـﺖ‬ ‫ﺑﺎ ﻣﻦ ﻧﺴﻴﻢ ﺻﺒﺢ ﺣـﺪﻳﺚ ﺻـﺤﻴﺢ ﮔﻔـﺖ ﺑﻴﻤﺎﺭ ﺷﺪ ﮐﺴﻲ ﮐﻪ ﺑﺮ ﺍﻳﻦ ﮔﻠﺴﺘﺎﻥ ﮔﺬﺷﺖ‬ ‫ﺩﺭ ﺩﻝ ﻧﺮﻳﺨـﺖ ﺭﻧـﮓ ﺍﻗﺎﻣـﺖ ﺧـﺪ‪‬ﻧﮓ ﺍﻭ ﺁﻳﺎ ﭼﻪ ﺷﺪ ﮐﻪ ﺯﻭﺩﺗﺮ ﺍﻳﻦ ﻣﻴﻬﻤﺎﻥ ﮔﺬﺷـﺖ‬ ‫ﺑﻮﺩﻡ ﭼﻮ ﺷﻤﻊ ﻧﻴﻢ ﺷـﺒﻲ ﮔـﺮﻡ ﺻـﺤﺒﺘﺶ ﻧﺎﮔﺎﻩ ﺁﺳـﺘﻴﻦ ﺯﺩ ﻭ ﺩﺍﻣـﻦ ﻓﺸـﺎﻥ ﮔﺬﺷـﺖ‬ ‫ﮔﺮ ﻧﻴﺴﺖ ﺍﺯ ﺑﻬﺸﺖ ﻓـﺰﻭﻥ ﺑﻮﺳـﺘﺎﻥ ﻫﻨـﺪ ﺁﺩﻡ ﺯ ﻧﺎﺯ ﻭ ﻧﻌﻤﺖ ﺟﻨﹼﺖ ﭼﺴـﺎﻥ ﮔﺬﺷـﺖ‬ ‫ﮔﻮﻳﻨــﺪ ﺳــﺮﻭ ﺭﺍ ﻧﺮﺳــﺪ ﺁﻓــﺖ‪ ‬ﺧــﺰﺍﻥ ﺁﻥ ﺳﺮﻭ ﺳـﺮﻓﺮﺍﺯ ﭼـﺮﺍ ﻧﻮﺟـﻮﺍﻥ ﮔﺬﺷـﺖ‬ ‫ﺁﺯﺍﺩ ﭘــﺎﺱ ﺧــﺎﻃﺮ ﻗﺎﺗــﻞ ﻣﻘــﺪ‪‬ﻡ ﺍﺳــﺖ‬ ‫ﺍﺯ ﭘﺎﻱ ﺳﺮ ﺑﻪﮐﻮﭼﺔ ﺍﻭ ﻣـﻲﺗـﻮﺍﻥ ﮔﺬﺷـﺖ‬ ‫»‪«۲۲۶‬‬ ‫ﻧﺎﻟﻪ ﮐﺮﺩﻡ ﺗﺎ ﺑﻪﮔـﻮﺵ ﺍﻭ ﺭﺳـﺪ ﻧﺸـﻨﻴﺪ ﻭ ﺭﻓـﺖ ﮔﺮﻳﻪ ﮐﺮﺩﻡ ﺗﺎ ﺑﻪﺩﺍﺩ ﻣﻦ ﺭﺳﺪ ﺧﻨﺪﻳـﺪ ﻭ ﺭﻓـﺖ‪٣‬‬ ‫ﺳﺮ ﻧﺰﺩ ﺍﺯ ﻣﻦ ﮔﻨﺎﻫﻲ ﺣﻖ ﺗﻌﺎٰﻟﻲ ﺷـﺎﻫﺪ ﺍﺳـﺖ ﺣﻴﺮﺗﻲ ﺩﺍﺭﻡ ﮐﻪ ﺁﻥ ﺑﺪﺧﻮ ﭼﺮﺍ ﺭﻧﺠﻴـﺪ ﻭ ﺭﻓـﺖ‬ ‫ﺧﻮﻥ ﺷﺪﻡ ﺍﺯ ﺷﻴﻮﺓ ﺍﻳـﻦ ﺑـﻲﻣـﺮﻭ‪‬ﺕ ﻧـﻲﺳـﻮﺍﺭ ﺧﻮﺍﺳﺘﻢ ﺑﺮ ﭘﺎﻱ ﺍﻭ ﺍﻓﺘﻢ ﻋ‪‬ﻨـﺎﻥ ﭘﻴﭽﻴـﺪ ﻭ ﺭﻓـﺖ‬ ‫ﺩﺭ ﻣـﺬﺍﻕ ﺟــﺎﻥ ﺑـﻮﺩ ﺷــﻴﺮﻳﻨﻲﹺ ﻟﻄﻔـﺶ ﻫﻨــﻮﺯ ﻃﻔﻞ ﺧﻮﺷﮕﻮﺋﻲ ﮐﻪ ﺍﺣﻮﺍﻝ ﻣﺮﺍ ﭘﺮﺳﻴﺪ ﻭ ﺭﻓـﺖ‬ ‫ﻋــﺮﺽ ﮐــﺮﺩﻡ ﮔــﻮﻫﺮ ﺩﻝ ﺭﺍ ﻗﺒــﻮﻝﹺ ﺍﻭ ﻧﺸــﺪ ﮔﻔﺘﻤﺶ ﻣﻔﺖ ﺍﺳﺖ ﻧﮕﺮﻓﺘﻦ ﭼﺮﺍ ﮐﻴﺒﻴﺪ ﻭ ﺭﻓـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﺳﻨﮕﻲ ﺑﺎﺷﺪ ﮐﻪ ﮐﺎﺭﺩ ﻭ ﺷﻤﺸﻴﺮ ﺑﺪﺍﻥ ﺗﻴﺰ ﮐﻨﻨﺪ )ﺑﺮﻫﺎﻥ(‪ .‬ﺑﻪﻫﻨﺪﻱ »ﺳﺎﻥ« ﮔﻮﻳﻨﺪ )ﻏﻴﺎﺙ‪ (٦٦٤ ،‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﻓﺴﺎﻥ ﺷﻤﺸﻴﺮ ﺭﺍ ﺩﺭ ﺧﻮﻥ ﻓﺸﺎﻧﻲ ﺗﻴﺰ ﻣـﻲﺳـﺎﺯﺩ ﻧﺒﺎﺷﺪ ﭼﻮﻥ ﺩﻝ ﺳﻨﮕﻴﻦ‪ ،‬ﭼﻪ ﺍﺯ ﺗﻴﻎ ﺯﺑﺎﻥ ﺧﻴﺰﺩ؟‬ ‫ﻓﺴــــﺎﻥ ﺩﺷــــﻨﺔ ﻳﮑﺪﻳﮕﺮﻧــــﺪ ﺳــــﻨﮕﺪﻻﻥ ﮐﺴــﻲ ﭼــﻪ ﺷــﮑﻮﻩ ﺯ ﺍﺑﻨــﺎﻱ ﺭﻭﺯﮔــﺎﺭ ﮐﻨــﺪ؟‬ ‫*‬ ‫ﭼــﻮﻥ ﺗﻴــﻎ ﻣــﺮﺍ ﺳــﺨﺘﻲ ﺍ‪‬ﻳــﺎﻡ ﻓﺴﺎﻧﺴــﺖ ﻫﺮ ﺳﻨﮓ ﮐﻢ ﺍﺯ ﺩﺳﺖ ﻧﻮﺍﺯﺵ ﺑﻪﺳﺮﻡ ﻧﻴﺴﺖ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ‪(٥٥٤/٢‬‬ ‫‪ .٣‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٣٣ //‬‬ ‫ﻫﺮﮐﻪ ﺁﻣﺪ ﺩﺭ ﺟﻬﺎﻥ ﺷـﺪ ﮔـﻮﻱ ﭼﻮﮔـﺎﻥ ﻓﻠـﮏ ﺯﺧﻢﻫﺎ ﺍﺯ ﺣﺪ‪ ‬ﻓﺰﻭﻥ ﺧﻮﺭﺩ ﻭ ﺑﺴﺮ ﻏﻠﻄﻴﺪ ﻭ ﺭﻓﺖ‬ ‫ﻧﻴﺴﺖ ﺩﺭ ﺭﻭﺷـﻦ ﺩﻟـﻲ ﺁﺯﺍﺩ ﻣـﺎ ﺍﺯ ﺻـﺒﺢ ﮐـﻢ‬ ‫ﺧﻨﺪﻩ ﺑﺮ ﺍﻭﺿﺎﻉ ﻋﺎﻟﻢ ﮐﺮﺩ ﻭ ﺩﺍﻣﻦ ﭼﻴﺪ ﻭ ﺭﻓـﺖ‬ ‫»‪«۲۲۷‬‬ ‫ﺷﺎﻫﻲ ﺭﺳﻴﺪ ﻭ ﻫﻨـﺪ ﺳـﻴﻪ ﻓـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ ﻣﺎﻫﻲ ﻃﻠﻮﻉ ﮐـﺮﺩ ﻭ ﺳـﺮ ﺷـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ‪١‬‬ ‫ﭼﻮﻥ ﺭﻳﺶ ﺧﻮﻳﺶ ﺷﺪ ﻋﻠﻒ ﺗﻴﻎ ﺑﻲﺩﺭﻳﻎ ﺁﻥ ﺑـﺮﻫﻤﻦ ﮐـﻪ ﺳـﻠﻄﻨﺖ ﻋـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ‬ ‫ﺷﮑﺮ ﺧﺪﺍ ﮐﻪ ﮐﺰﻟﮏ‪ ٢‬ﺗﺼﺤﻴﺢ ﺣﮏ‪ ‬ﻧﻤـﻮﺩ ﻧﻘـﺶ ﻏﻠـﻂ ﮐـﻪ ﺻـﻔﺤﺔ ﺍﻳ‪‬ـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ‬ ‫ﻧﺁﻤﺧــــﺮــﺯـﺗـﻴــــﻎــﺧــﺴـــﺮــﻭــﻏـــﺎـﺯــﻱـ ﺑــﺮﻳـــﺪـﻩــﺷــﻮﺪﺩ ﺯﻟـﻒ ﺍﻳـﺎﺯ ﮔـﺮ ﺩﻝ ﺧـﻮﺩ ﮐـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ‬ ‫ﺍﻧﺠﺎﻡ ﮐـﺎﺭ ﻏﻴـﺮ ﻧـﺪﺍﻣﺖ ﭼـﻪ ﺻـﺮﻓﻪ ﺑـﺮﺩ ﻓﻴﻠــﻲ ﮐــﻪ ﺭﺍﻩ ﺧﺎﻧــﺔ ﺍﺣــﺮﺍﻡ ﺭﺍ ﮔﺮﻓــﺖ‬ ‫ﻧـــﺎﺯﻡ ﺑـــﻪﺍﻗﺘـــﺪﺍﺭ ﺳـــﻠﻴﻤﺎﻥ ﮐﺎﻣﮕـــﺎﺭ ﺍﺯ ﺩﺳـﺖ ﺩﻳـﻮ ﮐﺸـﻮﺭ ﺍﺳـﻼﻡ ﺭﺍ ﮔﺮﻓـﺖ‬ ‫ﺁﻣــﺪ ﺧﺒــﺮ ﺯ ﺩﻫﻠــﻲ ﻣﺤــﺮﻭﺱ ﺩﺭ ﺩﮐــﻦ‬ ‫ﺁﺯﺍﺩ ﻣـﺎ ﺑـﻪﻣﻴﮑـﺪﻩ ﮔـﻞ ﺟـﺎﻡ ﺭﺍ ﮔﺮﻓـﺖ‬ ‫»‪«۲۲۸‬‬ ‫ﺧﻄﻲ ﮐﻪ ﮔﺮﺩ ﺭﺥ ﺍﻭ ﺩﻣﻴﺪﻩ ﻣﺬﻣﻮﻡ ﺍﺳـﺖ ﺣﺼﺎﺭ ﺍﻳﻦ ﭼﻤﻦ ﺗﺎﺯﻩ ﺣﻴﻒ ﺯﻗﹼﻮﻡ‪ ٣‬ﺍﺳﺖ‪٤‬‬ ‫ﺧــﺰﺍﻥ ﮔــﻞ ﭼﻘــﺪﺭ ﺩﺍﻍ ﮐــﺮﺩ ﺑﻠﺒــﻞ ﺭﺍ ﺍﻫﺳﻤـﻴـﺸــﻪـﻣــﺮﺛـﻴـﻪــﺧـﻮـﺍـﻥـــﺷـــﻬـﻴـﺪــﻣـﺮــﺣـــﻮــﻡـﺍـﺳــﺖﺖ‪٤‬‬ ‫ﻭﺑــﺎﻝ ﻇﻠــﻢ ﺭﺳــﺎﻧﺪ ﺯﻭﺍﻝ ﺩﻭﻟـــﺖ ﺭﺍ ﺧﺴـﻮﻑ ﻣـﺎﻩ ﺯ ﺁﻩ ﮐﺘـﺎﻥ ﻣﻈﻠـﻮﻡ ﺍﺳـﺖ‬ ‫ﮐﻤﻨﺪ ﺟﺎﺫﺑـﺔ ﺷـﻤﻊ ﻣـﻲﺩﻫـﺪ ﭘـﺮ ﻭ ﺑـﺎﻝ ﻭﮔﺮﻧﻪ ﻫﻤ‪‬ﺖ ﭘﺮﻭﺍﻧﻪ ﺧﻮﺏ ﻣﻌﻠـﻮﻡ ﺍﺳـﺖ‬ ‫ﺳﺤﺎﺏ ﺍﺷﮏ ﻓﺸﺎﻥ ﺭﺍ ﺗﻮﺍﻥ ﺗﻤﺎﺷـﺎ ﮐـﺮﺩ ﺯ ﺑﺎﺭ ﻣﻨﹼﺖ ﺩﺭﻳﺎ ﭼـﻪ ﻣﺎﻳـﻪ ﻣﻐﻤـﻮﻡ ﺍﺳـﺖ‬ ‫ﺧــﺪﺍ ﺯﻳــﺎﺩ ﮐﻨــﺪ ﻋﻤــﺮ ﺫﺍﺕ‪ ‬ﺍﻗــﺪﺱ ﺭﺍ ﺯ ﻳﻤﻦ ﻫﻤ‪‬ﺖ ﺍﻭ ﮐﺎﺭ ﺧﻠﻖ ﻣﻨﻈـﻮﻡ ﺍﺳـﺖ‬ ‫ﻣــﺮﺍ ﺯ ﺗﺠﺮﺑــﻪ ﺁﺯﺍﺩ ﻣﻨﮑﺸــﻒ ﮔﺮﺩﻳــﺪ‬ ‫ﮐﻪ ﻫﺮﮐﻪ ﺧﺎﺩﻡ ﺍﺣﺒﺎﺏ ﮔﺸﺖ ﻣﺨﺪﻭﻡ ﺍﺳﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﮐﺰﻟﮏ‪ :‬ﮐﺎﺭﺩ ﮐﻮﭼﮏ )ﻏﻴﺎﺙ‪.(٧٠٨ ،‬‬ ‫‪ .٣‬ﺯﹼﻗﻮﻡ‪ :‬ﺩﺭﺧﺘﻲ ﺍﺳﺖ ﺗﻠﺦ ﺯﻫﺮﺩﺍﺭ ﮐﻪ ﺷﻴﺮ ﺍﺯ ﺁﻥ ﺑﺮﻣﻲﺁﻳﺪ )ﻏﻴﺎﺙ‪.(٤٣٤ ،‬‬ ‫‪ .٤‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٣٤‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۲۹‬‬ ‫ﺍﺷﮑﻢ ﺑﻪﻋﺸﻖ ﺁﻥ ﺑ‪‬ﺖ ﻫﻨﺪﻭ‪ ١‬ﺑﺮﺁﻣـﺪﻩ ﺍﺳـﺖ ﺩﺭﻳﺎﻱ ﮔﻨﮓ ﺍﺯ ﺳﺮ ﻫﺮ ﻣـﻮ ﺑﺮﺁﻣـﺪﻩ ﺍﺳـﺖ‪٢‬‬ ‫ﻣﺨﺼﻮﺹ ﻧﻴﺴﺖ ﻓﻴﺾ ﺩﻝ ﻣﺎ ﺑﻪﻳﮏ ﺟﻬﺖ ﻓﺎﻧﻮﺱ ﺭﺍ ﻓﺮﻭﻍ ﺯ ﻫـﺮ ﺳـﻮ ﺑﺮﺁﻣـﺪﻩ ﺍﺳـﺖ‬ ‫ﺧﻔﹼﺎﺷــﻬﺎ ﺑــﻪﺍﻭﺝ ﻓﻠــﮏ ﺑــﺎﻝ ﻣــﻲﺯﺩﻧــﺪ ﺧﻮﺭﺷﻴﺪ ﺧﻮﺏ ﺑﺮ ﺳﺮ ﻗـﺎﺑﻮ ﺑﺮﺁﻣـﺪﻩ ﺍﺳـﺖ‬ ‫ﭘــﺮﻭﺍﺯ ﻃــﺎﻳﺮ ﺩﻝ ﺣــﻖ ﮔــﻮﻱ ﻣــﺎ ﺑﺒــﻴﻦ ﺍﺯ ﺁﺷــﻴﺎﻥ ﮐﺒــﻮﺗﺮ ﻳــﺎﻫﻮ‪ ٣‬ﺑﺮﺁﻣــﺪﻩ ﺍﺳــﺖ‬ ‫ﺍﺷـﮑﻢ ﺑـﻪﺳـﻴﺮ ﺑﺎﺩﻳـﻪ ﺭﻓـﺖ ﺍﺯ ﮐﻨـﺎﺭ ﻣـﻦ ﺍﻳﻦ ﻃﻔﻞ ﻫﺮﺯﻩﮔﺮﺩ‪ ٤‬ﭼﻪ ﺑﺪﺧﻮ ﺑﺮﺁﻣﺪﻩ ﺍﺳﺖ‬ ‫ﺩﺭ ﻣﺮﮒ ﻫﻢ ﺍﺯ ﺁﻥ ﮔﻞ ﻧـﻮ ﻓـﻴﺾ ﻣـﻲﺑـﺮﻡ ﺍﺧﺳﺎــﮎــﻣـﺰـﺍـﺭــﻣــﻦــﻫـﻤـﻪـــﮔــﻞــﺑــﻮـ ﺑــﺮـﺁﻣـــﺪـﻩـﺍــﺳـﺖ‬ ‫ﻳــﺎﺭﺍﻥ ﺳــﻮﺍﺩ ﺧﺎﻣــﺔ ﺁﺯﺍﺩ ﺩﻳــﺪﻧﻲ ﺍﺳــﺖ‬ ‫ﺩﺭ ﻣﻠـﮏ‪ ‬ﻫﻨـﺪ ﻧﺎﻓـﻪ ﺯ ﺁﻫـﻮ ﺑﺮﺁﻣـﺪﻩ ﺍﺳـﺖ‬ ‫»‪«۲۳۰‬‬ ‫ﮔﻔﺘــﻲ ﺍﺩﺏ ﺩﻣــﺎﻍ ﻣــﺮﺍ ﺗــﺎﺏ ﺁﻩ ﻧﻴﺴــﺖ ﺩﻝ ﮐﺮﺩ ﻫﺮﭼﻪ ﮐﺮﺩ ﺯ ﻣﺨﻠﺺ ﮔﻨﺎﻩ ﻧﻴﺴـﺖ‪٥‬‬ ‫ﺩﺭ ﻫﺠــﺮ ﺍﺯ ﺧﺮﺍﺑــﻲ ﺍﺣــﻮﺍﻝ ﻣــﺎ ﻣﭙــﺮﺱ ﻧﻳﻴﻌﻨﺴـــﻲــﮐــــﻪــﺩـﺭـﻗــﻤﻠـــﺮـﻭــﻣـــﺎــﭘﺎــﺩـﺷـــﺎـﻩـ ﻧـﻴــﺴــﺖﺖ‪٥‬‬ ‫ﺍﻱ ﺍﺑــﺮ ﻓــﻴﺾ ﻇــﻞﹼ ﻇﻠﻴﻠــﺖ ﺩﺭﺍﺯ ﺑــﺎﺩ ﺑــﻲﺗﺮﺯﺑــﺎﻧﻲ ﮐﺮﻣــﺖ ﻳــﮏ ﮔﻴــﺎﻩ ﻧﻴﺴــﺖ‬ ‫ﺩﺷـﻤﻦ ﺍﺣﺎﻃـﻪ ﮐــﺮﺩ ﻣـﺮﺍ ﺍﺯ ﭼﻬـﺎﺭ ﺳــﻮ ﺍﮐﻨـﻮﻥ ﺑﺠـﺰ ﺟﻨـﺎﺏ ﻣﻘـﺪ‪‬ﺱ ﭘﻨـﺎﻩ ﻧﻴﺴـﺖ‬ ‫ﻣﺎﻧﻨــﺪ ﺷــﻤﻊ ﺟﻴﻐــﺔ ﺁﺗــﺶ ﻧﻤــﻲﺯﻧﻨــﺪ ﺑﺮ ﺳﺮ ﺍﮔـﺮ ﺩﻣـﺎﻍ ﺗـﺮﺍ ﺣ‪‬ـ ‪‬ﺐ ﺟـﺎﻩ ﻧﻴﺴـﺖ‬ ‫ﺧﻮﺭﺷﻴﺪ ﺭﺍ ﺑﺮﻫﻨﮕـﻲ ﺳـﺮ ﻣﻨﺎﺳـﺐ ﺍﺳـﺖ ﺑﻲﻭﺟﻪ ﻧﻴﺴﺖ ﮔﺮ ﺳﺮ ﻣـﺎ ﺭﺍ ﮐـﻼﻩ ﻧﻴﺴـﺖ‬ ‫ﺍﺯ ﺩﻭﺭ ﻳــﮏ ﻧﮕــﺎﻩ ﺗــﺮﺍ ﺩﻳــﺪﻩ ﻣــﻲﺭﻭﺩ‬ ‫ﺁﺯﺍﺩ ﻣـــﺎ ﻣﻘﻴ‪‬ـــﺪ ﺯﻟـــ ‪‬ﻒ ﺳـــﻴﺎﻩ ﻧﻴﺴـــﺖ‬ ‫‪ .١‬ﻧﺪﻭﻩ‪» :‬ﻫﻨﺪﻭ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٢‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٣‬ﺑﻪﻭﺍﻭ ﻣﻌﺮﻭﻑ‪ ،‬ﻧﻮﻋﻲ ﺍﺯ ﮐﺒﻮﺗﺮ ﮐﻪ ﺁﻭﺍﺯ ﻳﺎﻫﻮ ﺍﺯ ﺩﻫﺎﻥ ﺁﻥ ﺑﺮﺁﻳﺪ )ﻏﻴﺎﺙ‪.(٩٨٤ ،‬‬ ‫‪ .٤‬ﻫﺮﺯﻩ ﮔﺮﺩ‪ :‬ﺑﻴﻬﻮﺩﻩ ﮔﺮﺩ‪ ،‬ﻭﻟﮕﺮﺩ‪ ،‬ﻫﺮﺟﺎﻳﻲ‪ ،‬ﻫﺮﺩﺭﻱ‪ .‬ﺻﺎﺋﺐ ﺭﺍﺳﺖ‪:‬‬ ‫ﺯﻣــﻴﻦ ﺑﺎﺩﻳــﺔ ﻋﺸــﻖ ﺷﻮﺭﺷــﻲ ﺩﺍﺭﺩ ﮐﻪ ﻫﺮﮐﻪ ﺧﻴﺰﺩ ﺍﺯﻭ ﻫﺮﺯﻩ ﮔﺮﺩ ﻣﻲﺧﻴﺰﺩ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٧٦٦/٢‬‬ ‫‪ .٥‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٣٥ //‬‬ ‫»‪«۲۳۱‬‬ ‫ﻳﺎﻗﻮﺕ ﻣﺴﻲ ﻣـﺎﻝﹺ ﺗـﻮ ﺩﺭ ﮐـﺎﻡ ﺍﻣﻴـﺪ ﺍﺳـﺖ ﺍﻳﻦ ﻗﻨﺪ ﺳﻴﻪ ﺧﻮﺏﺗﺮ ﺍﺯ ﻗﻨﺪ ﺳـﻔﻴﺪ ﺍﺳـﺖ‪١‬‬ ‫ﺍﺯ ﺧــﻮﺭﺩ ﻣﮕــﻮ ﮐــﺎﺭ ﺑﺰﺭﮔــﺎﻥ ﻧﮕﺸــﺎﻳﺪ ﺁﻳﻴﻨـﻪ ﭘــﻴﺶ ﻧﻈــﺮﺕ ﻗﻔــﻞ ﻭ ﮐﻠﻴــﺪ ﺍﺳــﺖ‬ ‫ﻭﺍﷲ ﮐــﻪ ﺩﺭ ﺧﻴﻤــﺔ ﻟﻴﻠــﻲ ﻧﺘــﻮﺍﻥ ﻳﺎﻓــﺖ ﺁﻥ ﺑﺎﺩ ﺧﻮﺵ ﺁﻳﻨﺪﻩ ﮐﻪ ﺩﺭ ﺳﺎﻳﺔ ﺑﻴـﺪ ﺍﺳـﺖ‬ ‫ﻓــﺮﺩﺍ ﺭﻩ ﺑﺎﺭﻳــﮏ ﮔﺬﺷــﺘﻦ ﺷــﻮﺩ ﺁﺳــﺎﻥ ﺩﺭ ﺳﻠﺴﻠﺔ ﻣـﻮ ﮐﻤـﺮ ﺁﻥ ﺑﻨـﺪﻩ ﻣﺮﻳـﺪ ﺍﺳـﺖ‬ ‫ﺩﺭ ﻣﻮﺳﻢ ﺧﻂ ﻣﻲﻃﻠـﺒﻢ ﮔـﺮﺩﺵ ﭼﺸـﻤﺶ ﭘﻴﻤﺎﻧﻪ ﺿﺮﻭﺭ ﺍﺳﺖ ﮐﺸﻴﺪﻥ ﺷﺐ ﻋﻴﺪ ﺍﺳـﺖ‬ ‫ﺩﺭ ﺍﻧﺠﻤـــﻦ ﻣـــﺮﺩﻡ ﺍﺟـــﻼﻑ‪ ٢‬ﻧﺸﺴـــﺘﻦ ﺍﺯ ﺷــﻴﻮﺓ ﺳــﻨﺠﻴﺪﺓ ﺍﺷــﺮﺍﻑ ﺑﻌﻴــﺪ ﺍﺳــﺖ‬ ‫ﺁﺯﺍﺩ ﻣــﻦ ﺍﺯ ﻧﺴــﻞ ﺣ‪‬ﺴــﻴﻦ ﺍﺑــﻦ ﻋﻠــﻲﺍﻡ‬ ‫ﻫﺮﮐﺲ ﮐﻪ ﺩﺭ ﺍﻓﺘﺎﺩ ﺑﻪﻣﻦ ﻧﺴﻞ ﻳﺰﻳـﺪ ﺍﺳـﺖ‬ ‫»‪«۲۳۲‬‬ ‫ﺩﺳﺖ ﻃﻠﺐ ﺯ ﻋﻨﺒﺮ ﻭ ﮔﻮﻫﺮ ﮐﺸﻴﺪﻧﻲ ﺍﺳـﺖ ﻳﮑﺒـﺎﺭ ﻃـﺮ‪‬ﻩ ﻭ ﺳـﺨﻦ ﺍﻭ ﺷـﻨﻴﺪﻧﻲ‪ ٣‬ﺍﺳـﺖ‪٤‬‬ ‫ﺑﻲﺣﺴﻦ ﺧﻠﻖ ﺻﻮﺭﺕ ﺯﻳﺒـﺎ ﻧﺪﻳـﺪﻧﻲ ﺍﺳـﺖ ﺭﻧﮕﻴﻦ ﮔﻠﻲ ﮐﻪ ﻋﻄﺮ ﻧـﺪﺍﺭﺩ ﻧﭽﻴـﺪﻧﻲ ﺍﺳـﺖ‬ ‫ﺑــﻲﻓــﻴﺾ ﻗﺎﺑـــﻞ ﺩﻡ ﺗﻴــﻎ ﺍﺟــﻞ ﺑـــﻮﺩ ﺷﺎﺧﻲ ﮐﻪ ﺑﺮﮒ ﻭ ﺑﺎﺭ ﻧـﺪﺍﺭﺩ ﺑﺮﻳـﺪﻧﻲ ﺍﺳـﺖ‬ ‫ﺗﻘﻠﻴــﺪ ﻏﻨﭽــﻪﻫــﺎﻱ ﭼﻤــﻦ ﻧﻴﺴــﺖ ﻣﻌﺘﺒــﺮ ﺑــﻲﻣﻮﺳــﻢ ﺑﻬــﺎﺭ ﮔﺮﻳﺒــﺎﻥ ﺩﺭﻳــﺪﻧﻲ ﺍﺳــﺖ‬ ‫ﺍﻱ ﻣـﺎﻩ ﺷـﻴﻮﺓ ﺗـﻮ ﮔـﺬﺭ ﺑـﺮ ﻣﻨـﺎﺯﻝ ﺍﺳـﺖ ﻳﮏ ﺷﺐ ﺳﺮﻱ ﺑﻪﻣﻨﺰﻝﹺ ﻣﺎ ﻫﻢ ﮐﺸﻴﺪﻧﻲ ﺍﺳﺖ‬ ‫ﺑــﺮ ﺣﺴــﻦﹺ ﺍﺧــﺘﻼ ‪‬ﻁ ﺑﺘــﺎﻥ ﺍﻋﺘﻤــﺎﺩ ﻧﻴﺴــﺖ ﻫﺮﭼﻨــﺪ ﺁﺷــﻨﺎ ﺷــﻮﺩ ﺁﻫــﻮ ﺭﻣﻴــﺪﻧﻲ ﺍﺳــﺖ‬ ‫ﺁﺯﺍﺩ ﮐﻴﺴـــﺖ ﺑﻨـــﺪﻩﺍﻱ ﺍﺯ ﮐﺸـــﻮﺭﹺ ﻭﻓـــﺎ‬ ‫ﺷﺎﻳﺴــﺘﺔ ﺟﻨــﺎﺏ ﻣﺒــﺎﺭﮎ ﺧﺮﻳــﺪﻧﻲ ﺍﺳــﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﺑﺎﻟﻔﺘﺢ‪ ،‬ﻣﺮﺩﻣﺎﻥ ﺳﻔﻠﻪ ﻭ ﻓﺮﻭﻣﺎﻳﻪ ﻭ ﺑﻪﻣﻌﻨﻲ ﺳﺘﻤﮑﺎﺭﺍﻥ ﺟﻤﻊ ﺟﻠﻒ ﮐﻪ ﺑﺎﻟﮑﺴﺮ ﺑﺎﺷﺪ ﺑﻪﻣﻌﻨﻲ ﺟﻔﺎ ﮐﻨﻨﺪﻩ ﻭ ﺧﻢ ﺗﻬﻲ ﻭ‬ ‫ﻫﺮﭼﻪ ﻣﻴﺎﻥ ﺗﻬﻲ ﺑﺎﺷﺪ )ﻏﻴﺎﺙ‪.(٢٣ ،‬‬ ‫‪ .٣‬ﺷﻨﻴﺪﻥ ﻣﺸﺘﺮﮎ ﺩﺭ ﺷﺎ‪‬ﻣﻪ ﻭ ﻭ ﺳﺎﻣﻌﻪ ﻣﻌﻨﻲ ﺍ ‪‬ﻭﻝ ﺗﻌﹼﻠﻖ ﺑﻪﻃﺮﻩ ﺩﺍﺭﺩ ﻭ ﻣﻌﻨﻲ ﺛﺎﻧﻲ ﺑﻪﺳﺨﻦ )ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ ﻭ‬ ‫ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٤‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٣٦‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫»‪«۲۳۳‬‬ ‫ﺑﺎﻍ ﺳﺮﺳﺒﺰ ﺟﻬﺎﻥ ﻣﺤﻨﺖﺳـﺮﺍﻳﻲ ﺑـﻴﺶ ﻧﻴﺴـﺖ ﮔﻠﺸﻦ ﻓﺮﺩﻭﺱ ﻫﻢ ﺩﻳﺪﻳﻢ ﺟﺎﻳﻲ ﺑﻴﺶ ﻧﻴﺴـﺖ‪١‬‬ ‫ﺷﻮﺭ ﻣﺤﺸﺮ ﭘﻴﺶ ﻣﺴﺘﺎﻧﺖ ﺻﺪﺍﻳﻲ ﺑﻴﺶ ﻧﻴﺴﺖ ﻧﻴﺻﺴﻮـﺭــﺑﺎــﻧـﻔــﺨــﻲــﮐـﻪــﺩﺍـﺭــﺩــﮐـﺰـﻧــﺎـﻳــﻲـﺑـــﻴـــﺶـﻧـﻴـﺴــﺖﺖ‪١‬‬ ‫ﻧﺎﻗـــﺔ ﻟﻴﻠـــﻲ ﺧﺮﺍﻣـــﺎﻥ ﻣـــﻲﺭﻭﺩ ﺍﺯ ﺭﺍﻩ‪ ‬ﺩﻭﺭ ﻗﺴﻤﺖ ﻣﺠﻨﻮﻥ ﻣﺎ ﺑﺎﻧـﮓ ﺩﺭﺍﻳـﻲ ﺑـﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺷﻌﺮ ﺭﺍ ﻣﻀﻤﻮﻥ ﺧﺎﺻﹼﻲ ﻳـﺎ ﺍﺩﺍﻳـﻲ ﻻﺯﻡ ﺍﺳـﺖ ﺯﻳﻦ ﺩﻭ ﺧﺎﻟﻲ ﮔﺮ ﺑﻮﺩ ﺑﻴﺖﺍﻟﺨﻼﻳﻲ ﺑﻴﺶ ﻧﻴﺴﺖ‬ ‫ﻣـﺎﻩ ﻧـﻮ ﺍﺯ ﭘـﻮﭺ ﻣﻐـﺰﻱ ﺑﺸـﮑﻨﺪ ﻃـﺮﻑ ﮐـﻼﻩ ﮐﺎﺳﺔ ﺩﺭﻳﻮﺯﺓ ﺑﺮ ﮐﻒ ﺷﺐ ﮔﺪﺍﻳﻲ ﺑﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺯﺭ ﺍﮔﺮ ﺧـﻮﺍﻫﻲ ﺑـﺮﻭ ﭘـﻴﺶ ﺍﻣﻴـﺮﻱ ﻳـﺎ ﻭﺯﻳـﺮ ﺩﺭ ﺑﺴﺎﻁ ﻣﻔﻠﺴـﺎﻥ ﻧﻘـﺪ ﺩﻋـﺎﻳﻲ ﺑـﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺑﺎﺩﺷـــﺎﻫﺎ ﺍﺯ ﺟﻨـــﺎﺏ ﺧـــﻮﺩ ﻣـــﺮﺍﻥ ﺁﺯﺍﺩ ﺭﺍ‬ ‫ﺑﺮ ﺩﺭ ﺩﻭﻟﺖ ﺳـﺮﺍﻳﺖ ﺑـﻲﻧـﻮﺍﻳﻲ ﺑـﻴﺶ ﻧﻴﺴـﺖ‬ ‫»‪«۲۳۴‬‬ ‫ﺑﻪﺑـﺰﻡ ﻋﺸـﺮﺕ ﻳـﺎﺭﺍﻥ ﺍﮔـﺮ ﻧـﻮﺍﻳﻲ ﻫﺴـﺖ ﺑﻪﺣﻠﻘﺔ ﻏـﻢ ﻣـﺎ ﻧﻴـﺰ ﻫـﺎﻱ ﻫـﺎﻳﻲ ﻫﺴـﺖ‪٢‬‬ ‫ﺟــﻮﺍﺏ ﺻــﺎﻑ ﺳــﺆﺍﻝ ﻣــﺮﺍ ﺗــﻮﺍﻥ ﺩﺍﺩﻥ ﺗﺮﺍ ﺍﮔﺮ ﺑﻪﻧﻌـﻢ ﻣﻴـﻞ ﻧﻴﺴـﺖ ﻻﻳـﻲ‪ ٣‬ﻫﺴـﺖ‬ ‫ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻦ ﺳﺮ ﻫﺮ ﺧﺎﺭ ﺭﻧﮓ ﺧـﻮﻥ ﺩﺍﺭﺩ ﺗﻮﺍﻥ ﺷﻨﺎﺧﺖ ﮐﻪ ﺍﻳﻨﺠﺎ ﺑﺮﻫﻨﻪ ﭘـﺎﻳﻲ ﻫﺴـﺖ‬ ‫ﺯ ﻓـﻴﺾ ﻋـﺎﻡ ﮔﻠﺴـﺘﺎﻥ ﻧﻤﺎﻧـﺪﻩﺍﻡ ﻣﺤـﺮﻭﻡ ﮔﻠﻲ ﺍﮔﺮ ﺑﻪﺳﺮﻡ ﻧﻴﺴﺖ ﺧـﺎﺭ ﭘـﺎﻳﻲ ﻫﺴـﺖ‬ ‫ﮔﺬﺷـﺖ ﻃﺎﻗـﺖ ﺑﻠﺒـﻞ ﺯ ﻧﺎﻟـﻪ ﮔـﻞ ﻏﺎﻓـﻞ ﮐـﻪ ﺩﺭ ﮐﻨـﺎﺭﺓ ﺍﻳـﻦ ﺑـﺎﻍ ﺑـﻲﻧـﻮﺍﻳﻲ ﻫﺴـﺖ‬ ‫ﻓﺮﻭﮔﺮﻓــﺖ ﺍﮔــﺮ ﮐﺸــﺘﻲﹺ ﻣــﺮﺍ ﻃﻮﻓــﺎﻥ ﭼﻪ ﻏﻢ ﺧـﺪﺍﻱ ﺗﻌـﺎﻟﻲ ﻭ ﻧﺎﺧـﺪﺍﻳﻲ ﻫﺴـﺖ‬ ‫ﭼﻪ ﻻﺯﻡ ﺍﺳﺖ ﻧﺸﺴﺘﻦ ﺑﻪﭼﺸﻢ ﺑﻮﺍﻟﻬﻮﺳـﺎﻥ‬ ‫ﮐﻨــﺎﺭ ﺩﻳــﺪﺓ ﺁﺯﺍﺩ ﻧﻴــﺰ ﺟــﺎﻳﻲ ﻫﺴــﺖ‬ ‫»‪«۲۳۵‬‬ ‫ﻳﻮﺳﻒ ﮔﻢ ﮔﺸﺘﻪ ﺑـﺎﺯ ﺁﻣـﺪ ﻧﮕـﺎﺭﻡ ﺑﺮﻧﮕﺸـﺖ ﮐﺎﺭﻭﺍﻥ ﺑﺮﮔﺸﺖ ﻭ ﻃﻔﻞ ﻧﻲﺳـﻮﺍﺭﻡ ﺑﺮﻧﮕﺸـﺖ‪٤‬‬ ‫ﺧﻮﺍﻧﺪ ﺩﺭﺱ ﺑﻲﻭﻓﺎﺋﻲﻫـﺎ ﻣﮕـﺮ ﺍﺯ ﺑـﻮﻱ ﮔـﻞ ﺗﺎ ﺟـﺪﺍ ﮔﺮﺩﻳـﺪ‪ ٥‬ﺍﺯ ﻣـﻦ ﺩﺭ ﮐﻨـﺎﺭﻡ ﺑﺮﻧﮕﺸـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻫﻤﺎﻥ‪.‬‬ ‫‪ .٣‬ﻻﺋﻴﺪﻥ‪ :‬ﺳﺨﻦ ﮔﻔﺘﻦ ﻭ ﻻﻑ ﺯﺩﻥ ﻭ ﻫﺮﺯﻩﮔﻮﻳﻲ ﮐﺮﺩﻥ )ﻏﻴﺎﺙ‪.(٧٥٢ ،‬‬ ‫‪ .٤‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٥‬ﻧﺪﻭﻩ‪ :‬ﮐﺮﺩﻧﺪ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٣٧ //‬‬ ‫ﺣﺴﺮﺗﻲ ﺩﺍﺭﻡ ﺩﺭ ﺍﻳﻦ ﻣﻮﺳﻢ ﮐﻪ ﻧﺘـﻮﺍﻥ ﺷـﺮﺡ ﺩﺍﺩ ﺍﺑـﺮ ﺁﻣـﺪ ﻻﻟــﻪ ﺁﻣـﺪ ﮔــﻞ ﻋـﺬﺍﺭﻡ ﺑﺮﻧﮕﺸــﺖ‬ ‫ﮐـﺮﺩ ﻋـﺎﻟﻢ ﺭﺍ ﺑﻬﺸـﺖ ﻧﻘـﺪ ﺗﺤﻮﻳـﻞﹺ ﺣ‪‬ﻤ‪‬ـﻞ‪ ١‬ﺩﺭ ﺟﻬﺎﻥ ﻧﻮﺭﻭﺯ ﺑﺮﮔﺸـﺖ ﻭ ﺑﻬـﺎﺭﻡ ﺑﺮﻧﮕﺸـﺖ‬ ‫ﻟﻌــﻞ ﻣــﻦ ﺍﻓﺘــﺎﺩ ﺩﺭ ﺁﺗــﺶ ﺯ ﺑﻴــﺪﺍﺩ ﻓﻠــﮏ ﻣﺎﻩ ﻧﻮ ﺑﺮﮔﺸﺖ ﻭ ﺧﻮﺵ ﺍﺑﺮﻭ ﻧﮕﺎﺭﻡ ﺑﺮﻧﮕﺸﺖ‬ ‫ﻣﺸﺖ ﺧﺎﮐﻢ ﺩﺭ ﺑﻬﺸﺖ ﮐـﻮﻱ ﺍﻭ ﺁﺳـﻮﺩﻩ ﺑـﻮﺩ ﭼﻮﻥ ﻫﻮﺍ ﺑﺮﮔﺸﺖ ﺷﮑﺮ ﺣﻖ ﻏﺒﺎﺭﻡ ﺑﺮﻧﮕﺸـﺖ‬ ‫ﺑﻮﻱ ﭘﻴﺮﺍﻫﻦ ﺯ ﺷـﻬﺮ ﻣﺼـﺮ ﺩﺭ ﮐﻨﻌـﺎﻥ ﺭﺳـﻴﺪ‬ ‫ﻧﮑﻬﺘـــﻲ ﺁﺯﺍﺩ ﺍﺯ ﻳـــﺎﺭ ﻭ ﺩﻳـــﺎﺭﻡ ﺑﺮﻧﮕﺸـــﺖ‬ ‫»‪«۲۳۶‬‬ ‫ﺩﺳـﺖ‪ ‬ﻫـﻮﺱ ﻣـﺰﻥ ﮐﻤـﺮﹺ ﻳـﺎﺭ ﻧـﺎﺯﮎ ﺍﺳـﺖ ﺷﻮﺧﻲ ﻣﮑﻦ ﭼﻮ ﺑ‪‬ﻬﻠﻪ‪ ٢‬ﮐﻪ ﺍﻳﻦ ﮐﺎﺭ ﻧﺎﺯﮎ ﺍﺳـﺖ‪٣‬‬ ‫ﺭﺍﺿـﻲ ﺯ ﺧـﻮﺩ ﭼﮕﻮﻧـﻪ ﮐـﻨﻢ ﭼﺸـﻢﹺ ﻳـﺎﺭ ﺭﺍ ﺍﮐﺳــــﺎـﺭﹺــﻣــــــﺰﺍــﺝــﺩـﺍـﺭــﻱـﺑـﻴـﻤـــــﺎـﺭـﻧــــــﺎـﺯــﮎـ ﺍــﺳـــــﺖﺖ‪٣‬‬ ‫ﺩﻝ ﺍﺯ ﻏﺒـــﺎﺭ ﺣﺎﺷـــﻴﺔ ﺧـــﻮﻳﺶ ﺑﺸـــﮑﻨﺪ ﺍﻳـﻦ ﺷﻴﺸـﺔ ﻟﻄﻴـﻒ ﭼـﻪ ﻣﻘـﺪﺍﺭ ﻧـﺎﺯﮎ ﺍﺳـﺖ‬ ‫ﺍﻱ ﺑـﺎﺩ ﺻـﺒﺢ ﻣﺮﺿـﻲ ﺍﻭ ﺩﻳـﺪﻩ ﻋـﺮﺽ ﮐـﻦ ﭘﻴﻐـﺎﻡ ﻣـﻦ ﮐـﻪ ﻧـﺎﺯﮎ ﻭ ﺑﺴـﻴﺎﺭ ﻧـﺎﺯﮎ ﺍﺳـﺖ‬ ‫ﻓﻬﻤﻴــﺪﻥ ﺯﺑــﺎﻥ ﺻــﻨﻢ ﮐــﺎﺭﹺ ﺳــﻬﻞ ﻧﻴﺴــﺖ ﺁﻭﻳﺨـــﺘﻦ ﺑﺮﺷـــﺘﺔ ﺯﻧﹼـــﺎﺭ ﻧـــﺎﺯﮎ ﺍﺳـــﺖ‬ ‫ﺑﻠﺒـﻞ ﺯ ﺳﺴـﺖ ﺭﺍﺋـﻲ ﺧـﻮﺩ ﺧـﻮﺭﺩ ﺯﺧـﻢﻫـﺎ ﺩﺍﻧﺴﺖ ﺍﻳﻦ ﮐﻪ ﺩﺭ ﮐﻒ ﮔﻞ ﺧﺎﺭ ﻧـﺎﺯﮎ ﺍﺳـﺖ‬ ‫ﺁﺯﺍﺩ ﻗﻴﻤـــــﺖ ﮔﻬـــــﺮ ﺁﺑـــــﺪﺍﺭﹺ ﺧـــــﻮﺩ‬ ‫ﻓﻬﻤﻴﺪﻩ ﮐـﻦ ﮐـﻪ ﻃﺒـﻊ ﺧﺮﻳـﺪﺍﺭ ﻧـﺎﺯﮎ ﺍﺳـﺖ‬ ‫»‪«۲۳۷‬‬ ‫ﺍﻱ ﻧﺴﻴﻢ ﺳﺤﺮﻱ ﺁﻥ ﮔﻞ ﺑﻲﺧـﺎﺭ ﮐﺠﺎﺳـﺖ ﺩﻟﺮﺑــﺎﺋﻲ ﮐــﻪ ﻧــﺪﺍﺭﺩ ﺳــﺮ ﺁﺯﺍﺭ ﮐﺠﺎﺳــﺖ‪٤‬‬ ‫ﺩﻳــﺪﻩﺍﻡ ﺭﻧــﮓ ﮔﻠﺴــﺘﺎﻥ ﺟﻬــﺎﻥ ﺣﻴــﺮﺍﻧﻢ ﮐـﻪ ﮔﻠـﻲ ﻗﺎﺑـﻞ ﺁﺭﺍﻳـﺶ ﺩﺳـﺘﺎﺭ ﮐﺠﺎﺳـﺖ‬ ‫ﮐﺮﺩﻩﺍﻱ ﻣﻮﺳﻢ ﺧﻂ ﺳﺮﻣﻪ ﮐﺸـﻴﺪﻥ ﻣﻮﻗـﻮﻑ ﮐــﺎﻓﺮ ﭼﺸــﻢ ﺗــﺮﺍ ﺣﻠﻘــﺔ ﺯﻧﹼــﺎﺭ ﮐﺠﺎﺳــﺖ‬ ‫ﮔﻔـﺖ ﭘﺮﻭﺍﻧـﻪ ﮐـﻪ ﺍﺯ ﺳﻠﺴـﻠﻪﺍﻱ ﻣﻮﺳـﻮﻳﻢ ﺷﻤﻊ ﭼﻮﻥ ﺟﻠﻮﻩ ﮐﻨﺪ ﻃﺎﻗﺖ ﺩﻳﺪﺍﺭ ﮐﺠﺎﺳﺖ‬ ‫‪ .١‬ﺣﻤﻞ‪ :‬ﺑﻪﻣﻌﻨﻲ ‪‬ﺑ ‪‬ﺮﻩ ﻭ ﻧﺎﻡ ‪‬ﺑﺮﺝ ﺍ ‪‬ﻭﻝ ﺍﺯ ﺍﻓﻼﮎ ﻭ ﺁﻥ ﺑﺮﺝ ﻣﺬﮐﻮﺭ ﺑﻪﺻﻮﺭﺕ ﻣﻴﺶ ﻧﺮ ﺍﺳﺖ‪ .‬ﺭﻭﺯﻱ ﮐﻪ ﺁﻓﺘﺎﺏ ﺩﺭ ﺍﻳﻦ ﺑﺮﺝ‬ ‫ﺩﺍﺧﻞ ﺷﻮﺩ ﻫﻤﺎﻥ ﺭﻭﺯ ﻧﻮﺭﻭﺯ ﺍﺳﺖ )ﻏﻴﺎﺙ‪.(٣٠٩ ،‬‬ ‫‪ .٢‬ﺑﻬﻠﻪ‪ :‬ﺩﺳﺘﺎﻧﻪ ﺑﺎﺷﺪ ﺍﺯ ﭘﻮﺳﺖ ﮐﻪ ﻣﻴﺮ ﺷﮑﺎﺭ ﻭ ﻏﻴﺮﻩ ﺑﺮ ﺩﺳﺖ ﭘﻮﺷﻨﺪ )ﻏﻴﺎﺙ‪ ،(١٥٣ ،‬ﻧﻴﺰ ﺭﮎ‪ :‬ﺑﻪﭘﺎﻭﺭﻗﻲ ﻏﺰﻝ ‪.٢٤١‬‬ ‫‪ .٣‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٤‬ﻫﻤﺎﻥ‪.‬‬

‫‪ // ٢٣٨‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺧــﺎﺭ ﭘﻴــﺮﺍﻫﻦ ﮔــﻞ ﺩﻳــﺪﻩ ﻳﻘــﻴﻦ ﺩﺍﻧﺴــﺘﻢ ﮐـﻪ ﻣﺒـﺮ ﺍﺯ ﺧﻠـﺶ ﺩﻭﻟـﺖ ﺯﺭﺩﺍﺭ ﮐﺠﺎﺳـﺖ‬ ‫ﺁﻧﭽﻪ ﺍﺯ ﺁﺗﺶ ﺩﻝ ﺑﺮ ﺳـﺮ ﻣـﺎ ﺭﻓـﺖ ﻣﭙـﺮﺱ ﺣﺎﻝ ﻭﺍ ﺳـﻮﺧﺘﮕﺎﻥ ﻗﺎﺑـﻞ ﺍﻇﻬـﺎﺭ ﮐﺠﺎﺳـﺖ‬ ‫ﮐـــﺮﺩ ﺩﻟﮕﻴـــﺮ ﻣـــﺮﺍ ﺳـــﺎﻳﺔ ﻃـــﻮﺑٰﻲ ﺁﺯﺍﺩ‬ ‫ﮐﻮﭼـﺔ ﻳــﺎﺭ ﮐﺠــﺎ ﺳـﺎﻳﺔ ﺩﻳــﻮﺍﺭ ﮐﺠﺎﺳــﺖ‬ ‫»‪«۲۳۸‬‬ ‫ﺑﺴﺘﻦ ﭼﺸﻢ ﺯ ﺍﺳﺒﺎﺏ ﺟﻬﺎﻥ ﺍﻳﻦ ﻫﻤـﻪ ﻧﻴﺴـﺖ ﺑﻠﮑﻪ ﺍﻓﺸﺎﻧﺪﻥ ﺩﺳﺖ ﺍﺯ ﺳﺮﺟﺎﻥ ﺍﻳﻦ ﻫﻤﻪ ﻧﻴﺴـﺖ‪١‬‬ ‫ﺍﺭﺙ ﺧـــﻮﺵ ﻫﻤ‪‬ﺘـــﻲ ﺍﺯ ﺣﻀـــﺮ ‪‬ﺕ ﺁﺩﻡ ﺩﺍﺭﻡ ﻧﻴﺩﺳﺴــﺖـ ﺑــﺮـﺩﺍــﺷـﺘــﻦـﺍـﺯــﺑﺎــﻍﹺــﺟـﻨـﺎـﻥــﺍﻳـــﻦــﻫــﻤــﻪـﻧـﻴــﺴــﺖﺖ‪١‬‬ ‫ﻣـﻲﺗـﻮﺍﻥ ﮐﺸـﺖ ﺑـﻪﺷﻤﺸـﻴﺮﹺ ﮐـﺮﻡ ﺩﺷـﻤﻦ ﺭﺍ ﮐﺎﺭ ﺍﻭ ﺳﺎﺧﺘﻦ ﺍﺯ ﺯﺧﻢ ﺳﻨﺎﻥ ﺍﻳﻦ ﻫﻤـﻪ ﻧﻴﺴـﺖ‬ ‫ﮐﺎﺵ ﺭﻳﺰﻧـﺪ ﺩﺭ ﺍﻳـﻦ ﺑـﺎﻍﹺ ﮐﻬـﻦ ﺭﻧـ ‪‬ﮓ ﺛﺒـﺎﺕ ﻧﻮﺑﻬﺎﺭﻱ ﮐﻪ ﮔﺮﻳﺰﺩ ﺯ ﺧﺰﺍﻥ ﺍﻳـﻦ ﻫﻤـﻪ ﻧﻴﺴـﺖ‬ ‫ﺍﺯ ﺧــﺪﺍ ﺑــﻮﻱ ﻧﺴــﻴﻤﻲ ﺯ ﻳ‪‬ﻤــﻦ ﻣــﻲﺧــﻮﺍﻫﻢ ﺑﺎﺩ‪ ‬ﻣﺸﮑﻴﻦ ﺧﺘﻦ ﻋﻄﺮ ﻓﺸﺎﻥ ﺍﻳﻦ ﻫﻤـﻪ ﻧﻴﺴـﺖ‬ ‫ﺑﻲﻣﮑﻴﻨـﻲ ﮐـﻪ ﺑـﻮﺩ ﺻـﺎﺣ ﹺﺐ ﺍﺧـﻼﻕ ﺩﺭﺳـﺖ ﮔﺮ ﮔﻠﺴﺘﺎﻥ ﺑﻬﺸﺖ ﺍﺳﺖ ﻣﮑﺎﻥ ﺍﻳﻦ ﻫﻤﻪ ﻧﻴﺴﺖ‬ ‫ﺁﻧﭽــﻪ ﺍﺯ ﺩﺳــﺖ ﺑﺘــﺎﻥ ﺑــﺮ ﺳــﺮﹺ ﺁﺯﺍﺩ ﺭ‪‬ﻭﺩ‬ ‫ﭼﻪ ﺩﻫﻢ ﺷﺮﺡ ﮐﻪ ﻣﺤﺘﺎ ﹺﺝ ﺑﻴﺎﻥ ﺍﻳﻦ ﻫﻤﻪ ﻧﻴﺴـﺖ‬ ‫»‪«۲۳۹‬‬ ‫ﮔﻠــﻲ ﺑــﻪﺩﻳــﺪﺓ ﺁﻥ ﺧــﻮﺑﺮﻭ ﻧﻤــﻮﺩﺍﺭ ﺍﺳــﺖ ﮐﻪ ﮔﻔﺖ ﻧﺮﮔﺲ ﻭ ﮔﻞ‪ ٢‬ﺟﻤﻊ ﻫﺮﺩﻭ ﺩﺷﻮﺍﺭ ﺍﺳﺖ‪٣‬‬ ‫ﺳـــﻮﺍﺩ‪ ‬ﻃـــﺮ‪‬ﺓ ﻣﺸـــﮑﻴﻦ ﺍﻭ ﻣﻼﺣﻈـــﻪ ﮐـــﻦ ﺍﺑـﺳــﻪـﺩــﻝﻧــﺸـــﻴـﻨــﻲــﻣــﺼــــﺮﺍــﻉــﺷــــﻴــﺦــﻋـﻄﹼـــــﺎـﺭـ‪٤‬ـﺍــﺳــﺖﺖ‪٣‬‬ ‫ﺯ ﺩﻳــﺪﺓ ﺗــﺮ ﻣــﺎ ﻣﻨــﻊ ﺍﺷــﮏ ﻓﺎﻳــﺪﻩ ﻧﻴﺴــﺖ ﮐﻪ ﻃﻔﻞ ﺧﻮﺩ ﺳﺮﹺ ﻣﺎ ﺳﺨﺖ ﺧﺎﻧـﻪ ﺑﻴـﺰﺍﺭ ﺍﺳـﺖ‬ ‫ﻫﻤﻴﻦ ﮐﻪ ﺧﻮﺍﺳﺘﻢ ﺍﺣﻮﺍﻝ ﺧﻮﻳﺶ ﻋـﺮﺽ ﺩﻫـﻢ ﺑﻪﺧﺸﻢ ﺁﻣـﺪﻩ‪ ،‬ﻓﺮﻣـﻮﺩ ﺍﻳـﻦ ﭼـﻪ ﺍﻇﻬـﺎﺭ ﺍﺳـﺖ‬ ‫ﻣﺮﻳـــﺰ ﺧـــﻮﻥ‪ ‬ﻣـــﻦﹺ ﺧﻴﺮﺧـــﻮﺍﻩ ﺭﺍ ﺯﻧﻬـــﺎﺭ ﮐـﻪ ﻗﺘـﻞ ﺑﻨـﺪﺓ ﻣﺨﻠـﺺ ﺯﻳـﺎﻥ ﺳـﺮﮐﺎﺭ ﺍﺳـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺮﮔﺲ ﺧﺰﺍﻧﻲ ﺍﺳﺖ ﻭ ﮔﻞ ﺑﻬﺎﺭﻱ )ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‪.‬‬ ‫‪ .٣‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٤‬ﺷﺎﻋﺮ ﻧﺎﻣﺪﺍﺭ‪ ،‬ﺷﻴﺦ ﻓﺮﻳﺪﺍﻟ ‪‬ﺪﻳﻦ ﻋﻄﹼﺎﺭ ﻧﻴﺸﺎﺑﻮﺭﻱ )‪ ٦١٨-٥٤٠‬ﻫ( ﺷﺎﻋﺮ ﻭ ﻧﻮﻳﺴﻨﺪﺓ ﻣﻌﺮﻭﻑ‪ .‬ﺁﺛﺎﺭ ﻣﻨﻈﻮﻡ ﻭ ﻣﻨﺜﻮﺭ‬ ‫ﺑﻪﻳﺎﺩﮔﺎﺭ ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ ﺍﺯ ﺟﻤﻠﻪ ﻣﺜﻨﻮﻱﻫﺎ‪ ،‬ﺭﺑﺎﻋﻲﻫﺎ‪ ،‬ﻏﺰﻝﻫﺎ ﻭ ﻗﺼﻴﺪﻩﻫﺎ ﻭ ﻏﻴﺮﻩ‪ .‬ﻣﻨﻄﻖﺍﻟﻄﻴﺮ ﺩﺭ ﻧﻈﻢ ﻭ ﺗﺬﮐﺮﺓﺍﻻﻭﻟﻴﺎ‬ ‫ﺩﺭ ﻧﺜﺮ ﺑﺴﻴﺎﺭ ﺷﻬﺮﺕ ﺩﺍﺭﺩ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٣٩ //‬‬ ‫ﺯ ﺗﺨـــﻢ ﺧـــﺎﻝ ﺧـــﺪﺍﺭﺍ ﻧﻮﺍﺯﺷـــﻲ ﻓﺮﻣـــﺎ ﮐـﻪ ﻣـﺮﻍ ﺩﻝ ﺑـﻪﻫـﻮﺍﻳﺶ ﻫﻤﻴﺸـﻪ ﻃﻴ‪‬ـﺎﺭ ﺍﺳـﺖ‬ ‫ﻣﺴــــﺎﺯ ﺑــــﺮ ﺩﻝ ﺁﺯﺍﺩ ﺗﻨــــﮓ ﻗﺎﻓﻴــــﻪ ﺭﺍ‬ ‫ﺑـﻪﺩﺍﻡ ﺯﻟـﻒ ﺗـﻮ ﺍﻳـﻦ ﻣـﺮﻍ ﻧـﻮ ﮔﺮﻓﺘـﺎﺭ ﺍﺳـﺖ‬ ‫»‪«۲۴۰‬‬ ‫ﺍﻣﺸﺐ ﺑﻪﮐﻤﻴﻦ ﺗـﻮ ﮐﺴـﻲ ﺍﺯ ﺭ‪‬ﻗﺒـﺎ ﻧﻴﺴـﺖ ﺍﻱ ﺷﻤﻊ ﺯ ﻓﺎﻧﻮﺱ ﺑﺮﻭﻥ ﺁ ﮐﻪ ﻫﻮﺍ ﻧﻴﺴﺖ‪١‬‬ ‫ﺧﻨﺪﻳــﺪﻥ ﮔــﻞ ﺩﺍﺩ ﺑــﺮﻭﻥ ﻧﮑﻬــﺖ ﺍﻭ ﺭﺍ ﻧﺩﻴﺭﺴـﺩـﻳـﺪـﺓـ ﺍـﻧــﺼـﺎــﻑــﻗــﺼـــﻮـﺭــﻱــﺯـــﺻـــﺒـﺎـﻧـﻴـﺴــﺖﺖ‪١‬‬ ‫ﻫﺮﮐﺲ ﮐﻪ‪ ٢‬ﺑﻪﮔﻨﺠﻴﻨـﺔ ﻓﻘـﺮ ﺍﺳـﺖ ﺗﺴـﻠﹼﻲ ﻣﺤﺘــﺎﺝ ﺑــﻪﺍﺣﺴــﺎﻥ ﺍﻣﻴﺮﺍﻻﻣــﺮﺍ ﻧﻴﺴــﺖ‬ ‫ﺑـﺮﻫﻢ ﻧﺨـﻮﺭﺩ ﻣﻮﺳـﻢ ﺧـﻂ ﺑﻨـﺪﮔﻲ ﻣــﺎ ﺭﻭ ﺗـﺎﻓﺘﻦ ﺍﺯ ﺭﻭﻱ ﺗـﻮ ﺁﻳـﻴﻦ ﻭﻓـﺎ ﻧﻴﺴـﺖ‬ ‫ﮐﻮﻫﻲ ﺍﺳﺖ ﮔﺮﺍﻥ ﺑﺮ ﺳﺮﹺ ﻣﺎ ﺳـﺎﻳﺔ ﺩﻭﻟـﺖ ﺩﺭ ﮐﺸﻮﺭﹺ ﻣﺎ ﻗﺪﺭ ﭘ‪‬ـﺮ ﻭ ﺑـﺎﻝ ﻫﻤـﺎ ﻧﻴﺴـﺖ‬ ‫ﺍﺯ ﺑﻬﺮ ﺷـﮑﺎﺭﻱ ﮐـﻪ ﺭﻭﻱ ﺟﺎﻧـﺐ ﺻـﺤﺮﺍ ﻳﮏ ﺻﻴﺪ ﺯ ﺩﺍﻡﹺ ﺳﺮﹺﺯﻟﻒ ﺗـﻮ ﺭﻫـﺎ ﻧﻴﺴـﺖ‬ ‫ﺁﻱ ﺷﺎﻩ ﺯ ﺁﺯﺍﺩ ﺗﻬﻲ ﺩﺳـﺖ ﭼـﻪ ﺧـﻮﺍﻫﻲ‬ ‫ﺑﺎﺟﻲ ﮐﻪ ﺳﺘﺎﻧﻨﺪ ﺷـﻬﺎﻥ ﺑـﺮ ﻏﺮﺑـﺎ ﻧﻴﺴـﺖ‬ ‫»‪«۲۴۱‬‬ ‫ﮐﺸﺘﺔ ﻧﺎﺯ ﺗﻮ ﺷﻴﺮﻳﻦ ﭘﺴﺮﻱ ﻧﻴﺴـﺖ ﮐـﻪ ﻧﻴﺴـﺖ ﺁﺏ ﺍﺯ ﺷﺮﻡ ﺗﻮ ﺗﻨﮓ ﺷﮑﺮﻱ‪ ٣‬ﻧﻴﺴﺖ ﮐﻪ ﻧﻴﺴﺖ‪٤‬‬ ‫ﻧﻴﺴــــــــــــــــــــــــــــــــــــــﺖ‪٤‬‬ ‫ﮔﺮ ﺑﻪﺁﻏـﻮﺵ ﻣـﻦ ﺍﻱ ﺗﻨـﮓ ﺷـﮑﺮ ﻣـﻲﺁﻳـﻲ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪» :‬ﮐﻪ« ﻧﺪﺍﺭﺩ‪.‬‬ ‫‪ .٣‬ﻣﻌﺸﻮﻕ ﺭﺍ ﺗﻨﮓ ﺷﮑﺮ ﮔﻔﺘﻪﺍﻧﺪ‪ ،‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﻣﻲﻓﺮﻣﺎﻳﺪ‪:‬‬ ‫ﺁﻥ ﻗﺪﺭ ﺑﺎﺵ ﮐﻪ ﭼﻮﻥ ﹶﻧﻲ ﺷﻮﻡ ﺍﺯ ﺧﻮﺩ ﺧﺎﻟﻲ‬ ‫)ﺣﺎﺷﻴﻪ ﻣﺠﻠﺲ ﻭ ﺳﺎﻻﺭﺟﻨﮓ(‬ ‫ﺗﻨﮓ ﺷﮑﺮ‪ :‬ﺑﺎﺭ ﺷﮑﺮ‪ ،‬ﻭ ﮐﻨﺎﻳﻪ ﺍﺯ ﺩﻫﺎﻥ ﻣﻌﺸﻮﻕ ﻭ ﻣﻌﺸﻮﻕ‪ .‬ﻣﻴﺮﺯﺍ ﺻﺎﺋﺐ ﺩﺍﺭﺩ‪:‬‬ ‫ﻣﻬﺮ ﺧﺎﻣﻮﺷﻲ ﺯﺩﻥ ﺑﺮ ﻟﺐ ﺩﺭﻳﻦ ﻭﺣﺸﺖ ﺳﺮﺍ ﮐﺎﻡ ﺗﻨﮓ ﺧﻮﻳﺶ ﺻﺎﺋﺐ ﺗﻨﮓ ﺷﮑﺮ ﮐﺮﺩﻧﺴﺖ‬ ‫*‬ ‫ﺑﻮﺳﻪﺍﻱ ﺍﺯ ﻟﺐ ﺷﻴﺮﻳﻦ ﺗﻮ ﺍﻱ ﺗﻨﮓ ﺷـﮑﺮ ﻣﺎ ﮔﺮﻓﺘﻴﻢ ﻧﺨﻮﺍﻫﻴﻢ‪ ،‬ﻋﻄﺎﻱ ﺗـﻮ ﮐﺠﺎﺳـﺖ‬ ‫*‬ ‫ﻣﺎ ﺑﻪﺩﺷﻨﺎﻡ ﺍﺯ ﻟﺐ ﺷﻴﺮﻳﻦ ﺩﻟﺒـﺮ ﻗـﺎﻧﻌﻴﻢ ﺑﺎ ﺟﻮﺍﺏ ﺗﻠﺦ ﻣﺎ ﺯﺍﻥ ﺗﻨﮓ ﺷﮑﺮ ﻗﺎﻧﻌﻴﻢ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(١٦٩/١‬‬ ‫‪ .٤‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫‪ // ٢٤٠‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﺩﻭﻟــﺖ‪ ‬ﮔﺮﻳــﻪ ﺑــﻪﻋﺸﹼــﺎﻕ ﮐﺮﺍﻣــﺖ ﮐــﺮﺩﻱ ﺣﻖ ﺍﺣﺴﺎﻥ ﺗﻮ ﺯ ﭼﺸﻢ ﺗﺮﻱ ﻧﻴﺴﺖ ﮐـﻪ ﻧﻴﺴـﺖ‬ ‫ﭼﻤـﻦ ﻧـﺮﮔﺲ ﻭ ﺍﻳـﻦ ﻣﻴﮑـﺪﻩ ﻣﺎﻧﻨـﺪ ﻫـﻢﺍﻧـﺪ ﺳﺎﻏﺮ ﺯﺭ ﺑﻪﮐﻒ ﺳﻴﻢ ﺑـﺮﻱ ﻧﻴﺴـﺖ ﮐـﻪ ﻧﻴﺴـﺖ‬ ‫ﺣﺎﻟــﺖ ﻏﻨﭽــﺔ ﺻــﺪ ﺑــﺮﮒ ﺑــﻪﻋﺸﹼــﺎﻕ ﺭﺳــﻴﺪ ﮐﻪ ﺭﮒ ﻭ ﺭﻳﺸﺔ ﺳﻮﺩﺍ ﺑﻪﺳﺮﻱ ﻧﻴﺴﺖ ﮐﻪ ﻧﻴﺴﺖ‬ ‫ﺍﺭﺟﻤﻨــﺪﺍﻥ ﻫﻤــﻪ ﭘــﺮﻭﺭﺩﺓ ﺍﺣﺴــﺎﻥ‪ ‬ﺗﻮﺍﻧــﺪ ﺗﺮﺑﻴﺖ ﮐـﺮﺩﺓ ﺩﺭﻳـﺎ ﮔﻬـﺮﻱ ﻧﻴﺴـﺖ ﮐـﻪ ﻧﻴﺴـﺖ‬ ‫ﺗـﻮ ﮐـﻪ ﺑـﺮ ﻣـﻮﻱ ﻣﻴـﺎﻥ ﺑﻬﻠـﺔ‪ ١‬ﺭﻧﮕـﻴﻦ ﺯﺩﻩﺍﻱ ﺯﻳﺮ ﺩﺳﺖ ﮐﻤﺮﺕ ﺧﻮﺵ ﮐﻤﺮﻱ ﻧﻴﺴﺖ ﮐﻪ ﻧﻴﺴﺖ‬ ‫ﮐﻠـــــﮏ‪ ‬ﺁﺯﺍﺩ ﻣﻀـــــﺎﻣﻴﻦ ﻋﺠﺎﻳـــــﺐ ﺩﺍﺭﺩ‬ ‫ﻧﻮﻧﻬــﺎﻝ ﺗــﺮ ﺍﻭ ﺭﺍ ﺛﻤــﺮﻱ ﻧﻴﺴــﺖ ﮐــﻪ ﻧﻴﺴــﺖ‬ ‫»‪«۲۴۲‬‬ ‫ﺻﺒﺢ ﺩﻝ ﺳﻮﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣﻦ ﻧﺰﻉ ﻣﻦ ﺍﺳﺖ ﺑﺮﻕ ﺍﻓﺮﻭﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣﻦ ﻧـﺰﻉ ﻣـﻦ ﺍﺳـﺖ‪٢‬‬ ‫ﺷـﺮﺭ ﭘـﺎ ﺑـﻪﺭﮐـﺎﺑﻢ ﮐـﻪ ﻧﻈـﺮ ﺑـﺮ ﺭﺥ ﻏـﻢ ﺩﺭ ﻃﺮﺏ ﺩﻭﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣﻦ ﻧﺰﻉ ﻣﻦ ﺍﺳـﺖ‬ ‫ﺷﻴﺸـﻪﺍﻡ ﺑﻬـﺮ ﺗﻬـﻲ ﺳـﺎﺧﺘﻦ ﻗﺎﻟـﺐ ﺧـﻮﺩ ﻗﻠﻘﻞ ﺍﻧﺪﻭﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣﻦ ﻧـﺰﻉ ﻣـﻦ ﺍﺳـﺖ‬ ‫ﺩﺭ ﺷﺒﺴﺘﺎﻥ ﺟﻬﺎﻥ ﺭﺳﻢ ﻃـﺮﺏ ﺍﺯ ﮔـﻞ ﺭﻳـﺰ ﺧﻮﺏ ﺁﻣﻮﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣﻦ ﻧـﺰﻉ ﻣـﻦ ﺍﺳـﺖ‬ ‫ﮔﻔﺖ ﺁﺯﺍﺩ ﺑﺮ ﺍﻳـﻦ ﻣﺼـﺮﻉ ﺗﺤﺴـﻴﻦ ﻏﺰﻟـﻲ‬ ‫ﮐﺎﻏﺬ ﺳﻮﺧﺘﻪﺍﻡ ﺧﻨﺪﺓ ﻣـﻦ ﻧـﺰﻉ ﻣـﻦ ﺍﺳـﺖ‬ ‫»‪«۲۴۳‬‬ ‫ﻧﺎﻣﻪ ﺭﺍ ﺩﺭ ﭘﻴﺶ ﭘـﺎﻱ ﻗﺎﺻـﺪ ﺍﻓﮕﻨـﺪﻥ ﺑﺠﺎﺳـﺖ ﺧﺎﮐﺴــﺎﺭﻱ ﺭﺍ ﺍﺛﺮﻫــﺎ ﺩﺭ ﺍﺻــﻮﻝ ﻣﺪ‪‬ﻋﺎﺳــﺖ‪٣‬‬ ‫ﭘﺎﺩﺷــﺎﻫﺎﻥ ﻫــﺮ ﻧﻔــﺲ ﺩﺭ ﻋــﺎﻟﻢ ﺩﻳﮕــﺮ ﺭﻭﻧــﺪ ﻣﺎﻳــﺔ ﺳــﻮﺩﺍﻱ ﺍﻳﺸــﺎﻥ ﺳــﺎﻳﺔ ﺑــﺎﻝ‪ ٤‬ﻫﻤﺎﺳــﺖ‬ ‫ﺭﻭﺯﻱ ﺻـﺎﺣﺐ ﺗﻮﮐﹼـﻞ ﻧﻴﺴـﺖ ﻣﺤﺘـﺎ ﹺﺝ ﻋﻤـﻞ ﻏﻨﭽـﺔ ﮔـﻞ ﺭﺍ ﻣﻴﺴ‪‬ـﺮ ﻣﺸـﺖ ﺯﺭ ﺑـﻲﮐﻴﻤﻴﺎﺳـﺖ‬ ‫‪ .١‬ﺑﻬﻠﻪ‪ :‬ﭘﻮﺳﺘﻴﻨﻲ ﺍﺳﺖ ﺑﻪﺍﻧﺪﺍﻡ ﭘﻨﺠﻪ ﮐﻪ ﻣﻴﺮﺷﮑﺎﺭﺍﻥ ﺑﺮ ﭘﻨﺠﻪ ﮐﺸﻨﺪ ﻭ ﺁﻥ ﺭﺍ ﺩﺳﺘﮑﻲ ﺟﺎﻧﻮﺭﺍﻥ ﺷﮑﺎﺭﻱ ﻧﻴﺰ ﮔﻮﻳﻨﺪ‪.‬‬ ‫ﺻﺎﺋﺐ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺑﻪﻗﺪﺭ ﭘﺎﺱ ﺍﺩﺏ ﻓﻴﺾ ﻣﻲﺭﺳﺎﻧﺪ ﺣﺴﻦ ﮐﻪ ﺟﺎﻱ ﺑﻬﻠﺔ ﮐﻮﺗﺎﻩ ﺩﺳﺖ ﺑﺮ ﮐﻤﺮﺳـﺖ‬ ‫)ﻓﺮﻫﻨﮓ ﺍﺷﻌﺎﺭ ﺻﺎﺋﺐ ‪(٩٧/١‬‬ ‫‪ .٢‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٣‬ﻫﻤﺎﻥ‪.‬‬ ‫‪ .٤‬ﮔﻨﺞ ﺑﺨﺶ‪ :‬ﻇﻞ‪.‬‬

‫ﻏﺰﻟﻴ‪‬ﺎﺕ ‪٢٤١ //‬‬ ‫ﺭﻧﮓ ﺧﻮﻥ ﺩﺭ ﺩﺳﺖ ﻭ ﭘﺎ ﺩﺍﺭﻱ ﻭ ﻣﻲﮔﻮﻳﻲ ﮐﻪ ﻧﻴﺴـﺖ ﻧﺎﻡ ﺧـﻮﻥ ﻧـﺎﺣﻖ ﻋﺎﺷـﻖ ﻣﮕـﺮ ﺭﻧـ ‪‬ﮓ ﺣﻨﺎﺳـﺖ‬ ‫ﺳﺮ ﻧﻤﻲﭘﻴﭽﻢ ﺍﮔﺮ ﺧﻮﺍﻫﺶ ﮐﻨﺪ ﺟـﺎﻥ ﺭﺍ ﺯ ﻣـﻦ ﻫﺮﭼﻪ ﻓﺮﻣﺎﻳﺪ ﺑﻪﺟﺎﻥ ﻣﻨـﺖ ﮐـﻪ ﻳـﺎﺭ ﺁﺷﻨﺎﺳـﺖ‬ ‫ﺍﻳﻦﻗﺪﺭ ﺧﻮﺍﻫﻢ ﮐﻪ ﺟﺎﻥ ﺩﺭ ﭘﻴﺶ ﭘـﺎﻱ ﺍﻭ ﺩﻫـﻢ ﺩﺭ ﺟﻨــﺎﺏ ﻗﺒﻠــﺔ ﻋــﺎﻟﻢ ﻣــﺮﺍ ﺍﻳــﻦ ﺍﻟﺘﺠﺎﺳــﺖ‬ ‫ﺧــﺎﻃﺮ ﺁﺯﺍﺩ ﻣﺎﻳــﻞ ﺷــﺪ ﺑــﻪﺩﻟــﺪﺍﺭﻱ ﺩﮔــﺮ‬ ‫ﻫﺮ ﻋﺬﺍﺑﻲ ﺭﺍ ﮐﻪ ﻓﺮﻣـﺎﺋﻲ ﺑـﻪﺍﻭ ﺍﻟﺤـﻖ ﺳﺰﺍﺳـﺖ‬ ‫»‪«۲۴۴‬‬ ‫ﻧﮑﺘﻪﺳﻨﺠﺎﻥ ﺭﺍ ﺷﮑﺴـﺖ ﺭﻭﺯﮔـﺎﺭ ﺁﻣـﺎﺩﻩ ﺍﺳـﺖ ﻃﻮﻃﻴﺎﻥ ﺭﺍ ﺩﺭ ﮔﻠﻮ ﻃﻮﻕﹺ ﻋـﺬﺍﺏ ﺍﻓﺘـﺎﺩﻩ ﺍﺳـﺖ‪١‬‬ ‫ﺗﻴــﺮﻩ ﺩﻝ ﻳــﺎﺭﻱ ﻧﻤﺎﻳــﺪ ﻇــﺎﻟﻢ ﺩﺭﻣﺎﻧــﺪﻩ ﺭﺍ ﺗﻴـﻎ ﺭﺍ ﺩﺭ ﻭﻗـﺖ ﮐﹸﻨـﺪﻱ ﺁﺑﮑـﺮ ﺳـﻨﺒﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻣﻲﺷـﻮﺩ ﺁﻥ ﻃﻔـﻞ ﺑـﺮ ﻣـﻦ ﻧﻴـﺰ ﺭﻭﺯﻱ ﻣﻬﺮﺑـﺎﻥ ﺑﻠﺒﻼﻥ ﺭﺍ ﻣﻮﺳﻢ ﮔـﻞ ﺍﺯ ﻗﻔـﺲ ﺳـﺮ ﺩﺍﺩﻩ ﺍﺳـﺖ‬ ‫ﻋﺎﺷﻖ ﻭ ﻣﻌﺸﻮﻕ ﺭﺍ ﻧﺴﺒﺖ ﺧﺪﺍ‪ ٢‬ﺩﺍﻧﺪ ﮐﻪ ﭼﻴﺴﺖ ﮐـﺎﻩ ﺭﺍ ﺑﻴﮕــﺎﻧﮕﻲ ﺑﺴــﻴﺎﺭ ﺑـﺎ ﺑــﻲﺟــﺎﺩﻩ ﺍﺳــﺖ‬ ‫ﺩﭼﻴﻭﺩﺴﻣــــﺎـﻥــﻋـﻨــــــﺪﻟـﻴـﺒـﺎـﻥــﻣـــــﻲـﮐـﻨـــــﺪــﺧـﺎـﻃــﺮﻧــﺸــــﻴﺖﻦ ﺩﺍﺭﺩ ﺍﺭﺙ ﻋﺸﻖﺑﺎﺯﻱ ﻫﺮﮐـﻪ ﻋﺎﺷـﻖﺯﺍﺩﻩ ﺍﺳـﺖ‬ ‫ﻣﻲﮐﻨﻨﺪ‪ ٣‬ﺍﺯ ﺣﺴﺮﺕ ﻣـﻲ ﻗﺎﻟـﺐ ﺧـﻮﺩ ﺭﺍ ﺗﻬـﻲ ﻣﺮﮒ ﻣﺴـﺘﺎﻥ ﺷﻴﺸـﻪ ﻭ ﭘﻴﻤﺎﻧـﺔ ﺑـﻲﺑـﺎﺩﻩ ﺍﺳـﺖ‬ ‫ﻫﺮﮐﺴﻲ ﻧﻘﺸﻲ ﺯ ﺍﺭﮊﻧﮓ ﺟﻬﺎﻥ ﺧﻮﺵ ﮐﺮﺩﻩ ﺍﺳﺖ‬ ‫ﺩﻝﻧﺸـــﻴﻦ ﺑﻨـــﺪﺓ ﺁﺯﺍﺩ ﺭﻭﻱ ﺳـــﺎﺩﻩ ﺍﺳـــﺖ‬ ‫»‪«۲۴۵‬‬ ‫ﻻﻟــﻪ ﺩﺍﺭﺩ ﺟﮕــﺮ ﺩﺍﻍ ﺳﺮﺷــﺖ‪ ٤‬ﮐﻪ ﺷﻨﺎﺳﺪ ﺩﻝ ﺍﻭ ﺭﺍ ﮐﻪ ﺑﺮﺷـﺖ‪٥‬‬ ‫ﻃــﻮﺭ ﺧﻮﺑــﺎﻥ ﺣﻨــﺎ ﺑﻨــﺪ ﺑﺒــﻴﻦ ﺑﺮ ﮐـﻒ ﺩﺳـﺖ ﻧﻤﺎﻳﻨـﺪ ﺑﻬﺸـﺖ‬ ‫ﺧﺸﺖ ﺧﻢ ﺁﺋﻴﻨـﺔ ﺩﺍﻧـﺎﺋﻲ ﺍﺳـﺖ ﮔﺮ ﻧﻔﻬﻤﻴﺪ‪ ٦‬ﹸﻟﺮﻱ ﮐﻮ ﺳﺮﻭ ﺧﺸﺖ‬ ‫ﺗﻮ ﮐﻪ ﺩﺭ ﮐﺸﺖ ﺟﻬﺎﻥ ﺩﻝ ﺑﺴﺘﻲ ﺷﺧـﺸﺎﻩـــﺷـــﻄــﺮﻧــﺞــﮔــﺮﻳـــﺰـﺩـﺍـﺯــﮐــﺸــﺖ‬ ‫ﭼﻴﺴــﺖ ﺁﻣﻴــﺰﺵ ﺩﻝ ﺑــﺎ ﺩﻧﻴــﺎ ﺻـﺤﺒﺖ ﺁﻳﻨـﻪ ﻭ ﭼﻬـﺮﺓ ﺯﺷـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﻧﺪﻭﻩ‪ :‬ﺧﺪﺍﻭﻧﺪ‪.‬‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﻣﻲﮐﻨﺪ‪.‬‬ ‫‪ .٤‬ﻧﺪﻭﻩ‪ :‬ﺳﺮﺕ‪.‬‬ ‫‪ .٥‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٦‬ﺭﻭﺳﺘﺎﻳﻲ ﻭ ﻣﺮﺩ ﺍﺣﻤﻖ )ﻏﻴﺎﺙ‪.(٧٥٥ ،‬‬

‫‪ // ٢٤٢‬ﮐﻠﻴﺎﺕ‪ ‬ﺁﺯﺍﺩ ﺑﻠﮕﺮﺍﻣﻲ‬ ‫ﭼﺸـﺘﻴﺎﻥ ﻃﺮﻓـﻪ ﺳـﻤﺎﻋﻲ ﺩﺍﺭﻧـﺪ ﺑﺎﺩﺓ ﺧﺎﺹ ﺑﻮﺩ ﺩﺭ ﺧﹸـﻢﹺ ﭼﺸـﺖ‬ ‫ﺁﻓـــﺮﻳﻦ ﺑـــﺎﺩ ﺑـــﻪﮐﻠـــﮏ‪ ‬ﺁﺯﺍﺩ‬ ‫ﺍﻳﻦ ﻏﺰﻝ ﺭﺍ ﺑﻪﭼﻪ ﺍﻧـﺪﺍﺯ ﻧﻮﺷـﺖ‬ ‫»‪«۲۴۶‬‬ ‫ﮔﻞﻫﺎﻱ ﺍﻳﻦ ﺣﺪﻳﻘﻪ ﺳـﻼﻣﺖ ﺯ ﺭﻳـﺶ ﻧﻴﺴـﺖ ﻳﮏ ﻏﻨﭽﻪ ﮔﻞ ﻧﮑﺮﺩ ﮐﻪ ﺧﺎﻟﻲ ﺯ ﻧـﻴﺶ ﻧﻴﺴـﺖ‪١‬‬ ‫ﻣـﺎ ﺑﻴﮑﺴـﺎﻥ ﭼﮕﻮﻧـﻪ ﺍﺯ ﺍﻳـﻦ ﺑـﺎﻍ ﺑﺮﺧــﻮﺭﻳﻢ ﻳــﮏ ﺷــﺎﺥ ﺑــﺎﺭﺩﺍﺭ ﺯ ﺩﻳــﻮﺍﺭ ﺑــﻴﺶ ﻧﻴﺴــﺖ‬ ‫ﻗﻠﻴــﺎﻥ ﮐﺸــﺎﻥ ﻭ ﻧــﺎﺱ ﮐﺸــﺎﻥ ﺭﺍ ﻧﮕــﺎﻩ ﮐــﻦ ﺩﺭ ﺟﺎﻱ ﻫﺮﺩﻭ ﻓﺮﻕ ﻳﮏ ﺍﻧﮕﺸﺖ ﺑﻴﺶ ﻧﻴﺴـﺖ‪٢‬‬ ‫ﺗـــﺮﮎ‪ ‬ﻋﻼﻗـــﻪ ﻻﺯﻣـــﺔ ﺍﺳـــﺘﻘﺎﻣﺖ ﺍﺳـــﺖ ﻧﺑﻴــﺎﺴـﻗـﺎـﻣـــــﺖـﺍـﻟـــــﻒــﺯﺑــــﺮــﻭــﺯـﻳــــﺮـﺑـــﻴـــﺶــﻧﻴــﺴـــﺖﺖ‪٢‬‬ ‫ﺩﺭ ﺧـــﺎﻃﺮﺵ ﭼﮕﻮﻧـــﻪ ﮐﻨـــﺪ ﺁ‪‬ﻩ ﻣـــﺎ ﺍﺛـــﺮ ﺗﻴـﺮﻱ ﮐـﻪ ﺩﺭ ﻧﺸـﺎﻧﻪ ﻧﺸـﻴﻨﺪ ﺑـﻪﮐـﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺑــﻲﻋﺸــﻖ ﺣﺴــﻦ ﺩﺭ ﮔــﺮﻭﹺ ﺑﻴﻘــﺮﺍﺭﻱ ﺍﺳــﺖ ﻗﺼﹼﺎﺏ ﺧﻮﻥ ﺧﻮﺭﺩ ﺑﻪﺯﻣﻴﻨﻲ ﮐﻪ ﻣـﻴﺶ ﻧﻴﺴـﺖ‬ ‫ﺁﺯﺍﺩ ﺭﺍ ﮐــﻪ ﺍﺯ ﺳــﺮ ﺩﻧﻴــﺎ ﮔﺬﺷــﺘﻪ ﺍﺳــﺖ‬ ‫ﭘﺮﻭﺍﻱ ﺍﻳﻦ ﺟﻬﺎﻥ ﭼﻪ ﮐﻪ ﭘﺮﻭﺍﻱ ﺧﻮﻳﺶ ﻧﻴﺴﺖ‬ ‫»‪«۲۴۷‬‬ ‫ﺣﺴﻦ ﺑﻲﺭﻧـﮓ‪ ٣‬ﺗﺠﻠﹼـﻲﮐـﺪﺓ ﻧﻴﺮﻧـﮓ ﺍﺳـﺖ ﺷﻴﺸـﺔ ﺑﻮﻗﻠﻤـﻮﻥ ﺁﻳﻴﻨـﺔ ﺻـﺪ ﺭﻧـﮓ ﺍﺳـﺖ‪٤‬‬ ‫ﺑﺎﻏﺒــﺎﻥ ﺩﺳــﺖ ﺯ ﺑﻴــﺪﺍﺩ ﺑﮑــﺶ ﺩﺍﻡ ﻣﭽــﻴﻦ ﺭﻭﻧﻖ ﺑﺎﻍ ﺗﻮ ﺍﺯ ﺑﻠﺒـﻞ ﺧـﻮﺵ ﺁﻫﻨـﮓ ﺍﺳـﺖ‬ ‫ﺩﺭ ﻣﻴــﺎﻥ ﺗــﻮ ﻭ ﻣــﻦ ﻫــﻴﭻ ﻋــﺪﺍﻭﺕ ﻧﺒــﻮﺩ ﺭﺍﺳﺖ ﻓﺮﻣﺎ ﮐﻪ ﭼﺮﺍ ﻃﺒﻊ ﺗﻮ ﮔﺮﻡ ﺟﻨﮓ ﺍﺳﺖ‬ ‫ﮔﺮﻣــﻲ ﺍﻟﻔــﺖ ﻣــﺎ ﺩﺭ ﺩﻝ ﺳــﻨﮕﻴﻦ ﺑﺘــﺎﻥ ﻧﻴﺴﺖ ﻣﻘﺪﺍﺭ ﺷﺮﺍﺭﻱ ﮐﻪ ﻧﻬﺎﻥ ﺩﺭ ﺳﻨﮓ ﺍﺳﺖ‬ ‫ﺍﺛـــﺮ ﺟﻠـــﻮﺓ ﻧﻴﺮﻧـــﮓ ﺗـــﺮﺍ ﻣـــﻲﻧـــﺎﺯﻡ ﭘﺮﺩﺓ ﺭﻭﻱ ﺗﻮ ﭘـﺮﻧﻘﺶﺗـﺮ ﺍﺯ ﺍﺭﮊﻧـﮓ‪ ٥‬ﺍﺳـﺖ‬ ‫‪ .١‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٢‬ﺩﺭﻫﺎﻣﺶ ﻧﺴﺨﺔ ﻣﺠﻠﺲ ﺍﻳﻦ ﻣﺼﺮﻉ ﺑﺪﻳﻦﮔﻮﻧﻪ ﻧﻴﺰ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪:‬‬ ‫»ﻓﺮﻗﻲ ﻣﻴﺎﻥ ﻫﺮﺩﻭ ﺯ ﺍﻧﮕﺸﺖ ﺑﻴﺶ ﻧﻴﺴﺖ«‬ ‫‪ .٣‬ﻧﺪﻭﻩ‪ :‬ﺑﻲﺭﻧﮕﻲ‪.‬‬ ‫‪ .٤‬ﺍﻳﻦ ﻏﺰﻝ ﺩﺭ ﻧﺴﺨﺔ ﺁﺻﻔﻴﻪ ﻧﻴﺎﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪ .٥‬ﻧﺎﻡ ﻧﹼﻘﺎﺷﻲ ﺍﺯ ﭼﻴﻦ ﮐﻪ ﻧﻈﻴﺮ ﻣﺎﻧﻲ ﺑﻮﺩ ﻭ ﻫﺮ ﮐﺘﺎﺑﻲ ﮐﻪ ﺻﻮﺭ ﻭ ﺍﺷﮑﺎﻝ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪ ،‬ﻧﮕﺎﺭﺧﺎﻧﻪ ﻭ ﺑﻌﻀﻲ ﮔﻮﻳﻨﺪ ﮐﻪ ﻧﺎﻡ‬ ‫ﻣﺎﻧﻲ ﺍﺭﮊﻧﮓ ﺑﻮﺩ )ﻏﻴﺎﺙ‪.(٣٥ ،‬‬